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eSSeNcE / ExiStEnCe
La esencia, aquello que nos define, es lo que construimos nosotros mismos mediante nuestros actos.
Sartre
The essence, that defines us, is what we built by themselves with our acts.
Sartre
A beautiful young whitetail fawn seen during a meadow walk with my wife at Big Meadows in Shenandoah National Park, Virginia. Whitetail deer (Odocoileus virginianus), Fawn - a baby deer.
For the first time in six years of existence, the P1 AquaX was hosting a World Championship event sanctioned by IJSBA and it happened in Key West, Florida December 9th and 10th 2017. Since the Thailand King's Cup was being held at the same time, only 18 of the 25 pilots that made the selection were racing this week end. Nevertheless, Key West was a beautiful destination to race, every morning brought a different colour of sunrise and the ever changing blue hues of the water made this race memorable. After marine and storm delays, day one was hard for David Chassier after experiencing mechanical problems. Day two was a little better even if the Yamaha FX SVHO was barely taking 7000 rpm, the French pilot from Blois managed to finish 12 and 13, which placed him 15 overall. A big thank you to Barefoot Billy's Jet Ski Rental that helped us train the first days in Key West as well as Redler's family that gave us assistance and support during the race. Congratulation to our friend Nicolas Rius on landing a 3rd place overall despite a bad shoulder injury and we wish him the best recovery so he can be back a the top for 2018. This was the last race of the season, see you next year :)
States of Existence developed during the winter & spring terms by the 2015 Choreography Workshop students, includes both solo and group work that focus on the idea of the individual in relation to 'other.' The following question is presented: How is individual identity created? To see more about Knox's Dance program: www.knox.edu/academics/majors-and-minors/dance
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States of Existence developed during the winter & spring terms by the 2015 Choreography Workshop students, includes both solo and group work that focus on the idea of the individual in relation to 'other.' The following question is presented: How is individual identity created? To see more about Knox's Dance program: www.knox.edu/academics/majors-and-minors/dance
The Royal Mews at Buckingham Palace is one of the finest working stables in existence and provides a unique opportunity for visitors to see the work of the royal Household department that provides road transport for the Queen and Members of the Royal Family family.
The mews was moved to its present location in 1760, when George III moved his carriage collection and some of his horses from a site near Charing Cross to his newly acquired property now known as Buckingham Palace. John Nash the famous architect was commissioned by George IV to remodel the House and stables and the buildings were completed in 1825. Subsequent Monarchs made their own changes and in 1855 Queen Victoria set up the Buckingham Palace Royal Mews School at her own expense for the children of the servants, this remained open for 20 years. In 1859 new accommodation was built for the 198 members of staff and their families.
in Paul Auster's book "The Brooklyn Follies", Hotel Existence is a place, created in imaginations of the main characters.
It's pictured as a place to which they can escape from the boredom of everyday life and world .....
P.S:
My English used to be much better :)))))))
Existence de edward bond au théâtre des argonautes à marseille
mise en scène francine eymery, collaboration artistique et scénographique jean-pierre girard
avec lionel barathieu et frédéric josse
存在革命同人活動 - 台南一中 / VOCALOID (無中文名) - 漂亮的惡食娘
The Close play of the Existence Revolution - Tainan First Senior High School / VOCALOID - The Attractive wicked food mother
El juego cercano de la revolución de la existencia - De Tainan High School secundaria mayor primero / VOCALOID - La madre traviesa atractiva del alimento
革命の人の活動が存在しますと - 台南の一中 / VOCALOID (まもなくペンネーム) - きれいな凶悪な食のお母さん
Das nahe Spiel der Bestehen-Revolution - Tainan-zuerst ältere Highschool / VOCALOID - Die attraktive gemeine Nahrungsmittelmutter
Tainan Taiwan / Tainan Taiwán / 台灣台南
原圖JPG直出無後製
Original picture JPG is straight has no children the system
El JPG original del cuadro es recto no tiene ninguÌn niño el sistema
原図JPGはずっと跡継ぎがいなくてつくることを出します
Ursprünglicher Abbildung JPG ist hat keine Kinder das System gerade
本圖無合成無折射
This chart does not have the refraction without the synthesis
Esta carta no tiene la refracción sin la síntesis
当合成がないことを求めて屈折がありません
Dieses Diagramm hat die Brechung nicht ohne die Synthese
可用放大鏡開1:1原圖
The available magnifying glass opens 1:1 original picture
La lupa disponible abre el cuadro de la original del 1:1
利用できる拡大鏡は1:1の原物映像を開ける
Die vorhandene Lupe öffnet 1:1vorlagenabbildung
In existence pre-war as Cyril’s Road House, Bob’s Cafe established itself as a greasy spoon of some local fame! Come the 21st century the site was derelict, and a car dealership has recently opened on site.
Top: 6 Dec 2008
Bottom: 5 Nov 2012
States of Existence developed during the winter & spring terms by the 2015 Choreography Workshop students, includes both solo and group work that focus on the idea of the individual in relation to 'other.' The following question is presented: How is individual identity created? To see more about Knox's Dance program: www.knox.edu/academics/majors-and-minors/dance
I recently got to head out on the water with Jason Assonitis from Vancouver's legendary BON CHOVY fishing Charters as a part of the Sustainable Howe Sound website project I'm working on for David Suzuki Foundation.
Jason’s grandfather hooked him on fishing and it quickly defined his existence, from recreational fishing to working on commercial boats to guiding. “There’s no other thing besides family that means so much to me,” he says. And it’s fishing that brings his family together in Howe Sound to explore and relax in hideaways unreachable by road.
sustainablehowesound.ca/stories/experience/
If you want to use any of these photos for anything pls contact Kris @ (kk@kriskrug.com or 778. 898. 3076)
States of Existence developed during the winter & spring terms by the 2015 Choreography Workshop students, includes both solo and group work that focus on the idea of the individual in relation to 'other.' The following question is presented: How is individual identity created? To see more about Knox's Dance program: www.knox.edu/academics/majors-and-minors/dance
The existence of the estate in its current form goes back over 230 years to its creator Thomas Harley. But since then only two other families have owned the property; the Rodneys and the Cawleys.
Berrington was essentially created by one man, Thomas Harley, who bought the estate around 1775. He made his fortune as a banker and government contractor in London, but had long family links with Herefordshire, to which, in his mid-40s, he was keen to retire from the hurly-burly of City politics.
Harley commissioned ‘Capability’ Brown to lay out the park, which has spectacular views west towards Wales and the Black Mountains. Around 1778 he also called in Brown’s son-in-law, Henry Holland, to design him a new house in the latest French influenced Neo-classical style, using the finest London craftsman.
Harley had no male heir, but was delighted when in 1781 his daughter Anne married the son of Admiral Lord Rodney, a great naval commander.
On Harley’s death in 1804, Berrington passed to the Rodney family, who lived there for the next 95 years. Unfortunately George, the 7th Lord Rodney lost the family wealth in the late 19th century; first selling off furniture and paintings. He was finally forced to sell the house in 1901.
The house was purchased in 1901 by Frederick Cawley MP (later to become Lord Cawley), a wealthy Lancashire cotton finisher who bought a new lease of life to Berrington. He redecorated the house with considerable sympathy and many of his schemes still survive. He replaced ugly Victorian fire grates with more appropriate Georgian models but otherwise did little to disturb Holland’s beautiful original design.
It was in this cherished state that the house came to the National Trust in 1957 in part payment for death duties for the second Lord Cawley.
States of Existence developed during the winter & spring terms by the 2015 Choreography Workshop students, includes both solo and group work that focus on the idea of the individual in relation to 'other.' The following question is presented: How is individual identity created? To see more about Knox's Dance program: www.knox.edu/academics/majors-and-minors/dance
States of Existence developed during the winter & spring terms by the 2015 Choreography Workshop students, includes both solo and group work that focus on the idea of the individual in relation to 'other.' The following question is presented: How is individual identity created? To see more about Knox's Dance program: www.knox.edu/academics/majors-and-minors/dance
Hunting Eggs - Existence Easter Egg Hunt
Taken at BOOM, miseria, Bodyline, PIDIDDLE, eep, Kozmetika, Existence (214, 139, 22)
Bury St Edmunds Cathedral for most of its existence was simply the parish church of St James until the foundation of the new diocese of St Edmundsbury in 1914 when it was raised to cathedral status, one of the many new dioceses formed in the early 20th century that elevated existing parish churches to diocesan rank rather than purpose building a new cathedral. Many of these 'parish church cathedrals' sit slightly awkwardly with their new status, lacking in the scale and grandeur that befits such a title, but of all of them Bury St Edmunds has been adapted to its new role the most successfully, with in my opinion the most beautiful results.
The medieval church consisted of the present nave, built in 1503-51 under master mason John Wastell, with an earlier chancel that was entirely rebuilt in 1711 and again in 1870. Originally it would have seemed a fairly minor building at the entrance to the monastic precinct, overshadowed by the enormous abbey church that once stood immediately behind it. The absence of this magnificent church since the Dissolution and the scant remains of this vast edifice always sully my visits here with a sense of grievous loss, had history been kinder it would have served as the cathedral here instead and likely be celebrated as one of the grandest in the country.
The church never had a tower of its own since the adjacent Norman tower of the Abbey gateway served the role of a detached campanile perfectly. It is an impressive piece of Romanesque architecture and one of the best preserved 12th century towers in the country.
Upon being raised to cathedral status in 1914 the building underwent no immediate structural changes but plans were made to consider how best to transform a fairly ordinary church into a worthy cathedral. This task was appointed to architect Stephen Dykes Bower and work began in 1959 to extend the building dramatically. Between 1963-1970 the entire Victorian chancel was demolished and replaced with a much grander vision of a lofty new choir and shallow transepts, remarkably all executed in traditional Gothic style in order to harmonize with the medieval nave. It is incredible to think that this was done in the 1960s, a period in which church and cathedral buildings were otherwise constructed in the most self consciously modern forms ever seen, with delicate neo-medieval masonry in place of brick and concrete.
The new crossing of transepts and choir however remained crowned by the stump of a tower for the remainder of the century as funds were not available to finish Dykes Bower's complete vision of a lantern tower over the crossing: this was only realised at the beginning of the 21st century, aided by a legacy left in the architect's will and some subtle design changes under his successor as architect Hugh Matthews. The transformation from church to cathedral was finally completed in 2005 with most satisfactory results. A stunning fan-vault was installed within the new tower in 2010, an exquisite finishing touch.
Whilst it isn't a large building by cathedral standards its newer parts do much to give it the shape and dignity of one. This is especially apparent within, where the cruciform eastern limb draws the eye. The interior is enlivened by much colour, with the ceilings of Dykes Bower's choir and transepts adorned with rich displays of stencilling, whilst the nave ceiling (a Victorian replacement for the medieval one) was redecorated in similarly lively colours in the 1980s which helps to unify the old and new parts of the church.
Few fittings or features remain from the medieval period, most of the furnishings being Victorian or more recent, but one window in the south aisle retains a rich display of early 16th century stained glass, very much Renaissance in style. The remaining glass is nearly all Victorian, some of the windows in the new choir having been transferred from the previous chancel.
St Edmundsbury Cathedral is not filled with the monuments and fittings that make other great churches so rewarding to linger in but it is a real architectural delight and cannot fail to uplift the spirit.
Granada is synonymous with it's greatest monument, the Alhambra Palace. One of the greatest works of Islamic architecture in existence, the palace complex contains a series of richly decorated rooms and courtyards unparalled for their rich non-figurative decoration, representing the very best in Arab/Islamic art and craftsmanship.
Built in the mid 14th century the palace was home to the Nasrid Dynasty, the last Moorish rulers in Spain, prior to the final reconquest of los Reyes Catolicos, Ferdinand and Isabella. Following their victory in Granada the palace continued for some time as a royal residence, though some parts were lost in alterations and additions by suceeding generations, including Carlos V who built his unfinished Renaissance palace on part of the complex. After centuries of neglect the buildings were restored in the 19th century and are now celebrated as amongst the World's highest architectural achievements.
Most of the main rooms are open to the public, though some areas were closed for restoration on this most recent visit. The most significant areas are the Hall of the Ambassadors with it's fine wooden ceiling, the Courtyard of the Lions and the two breathtaking domed chambers that flank the courtyard with their spectacular domed 'stalactite' ceilings.