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Contemplating Schrodinger, observation and existence, in a 'glass box'.
The image used Red, Blue, Green and Yellow LED's from holiday string lights, shined through a textured glass plate, an old TV projection lens, a 6" water globe on a glass candle stick and a 4" glass sphere also on a glass candlestick.
The LED string lights are refracted through the glass plate, the projection lens, and the water globe, all off screen, before the final refraction in the glass sphere seen on screen.
The glass sphere reflects the water globe (center left) and incoming light (far left), and refracts light reflected back from the canvas (right), while also reflecting the canvas (upper right). All against a dark and magnified canvas background seen through the glass sphere.
Glass Shadows images are created shining LED holiday string lights through glass and crystal onto a canvas, then captured using Focus Stacking and HDR, ending with a final manual global editing in a photo editor.
Mariupol 22
Vitsche Berlin
Berlin Bundestag
#StandWithUkraine #VitscheBerlin #StopPutin
#StopRussianAgression #StopWar
Elodie Wysocki (1985), diplômée de l’école Supérieure des Beaux Arts de Nîmes, explore la question de l’existence et de la différence. Sa recherche, d’abord centrée sur le genre humain, s’étend aujourd’hui à l’ensemble du vivant. L’humain et l’animal se mélangent, induisant des notions d’origine et de mutation. Les thèmes de la vanité, de la mémoire et des traces sont aussi récurrents dans sa recherche artistique.
Mon travail pose la question du corps, le nôtre, celui des autres et le corps comme matière. Ce qui m’intéresse c’est autant le “je” que le “nous”. On trouve d’ailleurs de nombreux allers-retours de l’un à l’autre, de l’un au tous, et son contraire. J’ai travaillé dans un premier temps sur le rapport œuvre-spectateur. J’ai mis en place des sculptures-objets qui mettent en scène le corps des ou d’un regardeur. J’ai ensuite centré ma recherche vers des sculptures dans lesquelles le corps était figuré mais tendait à la dissolution, parfois jusqu’à la disparition. Elodie Wysocki
La fatigue des autruches interroge par le biais d’une figure animale gorgée d’analogies et de références psychologiques, les notions de courage et de conscience.
Beaucoup d’idées sont liées à l’image de l’autruche: peur, refus de voir les réalités, féminité, agressivité, etc.
Pourtant l’autruche est un animal tout sauf peureux. Extrêmement habile, l’autruche est le plus grand et le plus rapide des oiseaux.
Elodie Wysocki (1985), graduate of the École Supérieure des Beaux Arts in Nîmes, explores the question of existence and difference. His research, initially focused on the human race, now extends to all living things. Human and animal intermingle, inducing notions of origin and mutation. The themes of vanity, memory and traces are also recurrent in his artistic research.
My work raises the question of the body, ours, that of others and the body as matter. What interests me is both the “I” and the “we”. There are also many back and forths from one to another, from one to all, and its opposite. I first worked on the work-spectator relationship. I have set up sculpture-objects that depict the body of or of a viewer. I then focused my research on sculptures in which the body was represented but tended to dissolve, sometimes to the point of disappearance. Elodie Wysocki
The fatigue of ostriches, through an animal figure bursting with analogies and psychological references, questions the notions of courage and conscience.
Many ideas are linked to the image of the ostrich: fear, refusal to see realities, femininity, aggressiveness, etc.
Yet the ostrich is anything but fearful. Extremely skilled, the ostrich is the largest and fastest of birds.
Day 34 / 180
(This poem is irrelevant in a sense, but I really like it. So, I just had to share it.)
Flowers by Thomas Hood
"I will not have the mad Clytie,
Whose head is turned by the sun;
The tulip is a courtly queen,
Whom, therefore, I will shun;
The cowslip is a country wench,
The violet is a nun; -
But I will woo the dainty rose,
The queen of everyone.
The pea is but a wanton witch,
In too much haste to wed,
And clasps her rings on every hand
The wolfsbane I should dread; -
Nor will I dreary rosemary
That always mourns the dead; -
But I will woo the dainty rose,
With her cheeks of tender red.
The lily is all in white, like a saint,
And so is no mate for me -
And the daisy's cheek is tipped with blush,
She is of such low degree;
Jasmine is sweet, and has many loves,
And the broom's betrothed to the bee; -
But I will plight with the dainty rose,
For fairest of all is she."
This photo was inspired by Caroline Margonis <3
I am really happy with the way this photo turned out and I hope you enjoy it as much as I do!
Comments and feedback are always appreciated!
Thank you. <3
xx
A black ant and a butterfly minding their own business. No trespassing !!!
Have a great day, friends !!!
Sakharibazar, Old Dhaka, Bangladesh, 2011
Normal people with extraordinary lifestyles
Along with smile and the gloomy, here life has its own rhyme, has its own colour.
Time passed by, humanity changed along with its history...
But these people remained here tolerating the hardest truth of existences
..........its their story of extraordinary existences.
Sakharibazar, Old Dhaka. A very interesting place for all of us to visit. Culture and customs of old Dhaka are the tribute to the ancient history of Bangladesh. Peoples still living in 100 years old building from generations after generations. With the reflection of their religious beauty Old Dhaka attracts peoples from here and abroad.
Shakhari Bazaar is one of the oldest mohallas (a traditional neighbourhood) in Puran Dhaka (Old Dhaka), located near the intersection of Islampur Road and Nawabpur Road;the two main arteries of the old city and only a block away from the Buriganga River. Shakhari Bazaar stretches along a narrow lane, lined with thin slices of richly decorated brick buildings, built during the late Mughal or Colonial period. Despite rampant modifications, accretion, extension over time, even redevelopment, many still bear the testimony of a rich tradition.
Shakhari Bazaar is the manifestation of the irrational policies, lack of adequate development control rules and distorted legal framework, all of which have left their indelible mark on this precious little mohalla that shares a long history of more than 400 years with Dhaka city itself.The history of Shakhari Bazaar goes back to the pre-Mughal days if not earlier. The first mention of Puran Dhaka can be found in the writings of Mirza Nathan, the general turned historian, who traveled with Subahdar Islam Khan. He mentioned Puran Dhaka, as the area between Dholai Khal and Buriganga river covering Shakhari Bazaar, Tanti Bazaar, Bangla Bazaar, Lakhsmi Bazaar, Bangla Bazaar, Kamar Nagar, Sutar Nagar, Goala Nagar, etc. Each mohalla belonged to separate communities depending on their craft and trade. The influences of the Mughal vocabulary in the planning of the spaces are literally evident in the use of Persian names to identify different spaces..
Do I exist for you
In the corner of your mind
Or anywhere in your heart
In your life
In your thoughts
In your dreams
Am I there
Am I real?
~R.L.Spencer~
The advancement of a technical civilisation does not assess superiority. Superiority can only be measured by the relation to the origin, beyond the origin to the beginning, and beyond this to the Unbegun.
Each stage of existence has its level of truth.
The hierarchy of existence corresponds to that of consciousness.
Superior things never originate from the inferior. Everything that came into existence is manifested by the descent of the Superior.
My photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
With this altered book I kept thinking about alchemy and mixing potions because of the little bottles. All of the clear bottles contain food items (herbs/spices) and have been sealed with paper and melted wax.
I have more detail photos of this altered book on my blog.
(SOLD)
YJ07JVM has had a nomadic existence recently. Still in its Flying Tiger base livery, it is seen here at Claremount terminus, high above Halifax, with the summit of Beacon Hill, which towers over the town, apparently close behind. Looks are deceiving, as the main A58 Halifax-Leeds road runs right-left deep in Godley Cutting, behind the low wall, and the hill top is a good quarter mile away.
YJ07JVM was new to K Line, and had a short spell in Tiger Blue colours following the Arriva buy out of the Centrebus share. It then had quite a decent makeover into Flying Tiger colours and moved to Idle depot when Tiger was still interested in making a success of its Leeds Bradford Airport routes. After Tiger gave up the airport work (and the depot at Idle) in summer 2020, YJ07JVM went on loan to Arriva North East, running there in full Flying Tiger colours, returning earlier this year to Waterloo. Transdev immediately removed the Tiger branding on taking over, and it is now quite definitely an 'odd one out' in what is, temporarily at least, an 'odd' fleet.
All good for enthusiasts, though!
Handmade embroidery, original design -- based on having My Fair Lady's song lyrics "All I want is a room somewhere, far away from the cold night air, with one enormous chair" stuck in my head
textures by sophieG, les brumes and nkl
soundtrack by Aphex Twin: www.youtube.com/watch?v=Qwe10iDlFQo&a=GxdCwVVULXcy0jE...
The world class boanical collections in Waimea Valley owe there existence to Mir. Keith Woolliams, a dedicated botanical horticulturist who was trained at the Royal Botanic Garden at Kew, on the outskirts of London.
Keith led a rich life traveling around the globe studying botanical collections in England, Japan, Papua New Guinea and Bermuda. He brought to Hawaii his expertise and knowledge of uncommon horticultural treasures, and he acquired seeds, plants, and cuttings from remote places and botanical gardens all over the world. In pre-internet days dozens of letters and packages were dispatched and received daily.
His theme of "Conservation Through Cultivation" resulted in a balance of rare and useful native and Polynesian-introduced plants among exotic horticultural specimens.
What was once an ungroomed valley, filled with koa haole and ravaged by feral cattle was transformed into what you see today by Keith and the many dedicated people he inspired. They oversaw the design, landscaping and construction of the pathways, stone walls and stairs that frame the gardens. Keith's high standards for record keeping and signage persist to this day. He left us in 1998 with a library full of his propagation knowledge, cultivation practices and plant lore which survives to ensure that the precious life forms brought to this valley will thrive here long into the future.
Keith was an inspiring advocate for Hawatian plant conservation and he influenced many young people across the state. He connected Waimea with state, federal and international agencies such as the Center for Plant Conservation, the International Union for the Conservation of Nature, and the Botanical Gardens Conservation International - partnerships that Waimea Valley continues to uphold today.
Keith was instrumental in bringing in critically endangered plants from Japan's Ogasawara Islands, hibiscus relatives from all over the world, and with international colleagues he tried to assemble wild-source collections of every species of Erythrina in the world. In the periodical, "Notes from Waimea Arboretum and Botanical Garden" published twice a year until 1992 he stated "Waimea is a labeled and documented collection of plants for educational and scientific purposes, a living gene pool for future generations".
It is with great honor and gratitude that we remember Mr. Keith Woolliams and his dedication to Waimea Valley.
Pinned to a post above Wimbleball reservoir on Exmoor.
Any ideas what beast this skull belongs to? Some good canine teeth there.
(On reflection I think it might be a dog's skull?! It would kind of explain why it's pinned to a post in a sheep-farming area; to act as a warning to owners to keep their dogs on leads?!)
Look at the trees, look at the birds, look at the clouds, look at the stars... and if you have eyes you will be able to see that the whole existence is joyful. Everything is simply happy.....Look at the flowers - for no reason. It is simply unbelievable how happy flowers are. ~Osho
Sakharibazar, Old Dhaka, 2011
Normal people with extraordinary lifestyles
Along with smile and the gloomy, here life has its own rhyme, has its own colour.
Time passed by, humanity changed along with its history...
But these people remained here tolerating the hardest truth of existences
..........its their story of extraordinary existences.
Sakharibazar, Old Dhaka. A very interesting place for all of us to visit. Culture and customs of old Dhaka are the tribute to the ancient history of Bangladesh. Peoples still living in 100 years old building from generations after generations. With the reflection of their religious beauty Old Dhaka attracts peoples from here and abroad.
Shakhari Bazaar is one of the oldest mohallas (a traditional neighbourhood) in Puran Dhaka (Old Dhaka), located near the intersection of Islampur Road and Nawabpur Road;the two main arteries of the old city and only a block away from the Buriganga River. Shakhari Bazaar stretches along a narrow lane, lined with thin slices of richly decorated brick buildings, built during the late Mughal or Colonial period. Despite rampant modifications, accretion, extension over time, even redevelopment, many still bear the testimony of a rich tradition.
Shakhari Bazaar is the manifestation of the irrational policies, lack of adequate development control rules and distorted legal framework, all of which have left their indelible mark on this precious little mohalla that shares a long history of more than 400 years with Dhaka city itself.The history of Shakhari Bazaar goes back to the pre-Mughal days if not earlier. The first mention of Puran Dhaka can be found in the writings of Mirza Nathan, the general turned historian, who traveled with Subahdar Islam Khan. He mentioned Puran Dhaka, as the area between Dholai Khal and Buriganga river covering Shakhari Bazaar, Tanti Bazaar, Bangla Bazaar, Lakhsmi Bazaar, Bangla Bazaar, Kamar Nagar, Sutar Nagar, Goala Nagar, etc. Each mohalla belonged to separate communities depending on their craft and trade. The influences of the Mughal vocabulary in the planning of the spaces are literally evident in the use of Persian names to identify different spaces..
For the psychedelic trance musical band, see Astral Projection (band). For physical travel to other stars, see Interstellar travel."The Separation of the Spirit Body" from , a Chinese handbook on alchemy and meditation
Astral projection (or astral travel) is a term used in esotericism to describe a willful out-of-body experience (OBE), a supposed form of telepathy, that assumes the existence of a soul or consciousness called an "astral body" that is separate from the physical body and capable of travelling outside of it throughout the universe where it interacts with other astral bodies and is capable of implanting ideas into other people's minds. The idea of astral travel is rooted in esotericism and occultism, and was promoted by 19th century Theosophists—philosophers who explored the mystical and preternatural origins of the natural world.It is sometimes reported in association with dreams, and forms of meditation.Some individuals have reported perceptions similar to descriptions of astral projection that were induced through various hallucinogenic and hypnotic means (including self-hypnosis). There is no scientific evidence that there is a consciousness or soul which is separate from normal neural activity or that one can consciously leave the body and make observations..Claims of scientific evidence of astral projection are pseudoscientific.According to classical, medieval and renaissance Hermeticism, Neoplatonism, and later Theosophist and Rosicrucian thought the astral body is an intermediate body of light linking the rational soul to the physical body while the astral plane is an intermediate world of light between Heaven and Earth, composed of the spheres of the planets and stars. These astral spheres were held to be populated by angels, demons and spirits.The subtle bodies, and their associated planes of existence, form an essential part of the esoteric systems that deal with astral phenomena. In the neo-platonism of Plotinus, for example, the individual is a microcosm ("small world") of the universe (the macrocosm or "great world"). "The rational soul...is akin to the great Soul of the World" while "the material universe, like the body, is made as a faded image of the Intelligible". Each succeeding plane of manifestation is causal to the next, a world-view called emanationism; "from the One proceeds Intellect, from Intellect Soul, and from Soul - in its lower phase, or that of Nature - the material universe".Often these bodies and their planes of existence are depicted as a series of concentric circles or nested spheres, with a separate body traversing each realm.[18] The idea of the astral figured prominently in the work of the nineteenth-century French occultist Eliphas Levi, whence it was adopted and developed further by Theosophy, and used afterwards by other esoteric movements.
Biblica
Some have claimed that the Bible contains mentions of astral projection.[weasel words]Carrington, Muldoon, Peterson, and Williams—renowned experts in the field of astral projection—claim that the subtle body is attached to the physical body by means of a psychic silver cord. The final chapter of the Book of Ecclesiastes is often cited in this respect: "Before the silver cord be loosed, or the golden bowl be broken, or the pitcher be shattered at the fountain, or the wheel be broken at the cistern." Scherman, however, contends that the context points to this being merely a metaphor, comparing the body to a machine, with the silver cord referring to the spine
Paul's Second Epistle to the Corinthians is more generally agreed to refer to the astral planes; "I know a man in Christ, fourteen years ago, (whether in the body I know not, or out of the body I know not, God knows) such a one caught up to the third heaven..."This statement gave rise to the Visio Pauli, a tract that offers a vision of heaven and hell, a forerunner of visions attributed to Adomnan and Tnugdalus as well as of Dante's Divine Comedy.
Ancient Egypt
Similar concepts of soul travel appear in various other religious traditions. For example, ancient Egyptian teachings present the soul (ba) as having the ability to hover outside the physical body via the ka, or subtle body
China
Taoist alchemical practice involves creation of an energy body by breathing meditations, drawing energy into a 'pearl' that is then "circulated". "Xiangzi ... with a drum as his pillow fell fast asleep, snoring and motionless. His primordial spirit, however, went straight into the banquet room and said, "My lords, here I am again." ... When Tuizhi walked ... with the officials to take a look, there really was a Taoist sleeping on the ground and snoring like thunder. Yet inside, in the side room, there was another Taoist beating a fisher drum and singing Taoist songs. The officials all said, “Although there are two different people, their faces and clothes are exactly alike. Clearly he is a divine immortal who can divide his body and appear in several places at once. ..." ... At that moment, the Taoist in the side room came walking out, and the Taoist sleeping on the ground woke up. The two merged into one."
India
Similar ideas such as the Lin'ga S'ari-ra are found in ancient Hindu scriptures such as the YogaVashishta-Maharamayana of Valmiki. Modern Indians who have vouched for astral projection include Paramahansa Yogananda who witnessed Swami Pranabananda doing a miracle through a possible astral projection, and Osho (Bhagwan Shree Rajneesh) who practiced it himself.The Indian spiritual teacher Meher Baba described one's use of astral projection:In the advancing stages leading to the beginning of the path, the aspirant becomes spiritually prepared for being entrusted with free use of the forces of the inner world of the astral bodies. He may then undertake astral journeys in his astral body, leaving the physical body in sleep or wakefulness. The astral journeys that are taken unconsciously are much less important than those undertaken with full consciousness and as a result of deliberate volition. This implies conscious use of the astral body. Conscious separation of the astral body from the outer vehicle of the gross body has its own value in making the soul feel its distinction from the gross body and in arriving at fuller control of the gross body. One can, at will, put on and take off the external gross body as if it were a cloak, and use the astral body for experiencing the inner world of the astral and for undertaking journeys through it, if and when necessary....The ability to undertake astral journeys therefore involves considerable expansion of one’s scope for experience. It brings opportunities for promoting one’s own spiritual advancement, which begins with the involution of consciousness.Astral projection is one of the Siddhis considered achievable by yoga practitioners through self-disciplined practice. In the epic The Mahabharata Drona leaves his physical body to see if his son is alive.
Japan
The 'ikiryō' as illustrated by Toriyama Sekien.
In Japanese mythology, an ikiryō (生霊?) (also read shōryō, seirei, or ikisudama) is a manifestation of the soul of a living person separately from their body. Traditionally, if someone holds a sufficient grudge against another person, it is believed that a part or the whole of their soul can temporarily leave their body and appear before the target of their hate in order to curse or otherwise harm them, similar to an evil eye. Souls are also believed to leave a living body when the body is extremely sick or comatose; such ikiryō are not malevolent.[
Inuit In some Inuit groups, people with special capabilities are said to travel to (mythological) remote places, and report their experiences and things important to their fellows or the entire community; how to stop bad luck in hunting, cure a sick person etc., things unavailable to people with normal capabilities.
Amazon
The yaskomo of the Waiwai is believed to be able to perform a "soul flight" that can serve several functions such as healing, flying to the sky to consult cosmological beings (the moon or the brother of the moon) to get a name for a new-born baby, flying to the cave of peccaries' mountains to ask the father of peccaries for abundance of game or flying deep down in a river to get the help of other beings.
"Astral" and "etheric"
The expression "astral projection" came to be used in two different ways. For the Golden Dawn and some Theosophists[ it retained the classical and medieval philosophers' meaning of journeying to other worlds, heavens, hells, the astrological spheres and other imaginal landscapes, but outside these circles the term was increasingly applied to non-physical travel around the physical world.Though this usage continues to be widespread, the term, "etheric travel", used by some later Theosophists, offers a useful distinction. Some experients say they visit different times and/or places:"etheric", then, is used to represent the sense of being "out of the body" in the physical world, whereas "astral" may connote some alteration in time-perception. Robert Monroe describes the former type of projection as "Locale I" or the "Here-Now", involving people and places that actually exist: Robert Bruce calls it the "Real Time Zone" (RTZ) and describes it as the non-physical dimension-level closest to the physical. This etheric body is usually, though not always, invisible but is often perceived by the experient as connected to the physical body during separation by a “silver cord”. Some link "falling" dreams with projection.According to Max Heindel, the etheric "double" serves as a medium between the astral and physical realms. In his system the ether, also called prana, is the "vital force" that empowers the physical forms to change. From his descriptions it can be inferred that, to him, when one views the physical during an out-of-body experience, one is not technically "in" the astral realm at all.Other experients may describe a domain that has no parallel to any known physical setting. Environments may be populated or unpopulated, artificial, natural or abstract, and the experience may be beatific, horrific or neutral. A common Theosophical belief is that one may access a compendium of mystical knowledge called the Akashic records. In many accounts the experiencer correlates the astral world with the world of dreams. Some even report seeing other dreamers enacting dream scenarios unaware of their wider environment.The astral environment may also be divided into levels or sub-planes by theorists, but there are many different views in various traditions concerning the overall structure of the astral planes: they may include heavens and hells and other after-death spheres, transcendent environments, or other less-easily characterized states
Notable practitioners
Emanuel Swedenborg was one of the first practitioners to write extensively about the out-of-body experience, in his Spiritual Diary (1747–65). French philosopher and novelist Honoré de Balzac's fictional work "Louis Lambert" suggests he may have had some astral or out-of-body experience.
There are many twentieth century publications on astral projection,although only a few authors remain widely cited. These include Robert Monroe,Oliver Fox,Sylvan Muldoon, and Hereward Carrington,and Yram.Robert Monroe's accounts of journeys to other realms (1971–1994) popularized the term "OBE" and were translated into a large number of languages. Though his books themselves only placed secondary importance on descriptions of method, Monroe also founded an institute dedicated to research, exploration and non-profit dissemination of auditory technology for assisting others in achieving projection and related altered states of consciousness.Robert Bruce,William Buhlman, and Albert Taylor,have discussed their theories and findings on the syndicated show Coast to Coast AM several times. Michael Crichton gives lengthy and detailed explanations and experience of astral projection in his non-fiction book Travels.The soul's ability to leave the body at will or while sleeping and visit the various planes of heaven is also known as "soul travel". The practice is taught in Surat Shabd Yoga, where the experience is achieved mostly by meditation techniques and mantra repetition. All Sant Mat Gurus widely spoke about this kind of out of body experience, such as Kirpal Singh.Eckankar describes Soul Travel broadly as movement of the true, spiritual self (Soul) closer to the heart of God. While the contemplative may perceive the experience as travel, Soul itself is said not to move but to "come into an agreement with fixed states and conditions that already exist in some world of time and space".American Harold Klemp, the current Spiritual Leader of Eckankar practices and teaches Soul Travel, as did his predecessors, through contemplative techniques known as the Spiritual Exercises of ECK (Divine Spirit).
In occult traditions, practices range from inducing trance states to the mental construction of a second body, called the Body of Light in Aleister Crowley's writings, through visualization and controlled breathing, followed by the transfer of consciousness to the secondary body by a mental act of will.There is no known scientific evidence that astral projection as an objective phenomenon exists.There are cases of patients having experiences suggestive of astral projection from brain stimulation treatments and hallucinogenic drugs.Robert Todd Carroll writes that the main evidence to support claims of astral travel is anecdotal and comes "in the form of testimonials of those who claim to have experienced being out of their bodies when they may have been out of their minds."Subjects in parapsychological experiments have attempted to project their astral bodies to distant rooms and see what was happening. However, such experiments have produced negative results.According to Bob Bruce of the Queensland Skeptics Association, astral projection is "just imagining", or "a dream state". Although parallel universes are mathematically possible,Bruce writes that the existence of an astral plane is contrary to the limits of science. “We know how many possibilities there are for dimensions and we know what the dimensions do. None of it correlates with things like astral projection.” Bruce attributes astral experiences such as "meetings" alleged by practitioners to confirmation bias and coincidences.The psychologist Donovan Rawcliffe has written that astral projection can be explained by delusion, hallucination and vivid dreams.Arthur W. Wiggins, writing in Quantum Leaps in the Wrong Direction: Where Real Science Ends...and Pseudoscience Begins, said that purported evidence of the ability to astral travel great distances and give descriptions of places visited is predominantly anecdotal. In 1978, Ingo Swann provided a test of his alleged ability to astral travel to Jupiter and observe details of the planet. Actual findings and information were later compared to Swann's claimed observations; according to an evaluation by James Randi, Swann's accuracy was "unconvincing and unimpressive" with an overall score of 37 percent. Wiggins considers astral travel an illusion, and looks to neuroanatomy, human belief, imagination and prior knowledge to provide prosaic explanations for those claiming to experience it.A recent study, The AWARE Study, conducted by medical researcher Sam Parnia, was designed to get information on possible OBEs during cardiac arrest.