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Marines execute a High Intensity Tactical Training session during the unit’s physical training aboard Marine Corps Air Station Beaufort June 10. Marine Wing Support Squadron 273 in coordination with Marine Corps Community Services South Carolina organized the PT event to familiarize the Marines and provide basic instruction about the HITT program. (Marine Corps Photo by Sgt. Dengrier M. Baez/Released)

Marines execute a High Intensity Tactical Training session during the unit’s physical training aboard Marine Corps Air Station Beaufort June 10. Marine Wing Support Squadron 273 in coordination with Marine Corps Community Services South Carolina organized the PT event to familiarize the Marines and provide basic instruction about the HITT program. (Marine Corps Photo by Sgt. Dengrier M. Baez/Released)

  

Today (Friday 10 November), Operation Vulcan executed warrants at premises on Bury New Road, shutting down and seizing half a million of pounds worth of counterfeit items.

 

Police warnings seem to have fallen on deaf ears for some counterfeit operations in the area. Attempts to re-open and profit from the Christmas sales however continue to be detected and swiftly shut down.

 

Thanks to intelligence from the Cheetham Hill Neighbourhood Team (who remain in the area with the Vulcan team and conduct daily patrols in the community), Operation Vulcan were able to execute these warrants just days after witnessing customers walking down Bury New Road with bags of fake goods.

 

Detective Sergeant Matt Donnelly, one of Operation Vulcan’s specialist officers, said: “These results today demonstrate just how important it is that Operation Vulcan remain in the area. The criminals operating here are so brazen, the minute they think they spot an opening, they’re back up and running as though it’s business as usual. We’re here to show them that this isn’t the case, and we will not stop until these illegitimate shops are eradicated and those responsible are locked up.

 

“I hope this is a warning that no matter how many times you try to reopen, we will continue to seize your belongings and profits, making sure none of this money can make its way back into the criminal market.

 

Councillor Luthfur Rahman, Deputy Leader of Manchester City Council said: "Over the past 12 months we have achieved a great deal through Operation Vulcan. Through our partnership with GMP gangs have been run out of Cheetham Hill and people have been allowed to feel safe in their own neighbourhoods.

 

"But the work will go on. We know these gangs are tenacious and that criminals will always find ways to circumvent the law. The Council's Trading Standards will remain vigilant throughout the Christmas period to make sure that dangerous or harmful goods do not make their way in the hands of the public."

 

Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.

 

Banksy displays his art on publicly visible surfaces such as walls and self-built physical prop pieces. He no longer sells photographs or reproductions of his street graffiti, but his public "installations" are regularly resold, often even by removing the wall on which they were painted. Much of his work can be classified as temporary art. A small number of his works are officially, non-publicly, sold through an agency he created called Pest Control. Banksy's documentary film Exit Through the Gift Shop (2010) made its debut at the 2010 Sundance Film Festival. In January 2011, he was nominated for the Academy Award for Best Documentary Feature for the film. In 2014, he was awarded Person of the Year at the 2014 Webby Awards.

 

Banksy's name and identity remain unconfirmed and the subject of speculation. In a 2003 interview with Simon Hattenstone of The Guardian, Banksy is described as "white, 28, scruffy casual—jeans, T-shirt, a silver tooth, silver chain and silver earring. He looks like a cross between Jimmy Nail and Mike Skinner of The Streets." An ITV News segment of 2003 featured a short interview with someone identified in the reporting as Banksy. Banksy began as an artist at the age of 14, was expelled from school, and served time in prison for petty crime. According to Hattenstone, "anonymity is vital to him because graffiti is illegal". Banksy reportedly lived in Easton, Bristol, during the late 1990s, before moving to London around 2000.

 

In an interview with the BBC in 2003, which was rediscovered in November 2023, reporter Nigel Wrench asked if Banksy is called Robert Banks; Banksy responded that his forename is Robbie. The Mail on Sunday claimed in 2008 that Banksy is Robin Gunningham, born on 28 July 1974 in Yate, 12 miles (19 km) from Bristol. Several of Gunningham's associates and former schoolmates at Bristol Cathedral School have corroborated this, and, in 2016, a study by researchers at the Queen Mary University of London using geographic profiling found that the incidence of Banksy's works correlated with the known movements of Gunningham. According to The Sunday Times, Gunningham began employing the name Robin Banks, which eventually became Banksy. Two cassette sleeves featuring his art work from 1993, for the Bristol band Mother Samosa, exist with his signature. In June 2017, DJ Goldie referred to Banksy as "Rob" in an interview for a podcast.

 

Other speculations on Banksy's identity include the following:

 

Robert Del Naja (also known as 3D), a member of the trip hop band Massive Attack, had been a graffiti artist during the 1980s prior to forming the band, and was previously identified as a personal friend of Banksy.

In 2020, users on Twitter began to speculate that former Art Attack presenter Neil Buchanan was Banksy. This was denied by Buchanan's publicist.

In 2022, Billy Gannon, a local councillor in Pembroke Dock was rumoured to be Banksy. He subsequently resigned because the speculation was affecting his ability to carry out the duties of a councillor. "I'm being asked to prove who I am not, and the person that I am not may not exist," he said. "I mean, how am I supposed to prove that I'm not somebody who doesn't exist? Just how do you do that?"

In October 2014, an internet hoax circulated that Banksy had been arrested and his identity revealed.

Marines execute a High Intensity Tactical Training session during the unit’s physical training aboard Marine Corps Air Station Beaufort June 10. Marine Wing Support Squadron 273 in coordination with Marine Corps Community Services South Carolina organized the PT event to familiarize the Marines and provide basic instruction about the HITT program. (Marine Corps Photo by Sgt. Dengrier M. Baez/Released)

Wir haben Ihren Auftrag ausgefuehrt.

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Your order has been delivered by our driver.

Attached you will find a photo of your bouquet or it will follow in an other e-mail. Conditions see www.maarsen.ch/4

 

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Veuillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voir www.maarsen.ch/4

 

Danke fuer Ihren Einkauf! Thank you for shopping at Maarsen's! Merci de votre confiance.

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General Nguyen Ngoc Loan Executing a Viet Cong Prisoner in Saigon is a photograph taken by Eddie Adams on February 1, 1968. It shows South Vietnamese National Police Chief Nguyễn Ngọc Loan executing a Viet Cong officer in Saigon during the Tet Offensive. The event was also captured by NBC News film cameras, but Adams' photograph remains the defining image.

a memorial to the executed people who were buried here -- the larger figure represents the tyrannical state, the limp figure the state's victims

 

Levashovskaya pustosh is a forest north of St Peterburg where about 4,500 people executed by the state in the years 1937-8 (the Great Terror) are buried.

A beautifully executed drawing has the power to convey an artist’s talent in the most pure and obvious way. Using only a single tool and the movement of the artist’s hand, line and form converge to bring a unique vision into focus. The most elementary of art forms, a drawing is the basis for most master works of art, yet can become a work of art in and of itself. Contemporary painter, Henry Asencio’s series of charcoal studies serve to prove this notion. These drawings are more than the essence of a painting, they are equally simple and complex works of art. Masterfully executed, Asencio’s loose, abstract painting technique is apparent in his drawings. Even in the absence of the explosive color in his paintings these works remain impulsive and dynamic. In spite of a flurry of lines that suggest movement, Asencio is ironically able to capture the sensual stillness signature in all of his compositions. Simple in color, yet complex in his use of light and shadow his drawings possess rich dimension and powerful sensuality. Asencio’s soft, heavily shaded modeling of figure and form is reminiscent of master draftsman Leonardo DiVinci’s “Sfumato” technique. A technique utilizing the blurred outline and mellowed colors of a composition to allow one form to merge with another while artistically striving to leave something to the imagination. And ultimately, it is the imagination of artist and viewer that has the power to transform seemingly simple lines into a work of art. Henry Asencio’s drawings are a testament not only to the artist’s talent but the underlying intrigue of his entire body of work.

 

www.ecgallery.com

This project was being executed during the Transformers 3 movie period .It took me quite awhile to finish .I still remember when first saw FR leaderclass ironhide which inspired me with 2 large cannon attached on its arms ,it was amazing I couldn't resist to make one ,so I quickly went to my nearest toysrus store and bought 1 .I guess this was a completed kitbash too as I have dismantle part by part and figure out the way to make it more majestic .It took me almost 1 month to kitbash it and come with its 2 freaking big cannon which I think its worth the wait .YES it can be TRANSFORMED TO ITS TRAIN MODE.

Here are the spec :

Build in with head light white glowing eyes blue LEDs

Independent interchangable LEDs on its cannon up to 3 colours ,RED,BLUE,GREEN

Head modify with 360 turn.

Both hands modify with live adjustable fingers and attachable wraist with very strong durable earth magnet.

Comes with 2 freaking big cannons with interchangable LEDs light build in ,attachable and deattchable to its arms .

Painted with durable lacquer paint added a few protective layer of gloss for its durability.

Over 20 points of articulated areas very posable.

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We have executed your order.

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Ihre Bestellung wurde durch unseren Fahrer geliefert.

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Your order has been delivered by our driver.

Attached you will find a photo of your bouquet or it will follow in an other e-mail. Conditions see www.maarsen.ch/4

 

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Veuillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voir www.maarsen.ch/4

 

Danke fuer Ihren Einkauf! Thank you for shopping at Maarsen's! Merci de votre confiance.

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Blumen fuer die Hochzeit: www.maarsen.ch/hochzeit

Dekoration von Anlaessen www.maarsen.ch/deco

 

PS: Sie koennen Ihre E-Mail-Adresse eintragen, um sporadisch das Foto

eines neuen Angebotes zu erhalten -> www.maarsen.ch/regd.htm

 

www.maarsen.ch

Blumen Maarsen AG

Moserstrasse 9

3014 Bern, Switzerland

info@maarsen.ch

Telefon 0800 30 30 33

Phone +41 31 332 62 00

Fax +41 31 332 76 92

 

www.maarsen.ch/livecam/

 

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Wir haben Ihren Auftrag ausgefuehrt.

We have executed your order.

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Ihre Bestellung wurde durch unseren Fahrer geliefert.

Eine Fotographie der Blumen ist diesem Mail angehaengt oder folgt in einem separaten E-Mail gemaess den Bedingungen www.maarsen.ch/4

 

Your order has been delivered by our driver.

Attached you will find a photo of your bouquet or it will follow in an other e-mail. Conditions see www.maarsen.ch/4

 

Notre chauffeur a fait la livraison.

Veuillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voir www.maarsen.ch/4

 

Danke fuer Ihren Einkauf! Thank you for shopping at Maarsen's! Merci de votre confiance.

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Blumen fuer die Hochzeit: www.maarsen.ch/hochzeit

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PS: Die beliebtesten Straeusse in der Fotogalerie der Rubrik

--- 'kuerzlich geliefert': www.maarsen.ch/deliveries

 

www.maarsen.ch

Blumen Maarsen AG

Moserstrasse 9

3014 Bern, Switzerland

info@maarsen.ch

Telefon 0800 30 30 33

Phone +41 31 332 62 00

Fax +41 31 332 76 92

 

www.maarsen.ch/livecam/

 

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OMFGCO recently concepted and executed an experimental Gap store in Glendale, California. One part of the design was a custom Scout Book.

 

Check out our Case Study over at the Scout Books website.

 

www.scoutbooks.com

www.omfgco.com

Marines execute a High Intensity Tactical Training session during the unit’s physical training aboard Marine Corps Air Station Beaufort June 10. Marine Wing Support Squadron 273 in coordination with Marine Corps Community Services South Carolina organized the PT event to familiarize the Marines and provide basic instruction about the HITT program. (Marine Corps Photo by Sgt. Dengrier M. Baez/Released)

Wir haben Ihren Auftrag ausgefuehrt.

We have executed your order.

Nous avons effectue votre commande.

 

Ihre Bestellung wurde durch unseren Fahrer geliefert.

Eine Fotographie der Blumen ist diesem Mail angehaengt oder folgt in einem separaten E-Mail gemaess den Bedingungen www.maarsen.ch/4

 

Your order has been delivered by our driver.

Attached you will find a photo of your bouquet or it will follow in an other e-mail. Conditions see www.maarsen.ch/4

 

Notre chauffeur a fait la livraison.

Veuillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voir www.maarsen.ch/4

 

Danke fuer Ihren Einkauf! Thank you for shopping at Maarsen's! Merci de votre confiance.

Blumen Maarsen AG

 

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Blumen fuer die Hochzeit: www.maarsen.ch/hochzeit

Dekoration von Anlaessen www.maarsen.ch/deco

 

PS: Event-Decoration:

-> www.maarsen.ch/deco/

 

www.maarsen.ch

Blumen Maarsen AG

Moserstrasse 9

3014 Bern, Switzerland

info@maarsen.ch

Telefon 0800 30 30 33

Phone +41 31 332 62 00

Fax +41 31 332 76 92

 

www.maarsen.ch/livecam/

 

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Criminal Justice students at Carl Sandburg College work a mock crime scene on Friday, Sept. 21 at Lake Bracken. The students executed a variety of field activities including interviews, collecting and documenting evidence, making arrests and helping a victim. Learn more what Sandburg can offer you through criminal justice by visiting www.sandburg.edu/academics/criminal-justice

I added the football with a background layer and bevel emboss to stand out. I used the background as a chalkboard and added the definition.

The Postcard

 

A postally unused carte postale published by E. Cailteux of Lille.

 

Lille in the Great War

 

Lille's occupation by the Germans began on the 13th. October 1914 after a ten-day siege and heavy shelling which destroyed 882 apartment and office blocks and 1,500 houses, mostly around the railway station and in the town centre.

 

By the end of October the town was being run by German authorities. Because Lille was only 20 km from the front line, German troops passed through the city regularly on their way to and from the front.

 

As a result, occupied Lille became a place both for the hospitalisation and treatment of wounded soldiers as well as a place for soldiers' relaxation and entertainment. Many buildings, homes, and businesses were requisitioned to those ends.

 

Lille was also the hunting ground of the Great War German flying Ace Max Immelmann who was nicknamed 'The Eagle of Lille'.

 

Lille was liberated by the Allies on the 17th. October 1918, when General Sir William Birdwood and his troops were welcomed by joyous crowds. The general was made an honorary citizen of the city of Lille on the 28th. October of that year.

 

The only audio recording known to have been made during the First World War was recorded near Lille in October 1918. The two minute recording captured the Royal Garrison Artillery conducting a gas shell bombardment.

 

Monument to the Executed of Lille

 

The Great War monument in the Square Daubenton in Lille shows four leaders of the city’s Resistance standing against a wall just moments before their execution by the German Army in the dungeons of the citadel.

 

Along with Léon Trulin, who can be seen lying at their feet, Eugène Jacquet, Georges Maertens, Ernest Deceuninck and Sylvère Verhulst set up a network for communicating information to the Allies about the German occupiers of Lille.

 

They were eventually betrayed and executed on the 22nd. September 1915.

 

In total, twenty-five individuals were executed in Lille by firing squad under the occupation. Notices were posted informing the public about executions of political prisoners, saboteurs, and hostages in response to attacks or acts of sabotage against the German occupiers.

 

An estimated 500,000 French men and women worked for the Resistance during Germany's occupation of France. Resistance workers carried out thousands of acts of sabotage against the German occupiers, even though the risks were great. More than 90,000 members of the Resisters were killed, tortured or deported by the Germans.

Wir haben Ihren Auftrag ausgefuehrt.

We have executed your order.

Nous avons effectue votre commande.

 

Ihre Bestellung wurde durch unseren Fahrer geliefert.

Eine Fotographie der Blumen ist diesem Mail angehaengt oder folgt in einem separaten E-Mail gemaess den Bedingungen www.maarsen.ch/4

 

Your order has been delivered by our driver.

Attached you will find a photo of your bouquet or it will follow in an other e-mail. Conditions see www.maarsen.ch/4

 

Notre chauffeur a fait la livraison.

euillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voirhttp://www.maarsen.ch/4

 

Danke fuer Ihren Einkauf! Thank you for shopping at Maarsen's! Merci de votre confiance.

Blumen Maarsen AG

 

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Blumen fuer die Hochzeit: www.maarsen.ch/hochzeit

Dekoration von Anlaessen www.maarsen.ch/deco

 

PS: Die beliebtesten Straeusse in der Fotogalerie der Rubrik

--- 'kuerzlich geliefert': www.maarsen.ch/deliveries

 

www.maarsen.ch

Blumen Maarsen AG

Moserstrasse 9

3014 Bern, Switzerland

info@maarsen.ch

Telefon 0800 30 30 33

Phone +41 31 332 62 00

Fax +41 31 332 76 92

 

www.maarsen.ch/livecam/

 

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Ich verwende die kostenlose Version von SPAMfighter für private Anwender,

die bei mir bis jetzt 245 Spammails entfernt hat.

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Wir haben Ihren Auftrag ausgefuehrt.

We have executed your order.

Nous avons effectue votre commande.

 

Ihre Bestellung wurde durch unseren Fahrer geliefert.

Eine Fotographie der Blumen ist diesem Mail angehaengt oder folgt in einem separaten E-Mail gemaess den Bedingungen www.maarsen.ch/4

 

Your order has been delivered by our driver.

Attached you will find a photo of your bouquet or it will follow in an other e-mail. Conditions see www.maarsen.ch/4

 

Notre chauffeur a fait la livraison.

Veuillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voir www.maarsen.ch/4

 

Danke fuer Ihren Einkauf! Thank you for shopping at Maarsen's! Merci de votre confiance.

Blumen Maarsen AG

 

---

 

---

 

Blumen fuer die Hochzeit: www.maarsen.ch/hochzeit

Dekoration von Anlaessen www.maarsen.ch/deco

 

PS: Event-Decoration:

-> www.maarsen.ch/deco/

 

www.maarsen.ch

Blumen Maarsen AG

Moserstrasse 9

3014 Bern, Switzerland

info@maarsen.ch

Telefon 0800 30 30 33

Phone +41 31 332 62 00

Fax +41 31 332 76 92

 

www.maarsen.ch/livecam/

 

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Ich verwende die kostenlose Version von SPAMfighter für private Anwender,

die bei mir bis jetzt 555 Spammails entfernt hat.

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Russia and China have set the stage to ruin the PETRODOLLAR. The dollar is dying, and Russia just dug a nail in it’s coffin. With the recent agreement to pay in Rubles or Yuan, Russia and China just proved to the rest of the world they do no need to use the dollar any longer. How long...

 

2127news.net/2014/08/annihalation-russia-and-china-just-e...

Electro with a head transplant make a great convict rookie. The electricity is to reflect the area power.

Launching a mobile app for your next event? I think you’ll find this blog useful. With an event mobile app, you are on the right track to boost engagement and extend the reach and scope of your event. But to execute it smoothly, you need to be more strategic in your approach. To ensure you make the most out of your event mobile app, follow these six simple, actionable tips. After reading this blog, you’ll be able to ensure your app is noticed, downloaded, and drives clicks and conversions at every step of your event.

 

PRE-EVENT

 

1.Promote event app: Get the word out!

This is the most obvious tip. You’ve got an app, and now you need to promote it at all the right places so that it gets noticed by people. Promote your app on your website or registration page and ensure you’ve got a powerful call to action (CTA) with a link to download the app. Also, list the benefits of the app in a succinct way – things like faster check in, more networking opportunities, and interactive maps.

 

2.Offline app promotion

Familiarize your attendees by mentioning your app in promotional materials used before the event like paper brochures, tickets, downloadable PDFs, and guides. The more you spread the word about your app, the more likely your attendees will engage and download it.

 

DURING THE EVENT

 

3.Use kick-off announcement to ask attendees to download the app

A kick-off announcement is a great way to ask attendees to download your event app. With everyone assembled in the same place at the same time, it is the optimal time to spread the word about your app and drive immediate, measurable adoption. You can also take the help of presenters and ask them to mention the app in their speeches and encourage downloads. Since you’ll provide the CTA in emails and flyers, make sure the directions to download is as simple as possible.

 

4.Ask speakers to make your event engaging through mobile app

One of the best ways to drive app adoption is by creating experiences that are only available on the event app. Include things like polling to make the session more interactive, or maybe use live Q&A so that attendees can message their questions directly from their devices. You may also want to keep tent cards on the table that lists the benefits of your app and has a clear CTA to download. This way, attendees who haven’t downloaded your app can download it during the event and engage themselves in an insightful session.

  

POST-EVENT

 

5.Use the app to send personalized appreciation announcement

Event mobile app can be a great way to engage attendees during the event. But it is equally important to keep the engagement going on even after the event is over. You can use mobile apps to send a personalized “thank you” message to your delegates in the next few days. A personalized communication is the simplest way to bring them back into your app and offer any benefits like access to attendee directories and networking opportunities as well as information about future events.

 

6.Inform attendees about future events with the same app

If you’ve got another event lined up, then you can use the same app to inform attendees about it. Continue using the app to promote events, training sessions and other programs through it.

 

www.eventdex.com/event-management-mobile-app

Steven Shapiro has designed and executed successful business-to-business and business-to-consumer marketing and communications strategies for nearly 20 years, with extensive background in the learning and development and financial services sectors. Steven now applies his experience and his creatively strategic, metrics-based thinking to the clients of Communications Strategy Group (CSG), a company he founded in May 2004.

 

Steven’s career was primarily steeped in the financial services and learning and development industries. He served as the Vice President of Corporate Communications for Scudder Kemper Investments and Founders Funds after serving as the Assistant Director of Public Relations for the American Stock Exchange. Shapiro started his career as an outside communications consultant for Ernst & Young, Lehman Brothers, Prudential, and Wellington Asset Management.

 

Just prior to founding CSG, Steven served as Vice President of Marketing and Communications for Jones Knowledge, a holding company for a series of online education companies. In this capacity, he was directly responsible for establishing Jones International University as a recognized pioneer in the online post secondary education; launch Jones e-global library, a comprehensive suite of online library research tools; and position Jones e-education, a learning course management and delivery platform, for dominance in the K-12 market.

 

Steven received his bachelor’s degree in Economics from Emory University.

Price Tower, Bartlesville, OK

Frank Lloyd Wright's only executed skyscraper

Executed in 1930 by Aristide Maillol this work entitled Nymph was originally the central figure for The Three Graces.

 

The nude female bronze figure was acquired as a gift of Joseph H. Hirshhorn in 1966, purchased from the Curt Valentin Gallery in 1955.

But not well executed with 15mm fisheye. I wanted to get the lobster in the reflection of my buddy's domeport, but he didn't understand my intention.

Check out the wrongly set left flash on my rig. I really need to take care of that, because it can seriously damage a lot of photo's, when you don't check the scatter.

The Postcard

 

A postally unused postcard that was published in 2007 by the Trustees of the British Museum. The card was printed in China.

 

On the back of the card it states:

 

'Terracotta Figures Showing the

Variety of Hairstyles.

Qin Dynasty (221-206 BC).

Museum of the Terracotta Warriors

and Horses of Emperor Qin Shihuang,

Lintong.'

 

The First Emperor of China controlled a vast territory, and wielded enormous power. He summoned 700,000 men to build his tomb and other structures.

 

These were designed to reproduce the First Emperor's empire underground for eternity.

 

These perfectly executed, life-size sculptures, some over 190cm in height, were an early feat of mass production: a small and quite limited repertoire of body parts were joined together in a multitude of combinations, with details worked by hand afterwards.

 

The Terracotta Army

 

The Terracotta Army is a collection of terracotta sculptures depicting the armies of Qin Shi Huang, the first emperor of China. It is a form of funerary art buried with the emperor in 210–209 BCE with the purpose of protecting the emperor in his afterlife.

 

The figures, dating from approximately the late third century BCE, were discovered in 1974 by local farmers in Lintong County, outside Xi'an, Shaanxi, China.

 

The figures vary in height according to their roles, the tallest being the generals. The figures include warriors, chariots and horses.

 

Estimates from 2007 were that the three pits containing the Terracotta Army held more than 8,000 soldiers, 130 chariots with 520 horses, and 150 cavalry horses, the majority of which remained buried in the pits near Qin Shi Huang's mausoleum.

 

Other terracotta non-military figures were found in other pits, including officials, acrobats, strongmen, and musicians.

 

History of the Terracotta Army

 

The construction of the tomb was described by historian Sima Qian (145–90 BCE) in Records of the Grand Historian, the first of China's 24 dynastic histories, which was written a century after the mausoleum's completion.

 

Work on the mausoleum began in 246 BCE soon after Emperor Qin (then aged 13) ascended the throne, and the project eventually involved 700,000 conscripted workers.

 

Geographer Li Daoyuan, writing six centuries after the first emperor's death, recorded in Shui Jing Zhu that Mount Li was a favoured location due to its auspicious geology:

 

"Famed for its jade mines, its northern side was

rich in gold, and its southern side rich in beautiful

jade; the first emperor, covetous of its fine reputation,

therefore chose to be buried there".

 

Sima Qian wrote that the first emperor was buried with palaces, towers, officials, valuable artifacts and wondrous objects. According to this account, 100 flowing rivers were simulated using mercury, and above them the ceiling was decorated with heavenly bodies, below which were the features of the land.

 

Some translations of this passage refer to "models" or "imitations"; however, those words were not used in the original text, which makes no mention of the terracotta army. High levels of mercury were found in the soil of the tomb mound, giving credence to Sima Qian's account.

 

Later historical accounts suggested that the complex and tomb itself had been looted by Xiang Yu, a contender for the throne after the death of the first emperor. However, there are indications that the tomb itself may not have been plundered.

 

Discovery of the Terracotta Army

 

The Terracotta Army was discovered on the 29th. March 1974 by a group of farmers—Yang Zhifa, his five brothers, and neighbour Wang Puzhi—who were digging a well approximately 1.5 kilometres (0.93 mi) east of the Qin Emperor's tomb mound at Mount Li (Lishan), a region riddled with underground springs and watercourses.

 

For centuries, occasional reports mentioned pieces of terracotta figures and fragments of the Qin necropolis – roofing tiles, bricks and chunks of masonry. The farmers' discovery prompted Chinese archaeologists, including Zhao Kangmin, to investigate, revealing the largest pottery figurine group ever found.

 

A museum complex has since been constructed over the area, the largest pit being enclosed by a roofed structure.

 

The Necropolis

 

The Terracotta Army is part of a much larger necropolis. Ground-penetrating radar and core sampling have measured the area to be approximately 98 square kilometers (38 square miles).

 

The necropolis was constructed as a microcosm of the emperor's imperial palace or compound, and covers a large area around the tomb mound of the first emperor.

 

The earthen tomb mound is located at the foot of Mount Li and built in a pyramidal shape, and is surrounded by two solidly built rammed earth walls with gateway entrances. The necropolis consists of several offices, halls, stables, and other structures as well as an imperial park placed around the tomb mound.

 

The warriors stand guard to the east of the tomb. Up to 5 metres of reddish, sandy soil had accumulated over the site in the two millennia following its construction, but archaeologists found evidence of earlier disturbances at the site.

 

During the excavations near the Mount Li burial mound, archaeologists found several graves dating from the 18th. and 19th. centuries, where diggers had apparently struck terracotta fragments. These were discarded as worthless and used along with soil to backfill the excavations.

 

Mausoleum of the First Qin Emperor

 

The tomb appears to be a hermetically sealed space roughly the size of a football pitch (c. 100 × 75 m). The tomb remains unopened, possibly due to concerns over the preservation of its artifacts. For example, after the excavation of the Terracotta Army, the painted surface present on some terracotta figures began to flake and fade. The lacquer covering the paint can curl in fifteen seconds once exposed to Xi'an's dry air, and can flake off in just four minutes.

 

The Pits at the Excavation Site

 

Four main pits approximately 7 metres (23 ft) deep have been excavated. These are located approximately 1.5 kilometres (0.93 mi) east of the burial mound. The soldiers within were laid out as if to protect the tomb from the east, where the Qin Emperor's conquered states lay.

 

-- Pit 1

 

Pit 1, which is 230 metres (750 ft) long and 62 metres (203 ft) wide, contains the main army of more than 6,000 figures. Pit 1 has eleven corridors, most more than 3 metres (10 ft) wide and paved with small bricks with a wooden ceiling supported by large beams and posts.

 

This design was also used for the tombs of nobles and would have resembled palace hallways when built. The wooden ceilings were covered with reed mats and layers of clay for waterproofing, and then mounded with more soil raising them about 2 to 3 metres (6 ft 7 in to 9 ft 10 in) above the surrounding ground level when completed.

 

-- Pit 2

 

Pit 2 has cavalry and infantry units as well as war chariots, and is thought to represent a military guard.

 

-- Pit 3

 

Pit 3 is the command post, with high-ranking officers and a war chariot.

 

-- Pit 4

 

Pit 4 is empty, perhaps left unfinished by its builders.

 

Some of the figures in Pits 1 and 2 show fire damage, while remains of burnt ceiling rafters have also been found. These, together with the missing weapons, have been taken as evidence of the reported looting by Xiang Yu and the subsequent burning of the site, which is thought to have caused the roof to collapse and crush the army figures below.

 

The terracotta figures currently on display have been restored from the fragments.

 

Additional Pits

 

Other pits that formed the necropolis have also been excavated. These pits lie within and outside the walls surrounding the tomb mound. They variously contain bronze carriages, terracotta figures of entertainers such as acrobats and strongmen, officials, stone armour suits, burial sites of horses, rare animals and labourers, as well as bronze cranes and ducks set in an underground park.

 

The Warrior Figures

 

The terracotta figures are life-sized, typically ranging from 175 cm (5.74 ft) to about 200 cm (6.6 ft) (the officers are typically taller). They vary in height, uniform, and hairstyle in accordance with rank.

 

Their faces appear to be different for each individual figure; scholars, however, have identified 10 basic face shapes. The figures are of these general types: armored infantry; unarmored infantry; cavalrymen who wear a pillbox hat; helmeted drivers of chariots with more armor protection; spear-carrying charioteers; kneeling crossbowmen or archers who are armored; standing archers who are not; as well as generals and other lower-ranking officers.

 

There are, however, many variations in the uniforms within the ranks: for example, some may wear shin pads while others not; they may wear either long or short trousers, some of which may be padded; and their body armors vary depending on rank, function, and position in formation.

 

There are also terracotta horses placed among the warrior figures.

 

Pigments Used on the Terracotta Warriors

 

Originally, the figures were painted with: ground precious stones, intensely fired bones (white), pigments of iron oxide (dark red), cinnabar (red), malachite (green), azurite (blue), charcoal (black), cinnabar barium copper silicate mix (Chinese purple or Han purple), tree sap from a nearby source, (more than likely from the Chinese lacquer tree) (brown).

 

Other colors used included pink, lilac, red, white, and one unidentified color. The colored lacquer finish and individual facial features would have given the figures a realistic feel, with eyebrows and facial hair in black and the faces done in pink.

 

However, in Xi'an's dry climate, much of the color coating would flake off in less than four minutes after removing the mud surrounding the army.

 

Some scholars have speculated a possible Hellenistic link to these sculptures, because of the lack of life-sized and realistic sculptures before the Qin dynasty. They argued that potential Greek influence is particularly evident in some of the terracotta figures such as those of acrobats, combined with rare bronze artifacts made with a lost wax technique known in Greece and Egypt.

 

However, this idea is disputed by scholars who claim that there is "no substantial evidence at all" for contact between ancient Greeks and Chinese builders of the tomb, and the bases of such speculation are often imprecise or false interpretation of source materials or far-fetched conjectures.

 

They argue that such speculations rest on flawed and old "Eurocentric" ideas that assumed other civilizations were incapable of sophisticated artistry and thus foreign artistry must be seen through Western traditions.

 

Fabrication of the Terracotta Army

 

The terracotta army figures were manufactured in workshops by government laborers and local craftsmen using local materials.

 

Heads, arms, legs, and torsos were created separately and then assembled by luting the pieces together. When completed, the terracotta figures were placed in the pits in precise military formation according to rank and duty.

 

The faces were created using molds, and at least ten face molds may have been used. Clay was then added after assembly to provide individual facial features to make each figure appear different.

 

It is believed that the warriors' legs were made in much the same way that terracotta drainage pipes were manufactured at the time. This would classify the process as assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting a figure as one solid piece and subsequently firing it.

 

In those times of tight imperial control, each workshop was required to inscribe its name on items produced to ensure quality control. This has aided modern historians in verifying which workshops were commandeered to make tiles and other mundane items for the terracotta army.

 

Weaponry

 

Most of the figures originally held real weapons, which would have increased their realism. The majority of these weapons were looted shortly after the creation of the army or have rotted away.

 

Despite this, over 40,000 bronze items of weaponry have been recovered, including swords, daggers, spears, lances, battle-axes, scimitars, shields, crossbows, and crossbow triggers.

 

Most of the recovered items are arrowheads, which are usually found in bundles of 100 units. Studies of these arrowheads suggests that they were produced by self-sufficient, autonomous workshops using a process referred to as cellular production or Toyotism. Some weapons were coated with a 10–15 micrometer layer of chromium dioxide before burial that was believed to have protected them from any form of decay for the last 2200 years.

 

However, research in 2019 indicated that the chromium was merely contamination from nearby lacquer, not a means of protecting the weapons. The slightly alkaline pH and small particle size of the burial soil most likely preserved the weapons.

 

The swords contain an alloy of copper, tin, and other elements including nickel, magnesium, and cobalt. Some carry inscriptions that date their manufacture to between 245 and 228 BCE, indicating that they were used before burial.

 

Scientific Research

 

In 2007, scientists at Stanford University and the Advanced Light Source facility in Berkeley, California, reported that powder diffraction experiments combined with energy-dispersive X-ray spectroscopy and micro-X-ray fluorescence analysis showed that the process of producing terracotta figures colored with Chinese purple dye consisting of barium copper silicate was derived from the knowledge gained by Taoist alchemists in their attempts to synthesize jade ornaments.

 

Since 2006, an international team of researchers at the UCL Institute of Archaeology have been using analytical chemistry techniques to uncover more details about the production techniques employed in the creation of the Terracotta Army.

 

Using X-ray fluorescence spectrometry of 40,000 bronze arrowheads bundled in groups of 100, the researchers reported that the arrowheads within a single bundle formed a relatively tight cluster that was different to other bundles. In addition, the presence or absence of metal impurities was consistent within bundles.

 

Based on the arrows’ chemical compositions, the researchers concluded that a cellular manufacturing system similar to the one used in a modern Toyota factory, as opposed to a continuous assembly line in the early days of the automobile industry, was employed.

 

Grinding and polishing marks visible under a scanning electron microscope provide evidence for the earliest industrial use of lathes for polishing.

 

Terracotta Warrior Exhibitions

 

The first exhibition of the figures outside of China was held at the National Gallery of Victoria in Melbourne in 1982.

 

A collection of 120 objects from the mausoleum and 12 terracotta warriors were displayed at the British Museum in London as its special exhibition "The First Emperor: China's Terracotta Army" from 13 September 2007 to April 2008.

 

This exhibition made 2008 the British Museum's most successful year, and made the British Museum the UK's top cultural attraction between 2007 and 2008. The exhibition brought the most visitors to the museum since the King Tutankhamun exhibition in 1972. The 400,000 advance tickets sold out so fast that the museum extended its opening hours until midnight.

 

Many people had to be turned away, despite the extended hours. During the day of events to mark the Chinese New Year, the crush was so intense that the gates to the museum had to be shut.

 

The Terracotta Army has been described as the only other set of historic artifacts (along with the remnants from the wreck of the Titanic) that can draw a crowd by the name alone.

 

Warriors and other artifacts were exhibited to the public at the Forum de Barcelona in Barcelona between May and September 2004. It was their most successful exhibition ever.

 

The same exhibition was presented at the Fundación Canal de Isabel II in Madrid between October 2004 and January 2005, their most successful ever.

 

From December 2009 to May 2010, the exhibition was shown in the Centro Cultural La Moneda in Santiago de Chile.

 

The exhibition traveled to North America and visited museums such as the Asian Art Museum of San Francisco, Bowers Museum in Santa Ana, California, Houston Museum of Natural Science, High Museum of Art in Atlanta, National Geographic Society Museum in Washington, D.C. and the Royal Ontario Museum in Toronto.

 

Subsequently, the exhibition traveled to Sweden and was hosted in the Museum of Far Eastern Antiquities between August 2010 and January 2011.

 

An exhibition entitled 'The First Emperor – China's Entombed Warriors', presenting 120 artifacts was hosted at the Art Gallery of New South Wales, between December 2010 and March 2011.

 

An exhibition entitled "The Warrior-Emperor of China and his Terracotta Army, featuring artifacts including statues from the mausoleum, was hosted by the Montreal Museum of Fine Arts from February 2011 to June 2011.

 

In Italy, from July 2008 to November 2008, five of the warriors of the terracotta army were displayed in Turin at the Museum of Antiquities, and from April 2010 to September 2010 nine warriors were exhibited in Milan, at the Royal Palace, at the exhibition entitled "The Two Empires". The group consisted of a horse, a counselor, an archer and six lancers.

 

The "Treasures of Ancient China" exhibition, showcasing two terracotta soldiers and other artifacts, including the Longmen Grottoes Buddhist statues, was held between February 2011 and November 2011 in four locations in India.

 

Soldiers and related items were on display from March 2013 to November 2013 at the Historical Museum of Bern.

 

Several Terracotta Army figures were on display, along with many other objects, in an exhibit entitled "Age of Empires: Chinese Art of the Qin and Han Dynasties" at The Metropolitan Museum of Art in New York City from April to July 2017.

 

An exhibition featuring ten Terracotta Army figures and other artifacts, "Terracotta Warriors of the First Emperor," was on display at the Pacific Science Center in Seattle, Washington, from April 2017 to September 2017 before traveling to The Franklin Institute in Philadelphia, Pennsylvania, to be exhibited from September 2017 to March 2018 with the addition of augmented reality.

 

An exhibition entitled "China's First Emperor and the Terracotta Warriors" was at the World Museum in Liverpool from February 2018 to October 2018. This was the first time in more than 10 years that the warriors had travelled to the UK.

 

An exhibition tour of 120 real-size replicas of terracotta statues was displayed in the German cities of Frankfurt am Main, Munich, Oberhof, Berlin and Nuremberg between 2003 and 2004.

The six executed against the cemetery wall. As a last act defiance they turned their backs to the firing squad as they were executed.

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Executed political leader of the failed 1956 revolution.

Delara Darabi (Persian: دلارا دارابى) (S29 September 1986 – 1 May 2009) was an Iranian woman executed after being accused of murdering her father's female cousin and stealing her gold together with her boyfriend. She was convicted for murder and theft by the Iranian Supreme Court and was executed after five years imprisonment. She was 17 years old when the murder took place. Her boyfriend was 19 years old at the time of the murder and is serving a 10 year prison sentence for the crime.

 

Darabi spent five years in jail after her conviction. She initially confessed, but later recanted. She claimed her boyfriend, Amir Hossein, persuaded her to confess by convincing her that he would be executed (as she would not have been; being a minor).

 

On Death Row, Darabi having developed a love of painting at an early age completed several works that depicted her incarceration. As well painting became her refuge from psychological torment of incarceration and her way of asserting her innocence. In confinement she also wrote poetry; among her work is the poem entitled "Prison"; a highly sophisticated psychological and philosophical work on prison. A collection of her art was displayed at an exhibition in Tehran by supporters campaigning to release her. Darabi's lawyer, Abdolsamad Khoramshahi, had appealed against the sentence, arguing that her conviction had been based solely on her confession and that her trial had failed to consider vital evidence.

  

Les armoiries peintes sur le bâti de chêne qui surmonte la porte principale sont tirées de celles qui figurent

sur la carte de Port-Royal exécutée par Lescarbot ainsi que

sur plusieurs documents de l'époque. Ce sont les armes de la

France (à gauche) et de la Navarre (à droite), les deux pays

sur lesquels Henri IV régnait.

parkscanadahistory.com/brochures/portroyal/booklet-f-1969...

 

DUO PROTEGIT UNUS

Un seul en défend deux, c’est à dire : un même glaive défend les deux royaumes. Henri IV est roi de France et de Navarre.

www.almanumis.com/mag/les-devises-des-rois-de-france-274....

 

DABIT DEUS HIS QUOQUE FINEM

Dieu mettra un terme même à ces choses. (Virgile, L'Énéide)

www.bolchazy.com/Dabit-deus-his-quoque-finem-God-will-als...

 

INVIA VIRTUTI NULLA EST VIA.

A la vertu, il n’est pas d’obstacle. (Ovide, Métamorphoses,. XIV.113)

Devise d’Henri IV.

www.locutio.net/encyclopedie/invia-virtuti-nulla-est-via

 

www.emblems.arts.gla.ac.uk/french/emblem.php?id=FMOb060

 

L’histoire de Port-Royal commence en France, sous le règne du roi Henri IV. En 1603, un noble du nom de Pierre Dugua, sieur de Mons, propose au roi de fonder un établissement dans une région appelée Acadie.

Après avoir rassemblé les sommes nécessaires au voyage et à l’acquisition des navires et des vivres, le sieur de Mons part pour le nord est de l’Amérique du Nord, accompagné d’un groupe composé d’ouvriers, de soldats, d’artisans et d’explorateurs, tant protestants que catholiques. Le sieur de

Mons, par exemple, est un huguenot, tandis que d’autres, comme Champlain, sont catholiques. Même si cette période de tolérance religieuse n’est que de courte durée, la France d’Henri IV est alors le seul pays qui accorde un statut d’égalité aux deux religions.

www.pc.gc.ca/fr/lhn-nhs/ns/portroyal/culture/histoire-his...

 

Dès que les voyageurs, harassés, pénètrent dans l'enceinte de Port-Royal, les voilà encouragés davantage à la vue des armoiries de France déployées au-dessus de la porte principale.

parkscanadahistory.com/brochures/portroyal/booklet-f-1969...

 

Tucker Tingley executes the throw-in Golden's overtime win over Green Mountain on Wednesday.

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Veuillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voir www.maarsen.ch/4

 

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