View allAll Photos Tagged Executed
There's a lot of bad was an idea can be executed. Even for good ideas. So it's not about getting good ideas.
If you use this image please give credit back by linking to bentremblay.com/en/if-only-i-had-a-good-idea
Thanks!
press to execute
a kiss, or a hanshake, for the person that can tell me what Casio model this one is!
Flight Lieutenant William Ellis Newton, VC
Date of birth: 08 June 1919
Place of birth: St Kilda, VIC
Date of death: 29 March 1943
Place of death: Salamaua Ithmus, New Guinea
William Newton was born on 8 June 1919 at St Kilda, Melbourne. He attended the Melbourne Church of England Grammar School, becoming a keen sportsman who played cricket for the Victorian second eleven. He was working in a Melbourne silk warehouse when the Second World War began and he enlisted in the RAAF on 5 February 1940.
Having been commissioned and qualified as a pilot, Newton became a flight instructor before being posted to 22 Squadron, based in Port Moresby, in May 1942. He flew 52 operations in Boston dive bombers, consistently displaying a determination to destroy his target. Fellow airmen dubbed him "the firebug", claiming that wherever Newton flew he left a fire burning behind him.
On 16 March 1943, Newton was leading an attack against Japanese positions at Salamaua in New Guinea. As he dived through heavy anti-aircraft fire his aircraft was hit, although he was able to bomb before pulling away and coaxing his badly damaged aircraft safely back to Port Moresby. Two days later he returned to Salamaua again hitting his target and again being hit by heavy ground-fire. This time Newton's aircraft caught fire but he managed to ditch the burning aircraft in the sea, about 900 metres offshore. Two of the Boston's three crew members were seen to make it ashore by other squadron members.
Newton was one of them. He was captured by the Japanese along with Flight Sergeant J. Lyon. Both men were sent to Lae where Lyon was later executed. Newton was returned to Salamaua and on 29 March 1943 he too was executed. His death became linked with that of another Australian, Len Siffleet, a special operations sergeant who had also been captured in New Guinea. A photograph of Siffleet's beheading was found by American soldiers in April 1944 and was believed for many years to have shown Newton's execution. While no photograph of his death is known to exist, the story of Newton's execution circulated in Australian newspapers after it was translated from the captured diary of a Japanese soldier who had witnessed the incident.
His fearless approach to operational flying and the manner in which he attempted to save his crew by piloting their burning aircraft as far from Japanese positions as possible earned Newton the Victoria Cross, the only such award made to a member of the RAAF in the Pacific theatre. After the war, Newton's body was located and buried in the Lae war cemetery.
Wir haben Ihren Auftrag ausgefuehrt.
We have executed your order.
Nous avons effectue votre commande.
Ihre Bestellung wurde durch unseren Fahrer geliefert.
Eine Fotographie der Blumen ist diesem Mail angehaengt oder folgt in einem separaten E-Mail gemaess den Bedingungen www.maarsen.ch/4
Your order has been delivered by our driver.
Attached you will find a photo of your bouquet or it will follow in an other e-mail. Conditions see www.maarsen.ch/4
Notre chauffeur a fait la livraison.
Veuillez trouver la photo de votre bouquet ci-dessous ou dans un prochain message electronique. Conditions voir www.maarsen.ch/4
Danke fuer Ihren Einkauf! Thank you for shopping at Maarsen's! Merci de votre confiance.
Blumen Maarsen AG
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Dekoration von Anlaessen www.maarsen.ch/deco
PS: Sie koennen Ihre E-Mail-Adresse eintragen, um sporadisch das Foto
eines neuen Angebotes zu erhalten -> www.maarsen.ch/regd.htm
Blumen Maarsen AG
Moserstrasse 9
3014 Bern, Switzerland
info@maarsen.ch
Telefon 0800 30 30 33
Phone +41 31 332 62 00
Fax +41 31 332 76 92
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Ich verwende die kostenlose Version von SPAMfighter für private Anwender,
die bei mir bis jetzt 245 Spammails entfernt hat.
Bezahlende Anwender haben diesen Hinweis nicht in ihren E-Mails.
Laden Sie SPAMfighter kostenlos herunter: www.spamfighter.com/lde
Servicemembers execute sling load rigging exercises on a UH-60 Blackhawk during Day 5 of Air Assault School on Camp Smith, N.Y., July 25, 2010. (U. S. Army photo by Pfc. Jose L. Torres-Cooban/Not Released)
Amera cruise ship executing a port swing departing the CLT, Liverpool to head outbound for sea
Building cost: USD 160 million
IMO: 8700280
Vessel Type - Detailed: Passenger Ship
MMSI: 311000840
Call Sign: C6EA7
Flag: Bahamas
Gross Tonnage: 39051
Summer DWT: 6150 t
Length Overall x Breadth Extreme: 204 x 32.32 m
Year Built: 24 Nov 1988
9 Passenger Decks
Registered owner: Phoenix Reisen
Ship manager/Commercial manager & ISM: Phoenix Reisen GmbH
Shipyard: Wärtsilä Marine Perno Shipyard, Turku, Finland
Yard number: 1296
Keel laying date: 20 Jan 1988
Main Engine: x4 Wärtsilä-Sulzer 8ZAL40S 4 stroke 8 cyls @ 530RPM
Engine Power kW: 21120kW
Twin screw - controllable pitch + stern thruster
x2 bow thrusters @ 1000kW each
x1 stern thruster @ 1000 kW
Speed: 22 knots max and 18 knots service speed
Capacity: 835 passengers and 440 crew
Last Refurbishment: 2019
Early yesterday morning (Tuesday 8 April) officers from our Operation Vulcan team executed a warrant in Derker as they continue to tackle crime in the area with their dedicated initiative.
As police searched the house, they recovered around one thousand pounds worth of cannabis.
In the garage, police also located two off road bikes and a surron bike which will be seized as they continue with their relentless pursuit of tackling crime and anti-social behaviour which is being committed using the e-bikes.
A 39-year-old man was arrested on suspicion of possession with intent to supply class B drugs. He remains in police custody awaiting questioning.
The problem-solving approach by Operation Vulcan is seeing us work collaboratively with partners, act on community information to reduce crime, and tackle the root causes to prevent further harm.
Since launching the operation in March, the team have made almost 30 arrests,
seized a dozen vehicles and e-bikes, and busted drug lines.
Sergeant Joseph Dunne from Operation Vulcan said: “Throughout the day officers will remain on patrol to offer a visible reassurance to residents. They will also be conducting a traffic operation in the area to target anti-social driving and vehicle crime, and a knife arch will be stationed at the Derker tram stop.
“We hope that residents are already seeing and feeling a difference in the area, and our proactivity will not stop. This is another great result for the local operation, and I am sure plenty more will come thanks to the intelligence we are receiving from the public and our partners who are fed up with criminals operating in the area.”
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk
Verrière exécutée en 1534 pour Nicolas Quelain et sa femme. On observe sur ce détail de la verrière: à gauche St-Jacques; au milieu, St-Jean-Baptiste portant l'agneau mystique; à droite, la femme du donateur Nicolas Quelain.
Agents with the Cullman Narcotics Enforcement Team (CNET) and deputies with the Cullman County Sheriff’s Office (CCSO) arrested nine individuals for Unlawful Possession of a Controlled Substance and Unlawful Possession of Drug Paraphernalia.
Arrested for Unlawful Possession of a Controlled Substance and Unlawful Possession of Drug Paraphernalia were:
• Santos Lynn Thomas (25 - Hispanic) Cleveland, AL - $5000 Bond
• Sarah Marie Milligan (23 -White) Cullman, AL - $5000 Bond
• Omar Rivera Loyola (24 - Hispanic) Oneonta, AL - $5000 Bond
• Tonya Lynn Wagner (35 -White) Crane Hill, AL - $5000 Bond
• Brian Keith Bagwell (32 -White) Holly Pond, AL - $5000 Bond
• Ricky Charles Mewbourn (50 - White) Cullman, AL - $5000 Bond
(also had a warrant for Unlawful Possession of Drug Paraphernalia)
• Hugo Contreaus-Cenantes (33 - Hispanic) Altoona, AL - $5000 Bond
• Angela Denise Stewart (44 - White) Hayden, AL - $5,000 Bond
Arrested for Unlawful Possession of Drug Paraphernalia and also had warrants for Unlawful Possession of a Controlled Substance and Unlawful Possession of Drug Paraphernalia:
• Santanna Marie Barnett (25 - White) Cullman, AL - $13,000 Bond
The operation that led to the arrest of the nine suspects was executed in the 800 block of County Road 1319, also known as Basch Road, on Thursday February 4, 2016.
CNET and CCSO deputies made entry into the residence and arrested those suspects who had warrants. While inside, CNET agents and deputies located multiple suspects inside the residence were methamphetamine, other drugs and drug paraphernalia were located.
CCSO seized approximately 10 grams of meth, syringes, glass meth pipes, straws and Marijuana.
Following the arrest Cullman County Sheriff Matt Gentry had these remarks:
“I believe anytime you can arrest a large number of drug pushers and several of them are not from our community it sends the message we don’t want your drugs in Cullman County and if you come here you will go to jail. I would also like to thank CNET and our deputies for the great job they did on this arrest."
For the full story including images of those arrested and example of items seized. please so here:
cullmantoday.com/2016/02/04/cnet-executes-far-reaching-cu...
Tuscany Florence Basilica di Santa Croce Nativity executed by the Masters of glass Murano Veneto Italy
The wall paintings in the Apse and in the Chancel were designed by John R Clayton and Alfred Bell of London and were executed by their artists Messrs Hewitt and Macdonald.
Detail: The Resurrection - The risen Christ flanked by angels leaving a tomb still guarded by Roman soldiers.
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The painting scheme and its deterioration history
The large Victorian church of St James the Great in Morpeth, Northumberland, preserves an impressive apsidal painting scheme, executed in 1875 by the London-based firm of ecclesiastical painter-decorators, Clayton and Bell. In little more than a century, this has undergone numerous periods of deterioration followed by repeated restoration attempts, and - more drastically - the complete painting-out of the semi-dome. Significantly, deterioration over this period has recurred and expanded within a specific zone on the south side of the apse. At present, this area is in an appalling condition, with extensive macro-flaking and loss of the paint layer. While the original deterioration can be connected to rainwater infiltration in c.1907, reasons for the recurrent deterioration have been uncertain.
Evidence indicates that - for some periods at least - the rate of deterioration has not been continual, but has occurred intermittently and at irregular intervals. The original deterioration of c.1907 was followed closely by restoration work in 1912. The next restoration was in 1946, and it is unclear whether deterioration prior to this was gradual or sudden. But from 1946 to at least 1968 it appears that the painting scheme remained in an essentially unchanged condition. It is reliably reported that the latest period of deterioration recurred in the 1970s, and has progressed markedly since.
Unfortunately, throughout this period documentary evidence alone is confusing regarding environmental conditions in the church. There are no records of rainwater infiltration after c.1907, although certain building alterations and other events do not rule out the possibility. During this period too there have been numerous - and, on one occasion, extreme - changes in the heating of the church that must have greatly influenced microclimate conditions, further complicating the issue of identifying reasons for renewed deterioration.
While the parish has the eventual aim to improve the poor appearance of the painting scheme, restoration alone has demonstrably not been the answer to the long-term deterioration problems. Although the painting condition is now extremely vulnerable - and losses have occurred recently - immediate treatment without adequate diagnosis risks being as short-lived. Temporary stabilisation is also largely precluded by the severe conditions. Despite this alarming situation, there is evidence that current rates of paint loss are slow. Considering these factors, diagnosis of the deterioration problems is the first priority. Therefore, following a preliminary inspection commissioned by the parish in December 1999, a phase of investigation and analysis was recommended [Rickerby and Shekede 20001]. This was undertaken in March 2001, and was again entirely funded by the parish. Procedures, results, conclusions and recommendations are contained in the present report.
Approximately two weeks ago, Sergeant Rob Long and John Davidson of the Hanceville Police Department conducted what initially seemed to be a routine traffic stop within the city limits of Hanceville. During the traffic stop interaction, Long established the likelihood that an illegal drug component was part of the incident.
Hanceville Police Department Narcotics Investigators were summoned to the scene.
Based upon evidence acquired during this traffic stop and subsequent questioning, Narcotics Investigator and Assistant Chief of Police Adam Hadder pursued a lengthy, ongoing investigation that took him across the county line into Blount County.
A single suspect with prior felony convictions involving narcotics possession and trafficking was the target of the investigation. Hadder pursued the likelihood that the individual may have once again been involve in the unlawful distribution of a controlled substance.
That multi-day investigation allowed Hadder to develop a crime profile that indicated that significant amounts of narcotics and other illegal drugs - directly tied to this traffic stop - were potentially being trafficked into Hanceville, Cullman County, and surrounding communities from a residential location in the Blountsville area.
On Monday evening (December 19th) around 9:00 pm, Hadder along with the aforementioned Long, Lieutenant Brannon Hammick and Chief of Police Bob Long arranged for the purchase of one ounce of ICE methamphetamine in Blount County from a white male believed linked to the suspected trafficking mentioned above.
During the pre-arranged drug buy, the suspect became agitated just prior to the transaction. He departed the transaction location in a motor vehicle. Hadder surreptitiously followed the suspect in an unmarked vehicle.
The situation soon escalated with Hadder and other members of HPD pursuing the individual into downtown Blountsville with as full show of blue lights. Ultimately, the suspect vehicle was boxed in after a short chase by HPD cruisers and the unmarked car.
The suspect was taken into custody at the location with one ounce of ICE methamphetamine in his possession.
In the meantime, from research information provided by the Hanceville Police Department, Sgt. Kirkland of the Blount County Sheriff's Office conducted a multiple hours surveillance of the suspect's presumed home.
Upon the detainment of the suspect, a search warrant was generated by the Blount County Sheriff's Office to enter the subject's dwelling. Hanceville and Blount County Investigators discovered a residential interior heavy with the smell of marijuana. The residence was sparsely decorated and believed to be a 'stash house'.
The following items were discovered inside the home:
• Approximately 110 pounds of high-grade marijuana buds
(street valued at $3,500 per pound)
• Approximately 2 pounds of ICE Methamphetamine
• Approximately 3 ounces of Cocaine
• Numerous pills of suspected of being controlled substances (Ecstacy)
• Multiple firearms
• A Ballistic Vest
• Various drug paraphernalia and apparatus
• Cash currency amounts believed to be between $90,000 and $110,000
As a result of the above, Hanceville Police arrested:
BRADLEY NEAL STEELE (33) of Blountsville
The above items were seized and Steel was taken to the Blount County Jail.
Steele will be charged with:
• Trafficking of Controlled Substance (3 counts)
~ Marijuana
~ Methamphetamine
~ Cocaine
Additional charges made be pending in relation to this arrest such as Attempting to Commit A Controlled Substance Crime, Attempting to Elude and Unlawful Possession of a Controlled Substance.
The total estimated street value of all street drugs seized is well over $350,000.
Bond will be set at $3,000,000.00.
Hanceville Chief of Police Bog Long had these thoughts following a press conference explain the arrest and charges:
"The important thing about this entire incident is that a very large amount of illegal drugs won't be available on the streets. I would like to acknowledge that the officers of Hanceville Police Department did a fantastic job. I also want to express my sincere gratitude to Blount County Sheriff Lloyd Arrington and the Blount County Sheriff's Office for all their hard work and dedication on this case."
Further information on this case is expected in the near future from the Blount County Sheriff's Office and Blount County District Attorney Pamela Casey (who is currently reviewing the circumstances of the case).
For the full story with images and press conference, please see:
cullmantoday.com/2016/12/21/hanceville-police-execute-lar...
Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days. For more see below:-
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Exécutées en 1850, elles représentent des chevaux et leurs dresseurs. Elles sont une allégorie du triomphe de l'homme sur la nature...
On December 12, ImprovAZ executed the mp3 Experiment. Participants downloaded an audio file which told them what to do for roughly 20 mins. at 2p in Tempe, AZ. Participants met, skipped, drew their bows, died, blew bubbles, and high fived through Tempe's Mill Ave. Roughly 100 "agents" participated.
Prince Vladimir Paley- né Paris 1897 - + exécuté Alapaevsk 1918
Prince Vladimir Pavlovich Paley (Владимир Павлович Палей) (January 9, 1897 – July 18, 1918) was a Russian poet.
Prince Vladimir was born Vladimir von Pistohlkors in Saint Petersburg, Russia. His parents were Grand Duke Paul Alexandrovich of Russia, the youngest child of Emperor Alexander II, and his father's mistress, Olga Valerianovna Paley, who was then still married to her first husband. In 1902, Grand Duke Paul—who had previously been married to Princess Alexandra of Greece and Denmark and had two children by her—wed Olga morganatically. In 1904, she was created Countess von Hohenfelsen by Prince Regent Luitpold of Bavaria, making Vladimir Count Vladimir von Hohenfelsen. In 1915 Olga was created Princess Paley by Nicholas II, making Vladimir a prince.
He spent his childhood in Paris and later graduated from the Corps de Pages, an aristocratic military school in Saint Petersburg. He fought with the Russian army in the First World War and was decorated as a war hero with the Order of Saint Anne.
Since he was a teenager, Vladimir Paley showed remarkable talent as a poet. He published two volumes of poetry (1916 and 1918) and wrote several plays and essays, as well as a magnificent French translation of Grand Duke Konstantin Konstantinovitch's play The King of the Jews.
In the summer of 1917 he and his family were placed for a short while under house arrest by the Provisional Government, because of a poem he wrote about Aleksandr Kerensky. In March 1918 he was arrested by the Bolsheviks and sent to exile in Vyatka and later Ekaterinburg and Alapaevsk. He was brutally murdered in a mineshaft near Alapaevsk, together with his cousins Prince Ioann Konstantinovich of Russia, Konstantin Konstantinovich of Russia, Prince Igor Konstantinovich of Russia, and other relatives. Their bodies were recovered and buried months later in an Orthodox cemetery in Beijing, China, which was destroyed during the Cultural Revolution.
A biography of Prince Vladimir Paley by Andrey Baranovsky was published in 1997 in Russian, and another (A Poet Among The Romanovs) by Jorge F. Saenz in 2004, in both Russian and English.
THM66. - (Syrian Arab Republic), 15/09/2014.- A frame grab from a video released by the Islamic State (IS) on 14 September 2014 shows an IS militant dressed in black (R) and holding holding a knife before purpotedly executing British national David Cawthorne Haines (L)somewhere in a desert setting. David Haines, 44, was working with refugees for the French non-profit Agency for Technical Cooperation and Development when he was abducted in March 2013 by Islamist fighters in northern Syria. (Siria) EFE/EPA/ISLAMIC STATE VIDEO BEST QUALITY AVAILABLE HANDOUT EDITORIAL USE ONLY
A returning Eagle executes its run and break over Runway 24 at RAF Lakenheath, Suffolk, late afternoon. Mass launches are a feature of operations at Lakenheath but this seemed to be a particularly busy Monday with some aircraft going up three times during the day, making for almost continuous runway action with returning formations overlapping with departures.
North Korean leader Kim Jong-un reportedly executed 15 senior officials this year. The data come from the South Korean intelligence agency, recently reported for parliamentarians in Seoul on behind closed doors.
Among other things, a person at the deputy ministerial level have been executed in...
www.broadleak.com/2015/04/29/kim-jong-un-reportedly-execu...
South chancel window c1980 unusually executed using fused layers of glass to create the designs. Possibly the work of Birmingham stained glass artist Claude Price who often used this medium.
The church of All Saints in Thorpe Acre (a north western suburb of Loughborough) was built in 1845 to replace a ruined medieval building at nearby DIshley. This small church was designed by WIlliam Railton and consisted of a single space nave and chancel in one crowned by a bellcote at the west end. The situation changed dramatically in 1968 when the building was greatly enlarged by extensions at the west end and on the south side were a large transept was created, transforming the building into the T-shaped worship space we see today, with the focal point at the crossing point rather than the old chancel. Outside the bellcote remains but the new additions dominate the view from the west and south, leaving the former chancel as the only part of the building still substantially in its Victorian form.
The interior is a light and pleasant space thanks to the white-washed walls and the light flooding in from the modern sections. The former chancel is relatively unaltered and retains some fine glass by Kempe along with a good Arts & Crafts window and a more recent piece alongside it.
This church is something a bit different, a fusion of old and new, and I rather liked it. I imagine it is normally only open for services but the people we met here were friendly and welcoming.
www.lboro-history-heritage.org.uk/all-saints-church-thorp...
Agents with the Cullman Narcotics Enforcement Team (CNET) and deputies with the Cullman County Sheriff’s Office (CCSO) arrested nine individuals for Unlawful Possession of a Controlled Substance and Unlawful Possession of Drug Paraphernalia.
Arrested for Unlawful Possession of a Controlled Substance and Unlawful Possession of Drug Paraphernalia were:
• Santos Lynn Thomas (25 - Hispanic) Cleveland, AL - $5000 Bond
• Sarah Marie Milligan (23 -White) Cullman, AL - $5000 Bond
• Omar Rivera Loyola (24 - Hispanic) Oneonta, AL - $5000 Bond
• Tonya Lynn Wagner (35 -White) Crane Hill, AL - $5000 Bond
• Brian Keith Bagwell (32 -White) Holly Pond, AL - $5000 Bond
• Ricky Charles Mewbourn (50 - White) Cullman, AL - $5000 Bond
(also had a warrant for Unlawful Possession of Drug Paraphernalia)
• Hugo Contreaus-Cenantes (33 - Hispanic) Altoona, AL - $5000 Bond
• Angela Denise Stewart (44 - White) Hayden, AL - $5,000 Bond
Arrested for Unlawful Possession of Drug Paraphernalia and also had warrants for Unlawful Possession of a Controlled Substance and Unlawful Possession of Drug Paraphernalia:
• Santanna Marie Barnett (25 - White) Cullman, AL - $13,000 Bond
The operation that led to the arrest of the nine suspects was executed in the 800 block of County Road 1319, also known as Basch Road, on Thursday February 4, 2016.
CNET and CCSO deputies made entry into the residence and arrested those suspects who had warrants. While inside, CNET agents and deputies located multiple suspects inside the residence were methamphetamine, other drugs and drug paraphernalia were located.
CCSO seized approximately 10 grams of meth, syringes, glass meth pipes, straws and Marijuana.
Following the arrest Cullman County Sheriff Matt Gentry had these remarks:
“I believe anytime you can arrest a large number of drug pushers and several of them are not from our community it sends the message we don’t want your drugs in Cullman County and if you come here you will go to jail. I would also like to thank CNET and our deputies for the great job they did on this arrest."
For the full story including images of those arrested and example of items seized. please so here:
cullmantoday.com/2016/02/04/cnet-executes-far-reaching-cu...
Bradford City Hall is a 19th-century town hall in Centenary Square, Bradford, West Yorkshire, England. It is a Grade I listed building which has a distinctive clock tower.
History
Before its relocation, between 1847 and 1873, the town hall had been the Fire Station House in Swain Street. In 1869, a new triangular site was purchased, and a competition held for a design to rival the town halls of Leeds and Halifax. The local firm of Lockwood and Mawson was chosen over the other 31 entries. It was built by John Ives & Son of Shipley and took three years to build at a cost of £100,000. It was opened by Matthew Thompson, the mayor, on 9 September 1873.
It was first extended in 1909 to a design by Norman Shaw and executed by architect F.E.P. Edwards, with another council chamber, more committee rooms and a banqueting hall.
On 14 March 1912 Winston Churchill gave a speech outside the hall in which he called for the people to "go forward together and put these grave matters to the proof" (referring to Irish Home Rule). It was extended again with a new entrance and staircase in baroque marble by William Williamson in 1914.
In 1965 the name was changed to City Hall to reflect Bradford's prominence, and the building was improved at a cost of £12,000.
The City Hall was the venue for crown court trials until the new Law Courts in Exchange Square opened in 1993. After the bells stopped in 1992 due to decay of the bell frame, they were repaired with National Lottery funds in 1997.
In 2000 Barbara Jane Harrison, a flight attendant who died saving her passengers, was commemorated in a memorial display in the City Hall and in October 2006, the building was illuminated for Bradford Festival by artist Patrice Warrener. In 2007 the City Hall filled in for Manchester Crown Court for the duration of the trial of the character Tracy Barlow in Coronation Street.
In December 2007 the City Hall turned the city's nine Christmas trees into woodchips as fuel for its new heating boilers. An access tunnel was dug from the roadway to install the boilers in early 2008.
Description
The building was designed in the Venetian style. There are a series of statues of past monarchs on the façade; the London firm Farmer & Brindley carved them from Cliffe Wood stone, from the local quarry on Bolton Road, at a cost of £63 each. On the side facing Centenary Square, the line of monarchs includes Oliver Cromwell. There is a flush bracket on the building with a code number once used to log the height above sea level.
The bell tower was inspired by Palazzo Vecchio in Florence. The top of the tower is 200 feet (61 m) high. It contains 13 bells, installed in 1872, which weighed 13 tons 3 quarters and 6 lbs and cost £1,765. They first rang at the opening in 1873. Due to lack of space in the tower they were not hung for ringing, but were chimed using an automatic carillon machine which could play 28 different tunes. The quarter-chiming clock, installed in 1872 at a cost of £2,248 5s was in operation until 1947; in that year it was replaced by a more modern mechanism. The original clock and carillon machine were manufactured by Gillett & Bland of Croydon; the bells were by Taylor of Loughborough.
The two flagpoles carry the flag of Wales on Saint David's Day and the flag of Australia on Australia Day. Flag use in response to major world disasters is made according to Government guidelines. The flags also reflect royal events, such as coronations and weddings.
The building is set in Centenary Square, which was developed and pedestrianised in 1997, the city's centenary. Staff give tours of the building on request. Annually in September the City Hall holds a heritage weekend, when visitors can see more of the building.
Interior
In the banqueting hall is a 19th-century overmantel and frieze carved by C. R. Millar. The frieze carries the Bradford city motto: Labor omnia vincit (Hard work conquers all), reflecting the ethos of an industrial city, and the work ethic of the Evangelical movement represented by many local chapels. The figures on the frieze represent the wool trade between Bradford and the world, besides architecture and the arts.
Bells
Currently (2016) the bells ring every 15 minutes and play tunes at midday and late afternoon plus carols in December.When an eminent Bradfordian dies, the City Hall flags fly at half mast until the funeral is over, while the minute bell rings for an hour after receipt of notice, and for an hour at the time of the funeral. The bells have played "The Star-Spangled Banner" to mark the three minutes' silence for those who died due to terrorism. At the memorial in 2005 of the 1985 Bradford City stadium fire, "Dozens of people broke down in tears as the City Hall bells played You'll Never Walk Alone and Abide with Me in tribute to the victims."
However the bells normally play happier tunes, and in 2001 there was talk of replacing the old computer application which controlled the bells, so that they could play pop music. The bells can now be programmed to play any tune, subject to musical arrangement and technical limitations. The bells have played No Matter What several times in 2001, when Whistle Down the Wind was playing at the Alhambra; the operator of the bells was able to see the theatre steps from the bell tower, and timed the peals with the audience's exit. This meant that the superintendent had to undertake the long climb up the tower at 10.30 pm every day for a week, as the bell system was still under repair. In 2010, the bells played the theme tune from Coronation Street when the cast was filming in the area.
Bradford is a city in West Yorkshire, England. It became a municipal borough in 1847, received a city charter in 1897 and, since the 1974 reform, the city status has belonged to the larger City of Bradford metropolitan borough. It had a population of 349,561 at the 2011 census; the second-largest subdivision of the West Yorkshire Built-up Area after Leeds, which is approximately 9 miles (14 km) to the east. The borough had a population of 546,976, making it the 9th most populous district in England.
Historically part of the West Riding of Yorkshire, the city grew in the 19th century as an international centre of textile manufacture, particularly wool. It was a boomtown of the Industrial Revolution, and amongst the earliest industrialised settlements, rapidly becoming the "wool capital of the world"; this in turn gave rise to the nicknames "Woolopolis" and "Wool City". Lying in the eastern foothills of the Pennines, the area's access to supplies of coal, iron ore and soft water facilitated the growth of a manufacturing base, which, as textile manufacture grew, led to an explosion in population and was a stimulus to civic investment. There is a large amount of listed Victorian architecture in the city including the grand Italianate city hall.
From the mid-20th century, deindustrialisation caused the city's textile sector and industrial base to decline and, since then, it has faced similar economic and social challenges to the rest of post-industrial Northern England, including poverty, unemployment and social unrest. It is the third-largest economy within the Yorkshire and the Humber region at around £10 billion, which is mostly provided by financial and manufacturing industries. It is also a tourist destination, the first UNESCO City of Film and it has the National Science and Media Museum, a city park, the Alhambra theatre and Cartwright Hall. The city is the UK City of Culture for 2025 having won the designation on 31 May 2022.
History
The name Bradford is derived from the Old English brad and ford the broad ford which referred to a crossing of the Bradford Beck at Church Bank below the site of Bradford Cathedral, around which a settlement grew in Anglo-Saxon times. It was recorded as "Bradeford" in 1086.
Early history
After an uprising in 1070, during William the Conqueror's Harrying of the North, the manor of Bradford was laid waste, and is described as such in the Domesday Book of 1086. It then became part of the Honour of Pontefract given to Ilbert de Lacy for service to the Conqueror, in whose family the manor remained until 1311. There is evidence of a castle in the time of the Lacys. The manor then passed to the Earl of Lincoln, John of Gaunt, The Crown and, ultimately, private ownership in 1620.
By the middle ages Bradford, had become a small town centred on Kirkgate, Westgate and Ivegate. In 1316 there is mention of a fulling mill, a soke mill where all the manor corn was milled and a market. During the Wars of the Roses the inhabitants sided with House of Lancaster. Edward IV granted the right to hold two annual fairs and from this time the town began to prosper. In the reign of Henry VIII Bradford exceeded Leeds as a manufacturing centre. Bradford grew slowly over the next two-hundred years as the woollen trade gained in prominence.
During the Civil War the town was garrisoned for the Parliamentarians and in 1642 was unsuccessfully attacked by Royalist forces from Leeds. Sir Thomas Fairfax took the command of the garrison and marched to meet the Duke of Newcastle but was defeated. The Parliamentarians retreated to Bradford and the Royalists set up headquarters at Bolling Hall from where the town was besieged leading to its surrender. The Civil War caused a decline in industry but after the accession of William III and Mary II in 1689 prosperity began to return. The launch of manufacturing in the early 18th century marked the start of the town's development while new canal and turnpike road links encouraged trade.
Industrial Revolution
In 1801, Bradford was a rural market town of 6,393 people, where wool spinning and cloth weaving were carried out in local cottages and farms. Bradford was thus not much bigger than nearby Keighley (5,745) and was significantly smaller than Halifax (8,866) and Huddersfield (7,268). This small town acted as a hub for three nearby townships – Manningham, Bowling and Great and Little Horton, which were separated from the town by countryside.
Blast furnaces were established in about 1788 by Hird, Dawson Hardy at Low Moor and iron was worked by the Bowling Iron Company until about 1900. Yorkshire iron was used for shackles, hooks and piston rods for locomotives, colliery cages and other mining appliances where toughness was required. The Low Moor Company also made pig iron and the company employed 1,500 men in 1929. when the municipal borough of Bradford was created in 1847 there were 46 coal mines within its boundaries. Coal output continued to expand, reaching a peak in 1868 when Bradford contributed a quarter of all the coal and iron produced in Yorkshire.
The population of the township in 1841 was 34,560.
In 1825 the wool-combers union called a strike that lasted five-months but workers were forced to return to work through hardship leading to the introduction of machine-combing. This Industrial Revolution led to rapid growth, with wool imported in vast quantities for the manufacture of worsted cloth in which Bradford specialised, and the town soon became known as the wool capital of the world.
A permanent military presence was established in the city with the completion of Bradford Moor Barracks in 1844.
Bradford became a municipal borough in 1847, and a county borough in 1888, making it administratively independent of the West Riding County Council. It was honoured with city status on the occasion of Queen Victoria's Diamond Jubilee in 1897, with Kingston upon Hull and Nottingham. The three had been the largest county boroughs outside the London area without city status. The borough's boundaries were extended to absorb Clayton in 1930, and parts of Rawdon, Shipley, Wharfedale and Yeadon urban districts in 1937.
Bradford had ample supplies of locally mined coal to provide the power that the industry needed. Local sandstone was an excellent resource for building the mills, and with a population of 182,000 by 1850, the town grew rapidly as workers were attracted by jobs in the textile mills. A desperate shortage of water in Bradford Dale was a serious limitation on industrial expansion and improvement in urban sanitary conditions. In 1854 Bradford Corporation bought the Bradford Water Company and embarked on a huge engineering programme to bring supplies of soft water from Airedale, Wharfedale and Nidderdale. By 1882 water supply had radically improved. Meanwhile, urban expansion took place along the routes out of the city towards the Hortons and Bowling and the townships had become part of a continuous urban area by the late 19th century.
A major employer was Titus Salt who in 1833 took over the running of his father's woollen business specialising in fabrics combining alpaca, mohair, cotton and silk. By 1850 he had five mills. However, because of the polluted environment and squalid conditions for his workers Salt left Bradford and transferred his business to Salts Mill in Saltaire in 1850, where in 1853 he began to build the workers' village which has become a UNESCO World Heritage Site.
Henry Ripley was a younger contemporary of Titus Salt. He was managing partner of Edward Ripley & Son Ltd, which owned the Bowling Dye Works. In 1880 the dye works employed over 1000 people and was said to be the biggest dye works in Europe. Like Salt he was a councillor, JP and Bradford MP who was deeply concerned to improve working class housing conditions. He built the industrial Model village of Ripley Ville on a site in Broomfields, East Bowling close to the dye works.
Other major employers were Samuel Lister and his brother who were worsted spinners and manufacturers at Lister's Mill (Manningham Mills). Lister epitomised Victorian enterprise but it has been suggested that his capitalist attitude made trade unions necessary. Unprecedented growth created problems with over 200 factory chimneys continually churning out black, sulphurous smoke, Bradford gained the reputation of being the most polluted town in England. There were frequent outbreaks of cholera and typhoid, and only 30% of children born to textile workers reached the age of fifteen. This extreme level of infant and youth mortality contributed to a life expectancy for Bradford residents of just over eighteen years, which was one of the lowest in the country.
Like many major cities Bradford has been a destination for immigrants. In the 1840s Bradford's population was significantly increased by migrants from Ireland, particularly rural County Mayo and County Sligo, and by 1851 about 10% of the population were born in Ireland, the largest proportion in Yorkshire. Around the middle decades of the 19th century the Irish were concentrated in eight densely settled areas situated near the town centre. One of these was the Bedford Street area of Broomfields, which in 1861 contained 1,162 persons of Irish birth—19% of all Irish born persons in the Borough.
During the 1820s and 1830s, there was immigration from Germany. Many were Jewish merchants and they became active in the life of the town. The Jewish community mostly living in the Manningham area of the town, numbered about 100 families but was influential in the development of Bradford as a major exporter of woollen goods from their textile export houses predominately based in Little Germany and the civic life of Bradford. Charles Semon (1814–1877) was a textile merchant and philanthropist who developed a productive textile export house in the town, he became the first foreign and Jewish mayor of Bradford in 1864. Jacob Behrens (1806–1889) was the first foreign textile merchant to export woollen goods from the town, his company developed into an international multimillion-pound business. Behrens was a philanthropist, he also helped to establish the Bradford chamber of commerce in 1851. Jacob Moser (1839–1922) was a textile merchant who was a partner in the firm Edelstein, Moser and Co, which developed into a successful Bradford textile export house. Moser was a philanthropist, he founded the Bradford Charity Organisation Society and the City Guild of Help. In 1910 Moser became the first Jewish Lord Mayor of Bradford.
Jowett Cars Eight badge
To support the textile mills, a large manufacturing base grew up in the town providing textile machinery, and this led to diversification with different industries thriving side by side. The Jowett Motor Company founded in the early 20th century by Benjamin and William Jowett and Arthur V Lamb, manufactured cars and vans in Bradford for 50 years. The Scott Motorcycle Company was a well known producer of motorcycles and light engines for industry. Founded by Alfred Angas Scott in 1908 as the Scott Engineering Company in Bradford, Scott motorcycles were produced until 1978.
Independent Labour Party
The city played an important part in the early history of the Labour Party. A mural on the back of the Bradford Playhouse in Little Germany commemorates the centenary of the founding of the Independent Labour Party in Bradford in 1893.
Regimental colours
The Bradford Pals were three First World War Pals battalions of Kitchener's Army raised in the city. When the three battalions were taken over by the British Army they were officially named the 16th (1st Bradford), 18th (2nd Bradford), and 20th (Reserve) Battalions, The Prince of Wales's Own (West Yorkshire Regiment).
On the morning of 1 July 1916, the 16th and 18th Battalions left their trenches in Northern France to advance across no man's land. It was the first hour of the first day of the Battle of the Somme. Of the estimated 1,394 men from Bradford and District in the two battalions, 1,060 were either killed or injured during the ill-fated attack on the village of Serre-lès-Puisieux.
Other Bradford Battalions of The Prince of Wales's Own (West Yorkshire Regiment) involved in the Battle of the Somme were the 1st/6th Battalion (the former Bradford Rifle Volunteers), part of the Territorial Force, based at Belle Vue Barracks in Manningham, and the 10th Battalion (another Kitchener battalion). The 1/6th Battalion first saw action in 1915 at the Battle of Aubers Ridge before moving north to the Yser Canal near Ypres. On the first day of the Somme they took heavy casualties while trying to support the 36th (Ulster) Division. The 10th Battalion was involved in the attack on Fricourt, where it suffered the highest casualty rate of any battalion on the Somme on 1 July and perhaps the highest battalion casualty list for a single day during the entire war. Nearly 60% of the battalion's casualties were deaths.
The 1/2nd and 2/2nd West Riding Brigades, Royal Field Artillery (TF), had their headquarters at Valley Parade in Manningham, with batteries at Bradford, Halifax and Heckmondwike. The 1/2nd Brigade crossed to France with the 1/6th Battalion West Yorks in April 1915. These Territorial Force units were to remain close to each other throughout the war, serving in the 49th (West Riding) Division. They were joined in 1917 by the 2/6th Battalion, West Yorks, and 2/2nd West Riding Brigade, RFA, serving in the 62nd (2nd West Riding) Division.
Recent history
Bradford's Telegraph and Argus newspaper was involved in spearheading the news of the 1936 Abdication Crisis, after the Bishop of Bradford publicly expressed doubts about Edward VIII's religious beliefs (see: Telegraph & Argus#1936 Abdication Crisis).
After the Second World War migrants came from Poland and Ukraine and since the 1950s from Bangladesh, India and particularly Pakistan.
The textile industry has been in decline throughout the latter part of the 20th century. A culture of innovation had been fundamental to Bradford's dominance, with new textile technologies being invented in the city; a prime example being the work of Samuel Lister. This innovation culture continues today throughout Bradford's economy, from automotive (Kahn Design) to electronics (Pace Micro Technology). Wm Morrison Supermarkets was founded by William Morrison in 1899, initially as an egg and butter merchant in Rawson Market, operating under the name of Wm Morrison (Provisions) Limited.
The grandest of the mills no longer used for textile production is Lister Mills, the chimney of which can be seen from most places in Bradford. It has become a beacon of regeneration after a £100 million conversion to apartment blocks by property developer Urban Splash.
In 1989, copies of Salman Rushdie's The Satanic Verses were burnt in the city, and a section of the Muslim community led a campaign against the book. In July 2001, ethnic tensions led to rioting, and a report described Bradford as fragmented and a city of segregated ethnic communities.
The Yorkshire Building Society opened its new headquarters in the city in 1992.
In 2006 Wm Morrison Supermarkets opened its new headquarters in the city, the firm employs more than 5,000 people in Bradford.
In June 2009 Bradford became the world's first UNESCO City of Film and became part of the Creative Cities Network since then. The city has a long history of producing both films and the technology that produces moving film which includes the invention of the Cieroscope, which took place in Manningham in 1896.
In 2010 Provident Financial opened its new headquarters in the city. The company has been based in the city since 1880.
In 2012 the British Wool Marketing Board opened its new headquarters in the city. Also in 2012 Bradford City Park opened, the park which cost £24.5 million to construct is a public space in the city centre which features numerous fountains and a mirror pool surrounded by benches and a walk way.
In 2015 The Broadway opened, the shopping and leisure complex in the centre of Bradford cost £260 million to build and is owned by Meyer Bergman.
In 2022, Bradford was named the UK City of Culture 2025, beating Southampton, Wrexham and Durham. The UK City of Culture bid, as of 2023, was expected to majorly stimulate the local economy and culture as well as attracting tourism to the city. By 2025, the UK City of Culture bid is expected to support potential economic growth of £389 million to the city of Bradford as well as to the surrounding local areas, creating over 7,000 jobs, attracting a significant amount of tourists to the city and providing thousands of performance opportunities for local artists.
A Ranger executes a live fire exercise with the Integrated Visual Augmentation System Capability Set 4 during tropical weather testing at Camp Santiago, Puerto Rico, in March 2021. Effective and realistic testing upfront enables the Army to find problems on the range where things can be easily fixed, rather than in theater when it could be a crisis. (Photo by Courtney Bacon, Program Executive Office (PEO) for Soldier)
On November 9, 2011, federal, state, and local public health officials gave a briefing to Congressional staff from the Hurricane Irene Congressional Caucus on how they prepared and executed and what they learned during the emergency situation.
The Estate of Sherborne Castle - grounds and gardens.
The "new" castle which now has the name Sherborne Castle (was Sherborne Lodge in Sir Walter Raleighs day.
It was built by Sir Walter Raleigh in 1594, and has been the family home of the Digby's since 1617 (Walter was in the Tower of London and was executed in 1618).
Caution signs in the courtyard near the Tea Room.
Uneven surface
Arbour Hill Prison is a prison and military cemetery located in the Arbour Hill area near Heuston Station.
The military cemetery is the burial place of 14 of the executed leaders of the 1916 Easter Rising. Among those buried there are Patrick Pearse, James Connolly and Major John MacBride. The leaders were executed in Kilmainham Gaol and their bodies were transported to Arbour Hill for burial.
The graves are located under a low mound on a terrace of Wicklow granite in what was once the old prison yard. The grave site is surrounded by a limestone wall on which the names are inscribed in Irish and English. On the prison wall opposite the grave site is a plaque with the names of other people who were killed in 1916.
The prison was designed by Sir Joshua Jebb and Frederick Clarendon and opened on its present site in 1848, to house military prisoners.
The adjoining Church of the Sacred Heart, which is the prison chapel for Arbour Hill prison, is maintained by the Department of Defence. At the rear of the church lies the old cemetery, where lie the remains of British military personnel who died in the Dublin area in the 19th and early 20th century.
The church has an unusual entrance porch with stairs leading to twin galleries for visitors in the nave and transept.
A doorway beside the 1916 memorial gives access to the Irish United Nations Veterans' Association house and memorial garden.
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Ugolino and His Sons, modeled ca. 1860–61, executed in marble 1865–67
Jean-Baptiste Carpeaux (French, 1827–1875)
Saint-Béat marble
H. 77 in. (195.6 cm)
Signed (incised in script at right front facet of base): Jbte Carpeaux./Rome 1860; (incised at right end facet of base) JBTE CARPEAUX ROMA 1860
Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift and Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250)
Dante's Divine Comedy has always enjoyed favor in the plastic arts. Ugolino, the character that galvanized peoples' fantasies and fears during the second half of the nineteenth century, appears in Canto 33 of the Inferno. This intensely Romantic sculpture derives from the passage in which Dante describes the imprisonment in 1288 and subsequent death by starvation of the Pisan count Ugolino della Gherardesca and his offspring. Carpeaux depicts the moment when Ugolino, condemned to die of starvation, yields to the temptation to devour his children and grandchildren, who cry out to him:
But when to our somber cell was thrown
A slender ray, and each face was lit
I saw in each the aspect of my own,
For very grief both of my hands I bit,
And suddenly from the floor arising they,
Thinking my hunger was the cause of it,
Exclaimed: Father eat thou of us, and stay
Our suffering: thou didst our being dress
In this sad flesh; now strip it all away.
Carpeaux's visionary composition reflects his reverence for Michelangelo, as well as his own painstaking concern with anatomical realism. Ugolino and His Sons was completed in plaster in 1861, the last year of his residence at the French Academy in Rome. A sensation in Rome, it brought Carpeaux many commissions. Upon his return to France, Ugolino was cast in bronze at the order of the French Ministry of Fine Arts and exhibited in the Paris Salon of 1863. Later it was moved to the gardens of the Tuilieries, where it was displayed as a pendant to a bronze of the Laocoön. This marble version was executed by the practitioner Bernard under Carpeaux's supervision and completed in time for the Universal Exposition at Paris in 1867. The date inscribed on the marble refers to the original plaster model's completion.
Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days. For more see below:-
A chain of punched cards of the type used in Jacquard looms during the 1800s.
Punched cards were widely used since their inception right up until the mid 1980s for programming in one form or another.
Armley Mills, Leeds
museumPASSmusees 2021 - Mima - Double Bill
'DRAMA', The Art Of Laurent Durieux
'Laurent Durieux's magnificent work elevates poster art to a high level. The stunningly executed images express the ideas and themes of the films he has chosen in new terms. They communicate a lot without words and are part of the wonderful tradition of illustrative art. '
Francis Ford Coppola
The exhibition presents around a hundred original posters of the Belgian artist, internationally acclaimed by moviegoers.
THE ABC OF PORN CINEMA
(Prohibited under 18 year old)
In 2013, the ABC, Brussels' last old-school adult cinema still showing 35mm films, was shut down. Its archive, meticulously built over the forty years of its existence, was salvaged by Cinema Nova, allowing the veil of a bygone era devoured by the digital revolution to be lifted.
The exhibition 'The ABC of Porn Cinema' spans four decades of activity by the aforementioned theatre, and in doing so recalls the world that surrounded it. Through numerous documents, posters, hand-painted billboards, engraved press plates and censored photos retrieved from the ABC, plus an accompanying art installation, an obscure part of our culture destined to be buried in the annals of history can once again be rediscovered and reappraised. Indeed, these historical archives are exceptional and unique, unafraid to indulge in humour or to drum up reflection and controversy.
An exhibition created by the Nova cinema and the MIMA with the participation of the Gogolplex collective
( 200 musees
Des maintenant, vous pouvez visiter tous les musees participants pendant un an. Pas une fois, mais aussi souvent que vous le souhaitez !
297 expositions
Vous pouvez egalement visiter les expositions temporaires des musees participants gratuitement ou a un tarif fortement reduit.
1 pass musees
Tout ceci avec seulement 1 pass.
Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days. For more see below:-
Officers forced entry into an abattoir on Higher Bury Street in Stockport on Thursday 30th January 2025, while a second warrant was executed simultaneously at a residential property on Merlin Road in Blackburn, Lancashire.
A man and a woman – both in their thirties – were arrested on suspicion of human trafficking and an offence of slavery, servitude and forced or compulsory labour, contrary to S1 and s2 of The Modern Slavery Act.
A man also in his thirties was arrested at the abattoir after he tried to evaded police, fleeing from the site and hiding on a nearby roof. We discovered he was an Albanian national living and working illegally in the UK. He is now being processed by Immigration Enforcement.
This operation took place after we received disclosure alleging a man who previously worked at the abattoir was a victim of modern day slavery. The claims are that he was forced to live in the abattoir and work around the clock to pay off extortionate debts that were said to be associated with a sponsorship visa and travel expenses.
Detectives acted quickly, following lines of enquiry, gathering potential evidence, and coordinating a joint response with national agencies: the Gangmasters and Labour Abuse Authority (GLAA) and Home Office Border Security and Asylum. This included the Salvation Army and Crime and Justice charity.
The team involved in the late-night raid interviewed 30 employees onsite with a keen eye for spotting signs of exploitation. We also seized mobile phones, computer equipment and documentation as our investigations continue.
Detective Sergeant Lee Attenborough from GMP’s Stockport Challenger Team said: “We hope this robust and coordinated action taken in response a concerning report instils confidence in our approach to tackling modern slavery head on.
“Officers spoke with every employee working within the abattoir last night, they were receptive to our presence, and we engaged in good discussions around their working conditions, payment, and terms of employment.
“It’s so important we do this diligence and thankfully there were no further claims of exploitation. We have communicated the support that is available and how to access it should anyone choose to come forward.
“This activity forms one of several active modern slavery investigations within the force. In 2024 we supported more victims of modern slavery and held more offenders accountable for the misery they caused as 80 charges were laid – 40% more than the previous year – and 19 convicted were secured, up from seven, with several cases continuing to progress through the criminal justice system.
“Modern slavery is happening across Greater Manchester, and we encourage anyone who is a victim of this crime, or suspect someone they know could be, to report it. You will always be taken seriously, and protection and support is available.
“You can report modern slavery to us using our online crime reporting service."
Debi Lloyd, Head of UK Counter Trafficking Operations at Justice and Care, said: “Our Victim Navigators were deployed alongside police and other agencies on Thursday and it was fantastic to see a collaborative and multidisciplinary approach to tackling alleged modern slavery.
‘Navigators are embedded in police forces across the UK and help survivors to rebuild their lives and secure justice against exploiters. We are supporting the survivor in this case and commend their bravery in coming forward.
‘If you are experiencing exploitation, please know you are not alone, and support is available.
‘Every person out there can play a part in fighting modern slavery by learning to spot the signs and reporting any concerns to police or the Modern Slavery Helpline on 0800 0121 700.”
Gangmasters & Labour Abuse Authority (GLAA) Investigations Manager Michael Heyes said: “The GLAA works to stop the exploitation of workers in the UK and ensure that they are treated fairly. We have powers to investigate modern slavery offences and work with law enforcement and other partners to achieve this end.
“The GLAA has been involved in at least seven modern slavery and human trafficking investigations in Greater Manchester between April 2024 and January 2025.
“The GLAA is an intelligence-led organisation. Anyone with information or concerns about workers being exploited for their labour should email contact@gla.gov.uk or use the online reporting form which can be found at www.gla.gov.uk.”
Director of Anti Trafficking and Modern Slavery for The Salvation Army, Major Kathy Betteridge said: "The Salvation Army was on site today with Greater Manchester Police to make available specialist support for any potential victims of modern slavery identified. It is vital that victims’ needs are assessed, and they receive immediate access to protective care and specialised support, available through a Government contract operated by The Salvation Army.
“We work with survivors as they begin the long journey to rebuild their lives and their trust in humanity. Support provided by The Salvation Army can include intensive 24/7 support for people with high-level needs as well as safe accommodation, counselling and help with returning home, finances and finding employment.
"If you suspect that you, or someone you have come into contact with may be a victim of modern slavery and in need of help, please call The Salvation Army’s 24-hour confidential referral helpline on 0800 808 3733."
Minister for Border Security and Asylum, Dame Angela Eagle MP, said: “Modern slavery is an abhorrent crime that dehumanises people for profit. We are committed to tackling it in all its forms and giving survivors the support and certainty they need to rebuild their lives.
“We know that many people are sold lies about their ability to live and work in the UK and are often subjected to squalid conditions and illegal working hours for little to no pay.
“That’s why, as well as playing a critical safeguarding role, our immigration officers are also ramping up enforcement activity across the country to clamp down on illegal working and the exploitation of illegal workers to put a stop to the abuse of our immigration system and ensure those involved face the full consequences.”
Deputy Mayor of Greater Manchester, Kate Green, said: "Modern slavery is an appalling crime that has no place in our communities. Exploiting vulnerable people for profit is utterly unacceptable, and I fully support the efforts of our teams in bringing those responsible to justice.
"I’d like to welcome the way different agencies are working in partnership to tackle this disgusting crime. Through Programme Challenger, our partnership with GMP and a broad range of partners from across the public, private and voluntary sectors to tackle serious and organised crime, we are making a real difference, ensuring victims are protected and offenders face the consequences of their actions.
"We all have a part to play in spotting the signs of modern slavery. If something doesn't feel right, take action and report it. And I ask businesses specifically, please consider your supply chains and whether there may be a risk that modern slavery is happening where you access goods and services.
"Greater Manchester will not tolerate such exploitation, and we remain committed to rooting it out wherever it occurs."
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk
Soldiers execute a swim survival event at the National Best Warrior Competition held at Middle Tennessee State University in Murfreesboro, Tenn., July 25, 2022. Fourteen competitors from around the nation came together to compete July 22-29. The National Best Warrior Competition has the best of the best Soldiers in the Army National Guard. (U.S. Army National Guard photo by Sgt. Kristina Kranz)
The Postcard
A postally unused carte postale published by E. Cailteux of Lille.
Lille in the Great War
Lille's occupation by the Germans began on the 13th. October 1914 after a ten-day siege and heavy shelling which destroyed 882 apartment and office blocks and 1,500 houses, mostly around the railway station and in the town centre.
By the end of October the town was being run by German authorities. Because Lille was only 20 km from the battlefield, German troops passed through the city regularly on their way to and from the front.
As a result, occupied Lille became a place both for the hospitalisation and treatment of wounded soldiers, as well as a place for soldiers' relaxation and entertainment. Many buildings, homes, and businesses were requisitioned to those ends.
Lille was liberated by the Allies on the 17th. October 1918, when General Sir William Birdwood and his troops were welcomed by joyous crowds.
The only audio recording known to have been made during the First World War was recorded near Lille in October 1918. The two minute recording captured the Royal Garrison Artillery conducting a gas shell bombardment.
Lille was also the hunting ground of World War I German flying Ace Max Immelmann who was nicknamed 'The Eagle of Lille'.
Lille After the Great War
In July 1921, at the Pasteur Institute in Lille, Albert Calmette and Camille Guérin discovered the first anti-tuberculosis vaccine, known as BCG ('Bacille de Calmette et Guérin').
The Opéra de Lille, designed by Lille architect Louis M. Cordonnier, was dedicated in 1923.
From 1931 Lille felt the repercussions of the Great Depression, and by 1935 a third of the city's population lived in poverty.
In 1936, the city's mayor, Roger Salengro, became Minister of the Interior of the Popular Front, eventually killing himself after right-wing groups led a slanderous campaign against him.
Monument to the Executed of Lille
The Great War monument in the Square Daubenton in Lille shows four leaders of the city’s Resistance standing against a wall just moments before their execution by the German Army in the dungeons of the citadel.
Along with Léon Trulin, who can be seen lying at their feet, Eugène Jacquet, Georges Maertens, Ernest Deceuninck and Sylvère Verhulst set up a network for communicating information to the Allies about the German occupiers of Lille.
They were eventually betrayed and executed on the 22nd. September 1915.
In total, twenty-five individuals were executed in Lille by firing squad under the occupation. Notices were posted informing the public about executions of political prisoners, saboteurs, and hostages in response to attacks or acts of sabotage against the German occupiers.
An estimated 500,000 French men and women worked for the Resistance during Germany's occupation of France. Resistance workers carried out thousands of acts of sabotage against the German occupiers, even though the risks were great. More than 90,000 members of the Resisters were killed, tortured or deported by the Germans.
Camille Claudel, 1886, Bronze.
“This work, one of Camille Claudel’s most famous, would be executed in diverse materials and presented under various titles. It was originally inspired by the classical Hindu play The Recognition of Shakuntala, which recounts the reunion of two lovers separated by a curse. Initially called Shakuntala, the work was executed first in plaster around 1886. A marble version commissioned by Countess de Maigret in 1905 bears the title Velrtumnus and Pomona.”
“This bronze, cast by Eugène Blot, was presented at the Salon d’automne that same year, 1905, under the title Abandonment. The final split between Claudel and Rodin had occurred some time before, in 1898. The reconciliation for which the kneeling male figure so desperately pleads was thus eternalized, conjuring by turn an episode from Hindu mythology, a legend of ancient Greece, and Camille Claudel’s own love life.”
“Though Claudel was far less well known than Rodin, her meeting around 1900 with the art dealer and founder Eugène Blot (1857−1938) led to a more concerted promotion of her work. Commercially, however, results were disappointing. Eighteen copies of the large model of Abandonment were ultimately made. Blot would cede Claudel’s models to the Leblanc-Barbedienne foundry in 1937−1938.”
(From mmfarodin.com/w/labandon?_=_)