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U.S. Marines assigned to the 273rd Marine Wing Support Squadron, Air Operations Company, Expeditionary Airfield Platoon at Marine Corps Air Station Beaufort, S.C., execute a forward air refueling point operation with the South Carolina National Guard at McEntire Joint National Guard Base, S.C. on May 14. Elements of the South Carolina Air and Army National Guard and the U.S. Marines conduct joint operations which are crucial to the ongoing success of operational readiness and deployments around the world. (U.S. Air National Guard photo by Airman 1st Class Ashleigh S. Pavelek/Released)
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
•-----------•----•💀•---•-------------•
ℹ️8️⃣📞📲📳☎️♾💁♂️
ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM
First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shit to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀
•-----------•----•💀•---•-------------•
It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
•———————————•
#ELDER_SCROLL_OF_MNEM_0.0♾😻
•———————————•
#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
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St Albans claims to be the earliest site of Christian pilgrimage in England, being named after our first martyr, who was executed at some point in the 3rd century AD (when the city was still known by its Roman name, Verulanium) having sheltered a persecuted Christian priest, St Amphibalus, and been impressed by his faith, offering himself for arrest in his place. Both men were buried here and Alban's tomb was venerated and marked in some form long before the present cathedral was built.
The cathedral is nonetheless one of the most ancient of our major churches, though its cathedral status dates only to 1877 when the new diocese of St Albans was formed. The church was originally founded as St Alban's Abbey, and built close to the presumed site of Alban's martyrdom. Founded in 793 by King Offa, the abbey was rebuilt several times with the earliest parts of the present cathedral dating back to the late 11th century. Much use was made of recycled material from the abandoned Roman city of Verulanium, and the handsome Romanesque tower appears to be entirely constructed of reused Roman bricks. The Abbey was built on an impressive scale, and must have once been a very wealthy institution owing to pilgrimages to the shrine of St Alban behind the high altar. However its fortunes had begun to decline even before the Reformation swept medieval monastic life away.
The abbey church miraculously survived the Dissolution in its entirety and was sold to the town for use as their parish church. The monastic buildings however were completely erased aside from the splendid Abbey Gatehouse near the west end, and only the weathered remains of arcading on the south side of the nave remains of the former cloisters. Upkeep thereafter seems to have been a serious challenge and the huge church spent much of the following centuries in poor repair, thus much work was done by a succession of architects in the Victorian period prior to the abbey church being raised to the status of cathedral. The most obvious interventions are those made by Edmund Beckett / Lord Grimthorpe, an amateur architect who paid for much of the work in the 1870s in return for a free hand in redesigning parts of the building. His are the strange turrets on ends of the transepts, along with their facade windows below and the west front, which is clearly a Victorian confection, though the medieval facade it replaced had been left in a rather bare, unfinished state.
The cathedral we see today is thus a rather surprising mixture of styles and materials, everything from Roman brick, flint and rubble to fine white limestone., which gives it a rather patchy appearance. Its great length however is remarkable, being the second longest medieval church in the country (only Winchester is longer, but St Albans has a longer nave). The oldest parts are the towers and transepts from the end of the 11th century, along with much of the north side of the nave, all fine examples of early Romanesque architecture. Most of the rest was rebuilt in the Gothic style in various phases throughout the 14th century, including the greater part of the nave and all of the choir and Lady Chapel (though the east end was heavily renewed externally in the Victorian restoration).
Entering the cathedral one cannot fail to be impressed by the enormous length of the nave,, mostly of late 13th and early 14th century date aside from the strikingly austere north arcade in the more easterly section, where the raw unadorned early Norman architecture contrasts dramatically with the more ornate Gothic arcade opposite. The Norman columns have the added appeal of retaining substantial remains of medieval mural decoration, with a succession of Crucifixion scenes that may have originally served as reredos to long vanished side altars. The medieval pulpitum screen remains and separates the eastern bays for use as the choir beyond it. This area also retains its flat late medieval wooden ceiling complete with painted panels of angels holding shields.
The transepts and crossing beneath the tower form an especially memorable interior space, again the architecture is of the more raw, auster Norman variety, but the tower arches are enlivened with painted decoration simulating brickwork and much Roman and Saxon material is incorporated in to the transepts. Beyond is the fully Gothic eastern limb with the presbytery covered by a handsome medieval wooden vault, again replete it medieval painted decoration, and the striking altar reredos, a towering late medieval screen populated with elaborate niches and statuary (the latter being Victorian replacements for originals long lost). Behind this is the re-assembled shrine of St Alban (along with that of St Amphibalus in the south choir aisle nearby). The Lady Chapel beyond is a handsome example of 14th century Decorated Gothic, though much restored following centuries of use as a schoolroom separated from the rest of the church.
There is much of interest to see in the cathedral, though most of the furnishings are Victorian (the originals having long vanished) and there are few monuments of note aside from the two late medieval chantry chapels of Abbot Ramryge and Humphrey Duke of Gloucester, the latter overlooking the shrine of St Alban and balanced by a 15th century wooden watching loft on the opposite side (a rare survival). There is a mixture of glass, the most notable pieces being the most recent additions in the south aisle and north transept rose window. The best features are the unusually extensive remnants of medieval mural painting in various parts of the church, a quite remarkable survival, making a thorough exploration of this cathedral all the more rewarding.
This was my third visit, and longest one, though my attempt at a fuller photographic record was severely compromised by accidents with my camera, which at one point fell from my tripod onto the stone floor in one of the chantry chapels. I was lucky it survived at all given the dreadful crash it made, but it was seriously affected and my photos were very hit and miss from that point onwards. My day however ended on a happier note, returning in the evening to attend a lovely performance of Mozart's Requiem, and the acoustics in there are indeed impressive.
For more about the cathedral see below.
Wayne Thiebaud
American, 1920 - 2021
Tie Window - 1975
Wayne Thiebaud (born November 15, 1920) is an American painter best known for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figures. He is associated with the Pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud uses heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work. Wayne Thiebaud was born to Mormon parents in Mesa, Arizona, U.S.A.. His family moved to Long Beach, California when he was six months old.[1] One summer during his high school years he apprenticed at the Walt Disney Pictures Walt Disney Studio making "in-betweeners" of Goofy, Pinocchio, and Jiminy Cricket making $14 a week. The next summer he studied at the Frank Wiggins Trade School in Los Angeles. From 1938 to 1949, he worked as a cartoonist and designer in California and New York. He served as an artist in the First Motion Picture Unit of the United States Army Air Forces from 1942 to 1945.[2]
In 1949, he enrolled at San Jose State College (now San Jose State University) before transferring to Sacramento State College (now California State University, Sacramento), where he earned a bachelor's degree in 1951 and a master's degree in 1952. Thiebaud subsequently began teaching at Sacramento City College. In 1960, he became assistant professor at the University of California, Davis, where he remained through the 1970s and influenced numerous art students. Thiebaud did not have much of a following among Conceptual artists because of his adherence to basically traditional disciplines, emphasis on hard work as a supplement to creativity, and love of realism. Occasionally, he gave pro bono lectures at U.C. Davis.
On a leave of absence during 1956–57, he spent time in New York City, where he became friends with Elaine and Willem de Kooning[1] and Franz Kline, and was much influenced by these abstractionists as well as by proto-pop artists Robert Rauschenberg and Jasper Johns. During this time, he began a series of very small paintings based on images of food displayed in windows, and he focused on their basic shapes.
Returning to California, he pursued this subject matter and style, isolating triangles, circles, squares, etc. He also co-founded the Artists Cooperative gallery, now Artists Contemporary Gallery, and other cooperatives including Pond Farm, having been exposed to the concept of cooperatives in New York.
In 1960, he had his first solo show in San Francisco at the San Francisco Museum of Modern Art, and shows in New York City at the Staempfli and Tanager galleries. These shows received little notice, but two years later, a 1962 Sidney Janis Gallery exhibition in New York officially launched Pop Art, bringing Thiebaud national recognition, although he disclaimed being anything other than a painter of illusionistic form.
In 1961, Thiebaud met and became friends with art dealer Allan Stone (1932–2006), the man who gave him his first "break."[2] Stone was Thiebaud's dealer until Stone's death in 2006.[3] Stone said of Thiebaud "I have had the pleasure of friendship with a complex and talented man, a terrific teacher and cook, the best raconteur in the west with a spin serve, and a great painter whose magical touch is exceeded only by his genuine modesty and humility. Thiebaud's dedication to painting and his pursuit of excellence inspire all who are lucky enough to come in contact with him. He is a very special man." After Stone's death, Thiebaud's son Paul Thiebaud (1960–2010) took over as his dealer. Paul Thiebaud was a successful art dealer in his own right and had eponymous galleries in Manhattan and San Francisco; he died June 19, 2010.
In 1962, Thiebaud's work was included, along with Roy Lichtenstein, Andy Warhol, Jim Dine, Phillip Hefferton, Joe Goode, Edward Ruscha, and Robert Dowd, in the historically important and ground-breaking "New Painting of Common Objects," curated by Walter Hopps at the Pasadena Art Museum (now the Norton Simon Museum of Art at Pasadena).[4] This exhibition is historically considered one of the first Pop Art exhibitions in America. These painters were part of a new movement, in a time of social unrest, which shocked America and the art world.
In 1963, he turned increasingly to figure painting: wooden and rigid, with each detail sharply emphasized. In 1964, he made his first prints at Crown Point Press, and has continued to make prints throughout his career. In 1967, his work was shown at the Biennale Internationale.
Wayne Thiebaud has been married twice. With his first wife, Patricia Patterson, he produced two children, one of whom is the model and writer Twinka Thiebaud. With his second wife, Betty Jean Carr, he had a son, Paul LeBaron Thiebaud, who became an art dealer. He also adopted Betty's son, Matthew.[5][6] Thiebaud is well known for his paintings of production line objects found in diners and cafeterias, such as pies and pastries. Many wonder if he spent time working in the food industry, and in fact he did. As a young man in Long Beach, he worked at a cafe named Mile High and Red Hot, where "Mile High" was ice cream and "Red Hot" was a hot dog.[7]
He was associated with the Pop art painters because of his interest in objects of mass culture, however, his works, executed during the fifties and sixties, slightly predate the works of the classic pop artists, suggesting that Thiebaud may have had an influence on the movement. Thiebaud uses heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.[8]
In addition to pastries, Thiebaud has painted characters such as Mickey Mouse as well as landscapes, streetscapes, and cityscapes, which were influenced by the work of Richard Diebenkorn.[9] His paintings such as Sunset Streets (1985) and Flatland River (1997) are noted for their hyper realism, and have been compared to Edward Hopper's work, another artist who was fascinated with mundane scenes from everyday American life.[9]
Thiebaud considers himself not an artist, but a painter. He is a voracious reader and is known for reading poetry to his students. One of Thiebaud's students from Sacramento City College was the artist Fritz Scholder (1937–2005), who went on to become a major influence in the direction of American Indian art through his instruction at the Institute of American Indian Arts in Santa Fe, New Mexico (1964–1969). Another notable student is Mel Ramos, painter and retired professor of art at California State University, East Bay, who considers Thiebaud to be his mentor.
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"Acknowledged as the first museum in the world dedicated solely to collecting American art, the NBMAA is renowned for its preeminent collection spanning three centuries of American history. The award-winning Chase Family Building, which opened in 2006 to critical and public acclaim, features 15 spacious galleries which showcase the permanent collection and upwards of 25 special exhibitions a year featuring American masters, emerging artists and private collections. Education and community outreach programs for all ages include docent-led school and adult tours, teacher services, studio classes and vacation programs, Art Happy Hour gallery talks, lectures, symposia, concerts, film, monthly First Friday jazz evenings, quarterly Museum After Dark parties for young professionals, and the annual Juneteenth celebration. Enjoy Café on the Park for a light lunch prepared by “Best Caterer in Connecticut” Jordan Caterers. Visit the Museum Shop for unique gifts. Drop by the “ArtLab” learning gallery with your little ones. Gems not to be missed include Thomas Hart Benton’s murals “The Arts of Life in America,” “The Cycle of Terror and Tragedy, September 11, 2001” by Graydon Parrish,” and Dale Chihuly’s “Blue and Beyond Blue” spectacular chandelier. Called “a destination for art lovers everywhere,” “first-class,” “a full-size, transparent temple of art, mixing New York ambience with Yankee ingenuity and all-American beauty,” the NBMAA is not to be missed."
www.tripadvisor.com/Attraction_Review-g33847-d106105-Revi...
www.nbmaa.org/permanent-collection
The NBMAA collection represents the major artists and movements of American art. Today it numbers about 8,274 paintings, works on paper, sculptures, and photographs, including the Sanford B.D. Low Illustration Collection, which features important works by illustrators such as Norman Rockwell, Howard Pyle, and Maxfield Parrish.
Among collection highlights are colonial and federal portraits, with examples by John Smibert, John Trumbull, John Singleton Copley, Gilbert Stuart, and the Peale family. The Hudson River School features landscapes by Thomas Cole, Asher B. Durand, Martin Johnson Heade, John Kensett, Albert Bierstadt, and Frederic Church. Still life painters range from Raphaelle Peale, Severin Roesen, William Harnett, John Peto, John Haberle, and John La Farge. American genre painting is represented by John Quidor, William Sidney Mount, and Lilly Martin Spencer. Post-Civil War examples include works by Winslow Homer, Thomas Eakins, John Singer Sargent, George de Forest Brush, and William Paxton, and 19 plasters and bronzes by Solon Borglum. American Impressionists include Mary Cassatt, Theodore Robinson, John Henry Twachtman, J. Alden Weir, Willard Metcalf, and Childe Hassam, the last represented by eleven oils. Later Impressionist paintings include those by Ernest Lawson, Frederck Frieseke, Louis Ritman, Robert Miller, and Maurice Prendergast.
Other strengths of the twentieth-century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O’Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson, and Ralston Crawford; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence, and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry, and Thomas Hart Benton, notably the latter’s celebrated five-panel mural, The Arts of Life in America (1932).
Works by the American Abstract Artist group (Stuart Davis, Ilya Bolotowsky, Esphyr Slobodkina, Balcomb Greene, and Milton Avery) give twentieth-century abstraction its place in the collection, as do later examples of Surrealism by artists Kay Sage and George Tooker; Abstract Expressionism (Lee Krasner, Giorgio Cavallon, Morris Graves, Robert Motherwell, Sam Francis, Cleve Gray), Pop and Op art (Andy Warhol, Larry Rivers, Robert Indiana, Tom Wesselman, Jim Dine), Conceptual (Christo, Sol LeWitt), and Photo-Realism (Robert Cottingham). Examples of twentieth-century sculpture include Harriet Frishmuth, Paul Manship, Isamu Noguchi, George Segal, and Stephen DeStaebler. We continue to acquire contemporary works by notable artists, in order to best represent the dynamic and evolving narrative of American art.
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
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ℹ️8️⃣📞📲📳☎️♾💁♂️
ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM
First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shit to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀
•-----------•----•💀•---•-------------•
It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
•———————————•
#ELDER_SCROLL_OF_MNEM_0.0♾😻
•———————————•
#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
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Servicemembers execute sling load rigging exercises on a UH-60 Blackhawk during Day 5 of Air Assault School on Camp Smith, N.Y., July 25, 2010. (U. S. Army photo by 1st Class Rodrick J. Jackson/Not Released)
This plane executed a wheels-up landing (ie crashed) at Sumburgh airport in 1981. The homeowner decided to save the remains.
It’s a very rare (only 8 built) French Potez 840 with 4 turboprops and a capacity of 18 which first flew in 1961. The triangular windows are reminiscent of the Sud Caravelle.
Paratroopers assigned to the 3rd Battalion, 509th Parachute Infantry Regiment, 4th Infantry Brigade Combat Team (Airborne) 25th Infantry Division, U.S. Army Alaska, exit a trench during a live-fire and movement-to-contact operations on the Infantry Squad Battle Course at Joint Base Elmendorf-Richardson, Alaska, Tuesday, Nov. 8, 2016. The soldiers focused on core infantry skills such as fire team movement, communication, shifting fire, and once on the objective identifying and eliminating weapons caches and treating and evacuating casualties. (U.S. Air Force photo by Airman 1st Class Javier Alvarez)
This work and its companion picture ('The Thames and the City of London from Richmond House'), have become the most widely admired paintings executed by Canaletto during his stay in England. They were painted for the Duke of Richmond, and probably based upon sketches made from views from the upper windows of his London home, Richmond House. The Duke himself is depicted with a servant in the courtyard at the lower right.
Whitehall is shown as an open space surrounded by small buildings, unfamiliar to modern Londoners accustomed to vast government offices covering the area. The Tudor Treasury Gate at the left was demolished in 1759 to ease the flow of traffic, but the Banqueting House, left of centre in the middle-distance, and Church of Saint Martin-in-the-Fields beyond and to the right of it, remain.
A sense of order has been imposed on the urban sprawl; the main buildings lie parallel to the picture plane, and the perspective is conveniently established by the walls and pathways which run towards the centre of the composition. Everything - from the chickens in the foreground to the houses half a mile away - is observed with a crispness of equal insistence, so creating a vivid record of this unexpected view of the capital during the reign of George II.
Canaletto later reinterpreted the scene from a lower viewpoint, and produced an even wider panorama (one of his most spectacular), which includes a view of the Thames at the left.
The photo is executed in technique «LightGraphic » or «The painting of light», that assumes illumination of model by small light sources in darkness on long endurance.
Thus, all lightcloth (composition) - is one Photo Exposition, is embodied on a matrix of the camera in one click of a shutter.
The sketches very often executed in such a way further are drawn in the graphic editor as it would be on a canvas a brush. Plug-ins and filters are not used.
We submit the sample photos in this series in three-nine-square.
Photos is possible to look here:
Artist: Alfred-Auguste Janniot.
Title: The Spring or Homage to Jean Goujon.
Limestone.
The original title of this monumental sculptural group by Janniot, which was executed by the sculptor in Rome during the last of the three years he spent training at the Académie de France, was A la gloire de Jean Goujon, or Hommage à Jean Goujon. The group, which immediately attracted attention, was to become famous at the International Exposition of Modern Decorative and Industrial Arts held in Paris in 1925, becoming the symbol of an era and an artistic movement: Art Deco. Jean Goujon, the great Renaissance sculptor, was evoked as the artist who most successfully managed to reconcile modernity and tradition in France. The group consists of three young women, Diana the hunter, two nymphs, a doe (a typical symbol of Art Deco), and various birds. Stylised flowers and fronds complete the composition. The decorative exuberance of the group is further accentuated by the introduction of colour to the faces and hair of the female figures.
Janniot took part in the international fair at Bourdelle’s invitation. However, his friendship with the designer Ruhlmann explains the presence of the group outside the ‘Hotel d’un Riche Collectionneur’, one of the exhibition’s most visited pavilions. Designed by the architect Pierre Patout, the pavilion also featured interior and exterior reliefs by Joseph Bernard. In 1939, Calouste Gulbenkian acquired the group at the Lola Voisin sale with the intention of incorporating it into the decorative scheme of the gardens of his Normandy property, Les Enclos. However, this idea did not meet with the approval of his landscape architect and the collector abandoned the project. Transported to Portugal, along with the rest of the collection, the group was incorporated into the recently opened Calouste Gulbenkian Museum in October 1969, where it became a kind of symbol marking the breadth of the collector’s interests.
Source: gulbenkian.pt/museu/en/works_museu/spring-homage-to-jean-...
Austrian soldiers rehearse executing a Serbian prisoner of war via their preferred method, namely suspending the condemned from a pole and garroting him (or her) from behind. A far more painful, lingering and cruel death.
A doctor or medical officer was always present at hangings. After a prescribed period of time, he would examine the body and pronounce the unfortunate dead before they were released.
2023 John Watts Jr by George E Bissell in 1892 - facial features based on earlier bust from life by Robert Ball Hughes 1830 - commission executed by grandson General John Watts DePeyster - concerned his grandfather would be forgotten - John Watts Jr was the only former British official to hold an American office - In 1791 he was elected to the New York State Assembly and two years later to the United States Congress - located in Trinity Churchyard graveyard 02/05/2023
Soldiers with the CBRN Reconnaissance and Surveillance Platoon, 2nd Brigade Combat Team, 10th Mountain Division execute their collective validation June 9-12, 2025, at Fort Drum, New York. CBRN R&S Platoons are equipped with advanced sensors and analytical tools to detect, identify, and characterize CBRN agents, including chemical warfare agents, biological agents, radiological materials, and nuclear weapons. This validation, the first in the XVIII Airborne Corps, assessed the R&S Platoon on its ability to deploy, protect, and mitigate decontamination for maneuver elements such as the Infantry. (U.S. Army photo by Sgt. Jaidon Novinska)
Soldiers with the CBRN Reconnaissance and Surveillance Platoon, 2nd Brigade Combat Team, 10th Mountain Division execute their collective validation June 9-12, 2025, at Fort Drum, New York. CBRN R&S Platoons are equipped with advanced sensors and analytical tools to detect, identify, and characterize CBRN agents, including chemical warfare agents, biological agents, radiological materials, and nuclear weapons. This validation, the first in the XVIII Airborne Corps, assessed the R&S Platoon on its ability to deploy, protect, and mitigate decontamination for maneuver elements such as the Infantry. (U.S. Army photo by Sgt. Jaidon Novinska)
Wir haben Ihren Auftrag ausgefuehrt.
We have executed your order.
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Eine Fotographie der Blumen ist diesem Mail angehaengt oder folgt in einem separaten E-Mail gemaess den Bedingungen www.maarsen.ch/4
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Blumen Maarsen AG
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Using my iPhone as a light table (I told you I was a geek, get used to it), I was able to analyze each key to create a tailored electrical tape shape that would effectively shut off the key.
Wir haben Ihren Auftrag ausgefuehrt.
We have executed your order.
Nous avons effectue votre commande.
Ihre Bestellung wurde durch unseren Fahrer geliefert.
Eine Fotographie der Blumen ist diesem Mail angehaengt oder folgt in einem separaten E-Mail gemaess den Bedingungen www.maarsen.ch/4
Your order has been delivered by our driver.
Attached you will find a photo of your bouquet or it will follow in an other e-mail. Conditions see www.maarsen.ch/4
Notre chauffeur a fait la livraison.
Veuillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voir www.maarsen.ch/4
Danke fuer Ihren Einkauf! Thank you for shopping at Maarsen's! Merci de votre confiance.
Blumen Maarsen AG
---
---
Blumen fuer die Hochzeit: www.maarsen.ch/hochzeit
Dekoration von Anlaessen www.maarsen.ch/deco
PS: Die beliebtesten Straeusse in der Fotogalerie der Rubrik
--- 'kuerzlich geliefert': www.maarsen.ch/deliveries
Blumen Maarsen AG
Moserstrasse 9
3014 Bern, Switzerland
info@maarsen.ch
Telefon 0800 30 30 33
Phone +41 31 332 62 00
Fax +41 31 332 76 92
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Ich verwende die kostenlose Version von SPAMfighter für private Anwender,
die bei mir bis jetzt 724 Spammails entfernt hat.
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2023 John Watts Jr by George E Bissell in 1892 - facial features based on earlier bust from life by Robert Ball Hughes 1830 - commission executed by grandson General John Watts DePeyster - concerned his grandfather would be forgotten - John Watts Jr was the only former British official to hold an American office - In 1791 he was elected to the New York State Assembly and two years later to the United States Congress - located in Trinity Churchyard graveyard 02/05/2023
Arbour Hill Prison is a prison and military cemetery located in the Arbour Hill area near Heuston Station.
The military cemetery is the burial place of 14 of the executed leaders of the 1916 Easter Rising. Among those buried there are Patrick Pearse, James Connolly and Major John MacBride. The leaders were executed in Kilmainham Gaol and their bodies were transported to Arbour Hill for burial.
The graves are located under a low mound on a terrace of Wicklow granite in what was once the old prison yard. The grave site is surrounded by a limestone wall on which the names are inscribed in Irish and English. On the prison wall opposite the grave site is a plaque with the names of other people who were killed in 1916.
The prison was designed by Sir Joshua Jebb and Frederick Clarendon and opened on its present site in 1848, to house military prisoners.
The adjoining Church of the Sacred Heart, which is the prison chapel for Arbour Hill prison, is maintained by the Department of Defence. At the rear of the church lies the old cemetery, where lie the remains of British military personnel who died in the Dublin area in the 19th and early 20th century.
The church has an unusual entrance porch with stairs leading to twin galleries for visitors in the nave and transept.
A doorway beside the 1916 memorial gives access to the Irish United Nations Veterans' Association house and memorial garden.
Executed with the great help of my patient wife.
Inspired by brandonhuang's photostream.
Strobist info: Canon 430EX II strobe @ 105mm @ 1/8 power. Makes sense to avoid straight reflection from the paper on face -- gives too hard light.
Grilles exécutées par Jean LAMOUR ( Nancy 1698 - Nancy 1771 ), serrurier de Stanislas Leszczynski qui utilise l’ancienne église de la Primatiale comme un vaste atelier de forge pour réaliser, en collaboration avec l’architecte Emmanuel Héré, les magnifiques grilles rehaussées d’or de la Place Stanislas à Nancy.
Executing a go-around, it then wheeled back around and landed again, parking somewhere ahead of my location.
Lieutenant Guy Stinglhamber
came to London from Johannesburg.
On 29 September 1941 he was dropped by parachute on Hastière-Lavaux, in the Belgian province of Namur.
On February 13, 1942, the Germans arrested him.
On 6 January 1944 he sentenced to death in Berlin.
He was executed on 22 May 1944 at Brandenburg Prison in The Hague.
Stinglhamber was 43 years.
South chancel window c1980 unusually executed using fused layers of glass to create the designs. Possibly the work of Birmingham stained glass artist Claude Price who often used this medium.
The church of All Saints in Thorpe Acre (a north western suburb of Loughborough) was built in 1845 to replace a ruined medieval building at nearby DIshley. This small church was designed by WIlliam Railton and consisted of a single space nave and chancel in one crowned by a bellcote at the west end. The situation changed dramatically in 1968 when the building was greatly enlarged by extensions at the west end and on the south side were a large transept was created, transforming the building into the T-shaped worship space we see today, with the focal point at the crossing point rather than the old chancel. Outside the bellcote remains but the new additions dominate the view from the west and south, leaving the former chancel as the only part of the building still substantially in its Victorian form.
The interior is a light and pleasant space thanks to the white-washed walls and the light flooding in from the modern sections. The former chancel is relatively unaltered and retains some fine glass by Kempe along with a good Arts & Crafts window and a more recent piece alongside it.
This church is something a bit different, a fusion of old and new, and I rather liked it. I imagine it is normally only open for services but the people we met here were friendly and welcoming.
www.lboro-history-heritage.org.uk/all-saints-church-thorp...
(From left) 1st Lt. Kassandra Prusko and Staff Sgt. Joseph Shank depart the flight line after executing their duties as the official greeting party upon the arrival of a U.S. Official, Aug. 5, 2018 at Joint Base Andrews, Md. The 89th Airlift Wing provides global Special Air Mission airlift, logistics, aerial port and communications for the president, vice president, cabinet members, combatant commanders and other senior military and elected leaders as tasked by the White House, Air Force chief of staff and Air Mobility Command. (U.S. Air Force Photo/Staff Sgt. Kenny Holston)
Visual projects executed by Vicenza High School students are on display near VHS teacher Lisa Balboni’s Honors 10 World History class.
This year’s Honors 10 World History class project was called The Swerve.
About 30 students working in pairs used different creative ideas to show how historical events tie into one other. The project started with Dark Ages and ended with the French Revolution, analyzing political, economic and social change from the 16th to the 18th century.
Photo by Laura Kreider, USAG Vicenza/PAO
Learn more on www.usag.vicenza.army.mil or www.facebook.com/USAGVicenza.
Grilles exécutées par Jean LAMOUR ( Nancy 1698 - Nancy 1771 ), serrurier de Stanislas Leszczynski qui utilise l’ancienne église de la Primatiale comme un vaste atelier de forge pour réaliser, en collaboration avec l’architecte Emmanuel Héré, les magnifiques grilles rehaussées d’or de la Place Stanislas à Nancy.
Memorial to ten men executed and buried in Mountjoy Prison, Dublin, by the British during the War of Independence in 1920/1921. The bodies were exhumed and reburied 80 years later.
Extract from speech by Taoiseach on the reinterrment.
These 10 young men were executed during the War of Independence. The country was under tremendous pressure at the time. There was a united effort. Meanwhile, elected by the people, Dáil Éireann was developing, in spite of a war going on. Democracy was being put to work. Independent civic institutions, including the Dáil courts, were beginning to function. Before their deaths, the ten had seen the light of freedom. They understood that Ireland would be free and independent.
The 10 men were Kevin Barry, a UCD medical student of 18, with roots in County Carlow; Thomas Whelan from Clifden; Patrick Moran from Roscommon; Patrick Doyle, Bernard Ryan, Frank Flood and Thomas Bryan all from Dublin; Thomas Traynor of Tullow; and Edmond Foley and Patrick Maher, from Galbally, County Limerick.
It is no wonder to the people of Ireland then that this day has come. Although we have difficulties of our own time, there is no fair person in this country but thinks that it is good that we bury these men with State honours here today, and indeed that it is time we did so.
The Irish State today is discharging a debt of honour that stretches back 80 years. Here in Glasnevin stand the memorials to Irish patriots of the past two centuries, statesmen, soldiers, all those who contributed in many different ways to the onward march of a nation.
Executed to perfection by Laurie, aka kanatadoggroomer. Thank You so very much, Laurie.
Precise scissoring and great envision of the "future".
Thank You to Misura's Mom for posting her pictures.
i fell in love with the clip first time I saw Misura's photo.
Grilles exécutées par Jean LAMOUR ( Nancy 1698 - Nancy 1771 ), serrurier de Stanislas Leszczynski qui utilise l’ancienne église de la Primatiale comme un vaste atelier de forge pour réaliser, en collaboration avec l’architecte Emmanuel Héré, les magnifiques grilles rehaussées d’or de la Place Stanislas à Nancy.
Random Picture of delegates during Africa Investment Forum 2018 - The Business of Sports - Executing for Success in November 2018, at Sandton Convention Centre, Johannesburg, South Africa.
Flemish, 1593-1678
c. 1645
Oil on canvas
A levade is an exercise in which the horse balances on this hindlegs with its forelegs drawn in. Here a young man executes this manoeuvre, observed by his family and the gods Mercury and Mars - suggesting the courtly and military associations of horsemanship. This is one of Jordaen's models for a set of tapestries; a scaled-up version on paper would have been used to guide the weaving. This canvas is so finely composed and finished that it transcends this function. Jordaens even returned to it later to add, at upper right, the statue of Neptune, creator of the horse, which does not appear in the tapestry.
Frame: carved wood, gilded.
Netherlands, mid 17th century
Purchased 1965 (no. 14810)
A M777A2 Howizter executes a fire mission that was part of a Fire Support Coordination Exercise at Land Forces Field Training Center June 6, 2017. Saber Strike 17 is a U.S. Army Europe-led multinational combined forces exercise conducted annually to enhance the NATO Alliance throughout the Baltic region and Poland. This year's exercise includes integrated and synchronized deterrence-oriented training designed to improve interoperability and readiness of the 20 participating nations’ militaries. (U.S. Army photo by Sgt. Justin Geiger)
U.S. Marines assigned to the 273rd Marine Wing Support Squadron, Air Operations Company, Fuels Platoon at Marine Corps Air Station Beaufort, S.C., execute a forward air refueling point operation with the South Carolina National Guard at McEntire Joint National Guard Base, S.C. on May 14. Elements of the South Carolina Air and Army National Guard and the U.S. Marines conduct joint operations which are crucial to the ongoing success of operational readiness and deployments around the world. (U.S. Air National Guard photo by Airman 1st Class Ashleigh S. Pavelek/Released)