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This morning (Friday 23 August) police in Rochdale executed two warrants in the Freehold neighbourhood as they continue their relentless pursuit of those intent on causing harm to the local community.
Three men aged 14 – 54, have been arrested on suspicion of conspiracy to supply class A and B drugs. They remain in police custody for questioning.
Following a thorough search of the addresses, significant quantities of class A and B drugs were found, with an estimated street sale value of £51,000. We also seized several weapons, including two samurai swords, and several items consistent with a significant drugs operation.
This is the latest activity which comes under the district’s Operation Affect, the force’s latest Clear, Hold, Build initiative. Police are systematically dismantling and disrupting organised crime in the area, by pursuing gang members and criminals to clear the area, holding the location to prevent criminals exploiting the vacuum created by the original disruption, and working with partners and Rochdale Boroughwide Housing (RBH) to build a prosperous and resilient community.
So far, the team have made 36 arrests, secured three full closure orders on nuisance properties linked to criminality, and seized large quantities of cash, drugs, and weapons.
Building on a successful community event held earlier this year, Rochdale Boroughwide Housing (RBH) are working with local residents and partners to design out crime in Freehold and rebuild a stronger community.
The overall investment is anticipated to be around £5M and will keep residents safer and improve the overall look of the local area, including providing higher quality common areas and improving the condition of the buildings.
Inspector Meena Yasin, who is leading Operation Affect, said: “Since launching this operation we’ve seen a real concerted effort to disrupt illegal drug supply in the Freehold area of Rochdale.
"From speaking with residents, we know that drug dealing, and anti-social behaviour has been a particular area of concern for them.
“The seizures this morning means we have been able to take tens of thousands of pounds worth of illicit and harmful products off our streets and dismantle a significant drugs operation which has been blighting our residents.
“Our officers remain in the area to provide a visible reassurance for residents. If you have any concerns or want to share information about suspicious behaviour in the area, please speak to them, they are there to help you.
“You know your community best, and your intelligence often forms a large and crucial park of our criminal investigations, helping us to remove criminals from the streets.”
Hayley Stockham, RBH Director of Neighbourhoods, said: "We have zero tolerance for anti-social behaviour and criminal activity in our neighbourhoods. We're very grateful to the local community for supporting our joint efforts to stamp out this behaviour.
“We will continue to work closely with our partners in the Police and at the Council, and we know that this is making a significant difference to the lives of local people. We encourage members of the community to continue to report crime and anti-social behaviour to RBH and to the Police.”
If you have any concerns about drugs in your area, let us know via our Live Chat function on our website, or by calling 101, so that we can take action.
Always dial 999 in an emergency.
Alternatively, you can report it to Crimestoppers, anonymously, on 0800 555 111.
Amera cruise ship executing a port swing departing the CLT, Liverpool to head outbound for sea
Building cost: USD 160 million
IMO: 8700280
Vessel Type - Detailed: Passenger Ship
MMSI: 311000840
Call Sign: C6EA7
Flag: Bahamas
Gross Tonnage: 39051
Summer DWT: 6150 t
Length Overall x Breadth Extreme: 204 x 32.32 m
Year Built: 24 Nov 1988
9 Passenger Decks
Registered owner: Phoenix Reisen
Ship manager/Commercial manager & ISM: Phoenix Reisen GmbH
Shipyard: Wärtsilä Marine Perno Shipyard, Turku, Finland
Yard number: 1296
Keel laying date: 20 Jan 1988
Main Engine: x4 Wärtsilä-Sulzer 8ZAL40S 4 stroke 8 cyls @ 530RPM
Engine Power kW: 21120kW
Twin screw - controllable pitch + stern thruster
x2 bow thrusters @ 1000kW each
x1 stern thruster @ 1000 kW
Speed: 22 knots max and 18 knots service speed
Capacity: 835 passengers and 440 crew
Last Refurbishment: 2019
A Regency Twenty-Four Seater Table
executed in mahogany, veneered wood with brass foot-end caps, French made
H: 30” (76 cm) L: 300 1/2” (763 cm) W: 48” (122 cm)
Opening bid: PHP 80,000
Lot 1431 of the Leon Exchange auction on April 22 to 24, 2022. Please see leonexchange.com/en/auctions and leon-gallery.com for more details.
CEA Project Logistics recently executed a project for the Nissan Motor Company which involved the transportation of factory parts with a total weight of 5,200 tons.
The factory parts arrived by ship at Laem Chabang Port and were unloaded by the vessel onto the dock below. Two CEA 50 ton cranes were then used to lift the parts on to three different types of trailer Flatbed, Lowbed and Multi Axle, this was due to the cargo being oversized and varying in weight. All cargo was secured with ratchet straps and transported to the CEA yard in Laem Chabang for two weeks storage until delivery date.
Upon delivery date the same configuration of trailers made the 82km journey to the Nissan facility in Samut Prakan. As these parts were oversized cargo CEA employed the services of the local Highway Police for a full escort to ensure safety to all road users.
Exquisitely executed stucco work in intricate designs, inset with reflecting glass pieces, decorate the interior walls and the ceiling. The Guru Granth Sahib is seated on a platform under an elongated dome covered with goldplated metal sheets. This throne was an offering from Kanvar Nau Nihal Singh. Source: Sikhiwiki
Executees, de 1452 a 1460 sans doute, pour le livre d'heures d'Etienne Chevalier, tresorier de France sous le roi Charles VII.
Copie romaine en marbre, exécutée vers 130-140 après Jésus-Christ, de la statue en bronze créée par Léocharès entre 330 et 320 avant Jésus-Christ. L’attribution de l’original à Léocharès repose sur un passage de l’Histoire naturelle de Pline l’Ancien évoquant un « Apollon au diadème » (XXXIV, 79) et sur la mention par Pausanias d’une statue d’Apollon située devant le temple d’Apollon Alexikakos à Athènes (I, 3, 4). Elle est donc assez fragile, d’autant que les sandales d’Apollon renverraient plutôt au IIIe, voire au IIe s. av. JC : mais il s’agit là peut-être d’une simple retouche du copiste romain.
On ne sait pas exactement quand ni où cette statue a été découverte. Une première copie en aurait été faite en 1498 (Venise, Ca’ d’Oro). Elle est ensuite dessinée dans les jardins du cardinal Giuliano della Rovere, futur pape Jules II, dans un recueil de croquis antérieur à 1509.
3. Winckelmann évoque la statue dès 1755 et en propose une description enthousiaste dans son Histoire de l’Art chez les Anciens (1776).
Executing a missed approach while in the runway 30 circuit
Aircraft: Royal Canadian Air Force, McDonnell Douglas CF-188 Hornet
Flight: Unknown-Comox (CYQQ), Odin 21
Greater Manchester Police Bolton executed a series of drug warrants across Bolton this morning,Thursday 15 August 2023.
This is part of the ongoing efforts to crack down on criminal activity across the borough and to maintain a visible police presence.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk
Murale exécutée en octobre 2005 par le groupe de création «Des paroles dans le vent», projet subventionné par la fondation Dr Paul David pour personnes aphasiques.
GWIM trouvé par Lloyd, bravo!
1942 Lincoln Continental Convertible
The Continental was the brainchild of Edsel Ford and the design was executed by Ford's chief stylist, Bob Gregorie. It was introduced in 1940 as an exclusive, luxurious, hand-crafted automobile for the status conscious consumer.
The 1942 Continental's front end design was a major design departure from the 1940-41 models. The model also got a larger 306cid V12 engine with 130hp which is 10 more than earlier models. 1942 is also the rarest of all Continentals; it was in production for only a few months due to the outbreak of World War Two, which resulted in a shutdown of the U.S. auto industry. Only 136 Cabriolets were built out of production that totaled only 336 units in all in the short year before civilian automobile production ended.
The early Continental was recognized by the Museum of Modern Art as one of eight automotive 'works of art' and by Time magazine as one of the top ten best-designed commercial industrial products of all time.
This very rare Cabriolet benefits from a recent thorough restoration and remains clean and kempt throughout. Painted a deep glossy blue, the interior is an attractive dark navy color that complements the tan cloth top. This low mileage example is furnished with white wall tires, matching tonneau cover, radio and heater. The 3-speed transmission is equipped with overdrive to lower engine rpm during highway driving. Recognized as a full classic by CCCA, an AACA first place winner! Here is a rare opportunity to own an absolutely gorgeous and accurately restored Continental; 1 of only 136 examples ever constructed!
* Thoroughly restored to show quality!
* Gorgeous hand-crafted styling!
* A very rare find!
From Capitolroast.com, Governor Rick Perry Executes a Teacher Firing by Duboise depicts the reality of Texas Education reform.
This morning (Friday 23 August) police in Rochdale executed two warrants in the Freehold neighbourhood as they continue their relentless pursuit of those intent on causing harm to the local community.
Three men aged 14 – 54, have been arrested on suspicion of conspiracy to supply class A and B drugs. They remain in police custody for questioning.
Following a thorough search of the addresses, significant quantities of class A and B drugs were found, with an estimated street sale value of £51,000. We also seized several weapons, including two samurai swords, and several items consistent with a significant drugs operation.
This is the latest activity which comes under the district’s Operation Affect, the force’s latest Clear, Hold, Build initiative. Police are systematically dismantling and disrupting organised crime in the area, by pursuing gang members and criminals to clear the area, holding the location to prevent criminals exploiting the vacuum created by the original disruption, and working with partners and Rochdale Boroughwide Housing (RBH) to build a prosperous and resilient community.
So far, the team have made 36 arrests, secured three full closure orders on nuisance properties linked to criminality, and seized large quantities of cash, drugs, and weapons.
Building on a successful community event held earlier this year, Rochdale Boroughwide Housing (RBH) are working with local residents and partners to design out crime in Freehold and rebuild a stronger community.
The overall investment is anticipated to be around £5M and will keep residents safer and improve the overall look of the local area, including providing higher quality common areas and improving the condition of the buildings.
Inspector Meena Yasin, who is leading Operation Affect, said: “Since launching this operation we’ve seen a real concerted effort to disrupt illegal drug supply in the Freehold area of Rochdale.
"From speaking with residents, we know that drug dealing, and anti-social behaviour has been a particular area of concern for them.
“The seizures this morning means we have been able to take tens of thousands of pounds worth of illicit and harmful products off our streets and dismantle a significant drugs operation which has been blighting our residents.
“Our officers remain in the area to provide a visible reassurance for residents. If you have any concerns or want to share information about suspicious behaviour in the area, please speak to them, they are there to help you.
“You know your community best, and your intelligence often forms a large and crucial park of our criminal investigations, helping us to remove criminals from the streets.”
Hayley Stockham, RBH Director of Neighbourhoods, said: "We have zero tolerance for anti-social behaviour and criminal activity in our neighbourhoods. We're very grateful to the local community for supporting our joint efforts to stamp out this behaviour.
“We will continue to work closely with our partners in the Police and at the Council, and we know that this is making a significant difference to the lives of local people. We encourage members of the community to continue to report crime and anti-social behaviour to RBH and to the Police.”
If you have any concerns about drugs in your area, let us know via our Live Chat function on our website, or by calling 101, so that we can take action.
Always dial 999 in an emergency.
Alternatively, you can report it to Crimestoppers, anonymously, on 0800 555 111.
Ruthin is a market town and community in Denbighshire, Wales, in the south of the Vale of Clwyd. It is Denbighshire's county town. The town, castle and St Peter's Square lie on a hill, skirted by villages such as Pwllglas and Rhewl. The name comes from the Welsh rhudd (red) and din (fort), after the colour of sandstone bedrock, from which the castle was built in 1277–1284 The Old Mill, Ruthin, is nearby. Maen Huail, a registered ancient monument attributed to the brother of Gildas and King Arthur, stands in St Peter's Square.
The population at the 2001 census was 5,218, of whom 47 per cent were male and 53 per cent female. The average age was 43.0 years and 98.2 per cent were white. According to the 2011 census, the population had risen to 5,461. 68 per cent of which were born in Wales and 25 per cent in England. Welsh speakers account for 42 per cent of the town's population. The community includes the village of Llanfwrog.
There is evidence of Celtic and later Roman settlements in the area. However, little is known of the history of the town before the construction of Ruthin Castle was started in 1277 by Dafydd, the brother of prince Llywelyn ap Gruffudd. However, he forfeited the castle when he rebelled against King Edward I with his brother; Edward's queen, Eleanor, was in residence in 1281. The original name was Castell Coch yng Ngwern-fôr (Red Castle in the Sea Swamps). The Marcher Lord, Reginald de Grey, Justiciar of Chester, was given the Cantref (an administrative district) of Deffrencloyt (Dyffryn Clwyd, the Welsh for Vale of Clwyd), and his family ran the area for the next 226 years. The third Baron de Grey's land dispute with Owain Glyndŵr triggered Glyndŵr's rebellion against King Henry IV, which began on 16 September 1400, when Glyndŵr burned Ruthin to the ground, reputedly leaving only the castle and a few other buildings standing.
The Lord de Grey established a Collegiate Church in 1310. Now the Collegiate and Parish Church of St Peter, it dominates the Ruthin skyline. It has a double nave and boasts two medieval carved roofs. These days it is known for its musical tradition. It has a large choir of children and adults and a four-manual Wadsworth-Willis organ. Behind the church can be seen the old college buildings, school and Christ's Hospital.
A Ruthin native, Sir Thomas Exmewe was Lord Mayor of the City of London in 1517–1518.
The half-timbered Old Court House (built in 1401), on the square, features the remains of a gibbet last used to execute a Franciscan priest, Charles Meehan, also known as Mahoney. He was shipwrecked on the Welsh coast at a time when Catholicism was equated with treason – Meehan was hanged, drawn, and quartered in 1679. He was beatified by Pope John Paul II in 1987 as one of the Eighty-five martyrs of England and Wales.
During the English Civil War, the castle survived an eleven-week siege, after which it was demolished by order of Parliament. It was rebuilt in the 19th century as a country house, which has now been turned into the Ruthin Castle Hotel. From 1826 until 1921 the castle was the home of the Cornwallis-West family, members of Victorian and Edwardian high society.
In its 18th-century heyday as a town on drovers' routes from Wales into England, Ruthin was reputed to have "a pub for every week of the year". By 2007, however, there were only eleven pubs in the town. The public records of 23 October 1891 show 31 such establishments serving a population of 3,186; most have been converted into housing or shops. The Ruthin Union Workhouse was built in 1834.
The first copies of the Welsh national anthem, Hen Wlad Fy Nhadau, were printed in what is now the Siop Nain tea and gift shop on Well Street.
In 1863 the Denbigh, Ruthin and Corwen Railway, which linked in Denbigh with the Vale of Clwyd Railway (later part of the London and North Western Railway, the London, Midland and Scottish Railway, and British Rail) reached the town. The route ran from Rhyl along the north coast through Denbigh and Ruthin to Corwen, before joining a route from Ruabon through Llangollen, Corwen and Bala to Barmouth. The railway and Ruthin railway station closed in 1963 under the Beeching Axe. The site of the station is now occupied by a large road roundabout (Brieg Roundabout) and the Ruthin Craft Centre, which opened in 1982, but was rebuilt and reopened in 2008.
Ruthin hosted the National Eisteddfod in 1868 and 1973. The Urdd National Eisteddfod visited Ruthin in 1992 and 2006.
The town's principal school is Ysgol Brynhyfryd (Brynhyfryd School), a comprehensive school for 11 to 18 year olds. Its Grade II listed building was built about 1830 as the home of local solicitor, before becoming in 1898 Ruthin County School for Girls. (The town's boys travelled five miles by train to Denbigh High School.) The school went co-educational in 1938, with feeder junior schools up to around six miles away. Building work in the 1950s and the early 1970s increased the number of pupils from 700 to 1000 in a few years, as the minimum school-leaving age rose from 15 to 16). In 2001–2002 the listed building became the Sixth Form Centre. The school's sports facilities, including the swimming pool, are used as the town's Leisure Centre. It also features a theatre and arts complex, Theatr John Ambrose, named after a headmaster of the school in the 1980s and 1990s. This was opened by the actor Rhys Ifans, a former pupil of Ysgol Pentrecelyn and Ysgol Maes Garmon in Mold, but brought up in Ruthin.
In 1574 Gabriel Goodman re-founded Ruthin School which was founded in 1284, making it one of the oldest private schools in the United Kingdom. In 1590, Goodman established Christ's Hospital for 12 poor persons around St Peter's Church on the square, and was Dean of Westminster for 40 years (1561–1601). Ruthin School is now a co-educational boarding and day school, with 227 pupils overall, 145 of them boarders in 2014. In September 2013, the school bought Ye Old Anchor, after its closure as a hotel in November 2012, and converted it into a boarding house for 30 upper sixth-form students.
Ruthin has daytime bus services on Mondays to Saturdays, with the last bus on most routes leaving between 5.30 and 7.30 pm. There is no service on Sundays or public holidays.[11] Routes serving Ruthin are Stagecoach 1 and 2 to Mold (1 via Llanarmon and Llanferres, 2 via Llanarmon, Graianrhyd, and Erryrys), X1 runs three times a day to Chester via Llanferres and Mold – frequency of the buses to Mold varies throughout the day between 30 minutes and 2 hours. Route X51 by Arriva runs basically hourly between Rhyl, St Asaph, Denbigh, Ruthin, and Wrexham (Rhyl bus station is next to the railway station, providing Ruthin's most convenient access to the national rail network, while Wrexham railway station is a short distance from its bus station.) Route 55, by Llew Jones Coaches, operates to Corwen at intervals of 50–135 minutes through the day, with three buses extended to Llangollen, and two of these via Llangollen to Wrexham. Route 76, by M & H Coaches, runs six times a day between Denbigh and Ruthin via Llandyrnog, Llangynhafal, and Llanbedr DC; two of these also serve Llanfair DC, Graigfechan, and Pentrecelyn. Less regular services include a weekly route 71 on Fridays between Corwen, Cerrigydrudion, Ruthin, and Morrisons' supermarket in Denbigh, and route 72 on Mondays, Wednesdays, and Fridays for Cyffylliog, Clocaenog, Bontuchel, Betws Gwerfil Goch, Melin-y-Wig, Derwen, and Clawddnewydd. Ruthin town has route 73, operating three buses a day around Ruthin on Mondays, Wednesdays and Fridays.
The Ruthin railway line and station closed in the 1960s. They had connected Ruthin to Denbigh and Rhyl to the north and Corwen to the south.
In 1858, it was intended to extend the Vale of Clwyd line from Denbigh to Ruthin, running alongside the race-course in the town park (now Parc-y Dre housing) to the Station Hotel. However the West family prevented the line crossing the Castle Park towards Corwen. The route was diverted to the north alongside the road to Wrexham and the Station Hotel renamed the Park Place Hotel. Opposite Station Road lies Railway Terrace, a row of Grade II listed buildings, built in 1864 with evidence of trains running in a cutting in front. The first sod was cut in September 1860 by Mrs Florence West, with an inaugural service starting on St David's Day 1862. To mark this, a song was composed with words by T. Ab Gwilym, music by B. Williams and published by Isaac Clarke. The line ran 6.75 miles (10.9 km), with stations at Rhewl and Llanrhaiadr.
The local football club is Ruthin Town. In rugby union, Clwb Rygbi Rhuthun/Ruthin RFC has several teams: 1st XV, 2nd XV, 3rd XV, Youth, Juniors & Women's XV.
On 13 June 1981, Ruthin hosted the Annual General Meeting of the International Football Association Board, the body which determines the laws of football.
Facilities at Ruthin Leisure Centre on Mold Road include a swimming pool, sports hall and fitness suite. Llanfwrog Community Centre on Mwrog Street provides tennis courts, a golf driving range and bowling greens.
The first House of Correction, or Bridewell, was built at the bottom of Clwyd Street, next to the river, in 1654, to replace the Old Court House, where able-bodied idlers and the unemployed were sent to work. Following John Howard's investigations into prison conditions the Denbighshire justices resolved to build a new model prison in Ruthin on the site of the old Bridewell. Work began in January 1775. In 1802 the prison had four cells for prisoners and nine rooms for debtors. By 1837 it could hold 37 inmates. The Prisons Act of 1865 set new standards for the design of prisons – as the Ruthin County Gaol did not meet the standards, plans were drawn up for a new four-storey wing. The new prison for up to 100 prisoners was built in the style of London's Pentonville Prison at a cost of £12,000. On 1 April 1878 the Ruthin County Gaol became HM Prison Ruthin, covering the counties of Denbighshire, Flintshire, and Merionethshire. As far as is known, only one person was ever executed in the prison: William Hughes of Denbigh, aged 42, who was hanged on 17 February 1903 for the murder of his wife, his plea of insanity having failed. Another prison personality was John Jones, known as Coch Bach y Bala – who was a kleptomaniac and poacher who had spent more than half his 60 years in all the prisons of north Wales and many in England; he twice escaped from Ruthin Gaol, first on 30 November 1879 when he walked out of prison with three others while the staff were having supper – a £5 reward was offered for his capture, which happened on the following 3 January. On 30 September 1913 he tunnelled out of his cell and using a rope made out of his bedding he climbed over the roof of the chapel and kitchen and got over the wall; after seven days living rough on the Nantclwyd Estate several miles away, Jones was shot in the leg by one of his pursuers, 19-year-old Reginald Jones-Bateman. Jones died of shock and blood loss, while Jones-Bateman was charged with manslaughter, though the charges were subsequently dropped.
Ruthin Gaol ceased to be a prison in 1916, when the prisoners and guards were transferred to Shrewsbury. The County Council bought the buildings in 1926 and used them for offices, the county archives and the town library. During the Second World War they were used as a munitions factory. They were then returned to the County Council and became the headquarters of the Denbighshire Library Service. In 2004 the Gaol was renovated and reopened as a museum.[15]
Most Haunted: Midsummer Murders filmed the series' fifth episode in Ruthin, where the team investigated a Victorian Era murder. Locations included the Old Gaol and the town library.
The Craft Centre had ten studios occupied by crafters who could be watched while they worked at glass blowing, ceramic manufacture, painting, furniture restoration, etc. The original Craft Centre was demolished early in 2007, and a new Craft Centre opened in July 2008 in a £4.3 million scheme, which contains six craft workshops, larger galleries and an expanded craft retail gallery, two residency studios, an education space and a tourist information centre, and a restaurant.
Nantclwyd y Dre (previously known as Tŷ Nantclwyd), in Castle Street, was built about 1435 by a local merchant Gronw ap Madoc. The building was sold to the county council in 1982, restored from 2004, and opened to the public in 2007. It contains seven rooms which have been restored to represent various periods in the building's history. Visitors can also observe a colony of Lesser horseshoe bats in the attic rooms.
Behind the house are two gardens, the 13th-century inner garden and the outer Lord's Garden, itself believed to have been part of a 13th-century developed castle garden. Restored in the 18th century, Lord's Garden is now itself Grade II listed. In December 2013, the council successfully applied for a grant of £177,600 from the Heritage Lottery Fund, which will see Lord's Garden restored and opened to the public by 2015.
This is Ruthin's main park area, which includes a children's play area, a lake, walks and picnic area. A skate park was built in 2007 and a zip wire and trim trail added later. The River Clwyd runs through the park.
Gŵyl Rhuthun Festival was founded in 1994 and has been held annually since 1996. The festival is a week filled with events and performances held in various locations around the town, beginning with Ruthin Carnival. The pinnacle of the festival is the Top of Town event held on Ruthin’s historic town square on the last Saturday of the week.
According to the historian Peter Smith, "Until the 18th century most towns in Wales had many black-and-white houses (such as Tŷ Nantclwyd y Dre). Ruthin is the only example we have left. It should be carefully conserved, as the last memory we have of these towns." Seven Eyes is a Grade II* listed building of some importance, situated in St Peter's Square.
St Peter's Church is the parish church of Ruthin. It is in the diocese of St Asaph. Parts are as old as 1282.
The Myddleton Arms is also known as the Seven Eyes. It is said to have been built in the 14th century. The Dutch style design, long, steeped roof is attributed to Sir Richard Clough, an Elizabethan merchant. It has four tiers of dormer windows, each at a different elevation, known locally as the seven eyes of Ruthin. The property was acquired in 1595 by Sir Hugh Myddleton, who provided London with it first fresh water supply. The view of The Myddleton on the square is in fact of the rear of the building. The front looks out over the Clwydian Hills.
Formerly a confectionery and bakery shop rented by Thomas Trehearne, the property was owned by the Castle estate. The property also served as a chemist's shop and later as Dick's boot store. On 1 May 1898, Harris Jones took a lease of the property for 21 years as a draper, hosier, glover and dressmaker; he also sold oilcloths, linoleum and other floor coverings. The shop and house were put up for sale in the 1913 by the castle estate along with the Castle Hotel and the Myddleton Arms, which were purchased by William Owen. His lease expired in 1919 with Jones transferring to what is now Gayla House, where he converted the ground floor from residential to retail premises in 1923. The premises are now owned by the HSBC Bank.
Formerly the Beehive, this served for 75 years as general drapery and millinery shop. The exact date of the building is not known, but remains of timber framing with wattle and daub indicate that the building is very old. An advertisement claimed the building had been built before 1397. The main section of the building was demolished to make way for the bank. Ruthin Court Rolls refer to a man named Telemann in Ruthin and to a house "in the high St." The rolls record that in 1397, Howell de Rowell passed it on to John Le Sergant. Little is known of the family – possibly a retainer of Edward 1st or Reginald de Grey, probably of Norman French descent. On 24 February, Sergant transferred the tenancy to his daughter Sibilia. The property passed to the Exmewe family by the marriage of Sibilia to Richard Exmewe, their son Thomas being Lord Mayor of London in 1517. Little is known of Exmewe family.
Thomas moved to London, deciding to sell his Ruthin Estate of Exmewe House to a fellow mercer, Edward Goodman. Exmewe House or Nant Clwyd-y-Dre may have been the birthplace of Gabriel Goodman, as the family had connections with both properties.
Details of the next 200 years are unclear. It became the King's Arms in the occupation of John Price. It then became the Queen's Arms (during the reign of Queen Anne, 1702–1714). The property was purchased for £300 on 5 November 1718 by Robert Myddleton of Chirk. The property served as a chemist's through the 19th century until 1913. It was then sold as part of the Castle Estate sales in 1913/1919, for £1275 to Mr Lecomber, who in turn sold it to Barclays Bank, which modernised it to what can be seen today.
Now trading as the Celtic Hair Studio at 2 Well Street. Originally a public house, it was reputedly built in 1401, making it the oldest pub in Ruthin. Lewis Jones, in his 1884 "Handbook For Ruthin and the Vicinity", stated that the old property, formerly the Ruth Inn, had been adapted as a post office some 25 years before. It ceased trading in 1773. In 1850, the building was converted into a drapery, then becoming the town post office again until 1904.
The site of the present post office may have been a medieval Carmelite priory of White Friars, said to have been founded and built by Reginald de Grey and partly destroyed by the Reformation. De Grey also provided a large piece of land close to the castle known as Whitefriars. During the 1860s and 1870s the site housed the Queen's Head public house and a horse-feed chandler; both buildings were destroyed by a 1904 fire; the new post office was built in 1906.
Located at 33, 35 and 37 Clwyd Street opposite the gaol and now a florist, it was originally the Red Lion public house. In 1824 the hangman, Sam Burrows, was staying at the Red Lion on the night before the execution of John Connor, a highway robber. He gave a detailed demonstration of how he actually hanged a man, unfortunately the stool was accidentally kicked away and Burrows almost hanged himself. The public house ceased trading in 1905.
Now flats, the Royal Oak is one of the finest buildings in Ruthin, having three cruck frames, it is a Grade II* listed building.
At No. 65 Clwyd Street, this Grade II* listed building retains much of the medieval timber frame internally, the oak for which was felled in 1455 and 1456. Its original purpose is unknown, although it has a medieval arched doorway facing towards the 13th-century mill, and a 15th-century solar (private living quarters) with an open roof with cusped windbraces. It is said to have been converted for domestic use in 1586 and occupied by the Moyle family. A two-storey porch with glazed windows (previously described as a balcony) and internal timber panelling was added, possibly in 1655 when further alterations were made. The building was extensively altered in the 19th century, being converted partly into a shop. Porth y Dŵr originally formed a single building with No. 67 Clwyd Street (listed Grade II), and adjoined the medieval west gate to the town, which was demolished in 1786.
All buildings on Castle Street are listed by Cadw. These are the earliest settlements outside the walls of the castle. Some have burgage plots at the back, established by de Grey in 1283. The plots and linear arrangement have barely changed since their foundation.
While there were residential properties at the castle end of the street, commercial properties appeared at the end close to St Peters Square. The one exception was the pub Yr Iwerddon at No. 15. The house retains a name referring to its connection with Irish drovers attending markets and fairs.
Other establishments of interest include No. 1, now Boots, formerly the Raven Inn, which in 1560 may have been the birthplace of Bishop Richard Parry, pupil and master (1584) of Ruthin School. He was involved with Dean Gabriel Goodman and others in translating the Bible and prayer book into Welsh. The main contributor was Bishop William Morgan, but Parry's revision in 1620 became the accepted authorised version.
The Ruthin Royal Bowling Green used the Raven as their headquarters until the Cornwallis-Wests came to live in Ruthin Castle. The club met at the Raven for its annual and quarterly meetings. When competitions took place, the staff of the Raven would take "cwrw da" (good beer) to the players. With the arrival of the Wests, the bowling green laid out inside the curtilage of the castle forced the club to find an alternative green. The option accepted was the rear of No. 8 Castle Street "Gorphwysfa", then called the Constitutional Club, later renamed the Conservative Club.
No. 2. The Wine Vaults with a six-column Tuscan colonnade were 'known as the Black Horse in the 1820s. This is verified by the Welsh Office survey.
No. 7. Sir John Trevor House served as Totty's the Lawyers in the 1700s, later as an antique shop and tea shop, and finally as a private residence offering bed and breakfast accommodation. Sir John Trevor was Speaker of the House of Commons from 1690 to 1695, when he was dismissed for embezzlement. He was the only Speaker forced to resign, until the forced departure of Michael Martin on 19 May 2009.
"Gorphwysfa" was part of the Castle estate until sold off its owners in 1919. The Rifle Volunteer Corps founded in 1859 stored its armoury at the house until a drill hall was built in Borthyn in 1885. The property became the Conservative Club in November 1885.
No. 9, known as "Corwen", held the offices of Phillips the Attorney. It is now a private residence.
No. 11, Ardwyn, is a private residence on three storeys, formerly the offices of the attorneys Smarts.
No. 12, Plas-yn-Dre, cannot be dated accurately. It was rebuilt in 1823, as recorded by a stone above the front door. It housed the North and South Wales Bank. L. G. Thomas, prime mover in the founding the Presbyterian Church in Wynnstay Road in 1886, was bank manager and lived here.
Nos 16 and 18 are wooden-framed buildings with a 19th-century frontage. They formed part of the Castle estate sales of 1913 and 1919. They probably represent the first use of stucco in Ruthin.
The Old County Hall, now Ruthin Library, is a Grade II Listed Building in Record Street, originally named Stryd y Chwain (Welsh for Flea Street) due to its very low standard of living. The inferior housing was demolished to make way for the county court and much grander houses between 1785 and 1788. The present name reflects the storing of records from the assizes and shire hall. In 1860 it became the county court, with a portico added at that time. It served as an assize court and housed its records until the 1970s. The library opened in the early 1990s.
The police station is a Grade II listed building of 1890. Before it was built, the original one was housed in Ruthin Gaol. The new one gave convenient access to the courts. It contains four cells, which are no longer used, and a much reduced number of police officers.
Castle Mews, a Grade II listed building is now a shopping precinct. It dates back to the 15th century, with examples of wattle and daub just inside the building on the right hand side. Remodeled in the early 19th century, it became the Cross Keys coaching inn serving the Ruthin to Chester route, with a change of horses in Mold. It later became a temperance commercial hotel and was home to one of the three Ruthin Friendly Societies: groups of male workers of similar background who contributed small amounts on a weekly basis for insurance against injury and old age. At a later date it was the offices of Ruthin Rural District Council.
Nos 10 and 12, a late 18th-century family town house, is Grade II listed. It retained its late Georgian character until converted into today's boutique hotel and art gallery. The cellars are said to have been built of stone from Ruthin Castle. The building has had many uses: as a boarding house for Ruthin School until 1893, a doctors home, a family home, whose most famous resident was Cynthia Lennon, wife of John Lennon while their son Julian attended Ruthin School, a restaurant from the 1930s and a hotel. Today's hotel architecture and art have won several awards.
The Wynnstay Hotel And Wayfarer Wool Shop, two separate buildings, were once connected by an archway, through which coaches and horses entered to the rear of the properties, where there were stables. The present Wayfarers shop is shown in the title deeds as an outbuilding consisting of "an old saddle room, l with a room over and Gentleman's Convenience".
The Wynnstay Hotel, now a private house, is first recorded in 1549 and known for many years as the Cross Foxes, which formed the heraldic arms of the Wynnstay family, which originated from Wrexham. Its members boasted they could travel from Chester to the Llŷn Peninsula without once leaving their own land. It was an important coaching inn for Ruthin to Denbigh travellers and served the Ruthin, Mold and Chester Royal Mail service. The pub in its heyday had a bowling green and tennis courts, and a central porch demolished in 1969.
Plas Coch (also known as the Conservative Club) is a Grade II listed building of medieval origin and a former 17th-century town house. It was rebuilt in 1613 using red sandstone from the castle and became home to the castle Constable. The building has two storeys with attics and four large windows on each floor. In 1963 it became a banqueting hall owned by Rees Jones, who used to trade at the village hall in Llanfair. It became the Conservative Club in 1977, and having been slightly altered, now offers all-round function facilities.
The Spread Eagle recalls the coat-of-arms of the Goodwin family. Formerly an inn, records show it traded only from 1792 to 1915, after which it became a temperance hotel, then a retail shop.
Rose Cottage is a privately owned residence and a Grade II* listed building on the corner of Rhos Street and Haulfryn. It is listed as an "exceptional survival of a medieval cruck-framed hall-house of relatively low status, retaining its plan-form, character and detail".
Situated in the Corwen Road just past Ruthin Castle, Scott House was built 1933 to house the nursing staff of Duff House Sanatorium, which acquired Ruthin Castle and 475 acres (192 ha) of land for their private clinic in April 1923. The Grade II listed building set in landscaped grounds was later divided into flats.
Ruthin Town Hall is located in Market Street. It was designed by J. W. Poundley and D. Walker in the High Victorian Gothic style and completed in 1865.
Notable people
Ida de Grey (1368 in Ruthin Castle – 1426), a Cambro-Norman noblewoman
Sir Thomas Exmewe (ca.1454–1529), Lord Mayor of London 1517–18
Gabriel Goodman (1528–1601), Dean of Westminster, re-founded Ruthin School
Godfrey Goodman (1582/3 – 1656), Anglican Bishop of Gloucester.
Lloyd Kenyon, 1st Baron Kenyon (1732–1802), politician and barrister, went to Ruthin School.
Joseph Ablett (1773–1848), philanthropist, purchased Llanbedr Hall in Llanbedr Dyffryn Clwyd
Dorothea Eliza Smith (1804–1864), a botanical artist noted for painting South American fruit.
Daisy, Princess of Pless (1873 in Ruthin Castle – 1943), society beauty, wife of Prince Hans Heinrich XV von Hochberg
Wynn Edwards (1842–1900), American farmer and politician
Stanley J. Weyman (1855–1928), English novelist, lived in Ruthin for 33 years and died there.
Sir Henry Haydn Jones MP (1863–1950), politician, slate quarry owner, and owner of the Talyllyn Railway
Władysław Raczkiewicz (1885–1947), the first president of the Polish government in exile, died at Ruthin Castle.
Hafina Clwyd (1936–2011), journalist, town councillor, then mayor of Ruthin (2008–2009)
Cynthia Lennon (1939–2015), first wife of John Lennon, settled in Ruthin. Her son, musician Julian Lennon (born 1963) attended Ruthin School.
Robin Llwyd ab Owain (born 1959), author, poet, and Wikipedian, lives in Ruthin.
Rhys Meirion (born 1966), English National Opera classical tenor; taught near Ruthin
Actors Rhys Ifans (born 1967) and his brother Llŷr Ifans (born 1968) come from Ruthin.
Seren Gibson (born 1988), glamour model, attended Ysgol Brynhyfryd.
Sport
Eric Jones, 2019
John Challen (1863–1937), amateur sportsman, played first-class cricket and football
Charles Foweraker (1877–1950), football manager of Bolton Wanderers F.C. from 1919 to 1944
Eric Jones (born 1935), climber, skydiver and BASE jumper.
Doug Dailey MBE (born 1944), racing cyclist
Tom Pryce (1949–1977), Formula One racing driver
Eifion Lewis-Roberts (born 1981), rugby union player for Ruthin RFC, lives in Llanbedr Dyffryn Clwyd.
Rob Higgitt (born 1981), Scarlets rugby union centre, a former resident.
Neil Taylor (born 1989), footballer with 338 club caps and 43 for Wales, attended Ysgol Brynhyfryd.
Ruthin is situated on the River Clwyd, at the point where it enters the low-lying pastures of the Vale of Clwyd. The Clwydian Range lies to the east and the Clocaenog Forest and Denbigh Moors to the west.
By road, Ruthin is 8 miles (13 km) south-east of Denbigh, 12 miles (19 km) north of Corwen, 10 miles (16 km) west of Mold and 14 miles (23 km) east of Cerrigydrudion.
The nearest major urban centres are Wrexham at 17 miles (27 km), Rhyl at 18 miles (29 km), Chester at 23 miles (37 km) and Liverpool at 34 miles (55 km) to the north-east. Ruthin is skirted by villages such as Llanbedr Dyffryn Clwyd, Pwllglas and Rhewl.
Denbighshire is a county in the north-east of Wales. It borders the Irish Sea to the north, Flintshire to the east, Wrexham to the southeast, Powys to the south, and Gwynedd and Conwy to the west. Rhyl is the largest town, and Ruthin is the administrative centre. Its borders differ from the historic county of the same name.
Denbighshire has an area of 326 square miles (840 km2) and a population of 95,800, making it sparsely populated. The most populous area is the coast, where Rhyl (25,149) and Prestatyn (19,085) form a single built-up area with a population of 46,267. The next-largest towns are Denbigh (8,986), Ruthin (5,461), and Rhuddlan (3,709). St Asaph (3,355) is a city. All of these settlements are in the northern half of the county; the south is even less densely populated, and the only towns are Corwen (2,325) and Llangollen (3,658).
The geography of Denbighshire is defined by the broad valley of the River Clwyd, which is surrounded by rolling hills on all sides except the north, where it reaches the coast. The Vale of Clwyd, the lower valley, is given over to crops, while cattle and sheep graze the uplands. The Clwydian Range in the east is part of the Clwydian Range and Dee Valley Area of Outstanding Natural Beauty.
This part of Wales contains the country's oldest known evidence of habitation – Pontnewydd (Bontnewydd-Llanelwy) Palaeolithic site has Neanderthal remains of some 225,000 years ago. The county is also home to several medieval castles, including Castell Dinas Brân, Denbigh, and Rhuddlan, as well as St Asaph Cathedral. Llangollen International Musical Eisteddfod takes place in the town each July.
The main area was formed on 1 April 1996 under the Local Government (Wales) Act 1994, from various parts of the county of Clwyd. It includes the district of Rhuddlan (formed in 1974 entirely from Flintshire), the communities of Trefnant and Cefn Meiriadog from the district of Colwyn (entirely Denbighshire) and most of the Glyndŵr district. The last includes the former Edeyrnion Rural District, part of the administrative county of Merionethshire before 1974, covering the parishes of Betws Gwerfil Goch, Corwen, Gwyddelwern, Llangar, Llandrillo yn Edeirnion and Llansanffraid.
Other principal areas including part of historical Denbighshire are Conwy, which picked up the remainder of 1974–1996 Colwyn, the Denbighshire parts of 1974–1996 Aberconwy, and Wrexham, which corresponds to the pre-1974 borough of Wrexham along with most of Wrexham Rural District and several parishes of Glyndŵr. Post-1996 Powys includes the historically Denbighshire parishes of Llanrhaeadr-ym-Mochnant, Llansilin and Llangedwyn, which formed part of Glyndŵr district.
Researchers have found signs that Denbighshire was inhabited at least 225,000 years ago. Bontnewydd Palaeolithic site is one of the most significant in Britain. Hominid remains of probable Neanderthals have been found, along with stone tools from the later Middle Pleistocene.
In 2021 February, archaeologists from Aeon Archaeology announced a discovery of over 300 Stone Age tools and artifacts in Rhuddlan. They revealed scrapers, microliths, flakes of chert (a hard, fine-grained, sedimentary rock composed of microcrystalline or cryptocrystalline quartz), flints and other rudimentary tools. An expert, Richard Cooke, believes the lithic remains belonged to ancient peoples, who while passing through the area, made camp by the river more than 9,000 years ago.
The eastern edge of Denbighshire follows the ridge of the Clwydian Range, with a steep escarpment to the west and a high point at Moel Famau (1,820 ft (555 m)), which with the upper Dee Valley forms an Area of Outstanding Natural Beauty, the Clwydian Range and Dee Valley – one of just five in the Wales. The Denbigh Moors (Mynydd Hiraethog) are in the west of the county and the Berwyn Range adjacent to the southern edge. The River Clwyd has a broad fertile Vale running from south–north in the centre of the county. There is a narrow coastal plain in the north which much residential and holiday-trade development. The highest point in the historic county was Cadair Berwyn at 832 m or 2,730 ft), but the boundary changes since 1974 make Cadair Berwyn North Top the highest point. Denbighshire borders the present-day principal areas of Gwynedd, Conwy County Borough, Flintshire, Wrexham County Borough, and Powys.
Rhyl and Prestatyn form a single built-up area in the north of the county, with a population of 46,267. They are immediately adjacent to the Kinmel Bay and Abergele built-up area in neighbouring Conwy, and at the eastern end of series of coastal resorts which that also includes Colwyn Bay and Llandudno further west.
According to the 2021 United Kingdom census, Denbighshire's population was approximately 95,800. According to previous censuses, the population of Denbighshire was 93,734 in 2011 and 93,065 in 2001. The largest towns on the coast are Rhyl (2001 population c. 25,000) and Prestatyn (2001 population c. 18,000). According to the 2011 Census returns, 24.6 per cent stated they could speak Welsh.
Since the 20th-century demise of the coal and steel industries in the Wrexham area, there is no heavy industry in the county. Although most towns have small industrial parks or estates for light industry, the economy is based on agriculture and tourism. Much of the working population is employed in the service sector. The uplands support sheep and beef cattle rearing, while in the Vale of Clwyd dairy farming and wheat and barley crops predominate. Many towns have livestock markets and farming supports farm machinery merchants, vets, feed merchants, contractors and other ancillaries. With their incomes on the decline, farmers have found opportunities in tourism, rural crafts, specialist food shops, farmers' markets and value-added food products.
The upland areas with their sheep farms and small, stone-walled fields are attractive to visitors. Redundant farm buildings are often converted into self-catering accommodation, while many farmhouses supply bed and breakfast. The travel trade began with the arrival of the coast railway in the mid-19th century, opening up the area to Merseyside. This led to a boom in seaside guest houses. More recently, caravan sites and holiday villages have thrived and ownership of holiday homes increased. Initiatives to boost the economy of North Wales continue, including redevelopment of the Rhyl seafront and funfair.
The North Wales Coast Line running from Crewe to Holyhead is served by Transport for Wales and Avanti West Coast services. Trains leaving Crewe to pass through Chester, cross the River Dee into Wales, and continue through Flint, Shotton, Holywell Junction (closed in 1966), Prestatyn, Rhyl, and stations to Bangor and Holyhead, which has a ferry service to Ireland.
There are no motorways in Denbighshire. The A55 dual carriageway runs from Chester through St Asaph to the North Wales coast at Abergele, then parallel to the railway through Conwy and Bangor to Holyhead. The A548 run from Chester to Abergele through Deeside and along the coast, before leaving the coast and terminating at Llanrwst. The main road from London, the A5, passes north-westwards through Llangollen, Corwen and Betws-y-Coed to join the A55 and terminate at Bangor. The A543 crosses the Denbigh Moors from south-east to north-west, and the A525 links Ruthin with St Asaph.
There are local bus services between the main towns. Several services by Arriva Buses Wales run along the main coast road between Chester and Holyhead, linking the coastal resorts. Another route links Rhyl to Denbigh.
Denbighshire is represented in the House of Commons by three MPs. The Welsh Labour Party lost to the Welsh Conservatives in the 2019 general election for the first time.
The following MPs were elected from Denbighshire in 2019:
Simon Baynes (Welsh Conservatives) in Clwyd South, first elected in 2019.
David Jones (Welsh Conservatives) in Clwyd West, first elected in 2005.
James Davies (Welsh Conservatives) in Vale of Clwyd, first elected in 2019.
Denbighshire is also represented in the Senedd by three members elected in 2021:
Ken Skates (Welsh Labour) in Clwyd South, first elected in 2011
Darren Millar (Welsh Conservatives) in Clwyd West, first elected in 2007
Gareth Davies (Welsh Conservatives) in Vale of Clwyd, first elected in 2021.
In 2019, research by UnHerd in association with the pollster FocalData showed that most people across the county support the British monarchy.
Nurse Edith Cavell was executed by German forces during WWI as she had aided British POWs to escape.
There was great diplomatic efforts to have her death sentence commuted or delayed, but to no avail.
She was shot by eight soldiers, and in time, her body was repatriated, the wagon her body was carried from Dover is the same used for the body of the Unknown Soldier.
The luggage wagon usually rests at Bodiham on the Kent and East Sussex Railway, but for November it has been brought back to the former Dover Marine station.
I got tickets, so after lunch we would visit, not just to see the wagon and pay our respects, but the station is now a cruise terminal, and is rarely open to the public, and it had been a decade or so since my last visit.
I slept late, late enough so that Jools driving off to yoga woke me up at ten past six. Outside rain was bouncing down, and there was the bins to do.
I got up and put them out, dodging the raindrops, and back inside to make a coffee.
With rain expected all day, other than doing to the station after lunch, not much else planned, whilst Jools had her craft and gossip morning at the village library.
Jools came back from yoga as I was finishing my coffee, so I made breakfast giving her an hour before she had to leave again.
I listened to podcasts and watched videos for the morning, not much else to do, really.
Sadly, we had what we thought was the plumber coming to fix the overflow, but instead Craig came to touch up some paint in the toilet.
So Jools stayed home and I drove down to the Western Docks, over the flyover, past the former Lord Warden Hotel, then round to where lines from London entered Dover Marine, forming a large flat crossing in a tangle of lines.
You can still see how the lines used to curve west to join the main line to Folkestone, but is now concreted over, as are the tracks between the platforms, so to create a large flat parking area for cruisers.
I showed my ticket, and walked up through the central arch along what was the path of platforms 2 and three, past the former station buildings and under the footbridge.
At the far end there was the wagon, so I walked up, showed my ticket again, had my name ticked off, and went to look inside.
Inside there is a coffin, a replica of the one that brought the body of the unknown soldier back from France, and on the walls there were information boards on the only three bodies to be brought back from the war.
I exited it, took shots all around it, then walked to the war memorial, which is a splendid thing, and should be more accessible.
And I was done.
I thanked the volunteers and walked out, getting shots of the walkway linking the former hotel with the station and the Admiralty pier before taking shelter from the rain in the car and driving home.
I had been gone all of 40 minutes.
Once back I began to cook dinner/lunch: chicken pie, roast potatoes, steamed leeks, sprouts and spring greens, gravy and shop bought Yorkshire puddings.
It was all done by four, by which time Craig had done two coats of paint and had left.
I poured a beer and a cider, then dished up, the potatoes lovely and crunchy, without being burnt.
I won the music quiz at six, which was nice, then after washing up I settled down to watch Northern Ireland play in Slovakia.
A poor game, ended 1-0 to the home side, but Northern Ireland go to the play-offs anyway.
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Edith Louisa Cavell (/ˈkævəl/ KAV-əl; 4 December 1865 – 12 October 1915) was a British nurse. She is celebrated for treating wounded soldiers from both sides without discrimination during the First World War and for helping some 200 Allied soldiers escape from German-occupied Belgium. Cavell was arrested, court-martialled under German military law and sentenced to death by firing squad. Despite international pressure for mercy, the German government refused to commute her sentence, and she was shot. The execution received worldwide condemnation and extensive press coverage.
The night before her execution, she said, "Patriotism is not enough. I must have no hatred or bitterness towards anyone". These words were inscribed on the Edith Cavell Memorial[1] opposite the entrance to the National Portrait Gallery near Trafalgar Square. Her strong Anglican beliefs propelled her to help all those who needed it, including both German and Allied soldiers. She was quoted as saying, "I can't stop while there are lives to be saved."[2] The Church of England commemorates her in its Calendar of Saints on 12 October.
Cavell, who was 49 at the time of her execution, was already notable as a pioneer of modern nursing in Belgium.
In November 1914, after the German occupation of Brussels, Cavell began sheltering British soldiers and funnelling them out of occupied Belgium to the neutral Netherlands. Wounded British and French soldiers as well as Belgian and French civilians of military age were hidden from the Germans and provided with false papers by Prince Réginald de Croÿ at his château of Bellignies near Mons. From there, they were conducted by various guides to the houses of Cavell, Louis Séverin, and others in Brussels, where their hosts would furnish them with money to reach the Dutch frontier, and provide them with guides obtained through Philippe Baucq.[18] This placed Cavell in violation of German military law.[4][19] German authorities became increasingly suspicious of the nurse's actions, which were further fuelled by her outspokenness.
The night before her execution, Cavell told the Reverend H. Stirling Gahan, the Anglican chaplain of Christ Church Brussels, who had been allowed to see her and to give her Holy Communion, "I am thankful to have had these ten weeks of quiet to get ready. Now I have had them and have been kindly treated here. I expected my sentence and I believe it was just. Standing as I do in view of God and Eternity, I realise that patriotism is not enough, I must have no hatred or bitterness towards anyone."[30][31] These words are inscribed on her statues in London and in Melbourne, Australia.[32][33] Cavell's final words to the German Lutheran prison chaplain, Paul Le Seur, were recorded as, "Ask Father Gahan to tell my loved ones later on that my soul, as I believe, is safe, and that I am glad to die for my country.
en.wikipedia.org/wiki/Edith_Cavell
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Situated on Admiralty Pier for connection to ships, this was constructed on an expanded pier by SECR, finished in 1914, began to be used on 2 February 1915 but was not available for public use until 18 January 1919; in the meantime it had been renamed Dover Marine on 5 December 1918. It was a large terminus with four platforms covered by a full roof. Platforms were extended to take 12-car trains in February 1959.[6] It was renamed again to Dover Western Docks on 14 May 1979, and was closed by British Rail on 26 September 1994[1] with the demise of boat trains and the opening of the Channel Tunnel. It has since been turned into a cruise-liner terminal.[7]
Work on the new train ferry pier at the station suffered damage worth £300,000 during the Great storm of 1987.[8]
Regie voor Maritiem Transport used to run ferries until 1994 from here to Oostende railway station which connected into Belgian railway line 50A run by NMBS. There was a fast ferry service using the Jetfoil as well as conventional ferries.
The Southern Railway opened a large locomotive depot at the site in 1928. This was closed in 1961 and demolished.
THE ROAD MENDERS
Vincent van Gogh
( 1889 )
Vincent van Gogh painted two versions of The Road Menders in 1889. The first variant, the final work of many outdoor scenes of that year, was executed in plein air, and the Phillips version, which followed shortly thereafter, was created in the studio. Both works depict the repaving a street in Saint-Rémy known at the time as the Cours de l’Est. The scene captivated the artist on one of several excursions from the Asylum of Saint-Paul-de-Mausole during the fall and winter of 1889-90. The theme of workers in the landscape had been a prevalent motif of van Gogh’s paintings executed in Holland.
On December 7, van Gogh wrote to his brother Theo in Paris, describing a first version: “The last study I have done is a view of the village, where they were at work – under some enormous plane trees – repairing the pavements. So there are heaps of sand, stones and gigantic trunks – the leaves yellowing and here and there you get a glimpse of a house front and small figures.” The Phillips version, which van Gogh called “a copy,” followed most likely in mid-December. On January 3, 1890, van Gogh referred to both paintings in a list that accompanied a shipment of paintings sent to Theo: “The big plane trees – the chief street or boulevard of Saint-Rémy, study from nature – I have a copy which is perhaps more finished here.” Duncan Phillips ranked the version he acquired as “among the best van Gogh’s.”
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Van Gogh Repetitions takes a fresh look at the artistic process of Vincent van Gogh (1853–1890). While recognized for the intensity and speed with which he painted, the artist could also work with careful deliberation, creating numerous versions of some of his most famous subjects. The first exhibition in Phillips Collection history devoted to the artist, Van Gogh Repetitions goes beneath the surface of some of his best-known paintings to examine how and why he repeated certain compositions during his 10-year career, inviting viewers to look more closely than ever before at van Gogh’s celebrated works.
Featuring 35 paintings and works on paper and examples of 13 repetitions, the exhibition is the first to focus on van Gogh’s “repetitions”—a term the artist used to describe his practice of creating more than one version of a particular subject. He often began by sketching a person or landscape rapidly from life. Back in the studio, he would repeat the subject, reworking and refining his idea on a fresh canvas, in some cases many times, to extract the essence of a motif.
Van Gogh Repetitions is inspired by The Road Menders (1889) in The Phillips Collection and a painting of the same subject, The Large Plane Trees (1889), in The Cleveland Museum of Art. The exhibition reunites the two masterpieces—never before seen together in Washington—and invites deep, focused study of the similarities and differences between them, revealing some surprising facts about van Gogh’s process and motivation. Changes among repetitions are also explored in van Gogh’s series of portraits of his friend Joseph Roulin and Roulin’s family. The exhibition also highlights the artist’s practice of repeating work by other artists, including Paul Gauguin. Created in significant locales in the Netherlands and in France, including Paris, Arles, Saint-Rémy, and Auvers, the works in the exhibition reveal the vitality and persistence of this method across van Gogh’s career.
The exhibition brings together portraits and landscapes from some of the world’s most renowned collections, including The Museum of Modern Art, New York; Museum of Fine Arts, Boston; Philadelphia Museum of Art; The Art Institute of Chicago; Kröller-Müller Museum, Otterlo; and the Van Gogh Museum, Amsterdam. Masterpieces from the Musée d’Orsay, Paris, including The Bedroom at Arles (1889), are also showcased alongside paintings from the Phillips’s permanent collection by artists van Gogh admired, including Gauguin, Honoré Daumier, and Rembrandt van Rijn, to create a richer, more meaningful picture of his personal life and artistic production.
Curator and Conservator’s Notes
Chief Curator Eliza Rathbone and Head Conservator Elizabeth Steele discuss their research into van Gogh’s process.
ER: In 2005 the Phillips’s Road Menders was studied beside The Large Plane Trees at The Cleveland Museum of Art. Their conservators and curators undertook detailed technical examinations on the two works to better understand van Gogh’s process of creating repetitions.
ES: The surfaces of the paintings were studied using a stereo binocular microscope. X-radiographs were made of each work to detect differences in the application of paint. Infrared images were analyzed for signs of tracing or other duplication methods. This in-depth study, paired with direct comparison of the two works side by side, made a convincing case as to which painting was created on site and which was the repetition. The brushwork in The Large Plane Trees is fluid; there are signs that van Gogh reworked certain passages and that he added the figures and other details, such as the lamppost, on top of a completed landscape. The brushwork in The Road Menders is more controlled; the layout of the composition appears pre-planned, with places left in reserve on the canvas for most of the elements. The spontaneity found in the Cleveland painting pointed to it being the first rendition, while the more controlled execution in the Phillips’s street scene designates it as the repetition.
ER: These fascinating results led me to propose an exhibition that would bring these two works—and other van Gogh repetitions—together. Over the course of five years, our team of curators and conservators traveled widely—to museums in the Netherlands, Paris, Rome, New York, Boston, Chicago, Detroit, and Philadelphia, and collections from California to Switzerland—studying works that are in the exhibition, as well as related works that could not travel.
ES: We meticulously examined over 50 paintings in 23 museums, in total studying 18 instances of repetitions. We reviewed the records and studied the x-radiographs and infrared images for each picture, spending countless hours peering through microscopes, searching for signs that would elucidate the artist’s process.
ER: Because each work has its own individual history, this was the only way to glean the kind of precise facts we needed to draw upon for our research. It was thrilling to see van Gogh’s brushstrokes magnified, and to see the edges of his paintings that had been hidden behind the frames, revealing the original brilliant colors.
www.phillipscollection.org/event/2013-10-11-van-gogh-repe...
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Founded by art collector and philanthropist Duncan Phillips in 1921, The Phillips Collection has been collecting modern and contemporary art for over one hundred years. Duncan Phillips’s former home—and additions to it—in Washington’s historic Dupont Circle neighborhood provides a unique setting for the growing collection of over 6,000 works. Following Phillips’s unconventional approach to exhibitions, The Phillips Collection galleries are frequently rearranged to facilitate new conversations between artworks and fresh experiences for visitors.
HISTORY
“Sorrow all but overwhelmed me,” Duncan Phillips wrote. “Then I turned to my love of painting for the will to live.”
Duncan Phillips (1886-1966) was the son of Major Duncan Clinch Phillips, a Pittsburgh businessman and Civil War veteran, and Eliza Laughlin Phillips, whose father was a banker and co-founder of Jones and Laughlin Steel Company. The family moved to Washington, DC, in winter 1895-96.
Duncan was close to his older brother, Jim; Jim postponed attending college for two years so that he and Duncan could attend Yale University together. The brothers moved from DC to an apartment in New York in 1914. Duncan wrote extensively on art and published his first book, The Enchantment of Art, in 1914. Duncan’s passion for art was fueled by trips to Europe in 1911 and 1912 and visits to the Corcoran Gallery of Art in Washington and the Metropolitan Museum of Art, along with friendships in New York with artists Augustus Vincent Tack, who became a lifelong friend, and American impressionist painter Julian Alden Weir. In 1916 the brothers convinced their parents to set aside $10,000 annually to allow them to assemble a collection of contemporary American painting for the family.
Soon after, tragedy struck the Phillips family. Major Duncan Phillips died suddenly in 1917 from a heart condition and James died from the flu epidemic in 1918. To cope with these stunning blows, Duncan turned to the restorative quality of art. “Sorrow all but overwhelmed me,” he later wrote. “Then I turned to my love of painting for the will to live.” He and his mother founded the museum in late 1918. It was originally called the Phillips Memorial Art Gallery, and opened it to the public in fall of 1921. In a specially designed room added onto the second floor of the family home, they showed selections from their growing 237-work collection that now included examples by European artists, reflecting Duncan Phillips’s pioneering idea of creating a museum in the nation’s capital where one could encounter the art of the past and the present on equal terms. As the collection grew, the family moved out of their Dupont Circle home to a new residence in 1930, allowing the entire house to become a dedicated space for the museum.
Duncan Phillips married painter Marjorie Acker (1894-1985) in 1921, shortly before the museum opened, and she became his partner in developing The Phillips Collection. Born in Bourbon, Indiana, and raised in New York State, she was encouraged by her uncles―painters Gifford and Reynolds Beal―to pursue art; she studied at the Art Students League in New York City. Duncan and Marjorie met at an exhibition of his collection at The Century Club in New York in late 1920. After they were married, Marjorie painted almost every morning, ran the household, and served as Associate Director of the museum. She helped him gain insight into the artist’s process, and over the course of their lifetime together they collected nearly 2,500 works of art. When Duncan died in 1966, Marjorie became the museum director, continuing to develop close relationships with artists and the artistic community of DC. She held that position for six years.
From the outset, the vision for The Phillips Collection was “an intimate museum combined with an experiment station.” As a collector, Duncan Phillips was noted for his willingness to deviate from the art museum standard of displaying works together based on shared nationality and geography, interpreting modernism as a dialogue between past and present. He collected the work of his contemporaries at a time when art that did not follow traditional, academic standards was not widely accepted as aesthetically and culturally valuable. This philosophy of taking risks allowed for Phillips to be the first to collect and exhibit artists who were not well known at the time, such as Milton Avery, Pierre Bonnard, Georges Braque, Jacob Lawrence, Grandma Moses, Georgia O’Keeffe, and Rufino Tamayo.
www.flickr.com/photos/ugardener/54812157486/in/dateposted/
www.youtube.com/@PhillipsArtMuseum
www.cntraveler.com/activities/washington/phillips-collection
....
Soldiers from the 120th Regional Support Group trained this week in executing warrior tasks and battle drills at Plymouth Training Site in Plymouth, Maine. This training is a refresher course to keep soldiers battle ready and prepared for any task that may face them in a combat zone. “It’s important for everyone to do Army warrior tasks regardless of their MOS or unit, because you’ll never know what type of situation you’ll find yourself in.” said Sgt. 1st Class Nate McCray, the assistant operations noncommissioned officer for the 120th RSG. (Maine Army National Guard photo by Spc. Jarod Dye.)
St Albans claims to be the earliest site of Christian pilgrimage in England, being named after our first martyr, who was executed at some point in the 3rd century AD (when the city was still known by its Roman name, Verulanium) having sheltered a persecuted Christian priest, St Amphibalus, and been impressed by his faith, offering himself for arrest in his place. Both men were buried here and Alban's tomb was venerated and marked in some form long before the present cathedral was built.
The cathedral is nonetheless one of the most ancient of our major churches, though its cathedral status dates only to 1877 when the new diocese of St Albans was formed. The church was originally founded as St Alban's Abbey, and built close to the presumed site of Alban's martyrdom. Founded in 793 by King Offa, the abbey was rebuilt several times with the earliest parts of the present cathedral dating back to the late 11th century. Much use was made of recycled material from the abandoned Roman city of Verulanium, and the handsome Romanesque tower appears to be entirely constructed of reused Roman bricks. The Abbey was built on an impressive scale, and must have once been a very wealthy institution owing to pilgrimages to the shrine of St Alban behind the high altar. However its fortunes had begun to decline even before the Reformation swept medieval monastic life away.
The abbey church miraculously survived the Dissolution in its entirety and was sold to the town for use as their parish church. The monastic buildings however were completely erased aside from the splendid Abbey Gatehouse near the west end, and only the weathered remains of arcading on the south side of the nave remains of the former cloisters. Upkeep thereafter seems to have been a serious challenge and the huge church spent much of the following centuries in poor repair, thus much work was done by a succession of architects in the Victorian period prior to the abbey church being raised to the status of cathedral. The most obvious interventions are those made by Edmund Beckett / Lord Grimthorpe, an amateur architect who paid for much of the work in the 1870s in return for a free hand in redesigning parts of the building. His are the strange turrets on ends of the transepts, along with their facade windows below and the west front, which is clearly a Victorian confection, though the medieval facade it replaced had been left in a rather bare, unfinished state.
The cathedral we see today is thus a rather surprising mixture of styles and materials, everything from Roman brick, flint and rubble to fine white limestone., which gives it a rather patchy appearance. Its great length however is remarkable, being the second longest medieval church in the country (only Winchester is longer, but St Albans has a longer nave). The oldest parts are the towers and transepts from the end of the 11th century, along with much of the north side of the nave, all fine examples of early Romanesque architecture. Most of the rest was rebuilt in the Gothic style in various phases throughout the 14th century, including the greater part of the nave and all of the choir and Lady Chapel (though the east end was heavily renewed externally in the Victorian restoration).
Entering the cathedral one cannot fail to be impressed by the enormous length of the nave,, mostly of late 13th and early 14th century date aside from the strikingly austere north arcade in the more easterly section, where the raw unadorned early Norman architecture contrasts dramatically with the more ornate Gothic arcade opposite. The Norman columns have the added appeal of retaining substantial remains of medieval mural decoration, with a succession of Crucifixion scenes that may have originally served as reredos to long vanished side altars. The medieval pulpitum screen remains and separates the eastern bays for use as the choir beyond it. This area also retains its flat late medieval wooden ceiling complete with painted panels of angels holding shields.
The transepts and crossing beneath the tower form an especially memorable interior space, again the architecture is of the more raw, auster Norman variety, but the tower arches are enlivened with painted decoration simulating brickwork and much Roman and Saxon material is incorporated in to the transepts. Beyond is the fully Gothic eastern limb with the presbytery covered by a handsome medieval wooden vault, again replete it medieval painted decoration, and the striking altar reredos, a towering late medieval screen populated with elaborate niches and statuary (the latter being Victorian replacements for originals long lost). Behind this is the re-assembled shrine of St Alban (along with that of St Amphibalus in the south choir aisle nearby). The Lady Chapel beyond is a handsome example of 14th century Decorated Gothic, though much restored following centuries of use as a schoolroom separated from the rest of the church.
There is much of interest to see in the cathedral, though most of the furnishings are Victorian (the originals having long vanished) and there are few monuments of note aside from the two late medieval chantry chapels of Abbot Ramryge and Humphrey Duke of Gloucester, the latter overlooking the shrine of St Alban and balanced by a 15th century wooden watching loft on the opposite side (a rare survival). There is a mixture of glass, the most notable pieces being the most recent additions in the south aisle and north transept rose window. The best features are the unusually extensive remnants of medieval mural painting in various parts of the church, a quite remarkable survival, making a thorough exploration of this cathedral all the more rewarding.
This was my third visit, and longest one, though my attempt at a fuller photographic record was severely compromised by accidents with my camera, which at one point fell from my tripod onto the stone floor in one of the chantry chapels. I was lucky it survived at all given the dreadful crash it made, but it was seriously affected and my photos were very hit and miss from that point onwards. My day however ended on a happier note, returning in the evening to attend a lovely performance of Mozart's Requiem, and the acoustics in there are indeed impressive.
For more about the cathedral see below.
The 10th Mountain Division (LI) Sustainment Brigade executes a Change of Responsiblity ceremony at Fort Drum's Wheeler-Sack Army Airfield on Friday, October 19. The brigade bade farewell to Command Sgt. Maj. Octavia Greaves-Egyinam, who served as the brigade's senior NCO for two years, and welcomed incoming Command Sgt. Maj. Roy Young.
Nurse Edith Cavell was executed by German forces during WWI as she had aided British POWs to escape.
There was great diplomatic efforts to have her death sentence commuted or delayed, but to no avail.
She was shot by eight soldiers, and in time, her body was repatriated, the wagon her body was carried from Dover is the same used for the body of the Unknown Soldier.
The luggage wagon usually rests at Bodiham on the Kent and East Sussex Railway, but for November it has been brought back to the former Dover Marine station.
I got tickets, so after lunch we would visit, not just to see the wagon and pay our respects, but the station is now a cruise terminal, and is rarely open to the public, and it had been a decade or so since my last visit.
I slept late, late enough so that Jools driving off to yoga woke me up at ten past six. Outside rain was bouncing down, and there was the bins to do.
I got up and put them out, dodging the raindrops, and back inside to make a coffee.
With rain expected all day, other than doing to the station after lunch, not much else planned, whilst Jools had her craft and gossip morning at the village library.
Jools came back from yoga as I was finishing my coffee, so I made breakfast giving her an hour before she had to leave again.
I listened to podcasts and watched videos for the morning, not much else to do, really.
Sadly, we had what we thought was the plumber coming to fix the overflow, but instead Craig came to touch up some paint in the toilet.
So Jools stayed home and I drove down to the Western Docks, over the flyover, past the former Lord Warden Hotel, then round to where lines from London entered Dover Marine, forming a large flat crossing in a tangle of lines.
You can still see how the lines used to curve west to join the main line to Folkestone, but is now concreted over, as are the tracks between the platforms, so to create a large flat parking area for cruisers.
I showed my ticket, and walked up through the central arch along what was the path of platforms 2 and three, past the former station buildings and under the footbridge.
At the far end there was the wagon, so I walked up, showed my ticket again, had my name ticked off, and went to look inside.
Inside there is a coffin, a replica of the one that brought the body of the unknown soldier back from France, and on the walls there were information boards on the only three bodies to be brought back from the war.
I exited it, took shots all around it, then walked to the war memorial, which is a splendid thing, and should be more accessible.
And I was done.
I thanked the volunteers and walked out, getting shots of the walkway linking the former hotel with the station and the Admiralty pier before taking shelter from the rain in the car and driving home.
I had been gone all of 40 minutes.
Once back I began to cook dinner/lunch: chicken pie, roast potatoes, steamed leeks, sprouts and spring greens, gravy and shop bought Yorkshire puddings.
It was all done by four, by which time Craig had done two coats of paint and had left.
I poured a beer and a cider, then dished up, the potatoes lovely and crunchy, without being burnt.
I won the music quiz at six, which was nice, then after washing up I settled down to watch Northern Ireland play in Slovakia.
A poor game, ended 1-0 to the home side, but Northern Ireland go to the play-offs anyway.
----------------------------------------------------------------------------------------
Edith Louisa Cavell (/ˈkævəl/ KAV-əl; 4 December 1865 – 12 October 1915) was a British nurse. She is celebrated for treating wounded soldiers from both sides without discrimination during the First World War and for helping some 200 Allied soldiers escape from German-occupied Belgium. Cavell was arrested, court-martialled under German military law and sentenced to death by firing squad. Despite international pressure for mercy, the German government refused to commute her sentence, and she was shot. The execution received worldwide condemnation and extensive press coverage.
The night before her execution, she said, "Patriotism is not enough. I must have no hatred or bitterness towards anyone". These words were inscribed on the Edith Cavell Memorial[1] opposite the entrance to the National Portrait Gallery near Trafalgar Square. Her strong Anglican beliefs propelled her to help all those who needed it, including both German and Allied soldiers. She was quoted as saying, "I can't stop while there are lives to be saved."[2] The Church of England commemorates her in its Calendar of Saints on 12 October.
Cavell, who was 49 at the time of her execution, was already notable as a pioneer of modern nursing in Belgium.
In November 1914, after the German occupation of Brussels, Cavell began sheltering British soldiers and funnelling them out of occupied Belgium to the neutral Netherlands. Wounded British and French soldiers as well as Belgian and French civilians of military age were hidden from the Germans and provided with false papers by Prince Réginald de Croÿ at his château of Bellignies near Mons. From there, they were conducted by various guides to the houses of Cavell, Louis Séverin, and others in Brussels, where their hosts would furnish them with money to reach the Dutch frontier, and provide them with guides obtained through Philippe Baucq.[18] This placed Cavell in violation of German military law.[4][19] German authorities became increasingly suspicious of the nurse's actions, which were further fuelled by her outspokenness.
The night before her execution, Cavell told the Reverend H. Stirling Gahan, the Anglican chaplain of Christ Church Brussels, who had been allowed to see her and to give her Holy Communion, "I am thankful to have had these ten weeks of quiet to get ready. Now I have had them and have been kindly treated here. I expected my sentence and I believe it was just. Standing as I do in view of God and Eternity, I realise that patriotism is not enough, I must have no hatred or bitterness towards anyone."[30][31] These words are inscribed on her statues in London and in Melbourne, Australia.[32][33] Cavell's final words to the German Lutheran prison chaplain, Paul Le Seur, were recorded as, "Ask Father Gahan to tell my loved ones later on that my soul, as I believe, is safe, and that I am glad to die for my country.
en.wikipedia.org/wiki/Edith_Cavell
----------------------------------------------------------------------------------------
Situated on Admiralty Pier for connection to ships, this was constructed on an expanded pier by SECR, finished in 1914, began to be used on 2 February 1915 but was not available for public use until 18 January 1919; in the meantime it had been renamed Dover Marine on 5 December 1918. It was a large terminus with four platforms covered by a full roof. Platforms were extended to take 12-car trains in February 1959.[6] It was renamed again to Dover Western Docks on 14 May 1979, and was closed by British Rail on 26 September 1994[1] with the demise of boat trains and the opening of the Channel Tunnel. It has since been turned into a cruise-liner terminal.[7]
Work on the new train ferry pier at the station suffered damage worth £300,000 during the Great storm of 1987.[8]
Regie voor Maritiem Transport used to run ferries until 1994 from here to Oostende railway station which connected into Belgian railway line 50A run by NMBS. There was a fast ferry service using the Jetfoil as well as conventional ferries.
The Southern Railway opened a large locomotive depot at the site in 1928. This was closed in 1961 and demolished.
Nurse Edith Cavell was executed by German forces during WWI as she had aided British POWs to escape.
There was great diplomatic efforts to have her death sentence commuted or delayed, but to no avail.
She was shot by eight soldiers, and in time, her body was repatriated, the wagon her body was carried from Dover is the same used for the body of the Unknown Soldier.
The luggage wagon usually rests at Bodiham on the Kent and East Sussex Railway, but for November it has been brought back to the former Dover Marine station.
I got tickets, so after lunch we would visit, not just to see the wagon and pay our respects, but the station is now a cruise terminal, and is rarely open to the public, and it had been a decade or so since my last visit.
I slept late, late enough so that Jools driving off to yoga woke me up at ten past six. Outside rain was bouncing down, and there was the bins to do.
I got up and put them out, dodging the raindrops, and back inside to make a coffee.
With rain expected all day, other than doing to the station after lunch, not much else planned, whilst Jools had her craft and gossip morning at the village library.
Jools came back from yoga as I was finishing my coffee, so I made breakfast giving her an hour before she had to leave again.
I listened to podcasts and watched videos for the morning, not much else to do, really.
Sadly, we had what we thought was the plumber coming to fix the overflow, but instead Craig came to touch up some paint in the toilet.
So Jools stayed home and I drove down to the Western Docks, over the flyover, past the former Lord Warden Hotel, then round to where lines from London entered Dover Marine, forming a large flat crossing in a tangle of lines.
You can still see how the lines used to curve west to join the main line to Folkestone, but is now concreted over, as are the tracks between the platforms, so to create a large flat parking area for cruisers.
I showed my ticket, and walked up through the central arch along what was the path of platforms 2 and three, past the former station buildings and under the footbridge.
At the far end there was the wagon, so I walked up, showed my ticket again, had my name ticked off, and went to look inside.
Inside there is a coffin, a replica of the one that brought the body of the unknown soldier back from France, and on the walls there were information boards on the only three bodies to be brought back from the war.
I exited it, took shots all around it, then walked to the war memorial, which is a splendid thing, and should be more accessible.
And I was done.
I thanked the volunteers and walked out, getting shots of the walkway linking the former hotel with the station and the Admiralty pier before taking shelter from the rain in the car and driving home.
I had been gone all of 40 minutes.
Once back I began to cook dinner/lunch: chicken pie, roast potatoes, steamed leeks, sprouts and spring greens, gravy and shop bought Yorkshire puddings.
It was all done by four, by which time Craig had done two coats of paint and had left.
I poured a beer and a cider, then dished up, the potatoes lovely and crunchy, without being burnt.
I won the music quiz at six, which was nice, then after washing up I settled down to watch Northern Ireland play in Slovakia.
A poor game, ended 1-0 to the home side, but Northern Ireland go to the play-offs anyway.
----------------------------------------------------------------------------------------
Edith Louisa Cavell (/ˈkævəl/ KAV-əl; 4 December 1865 – 12 October 1915) was a British nurse. She is celebrated for treating wounded soldiers from both sides without discrimination during the First World War and for helping some 200 Allied soldiers escape from German-occupied Belgium. Cavell was arrested, court-martialled under German military law and sentenced to death by firing squad. Despite international pressure for mercy, the German government refused to commute her sentence, and she was shot. The execution received worldwide condemnation and extensive press coverage.
The night before her execution, she said, "Patriotism is not enough. I must have no hatred or bitterness towards anyone". These words were inscribed on the Edith Cavell Memorial[1] opposite the entrance to the National Portrait Gallery near Trafalgar Square. Her strong Anglican beliefs propelled her to help all those who needed it, including both German and Allied soldiers. She was quoted as saying, "I can't stop while there are lives to be saved."[2] The Church of England commemorates her in its Calendar of Saints on 12 October.
Cavell, who was 49 at the time of her execution, was already notable as a pioneer of modern nursing in Belgium.
In November 1914, after the German occupation of Brussels, Cavell began sheltering British soldiers and funnelling them out of occupied Belgium to the neutral Netherlands. Wounded British and French soldiers as well as Belgian and French civilians of military age were hidden from the Germans and provided with false papers by Prince Réginald de Croÿ at his château of Bellignies near Mons. From there, they were conducted by various guides to the houses of Cavell, Louis Séverin, and others in Brussels, where their hosts would furnish them with money to reach the Dutch frontier, and provide them with guides obtained through Philippe Baucq.[18] This placed Cavell in violation of German military law.[4][19] German authorities became increasingly suspicious of the nurse's actions, which were further fuelled by her outspokenness.
The night before her execution, Cavell told the Reverend H. Stirling Gahan, the Anglican chaplain of Christ Church Brussels, who had been allowed to see her and to give her Holy Communion, "I am thankful to have had these ten weeks of quiet to get ready. Now I have had them and have been kindly treated here. I expected my sentence and I believe it was just. Standing as I do in view of God and Eternity, I realise that patriotism is not enough, I must have no hatred or bitterness towards anyone."[30][31] These words are inscribed on her statues in London and in Melbourne, Australia.[32][33] Cavell's final words to the German Lutheran prison chaplain, Paul Le Seur, were recorded as, "Ask Father Gahan to tell my loved ones later on that my soul, as I believe, is safe, and that I am glad to die for my country.
en.wikipedia.org/wiki/Edith_Cavell
----------------------------------------------------------------------------------------
Situated on Admiralty Pier for connection to ships, this was constructed on an expanded pier by SECR, finished in 1914, began to be used on 2 February 1915 but was not available for public use until 18 January 1919; in the meantime it had been renamed Dover Marine on 5 December 1918. It was a large terminus with four platforms covered by a full roof. Platforms were extended to take 12-car trains in February 1959.[6] It was renamed again to Dover Western Docks on 14 May 1979, and was closed by British Rail on 26 September 1994[1] with the demise of boat trains and the opening of the Channel Tunnel. It has since been turned into a cruise-liner terminal.[7]
Work on the new train ferry pier at the station suffered damage worth £300,000 during the Great storm of 1987.[8]
Regie voor Maritiem Transport used to run ferries until 1994 from here to Oostende railway station which connected into Belgian railway line 50A run by NMBS. There was a fast ferry service using the Jetfoil as well as conventional ferries.
The Southern Railway opened a large locomotive depot at the site in 1928. This was closed in 1961 and demolished.
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Hawk One and the Snowbirds execute a tight turn in formation.
Japan ISIS executed by a journalist Kenji Goto grieving. In the hands of the banner in a group in front of the Prime minister's office, terror cursed. The country within a week, two terror sacrifice of shaking. Beginning of his first speech in his mother Goto your emotions moved to tears while expressing: “the absence of war, children, victims of war and poverty are not going to be fighting in a dream world. Here you are, with the support of his legacy alive for, I promise.” The government is Sunday morning, immediately gathered. Very sorry to be a Prime minister Shinzo Abe, in a press release, “the price we pay for”. ISIS, the journalist's freedom in Jordan, the prisoner said she did er-risavi he wanted the return of the. The organization then Risavi held hostage to the Jordanian pilot Muaz al-kesasibe of the wearer. Jordan goto statement that strongly condemned the execution of the pilot hostage effort to save his life will be emphasized.
East stained glass window designed and executed by John Hayward for the re-consecration of the church on 8th August 1964 after the disastrous fire of 1961
The bottom section tells the story of the Shrine of Our Lady of Walsingham re-founded by vicar, Father Alfred Hope Patten in 1932.
The central panel (left) recalls the good news of the Annunciation to Our Lady in her home in Nazareth. This was at the heart of Lady Richeldis de Fervaques' vision and inspired her to build a replica of the Holy House in Walsingham, with the to the right Lady Richeldis is shown kneeling beside St Edward the Confessor.
The extreme left hand panel shows the great importance of Walsingham as a place of pilgrimage for many English Kings. This procession, starting with Richard the Lionheart includes Henry III, Edward I, II and III, Henry IV and VI, ended abruptly with Henry VIII who, though a regular pilgrim here allowed the Shrine and all other centres of pilgrimage to be destroyed with the dissolution of the monasteries. The figure of Henry VIII is shown at the bottom of this panel with the flaming Holy House in his hands.
In the right of the centre panel, amongst the flaming ruins, the new Shrine emerges with Father Hope Patten kneeling at its entrance. - Church of St Mary & All Saints, Little Walsingham Norfolk
Nurse Edith Cavell was executed by German forces during WWI as she had aided British POWs to escape.
There was great diplomatic efforts to have her death sentence commuted or delayed, but to no avail.
She was shot by eight soldiers, and in time, her body was repatriated, the wagon her body was carried from Dover is the same used for the body of the Unknown Soldier.
The luggage wagon usually rests at Bodiham on the Kent and East Sussex Railway, but for November it has been brought back to the former Dover Marine station.
I got tickets, so after lunch we would visit, not just to see the wagon and pay our respects, but the station is now a cruise terminal, and is rarely open to the public, and it had been a decade or so since my last visit.
I slept late, late enough so that Jools driving off to yoga woke me up at ten past six. Outside rain was bouncing down, and there was the bins to do.
I got up and put them out, dodging the raindrops, and back inside to make a coffee.
With rain expected all day, other than doing to the station after lunch, not much else planned, whilst Jools had her craft and gossip morning at the village library.
Jools came back from yoga as I was finishing my coffee, so I made breakfast giving her an hour before she had to leave again.
I listened to podcasts and watched videos for the morning, not much else to do, really.
Sadly, we had what we thought was the plumber coming to fix the overflow, but instead Craig came to touch up some paint in the toilet.
So Jools stayed home and I drove down to the Western Docks, over the flyover, past the former Lord Warden Hotel, then round to where lines from London entered Dover Marine, forming a large flat crossing in a tangle of lines.
You can still see how the lines used to curve west to join the main line to Folkestone, but is now concreted over, as are the tracks between the platforms, so to create a large flat parking area for cruisers.
I showed my ticket, and walked up through the central arch along what was the path of platforms 2 and three, past the former station buildings and under the footbridge.
At the far end there was the wagon, so I walked up, showed my ticket again, had my name ticked off, and went to look inside.
Inside there is a coffin, a replica of the one that brought the body of the unknown soldier back from France, and on the walls there were information boards on the only three bodies to be brought back from the war.
I exited it, took shots all around it, then walked to the war memorial, which is a splendid thing, and should be more accessible.
And I was done.
I thanked the volunteers and walked out, getting shots of the walkway linking the former hotel with the station and the Admiralty pier before taking shelter from the rain in the car and driving home.
I had been gone all of 40 minutes.
Once back I began to cook dinner/lunch: chicken pie, roast potatoes, steamed leeks, sprouts and spring greens, gravy and shop bought Yorkshire puddings.
It was all done by four, by which time Craig had done two coats of paint and had left.
I poured a beer and a cider, then dished up, the potatoes lovely and crunchy, without being burnt.
I won the music quiz at six, which was nice, then after washing up I settled down to watch Northern Ireland play in Slovakia.
A poor game, ended 1-0 to the home side, but Northern Ireland go to the play-offs anyway.
----------------------------------------------------------------------------------------
Edith Louisa Cavell (/ˈkævəl/ KAV-əl; 4 December 1865 – 12 October 1915) was a British nurse. She is celebrated for treating wounded soldiers from both sides without discrimination during the First World War and for helping some 200 Allied soldiers escape from German-occupied Belgium. Cavell was arrested, court-martialled under German military law and sentenced to death by firing squad. Despite international pressure for mercy, the German government refused to commute her sentence, and she was shot. The execution received worldwide condemnation and extensive press coverage.
The night before her execution, she said, "Patriotism is not enough. I must have no hatred or bitterness towards anyone". These words were inscribed on the Edith Cavell Memorial[1] opposite the entrance to the National Portrait Gallery near Trafalgar Square. Her strong Anglican beliefs propelled her to help all those who needed it, including both German and Allied soldiers. She was quoted as saying, "I can't stop while there are lives to be saved."[2] The Church of England commemorates her in its Calendar of Saints on 12 October.
Cavell, who was 49 at the time of her execution, was already notable as a pioneer of modern nursing in Belgium.
In November 1914, after the German occupation of Brussels, Cavell began sheltering British soldiers and funnelling them out of occupied Belgium to the neutral Netherlands. Wounded British and French soldiers as well as Belgian and French civilians of military age were hidden from the Germans and provided with false papers by Prince Réginald de Croÿ at his château of Bellignies near Mons. From there, they were conducted by various guides to the houses of Cavell, Louis Séverin, and others in Brussels, where their hosts would furnish them with money to reach the Dutch frontier, and provide them with guides obtained through Philippe Baucq.[18] This placed Cavell in violation of German military law.[4][19] German authorities became increasingly suspicious of the nurse's actions, which were further fuelled by her outspokenness.
The night before her execution, Cavell told the Reverend H. Stirling Gahan, the Anglican chaplain of Christ Church Brussels, who had been allowed to see her and to give her Holy Communion, "I am thankful to have had these ten weeks of quiet to get ready. Now I have had them and have been kindly treated here. I expected my sentence and I believe it was just. Standing as I do in view of God and Eternity, I realise that patriotism is not enough, I must have no hatred or bitterness towards anyone."[30][31] These words are inscribed on her statues in London and in Melbourne, Australia.[32][33] Cavell's final words to the German Lutheran prison chaplain, Paul Le Seur, were recorded as, "Ask Father Gahan to tell my loved ones later on that my soul, as I believe, is safe, and that I am glad to die for my country.
Grilles exécutées par Jean LAMOUR ( Nancy 1698 - Nancy 1771 ), serrurier de Stanislas Leszczynski qui utilise l’ancienne église de la Primatiale comme un vaste atelier de forge pour réaliser, en collaboration avec l’architecte Emmanuel Héré, les magnifiques grilles rehaussées d’or de la Place Stanislas à Nancy.
Tuscany Florence Basilica di Santa Croce Nativity executed by the Masters of glass Murano Veneto Italy
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Arbour Hill Prison is a prison and military cemetery located in the Arbour Hill area near Heuston Station.
The military cemetery is the burial place of 14 of the executed leaders of the 1916 Easter Rising. Among those buried there are Patrick Pearse, James Connolly and Major John MacBride. The leaders were executed in Kilmainham Gaol and their bodies were transported to Arbour Hill for burial.
The graves are located under a low mound on a terrace of Wicklow granite in what was once the old prison yard. The grave site is surrounded by a limestone wall on which the names are inscribed in Irish and English. On the prison wall opposite the grave site is a plaque with the names of other people who were killed in 1916.
The prison was designed by Sir Joshua Jebb and Frederick Clarendon and opened on its present site in 1848, to house military prisoners.
The adjoining Church of the Sacred Heart, which is the prison chapel for Arbour Hill prison, is maintained by the Department of Defence. At the rear of the church lies the old cemetery, where lie the remains of British military personnel who died in the Dublin area in the 19th and early 20th century.
The church has an unusual entrance porch with stairs leading to twin galleries for visitors in the nave and transept.
A doorway beside the 1916 memorial gives access to the Irish United Nations Veterans' Association house and memorial garden.
The right hand head here is a 19th century replacement executed as a reflected copy of the original 15th century head on the left..
Traceries of the central window on the south side (as viewed from scaffolding during restoration of the chapel in 2015) glazed by the royal glazier John Prudde in 1447 with some of the most luxuriant stained glass available at the time. The angels hold pieces of medieval music manuscript (a design also used in the east window and that most likely also continued into the two westernmost windows of the chapel where sadly only fragments remain today). A few of the heads on the south side are later repairs, some Victorian but others as early as the 17th century.
The bulk of this glass was tragically lost when the chapel was attacked by Cromwellian troops in 1643 (it is possible the chapel was locked and all this was done from outside as the tombs and statuary survived undamaged). The six side windows were a complete loss below the traceries and have remained plain-glazed ever since, but the surviving figures were used to fill the large gaps left in the east window to give the patchwork display we see today.
The gorgeous Beauchamp Chapel at St Mary's, Warwick is perhaps the best preserved example of a medieval church interior in England. I have been in love with it ever since my first childhood visit, and it remains my favourite room in all England.
The chapel is rich in excellent monuments, of which the tomb of Richard Beauchamp, the chapel's founder, is the most impressive with magnificent gilt bronze sculptures, an extremely rare survival.
Equally spectacular is the delightful east window, which is filled with superb 15th century glass by John Prudde, the King's glazier. Much if it is not in situ, since Cromwell's troops wrought havoc with the glass here and the surviving figures were assembled in this window (only the outer pairs of figures in the upper row are in their original positions). The north and south windows retain original glass only in their traceries and the cusped heads of the main lights, and knowing the quality of the surviving elements makes this loss all the more grievous.
A further treasure of this chapel and a miraculous survivor of Cromwells fanatics is the statuary surrounding the east window. This unique display of almost perfectly preserved figure sculpture from the early 15th century is exquisite, and gives an answer to all those empty niches we see in so many medieval churches elsewhere in England. The medieval splendour is further echoed by the use of colour on the sculptures and vaulted ceiling, all redone in the mid 20th century but based on medieval precedents.
Members of the Indonesian Army execute the four man litter carry in a medical evacuation scenario under the supervision of U.S. counter-part Trainer/Advisor, Staff Sgt. Ronald Rios, a medic assigned to the 1st Battalion, 294th Infantry Regiment, Guam Army National Guard, as part of Garuda Shield 09, at the Infantry Training Center in Bandung, Indonesia, June 19. Garuda Shield is a two week exercise, which brings together Soldiers and Marines from nine Nations to train on the UN mandated ground-level tasks. GS09 is the latest in a continuing Series of exercises designed to promote regional peace and Security. Training will focus on peace Support Operations and Global Peace Operation Initiative Certification, a Command Post Exercise, a Field Training Exercise and Humanitarian and Civic Assistance Projects.
Amera cruise ship executing a port swing departing the CLT, Liverpool to head outbound for sea
Building cost: USD 160 million
IMO: 8700280
Vessel Type - Detailed: Passenger Ship
MMSI: 311000840
Call Sign: C6EA7
Flag: Bahamas
Gross Tonnage: 39051
Summer DWT: 6150 t
Length Overall x Breadth Extreme: 204 x 32.32 m
Year Built: 24 Nov 1988
9 Passenger Decks
Registered owner: Phoenix Reisen
Ship manager/Commercial manager & ISM: Phoenix Reisen GmbH
Shipyard: Wärtsilä Marine Perno Shipyard, Turku, Finland
Yard number: 1296
Keel laying date: 20 Jan 1988
Main Engine: x4 Wärtsilä-Sulzer 8ZAL40S 4 stroke 8 cyls @ 530RPM
Engine Power kW: 21120kW
Twin screw - controllable pitch + stern thruster
x2 bow thrusters @ 1000kW each
x1 stern thruster @ 1000 kW
Speed: 22 knots max and 18 knots service speed
Capacity: 835 passengers and 440 crew
Last Refurbishment: 2019
Coca Cola headquarters was the scene for Day 1 of the Executing Social Media Conference, Atlanta, Nov 14-16, 2007. We ate (and drank) very well!
Presenting Brahms ! Executed solely by hand and positively thrilled to immerse himself in a dramatic piano concerto. Brahms is made from fleece and fabric with a silkscreened graphic face that represents his thoughtful nature.
Measuring in at approx. 12" x 7" Brahms enjoy's classical music, particularly of the romantic era. He relishes making an expressive movement to the melodies of his favorite composers; Beethoven, Wagner, Schubert, and Strauss.
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After executing the village police chief, two “cabos” with the Helotian League drug cartel prepare to dismember the villager’s body. Staff Sgt. Daniel Rivera, left, regales his fearlessness in shooting the chief while Sgt. Joseph Parra begins to cut Spc. Aaron Villanueva in the bathtub. National Guard Soldiers with the 71st Battlefield Surveillance Battalion took on the roles of members of a drug cartel or villagers in a notional scenario during their two-week annual training at Joint Base San Antonio-Camp Bullis in June.
Ugolino and His Sons, modeled ca. 1860–61, executed in marble 1865–67
Jean-Baptiste Carpeaux (French, 1827–1875)
Dante's Divine Comedy has always enjoyed favor in the plastic arts. Ugolino, the character that galvanized peoples' fantasies and fears during the second half of the nineteenth century, appears in Canto 33 of the Inferno. This intensely Romantic sculpture derives from the passage in which Dante describes the imprisonment in 1288 and subsequent death by starvation of the Pisan count Ugolino della Gherardesca and his offspring. Carpeaux depicts the moment when Ugolino, condemned to die of starvation, yields to the temptation to devour his children and grandchildren, who cry out to him:
But when to our somber cell was thrown
A slender ray, and each face was lit
I saw in each the aspect of my own,
For very grief both of my hands I bit,
And suddenly from the floor arising they,
Thinking my hunger was the cause of it,
Exclaimed: Father eat thou of us, and stay
Our suffering: thou didst our being dress
In this sad flesh; now strip it all away.
Carpeaux's visionary composition reflects his reverence for Michelangelo, as well as his own painstaking concern with anatomical realism. Ugolino and His Sons was completed in plaster in 1861, the last year of his residence at the French Academy in Rome. A sensation in Rome, it brought Carpeaux many commissions. Upon his return to France, Ugolino was cast in bronze at the order of the French Ministry of Fine Arts and exhibited in the Paris Salon of 1863. Later it was moved to the gardens of the Tuilieries, where it was displayed as a pendant to a bronze of the Laocoön. This marble version was executed by the practitioner Bernard under Carpeaux's supervision and completed in time for the Universal Exposition at Paris in 1867. The date inscribed on the marble refers to the original plaster model's completion.