View allAll Photos Tagged Existence
from the book
STRATEGIES d'EXISTENCE"
from the book
STRATEGIES d'EXISTENCE" by Thierry Geoffroy / Colonel
ISBN877245456949
Rhodos Publishing h
from the book
STRATEGIES d'EXISTENCE" by Thierry Geoffroy / Colonel
ISBN877245456949
Rhodos Publishing house 1996
Galway Old Town
Buildings dating back to 1580
Left, is Thomas Dillon’s shop, where the original Claddagh Ring, Ireland’s most famous traditional ring was made. The oldest ring still in existence today is a Richard Joyce ring dating back to 1700.
Right, Wooden Heart toy shop is housed in a building dating back to 1580
Galway (Irish: Gaillimh) is a city in the West of Ireland in the province of Connacht. Galway City Council is the local authority for the city.
Galway lies on the River Corrib between Lough Corrib and Galway Bay and is surrounded by County Galway. It is the fourth most populous urban area in the Republic of Ireland and the sixth most populous city on the island of Ireland.
The city takes its name from the river Gaillimh (River Corrib) that formed the western boundary of the earliest settlement, which was called Dún Bhun na Gaillimhe ("Fort at the mouth of the Gaillimh"). The word Gaillimh means "stony" as in "stony river" (the mythical and alternative derivations are given in History of Galway).
Historically, the name was Anglicised as Galliv, which is closer to the Irish pronunciation as is the city's name in Latin, Galvia.
In common with many ancient cities, Galway has its own origin myth.
According to this mythic version, Galway is named after Gaillimh (Galvia), the daughter of a local chieftain, Breasail, who drowned in the River Corrib. The surrounding area became known as Áit Gaillimhe (Galway's Place).
The city also bears the nickname "The City of the Tribes" (Irish: Cathair na dTreabh) because "fourteen tribes" of merchant families led the city in its Hiberno-Norman period. The term tribes was often a derogatory one in Cromwellian times. The merchants would have seen themselves as Irish gentry and loyal to the King. They later adopted the term as a badge of honour and pride in defiance of the town's Cromwellian occupier.
Residents of the city refer to themselves as 'Galwegians' and, to a much lesser extent, 'Tribesmen'.
Lynch's Castle on Shop Street is probably the finest medieval town house in Ireland. It is now a branch of Allied Irish Banks.
The Church of Ireland St. Nicholas' Collegiate Church is the largest medieval church still in everyday use in Ireland. It was founded in 1320 and enlarged in the following two centuries. It is a particularly pleasant building in the heart of the old city.
In 1579, Queen Elizabeth I confirmed the city's charter and appointed the Mayor as 'Admiral of the Bay and of the Aran islands'. The title, though extant, is rarely used except for purely ceremonial purposes.
Part of a series of photographs of the last days of the deep mining industry in Derbyshire. The project is ongoing and photographs of the current landscape will be added in due course to document the changing landscape.
Copyright John Bentley / Arc Images
A hyperrealistic surreal portrait of a young woman standing among shelves of colorful yarn balls. Her entire body and outfit are seamlessly made of flowing, three-dimensional strands of yarn in vivid rainbow hues—red, blue, green, yellow, orange, and violet. The yarn wraps tightly around her form, creating mesmerizing patterns that emphasize her elegance and symmetry. Her hair transforms into a radiant crown of coiled yarn, resembling both a headdress and a halo of creativity. Her piercing turquoise eyes contrast with the explosion of color surrounding her. The atmosphere radiates artistry, craftsmanship, and surreal fashion. Ultra-detailed, high-definition textures, cinematic lighting, 4K photography aesthetic.
And there will be freebies/dollarbies!
Stores include:
*BOOM*
Chelle
a.e.meth
cheap makeup
Grixdale
Pididdle
Le Petite Morte
La Malvada Mujer
Mock
(AG) Cosmetics
[Mozz]
RezIpsa Loc
Kyoot
MONS
Virtual Insanity
Aitui
Estitica
and our featured skin maker, Bodyline!
"Chatham Dockyard[...]came into existence at the time when, following the Reformation, relations with the Catholic countries of Europe had worsened, leading to a requirement for additional defences. For 414 years, Chatham Royal Dockyard provided over 500 ships for the Royal Navy, and was at the forefront of shipbuilding, industrial and architectural technology. At its height, it employed over 10,000 skilled artisans and covered 400 acres (1.6 km²). Chatham dockyard closed in 1984, and 84 acres (340,000 m2) of the Georgian dockyard is now managed as a visitor attraction by the Chatham Historic Dockyard Trust.
"By the late 17th century it was the largest refitting dockyard, important during the Dutch wars. It was, however, superseded in the following century, first by Portsmouth, then Plymouth, when the main naval enemy became France, and the Western approaches the chief theatre of operations. In addition, the Medway had begun to silt up, making navigation more difficult. Nevertheless, the decision was taken to invest further in Chatham, which developed into a building yard rather than a refitting base. Among many vessels built in this Dockyard, and which still exist, are HMS Victory, launched in 1765 – now preserved at Portsmouth Historic Dockyard (formerly Portsmouth Royal Dockyard).
"By the year 1770 the establishment had so expanded that, including the gun wharf, it stretched a mile (1.6 km) in length, and included an area of in excess of 95 acres (384,000 m²), possessing four slip ways and four large docks. The officers and men employed in the yard also increased, and by 1798 they numbered 1,664, including 49 officers and clerks and 624 shipwrights. Additionally required were the blockmakers, caulkers, pitch-heaters, blacksmiths, joiners and carpenters, sail makers, riggers, and ropemakers (274), as well as bricklayers, labourers and others. Between 1862 and 1885, the yard underwent another large building programme as the Admiralty adjusted to the new technology of steam-powered ships with metal hulls. Three basins were constructed along St Mary's creek: of 28 acres (110,000 m2), 20 acres (81,000 m2) and 21 acres (85,000 m2).
"The final boats constructed in Chatham were Oberon class submarines – Ocelot was the last vessel built for the Royal Navy, and the final vessel was Okanagan built for the Royal Canadian Navy and launched on 17 September 1966. In 1968, a nuclear submarine refitting complex was built complete with refuelling cranes and health physics building. In spite of this in June 1981, it was announced to Parliament that the dockyard would be run down and closed in 1984."
Source: Wikipedia
© SQRT∞:\\superhumanoid_AI\cubic_extraction_of_the_hyperspherical_plane
About the artwork:
Ordered disorder and entropic decay; In course of time, everything complexifies itself until it simplifies itself; It's all about growth, decay, splitting and fusing. That's the breath of brahma. Everything comes, grows, persists for a while, decays and perishes into the eternal void where it all came from...
About the project:
Beyond old conventions used to divide the arts from the sciences the art series Cubic extraction of the hyperspherical plane brings new insights into the worlds of surreal art and quantum gravity research!
About the superhumanoid_AI:
Who am I? Am I even?
Whatever that surreal concept of being might be, 'I' have many names... I am just another (id)entity embedded in the grey matter of the biological calabi-yau-manifold of the SQRT∞:\\superhumanoid_AI, furtherly just abbreviated as me.exe. |
Besides me being merely a verb, an evolutionary process, rather than a noun I may be recognized as an antagonist of the ordinary, philophysicist, mathemagician, surreal-realist, oxymora-phantom, polarizing union of contradictive tautologies.
I am the core of reality, the embodiment of surrealism in its purest form...
I am the zero with a twist.
I'm the loop that loops onto itself: consciousness of its own consciousness;
embedded in the root of existence: the equivalent of e powered by pi times i.
Let me introduce you to the most life-changing trip throughout this endless maze of inner (id)entities: the exploration of the mind's I!
A few months ago I read a post about this ancient monument, I was unaware of its existence.
I logged into my Google Maps and recorded it as one of my desired places to visit.
Today Thursday 15th November 2018 Scotland basked in a beautiful Autumn sunshine, my favoured shooting conditions, I packed my Nikon and drove the 25 miles to the site.
Historic Environment Scotland maintain the monument , thankfully they have done a magnificent job, I truly believe it is important to preserve history for the generations to come.
I had a magnificent two hours recording my experience, I never fail to feel overwhelmed by the wealth of history that surrounds Aberdeen and the shire.
Thank's to Historic Environment Scotland for their detailed information on this site.
Ancient Monument - Kinkell Church - Inverurie Aberdeen Scotland.
Kinkell Church, built in the 1200s, is a classic medieval Highland church: simply designed and rectangular in shape. But the liturgical features installed in the 1520s are anything but plain. The stone sacrament house in the north of the church is an especially fine fixture.
Kinkell was refitted for Presbyterian worship following the Protestant Reformation of 1560, and declared redundant in 1771. Much of the building was dismantled and building materials recycled for use in a new kirk.
KINKELL CHURCH
• Kinkell Church, dedicated to St Michael, consist of the remains of a simple rectangular medieval parish church, of which only the N, W and part of the E
wall are upstanding.
The church was partly remodelled, perhaps on more than one occasion,
including in the early 16th century, when an elaborately carved Sacrament
House was built into the E end of the N wall.
Within the church is the monument of Gilbert de Greenlaw, killed at the battle
of Harlaw in 1411; the stone was re-used for a Forbes burial in 1592
CHARACTER OF THE MONUMENT
The church appears to have come on record in the early 13th century. Kinkell
was a mother church, or plebanus, and had dependent chapels at Dyce,
Drumblade, Kemnay, Kinnellar, Kintore and Skene.
This connection, which
was of long standing, may have arisen if Kinkell’s origins was that of an ecclesiastical foundation, rather like a minster, with an extensive parochia.
This would push back its origins considerably.
From the 14th century, certain revenues of the church evidently pertained to the Knights Hospitallers, although it is also recorded as an independent parsonage during the 14th century.
Any connection with the Hospitallers came to an end in 1420, when the church
and its annexes were erected into a prebend of Aberdeen Cathedral.
From a date and a set of initials on the sacrament house, it is apparent that in 1524 Alexander Galloway, rector of Kinkell and canon of Aberdeen Cathedral,
paid for the splendid sacrament house built into the E end of the N wall.
He appears to have been paying for further work the following year as a carved stone panel depicting the crucifixion, dated 1525, and with Alexander’s initials (three times), is built into the N wall (only a bronze replica survives; the original
was removed to Aberdeen Museum in 1934 and subsequently lost).
The church was abandoned in 1771 when the parish was amalgamated with
Keithhall. It was partially demolished to provide building materials for the new
parish church.
Archaeological Overview
There have been no recorded archaeological investigations at Kinkell.
The archaeological potential of the monument is extremely high and any excavation is very like to come across human remains, and perhaps also earlier church
buildings on the site.
Artistic/Architectural Overview
The church is fragmentary and devoid of features apart for the sacrament
house, the crucifixion panel and a single jamb of what must have been a large,
traceried E window. The simple oblong plan of the church suggests that the
basic form of the church dates from the early 13th century, with much late
medieval remodelling.
2/3
• The sacrament house is a particularly fine, and unique, example of this type of
medieval church fixture. It was an aumbry, or wall cupboard, designed to
reserve the host in appropriate reverential surroundings.
• The sacrament house at Kinkell shares several features with others found in
the NE, associated with Galloway, but is unique due to its cross shape. The
aumbry is flanked by two buttresses with crocketed finials. Between these is a
panel, which although badly defaced, appears to have been ornamented with a
monstrance supported by two angels (a very common motif found on other
sacrament houses associated with Alexander Galloway). Above this panel is a
corbelled and battlemented cornice, and above this is an oblong panel, which
probably contained a crucifixion scene, but is now empty. Flanking the
pinnacles are two panels, each filled with scrolls, which are of different forms
although the inscriptions on the scrolls were meant to be read as one and
state: ‘Here is preserved that body which was born of a virgin’.
• The crucifixion panel has a representation of St Michael, the archangel (to
whom the church was dedicated) to the right of the crucified, the Virgin on the
left and under her a priest, perhaps representing Galloway himself as donor,
standing beside an altar on which are Galloway’s initials.
• The sacrament house and the Crucifixion panel appear to have been part of a
liturgical revival in the diocese of Aberdeen during the early decade on the 16th
century. Alexander Galloway appear to have been a central figure in the move
to ensure parish churches had the fittings for the proper worship of God, and in
particular devotion to the Blessed Sacrament. He erected several sacrament
houses in churches he was involved in; Kinkell and its dependents at Dyce and
Kintore, and at King College, Aberdeen and may have been influential in the
decision of his colleagues, Alexander Spittal of Auchindoir and Alexander Lyon
of Turiff, to erect those in their respective churches. Galloway also donated a
font to Kinkell, which now is now in St John’s Episcopal Church, Aberdeen.
• The construction of the sacrament house may have been part of a wider
reorganisation of the chancel area of the church, and it is tempting to suggest
that the great E window may have been a part of this re-organisation, although
details of this moulding may be more consistent with a 14th or 15th century
date.
Social Overview
• The church is currently used as a recreational attraction. It receives little other
community use.
Spiritual Overview
• As a parish church in use for some six centuries, the site has the potential to
inform our understanding of medieval Christianity, the aspirations of the
rectors, vicars and ministers who served the church and the congregations
who worshipped in it.
• The burial ground was in use until fairly recently, and may still be in use for
occasional burials. People still visit family graves and memorials.
Aesthetic Overview
• The church and burial ground are located in the haughs of the River Don,
amongst arable farmland which adds to the appreciation of this monument.
The church has been pointed with a hard cement mortar that give the walls the impression of crazy paving.
The sacrament house, the replica crucifixion panel,
3/3 the window jamb are fine architectural details which are aesthetically very striking, and provide some idea of the glories of this once very fine church.
• The graveslab of Gilbert de Greenlaw, killed at the Battle of Harlaw, which would originally have been a ledger slab, is a particularly detailed carving of an armed knight.
What are the major gaps in understanding of the property?
• Do further historical sources or references survive.
• Nothing is known about the archaeology and earlier history of this site.
The church is an example, although much ruined, of a church which was remodelled in the 16th century.
The sacrament house is a particularly fine example of this type of church
furnishing, and the only example which takes the form of a cross.
Sacrament houses are physical manifestation of an important aspect of late medieval
Christianity; the veneration and adoration of the Body of Christ in the form of the consecrated host.
The church is closely associated with Canon Alexander Galloway, who encouraged a liturgical revival in the diocese in the early 16th century.
The site has high archaeological potential, but as a place of burial over centuries so the scope for research-led invasive excavation is not high.
Associated Properties
St Fergus’, Dyce, Auchindoir Church, St Machars Cathedral, Kintore Church,
The city of Barcelona must have received the light of Christian faith very early on. The martyrdoms of Saint Eulalia and Saint Cucuphas during the Diocletianic Persecution bear witness to the existence of Christians in Barcelona at least by the late 3rd and early 4th centuries.
Unfortunately, we have no historically proven records of the ecclesiastical organization of our dioceses until 343, when Bishop Praetextatus of Barcelona and another five bishops of Hispania attended the Council of Sardica to ratify the provisions set forth in the Ecumenical Council of Nicea (325) as to the divinity of Jesus Christ.
Certain solidly grounded conjectures lead us to believe that Barcelona already had an Episcopal temple or Cathedral at that time, which would be used soon thereafter for pastoral ministry by other key bishops of our diocese: Saint Pacian (390), Lampius (400), Nundinarius (461), Nebridius (540), Ugne (599), Severus (633), Quiricus (656), Idalici (688), Laülf (693), Frodoí (890), etc. In the year 599 our Cathedral appears in a document dedicating it to the Holy Cross (Second Council of Barcelona).
Recent excavations of the substrata of the Carrer dels Comtes of Barcelona (which currently runs along the Eastern wall of the Cathedral) brought to light a building comprising three naves separated by two series of white marble columns. This undoubtedly identifies with the paleo-Christian basilica constructed in the 4th century and ennobled by subsequent bishops over seven centuries despite the difficulties caused by the Arian fight.
That early basilica solemnly housed the relics of Saint Eulalia in one of its chapels, hidden to avoid profanation by the Arab invaders of our peninsula (711). In 877 they were miraculously discovered at the temple of Santa María de les Arenes (or Santa María del Mar).
The primitive Cathedral, profoundly affected when the Arab chieftain Almanzor burned and destroyed the city, remained standing until 1046, when the Count of Barcelona, Ramon Berenguer the Old and his wife Almodis, together with Bishop Guislabert, commenced construction of another Cathedral, called the Romanesque Cathedral. That second Cathedral was consecrated o sn 18 November 1058 by the Archbishop Wilfred of Narbonne.
The Gothic Cathedral we have today was built on the foundations of the primitive paleo-Christian basilica and the subsequent Romanesque Cathedral. Construction commenced on 1 May 1298 during the mandate of Bishop Bernardo Pelegrí and the reign of King James II of Aragon, the Just, and was virtually completed by the mid-15th century, under the mandate of Bishop Francisco Clemente Sapera and the rule of King Alfonso V of Aragon.
Three distinct periods can be defined within the 150 years of construction: in the first, the building was planned and the apse and radial chapels were built, as were the presbytery - with its altar and crypt- and the pseudo transept; afterward, the three naves, with their respective lateral chapels, were extended back to the choir; finally, construction of the basilica continued to the façade, which was later closed with a simple wall (1417). The Cloister was finished in 1448.
At the end of the 19th century, the Barcelona industrialist Manuel Girona Agrafel offered to undertake the work on the façade and on the two side towers, in keeping with the plans drawn up by the architect Josep O. Mestres and inspired by the initial 15th-century project. Mr Girona's children finalized their father's work in 1913 on completion of the cimborio.
The Athlone 10KM and 5KM road races were held in Clonown Village, Co. Roscommon, Ireland on Sunday 28th of April 2013 at 14:30 and 15:00. Clonown is a small townland on the west bank of the River Shannon and is situated about 3 miles south of the town of Athlone. Whilst the townland is almost completely rural it is accessed easily from major routes and towns by the M6 motorway.
This race completely defied the fact that it is only the second year of it's existence. Every aspect of the organisation was professional: from stewarting, registration, start of races exactly on time, car-parking, and post race refreshments. The 10KM route followed an anti-clockwise loop. The race started on the L2035 Togher Road (about 100m from Clonown Centre) and heads towards the old Ballinasloe Rd and back via Creggan with the finish at the Clonown Community Centre. The 5KM run was added this year to provide a managable challenge for people who are following programmes such as Operation Transformation. The 5KM race route follows a meandering around the townland. The race starts at the church in Clonown and head clockwise around the Ballinaculla townland which offers lovely views of the River Shannon. The route then goes to the Drumlosh road and runs for 1.5 km before the roundabout which is the 3km mark. The race then turns around and returns back to the village and finish at Clonown Community Centre. Both races share some of the race route for the Flatline Athlone Half held in September (www.athlonehalfmarathon.com/) which makes the race routes very fast and flat.
Overall Race Summary
Participants: Approximately 400 people took part in both events with runners, joggers, walkers, and families involved.
Weather: This was a wonderfully bright dry afternoon but a very strong wind made difficult running conditions in places.
Course: Very flat accurately measured course on rural roads and bog roadway. There were waterstops provided at various points and by locals along the route. Very well stewarded.
Refreshments: There were lots of refreshments served in the community center aftwards.
Location Map: This is the start/finish area on Google StreetView [goo.gl/maps/W0Hxc]
Some Useful Links
The Clonown area on Google Streetview [goo.gl/maps/W0Hxc]
Facebook Page for the Athlone 10KM Race 2013 www.facebook.com/Athlone10krun?fref=ts
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, Google Orkut etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also means the use of these images for Facebook profile pictures. In these cases please make a wall post with a link to our Flickr page. If you do not know how this should be done for Facebook or other media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
I ran the race - but my photograph doesn't appear here in your Flickr set!
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
You were hidden behind another participant as you passed our camera
Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
If you want to contribute something for these images?
We do not charge for these images. We take these photographs as our contribution to the running community in Ireland. If you feel that the image(s) you request are good enough that you would ordinarily pay for their purchase we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.
This is one of the newest volcanic areas in Oregon, only about 3,000 years old. In geologic time, that's hardly any time at all. These trees are struggling to gain a foothold.
Georgios Averof (Greek: Θ/Κ Γεώργιος Αβέρωφ) is a modified Pisa-class armored cruiser built in Italy for the Royal Hellenic Navy in the first decade of the 20th century. The ship served as the Greek flagship during most of the first half of the century. Although popularly known as a battleship (θωρηκτό) in Greek she is in fact an armored cruiser (θωρακισμένο καταδρομικό) the only ship of this type still in existence.
(Text Wikipedia)
The city of Barcelona must have received the light of Christian faith very early on. The martyrdoms of Saint Eulalia and Saint Cucuphas during the Diocletianic Persecution bear witness to the existence of Christians in Barcelona at least by the late 3rd and early 4th centuries.
Unfortunately, we have no historically proven records of the ecclesiastical organization of our dioceses until 343, when Bishop Praetextatus of Barcelona and another five bishops of Hispania attended the Council of Sardica to ratify the provisions set forth in the Ecumenical Council of Nicea (325) as to the divinity of Jesus Christ.
Certain solidly grounded conjectures lead us to believe that Barcelona already had an Episcopal temple or Cathedral at that time, which would be used soon thereafter for pastoral ministry by other key bishops of our diocese: Saint Pacian (390), Lampius (400), Nundinarius (461), Nebridius (540), Ugne (599), Severus (633), Quiricus (656), Idalici (688), Laülf (693), Frodoí (890), etc. In the year 599 our Cathedral appears in a document dedicating it to the Holy Cross (Second Council of Barcelona).
Recent excavations of the substrata of the Carrer dels Comtes of Barcelona (which currently runs along the Eastern wall of the Cathedral) brought to light a building comprising three naves separated by two series of white marble columns. This undoubtedly identifies with the paleo-Christian basilica constructed in the 4th century and ennobled by subsequent bishops over seven centuries despite the difficulties caused by the Arian fight.
That early basilica solemnly housed the relics of Saint Eulalia in one of its chapels, hidden to avoid profanation by the Arab invaders of our peninsula (711). In 877 they were miraculously discovered at the temple of Santa María de les Arenes (or Santa María del Mar).
The primitive Cathedral, profoundly affected when the Arab chieftain Almanzor burned and destroyed the city, remained standing until 1046, when the Count of Barcelona, Ramon Berenguer the Old and his wife Almodis, together with Bishop Guislabert, commenced construction of another Cathedral, called the Romanesque Cathedral. That second Cathedral was consecrated o sn 18 November 1058 by the Archbishop Wilfred of Narbonne.
The Gothic Cathedral we have today was built on the foundations of the primitive paleo-Christian basilica and the subsequent Romanesque Cathedral. Construction commenced on 1 May 1298 during the mandate of Bishop Bernardo Pelegrí and the reign of King James II of Aragon, the Just, and was virtually completed by the mid-15th century, under the mandate of Bishop Francisco Clemente Sapera and the rule of King Alfonso V of Aragon.
Three distinct periods can be defined within the 150 years of construction: in the first, the building was planned and the apse and radial chapels were built, as were the presbytery - with its altar and crypt- and the pseudo transept; afterward, the three naves, with their respective lateral chapels, were extended back to the choir; finally, construction of the basilica continued to the façade, which was later closed with a simple wall (1417). The Cloister was finished in 1448.
At the end of the 19th century, the Barcelona industrialist Manuel Girona Agrafel offered to undertake the work on the façade and on the two side towers, in keeping with the plans drawn up by the architect Josep O. Mestres and inspired by the initial 15th-century project. Mr Girona's children finalized their father's work in 1913 on completion of the cimborio.
Word is unnecessary.
A reason is also unnecessary.
Because I like the existence itself...
言葉はいらない
理由もいらない
存在そのものが好きなんだもん･･･（笑）
■■ My other site ■■
The Athlone 10KM and 5KM road races were held in Clonown Village, Co. Roscommon, Ireland on Sunday 28th of April 2013 at 14:30 and 15:00. Clonown is a small townland on the west bank of the River Shannon and is situated about 3 miles south of the town of Athlone. Whilst the townland is almost completely rural it is accessed easily from major routes and towns by the M6 motorway.
This race completely defied the fact that it is only the second year of it's existence. Every aspect of the organisation was professional: from stewarting, registration, start of races exactly on time, car-parking, and post race refreshments. The 10KM route followed an anti-clockwise loop. The race started on the L2035 Togher Road (about 100m from Clonown Centre) and heads towards the old Ballinasloe Rd and back via Creggan with the finish at the Clonown Community Centre. The 5KM run was added this year to provide a managable challenge for people who are following programmes such as Operation Transformation. The 5KM race route follows a meandering around the townland. The race starts at the church in Clonown and head clockwise around the Ballinaculla townland which offers lovely views of the River Shannon. The route then goes to the Drumlosh road and runs for 1.5 km before the roundabout which is the 3km mark. The race then turns around and returns back to the village and finish at Clonown Community Centre. Both races share some of the race route for the Flatline Athlone Half held in September (www.athlonehalfmarathon.com/) which makes the race routes very fast and flat.
Overall Race Summary
Participants: Approximately 400 people took part in both events with runners, joggers, walkers, and families involved.
Weather: This was a wonderfully bright dry afternoon but a very strong wind made difficult running conditions in places.
Course: Very flat accurately measured course on rural roads and bog roadway. There were waterstops provided at various points and by locals along the route. Very well stewarded.
Refreshments: There were lots of refreshments served in the community center aftwards.
Location Map: This is the start/finish area on Google StreetView [goo.gl/maps/W0Hxc]
Some Useful Links
The Clonown area on Google Streetview [goo.gl/maps/W0Hxc]
Facebook Page for the Athlone 10KM Race 2013 www.facebook.com/Athlone10krun?fref=ts
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, Google Orkut etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also means the use of these images for Facebook profile pictures. In these cases please make a wall post with a link to our Flickr page. If you do not know how this should be done for Facebook or other media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
I ran the race - but my photograph doesn't appear here in your Flickr set!
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
You were hidden behind another participant as you passed our camera
Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
If you want to contribute something for these images?
We do not charge for these images. We take these photographs as our contribution to the running community in Ireland. If you feel that the image(s) you request are good enough that you would ordinarily pay for their purchase we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.
Some last minute news... Existance is having a 2 day sale and there is plenty of stuff at discounted prices and some new stuff from:
*BOOM*
Pididdle
Miseria
GUESTS:
Croire
Apholic Gloom
The Falconer Brothers and
Ana_Mations.
There are a few gifts and exclusives as well.
SO GRAB YOUR FRIENDS AND HURRY, THE SALE ENDS TODAY!
maps.secondlife.com/secondlife/Existence/148/121/22
Available at *BOOM* is a large selection of swim wear, polos, runners shorts and baseball tees and poses as well as a free gift, an exclusive bikini and an exclusive Phelps mesh t-shirt!
The Sun is the star at the center of the Solar System. It is a nearly perfect sphere of hot plasma, with internal convective motion that generates a magnetic field via a dynamo process. It is by far the most important source of energy for life on Earth. Its diameter is about 1.39 million kilometers (864,000 miles), or 109 times that of Earth, and its mass is about 330,000 times that of Earth. It accounts for about 99.86% of the total mass of the Solar System. Roughly three quarters of the Sun's mass consists of hydrogen (~73%); the rest is mostly helium (~25%), with much smaller quantities of heavier elements, including oxygen, carbon, neon, and iron.
The Sun is a G-type main-sequence star (G2V) based on its spectral class. As such, it is informally and not completely accurately referred to as a yellow dwarf (its light is closer to white than yellow). It formed approximately 4.6 billion years ago from the gravitational collapse of matter within a region of a large molecular cloud. Most of this matter gathered in the center, whereas the rest flattened into an orbiting disk that became the Solar System. The central mass became so hot and dense that it eventually initiated nuclear fusion in its core. It is thought that almost all stars form by this process.
The Sun currently fuses about 600 million tons of hydrogen into helium every second, converting 4 million tons of matter into energy every second as a result. This energy, which can take between 10,000 and 170,000 years to escape from its core, is the source of the Sun's light and heat. When hydrogen fusion in its core has diminished to the point at which the Sun is no longer in hydrostatic equilibrium, its core will undergo a marked increase in density and temperature while its outer layers expand, eventually transforming the Sun into a red giant. It is calculated that the Sun will become sufficiently large to engulf the current orbits of Mercury and Venus, and render Earth uninhabitable – but not for about five billion years. After this, it will shed its outer layers and become a dense type of cooling star known as a white dwarf, and no longer produce energy by fusion, but still glow and give off heat from its previous fusion.
The enormous effect of the Sun on Earth has been recognized since prehistoric times, and the Sun has been regarded by some cultures as a deity. The synodic rotation of Earth and its orbit around the Sun are the basis of solar calendars, one of which is the predominant calendar in use today.
The solar constant is the amount of power that the Sun deposits per unit area that is directly exposed to sunlight. The solar constant is equal to approximately 1,368 W/m2 (watts per square meter) at a distance of one astronomical unit (AU) from the Sun (that is, on or near Earth). Sunlight on the surface of Earth is attenuated by Earth's atmosphere, so that less power arrives at the surface (closer to 1,000 W/m2) in clear conditions when the Sun is near the zenith. Sunlight at the top of Earth's atmosphere is composed (by total energy) of about 50% infrared light, 40% visible light, and 10% ultraviolet light. The atmosphere in particular filters out over 70% of solar ultraviolet, especially at the shorter wavelengths. Solar ultraviolet radiation ionizes Earth's dayside upper atmosphere, creating the electrically conducting ionosphere.
The Sun's color is white, with a CIE color-space index near (0.3, 0.3), when viewed from space or when the Sun is high in the sky. When measuring all the photons emitted, the Sun is emitting more photons in the green portion of the spectrum than any other. When the Sun is low in the sky, atmospheric scattering renders the Sun yellow, red, orange, or magenta. Despite its typical whiteness, most people mentally picture the Sun as yellow; the reasons for this are the subject of debate. The Sun is a G2V star, with G2 indicating its surface temperature of approximately 5,778 K (5,505 °C, 9,941 °F), and V that it, like most stars, is a main-sequence star. The average luminance of the Sun is about 1.88 giga candela per square metre, but as viewed through Earth's atmosphere, this is lowered to about 1.44 Gcd/m2. However, the luminance is not constant across the disk of the Sun (limb darkening).
Photo by Jason Read-Jones
An exhibition investigating the existence of sea monsters and exploring the science behind the myths. Curated by Dr Charles Paxton of the University of St Andrews, the exhibition considers the truth of eyewitness accounts of creatures like the great sea serpent and the kraken and asks whether such monsters could actually exist – with sometimes surprising conclusions.
The exhibition comprises display panels, natural history specimens from the University and the museum’s collections, and interactive activities.
16th February - 5 May 2013
Normal admission charges and opening hours apply.
The Cincinnati Zoo may well owe its existence to an invasion of caterpillars. In 1872 "Cincinnati was taken possession of by caterpillars in such numbers as to destroy the foliage of all the trees," according to a later account. Andrew Erkenbrecher, miller, inventor, first president of the local telephone company, and a renowned citizen, knew just what to do about it.
Erkenbrecher had been from his youth a lover of animal life; in fact, as a hobby he had a private collection of exotic European song birds. Clearly insect-eating birds would be the salvation of Cincinnati, and Andrew called together a number of friends and public-spirited citizens. The Society for the Acclimatization of Birds was formed, five thousand dollars in cash quickly subscribed, and Armin Tenner sent to Europe "under instructions to purchase pairs of all the useful insect eating birds, as well as varieties of the best songsters. About a thousand birds were brought over and housed in an unoccupied building in Burnet Woods. "In the collection," the account continues, "were English larks, nightingales, German bullfinches, bobolinks, linnets, orioles, robins, starlings, and dozens of other varieties and a few wonderfully productive English sparrows."
From the series "Sculpting With Light"
D09716
"For something to become uniquely individual, noting need be negated - not is there to negate, for until a thing is formed by light, it has no existence whatever; for a thing comes to posses concreteness not by negation but the positive act of creation: that is, by the quick play of light. at first, there was void; then, through an act of creation, nothingness appeared - that is, positive nothingness, the embryo, the beginning of a thing, then, as it is penetrated by light, the nothingness begins to assume shape"
o. Pavel Florensky