13 th. KOREA ORIGAMI CREATION CONTEST

   

korea origami association encourages creation of origami, and execute origami creation

contest to prepare origami's base extension and origami's culture on every year.

   

* WORK OF PARTICIPATION

 

1.one sheet and unpublished work.

2.unit work.

3.complex Work that use paper of more than 2 sheets.

   

* TARGET OF PARTICIPATION

 

- korea and foreign countries.

   

* METHOD OF APPLICATION

 

1.work (your original model)

- diagram or scrap also crease pattern is possible.

 

2.size of work

- in case of plane work : should be small more than A3 paper.

- in case of solid work : almost size of 30cm x 30cm x 30cm.

 

(Should be packaged well in the box so that your model is not damaged.)

 

3.the number of work

 

- maximum is 5 work about one person.

 

4.money for registration is no charge but you should pay delivery fare of work.

   

* PERIOD FOR REGISTRATION

 

- 2011.7.1 ~ 2011.7.30 (year/month/day)

- Your work is not returned and will be exhibited to 2th korea origami convention in seoul.

www.origami.or.kr/culture/noticeBoard.asp?section=view&am...

   

* METHOD OF DELIVERY AND ADDRESS

 

- by post

- KOREA ORIGAMI ASSOCIATION OFFICE,

Myeongjin Building-First Floor, 366-104 Bunji,

Sindang 3-dong, Jung-gu, Seoul,

100-830, South Korea (Republic of Korea)

   

* WINNER OF CONTEST THE ANNOUNCEMENT

 

- 2011.8.9 (year/month/day)

   

* PRESENTATION OF PRIZES AND EXHIBITION IN 2th KOREA ORIGAMI CONVENTION

 

- 2011.8.19 ~ 2011.8.21 (year/month/day)

- You can know your winning a prize at here.

www.origami.or.kr/home/home.asp

- location of convention is sookmyung women's university in seoul.

www.sookmyung.ac.kr/

   

* ABOUT PRIZE

 

first prize - testimonial and approximately USD 450 (1person)

gold prize - testimonial and approximately USD 270 (1person)

silver prize - testimonial and approximately USD 180 (2people)

copper prize - tsstimonial and approximately USD 90 (3people)

prize for encouragement - testimonial and approximately USD 45 (a few persons)

only wining a prize - testimonial and goods (a few persons)

   

* CAUTION

 

- a prize will cancel in case of is not your creation work.

 

BY THE WAY if you need more information or question.

- e mail address : linetest@naver.com (responsible person is Lee, Kyung Gu)

   

* ORIGINAL POSTER OF CONTEST

 

www.jongiejupgi.or.kr/culture/contestBoard.asp?section=vi...

 

[출처] 공모전 해외홍보관련 (접지가인) |작성자 조폭군종

   

Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.

 

Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.

 

It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.

 

The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).

 

The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.

 

Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.

 

Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.

 

However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).

 

The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.

 

The cathedral is generally open to visitors most days. For more see below:-

www.coventrycathedral.org.uk/

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

ICE executes federal criminal search warrants in North Texas

Carlin 'El Asesino" in the process of ruthlessly executing two underbosses of a local gang who tried to interfere with her business. They are bound and on their knees before her.

"You should have heeded my warning but now you have to pay the price of yours and your boss's stupidity. Do you know what I am called by the cartels? - "El Asesino" and now you learn why. I will make it quick unlike your boss but you go knowing the last thing you see will be me. .She shots both in the head. "Dispose of these bodies guys"

Arbour Hill is an inner city area of Dublin, on the Northside of the River Liffey, in the Dublin 7 postal district. Arbour Hill, the road of the same name, runs west from Blackhall Place in Stoneybatter, and separates Collins Barracks, now part of the National Museum of Ireland, to the south from Arbour Hill Prison to the north, whose graveyard includes the burial plot of the signatories of the Easter Proclamation that began the 1916 Rising.

  

The military cemetery at Arbour Hill is the last resting place of 14 of the executed leaders of the insurrection of 1916. Among those buried there are Patrick Pearse, James Connolly and Major John Mc Bride. The leaders were executed in Kilmainham and then their bodies were transported to Arbour Hill, where they were buried.

 

The graves are located under a low mound on a terrace of Wicklow granite in what was once the old prison yard. The gravesite is surrounded by a limestone wall on which their names are inscribed in Irish and English. On the prison wall opposite the gravesite is a plaque with the names of other people who gave their lives in 1916.

 

The adjoining Church of the Sacred Heart, which is the prison chapel for Arbour Hill prison, is maintained by the Department of Defence. At the rear of the church lies the old cemetery, where lie the remains of British military personnel who died in the Dublin area in the 19th and early 20th century.

 

A doorway beside the 1916 memorial gives access to the Irish United Nations Veterans Association house and memorial garden.

•-----------•----•💀•---•-------------•

#ELDER_SCROLL_OF_MNEM_0.0♾😻

•-----------•----•💀•---•-------------•

ℹ️8️⃣📞📲📳☎️♾💁‍♂️

 

001-04 #BattlestarColumbia👾♾💍👸👑💝

 

ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM

 

First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.

 

Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.

 

Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.

 

That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀‍

 

Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀‍

 

☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share

 

She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀‍❄️ @/#GregGutfeld #CarleyShimkus

 

#OliviaCampbellPatton #OliviaWildeNeeCockburne

 

🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya

 

By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️

 

#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀‍😾😠😤😡

 

‍👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.

 

☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋

 

3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.

 

4️⃣ By the way; #SullyErna; you're a bitch.👋💀

 

🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share

 

•-----------•----•💀•---•-------------•

 

It is nice to see #TulsiGabbard; @/#FoxNewsCorp.

 

@/ #JennaLeeUSA I 👀‍ see ❄️🍧🍨🍦⛸ (also, #Björk) two✌️👩‍⚖️😌 #RingsOfPower ‍♀️🆗🙆‍♀️☎️🔥♨️💍🔏✍️👩‍💃👩‍💍👨‍👌🙆‍♂️🆗☑️🔲🔳▫️ℹ️🔘https://youtu.be/Pqijx0pnn3c

 

As you were excited to speak w/ me?🔘https://flic.kr/p/2nE3Sns

 

It's #Culpability, @/ #ChriselleTidrick; you either knew, or you did not know. They; the Government, do not believe in culpability, how-ever, culpability, does, indeed, & in-deed, exist. However; they have prosecuted many people, whilst ignoring #Culpability: so, therein, or there-upon; "#CasePrecedent." That said; if any-person, or agency of the Government, or government, harries you, menaces you, or threatens you in any way – ℹ️1️⃣1️⃣x the size of the #OklahomaCityBombing; &☝️ #SiolAlpin💍💝👑👸♾ will send the #LoveLetter💀☠️🌵⚰️⚱️😵 to #JoeBiden. Period.👀‍

 

You will hear the screams; much as #We heard the screams of #BattlestarColumbia, above (#StarOfCoruscant #Hoth) the "ice planet."

 

❄️🌐💍🔘https://youtu.be/-l2-HSSw-us

 

❄️🌐💍🔘https://youtu.be/Vt74HoJtbuw

 

#Owlephant

•———————————•

#ELDER_SCROLL_OF_MNEM_0.0♾😻

•———————————•

#EvanRachelWood-._•✏️📝✍️🔏🐧

 

--WRW

 

_.• ✍️🔏

•-----------•----•💀•---•-------------•

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

Crouching Woman was originally executed in 1880-1882 by Auguste Rodin. This casting, number three in an edition of twelve, was done in 1953. It was acquired as a gift of Joseph H. Hirshhorn in 1966, purchased from the Curt Valentin Gallery in 1955.

 

The Hirshhorn Museum and Sculpture Garden, with an emphasis on contemporary and modern art, was established by Act of Congress in 1966. Gordon Bunshaft's museum and 4-acre garden complex with a two-level sculpture garden opened along the National Mall in 1974.

 

The Smithsonian Institution, an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its shops and its magazines, was established in 1846. Although concentrated in Washington DC, its collection of over 136 million items is spread through 19 museums, a zoo, and nine research centers from New York to Panama.

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

 

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

 

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

 

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

 

Taichi Single Whip, executed by Ju Ming in 1985, sits in the agora of Victoria Square. The Tai Chi exhibit, part of an initiative by François Odermatt and supported by the Power Corporation of Canada and Integro Insurance Brokers, began in 2006. Ninenteen larger than life bronze sculptures, all part of the Taiwanese artist's Tai Chi series, have been placed in three key locations around Montreal--on Mount Royal, in the Old Port, and here in the Quartier International. The Taichi series had previously appeared in many public exhibitions in places such as Brussels, Berlin, Luxemburg and Paris.

 

Square Victoria (Victoria Square) was built on the empty space at the intersection of Cote du Beaver Hall (Beaver Hall Hill) and McGill Street in 1813. Formerly known as Place du Marché-à-Foin and Place des Commissaires, it was renamed for Queen Victoria for the visit of the then-Prince of Wales (later King Edward VII) in 1860. Victoria Square has undergone many aesthetic changes over its history, functioning at times more as a parking lot, other times as a simple open space, while at others being far more refined and cultivated. The Square was restored to its current configuration in 2002 and 2003. It features Hector Guimard's Art Nouveau outdoor entrance to the Square-Victoria Metro station, a statue of Queen Victoria, and trees lining its bounding avenues.

 

This morning (Tuesday 1 February 2022), we executed warrants at six properties in the Chadderton area.

 

A 25-year-old was arrested on suspicion of rape, sexual assault and trafficking a person within the UK for sexual exploitation.

 

A second 25-year-old was arrested on suspicion of sexual assault.

 

A 26-year-old was arrested on suspicion of sexual assault and trafficking a person within the UK for sexual exploitation.

 

A 27-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.

 

A 28-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.

 

The warrants were executed as part of Operation Gabel - an investigation into the child sexual exploitation of two teenage girls in 2012/2013.

 

Inspector Nick Helme, of GMP's Oldham district, said: "This morning's action at several properties in the Chadderton area was a result of just one of a number of ongoing investigations into historic child sexual exploitation in Greater Manchester.

 

"I can assure members of the public and warn offenders that investigating this type of crime is a top priority for the force. Regardless of time passed, dedicated teams in a specialist unit leave no stone unturned whilst gathering evidence to make arrests with the intention of bringing suspects to face justice.

 

"I hope these warrants build public trust and confidence that Greater Manchester Police is committed to fighting, preventing and reducing CSE to keep people safe and care for victims - giving them the faith they need in the force to come forward.

 

Greater Manchester is nationally recognised as a model of good practice in terms of support services available to victims.

If you or someone you know has been raped or sexually assaulted, we encourage you not to suffer in silence and report it to the police, or a support agency so you can get the help and support available.

 

- Saint Mary's Sexual Assault Referral Centre, Manchester provides a comprehensive and co-ordinated response to men, women and children who live or have been sexually assaulted within Greater Manchester. We offer forensic medical examinations, practical and emotional support as well as a counselling service for all ages. Services are available on a 24-hour basis and can be accessed by telephoning 0161 276 6515.

 

-Greater Manchester Rape Crisis is a confidential information, support and counselling service run by women for women over 18 who have been raped or sexually abused at any time in their lives. Call us on 0161 273 4500 or email us at help@manchesterrapecrisis.co.uk

 

- Survivors Manchester provides specialist trauma informed support to boys and men in Greater Manchester who have experienced sexual abuse, rape or sexual exploitation. Call 0161 236 2182.

from bit.ly/2UYCyIQ

 

Good ideas alter the power balance in relationships, that is why good ideas are always initially resisted.

 

Good ideas come with a heavy burden, which is why so few people execute them. So few people can handle it.

 

1. Ignore everybody.

 

2. The idea doesn’t have to be big. It just has to be yours. The sovereignty you have over your work will inspire far more people than the actual content ever will.

 

Your idea doesn’t have to be big. It just has to be yours alone. The more the idea is yours alone, the more freedom you have to do something really amazing.

 

3. Put the hours in.

 

If somebody in your industry is more successful than you, it’s probably because he works harder at it than you do.

 

4. Good ideas have lonely childhoods.

 

5. If your business plan depends on suddenly being “discovered” by some big shot, your plan will probably fail.

 

6. You are responsible for your own experience.

 

7. Everyone is born creative; everyone is given a box of crayons in kindergarten.

 

8. Keep your day job.

 

The creative person basically has two kinds of jobs: One is the sexy, creative kind. Second is the kind that pays the bills. Sometimes the task at hand covers both bases, but not often.

 

It’s balancing the need to make a good living while still maintaining one’s creative sovereignty.

 

The young writer who has to wait tables to pay the bills, in spite of her writing appearing in all the cool and hip magazines… who dreams of one day not having her life divided so harshly. Well, over time the “harshly” bit might go away, but not the “divided.” This tense duality will always play center stage. It will never be transcended. And nobody is immune. Not the struggling waiter, nor the movie star. As soon as you accept this, I mean really accept this, for some reason your career starts moving ahead faster.

 

9. Companies that squelch creativity can no longer compete with companies that champion creativity.

 

10. Everybody has their own private Mount Everest they were put on this earth to climb. You may never reach the summit; for that you will be forgiven. But if you don’t make at least one serious attempt to get above the snow line, years later you will find yourself lying on your deathbed, and all you will feel is emptiness.

 

11. The more talented somebody is, the less they need the props.

 

Meeting a person who wrote a masterpiece on the back of a deli menu would not surprise me. Meeting a person who wrote a masterpiece with a silver Cartier fountain pen on an antique writing table in an airy SoHo loft would seriously surprise me.

 

A fancy tool just gives the second-rater one more pillar to hide behind. Which is why there are so many second-rate art directors with state-of-the-art Macintosh computers.

 

Successful people, artists and nonartists alike, are very good at spotting pillars. They’re very good at doing without them. Even more important, once they’ve spotted a pillar, they’re very good at quickly getting rid of it. Good pillar management is one of the most valuable talents you can have on the planet.

 

Keep asking the question, “Is this a pillar?” about every aspect of our business, our craft, our reason for being alive, and go from there. The more we ask, the better we get at spotting pillars, the more quickly the pillars vanish.

 

12. Don’t try to stand out from the crowd; avoid crowds altogether.

 

13. If you accept the pain, it cannot hurt you.

 

You’re better off doing something on the assumption that you will not be rewarded for it, that it will not receive the recognition it deserves, that it will not be worth the time and effort invested in it. The obvious advantage to this angle is, of course, if anything good comes of it, then it’s an added bonus. The second, more subtle and profound advantage is that by scuppering all hope of worldly and social betterment from the creative act, you are finally left with only one question to answer: Do you make this damn thing exist or not?

 

14. Never compare your inside with somebody else’s outside.

 

The more you practice your craft, the less you confuse worldly rewards with spiritual rewards, and vice versa.

 

Never sell something you love. Otherwise, you may as well be selling your children.

 

15. Dying young is overrated.

 

Every kid underestimates his competition, and overestimates his chances. Every kid is a sucker for the idea that there’s a way to make it without having to do the actual hard work.

 

The bars of West Hollywood, London, and New York are awash with people throwing their lives away in the desperate hope of finding a shortcut, any shortcut. Meanwhile the competition is at home, working their asses off.

 

16. The most important thing a creative person can learn professionally is where to draw the red line that separates what you are willing to do from what you are not.

 

It is this red line that demarcates your sovereignty; that defines your own private creative domain. What crap you are willing to take, and what crap you’re not. What you are willing to relinquish control over, and what you aren’t. What price you are willing to pay, and what price you aren’t.

 

Art suffers the moment other people start paying for it. The more you need the money, the more people will tell you what to do. The less control you will have. The more bullshit you will have to swallow. The less joy it will bring. Know this and plan accordingly.

 

When I see somebody “suffering for their art,” it’s usually a case of their not knowing where that red line is.

 

17. The world is changing.

 

If you want to be able to afford groceries in five years, I’d recommend listening closely to the (people who push change) and avoiding the (people who resist change).

 

In order to navigate the New Realities you have to be creative – not just within your particular profession, but in everything. Your way of looking at the world will need to become ever more fertile and original.

 

The old ways are dead. And you need people around you who concur. That means hanging out more with the creative people, the freaks, the real visionaries.

 

They’re easy enough to find if you make the effort, if you’ve got something worthwhile to offer in return.

 

Avoid the folk who play it safe. They can’t help you anymore. Their stability model no longer offers that much stability. They are extinct; they are extinction.

 

18. Merit can be bought. Passion can’t. The only people who can change the world are people who want to. And not everybody does.

 

Part of understanding the creative urge is understanding that it’s primal.

 

We think we’re “Providing a superior integrated logistic system” or “Helping America to really taste Freshness.” In fact we’re just pissed off and want to get the hell out of the cave and kill the woolly mammoth.

 

19. Avoid the Watercooler Gang.

 

20. Sing in your own voice.

 

The really good artists, the really successful entrepreneurs, figure out how to circumvent their limitations, figure out how to turn their strengths into weaknesses.

 

Had Bob Dylan been more of a technical virtuoso, he might not have felt the need to give his song lyrics such power and resonance.

 

21. The choice of media is irrelevant.

 

My cartooning MO was and still is to just have a normal life, be a regular schmoe, with a terrific hobby on the side. It’s not exactly rocket science. This attitude seemed fairly alien to the Art Majors I met. Their chosen art form seemed more like a religion to them. It was serious. It was important. It was a big part of their identity, and it almost seemed to them that humanity’s very existence totally depended on their being able to pursue their dream as a handsomely rewarded profession.

 

22. Selling out is harder than it looks.

 

Diluting your product to make it more “commercial” will just make people like it less.

 

23. Nobody cares. Do it for yourself.

 

24. Worrying about “Commercial vs. Artistic” is a complete waste of time.

 

It’s not about whether Tom Clancy sells truckloads of books or a Nobel Prize winner sells diddly-squat. Those are just ciphers, external distractions. To me, it’s about what you are going to do with the short time you have left on this earth. Different criteria altogether. Frankly, how a person nurtures and develops his or her own “creative sovereignty,” with or without the help of the world at large, is in my opinion a much more interesting subject.

 

25. Don’t worry about finding inspiration. It comes eventually.

 

Find a way of working that makes it dead easy to take full advantage of your inspired moments. They never hit at a convenient time, nor do they last long.

 

Writer’s block is just a symptom of feeling like you have nothing to say, combined with the rather weird idea that you should feel the need to say something.

 

Why? If you have something to say, then say it. If not, enjoy the silence while it lasts. The noise will return soon enough.

 

26. You have to find your own shtick.

 

Jackson Pollock discovering splatter paint. Or Robert Ryman discovering all-white canvases. Andy Warhol discovering silk-screen. Hunter S. Thompson discovering gonzo journalism. Duchamp discovering the found object. Jasper Johns discovering the American flag. Hemingway discovering brevity. James Joyce discovering stream-of-consciousness prose.

 

Somehow while playing around with something new, suddenly they found they were able to put their entire selves into it.

 

27. Write from the heart.

 

28. The best way to get approval is not to need it.

 

29. Power is never given. Power is taken.

 

The minute you become ready is the minute you stop dreaming. Suddenly it’s no longer about “becoming.” Suddenly it’s about “doing.”

 

You didn’t go in there, asking the editor to give you power. You went in there and politely informed the editor that you already have the power. That’s what being “ready” means. That’s what “taking power” means. Not needing anything from another person in order to be the best in the world.

 

30. Whatever choice you make, the Devil gets his due eventually.

 

31. The hardest part of being creative is getting used to it.

 

32. Remain frugal.

 

Part of being creative is learning how to protect your freedom. That includes freedom from avarice.

 

33. Allow your work to age with you. You become older faster than you think. Be ready for it when it happens.

 

34. Being Poor Sucks. The biggest mistake young people make is underestimating how competitive the world is out there.

 

35. Beware of turning hobbies into jobs.

 

James Gold-Smith once quipped, “When a man marries his mistress, he immediately creates a vacancy.” What’s true in philanderers is also true in life.

 

“Before, this man had a job and a hobby. Now suddenly, he’s just got the job, but no hobby anymore. But a man needs both, you see. And now what does this man, who’s always had a hobby, do with his time?” My friend held up his glass. “Answer: Drink.”

 

36. Savor obscurity while it lasts. Once you “make it,” your work is never the same.

 

if they were still “eating dog food” after a few decades, I doubt if they’d be waxing so lyrically. But as long as you can progress from it eventually, it’s a time to be savored. A time when your work is still new to you, a time when the world doesn’t need to be fed,

 

37. Start blogging.

 

38. Meaning scales

 

The post Ignore Everybody – by Hugh MacLeod appeared first on Entreprenergy.

 

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.

Building

Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688

Canaletto: View of Palais Liechtenstein

1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.

The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made ​​from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.

For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.

A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .

Sala terrene of the Palais

1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made ​​of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.

After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.

Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.

Garden

Liechtenstein Palace from the garden

The new summer palace of Henry of Ferstel from the garden

The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.

Use as a museum

Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.

From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .

On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.

de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)

FORT IRWIN, Calif. - U.S. Army Soldiers from 1st Battalion, 8th Infantry Regiment, 3rd Armored Brigade Combat Team, 4th Infantry Division, execute a rehearsal of a mission for live fire operations during Decisive Action Rotation 15-02 at the National Training Center here, Nov. 11, 2014. The decisive action training environment was developed in order to create a common training scenario for use throughout the Army. (U.S. Army photo by Sgt. Charles Probst, Operations Group, National Training Center)

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

 

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

 

Today, Thursday 9 November 2017, saw Greater Manchester Police execute warrants at addresses across the Moss Side and Hulme areas of Manchester.

 

The warrants, which were supported by the Immigration Service, were executed as part of Operation Malham targeting the supply of drugs in South Manchester.

  

Detective Chief Inspector Paul Walker, of GMP’s City of Manchester team, said: "Over the past 6 months we have had a dedicated team of detectives trawling through community concerns and information about drug supply in the Moss Side and Hulme areas.

 

“Today, we have made arrests after executing warrants across these areas and I would like to thank the community for working with us, as well as partners, and making this possible.

 

“Please continue to report anything suspicious to help us stop the criminals benefiting from drug supply and organised crime.

 

“Drugs never be tolerated by us and we are determined to bring those responsible to justice.”

 

To find out more about Greater Manchester Police please visit our website.

www.gmp.police.uk

 

You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.

 

Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.

 

You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.

 

Crimestoppers is an independent charity who will not want your name, just your information.

 

Your call will not be traced or recorded and you do not have to go to court or give a statement.

 

The Corvette C3 was patterned after the Mako Shark II designed by Larry Shinoda. Executed under Bill Mitchell's direction, the Mako II had been initiated in early 1964. Once the mid-engined format was abandoned, the Shinoda/Mitchell car was sent to Chevrolet Styling under David Holls, where Harry Haga's studio adapted it for production on the existing Stingray chassis. The resulting lower half of the car was much like the Mako II, except for the softer contours. The concept car's name was later changed to Manta Ray. The C3 also adopted the "sugar scoop" roof treatment with vertical back window from the mid-engined concept models designed by the Duntov group. It was intended from the beginning that the rear window and that portion of the roof above the seats to be removable.

 

For 1968, both the Corvette body and interior were completely redesigned. As before, the car was available in either coupe or convertible models, but coupe was now a notchback fitted with a near-vertical removable rear window and removable roof panels (T-tops). A soft folding top was included with convertibles, while an auxiliary hardtop with a glass rear window was offered at additional cost. Included with coupes were hold down straps and a pair of vinyl bags to store the roof panels, and above the luggage area was a rear window stowage tray.

 

The chassis was carried over from the second generation models, retaining the fully independent suspension (with minor revisions) and the four-wheel disc brake system. The engine line-up and horsepower ratings were also carried over from the previous year.

 

The engine line-up included the L79, a 350 hp (261 kW) high performance version of the 327 cu in (5.4 L) small-block. Also available were several variants of the big-block 427 cu in (7.0 L) V8 engine, that taken together made up nearly half the cars. There was the L36, a 390 hp (291 kW) version with a Rochester 4-barrel carburetor; The L68, a 400 hp (298 kW) motor with a Holley triple 2-barrel carb set up (3 X 2 tri-power); The L71, generating 435 bhp (441 PS; 324 kW) at 5,800 rpm and 460 lb⋅ft (624 N⋅m) at 4,000 rpm of torque also with a tri-power; The L89 option was the L71 engine but with much lighter aluminum cylinder heads rather than the standard cast iron. Then there was the L88 engine that Chevrolet designed strictly for off-road use (racing), with a published rating of 430 hp (321 kW), but featured a high-capacity 4-barrel carb, aluminum heads, a unique air induction system, and an ultra-high compression ratio (12.5:1). All small block cars had low-profile hoods. All big block cars had domed hoods for additional engine clearance with twin simulated vents and “427” emblems on either side of the dome.

This photo is of the Potočari genocide memorial near Srebrenica, Bosnia. Although many atrocities were executed throughout the 90's in Yugoslavia, some of the events in Bosnia were particularly disturbing. Probably the single-most infamous event was the massacre at Srebrenica; included is a small bit of background information on the culmination of the Serbs' plans there.

Although Serb forces had long been blamed for the massacre, it was not until June 2004—following the Srebrenica commission's preliminary report—that Serb officials acknowledged that their security forces planned and carried out the mass killing. A Serb commission's final report on the 1995 Srebrenica massacre acknowledged that the mass murder of the men and boys was planned. The commission found that more than 7,800 were killed after it compiled thirty-four lists of victims. A concerted effort was made to capture all Bosniak men of military age. In fact, those captured included many boys well below that age and elderly men several years above that age that remained in the enclave following the take-over of Srebrenica . These men and boys were targeted regardless of whether they chose to flee to Potočari or to join the Bosnian Muslim column. The operation to capture and detain the Bosnian Muslim men was well organised and comprehensive. The buses which transported the women and children were systematically searched for men. The question of why the executions took place at all is not easy to answer. During Radislav Krstić's trial before the ICTY, the prosecution's military advisor, Richard Butler, pointed out in taking this course of action, the Serb Army deprived themselves of an extremely valuable bargaining counter. Butler suggested that they would have had far more to gain had they taken the men in Potočari as prisoners of war, under the supervision of the International Red Cross (ICRC) and the UN troops still in the area. It might then have been possible to enter into some sort of exchange deal or they might have been able to force political concessions. Based on this reasoning, the ensuing mass murder defied military explanation. The vast amount of planning and high-level coordination invested in killing thousands of men in a few days is apparent from the scale and the methodical nature in which the executions were carried out. A concerted effort was made to capture all Bosniak males. In fact, those captured included many boys and elderly men that remained in the enclave following the take-over of Srebrenica. These men and boys were targeted regardless of whether they chose to flee to Potočari or to join the column. The operation to capture and detain the Bosniak men was well organised and comprehensive. The Army of Republika Srpska took the largest number of prisoners on 13 July, along the Bratunac-Konjević Polje road. It remains impossible to cite a precise figure, but witness statements describe the assembly points such as the field at Sandići, the agricultural warehouses in Kravica, the school in Konjević Polje, the football field in Nova Kasaba, the village of Lolići and the village school of Luke. Several thousands of people were herded together in the field near Sandići and on the Nova Kasaba football pitch, where they were searched and put into smaller groups. In a video tape made by journalist Zoran Petrović, a Serb soldier states that at least 3,000 to 4,000 men had given themselves up on the road. By the late afternoon of 13 July, the total had risen to some 6,000, according to the intercepted radio communication; the following day, Major Franken of Dutchbat was given the same figure by Colonel Radislav Janković of the Serb army. Many of the prisoners had been seen in the locations described by passing convoys taking the women and children to Kladanj by bus, while various aerial photographs have since provided evidence to confirm this version of events. One hour after the evacuation of the women from Potočari was completed, the Drina Corps staff diverted the buses to the areas in which the men were being held. Colonel Krsmanović, who on 12 July had arranged the buses for the evacuation, ordered the 700 men in Sandići to be collected, and the soldiers guarding them made them throw their possessions on a large heap and hand over anything of value. During the afternoon, the group in Sandići was visited by Mladić who told them that they would come to no harm, that they would be treated as prisoners of war, that they would be exchanged for other prisoners and that their families had been escorted to Tuzla in safety. Some of these men were placed on the transport to Bratunac and other locations, while some were marched on foot to the warehouses in Kravica. The men gathered on the football ground at Nova Kasaba were forced to hand over their personal belongings. They too received a personal visit from Mladić during the afternoon of 13 July; on this occasion, he announced that the Bosnian authorities in Tuzla did not want the men and that they were therefore to be taken to other locations. The men in Nova Kasaba were loaded onto buses and trucks and were taken to Bratunac or the other locations. The Bosniak men who had been separated from the women, children and elderly in Potočari numbering approximately 1,000, were transported to Bratunac and subsequently joined by Bosniak men captured from the column. Almost to a man, the thousands of Bosniak prisoners captured, following the take-over of Srebrenica, were executed. Some were killed individually or in small groups by the soldiers who captured them and some were killed in the places where they were temporarily detained. Most, however, were killed in carefully orchestrated mass executions, commencing on 13 July 1995, in the region just north of Srebrenica. The mass executions followed a well-established pattern. The men were first taken to empty schools or warehouses. After being detained there for some hours, they were loaded onto buses or trucks and taken to another site for execution. Usually, the execution fields were in isolated locations. The prisoners were unarmed and, in many cases, steps had been taken to minimise resistance, such as blindfolding them, binding their wrists behind their backs with ligatures or removing their shoes. Once at the killing fields, the men were taken off the trucks in small groups, lined up and shot. Those who survived the initial round of gunfire were individually shot with an extra round, though sometimes only after they had been left to suffer for a time. The process of finding victim bodies in the Srebrenica region, often in mass graves, exhuming them and finally identifying them was relatively slow. - enWikipedia

 

Photograph was taken by Michael Büker

•-----------•----•💀•---•-------------•

#ELDER_SCROLL_OF_MNEM_0.0♾😻

•-----------•----•💀•---•-------------•

ℹ️8️⃣📞📲📳☎️♾💁‍♂️

 

001-04 #BattlestarColumbia👾♾💍👸👑💝

 

ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM

 

First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.

 

Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.

 

Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.

 

That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀‍

 

Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀‍

 

☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share

 

She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀‍❄️ @/#GregGutfeld #CarleyShimkus

 

#OliviaCampbellPatton #OliviaWildeNeeCockburne

 

🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya

 

By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️

 

#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀‍😾😠😤😡

 

‍👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.

 

☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋

 

3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.

 

4️⃣ By the way; #SullyErna; you're a bitch.👋💀

 

🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share

 

•-----------•----•💀•---•-------------•

 

It is nice to see #TulsiGabbard; @/#FoxNewsCorp.

 

@/ #JennaLeeUSA I 👀‍ see ❄️🍧🍨🍦⛸ (also, #Björk) two✌️👩‍⚖️😌 #RingsOfPower ‍♀️🆗🙆‍♀️☎️🔥♨️💍🔏✍️👩‍💃👩‍💍👨‍👌🙆‍♂️🆗☑️🔲🔳▫️ℹ️🔘https://youtu.be/Pqijx0pnn3c

 

As you were excited to speak w/ me?🔘https://flic.kr/p/2nE3Sns

 

It's #Culpability, @/ #ChriselleTidrick; you either knew, or you did not know. They; the Government, do not believe in culpability, how-ever, culpability, does, indeed, & in-deed, exist. However; they have prosecuted many people, whilst ignoring #Culpability: so, therein, or there-upon; "#CasePrecedent." That said; if any-person, or agency of the Government, or government, harries you, menaces you, or threatens you in any way – ℹ️1️⃣1️⃣x the size of the #OklahomaCityBombing; &☝️ #SiolAlpin💍💝👑👸♾ will send the #LoveLetter💀☠️🌵⚰️⚱️😵 to #JoeBiden. Period.👀‍

 

You will hear the screams; much as #We heard the screams of #BattlestarColumbia, above (#StarOfCoruscant #Hoth) the "ice planet."

 

❄️🌐💍🔘https://youtu.be/-l2-HSSw-us

 

❄️🌐💍🔘https://youtu.be/Vt74HoJtbuw

 

#Owlephant

•———————————•

#ELDER_SCROLL_OF_MNEM_0.0♾😻

•———————————•

#EvanRachelWood-._•✏️📝✍️🔏🐧

 

--WRW

 

_.• ✍️🔏

•-----------•----•💀•---•-------------•

Today, Thursday 16 November 2017, police executed warrants at eight addresses across the Moss Side and Hulme areas of Manchester.

 

The warrants were executed as the latest phase of Operation Malham, targeting the supply of drugs in South Manchester.

 

This follows previous raids last week, which means more than 14 properties have been searched and eight people arrested in total as part of the operation.

 

Detective Chief Inspector Paul Walker, of GMP’s City of Manchester team, said: “We are dedicated to rooting out those who seek to make profits from putting drugs on our streets.

 

“Today’s raids have resulted in the arrests of five people which have only been made possible through the support of partner agencies and community intelligence.

 

“We are grateful for all your support and help and I would urge you to continue to report anything suspicious to help us stop people who are benefitting from crime and remove drugs from our city.”

 

Anyone with information should contact police on 101 or Crimestoppers, anonymously, on 0800 555 111.

 

To find out more about Greater Manchester Police please visit

www.gmp.police.uk

 

You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.

 

Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.

Six people have been arrested following warrants executed in Manchester as part of a crackdown on criminal groups involved in serious crime in Rochdale.

 

Seven addresses in #Moston, #Ardwick, #NewtonHeath, #Blackley, and #Openshaw were targeted this morning (Friday 5 February 2021) by officers from GMP Rochdale with support from neighbouring districts and the Tactical Aid Unit (TAU).

 

A cross bow with ammunition, three machetes and a stab proof vest was recovered from one address. An amount of cannabis was recovered at another address following a successful search by GMP's Tactical Dog Unit.

 

The action follows two serious assaults in Rochdale in December 2020 which detectives believe to be the result of a feud between two rival groups.

 

At around 7.15pm on 17 December, a teenager was stabbed on Tweedale Street, Rochdale, before he was taken to hospital with serious injuries. He was discharged three days later.

 

Over a week later on 28 December, just after 11.30pm, officers were also called to a report of stabbing followed by a road traffic collision on the same street.

 

A 21 year old man was hospitalised after sustaining lacerations to his arm & torso and also a broken arm. He was released two days later.

Enquiries are ongoing, and anyone with information is encouraged to contact police or Crimestoppers.

 

Detective Inspector Karl Ward, of GMP's Rochdale #Challenger team, said: "This morning's raids are the result of an extensive amount of investigative work following a concerning trend of serious assaults recently, particularly around the Freehold area of the town.

 

"It concerns me greatly to see young people involved in assaults where bladed weapons have been used to commit violent attacks. It is absolutely vital that we do all we can to remove this threat and to take such dangerous items off our streets.

 

"It is important that people feel safe in their communities, and we have done an enormous amount of work with our local authority partners to reduce the risk to young people living in the Freehold area.

 

"These arrests represent a positive step in sending that reassurance message. Knife crime will not be tolerated, and we will continue to work tirelessly to bring those who choose to engage in such activities to justice.

 

"While we have arrested six people today, I would encourage the public to continue to report incidents of concern so that we can take appropriate action with the assistance of our partner agencies."

Anyone with information should call 0161 856 8487. Details can be passed anonymously to the independent charity Crimestoppers on 0800 555 111.

Performance by Joan Morey, ‘TOUR DE FORCE. El cos utòpic’ [TOUR DE FORCE: The Utopian Body], 2017. Reenactment executed by the original performer, Eduard Escoffet. Presented in the framework of the exhibition "COLLAPSE. Desiring machine, working machine", Centre d’Art Contemporani de Barcelona - Fabra i Coats, 13 December 2018. Photo: Noemi Jariod. Courtesy the artist.

 

Each of the six programmed performance reenactments is extracted from its original context as studies or scenes from earlier projects and given independent life. These live-action fragments encompass ritualistic exercises following the artist’s rules, tableaux vivants, and dramatic orations based on texts by the artist or by playwrights such as Samuel Beckett. Whenever possible the performances maintain their original interpreters, yet inevitably they are reinforced or degraded through their repetition, adding another layer to the artist’s exploration of control.

 

A dramatic extract from the fifth act of ‘TOUR DE FORCE’ (2017), which has only previously been witnessed by an audience of six people in the setting of a white limousine driving on a route through Barcelona. The project as a whole puts together a conceptual history of the HIV/AIDS pandemic—from the fear and stigma surrounding diagnosis and infection in the 1980s and 1990s to the possibility today of its management and control via pharmaceutical compliance.

 

This performance corresponds to the latter historical context, addressing the complexities of understanding the disease in an epidemiological sense and as a symbolic phenomenon enmeshed with global governance, human rights and civil liberties. A performer dressed in black leather garments makes a ritualistic reading from a mobile device, listing the dates on which new antiretroviral drugs have been approved for use in the US, beginning from 1987. The brand names of each of the medications join the litany of dates, and the pill trademarks are repeated as though they were figures worthy of veneration: Saint Genvoya, Saint Stribild, Saint Odefsey, etc.

 

The subtitle refers to a 1966 radio broadcast by the philosopher Michel Foucault, known for his histories of healthcare and sexuality, who in 1983 became the first public figure in France to die from an AIDS-related illness.

 

© Text by Latitudes

 

—

 

Since the late 1990s, Joan Morey (Mallorca, 1972) has produced an expansive body of live events, videos, installations, sound and graphic works, that has explored the intersection of theatre, cinema, philosophy, sexuality, and subjectivity. Morey’s work both critiques and embodies one of the most thorny and far-reaching aspects of human consciousness and behaviour – how we relate ourselves to others, as the oppressed or the oppressor. This central preoccupation with the exercise of power and authority seemingly accounts for the black and ominous tenor of his art.

 

COLLAPSE encompasses three parts: The first is presented over two floors of the Contemporary Art Centre of Barcelona - Fabra i Coats. ‘Desiring machine, Working machine’ is a survey of ten projects from the last fifteen years of the artist’s work. An exhibition display based around vitrines and video screens deployed as if sarcophagi or reliquaries, is presented alongside a continuous programme of audio works and a schedule of live performance extracts.

 

The second part of COLLAPSE takes place at the Centre d’Art Tecla Sala, L’Hospitalet de Llobregat (23 November 2018–13 January 2019) and is the definitive version of the touring exhibition ‘Social Body’.

 

Titled ‘Schizophrenic Machine’, the third and final part of the project comprises a major new performance event which will take place on January 10, 2019, at an especially resonant – yet deliberately undisclosed – location in Barcelona, where live action will be integrated within the longer narrative of the site’s physical and discursive past.

 

COLLAPSE is curated by Latitudes.

 

—> info: www.lttds.org/projects/morey/

—> info: ajuntament.barcelona.cat/centredart/en/projectes/anterior...

"Queens Foreclosures 2008:

Each red dot on this map represents a mortgage default on a 1-4 family house filed in 2008."

 

The Panorama of the City of New York:

Scale model commissioned by Robert Moses for the 1964 World's Fair.

Designed and executed by Raymond Lester Associates.

Sporadically updated since.

 

"9,335 square foot architectural model includes every single building constructed before 1992 in all five boroughs; that is a total of 895,000 individual structures."

 

"The Panorama was built by a team of 100 people working for the great architectural model makers Raymond Lester Associates in the three years before the opening of the 1964 World’s Fair. In planning the model, Lester Associates referred to aerial photographs, insurance maps, and a range of other City material; the Panorama had to be accurate, indeed the initial contract demanded less than one percent margin of error between reality and the model. The Panorama was one of the most successful attractions at the ‘64 Fair with a daily average of 1,400 people taking advantage of its 9 minute simulated helicopter ride around the City."

 

"Until 1970 all of the changes in the City were accurately recreated in the model by Lester’s team. After 1970 very few changes were made until 1992, when again Lester Associates changed over 60,000 structures to bring it up-to-date. In the Spring of 2009 the Museum launched its Adopt-A-Building program with the installation of the Panorama’s newest addition, Citi Field, to continue for the ongoing care and maintenance of this beloved treasure."

 

www.queensmuseum.org/exhibitions/visitpanorama

www.queensmuseum.org/visi/donate/adopt-a-building

www.nytimes.com/2007/02/02/arts/design/02pano.html

www.flickr.com/groups/1025012@N21/

 

Red Lines Housing Crisis Learning Center:

2009 exhibition by Damon Rich of the Center for Urban Pedagogy, hosted by the Queens Museum of Art

Larissa Harris, Commissioning curator; Project Coordinator for Queens Museum Installation: Rana Amirtahmasebi

Museum Director: Tom Finkelpearl

 

"The Neighborhood Economic Development Advocacy Project collected the foreclosure information. . . . The Regional Plan Association, an independent planning group, then crunched the numbers using the Geographic Information System — a mapping program — to create maps of every inch of the city indicating where there had been foreclosures of single- to four-family homes in 2008."

 

"Red Lines Housing Crisis Learning Center is funded by grants from The Andy Warhol Foundation for the Visual Arts and Artists & Communities, a program of Mid Atlantic Arts Foundation, which is made possible by major funding from Johnson & Johnson, the New Jersey State Council on the Arts, and the JPMorgan Chase Foundation. A publication funded by The Graham Foundation for Advanced Studies in the Fine Arts will be available during the exhibition. Additional support provided by the New York City Department of Cultural Affairs and New York State Council on the Arts."

 

www.queensmuseum.org/2632/red-lines-housing-crisis-learni...

community.queensmuseum.org/lang/en/blog/corona-plaza/redl...

www.nytimes.com/2009/07/08/arts/design/08panorama.html?_r=0

www.cjr.org/the_audit/go_to_queens_museum_get_mad.php

www.flickr.com/photos/panoramaqueensmuseum/sets/721576210...

artforum.com/words/id=23001

www.pbs.org/newshour/video/module.html?mod=0&pkg=1510...

www.citylimits.org/news/articles/3789/on-exhibit-housing

video.foxbusiness.com/v/3894109/ny-panorama-highlights-fo...

video.corriere.it/?vxSiteId=404a0ad6-6216-4e10-abfe-f4f69... (in Italian)

www.clairebarliant.com/artwriting/adaptive-reuse/

www.tandfonline.com/doi/abs/10.1080/08935691003625372

www.businessinsider.com/irvington-new-jersey-sub-prime-pr...

www.nytimes.com/2009/05/17/nyregion/new-jersey/17newarknj...

  

Queens Museum of Art:

Architect: Aymar Embury II

Opened: 1939

Renovated 1964 by Daniel Chait.

Renovated in 1994 by Rafael Viñoly.

Expansion scheduled in 2013, under the helm of Grimshaw Architects with Ammann & Whitney as engineers.

 

"Built to house the New York City Pavilion at the 1939 World’s Fair, where it housed displays about municipal agencies. . . . It is now the only surviving building from the 1939/40 Fair. After the World’s Fair, the building became a recreation center for the newly created Flushing Meadows Corona Park. The north side of the building, now the Queens Museum, housed a roller rink and the south side offered an ice rink. . . . From 1946 to 1950 . . . it housed the General Assembly of the newly formed United Nations. . . . In 1972 the north side of the New York City Building was handed to the Queens Museum of Art (or as it was then known, the Queens Center for Art and Culture)."

 

The other half of the building was an ice-skating rink from 1939–2009.

 

www.queensmuseum.org

www.queensmuseum.org/about/aboutbuilding-history

twitter.com/QueensMuseum

en.wikipedia.org/wiki/Queens_Museum_of_Art

www.facebook.com/QueensMuseum

vimeo.com/queensmuseum

en.wikipedia.org/wiki/Aymar_Embury_II

en.wikipedia.org/wiki/Ammann_%26_Whitney

grimshaw-architects.com

artsengaged.com/bcnasamples/chapter-fifteen-being-good-ne...

But accursed is the fate of my camera

languishing like a hungry dog it is beggars

the homeless scavengers searching for food

in the garbage is what my cosmic vision bears

fruit ,, I tried to shoot cloud birds airplanes

flowers chubby kids cute bees butterflies

still life silently mute ,,but I must refute my

idiomatic passion such tasks failed to

comply or execute ,,soon after i have shot

the bleeding goats Ishmael's sacrifice to

god his only son as tribute i will be shooting

bleeding heads bleeding backs a camera

two daggers in my hands ..my Shia fortitude '

remembering the ultimate sacrifice of Hussain

between good and evil an eternal feud ,.

Sadal Wida Hussaina .Wa Hasrata Hussains

Shame Hakim Laeen Ast ,,, our courage attitude

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

 

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

 

Officers from Titan - the North West Regional Crime Unit - and Greater Manchester Police have taken part in raids targeting people suspected of being involved in a £300 million pound drugs conspiracy.

 

Police executed warrants at a number of addresses in Altrincham, Prestwich, Salford and Bolton in the early hours of Wednesday 2 July 2014.

 

A quantity of cash and drugs have been seized and are being examined to identify what they are.

 

Eight men were arrested on suspicion of drugs trafficking offences and three women were arrested on suspicion of possessing Class B drugs.

 

This morning’s raids have been part of an extensive investigation into the supply of Class A, B and C drugs across the North West by officers from Titan.

 

Detective Superintendent Jason Hudson, Titan’s head of operations said: "The coordinated arrests this morning come as a result of an intensive and painstaking 12 month long investigation by my team.

 

“Our actions have delivered a massive blow against the organised criminals operating in the Manchester and North West region, and we continue to send a strong message to others involved in this type of crime that we will act on information we receive and we will be knocking on your door.

 

“We remain committed to tackling those involved in drugs offences by dismantling their hierachies and putting those involved before the courts.

 

"I would urge decent, law-abiding members of the community who have information about criminality where they live to share that information with their local police force or Crimestoppers so that positive action can be taken."

 

To find out more about Greater Manchester Police please visit our website.

www.gmp.police.uk

 

You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.

 

Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.

 

You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.

 

Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.

 

The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.

Building

Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688

Canaletto: View of Palais Liechtenstein

1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.

The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made ​​from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.

For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.

A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .

Sala terrene of the Palais

1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made ​​of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.

After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.

Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.

Garden

Liechtenstein Palace from the garden

The new summer palace of Henry of Ferstel from the garden

The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.

Use as a museum

Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.

From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .

On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.

 

de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)

•-----------•----•💀•---•-------------•

#ELDER_SCROLL_OF_MNEM_0.0♾😻

•-----------•----•💀•---•-------------•

ℹ️8️⃣📞📲📳☎️♾💁‍♂️

 

ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM

 

First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.

 

Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.

 

Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.

 

That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀‍

 

Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀‍

 

☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share

 

She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀‍❄️ @/#GregGutfeld #CarleyShimkus

 

#OliviaCampbellPatton #OliviaWildeNeeCockburne

 

🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya

 

By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️

 

#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀‍😾😠😤😡

 

‍👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.

 

☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋

 

3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.

 

4️⃣ By the way; #SullyErna; you're a bitch.👋💀

 

🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share

 

•-----------•----•💀•---•-------------•

 

It is nice to see #TulsiGabbard; @/#FoxNewsCorp.

 

@/ #JennaLeeUSA I 👀‍ see ❄️🍧🍨🍦⛸ (also, #Björk) two✌️👩‍⚖️😌 #RingsOfPower ‍♀️🆗🙆‍♀️☎️🔥♨️💍🔏✍️👩‍💃👩‍💍👨‍👌🙆‍♂️🆗☑️🔲🔳▫️ℹ️🔘https://youtu.be/Pqijx0pnn3c

 

#Owlephant

•———————————•

#ELDER_SCROLL_OF_MNEM_0.0♾😻

•———————————•

#EvanRachelWood-._•✏️📝✍️🔏🐧

 

--WRW

 

_.• ✍️🔏

•-----------•----•💀•---•-------------•

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

Erna Haupt, accused of aiding her son in a Nazi-organized effort to conduct sabotage in the United States during World War II, is shown in a mugshot after her arrest in 1942.

 

Erna Haupt came to the United States with their son Herbert in 1925 to join her husband, who had arrived in 1923, and became a naturalized U.S. citizen.

 

The Haupt’s were charged with knowing that their son Herbert Haupt brought large sums of money with him, sheltering Haupt, buying him an automobile in Herbert’s father Hans’ name and being fully advised of their son’s plans for sabotage.

 

Six relatives and friends of Nazi saboteur Herbert Haupt, who was executed with five others in August 1942, faced charges of aiding Haupt in his effort to carry out sabotage of U.S. factories, transportation infrastructure and other facilities.

 

The six were among 14 people in the United States indicted in 1942 for aiding the eight convicted Nazi saboteurs--six of whom were executed, one received a life sentence and one received 30 years imprisonment following a Washington, D.C. military trial.

 

A three week civilian trial in Chicago of those six charged with aiding the saboteurs ended November 14, 1942. Found guilty of treason and aiding and sheltering Herbert Hans Haupt were Hans and Erna Haupt, Herbert Haupt’s parents; Walter and Lucille Froehling, Herbert Haupt’s uncle and aunt; and Otto and Kate Wergin, family friends of the Haupts and Froehlings.

 

On November 24th, Federal Judge William J. Campbell sentenced the three men to death and gave the women twenty-five year prison sentences and fined $10,000 each.

 

“The sentence must serve notice upon the enemy that the cunningly devised scheme for the use of American citizens of German birth as pawns in the game of sabotage and espionage in this country is doomed to failure.”

 

“How different this trial was from the treatment given in Germany to persons accused of similar offense against the German Reich.

 

“In pronouncing this sentence upon these six men and women this court is constrained to give full consideration to the fact that our nation, and every man, woman and child in it, are engaged in a global death struggle against forces of tyranny and evil unprecedented in the history of mankind. Our enemies seek to destroy us both by force of arms on our far flung battlefronts and through disaffection and treacherous sabotage within our borders.”

 

“The home front in our titanic struggle against the enemy is equally important and certainly more vulnerable than our battle lines. This is a war of people against people, as well as cannon and cannon. To endanger this home front, therefore, is as treasonable act as the act of spiking our guns in the face of the foe.”

 

On June 29, 1943, the U.S. Court of Appeals overturned the verdict, citing serious errors in the proceedings. The ruling saved the three men from the electric chair.

 

Among the trial errors cited was the admissibility of “confessions” that had been obtained by the FBI without advising the defendants of their right to counsel and the judge’s denial of motions to sever the defendants trials from each other.

 

Otto Wergin and Walter Froehling pled guilty July 22, 1944 to misprision of treason (deliberate concealment of knowledge of treason) and were sentenced to five years each in prison.

 

Hans M. Haupt was tried a second time, convicted and sentenced to life imprisonment and fined $10,000

 

Charges were dropped against the wives of the defendants, although Erna Haupt was interred for the duration of the war, had her citizenship revoked and was deported to the American sector in Germany after the war ended.

 

Hans Haupt, a formerly naturalized U.S. citizen, was granted clemency by U.S. President Dwight Eisenhower in 1957 and scheduled for deportation to Germany.

 

The conditions of Haupt’s release provided that if he set foot on American soil, the clemency would be automatically revoked and he would be returned to prison for the rest of his life. Haupt had already lost his citizenship upon his conviction.

 

For more information and related images, see flic.kr/s/aHsmPiRmT4

 

The photographer is unknown. The image is believed to be a U.S. government photograph. It is housed in the D.C. Library Washington Star Collection.

 

Cartoon painting a real artist painting a cartoon.

(Artist is Peter Grant, executing a painting, with his actual painting replaced digitally with a photo.)

 

Title / Titre :

Louis Riel (1844-1885 executed). Carte-de-visite studio portrait taken in Ottawa after Riel was elected the Member of Parliament for Provencher, Manitoba, 1873 /

 

Louis Riel (1844-1885) exécuté. Portrait de studio, format carte de visite, pris à Ottawa après l'élection de Riel au Parlement comme député de Provencher (Manitoba), 1873

 

Creator(s) / Créateur(s) : Notman Studio, W.J. Topley, Proprietor.

 

Date(s) : 1873

 

Reference No. / Numéro de référence : ITEM 3192038, 3629579

 

central.bac-lac.gc.ca/.redirect?app=fonandcol&id=3192...

central.bac-lac.gc.ca/.redirect?app=fonandcol&id=3629...

 

Location / Lieu : Ottawa, Ontario

 

Credit / Mention de source :

Notman Studio. Library and Archives Canada, C-002048 /

 

Notman Studio. Bibliothèque et Archives Canada, C-002048

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

 

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

 

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

 

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

 

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

 

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

 

Me & Tomek Pizoń

 

Tomek executed three of my murals by now (also Candy Stick / Satanico Tropical [2nd version] & Vortex) - The Best Man: sharp and obsessed with quality – I wish I could always work with people like him.

 

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

My God, I've made my own computer.

 

I finished the FAT16 routines today. Using the monitor, the user can list the files in the root directory, load them into memory, and execute them.

 

"hello.ex9" is the name of the executable file. It's just a blob of 6809 machine code that gets loaded at address 0x0100.

 

"kg" is the "run executable" command. All the card commands start with k, and g stands for "go."

 

Now I get to write software!

 

(For the curious: the "OFFSETS: F33 R279 D311" line indicates the sector offsets of the FAT, the root directory table, and the data region on the card.)

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

 

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

 

The statue of Commodore Cornelius Vanderbilt by Ernst Plassman was executed in 1869 and moved to its current location on the south facade of Grand Central Terminal in 1913. The 8-foot, 6-inch-tall, bronze statue originally stood from 1869-1913 in the niche of a panel with reliefs of railroads, steamships, and agricultural elements at the Hudson River Railroad Freight Depot. The panel was not relocated with the sculpture when it was moved. In the past, this piece was attributed to Albert DeGroot, but historian David M. Kahn, in an article for The Connoisseur, June 1980, reattributed it to Plassman.

 

Grand Central Terminal, built by and named for the New York Central Railroad, is the largest train station in the world by number of platforms. The terminal was built to the design of Reed and Stem and Warren and Wetmore between 1903 and 913, replacing Grand Central Station and before that, Grand Central Depot, which were built in 1900 and 1871 respectively.

 

In 2007, Grand Central Station was ranked #13 on the AIA 150 America's Favorite Architecture list.

 

Grand Central Terminal National Register #75001206

I don't think Amazon is going to post this, so I'm posting this where I can. My review of the new Super Mario Bros. Game and Watch: 1 out of 5 stars.

 

This little bit of hardware is such a disappointment. While it isn't terribly executed, its flaws far outweigh the $50 price tag, and that's assuming you're able to get it at that low of a price.

Getting the good out of the way, it does feel put together decently, and the screen quality is pretty good. I read a review praising it to no end, and while I don't think it deserves that much praise, it's good. They seem to have hacked the games a little bit to operate without a select button, so you're able to select two player mode or Luigi in The Lost Levels. However, that's where the compliments end.

 

First, the screen! Yeah, I just got done praising it, but it's far too small for proper 4:3 TV games. There's a reason why the late 90s Super Mario Bros. Deluxe for Game Boy Color had a more limited field of view compared to the NES original. I never played the Game Boy Advance NES classics port, but in the Game and Watch's own right, it fails. Everything's too small, and if you're playing the game in a position that isn't with your arms scrunched up to your face, then the screen's too far away which just makes everything on the screen look even smaller. The size of the screen may have been adequate for the LCD games of the classic Game and Watch games, but it's just simply inadequate here.

 

The A and B buttons are a problem. They are smaller than NES controller buttons. That's not too much of a dealbreaker. It may help mitigate the next complaint, but they are smaller. I get it, they were going for a Game and Watch look and feel. However, this is NES Super Mario Bros. Anyway, the buttons are also rubbery and convex instead of NES controller smooth and concave. Imagine if the material for the NES controller start and select buttons was used for the A and B buttons and arced out towards you. This is a problem if you're holding down the B button to run and wish to slide your thumb a little bit on the B button to position it to roll onto the A button to jump while still holding the B button down. The smooth NES buttons made this easy. The Game and Watch buttons make this feel like you're fighting it if you're out of position and need to slide into position. The small size of the buttons somewhat mitigates this, but it's still a poor feel. This didn't make me lose any lives (yet), but it's still a problem that takes me out of the experience. Also, the B button is awfully close to the protrusion for the screen. Sometimes my thumb hits part of the protrusion while I'm trying to press the B button down. That's also a problem. The d-pad is at least adequate. There's not a lot to say about it.

 

The software selection is no surprise. Super Mario Bros. 1, The Lost Levels, and a Marioified version of one of the most famous Game and Watch games, Ball. The first two are better played on a 3DS or a Switch when you're on the go. Seriously. It's much easier to see what you're doing on one of those systems. If you get a Split Pad Pro for the Switch, it brings you even closer to the NES experience. I'd also argue that the Game Boy Color port, Super Mario Bros. Deluxe, is a better option for on the go play than trying to play the Super Mario games in full frame on the tiny screen provided by this Game and Watch unit. And then there's Ball. If you're paying $50 to play Ball, then you're paying too much.

 

Moving on to the clock function, it's nice, but it's not $50 nice. It's not $50 nice on multiple levels, as a matter of fact. Yes, there are Easter eggs. You can change visual themes. It's got Mario doing Mario things. It's so thoroughly meh. There's some kind of seconds hand that seems a bit out of sync. It begins to sound more intense when it's on one side of the screen, presumably when it's about to change the minute, but it doesn't seem to actually sync to the changing of the minute. It doesn't seem to make much sense. You can turn the volume down to get rid of the strange sound which makes things a little bit less awful. Also, there's no kickstand like in older Game and Watch games, so that's a problem if you were planning on standing it up for your alarm clock. Oh wait, that's not actually a problem because this unit doesn't have an alarm clock function. I bought this thing on the idea that it would have an alarm clock. Many classic Game and Watch games included an alarm clock function after a certain year. Why can't this thing be as good as something that came out in the 80s?

 

There's also the matter of the placement of the USB charging port. Did it have to be directly in the center of the right edge of the system? Couldn't they have moved it up a bit? While it doesn't block your hand from being in a position that allows you to reach the A and B buttons when you have the plug inserted for charging while trying to play the system, it does push your hand further down than you may usually have it. This is the one thing that makes me the most irritated when it comes to this new Game and Watch. They didn't have to make it this way, but they did. They could have certainly moved the connector on the circuit board up a little bit and moved the power button to the top of the system, but they didn't. With my big man hands, a need to charge the unit means that I can't comfortably hold the system to play it, and that's something that's very un-Nintendo in the world of Nintendo handheld consoles. They've been at it for three decades. Certainly they could have foreseen the position of the charging port being a problem.

 

Finally, regarding the hack to Super Mario Bros. 1 that lets you play two players on one system, that means that the game is now a pass the controller two player alternating game. Nintendo released a pass the controller game in the year 2020 where touching a surface may pass along literal death in the form of Covid-19. Tremendous work, Nintendo. You could have just removed two player entirely, but instead you released an object which encourages you to use it in a way that can be hazardous to your health. This may be the gaming blunder of the year, and we've had so many strong contenders this year.

 

The one and only good thing about buying this disappointing little $50 trinket is that it comes with the most perfect tiny USB cord for Android Auto in my truck. No, this disappointing little $50 trinket doesn't come with a USB power adapter. You have to provide that yourself. They couldn't make me too happy. However, the USB cord fits my truck and my phone in the one cup holder that I keep it in when using Android Auto so perfectly that I went outside with no shoes and jacket on in the middle of fall in the middle of cold November to test it out, and it worked. I was so happy.

 

Honestly, I think the way they could have improved this system would have been to make this a collection of old Game and Watch games like Nintendo did with the Game and Watch Gallery collections for Game Boy, The original Super Mario Bros. Game and Watch game could have been the marquee game, and they could have included other Nintendo oddities like Mario's Cement Factory and Flagman along with Ball and other single screen Game and Watch games. While old Game and Watch games aren't tremendously engaging gaming experiences, a collection like this would be an interesting way to highlight Mario's and Nintendo's history and a more economically sound one at $50. And an alarm function with a kickstand would should have been there. I don't know why it's not. I was at least expecting to use this Game and Watch as an alarm. An expensive novelty alarm, but one that I thought was going to make me happy.

 

Seriously, I can't rate this as zero stars, but at least the one star exists for the supremely convenient USB cable that this unit comes with. I can't overstate how happy I am with the USB cable. It declutters my truck that much more.

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

 

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

 

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

 

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

 

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

 

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

Sutra The Gastropub : A Bon Vivant’s delight

 

Sutra Gastropub which hosted a wonderful event with Signature Expressions and the cult band Indian Ocean this week has already become a very significant part of the party scene in Gurgaon’s Cyber Hub. The restaurant offers soups, salads, a wide variety of starters and serves cuisines like Indian, Italian, Moroccan, American and European.

 

I like the menu; it has hearty, trustworthy dishes that the chefs have managed to execute well. The well being of the flourishing, diverse and experimental food tradition in India rests in the hands of such restaurants.

 

Jhul e kabab @ SutraSpeaking of the well-written, hunger-inducing, gutsy menu, we read it and immediately knew what we wanted. Such a musical night with iconic singers and musicians called for a lot of finger food and signature cocktails. We ordered a “Manhattan” with Signature’s best whiskey, “Mustard Fish Tikka”, “Seekh-e-khas” and “Jujeh Kebabs”.

 

Alfresco dining, iconic music, and an extremely cosy restaurant, is all that we needed after a long hard day at work. The restaurant is well planned and spacious. There is dark-wood furniture. There are two bars with bar stools for people who wish to sit there and drink the bartenders interesting cocktail concoctions; they also have a wine rack. Indian ocean sutra

 

On a weekday (Wednesday), the place is bustling with people; I wasn’t at all surprised, most restaurants at Cyber Hub are thriving, every day is good business, weekends are especially brilliant.

 

IMG_2425And then the food starts to arrive and it’s clear everything is going to be great. The food is fresh, the drinks are well balanced and the staff is courteous. Check. Check. Check. The restaurant checks all the right boxes for me. For main course I got a thin crust “Chicken Pizza”. I expected it to be heavy but it turned out to be surprisingly light. It was an utterly guilt-free pizza with extremely coordinated ingredients.

 

Most evenings and weekends are special for the restaurant because they organise fun-filled events for their patrons. Anoop, who manages the place, and it feels very much like a one-man operation, clearly knows how to make customers feel at home.

 

There are chunky burgers with chicken and lamb; the meat is tender, well cooked and extremely delicious. This multi-cuisine restaurant does a mouth-watering molten brownie cake, chocolate tiramisu and some really interesting cheesecake to finish.

 

Sutra seems to be doing a great job because the evening was a raving success and went absolutely glitch free.

 

XOXO

Shivangi

(Shivangi Reviews)

Contact: shivangireviews@gmail.com

Find me on Facebook, search "Shivangi Reviews"

Published on: Live in Style by Shivangi Sinha

Today, Thursday 16 November 2017, police executed warrants at eight addresses across the Moss Side and Hulme areas of Manchester.

 

The warrants were executed as the latest phase of Operation Malham, targeting the supply of drugs in South Manchester.

 

This follows previous raids last week, which means more than 14 properties have been searched and eight people arrested in total as part of the operation.

 

Detective Chief Inspector Paul Walker, of GMP’s City of Manchester team, said: “We are dedicated to rooting out those who seek to make profits from putting drugs on our streets.

 

“Today’s raids have resulted in the arrests of five people which have only been made possible through the support of partner agencies and community intelligence.

 

“We are grateful for all your support and help and I would urge you to continue to report anything suspicious to help us stop people who are benefitting from crime and remove drugs from our city.”

 

Anyone with information should contact police on 101 or Crimestoppers, anonymously, on 0800 555 111.

 

To find out more about Greater Manchester Police please visit

www.gmp.police.uk

 

You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.

 

Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.