Pinned to a post above Wimbleball reservoir on Exmoor.

 

Any ideas what beast this skull belongs to? Some good canine teeth there.

 

(On reflection I think it might be a dog's skull?! It would kind of explain why it's pinned to a post in a sheep-farming area; to act as a warning to owners to keep their dogs on leads?!)

Fujifilm XT-2 + XF 10-24 f/4

 

Nightcliff, Darwin, Northern Territory, Australia

#conceptart

Surprisingly, because the metals are such perfect expressions of archetypal energies, we can actually learn quite a bit about people by studying the properties of metals and the behavior of planets. That same correspondence exists in the human temperament. For instance, the leaden person is someone who has, like Saturn, lost their bid to become a star. They have accepted a mere physical existence and believe the created world is all that counts. The positive characteristics of the saturnine person are patience, responsibility, somberness, structure and realism, true knowledge of history and karma. The black messenger crows of Chronos bring black moods, depression and despair to us, but they also alert us to illusion and fakeness in our lives.

While we have already discussed the planetary archetypes, it is worth reminding ourselves at this point exactly how the alchemists looked on the relationship between the planet and its metal. They believed that the metals had the same “virtue” as the corresponding planet, that a single spirit infuses both the planet and the metal. In other words, the planet was a celestial manifestation and the metal a terrestrial manifestation of the same universal force. Therefore, the metals are the purest expression of the planetary energies in the mineral kingdom, which is the basis for material reality on earth. The next stage of evolution on our planet is the plant kingdom, and the alchemists assigned a metal and its corresponding planet to describe the characteristics of every known herb, flower, and plant. Similarly, on the next level in the evolution of matter in the animal kingdom, all creatures carry their own metallic or planetary signatures, which are expressed in their behavior. In human beings, the alchemists referred to the sum total of the cosmic signatures of the metals as a person’s “temperament.” Originally, that word referred to the metallurgical process of “tempering” or mixing different metals to produce certain characteristics in an alloy. Although the alchemists considered lead the lowest of the base metals, they treated it with a great deal of respect, as they did its corresponding planet Saturn. Lead was said to carry all the energy of its own transformation, and it was that hidden energy that the alchemists sought to free. To the alchemists, the ancient metal was a powerful “sleeping giant” with a dark and secret nature that encompassed both the beginning and end of the Great Work.

Lead is the heaviest of the seven metals; it is very tied to gravity, form, and manifested reality. It is also a very stubborn metal known for its durability and resistance to change. Lead products dating from 7000 BC are still intact, and lead water pipes installed by the Romans 1,500 years ago are still in use today. Alchemists depicted lead in their drawings as the god Saturn (a crippled old man with a sickle), Father Time, or a skeleton representing death itself. Any of these symbols in their manuscripts meant the alchemist was working with the metal lead in the laboratory or a leaden attitude in his accompanying meditation.Lead is a boundary of heaviness for matter. Metals of greater atomic weight are too heavy and disintegrate over time (by radioactive decay) to turn back into lead. So radioactive decay is really a Saturnic process that introduces a new characteristic in the metals – that of time. All the hyper-energetic metals beyond lead are trapped in time to inexorably return to lead. There is no natural process more unalterably exact than radioactive decay. Atomic clocks, the most precise timekeeping devices we have, are based on this leaden process. Geologists measure the age of radioactive rocks by how much lead they contain, and the age of the earth is estimated by taking lead isotope measurements. In many ways, lead carries the signature of Father Time.Native lead, which is lead metal found in a chemically uncombined state, is actually extremely rare. It is found in the earth's crust in a concentration of only about 13 parts per billion. Lead does not form crystals easily, and thus the pure mineral form is very rare and extremely valuable as rock specimens. Such elemental lead can also be found in very unusual “metamorphosed” limestone and marble formations that are equally rare.Surprisingly, lead is in the same group in the Periodic Table as gold, and when it occurs in nature, it is always found with gold and silver. In fact, the chemical symbol for lead (Pb) is from the Latin word plumbum, which means “liquid silver.” We derive our words “plumbing” and “plumb bob” from the use of lead in those applications. In the smelting of silver, lead plays an important role by forming a layer over the emerging molten silver and protecting it from combining with the air and splattering out. The volatile molten lead covering is gradually burnt away, until only the pure silver metal “peeks out” (in the smelter’s terminology) in a stabilized form. Thus, lead protects and even sacrifices itself for the nobler metals.The planet Saturn and its metal and the planet have the same symbol (L) in alchemy. The Hermetic interpretation is that the symbol is basically the cross of the elements that depicts the division between the Above and Below or spirit and matter. The lunar crescent of the soul is below the cross, representing the manifestation (or entrapment) of soul below in matter. Despite these associations with the noble metals, lead itself never makes it to such heights among the metals. The silvery luster of fresh cut lead quickly fades, as if it were “dying” before your eyes. Furthermore, alchemists considered lead to be “hydrophobic” or against the life nourishing archetype of water. Lead ores lack the slightest water content and tend to form machine-like structures.The most common ore of lead is galena, which also contains the noble metals silver and gold. Galena is lead sulfide, a favorite of rock collectors because of its distinctive cubic shapes, characteristic cleavage, and high density. In fact, the structure of galena is identical to that of natural table salt. The two minerals have exactly the same crystal shapes, symmetry and cleavage, although galena crystals are thousands of times larger. Some galena may contain up to 1% silver and often contains trace amounts of gold. The large volume of galena that is processed for lead produces enough silver as a by product to make galena the leading ore of silver as well Galena definitely has the signature of lead. Its color is silver gray with a bluish tint. The luster ranges from metallic to dull in the weathered faces, and the isometric crystals are opaque to light. The massive crystals of galena almost always take the form of a cube or octahedron, and the cleavage is perfect in four direction always forming cubes. Because of the perfect cleavage, fractures are rarely seen and the dark crystalline structure is nearly perfect.Lead is also found in other sulfuric minerals like calcite and dolomite, as well as lead oxidation minerals such as and anglesite and cerussite, which is found in the oxidation zone of lead deposits usually associated with galena. Some formations show cerussite crusts around a galena core as if the act of oxidation was frozen in time. Cerrussite is lead carbonate and also a favorite of rock hounds. Its very high luster is due mostly to the metallic lead content, and just as leaded crystal glass sparkles more brilliantly because of its lead content, so too does cerussite. Cerussite has one of the highest densities for a transparent mineral. It is over six and a half times as dense as water. Most rocks and minerals average only around three times the density of water. Cerussite is famous for its great sparkle and density, and its amazing twinned (or double) crystals. The mineral forms geometrically intricate structures and star shapes that simply amazing to behold – sometimes the twinned crystals form star shapes with six "rays" extending out from the star.When freed from its ores, lead metal has a bluish-white color and is very soft – capable of being scratched by a fingernail. With its dull metallic luster and high density, lead cannot easily be confused with any other metal. It is also malleable, ductile, and sectile – meaning it can be pounded into other shapes, stretched into a wire, and cut into slices. However, lead is a dark, sluggish, base metal. Of the seven metals, it is the slowest conductor of electricity and heat, the least lustrous or resonant. Its Saturnic signature of heaviness is expressed not only in its being the heaviest metal but also in its tendency to form inert and insoluble compounds. No other metal forms as many. Although it tarnishes upon exposure to air like silver, lead is extremely resistant to corrosion over time and seems to last forever. Lead pipes bearing the insignia of Roman emperors, used as drains from the baths, are still in service. The surface of lead is protected by a thin layer of lead oxide, and it does not react with water. The same process protects lead from the traditional “liquid fire” of the alchemists – sulfuric acid. In fact, lead bottles are still used to store the highly corrosive acid. Lead is so inalterable, that half of all the lead in the world today is simply recovered from scrap and formed directly into bullion for reuse.Lead is truly a destroyer of light. It is added to high-quality glassware (lead crystal) to absorb light reflections and make the glass clearer. Lead salts in glass are not changed by light but change light itself by absorbing it. Incoming light in lead crystal meets with high resistance, but once it is within the glass, light is immediately absorbed or dispersed without any reflected light escaping. Sheets of lead are also impermeable to all forms of light, even high energy X-rays and gamma rays, which makes lead the perfect shield against any form of radiation and is why it is used to transport and store radioactive materials.Lead is an extremely poor conductor of electricity and blocks all kinds of energy transmission. Indeed, one of the signatures of lead is its ability to “dampen” or absorb energy. Unlike other metals, when lead is struck, the vibrations are immediately absorbed and any tone is smothered in dullness. Lead is an effective sound proofing medium and tetraethyl lead is still used in some grades of gasoline as an antiknock compound to “quiet” the combustion of gasoline.Thin lead sheets are used extensively in the walls of high-rise buildings to block the transmission of sound, and thick pads of lead are used in the foundations to absorb the vibrations of street traffic and even minor earthquakes. Lead sheets are widely used in roofing to block solar rays, and lead foil is used to form lightproof enclosures in laboratory work. Ultimately, lead corresponds to the galactic Black Hole that absorbs all forms of radiation and light.Lead reacts with more chemicals than any other metal, however, instead of producing something new and useful, lead “kills” the combining substance by making it inert, insoluble and unable to enter into further chemical reactions. Its salts precipitate out of solutions heavily and copiously. Lead has the same effect in the plant kingdom. It accumulates in the roots and slows down the “breathing” process in plants. Young plants are adversely affected by even the smallest amount of lead in the soil.Lead is poisonous and accumulates over time in the bones of the human body, where it cannot be flushed out. It has also been found in high concentrations in gallstones and kidney stones. The old alchemical graphic for lead – a skeleton – was grotesquely appropriate. The symptoms of lead poisoning (known as “Saturnism”) are lack of energy, depression, blindness, dizziness, severe headaches at the back of the head, brain damage, attention deficit disorder, learning disabilities and mental retardation, antisocial behavior and anger, atrophy of muscular tissue and cramping, excess growth of connective tissue resulting in a rigid appearance, rapid aging, coma, and early death. Rats fed only 5 parts per million of lead had a lifespan 25% shorter than normal rats. Children are especially vulnerable to lead poisoning, and it is believed to be an important factor in stillborn fetuses. Children with more than just 0.3 parts per million of lead in their blood suffer a significant slowing of brain function and corresponding drop in IQ. Lead in paint has caused mental retardation and premature aging in hundreds of children who ingested old flaking paint from the walls of their homes. Lead paint was used extensively until the poisonous effects were documented in the 1960s. Because of its lasting durability, lead paint is still used outdoors in advertising and the yellow lines on highways and curbs. The subtly controlling aspect of those applications is another signature of lead and of “leaden” persons in general.Not surprisingly, lead has found use as an insecticide and was even once considered for use as a military weapon. Lead metal reacts violently with fluorine and chlorine to form the highly poisonous gases, lead fluoride and lead chloride. Lead is also used in all kinds of ammunition – another appropriate application of lead’s esoteric signature as Father Time and the Grim Reaper. There are many research studies linking lead exposure to anger and violence, especially in adolescents. One recent study of all counties in the United States conducted by Colorado State University revealed that the murder rate in counties with the highest lead levels were four times higher than in counties with the lowest levels of lead.More benevolent uses of lead are in storage batteries, covering for underground and transoceanic cables, waste plumbing, shielding around X-ray equipment and nuclear reactors, solder, pewter, fine lead crystal glass, and flint glass with a high refractive index for achromatic lenses.Even the elemental metal carries the seed of its own redemption. The alchemists knew that Fire is lord over lead, for the metal has a low melting point and is easily separated from its ore by roasting in an open flame, and the metal itself melts in a candle flame. Lead expands on heating and contracts on cooling more than any other solid heavy metal. (Silver is the opposite and is considered an antidote to lead.)Perhaps owing to its dual nature, lead carries deeply hidden within its structure the fire of its own transformation. Many lead salts reveal a whole rainbow of brilliant colors, with the solar colors of yellow, orange, and red predominating. This is why lead has been used in paints for so many centuries. Finely divided lead powder is pyrophoric (“fire containing”) and easily catches fire or erupts spontaneously in flames. When made into a fine powder, lead metal must be kept in a vacuum to keep from catching fire. Otherwise, it ignites and burns down to a bright yellow ash, revealing its deeply hidden solar signature. So, the wonder of lead is that hidden deep inside the gray, dead metal is a tiny, eternal spark that is the seed of its own resurrection. In the eyes of alchemists, this makes lead the most important metal despite its unattractive darkness. For dull lead and gleaming gold are really the same things, only at different stages of growth or maturity.The Secret Fire inside lead is really the alchemical basis for transforming lead into gold, and correspondingly, gives mankind hope for its own spiritual transformation. That tiny spark of light in the darkest part of matter makes resurrection part of the structure of the universe. So, deep down inside, the metal lead also yearns to be transformed. It wants to rise in the air and fly, leave matter and form behind, and be free as Fire. Lead unites two contrasting forces: rigid heaviness and revivifying inner fire. Archetypically, the lead process is concerned with death and resurrection. Greek myth says that after death our soul is put on a scale, and the weights of the scale are made from lead, the metal that carries Saturn's signature.Lead is used in magical rituals, spells, and amulets to promote contact with deep unconscious levels (the underworld), deep meditation, controlling negativity, breaking bad habits and addictions, protection, stability, grounding, solidity, perseverance, decisiveness, concentration, conservation, and material constructions (buildings). Pick up a hunk of lead and the first thing you notice is its weight – its connection to gravity. It is that connection to something beyond matter and light, the very form of the universe that is the physical basis for this experiment. During the winter months, preferably on some clear night in late January or early February, go outside and find the planet Saturn in the northern sky. Relax and try to focus all your attention on the golden sphere. Relax completely with an open and quiet mind. Become empty and let the planet influence you. Do this until you feel a real connection with the distant planet. Continue gazing upon Saturn and place a piece of lead metal in your hand. You should be able to feel a strange resonance building. That eerie, cold vibration is not your imagination. It is what alchemists refer to as the “call of lead.” You are experiencing the metal’s true signature or living correspondence with its planetary twin.The strange connection between lead and Saturn has been documented by modern scientists, who have shown that lead compounds react differently depending on Saturn’s position in the sky. For instance, solutions of lead nitrate produce the greatest weight of crystallization (or manifestation) during February, when Saturn rules the sky, and the least during June, when Saturn is barely visible. Lead compounds also exhibit different properties when Saturn aligns with other planets. For example, lead sulfate solution rises 60% higher on strips of filter paper during conjunctions of Saturn with Mars than at other times. It is also known that the ease of making lead solutions (the “solubility coefficient” of lead) varies with the position of Saturn relative to the other planets. NASA is even considering a series of astrochemical experiments to see if the Saturn-lead effects become more pronounced in outer space.Surprisingly, because the metals are such perfect expressions of archetypal energies, we can actually learn quite a bit about people by studying the properties of metals and the behavior of planets. That same correspondence exists in the human temperament. For instance, the leaden person is someone who has, like Saturn, lost their bid to become a star. They have accepted a mere physical existence and believe the created world is all that counts. The positive characteristics of the saturnine person are patience, responsibility, somberness, structure and realism, true knowledge of history and karma. The black messenger crows of Chronos bring black moods, depression and despair to us, but they also alert us to illusion and fakeness in our lives. Surprisingly, because the metals are such perfect expressions of archetypal energies, we can actually learn quite a bit about people by studying the properties of metals and the behavior of planets. That same correspondence exists in the human temperament. For instance, the leaden person is someone who has, like Saturn, lost their bid to become a star. They have accepted a mere physical existence and believe the created world is all that counts. The positive characteristics of the saturnine person are patience, responsibility, somberness, structure and realism, true knowledge of history and karma. The black messenger crows of Chronos bring black moods, depression and despair to us, but they also alert us to illusion and fakeness in our lives. Surprisingly, because the metals are such perfect expressions of archetypal energies, we can actually learn quite a bit about people by studying the properties of metals and the behavior of planets. That same correspondence exists in the human temperament. For instance, the leaden person is someone who has, like Saturn, lost their bid to become a star. They have accepted a mere physical existence and believe the created world is all that counts. The positive characteristics of the saturnine person are patience, responsibility, somberness, structure and realism, true knowledge of history and karma. The black messenger crows of Chronos bring black moods, depression and despair to us, but they also alert us to illusion and fakeness in our lives. Because the lusterless metal is so “dead” and resists interaction with other substances, it is used as containers for acids, like automobile batteries, and is used as a lining in pipes that carry corrosive substances. Similarly, the lead tempered person is like an acid-proof container that stores up caustic feelings and anger. Phrases like “acid tongued” and “vitriolic” have their origins in this alchemical process of storing negative emotional energy.On the psychological level, lead is symbolic of a person’s inertness and unwillingness to change. There is a denial of all higher or spiritual energies, and the alchemists often portrayed the leaden person as lying in an open grave or hopelessly chained to matter in some way. A feeling of being trapped in material reality is symptomatic of a leaden attitude. Leaden people are stubborn, unyielding, and often control other people by making them wait. They must always be right, rarely accept blame or admit to being in error, and have no real regard for the truth of a situation. They may be religious but not spiritual. They tend to be suspicious of genius and inspiration, which they will often attribute to fantasy, They feel threatened by freedom of thought and expression, and sometimes use ridicule or try to “push people’s buttons” to control it. They tend to be very uncreative, judgmental, and smug.On the other hand, leaden people are grounded, earthy, and practical. They are good friends during times of bereavement – a rock of support at funerals and deathbeds. Such people secretly crave stimulation, excitement, and new ideas. They gravitate to people who supply energy and entertainment in their lives. This craving for stimulation often makes them focus on nervous energy instead of higher inspiration. Therefore, Saturn’s children can be very reactive and excitable instead of lethargic, as they try to escape from their prison of matter.As soon as bright, fresh lead metal is exposed to air, it forms a dull-gray oxide layer called the “litharge” that resists any further chemical interaction. In alchemy, air is associated with spiritual energy, and lead reacts to it by instantly forming a barrier or blocking it. Likewise, one of the distinguishing characteristics of someone with a lead temperament is their lack of interest in spiritual ideas. There is also a general lack of interest in life in general, and leaden people often seem lazy, lethargic, or unresponsive.In the individual, lead absorbs the inner light or insight necessary for personal growth and blocks all outside “radiations,” such as attempts at spiritual instruction by others. Because psychological lead absorbs both the deeper vibrations of intuition and higher spiritual energies and aspirations, the person with a lead temperament is uninspired, unimaginative, and lacks that creative spark so necessary for positive change. Before long the lead person starts to feel trapped in his or her dull environment and seeks out excitement, death-defying feats, lively people, and challenging conversation. Their favorite color is often red, and unconsciously, they are seeking the alchemical element of Fire. Fire is one of the Four Elements that represents activity, energy, creative thinking, and transformation. Fire is the tool alchemists use to begin the transmutation of lead into gold as well as transform leaden consciousness into a golden awareness of higher reality. In the laboratory, the changes in the metal and in the alchemist take place simultaneously. Otherwise, there can be no real transformation. The alchemists transmuted the Lead temperament using the Fire operation of Calcination. Physically, lead and Saturn rule the bones, teeth, spleen, and slow chronic processes such as aging. The therapeutic effects are contracting, coagulating, drying, and mineralizing. Saturn-ruled plants enhance the structures of life. They give a sobriety of disposition, en-abling one to see limitations. These plants give steadiness, solidity of pur-pose, subtlety, diplomacy, patience, and an ability to work on the physical plane better.Saturnic or leaden energies are needed for those who have a hard time finishing pro-jects or for those with plenty of ideas but never realize them. Alchemists seeking to produce physical effects found in saturnine elixirs the essential vibratory rate that enabled materialization. Alchemists seeking to produce physical effects found in saturnine elixirs the essential vibratory rate that enabled materialization. Generally speaking, any other elixir mixed with a Saturn elixir will be earthed, which makes them of great value when working on physical plane phenomenon. Their physical therapeutic properties become refrigerant, anti-pyretic, sedative, styptic, and astringent.For instance, if one mixes a saturnine elixir with a mercurial one, the alchemists believed it would release knowledge contained in secret magical manuscripts or in ancient hermetic traditions, because the Saturn-Mercury vibration contains all hidden knowledge of an esoteric nature within it. Alchemical oils were mixed in the same way. For example, to treat leukemia, alchemists would prescribe an equal mixture of lead oil and gold oil. The alchemists made an Oil of Lead that was good for “growth of bones after breaking, strengthening the skeleton, osteoporosis and atrophy of the bones, stimulation of the spleen, drying tissue, reducing secretions and discharges, stopping bleeding, reducing fever, increasing patience, and stopping visions and an overactive imagination.” They also suggested it for hallucinations due to neurological disorders that have delirious after-effects such as encephalitis and post-traumatic stress syndrome. In the “like cures like” philosophy of homeopathy, lead is used to treat sclerosis, the hardening of bones and arteries, which is the hallmark of old age and signature of lead. The homeopathic name of lead is Plumbum metallicum. Native tin is known as stannum, which is the Latin word for tin and also gives the metal its chemical symbol (Sn). The alchemical symbol is K, which shows the lunar principle of soul above the cross of the elements or emerging from the darkness of matter.

Tin is a shiny, silvery-white metal that is malleable, somewhat ductile and sectile, and seems like a perfected form of lead to the casual observer. In fact, the Romans called tin Plumbum album or “white lead.” Tin resists weathering and does not oxidize, and tin utensils buried underground or lost at sea in sunken ships shone like new when rediscovered after hundreds of years. “Tinkers” were gypsy craftsmen who wandered from neighborhood to neighborhood in Europe repairing tin kettles and utensils or melting them down and recasting them. Native or elemental tin is extremely rare in nature and is found with gold and copper deposits. The metal was considered “semi-noble” in ancient times and was used for jewelry in Babylonia and Egypt. The Romans used it to make mirrors, and it was used as coinage in Europe at one time.

Tin has a highly crystalline structure, and due to the breaking of these crystals, a "cry" is heard when a tin bar is bent. Unlike lead, tin has pleasing acoustic effects and is used in the making of bells. The crystals in common grey tin have a cubic structure, but when heated or frozen it changes into white tin, which has a tetragonal structure. After further heating or freezing, white tin disintegrates into a powdery substance. This powder has the ability to “infect” other tin surfaces it comes in contact with by forming blisters that spread until all the metal “sickens” and disintegrates. This transformation is encouraged by impurities such as zinc and aluminum and can be prevented by adding small amounts of antimony or bismuth to the metal. The sickness of tin was called the “tin plague” and was the scourge of tin roofs during Europe’s frigid winters. The mysterious effect was first was first noticed as “growths” on organ pipes in European cathedrals, where it was thought to be the work of the devil to disfigure god’s work.Tin metal has only a few practical uses and most tin is used in alloys. Bronze is an alloy of 5% tin and 95% copper, and the development of bronze by humans marked a new age of advancement known as the Bronze Age. Most solder is a combination of tin and lead; pewter is also an alloy of tin and lead. Other tin alloys are used to make tin cans and tin roofs, and tin has significant use as a corrosion fighter in the protection of other metals. Tin resists distilled, sea and soft tap water, but is attacked by strong acids, alkalis, and acid salts. When heated in air, tin forms tin oxide, which is used to plate steel and make tin cans. Other uses are in type metal, fusible metal, Babbitt metal, and die casting alloys. Tin chloride is used as a reducing agent and mordant in calico printing. Tin salts sprayed onto glass are used to produce electrically conductive coatings, which are used for panel lighting and for frost-free windshields. Window glass is made by floating molten glass on molten tin to produce a flat surface. A crystalline tin-niobium alloy is superconductive at very low temperatures, and shoebox-sized electromagnets made of the wire produce magnetic fields comparable to conventional electromagnets weighing hundreds of tons.The distribution of tin on earth follows an ecliptic at an angle of 23.5 º to the equator that is an exact track of the orbit of Jupiter slicing through the planet. Even stranger, these jovian forces seem to form tin veins that zigzag through the rocks in a lightening bolt pattern. This is no haphazard effect, but an astonishing confirmation of Jupiter freeing the metals from their Saturnic prison on earth. Goethe was just one great alchemical philosopher who believed this. “A remarkable influence proceeds from the metal tin,” he wrote. “This has a differentiating influence, and opens a door through which a way is provided for different metals to be formed from primeval rocks.”Tin ore minerals include oxide minerals like cassiterite and a few sulfides such as franckerite. By far the most tin comes from cassiterite or tin oxide. Reduction of this ore in burning coal results in tin metal and was probably how tin was made by the ancients. Cassiterite is a black or reddish brown mineral that has ornately faceted specimens with a greasy, high luster. It is generally opaque, but its luster and multiple crystal faces cause a sparkling surface. Cassiterite has been an important ore of tin for thousands of years and is still the greatest source of tin today. Most aggregate specimens of cassiterite show crystal twins, with the typical twin bent at a near-60-degree angle to form a distinctive "Elbow Twin." Other crystalline forms include eight-sided prisms and four-sided pyramids. Cassiterite is sometimes found in nature associated with topaz and fluorite gemstones.Tin has a surprising affinity for silica and shares its crystalline structure. In the jovian ring on our planet where native tin is found, the metal lies in silica veins of quartz and granite. In the body, high concentrations of tin and silica are found in the boundary layer of the skin, and tin reacts with silica acid in many of the “shaping” processes of growth. In the Middle Ages, sick people were served food on a tin plate and drinks in a tin vessel to help them regenerate and recover their strength. Today, we know that tin acts as a bactericide and pesticide.Native tin is known as stannum, which is the Latin word for tin and also gives the metal its chemical symbol (Sn). The alchemical symbol is K, which shows the lunar principle of soul above the cross of the elements or emerging from the darkness of matter.

 

Tin is a shiny, silvery-white metal that is malleable, somewhat ductile and sectile, and seems like a perfected form of lead to the casual observer. In fact, the Romans called tin Plumbum album or “white lead.” Tin resists weathering and does not oxidize, and tin utensils buried underground or lost at sea in sunken ships shone like new when rediscovered after hundreds of years. “Tinkers” were gypsy craftsmen who wandered from neighborhood to neighborhood in Europe repairing tin kettles and utensils or melting them down and recasting them. Native or elemental tin is extremely rare in nature and is found with gold and copper deposits. The metal was considered “semi-noble” in ancient times and was used for jewelry in Babylonia and Egypt. The Romans used it to make mirrors, and it was used as coinage in Europe at one time.

Tin has a highly crystalline structure, and due to the breaking of these crystals, a "cry" is heard when a tin bar is bent. Unlike lead, tin has pleasing acoustic effects and is used in the making of bells. The crystals in common grey tin have a cubic structure, but when heated or frozen it changes into white tin, which has a tetragonal structure. After further heating or freezing, white tin disintegrates into a powdery substance. This powder has the ability to “infect” other tin surfaces it comes in contact with by forming blisters that spread until all the metal “sickens” and disintegrates. This transformation is encouraged by impurities such as zinc and aluminum and can be prevented by adding small amounts of antimony or bismuth to the metal. The sickness of tin was called the “tin plague” and was the scourge of tin roofs during Europe’s frigid winters. The mysterious effect was first was first noticed as “growths” on organ pipes in European cathedrals, where it was thought to be the work of the devil to disfigure god’s work.Tin metal has only a few practical uses and most tin is used in alloys. Bronze is an alloy of 5% tin and 95% copper, and the development of bronze by humans marked a new age of advancement known as the Bronze Age. Most solder is a combination of tin and lead; pewter is also an alloy of tin and lead. Other tin alloys are used to make tin cans and tin roofs, and tin has significant use as a corrosion fighter in the protection of other metals. Tin resists distilled, sea and soft tap water, but is attacked by strong acids, alkalis, and acid salts. When heated in air, tin forms tin oxide, which is used to plate steel and make tin cans. Other uses are in type metal, fusible metal, Babbitt metal, and die casting alloys. Tin chloride is used as a reducing agent and mordant in calico printing. Tin salts sprayed onto glass are used to produce electrically conductive coatings, which are used for panel lighting and for frost-free windshields. Window glass is made by floating molten glass on molten tin to produce a flat surface. A crystalline tin-niobium alloy is superconductive at very low temperatures, and shoebox-sized electromagnets made of the wire produce magnetic fields comparable to conventional electromagnets weighing hundreds of tons.The distribution of tin on earth follows an ecliptic at an angle of 23.5 º to the equator that is an exact track of the orbit of Jupiter slicing through the planet. Even stranger, these jovian forces seem to form tin veins that zigzag through the rocks in a lightening bolt pattern. This is no haphazard effect, but an astonishing confirmation of Jupiter freeing the metals from their Saturnic prison on earth. Goethe was just one great alchemical philosopher who believed this. “A remarkable influence proceeds from the metal tin,” he wrote. “This has a differentiating influence, and opens a door through which a way is provided for different metals to be formed from primeval rocks.”Tin ore minerals include oxide minerals like cassiterite and a few sulfides such as franckerite. By far the most tin comes from cassiterite or tin oxide. Reduction of this ore in burning coal results in tin metal and was probably how tin was made by the ancients. Cassiterite is a black or reddish brown mineral that has ornately faceted specimens with a greasy, high luster. It is generally opaque, but its luster and multiple crystal faces cause a sparkling surface. Cassiterite has been an important ore of tin for thousands of years and is still the greatest source of tin today. Most aggregate specimens of cassiterite show crystal twins, with the typical twin bent at a near-60-degree angle to form a distinctive "Elbow Twin." Other crystalline forms include eight-sided prisms and four-sided pyramids. Cassiterite is sometimes found in nature associated with topaz and fluorite gemstones.Tin has a surprising affinity for silica and shares its crystalline structure. In the jovian ring on our planet where native tin is found, the metal lies in silica veins of quartz and granite. In the body, high concentrations of tin and silica are found in the boundary layer of the skin, and tin reacts with silica acid in many of the “shaping” processes of growth. In the Middle Ages, sick people were served food on a tin plate and drinks in a tin vessel to help them regenerate and recover their strength. Today, we know that tin acts as a bactericide and pesticide.

Flowers last longer in tin vases, and food has been preserved in the tin cans (actually a thin layer of tin on iron) for over a century. Beer (ruled by the jovial Jupiter) is said to taste best from a tin mug. Jupiter rules growth, the metabolic system, the liver, and the enrichment of the blood from food. Jupiter therapeutic effects are anti-spasmodic and hepatic. Jupiter-ruled plants preserve the body and promote healthy growth and are the natural healing herbs of the planetary system. They af-fect the mind in such a way as to promote an understanding of ritual form from the highest point of view, and religious leaders, doctors, lawyers, etc. will find great benefit from jovian herb remedies. They also attune one to the wealth vibration and open up channels for growth and expansion, materi-ally as well as spiritually.Jupiter controls the circulation of blood in the human body. If mixed with a solar herbal eider, it will give the alchemist access to the highest plane. Jupiter-Mercury combinations produce insight into the philosophical principles of any system and their part in the cosmic scheme and provide an intuitive understanding of the great spiritual masters. This particular herbal mixture also produces a lightheartedness and gaiety, which can be very useful to those with a predisposition to depression or gloominess. The physical properties of such a mixture are anabolic and antispasmodic.The alchemists made an Oil of Tin that was used to treat the liver (jaundice, hepatitis, cirrhosis), certain types of eczema, liquid ovarian cysts, inflammatory effusions, pleurisies, acne, water retention, and certain types of obesity. This oil was said to be excellent for someone "loosing shape." The oil was also used as a sweat inducer, wormer, antispasmodic, cathartic, and laxative.The polar (opposite) metal to tin is mercury, and Oil of Tin was said to be an excellent antidote for mercury poisoning, and likewise mercury was said to balance the bad effects of tin. Tin and mercury oil combined are said to provide deep insight and cure lightheadedness and certain phases of manic-depressive syndrome.The homeopathic form of tin is called Stannum, a remedy which is said to strengthen and regenerate muscle and brain tissue. It is also a remedy for the joints and connective tissue of ligaments and cartilage. Stannum is allegedly beneficial in liver disease and is used for congestion, hardening, encephalitis, and other illnesses where the fluid balance is upset.During the early Spring, preferably sometime in March, go outside and find the red planet Mars in the night sky. Relax and try to focus all your attention on the tiny red sphere. Relax completely with an open and quiet mind. Become empty and let the planet influence you. Do this until you feel a real connection with the distant planet. Continue gazing upon Mars and place a piece of iron in your hand or a small cast iron pot or other object but not something of made of steel or chromed. You should be able to feel a resonance building. It is what alchemists refer to as the “call of iron.” You are experiencing the metal’s true signature or living correspondence with its planetary twin. See how your feelings compare to how the alchemists felt about this powerful metal.When mixed with solar herbs, iron herbs increase energy and activate the energetic potentials of other herbs. Martian elixirs release the action poten-tial of the soul of something. When mixed with other herbs, martian herbs acti-vate the potentialities of the other herbs to a great degree making them more forceful in applica-tion and generally more active. Mars herbs are wonderful tonics when mixed with Sun herbs. The combination gives great physical energy, tones the muscles, and increases sexual potency. They also provoke self-reliance, spontaneity, and indepen-dence of attitude. If the alchemist is involved in magical evocation, a mixture of a mars, moon, and mercurial elixirs will help produce the physical plane vehicle of manifestation.Copper is a reddish-brown metal with a bright metallic luster. It is in the same group in the Periodic Table as gold, and like gold, it is remarkably ductile. It is also very malleable and sectile (it can be pounded into other shapes and cut into slices) and is an excellent conductor of heat and electricity. Molten copper is a sea green color, and copper tarnishes with a green color and burns with a blue-green flame with flashes of red, and the alchemists sometimes described Venus, the metal’s archetypal planetary source, as dressed in a blue cloak over a red gown.Pick up a piece of copper and the first thing you notice is its surprising feeling of warmth and moisture. It is that connection to something archetypal and nourishing that makes up the signature of this metal. It is easy to connect with copper, just as its planet (Venus) is easy to see in the sky. It is so brilliant it is often mistaken for a bright star or even a UFO. The best time to see it is in the early evening or morning when it is close to the horizon. In fact, Venus has been called both the “Morning Star” and the “Evening Star” and is associated with magical energies. It is the “first star I see tonight” upon you make you wish that will come true with the sympathetic venusian energies. On some clear night or morning, go outside and find the planet Venus. Relax and try to focus all your attention on the brilliant white sphere. Relax completely with an open and quiet mind. Become empty and let the planet influence you. Do this until you feel a real connection with the distant planet. Continue gazing upon the planet and grab a piece of copper, a fistful of pennies, or even a copper cooking utensil. You should be able to feel a warm resonance building. That deep and soothing vibration is not your imagination. It is what alchemists refer to as the “call of copper.” You are experiencing the metal’s true signature or living correspondence with its planetary twin.The venusian signature gives refinement of senses and the ability to appreciate beauty. Artists, actors, and others in the public eye will find these elixirs a great aid to performing their work. Venus herbs also enhance the taste perceptions, promote affection, give an amiable disposition, and make one more psychically sensitive to astral influences. For those who feel a lack of charm, or some of the softer human qualities, a venusian elixir will stimulate the right vibration in your aura. Venusian elixirs also promote harmony and balance within our being and in our dealings with others. Venusian elixirs are said to give access to that realm of the astral that is intimately connected with the working and forces of the most intimate magic of nature. They are a great aid to alchemists who wish to make herbal alchemy their life work, as they open up the human consciousness to the secrets of the plant kingdom. Naturalists will find these elixirs most illuminating, as they will give conscious con-tact with the various “deities” of long past nature religions.Mercury is truly unique. It is the only metal that is liquid at room temperature and the heaviest natural liquid on the planet. According to alchemical theory, all the metals began in the liquid state on deep in the earth, but only mercury was able to retain it original innocence and life force and resist taking on a final form, and for that reason, the ancients called it Mercurius vivens (the “living mercury”). This silvery liquid metal (also known as “Quicksilver”) was known to ancient Chinese and Hindus before 2000 BC and has been found in sacred tubes in Egyptian tombs dated from 1500 BC. It was first used to form alloys with other metals around 500 BC. The Greeks applied germ-killing ability of mercury in healing ointments (to the benefit of those afflicted with wounds and skin infections), and in the Middle Ages, Paracelsus used it successfully to treat syphilis. However, the ancient Romans applied mercury compounds for long-term use in cosmetics, and many beautiful women eventually died of its cumulative poisonous effects. Today, many popular brands of eye makeup still contain low levels of mercury.In the East, metallic mercury was the main ingredient in most Tantric medicinal preparations. In his travels through India, Marco Polo observed that many people drank a concoction of mercury and sulfur twice monthly from early childhood with no observable ill effects. They believed the drink gave them longevity. Tantric alchemists in India still take metallic mercury in place of food as an elixir of life, although they caution that the body must be perfectly attuned and strengthened to tolerate the intense cosmic infusion of life force. In Indian alchemy, mercury is called rasa, which refers to the subtle essence that is the origin of all forms of matter. The cosmic chaos from which the universe sprang is called the Rasasara or “Sea of Mercury.” The craft of alchemy is referred to as Rasayana or “Knowledge of Mercury.” Go outside on the night of the full moon and gaze up at the silver orb. Relax and try to focus all your attention on the surface of the moon. Relax completely with an open and quiet mind. Become empty and let our closest planetary body influence you. Do this until you feel a real connection. Now, pick up piece of silver jewelry or dinnerware, and hold it in your left hand until it gets warm. You should be able to feel a liquid-like sensation of cool metallic energy. This is what alchemists refer to as the “call of silver.” You are experiencing the metal’s true signature or living correspondence with the moon itself. Try to remember how this feels in your body. Has the taste in your mouth changed? Has your eyesight altered? How does your skin feel.The alchemists prepared an Oil of Silver they used to treat disorders of the brain and cerebellum, reduce stress, balance emotions, improve memory, treat nervous disorders and epilepsy, improve both melancholia and mania. It was also used as a physical purgative and mental purifier. It was said to affect the subconscious mind, see into the past clearly, remove fears and blockages, allow one to unwind, produce “homey” feelings, give a feeling of grace and sensitivity, and enhanced imagination.Using elaborate mixing and heating techniques, Egyptian alchemists tried making gold by changing the proportions of the Four Elements in the base metals or by attempting to speed up natural growth of lesser metals into gold. Around 100 AD, Egyptian alchemist Maria Prophetissa used mercury and sulfur to try to make gold. Around 300 AD, the alchemist Zosimos, whose recipes often came to him in dreams, was working to transmute copper. “The soul of copper,” he wrote must be purified until it receives the sheen of gold and turns into the royal metal of the Sun." A technique known as "diplosis" (“doubling”) of gold became popular. One such recipe called for heating a mixture of two parts gold with one part each of silver and copper. After appropriate alchemical charging that brought the seed of gold alive, twice as much of a gold as originally added was produced. Egyptian alchemists believed that the gold acted as a seed in metals, especially copper and silver. According to their view, the seed of gold grew, eating the copper and silver as food, until the whole mixture was transformed into pure gold.Gold is a stubbornly pure metal when it comes to reacting or even associating with “lesser” elements. That signature explains a lot of the chemical characteristics of gold. Unlike nearly every other metal, there are no plants that contain even trace amounts of metallic gold. There are very few gold ores, because the noblest metal never alloys with the baser metals, but does alloy with the noble metal silver and makes an amalgam with mercury.Gold is extremely ductile, malleable, and sectile, and so soft it can be cut with a knife, which makes gold impractical to use for tools. It is also very heavy. A gold bar is twice as heavy as an equal-sized bar of lead. Furthermore, gold embodies an inner equilibrium of forces that make it pretty much indestructible. Gold never tarnishes like copper or silver or rust like iron and, whether found buried in the ground, at the bottom of the ocean, in an ancient tomb, or in the ring on your finger, it always looks the same. It cannot be damaged by heat and was considered completely inalterable until around 1100 AD, when alchemists concocted a mixture of nitric and hydrochloric acids known as Agua Regia (“Royal Water”) that could dissolve gold. The immortal metal is endlessly recycled, and all the gold known today is very nearly equal to all the gold that has ever been mined. One ounce of gold can be stretched into a single wire 35 miles long, or it can be beaten to just a few atoms thick. It is the most flexible, enduring, and beautiful of all metals.

Gold shows a distinct affinity for sulfur and forms an ore with a rare element called tellurium. It is one of the few elements gold easily bonds with. In fact, telluride is rarely found without gold. Gold also appears in minerals that are part of a group of tellurium sulfides called the tellurides. However, the amount of gold in these minerals is really miniscule next to the amount of gold found in its native metallic state. Native gold seems to like the company of the purest white quartz and is also found mixed with deposits of pyrite and a few other sulfide minerals. Gold is six times rarer than silver, and it takes about three tons of gold ore to extract an ounce of gold metal.Around the world, nearly every culture associated their supreme god or goddess with gold. For many centuries only the images of gods graced gold coins, until Alexander the Great began the trend of rulers’ images appearing on gold coins around 30 BC. Even the most primitive societies recognize the sacred properties of gold. For example, the Makuna tribes of modern Brazil believe that gold contains “the light of the sun and stars." The chemical symbol for gold (Au) comes from the Latin word aurum meaning "gold.” The alchemical cipher for gold is a rendition of the sun (A), and gold was considered a kind of congealed light. Sol is the King of alchemy, and his royal purple-red color is revealed in gold colloidal solutions, and red is his symbolic color. Sol Philosophorum was the name the alchemists gave to this living spirit of gold, which they saw as the refined essence of heat and fire. Gold was known and considered sacred from earliest times. Gold became popular because it reminded people of the sun with its warm, life-giving properties. Because of its imperishability, the ancient Chinese thought that gold conveyed immortality to its owners. Egyptian inscriptions dating back to 2600 BC describe these same associations with gold. Gold replaced bartering around 3500 BC when the people of Mesopotamia started using it as a kind of money because of it eternal value. By 2800 BC, gold was being fashioned into standardized weights in the form of rings. People started carried black stones called “touchstones” onto which they scraped a piece of gold to leave a streak. Depending on the brightness of the streak, one could estimate how much gold was in the sample. Around 1500 BC, Mesopotamian alchemists discovered a process for purifying gold known as "cuppellation," which involved heating impure gold in a porcelain cup called a “cuppel.” Impurities were absorbed by the porcelain, leaving a button of pure gold behind. Later alchemists used cuppels to test the quality of their transmutations.Using elaborate mixing and heating techniques, Egyptian alchemists tried making gold by changing the proportions of the Four Elements in the base metals or by attempting to speed up natural growth of lesser metals into gold. Around 100 AD, Egyptian alchemist Maria Prophetissa used mercury and sulfur to try to make gold. Around 300 AD, the alchemist Zosimos, whose recipes often came to him in dreams, was working to transmute copper. “The soul of copper,” he wrote must be purified until it receives the sheen of gold and turns into the royal metal of the Sun." A technique known as "diplosis" (“doubling”) of gold became popular. One such recipe called for heating a mixture of two parts gold with one part each of silver and copper. After appropriate alchemical charging that brought the seed of gold alive, twice as much of a gold as originally added was produced. Egyptian alchemists believed that the gold acted as a seed in metals, especially copper and silver. According to their view, the seed of gold grew, eating the copper and silver as food, until the whole mixture was transformed into pure gold.According to the medieval alchemists, Nature sought continually to create the perfection achieved in gold, and they looked at every metal as gold in the making. Alchemists also thought that the objective of every metal was to become gold, and every metal was tested for corrosion and strength and ranked as to how far it was from gold. Many alchemists felt that mercury was the closest metal to gold and that it could be transmuted directly into gold. Their intuition was correct, for mercury can indeed be turned into gold. Gold and mercury are next to each other on the Periodic Table. Mercury is element 80 (has 80 protons) and gold is element 79 (has 79 protons). In the 1960s, physicists were able to knock out a proton in mercury atoms using neutron particle accelerators, and thereby create minute quantities of gold.Gold is at the head of the metals, paired with what in the medieval mind was the strongest planet, the Sun. The alchemists were obsessed with gold’s signature of perfection. Medieval Italian alchemist Bernard Trevisan speculated, "Is not gold merely the Sun’s beams condensed into a solid yellow?" Seventeenth-century alchemist John French asked fervently: “Is there no sperm in gold? Is it not possible to exalt it for multiplication? Is there no universal spirit in the world? Is it not possible to find that collected in One Thing which is dispersed in all things? What is that which makes gold incorruptible? What induced the philosophers to examine gold for the matter of their medicine? Was not all gold once living? Is there none of this living gold, the matter of philosophers, to be had anymore?”Gold is highly valued in the everyday world too. It is used as coinage and is a standard for monetary systems in many countries. It is used to make jewelry and artwork, and also in dentistry, electronics, and plating. Since it is an excellent reflector of infrared energy (such as emerges from the sun), the metal is used to coat space satellites and interstellar probes. Chlorauric acid is used in photography for toning the silver image. It is also used in medicine to treat degenerative diseases such as arthritis and cancer.Chemist Lilly Kolisko performed experiments with gold chloride and showed its chemical behavior coincided with events that altered the strength of the sun, such as the weakening in solar forces during solar eclipses or their increase during the summer solstice. Moreover, she found that both silver and gold salts seemed to be equally influenced by the sun. In the case of silver, it was the forms or patterns that changed, whereas in the gold, it was the colors that changed. Silver shapes moved from jagged spikes to smooth rolling forms but the colors remained hues of grey, while the basic shape of gold patterns remained the same but the colors changed from brilliant yellows through violet to reddish-purple hues. This work presents an amazing confirmation of how the King and Queen, Sol and Luna, work together in creation, with the female principle representing soul and form and the male principle representing spirit and energy. Kolisko’s innovative work with the metals is presented in the Appendix. Her work has been duplicated by dozens of other chemists and has been confirmed many times.The signatures of gold are invoked in rituals, magical spells, and talismans concerning solar deities, the male force, authority, self-confidence, creativity, financial riches, investments, fortune, hope, health, and worldly and magical power. Gold talismans can be very expensive, but you can make one of gold colored cardboard or write the symbols on it with gold paint or plate an object with gold. Gold jewelry is said to improve self-confidence and inner strength. To charge water with the signature of gold, put a gold object in a glass of water and let sit in the sunlight for 6-10 hours.During sunrise or sunset, face the sun and try to feel it archetypal presence. If not too bright, gaze into the rising or setting sun and try to see the metallic solar disk of which the Egyptian alchemists spoke. Relax and try to focus all your attention on the golden sphere. Relax completely with an open and quiet mind. Become empty and let the presence at the center of our solar system influence you. Do this until you feel a real connection with the distant sun. Continue facing the sun as you pick up a piece of gold jewelry or a vial of pure gold flakes (such as sold in some novelty shops) into your right palm. You should be able to feel a electric warmth building. That eerie, warm vibration is not your imagination. It is what alchemists refer to as the “call of gold” – the resonation of the metal with its “planet.” You are experiencing the metal’s true signature or living correspondence, and for gold, this is the most perfect expression of all materials. If you can connect with this archetype, you will realize that it a very personal as well as divine presence. As Above, so Below. This is perfection on all levels of your mind, body, and soul resonating with the perfection inherent in the Whole Universe.For those with weaker wills or loss of contact with the divine presence, gold represents a psychological cure. The solar essences gives great ambition, courage, self-re-liance, dignity, authority, and the ability to manage oneself and others. The creative principle, no matter how small and insignificant it is within us can be enhanced to a great degree by tapping into the solar archetype. Just as the Sun represents the di-vine creative force in our immediate solar system, gold represents the same thing in our inner temperament. For lasting manifestation, the golden temperament needs to be firmly grounded in the world, and the danger at this phase of transformation is that the individual become too focused on the workings Above and forget his or her connection to the real world. Gold and the blazing Sun correspond to personal ambition, courage, and creative energy and vitality, but without a constant effort to remain pure and alive in the real world, the golden temperament can quickly transmute into the leaden qualities of despair, poor self esteem, lack of confidence, and impurity. Most important for the golden temperament, however, is to realize that once having reached this plateau, one has certain personal and karmic obligations. The golden attitude of this temperament is what brings the rewards of health, wealth, and happiness through synchonistic responses from the universe. Go against these archetypal powers at this level of achievement and even the slightest deviation from the golden path of righteousness and personal integrity can have disastrous and immediate consequences. The alchemists transmuted the Gold temperament using the operation of Coagulation.Chrysotherapy is the name given to healing with gold. The mystical metal has been used for both spiritual and medical purposes as far back as ancient Egypt. Over 5,000 years ago, the Egyptians used gold in dentistry and ingested it for mental, bodily, and spiritual purification. The ancients believed that gold in the body worked by stimulating the life force and raising the level of vibration on all levels. In Alexandria, alchemists developed a powerful elixir known as “liquid gold,” which reportedly had the ability to restore youth and perfect health. In ancient Rome, gold salves were used for the treatment of skin ulcers, and today, gold leaf plays an important role in the treatment of chronic skin ulcers. The great alchemist and founder of modern medicine, Paracelsus, developed many highly successful medicines from metallic minerals including gold. In medieval Europe, gold-coated pills and “gold waters” were extremely popular. Alchemists mixed powdered gold into drinks to "comfort sore limbs," and today, it is widely used in the treatment of rheumatoid arthritis. In the 1900s, surgeons implanted a $5.00 gold piece under the skin near an inflamed joint, such as a knee or elbow. In China, peasants still cook their rice with a gold coin in order to help replenish gold in their bodies, and fancy Chinese restaurants put 24-karat gold-leaf in their food preparations.The alchemists believed that gold represented the perfection of matter, and that its presence in the body would enliven, rejuvenate, and cure a multitude of “dis-eases.” Gold is never corrodes or even tarnishes, is completely non-toxic, and exhibits no interactions with other drugs. Gold is the only heavy metal that has a right-hand atomic spin and is therefore easily tolerated by the body.The alchemists believed that gold represented the perfection of matter, and that its presence in the body would enliven, rejuvenate, and cure a multitude of “dis-eases.” Gold is never corrodes or even tarnishes, is completely non-toxic, and exhibits no interactions with other drugs. Gold is the only heavy metal that has a right-hand atomic spin and is therefore easily tolerated by the body.Sun-ruled plants affect the soul in its positive phase of manifestation, which manifests on the personal level as our idea of ourselves as a progressive unified entity. Solar herbs help us realize our evolutionary epoch as an individual among many other individuals, helping to synthesize and synchronize our goals with those of the macrocosm. In this sense they are ego fortifiers, but with a divine purpose.Solar herbs heal inferiority complexes, bolstering people and giving them a sense of purpose beyond the norm. The Sun represents the Christ and Osiris consciousness in man, as well as Hercules in his monumental strength. For those with weaker wills, Sun ruled herbs will provide the springboard for more posi-tive action; they also bestow the quality of generosity to our souls. Solar plants, when alchemically charged, will reveal the divine purpose of our solar system, and will let you be-come aware of the will of God in manifestation. Solar essences give great ambition.

 

www.azothalchemy.org/metals.htm

  

Existence

 

Without a health and safety sign the veils between worlds seemed to have grown thin and even ragged around the demonic clawed gateways. I had no idea that this was in existence til I stumbled into the empty room. All of the apparitions were well behaved and posed nicely for these rushed mobile phone images.

 

I have been feeling out of this world ill and these bright painted darkly lit mobile phone images have been an unusual joy to edit.

 

PHH Sykes 2022

phhsykes@gmail.com

 

Legends Nightclub and Bar

www.oldtownpubco.com/our-bars/legends-bar-edinburgh/

Rock has been housed in 71 Cowgate since the dawn of time.

Legends

71 Cowgate

Edinburgh

EH1 1JW

This is a type of truck I’ve wanted to see up close and in action ever since I heard about its existence. Having started working at Cleanaway and experiencing a variety of things out of the Blacktown depot, I got to learn about this truck first hand! Superior Pak has always used the pendulum packer in their Raptor side loaders, but some years ago they tried a different approach and built six units with paddle packers specifically for green-waste. 3 trucks went to the Canterbury contract in early 2012 and the other 3 went to Parramatta in late 2012. As is quite evident, the body and lifter set-up is basically the same as that of a pendulum model, with the only differences being the lower shape of the hopper and the substituted paddle hardware. This lifter had a real good shake on it as well; not too rough and not too soft, just perfect for greens.

To me this old barn is a classic beauty. Tucked in among the trees, shrubs, and hills I can’t help but think about the history of this little beauty and all of the lives that are enter-twined with its existence. View it large to see the temperature at the time this image was taken, as well as the wonderful character this barn possesses.

YJ07JVM has had a nomadic existence recently. Still in its Flying Tiger base livery, it is seen here at Claremount terminus, high above Halifax, with the summit of Beacon Hill, which towers over the town, apparently close behind. Looks are deceiving, as the main A58 Halifax-Leeds road runs right-left deep in Godley Cutting, behind the low wall, and the hill top is a good quarter mile away.

 

YJ07JVM was new to K Line, and had a short spell in Tiger Blue colours following the Arriva buy out of the Centrebus share. It then had quite a decent makeover into Flying Tiger colours and moved to Idle depot when Tiger was still interested in making a success of its Leeds Bradford Airport routes. After Tiger gave up the airport work (and the depot at Idle) in summer 2020, YJ07JVM went on loan to Arriva North East, running there in full Flying Tiger colours, returning earlier this year to Waterloo. Transdev immediately removed the Tiger branding on taking over, and it is now quite definitely an 'odd one out' in what is, temporarily at least, an 'odd' fleet.

 

All good for enthusiasts, though!

 

Mariupol 22

Vitsche Berlin

Berlin Bundestag

#StandWithUkraine #VitscheBerlin #StopPutin

#StopRussianAgression #StopWar

Sometimes People look back the road .

 

An then find the meaning of existence

  

Keswick (/ˈkɛzɪk/ KEZ-ik) is an English market town and a civil parish in the Allerdale borough of Cumbria, England. Historically it was in Cumberland, and since 1974 has been in Cumbria. It lies within the Lake District National Park, Keswick is just north of Derwentwater and is four miles (six kilometres) from Bassenthwaite Lake. It had a population of 5,243 at the 2011 census.

 

There is evidence of prehistoric occupation of the area, but the first recorded mention of the town dates from the 13th century, when Edward I of England granted a charter for Keswick's market, which has maintained a continuous 700-year existence. The town was an important mining area, and from the 18th century has been known as a holiday centre; tourism has been its principal industry for more than 150 years. Its features include the Moot Hall; a modern theatre, the Theatre by the Lake; one of Britain's oldest surviving cinemas, the Alhambra; and the Keswick Museum and Art Gallery in the town's largest open space, Fitz Park. Among the town's annual events is the Keswick Convention, an Evangelical gathering attracting visitors from many countries.

 

Keswick became widely known for its association with the poets Samuel Taylor Coleridge and Robert Southey. Together with their fellow Lake Poet William Wordsworth, based at Grasmere, 12 miles (19 kilometres) away, they made the scenic beauty of the area widely known to readers in Britain and beyond. In the late 19th century and into the 20th, Keswick was the focus of several important initiatives by the growing conservation movement, often led by Hardwicke Rawnsley, vicar of the nearby Crosthwaite parish and co-founder of the National Trust, which has built up extensive holdings in the area.

St. Cajetan Church, Goa

 

The interior of the church is as massive as the exterior makes it out to be. Inspired by Corinthian and Baroque architecture there are multiple altars on the left and right with the aisle divided by huge pillars. To the left, the altars are dedicated to the Holy family of Our Lady of Piety and St. Clare. To the right you see the altars dedicated to St. Cajetan, St. John and St. Agnes, the one dedicated to St. Cajetan being the largest with a massive, well decorated wooden podium. The Italian paintings in the altars depict the life and time of Saint Cajetan. One can’t help but marvel at the huge dome, both from the outside and the inside of the church.

 

The Well within the Church

Within the premises of a church, there exists a well which has lead historians and archeologists to point at the possible existence of an ancient Hindu temple which was lost during Portuguese occupation. An opposing group of historians believe that the well was intentionally created to offer structural stability. More controversy is added to the equation with the existence of carvings of Hindu deities on the Basalt doorway. This is the only remaining part of what once used to be a palace of Emperor Adil Shah.

 

www.nativeplanet.com/goa/attractions/st-cajetan-church/

 

www.goatourism.gov.in/destinations/churches/136-the-conve...

Visit this location at ..::Sol Existence::.. in Second Life

model:

www.flickr.com/photos/maiaibing/4510449518/in/faves-spiri...

textures:

www.flickr.com/photos/eddi_07/4355141310/in/set-721576232...

www.flickr.com/photos/spiritual_marketplace/4323062648/in...

The existence of a Mediæval castle on this large motte was attested since the 1100s, but the impressive château we see today was built during the 1600s.

Lisboa

This Beautiful being, planet earth, unceasingly and unconditionally supports the lives of each one of us! Despite this, we wreak havoc and destruction on it. I believe the only way to stop this madness, is a change, a revolution if you will, in the hearts of all human beings." P.S.

存在革命同人活動 - 台南一中 / 美國女牛仔 - 熱情奔放性感豪邁

The Cosplay of the Existence Revolution - Tainan First Senior High School / American cowgirl - Is overflowing with enthusiasm the sex appeal to be heroic

El juego cercano de la revolución de la existencia - De Tainan High School secundaria mayor primero / Vaquero de sexo femenino americano - Está desbordando con entusiasmo la súplica de sexo para ser heroica

革命の人の活動が存在しますと - 台南の一中 / 米国の女性のデニム - 親切であふれ出ているセクシーは豪胆です

Das nahe Spiel der Bestehen-Revolution - Tainan-zuerst ältere Highschool / Amerikanischer weiblicher Cowboy - Mit Begeisterung läuft das Sexappeal über, um heroisch zu sein

Le jeu étroit de la révolution d'existence - premier lycée de grands de Tainan / Cowboy féminin américain - Déborde avec enthousiasme l'appel de sexe pour être héroïque

 

Tainan Taiwan / Tainan Taiwán / 台灣台南

 

抓狂 / City Hunter / 夜的狂想 / 夜の狂うのは思っています

{Get Wild / 捕えるのは狂います}

 

{View large size on fluidr / 觀看大圖}

   

{My Blog / 管樂小集精彩演出-觸動你的心}

{My Blog / Great Music The splendid performance touches your heart}

{My Blog / 管楽小集すばらしい公演-はあなたの心を心を打ちます}

{Mi blog / La gran música el funcionamiento espléndido toca su corazón}

{Mein Blog / Große Musik die herrliche Leistung berührt Ihr Herz}

{Mon blog / La grande musique l'exécution splendide touche votre coeur}

  

書中風起雲動 劍下虎嘯龍吟

The book stroke have the clouds to move under the sword the tiger's roar and dragon to recite

 

誰知成敗早已天定

Who knows the success or failure already to decide for GOD

 

回首江山依舊 入眼夕陽正紅

Who looks back on the landscape as before pleasant setting sun is red now

 

但願人長久情長在

Hopes the persons long-time sentiment exist

 

熱蘭劍士無悔無憾

The Zeelandia's swordsman regretless not regrets

Taken cha-cha style with my Panasonic Lumix DMC-FZ35 camera.

I happened to come across 'Henry' as he grazed in the back lot of a pawn shop. I've was told that's he's been sold. Lucky person. NOT!

A section of a massive mural on the side of a building in Christchurch

The Castro Verde is an absolutely magical area. The rolling Steppe habitat comes to life in Spring and a whole range of colours can be seen. The landscapes are open and rolling, making the sky look big and wide. The region does not receive many visitors and are very tranquil. In spring the land comes to life with the sound of Blackbirds, Calandra Larks, Quail too name but a few. I was lucky to see Great Bustard, Little Bustard, Spanish Imperial Eagle, Lesser Kestrel, Lesser-Short-toed Lark, Thekla Lark, Nightingale, Melodious Warbler were just some of the birds I added to my list in this region. I also saw an Iberian Hare. It is a great place to relax in.

   

algarvebirdman.com/

   

1. Special Protection Area (SPA) Castro Verde

  

This vast area (790 square kms) of rolling steppe land is a complete contrast to the Algarve and highly recommended for a day trip, being only around an hour’s drive north. Comprising the largest expanses of the steppic grassland plains in Portugal that form a mosaic with wide savannah-like open Holm Oak montado woodlands. Throughout the year the whole area is absolutely enchanting, both for its birds and the outstanding scenery that never fails to induce a vow to return. This seemingly never-ending wilderness is lush and liberally coated with wildflowers in the winter and spring, while in the summer and autumn the area becomes extremely arid and often desert-like. The SPA Castro Verde is one of the most important areas in Europe for sought after species like Lesser Kestrel, Great and Little Bustards and Black-bellied Sandgrouse. The area also supports a great diversity and high density of raptors, which includes nearly all of Portugal’s breeding species.

   

What to see when, around Castro Verde

  

During spring and early summer the best grasslands resound with the impressionable sound of Calandra Larks and the incredibly abundant Corn Buntings, while Montagu’s Harriers, Lesser Kestrels and Black Kites arrive to breed in quantity and become common birds in these pristine habitats. Great and Little Bustards display in early spring the latter being at its easiest to see at this time of year. Short-toed, Booted and Bonelli’s Eagles all breed in the general area and use the grasslands as regular hunting grounds. Other species that breed in this region include Stone-curlew, Great Spotted Cuckoo, European Roller, European Bee-eater, Pallid Swift, Woodlark, Short-toed, Crested and Thekla Larks, Tawny Pipit, Crag Martin, Black-eared Wheatear, Rufous-tailed Scrub Robin, Cetti’s, Great Reed and Melodious Warblers, Woodchat and Southern Grey Shrikes, Golden Oriole and Spanish Sparrow as well as the omnipresent Azure-winged Magpies and Hoopoes.

   

Both Collared Pratincole and Gull-billed Terns occur in the area regularly and sometimes breed, depending on the water levels at key sites. In an undisclosed area Spanish Imperial Eagles have recently set up territories and by employing great care and patience they can often be seen soaring over the area. Simon supplies all his observations to the team that is monitoring this exciting re-establishment. Eurasian Black and Eurasian Griffon Vultures use the area almost daily on their searches for carrion, involving birds of a non-breeding age and one cannot help but prophesise the eventual colonisation of the Eurasian Black Vulture in this admirably suitable area.

  

Outside the breeding season the absence of the summer visitors is compensated by the arrival of an array of winter birds that join the many attractive resident species, including the omni-present bustards, Black-bellied Sandgrouse, Calandra Larks and resident raptors. Red Kites occupy in considerable numbers and its not at all unusual to see over 30 individuals are in a day, Hen Harriers hunt over the grasslands in good numbers too while the occasional Peregrine or Merlin add further interest to the raptors. Eurasian Black and Eurasian Griffon Vultures are more regularly seen outside the breeding season, as are Spanish Imperial Eagles due to dispersal of younger birds from Spain. Golden Eagle is more wide ranging at this time of year too and 1st year birds are often recorded. Large numbers of wintering Lapwing and Golden Plover settle here and Skylarks and Meadow Pipits become truly abundant. Around 1000 Common Cranes occur, often feeding on fallen acorns in the open Holm Oak woodlands from late October to March (the highest count in the winter of 2007-8 revealed 1300 inds)

 

This region is well worth visiting all the year round but during the incredibly hot July and August, when birding is often uncomfortable and the heat-haze can make for frustrating viewing, seriously early starts are recommended. On these days we can include a short afternoon visit to Castro Marim (see “Wetlands”). For the most enthusiastic, a 2-3 day tour is ideal and can be easily arranged together with attractive and economic accommodation in the area. This will give ample time for the more difficult species and permit a deeper appreciation of this superb area.

   

Access in the SPA Castro Verde

  

Important information (particularly relevant to the observation of Great Bustard):

  

It is thanks to the Liga da Proteção da Natureza (LPN www.lpn.pt) for the continued existence of high quality steppic habitats in this region. In 1993 the LPN purchased 5 properties in this area (total: 1700ha.) at a time when the whole region was under imminent threat of becoming forested with non-native eucalyptus forest. This would have meant the loss of one of the most important areas of its kind in Europe. Not only did the LPN manage to prevent this from happening on land they purchased but also, through a successful lobby, actually caused a complete turn around within the government and achieved SPA status for the whole area in 1993. The LPN continue to work with the implementation of wide-ranging nature protection projects, notably a long-term program centred on the conservation of the pseudo-steppe habitats within the SPA; “ O Programa Castro Verde Sustentavel”.

 

Unfortunately, excessive pressure from visiting birdwatchers in recent years has driven the LPN to prohibit free access onto their land (all entrances have large green gates labelled LPN and usually clear signs depicting a design with a Little Bustard’s head and a tractor). These gates should always be closed but as some local farmers tend to leave them open it encourages un-informed birders to just drive in. (Always close them if you see them open!). Due to the increasing numbers of visiting birdwatchers and the proximity of the tracks to Great Bustard leks some disturbance has been unavoidable. Sadly, a few people have even walked across managed habitats in the breeding season, usually in attempts to get closer photographs. Because of this, the LPN have desperately been trying to halt access onto their land - this has been difficult because of lenient Portuguese laws and also because local farmers need to have access to their land by thoroughfare. There has even been a recent case of attempted egg collecting (not birders), which was investigated by the local police and Interpol.

  

Great Bustards will just not tolerate approach within at least 500 metres and if they are displaying any disturbance of this nature will cut down display time and consequently, reduce their breeding success. As the LPN is almost solely responsible for the dramatic increase in this, by far the largest Great Bustard population in Portugal, these recent trends have become a cause for concern and are counter-productive to their ongoing habitat management etc. Understandably, some birdwatchers just do not realise the consequences of pushing too close and making these creatures fly - just once a day in the breeding season can have a marked effect on their population. The great majority of birdwatchers don't mean to be selfish but in actual fact one cannot closely approach these birds without disturbance. If you should be lucky enough to encounter Great Bustards outside of the LPN land, please observe the following:

 

Great Bustard observation code as practiced and encouraged by the LPN

 

1.Keep to an absolute minimum distance of 5-600 metres when at all possible.

2. Stay part of the car - ie; get out but don’t separate one-self visually.

3. Stay on tracks

4. Keep movements very gentle and be very quiet

5. Keep observations to less than around 20 mins

6. Drive away slowly

 

In this way one can enjoy the Great Bustards without making them nervous

   

LPN Castro Verde Environmental Education Centre:

  

“Centro de Educação Ambiental de Vale Gonçalinho”

 

Simon strongly suggests to anyone visiting the area for the first time to make a visit to this centre; it’s an ideal way to start the day being only some 10 mins drive north-east from Castro Verde.

 

Tel: (00351) 286 328 309 (Usually closed on Sundays and Mondays).

 

One can visit this centre freely from 9am - 5 pm. There are free walking trails here that are very good for Little Bustard, European Roller, Lesser Kestrel and Calandra Lark and to a lesser extent, Great Bustard and Black-bellied Sandgrouse. The charming staff speak excellent English and will give birdwatching advice for the whole region, including details of recent interesting sightings.

Books and T-shirts etc. are available for purchase in the small

shop, as well as a selection of free informative leaflets (donations welcome!).

  

At the centre one can easily become a member of the non-profit making LPN and help them with their many conservation projects. Through advance booking, the LPN will take small groups (up to 6) to see the wildlife of the region including the Bustards etc. Note that as over the years Simon has led voluntary trips for members of the LPN and SPEA and regularly supplies data from the region, he has a special arrangement for entering some LPN land in the SPA Castro Verde.

 

To reach the Centro de Educação Ambiental de Vale Gonçalinho:

Take the Beja road (IP2) from Castro Verde - soon one will see an adjacent (the old road) road to the right. Get on this at the first opportunity at around 2.5 kms from Castro Verde. Continue in the Beja direction and after around another 2 kms a well-made track to the right is clearly signposted for the centre. Drive down here for approx 1 km (looking out for Calandra Larks and Little Bustards!)

until you come to a long white building - you are at the centre.

   

Some conservation dependent species of the SPA Castro Verde

  

The Castro Verde region is the most important area in Portugal for a number of rare and endangered birds that depend totally or partially on extensive steppic habitats. The sustainability of these depends largely on man’s influence. The major threats are; intensification of agriculture through modern farming methods, the reduction of traditional grazing pastures and afforestation. Below is some general information and up to date facts and figures about the conservation of some of the most important species that are found in the Castro Verde region and its environs.

  

Great Bustard

 

According to an extensive and rigorous survey of the Great Bustard population in Portugal in 2005 this fabulous species recently suffered some small extinctions in a couple of areas but had increased overall. This increase is largely due to the existence of one large high-quality area – the SPA Castro Verde. Here the total number of 1,093 individuals counted in 2005 represents nearly 80% of the Portuguese total – a marked increase since the last major census in 2002 when 912 individuals were detected. Countrywide, the major threats to Great Bustard in Portugal were identified as; agricultural intensification, afforestation as well as collision with power lines, illegal hunting and road building. In the Castro Verde region, where the LPN works with local farmers to achieve environmentally sustainable agricultural practices and habitat management, the main cause for concern are power lines – 19 Great Bustards were found to have collided with them between October 2004 and September 2005. Undoubtedly the Castro Verde region is as good as anywhere in the world for observing this shy and vulnerable species although due to its extreme sensitivity, especially during the breeding season it is imperative that visiting birdwatchers respect access rules to private land and follow the observation code set out by the LPN (see above).

 

Citation: Leitão, D; Jolivet, C; Rodriguez, M and Tavares, J., eds Bustard Conservation in Europe in the last 15 Years: current trends, best practices and future priorities. Birdlife International, 2006.

   

Little Bustard

 

The LIFE-nature funded project: “Project Tetrax – Conservation of Little Bustard in the Alentejo” included intensive surveys of both the breeding and wintering population. Also, and importantly, action plans with the co-operation of local farmers and central administration were developed. The breeding population census (2003-2005) showed that the SPA Castro Verde was by far the most important single area for this species, holding 3440 displaying males. Data collected also revealed densities as high as 9.8 males per 100 hectares, which is the highest recorded anywhere and further highlights the crucial importance the area has for grassland species in general. As this survey forms a baseline for future monitoring it is not yet possible to conclude an actual trend for the Little Bustard population in Portugal, although the initial results indicate a substantial increase in comparison to previous fieldwork. It is likely however, that the increased coverage and the high data quality collected during this project have largely clouded any reliable comparison with the past. As with many steppe-land species the main threats identified during Project Tetrax were agricultural intensification and afforestation. If these changes to land use are not halted it is believed, despite the present large population in Portugal that Little Bustard could be threatened with extinction in the short to medium term.

 

Citation: Leitão, D; Jolivet, C; Rodriguez, M and Tavares, J., eds Bustard Conservation in Europe in the last 15 Years: current trends, best practices and future priorities. Birdlife International, 2006.

   

Lesser Kestrel

 

Due to drastic reductions in the breeding populations of this charming falcon the Lesser Kestrel is considered an endangered species. The LPN has been working closely with this species throughout Portugal since 1993 when the national population had hit a low of less than 150 pairs. Now, thanks to the efforts of the LPN there are over 450 breeding pairs in Portugal and are still increasing. Presently, the SPA Castro Verde holds over 70% of the country’s population. Between 2002 and 2006 the LPN launched a Life-nature project: “Re-establishment of the Lesser Kestrel (Falco naumanii) in Portugal”. Among the many actions taken by the LPN the provision of new nesting sites and the improvement of old ones have benefited this colonially nesting species. Meanwhile, ongoing deals with landowners that promote friendly farming practices have substantially increased the amount of insect prey so important to this migratory falcon. During the project’s 4 years the incredible figure of 2797 juveniles were ringed and preliminary understanding indicates that most of these return to their birthplace.

 

Citation: Henriques, I & Alcazar, R. 2006. Um olhar sobre o Peneiriero-das-torres (Falco naumanii) do projecto LIFE-Natureza Peneiriero-das-torres – “Recuperação de Peneiriero-das-torres (Falco naumanii) em Portugal. LPN, Lisboa, Portugal.

   

Black-bellied Sandgrouse

 

This is another scarce species that is entirely restricted to large and undisturbed areas of steppe-type habitats. Again this bird’s stronghold in Portugal is the SPA Castro Verde, which holds more than half of the total national population. There are now believed to be more Black-bellied Sandgrouse than previously thought in Portugal, although the population is almost certainly less than 1000 individuals. It is an extremely difficult species to census – a recent study in the region of Morão in central-east Portugal revealed that over 300 individuals are now known to be resident. A reliable census of their situation in the whole of Portugal is awaited. The Black-bellied Sandgrouse is a notoriously elusive species that demands, maybe more than any other in the region, previous experience in order to be seen. The usual view is of small groups in flight that are flushed unknowingly by the observer, their atmospheric flight calls giving them away. Views on the ground, if at all, are nearly always at great distance as this bird will usually get up and fly on approach to within 1 km. only to settle even further away!

   

Montagu’s Harrier

 

The first Montagu’s Harriers return to the SPA Castro Verde to breed from as early as late February where they occupy most of this enormous area. From mid-March this easily seen raptor becomes quite literally abundant and due to its apparent lack of fear, delights observers as they quarter at low level over the grasslands and cereal crops of the region. In a single day it is not unusual to see 20 different individuals. Thanks to LPN’s efforts with the local farmers their habitat has improved in recent years and their nest sites protected from machinery during harvest time, which often coincides with the times that unfledged young are still in the nest. Interestingly, a pair of Marsh Harriers has been breeding in similar cereal-steppe habitats, which is quite normal in Eastern Europe but practically unheard of in the west where they are almost exclusively confined to reedbeds.

  

European Roller

 

Only around 100 pairs breed in Portugal, being much more scarce than many visitors imagine. The European Roller has suffered considerable declines over much of its range and once again, the decline of suitable habitat due to modern agricultural practices is the key factor. This much sought after species is a staggeringly colourful migrant and flight views never fail to leave an unforgettable impression on the observer. The SPA Castro Verde has the highest density of breeding pairs in the country, partly due to the placement of nest boxes and breeding walls for Lesser Kestrel by the LPN in suitable habitat and partly because of the ideal conditions that this area presents. It is a fairly late migrant, the first birds tending to arrive around the 1st week of April with occasional sightings considerably earlier. The European Roller, despite its colours is not always easy to see and is absent from many apparently suitable areas. A visit to a known breeding site is the most reliable method!

  

Calandra Lark

 

This, the largest of all larks is another specialist of the interior arid areas of Portugal where it is rather patchily distributed. The winter flocks can comprise of many 100’s of birds while in late winter these split up to occupy favoured sites. Even in the breeding season Calandra Lark is gregarious – breeding in loose colonies when it is normal to witness the memorable sight and sound of various birds in slow-motion song flight at their favoured spots. Their distinctive sounds are an integral part of the best habitats in the region and one will find that their presence coincides with other sought-after species of the region. Short-toed Larks, Tawny Pipits and Black-eared Wheatears often occupy the same areas as this species.

   

Common Crane

 

A large proportion of the European wintering population resides in central-western Iberia with most occupying favoured areas in the Spanish Extramadura. Portugal receives its portion though, confined mainly to central-eastern areas on the Spanish border and around Castro Verde. Well over 1000 Common Cranes winter in the SPA Castro Verde, arriving in numbers around late October and leaving by mid-March. Despite their numbers it is rather difficult to find them in their preferred feeding areas below the extensive Holm Oak montado woodlands, where they feed on fallen acorns. The best strategy for success is to stakeout one of their roosting sites, with care not to cause any interruptions that can cause considerable stress when incoming groups are settling. The sight and sound of wild Common Cranes assembling to roost must be one of the most awe-inspiring spectacles that nature has to offer.

  

Black-shouldered Kite

 

The stronghold in Europe for this enchanting raptor are the interior wooded plains of the western Spanish Extramadura and its natural continuation in Portugal’s Alentejo. In winter they can sometimes be seen hunting over the open plains of the Castro Verde region but this is not their breeding habitat. This is a bird of savannah-like Holm Oak montado-type woodland interspersed with cereal crops. This habitat forms a large part of the SPA Castro Verde and well-travelled visitors to the area in the dry season often comment on its uncanny resemblance to the African savannah. Although quite a common resident species it is becoming apparent that after the breeding season, many birds vacate the searing heat of mid-summer. It is then, that they often hunt in the periphery of wetlands and other cooler coastal areas of the Alentejo and especially, in the Lisbon region. By mid-autumn most of the local breeders are back in territory and are usually easily seen from then and to the end of the breeding season.

 

This existence of ours is as transient as Autumn clouds. To watch the birth and death of beings is like looking at the movements of a dance. A lifetime is a flash of lightning in the sky. Rushing by, like a torrent down a steep mountain.

--Buddha

 

Sleep be damned...I couldn't pass up the chance to take some lightning shots.

 

You can see a larger view here

I made this "terrarium" a couple weeks ago... I put that in quotes because I really just found some moss outside, put it in a jar. Found some berries that fell from the neighbors tree, put those in the jar. Found a little mushroom and some clovers, put those in the jar too. It's all pretty much dead now, but it gave me inspiration to make an actual terrarium, that's sustainable with ya know, rocks and soil and all that good stuff. I already have some Cori Kindred mushrooms to put in future ones!

taken on 3 November 2012. at Tokyo Metropolitan Government Observation Deck / Shinjuku, Tokyo.

History of the Theatre per its website

 

"In spite of the Cairasco Teatro being in existence since 1845, now the location of the present day Gabinete Literario (Literary Cabinet), it was clear to the city of Las Palmas by the middle of the 19th century that the construction of a new theatre was necessary. The main reasons for such a proposal were undeniable faults in the construction of the theatre, an increase in population and interest as well as it being the wish of the ruling class. The city of Las Palmas requested a more ambitious theatral building which was in accordance with the requirements of the society of that period

 

With this aim in mind, a private joint stock company was founded in 1866 which dealt with problems such as economic matters, the site of the future construction of the building and choosing the architect to take charge of the project. The first matter was taken care of by contributions from people and organisations of great economic power, as well as the unselfish collaboration of the remainder of society, by both the wealthy and the humble citizens.

 

The decision to locate the new theatre turned out to be more problematic, given that no location could be found which fulfilled all the necessary requirements. Finally the Boca-Barranco or the Pescadería (Fishmonger's) was suggested, which met the three main conditions: it was centrally situated, the shape and dimensions were suitable, and the location had easy access and visibility. However its juxtaposition to the sea, to the mouth of the ravine and the fishmonger's caused controversy amongst the citizens. The fact is that witty criticism arose being it captured on sketches and in verse by Benito Pérez Galdós (Who was the stupid patriot? / Who was the vandal patriot? / Who thought of the vaults / of this Aquatic Teatro? ...").

 

After several formalities and with a certain degree of apprehension by the locals, the architect Francisco Jareño y Alarcon (1818 – 1892), born in Albacete and resident in Madrid, was commissioned to take charge of the works of art for the project. This was to be approved on May 22nd, 1868.

 

In 1888 and before the impending visit of the famous Italian tenor Roberto Stagno, passing through Gran Canaria on tour with his company on his way to America, the construction works were speeded up so that a recital could be accommodated and funds be raised. However an unfortunate accident occurred in Puerto de La Luz between a French and an Italian tanker causing fifty-five fatalities, precipitating the Tenor's decision and subsequently the decision of the board of directors to donate all the raised funds to the victims of the tragedy. Thus two years later, in 1890, the solemn inauguration of the Tirso de Molina Theatre takes place with The Traviata, causing the promoters to go bankrupt and culminating in the municipal incumbency of the theatre from 1913.

 

11 years later on the occasion of the grand success of the première of Electra by Benito Pérez Galdós in 1901, during a solemn tribute a proposal was made to name the new theatre after the writer.

 

On the night of the 28th of June 1918, a large fire destroyed the theatre's wooden structure almost completely. Miguel Martín Fernández de la Torre completed the rebuilding works between 1925 and 1928.

 

Miguel Martín asked his brother Néstor, artist and painter, for help to decorate the interior of the building. The job was to do the paintings of the Saint-Saëns Hall, the ceiling over the stalls, the stage and to design the stained glass windows and the curtain. After the building works were completed, the theatre organised a lavish re-opening ceremony on the 28th of May 1928 with the premiere of Aida, a four-act opera by Verdi.

 

The building was listed as a Monument (BIC, from the Spanish) by the Canary Island Government in 1994.

 

The restoration and development of the Theatre began in 2004, both of the historical building (public area) as well as of the new extension (area for the artists and administration), including the whole scenario from the stage mouth, premises, annexes and other installations.These building works managed to combine the romanticism of the 19th century construction with the advanced theatre technology of the 21st century, thus making it one of the most complete theatres in the country.

 

The Teatro Pérez Galdós Theatre re-opened on the 14th of April 2007 with a concert given by the Philharmonic Orchestra of Gran Canaria, directed by its tenured conductor, Pedro Halffter, performing Ludwig van Beethoven's 9th Symphony. The performance was broadcast on giant screens for the audience that congregated outside of the theatre. Moreover, to celebrate the re-opening, the Theatre programmed a whole week of performances of all kinds. There were performances by the Mariinsky Theatre Orchestra of Saint Petersburg and Wagner's opera The Ring of the Nibelungs. The premier of The Ring of the Nibelungs (Ring Cycle)was the perfect vehicle to showcase the new technical and scenic capacities of the Pérez Galdós Theatre, as the first theatre in Spain to put on the entire work in just one week."

When I looked up and saw this lone, tiny tree along the cliffs of Zion's Virgin Narrows I had to shake my head. It's incredible what living things will do to eek out an existence in the harshest of environments. The contrast of the bright yellow autumn foliage against the dark sandstone had me immediately reaching for my camera.

Handmade embroidery, original design -- based on having My Fair Lady's song lyrics "All I want is a room somewhere, far away from the cold night air, with one enormous chair" stuck in my head

Gnomes at home: embroidery of front porch with some friendly visitors

Devi is not a divine soul which is worshiped by human being ..It is the existence of creative power within ourselves .

 

==================================================© All rights reserved According to CopyRight Law, Please don't copy, edit or use this image on websites, blogs or other media. However if you are interested in using any of my images, please feel free to contact with me .

=====================================================

 

Photographer :-

© Sanhita Bhattacharjee

Kalyanpur,Tripura (India) .

Built in 1947-53 by the Belgian architect Gaston Eysselinck, this massive modernistic building spans an entire block in the city centre of Oostende. It is one of the highlights of post-WW2 modernist architecture in Belgium and served many years as a mail and telephone company (PTT = Post Telegraaf Telefoon). The PTT offices were closed in 1999.

 

Little rewind to the eighties, my childhood years. Every time my parents took me to the seaside, we passed this building. The enormous statue on top of the main hall always got my attention.

 

The bronze statue still got my attention when I visited Oostende in recent times. But - remarkably - the setting had changed. Instead of a crowded public place with hundreds of people entering and leaving and doing their business, the big front doors were locked. The numerous counters were closed, the mailboxes were sealed, and the beautiful telephone booths were covered in silence.

 

Research informed me the place was abandoned in 1999. That’s quite a few years of decay. Bring it on!

 

A couple of failed attempts followed. Unlike any other abandoned place in Oostende, this building was sealed off tight. To my surprise it featured an active alarm system. Ok, this must be good! Again, from research I learned that the cellars of the PTT contained the complete archive of arts from the City of Oostende. An archive for all paintings and works currently not on display. This means archived works of James Ensor and Paul Delvaux to name but a few.

 

What followed was a 6 month quest to obtain legal permission to photograph this place. I’m here to preserve, not to steal an Ensor and put it on eBay and get a couple of millions for it. But alas, every mail and request was ignored. And the few replies I get showed a big “no”. I continued my quest for permission. Oostende Cultuurstad, Erfgoed, Monumentenzorg, local initiatives in Oostende, the government, and “people that knew some people”. Always a no.

 

After several months I finally got hold of the sole responsible for the PTT Oostende. It’s a she. And she had the key. I asked her politely if I could capture this beautiful decaying place, to capture it forever more. But I received yet another big “no”. This time she gave me a reason why I couldn’t take pictures there. Four little words, surrounded in utmost vagueness: “because of the project”.

 

Months later I found a backdoor. And did it. These are the only pictures in existence between the closure of the PTT and the Open Monumentendag. The PTT in all its decaying and neglected glory. Long before the reconversion in today's Cultuurcentrum De Grote Post.

 

I would like to dedicate this set to the City of Oostende, Oostende Cultuur, Erfgoed, Monumentenzorg, Uit In Oostende, Visit Oostende, Beeldbank Oostende, Oostende Archief, and all political parties and local heritage initiatives.

 

But I can’t. Why? Because of the project.

  

Canary District, Toronto

Even if you are far away, if you find Mt. Fuji, you will be overwhelmed by its dignity.

Copyright © engineer112™ 2008 all rights reserved

Unauthorized use or reproduction for any reason is prohibited.

 

790 Beaconsfield Valley Rd., Manawatu

 

An old farmhouse that, with a few add-ons over the last century, has extended its existence as an implement shed...

Another one where the existence of 353 Vibrant Coral really helped!

 

Please excuse the minor dissonance of the figures being on Hoth while the mosaic depicts Cloud City. I wanted (and mostly achieved) consistency, but also wanted a single colour ground to strongly evoke a location. And for this one, I associate TESB with blue, which the clear sky of Hoth allowed me to incorporate.

 

I was originally going to attempt an establishing shot of Cloud City, but I'm really happy with how this more difficult (and pivotal) scene turned out.

Urquhart Castle, which lies close to Drumnadrochit, on the shores of Loch Ness.

 

Seized after Edward I's invasion of Scotland, it was reclaimed by Robert the Bruce in the 14th century. It was repeatedly attacked during the 15th and 16th centuries by the MacDonald Lords of the Isles, but nowadays enjoys a more peaceful existence under the curatorship of the National Trust for Scotland.