Executed photos on Flickr

Philadelphia - Old City: Second Bank Portrait Gallery - Marquis de Lafayette by Wally Gobetz

The portrait of Marquis de Lafayette (Catolog Number INDE11879) was executed by Thomas Sully in 1825-26. Sully, a Philadelphia artist, was commissioned by a group of private citizens to commemorate Lafayette's visit to Philadelphia in late September, 1824, for Indpendence Hall. Sully developed the portrait from a series of small sketches and one study painting made for review by his patrons. Sully idealistically depicted Lafayette as much younger than his sixty-seven years. In the finished work, Lafayette stands in front of the triumphal arch designed by William Strickland for the hero's reception at Independence Hall. Philadelphia's Washington Grays, Lafayette's military escort through the city, are visible in the middle ground. Independence Hall can be seen in the background, filled with a cheering crowd and topped by an American flag. The painting was purchased by the City of Philadelphia from the subscribers in 1826.

Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, Lafayette, commonly known as the Marquis de Lafayette (1757 – 1834) was a French military officer and former aristocrat who participated in both the American and French revolutions. Lafayette served, without pay, in the American Revolutionary War both as a general and as a diplomat.

The Second Bank of the United States, at 420 Chestnut Street, was chartered five years after the expiration of the First Bank of the United States in 1816 to keep inflation in check following the War of 1812. The Bank served as the depository for Federal funds until 1833, when it became the center of bitter controversy between bank president Nicholas Biddle and President Andrew Jackson. The Bank, always a privately owned institution, lost its Federal charter in 1836, and ceased operations in 1841. The Greek Revival building, built between 1819 and 1824 and modeled by architect William Strickland after the Parthenon, continued for a short time to house a banking institution under a Pennsylvania charter. From 1845 to 1935 the building served as the Philadelphia Customs House. Today it is open, free to the public, and features the "People of Independence" exhibit--a portrait gallery with 185 paintings of Colonial and Federal leaders, military officers, explorers and scientists, including many by Charles Willson Peale.

Independence National Historical Park preserves several sites associated with the American Revolution. Administered by the National Park Service, the 45-acre park was authorized in 1948, and established on July 4, 1956. The Second Bank of the United States was added to the Park's properties in 2006.

Second Bank of the United States National Register #87001293 (1987)

Independence National Park Historic District National Register #66000675 (1966)

#JennaLeeUSA ☕️ by WILLIAM RUSSELL WADE

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#ELDER_SCROLL_OF_MNEM_0.0♾😻

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ℹ️8️⃣📞📲📳☎️♾💁‍♂️

ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM

First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.

Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.

Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.

That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀‍

Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀‍

☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share

She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀‍❄️ @/#GregGutfeld #CarleyShimkus

#OliviaCampbellPatton #OliviaWildeNeeCockburne

🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya

By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️

#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀‍😾😠😤😡

‍👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.

☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋

3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.

4️⃣ By the way; #SullyErna; you're a bitch.👋💀

🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share

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It is nice to see #TulsiGabbard; @/#FoxNewsCorp.

@/ #JennaLeeUSA I 👀‍ see ❄️🍧🍨🍦⛸ (also, #Björk) two✌️👩‍⚖️😌 #RingsOfPower ‍♀️🆗🙆‍♀️☎️🔥♨️💍🔏✍️👩‍💃👩‍💍👨‍👌🙆‍♂️🆗☑️🔲🔳▫️ℹ️🔘https://youtu.be/Pqijx0pnn3c

#Owlephant

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#ELDER_SCROLL_OF_MNEM_0.0♾😻

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#EvanRachelWood-._•✏️📝✍️🔏🐧

--WRW

_.• ✍️🔏

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Gospel Book, Head-piece and incipit for the Gospel of St. Mark, Walters Manuscript W.540, fol. 82r by Walters Art Museum Illuminated Manuscripts

1

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

Gospel Book, Second Coming of Christ, Walters Manuscript W.540, fol. 14v by Walters Art Museum Illuminated Manuscripts

2

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

IMG_2108 by Alec Frazier

2

Studiolo from the Ducal Palace in Gubbio

•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)

•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)

•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)

•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)

•Date: ca. 1478-1782

•Culture: Italian, Gubbio

•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base

•Dimensions:

oHeight: 15 ft. 10 15/16 in. (485 cm)

oWidth: 16 ft. 11 15/16 in. (518 cm)

oDepth: 12 ft. 7 3/16 in. (384 cm)

•Classification: Woodwork

•Credit Line: Rogers Fund, 1939

•Accession Number: 39.153

On view at The Met Fifth Avenue in Gallery 501.

This detail is from a study, (or studiolo), intended for meditation and study. Its walls are carried out in a wood-inlay technique known as intarsia. The latticework doors of the cabinets, shown open or partly closed, indicate the contemporary interest in linear perspective. The cabinets display objects reflecting Duke Federico’s wide-ranging artistic and scientific interests, and the depictions of books recall his extensive library. Emblems of the Montefeltro are also represented. This room may have been designed by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar room, in situ, was made for the duke’s palace at Urbino.

Signatures, Inscriptions, and Markings

•Inscription:

oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.

oTranslation: (“You see the eternal nurselings of the venerable mother // Men pre-eminent in learning and genius, // How they fall with bared neck before // …… // ………………………………………………knee. // Honored loyalty prevails over justice, and no one // Repents having yielded to his foster mother.”)

Provenance

Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482); Prince Filippo Massimo Lancellotti, Frascati (from 1874); Lancelotti family, Frascati (until 1937; sold to Adolph Loewi, Venice); [Adolph Loewi, Venice (1937-1939; sold to MMA)]

Timeline of Art History

•Essays

oCollecting for the Kunstkammer

oDomestic Art in Renaissance Italy

oRenaissance Organs

•Timelines

oFlorence and Central Italy, 1400-1600 A.D.

MetPublications

oVermeer and the Delft School

oPeriod Rooms in The Metropolitan Museum of Art

oPainting Words, Sculpting Language: Creative Writing Activities at The Metropolitan Museum of Art

oOne Met. Many Worlds.

oMusical Instruments: Highlights of The Metropolitan Museum of Art

oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain

oThe Metropolitan Museum of Art Guide (Spanish)

oThe Metropolitan Museum of Art Guide (Russian)

oThe Metropolitan Museum of Art Guide (Portuguese)

oThe Metropolitan Museum of Art Guide (Korean)

oThe Metropolitan Museum of Art Guide (Japanese)

oThe Metropolitan Museum of Art Guide (Italian)

oThe Metropolitan Museum of Art Guide (German)

oThe Metropolitan Museum of Art Guide (French)

oThe Metropolitan Museum of Art Guide (Chinese)

oThe Metropolitan Museum of Art Guide (Arabic)

oThe Metropolitan Museum of Art Guide

oMasterpieces of The Metropolitan Museum of Art

o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)

oGuide to The Metropolitan Museum of Art

oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo

oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo

o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)

oThe Artist Project: What Artists See When They Look At Art

oThe Artist Project

oThe Art of Renaissance Europe: A Resource for Educators

oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art

oArt and Love in Renaissance Italy

2009 Pro Bowl Game by kahl4

OFFENSE

Peyton ManningQBKurt Warner

Thomas JonesRBAdrian Peterson

Le'Ron McClainFBMike Sellers

Andre JohnsonWRLarry Fitzgerald

Brandon MarshallWRAnquan Boldin

Tony GonzalezTEJason Witten

Jason Peters*OTJordan Gross

Joe ThomasOTWalter Jones*

Alan FanecaOGSteve Hutchinson

Kris DielmanOGChris Snee

Kevin Mawae*CAndre Gurode

DEFENSE

Mario WilliamsDEJulius Peppers

Dwight FreeneyDEJustin Tuck

Albert HaynesworthDTKevin Williams

Kris JenkinsDTJay Ratliff

James HarrisonOLBDeMarcus Ware

Joey PorterOLBLance Briggs

Ray LewisILBPatrick Willis

Nnamdi AsomughaCBCharles Woodson*

Cortland FinneganCBAntoine Winfield

Ed ReedFSNick Collins

Troy PolamaluSSAdrian Wilson

SPECIAL TEAMS

Shane LechlerPJeff Feagles

Stephen GostkowskiKJohn Carney

Leon WashingtonKRClifton Smith

Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.

Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.

Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.

Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.

The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.

On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.

Gospel Book, Joseph of Arimathea and inhabited initial of a wolf, Walters Manuscript W.540, fol. 122v by Walters Art Museum Illuminated Manuscripts

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

enercityParkII_035 by iliveisl

the iliveisl sim, Enercity Park, goes away shortly after these pics were taken. it was one of only 100 or so remaining openspace sims.

it had been 3750 prims but when Linden Lab poorly executed their change in policy and pricing and went from $75 to $95 per month and from 3750 prims to 750 prims, this became the most expensive type of land isl

but i promised my residents that Enercity would have a park so kept it until the estate was transferred to the very best residents in all of second life

the park was the closest to a home that Ener Hax had. two sparse fallout shelters would become Ener's homes

one just a bare mattress and cardboard boxes to reduce drafts from broken windows and had and old turret slowly rotating that stood as a silent sentinel to bygone eras when we humans could have taken a lesson from our own avatars and the other a small emergency shelter for the bus stop

the lake in the park was called Butterfly Lake from its shape when viewed from the air and had a swan and ducklings swimming and a nice bench for friends to sit and visit under a weeping willow. near that spot was an old underground shelter to park military vehicles. that spot became an underground skatepark and was connected to the city's catacombs. these catacombs, like in Paris, ran below the city streets

zombies lived in one section near a small graveyard. no one knew why zombies were there, some suspect it was related to the war time bunkers. the manhole cover near the zombies was opened and the catacombs tagged with "i <3 ener hax" and "subQuark sux"

the most favourite spot for Ener Hax was near the bus stop and the 1950's era rotating and steaming coffee billboard (hmm, maybe the chemical smoke from that big coffee cup is to blame for the zombies? after all, the "steam" does drift over the grave yard

the fave spot looked over the smaller lake west of the bus stop and was in view of one of the parks two waterfalls. that spot was made very special because of Mr. Bunny. Ener loved to sit on the ground and just watch Mr. Bunny hop around and doze occasionally. what a cute bunny =) he even had his own carrots planted by Ener

high above the eastern part of the park was the huge zebra striped zeppelin. a bit of a trademark of the iliveisl estate

it was a lovely spot, even had tai chi on the big bunker and a zip line from the water tower

ooh, the water tower! as a surprise gift, DreamWalker scripted the water tower and turned it int a funky hang out spot. there was an abandoned pool inside the tower (???) and place to sit and talk. even a cute ladybug called it home. the water tower's top would slide up and down and also turn invisible. for romance, a moon beam came through the towers top port and could even have its brightness changed

even though the park was outrageously expensive, it was Ener Hax and Mr. Bunnies home and will be sincerely missed

namas te

St Alphege, Seasalter, Whitstable, Kent by Jelltex

This weekend was Heritage and Ride & Stride weekend, when many churches are open.

So, a grand tour round Kent's most difficult was planned and executed, with this being the first church of the day open, after four strike outs.

St Alphege is just the chancel of a larger church, so there isn't much to see, or room inside, but I got my shots and declined my first cuppa of the day.

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Hidden from the road and accessible only by footpath, this 13th century gem is a remarkable survivor. It is the chancel of the medieval church of Seasalter, the rest of which was demolished when the new church of St Alphege was built in what is now Whitstable. The west wall of flint is in contrast to the rubble construction of the medieval work and its lancet windows. Inside, all is squashed together but they even managed to get a proper organ in! High in the west wall is a lovely window by Lawrence Lee depicting St Alphege whose body rested in the previous church which stood out where the River Swale washes the shore today. This old church is still used and well loved by its congregation who now also have a brand new (2007) church a few hundred yards away for there regular services.

www.kentchurches.info/church.asp?p=Seasalter

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THE LIBERTY AND PARISH OF SEASALTER.

THIS liberty lies adjoining to the parish of Hernehill and hundred of Boughton Blean, north eastward, being so named from its near vicinity to the sea. (fn. 1)

The LIBERTY AND PARISH of Seasalter lies in an obscure out of the way situation, bounded by the sea northward, but the large tract of marshes which adjoin it westward, as well as the badness of the water, make it very unhealthy. The east and southern parts are mostly coppice wood, and the soil a deep clay. The church stands on the knoll of a hill, nearly in the middle of the parish, below which, westward, it is all marsh land to the sea shore, not far from which the few houses stand which make the village of Seasalter. There are forty-six houses in this parish, most of which are in Whitstaple-street, great part of which is within the bounds of it, and over part of which the borough of Harwich claims. There is an oyster fishery on the shore here, the grounds of which, called the Pollard, are an appendage to the manor of Seasalter, and as such belong to the dean and chapter of Canterbury, who demise them to seven fishermen or free dredgermen of Seasalter, at a certain yearly rent. In December, 1763, a live whale was driven on shore on Seasalter flats, which was about fifty-six feet long. The manor of Seasalter has the privilege of four fairs yearly, on the four principal feasts in the year; but there have not been any held for some years.

The MANOR OF SEASALTER was given, before the Norman conquest, to the priory of Christ-church, in Canterbury, but by whom, I have no where found; and it continued part of the possessions of it at the time of taking the survey of Domesday, in which record it is thus entered:

In Borowart lath, there lies a small borough named Sesaltre, which properly belongs to the kitchen of the archbishop. One named Blize held it of the monks. In demesne there is one carucate, and forty-eight borderers with one carucate. There is a church and eight fisheries, with a rent of twenty-five shillings. Wood for the pannage of ten hogs. In the time of king Edward the Confessor, and afterwards, it was worth twenty-five shillings, and now one hundred shillings.

After which, this manor appears to have been let to ferme by the prior and convent, to Roger de Wadenhale, in king Henry the IId.'s reign, at the yearly rent of six pounds, with a reservation of all royal fish, wrec, &c. and afterwards to Clemencia, daughter of Henry de Hanifeld, at that of ten marcs, which rent was afterwards raised to twenty pounds per annum. In 1494, prior Thomas Goldstone caused a new mansion, or court-lodge to be built here, and at the rectory he rebuilt all the edifices, except the barn. In which situa tion this manor continued with the priory till its dissolution, in the 31st year of king Henry VIII. when it was surrendered into the king's hands, and was by his dotation-charter, in his 33d year, settled on his newfounded dean and chapter of Canterbury, with whom the inheritance still continues. (fn. 2)

A court leet and court baron is regularly held by the dean and chapter for this manor; but the demesne lands, as well as the rectory or parsonage of the church, were lately demised on a beneficial lease to Isaac Rutton, M. D. of Ashford, who died in 1792, whose descendants assigned them to Mr. William Baldock, brewer, of Canterbury, and they were again assigned by him in 1798, to Mr. King, of Whitstaple. (fn. 3)

ELYNDENNE, or Ellenden, as it is now written, is a small manor, situated at the southern boundary of this parish, among the woods adjoining to the ville of Dunkirk, within the bounds of which, one half of the house, as well as part of the lands are situated, though in the deeds belonging to this manor, it is constantly described as within this parish and Whitstaple. It was once the property of a family of its own name, one of whom, John Elyndenne, gave it to the abbot and convent of Faversham, as appeared by the lerger book of that abbey, (fn. 4) with which it staid till its dissolution, anno 30 Henry VIII. when this manor came, with the rest of its estates, into the king's hands, who in his 35th year granted it to Thomas Ardern, gent. of Faversham, to hold in capite, (fn. 5) and he that year passed it away to John Needham, whose son, of the same name, alienated it, in the 32d year of queen Elizabeth, to Michael Beresford, esq. of Westerham, and he soon after conveyed it to Sir George Newman, LL.D. in whose descendants, who bore for their arms, Or, a fess dancette, gules, between three eagles, sable, (fn. 6) it continued till it was alienated to St. Leger, and Sir John St. Leger, in the reign of William and Mary, passed it away to Sir Henry Furnese, bart. of Waldershare, who died possessed of it in 1712, but his grandson Sir Henry Furnese, bart. dying in 1735, under age and unmarried, this, among the rest of his estates, became vested in his three sisters, coheirs of their father, in equal shares in coparcenary, in tail general, and on a partition anno 9 George II. this manor was allotted, among others, to Anne the eldest daughter, wife of John, viscount St. John, whose grandson the right hon. George St. John, lord viscount Bolingbrooke, sold it in 1791 to Mr. John Daniels, of Whitstaple, and he in 1793 sold it to Mr. Hayward, of the Black Friars, Canterbury, who dying in the year 1794, his widow is the present possessor of it.

Charities.

THERE have been given to the use of the poor of this parish, five acres of land, late occupied by Fenner, of the annual produce of 3l. a field of three acres, called the Peters field, of the annual produce of 2l. 6s. four acres of land, in two pieces, of the annual produce of 4l. and two acres of woodland, sold in 1785 at eighteen years growth for 6l. sundry yearly annuities, of 2s. 6d. of 40s paid by the parish of Whitstaple, and of 12s. paid by Mrs Gillow.

The poor constantly maintained are about twenty, casually one hundred.

THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Westbere.

The church, which is dedicated to St. Alphage, is small, consisting of only one isle and a chancel, having a low pointed turret of wood at the west end, in which hangs one bell. There is no memorial or inscription in it. In the north window of the isle are some small remains of painted glass. There are two hatchments in the isle, one, Argent, two bends wavy, on a chief, gules, three estoiles, or; the other the same, impaling, Paly bendy, or, and sable, a bend, counterchanged, which were for the family of Taylor, who once owned lands in this parish, and lie buried in this church. There is a gallery at the west end.

By the great storm, which happened on Jan. 1, 1779, there was discovered among the beach on the sea shore, at Codhams corner, about half a mile westward of the present church, the stone foundations of a large long buildings, lying due east and west, supposed to have been the remains of the antient church of Seasalter. Many human bones were likewise uncovered, by the shifting of the beach, both within and about it, all of which that could be found, were collected together and buried in the church-yard of Seasalter; but those which have been since uncovered remain at this time sticking up an end among the beach.

¶This church was always appendant to the manor of Seasalter, belonging to the priory of Christ church, to which it was appropriated in 1236, for the maintenance of the monks there, and was by the archbishop afterwards allotted to the almonry. In which state it continued till the dissolution of the priory in the 31st year of Henry VIII. when it came into the king's hands, who settled it, with the advowson of the vicarage and the manor, by his dotation-charter, in his 33d year, on his new-founded dean and chapter of Canterbury, part of whose possessions they still continue.

In the 8th year of Richard II. anno 1384, the vicarage of this church was not, on account of the smallness of its income, taxed to the tenth. It is valued in the king's books at 11l. but it is now a discharged living, of the clear yearly certified value of 25l. 19s. 8d. In 1588 here were communicants seventy-six. In 1640 the same, and it was then valued at 60l.

Among the archives of the dean and chapter is an examination relating to the bounds of the parishes of Seasalter and Hernehill, anno 1481, and another taken the same year by the archbishop's commissary. (fn. 7)

www.british-history.ac.uk/survey-kent/vol8/pp499-504

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A liberty was an English unit originating in the Middle Ages, traditionally defined as an area in which regalian right was revoked and where the land was held by a mesne lord (i.e. an area in which rights reserved to the king had been devolved into private hands). It later became a unit of local government administration.[1]

Liberties were areas of widely variable extent which were independent of the usual system of hundreds and boroughs for a number of different reasons, usually to do with peculiarities of tenure. Because of their tenurial rather than geographical origin, the areas covered by liberties could either be widely scattered across a county or limited to an area smaller than a single parish: an example of the former is Fordington Liberty, and of the latter, the Liberty of Waybayouse, both in Dorset.

In northern England, the liberty of Bowland was one of the larger tenurial configurations covering some ten manors, eight townships and four parishes under the sway of a single feudal lord, the Lord of Bowland, whose customary title is Lord of the Fells.[2][3] Up until 1660, such lords would have been lords paramount.

Legislation passed in 1836 ended the temporal jurisdiction of the Archbishop of York and the Bishop of Ely in several liberties, and the Liberties Act 1850 permitted the merging of liberties in their counties. By 1867, only a handful remained: Ely, Havering-atte-Bower, St Albans, Peterborough, Ripon and Haverfordwest. St Albans was subsequently joined to the county of Hertfordshire in 1875.

The Local Government Act 1888 led to the ending of the special jurisdictions in April 1889: the Isle of Ely and Soke of Peterborough became administrative counties, while the three remaining liberties were united to their surrounding counties.

en.wikipedia.org/wiki/Liberty_(division)

Akt...Legs Ma... by HoryMa HoryMa

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The photo is executed in technique «LightGraphic » or «The painting of light», that assumes illumination of model by small light sources in darkness on long endurance.

Thus, all lightcloth (composition) - is one Photo Exposition, is embodied on a matrix of the camera in one click of a shutter.

We submit the sample photos in this series in three-nine-square.

Photos is possible to look here:

www.horyma.ru/forum/viewtopic.php?f=37&t=729

B-KQK by Bernie Leighton

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Executing a go-around because of a Cessna.

Lille (Nord) - La Grande Place et Ancienne Bourse Prior to 1920. And the Monument to the Executed of Lille. by pepandtim

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The Postcard

A carte postale published by LS of Hautmont, Nord.

The card was posted in Lille-Gare on Saturday the 24th. July 1920 to:

Frederick Leigh Esq.,

29 Parkhills Road,

Bury,

Lancs.

Angleterre.

The message on the divided back of the card was as follows:

"24th. July/ 20.

Dear Freddie,

Please forgive me not

having written to you

since my arrival here.

I hope to be in England

some time next week.

You might tell Mr. Brierley

if you see him that I

shall write him from Bury

on Monday to say if I can

get to the meeting.

Jack.

I am sending Mr. Brierley

a p.c. today".

Monument to the Executed of Lille

The Great War monument in the Square Daubenton in Lille shows four leaders of the city’s Resistance standing against a wall just moments before their execution by the German Army in the dungeons of the citadel.

Along with Léon Trulin, who can be seen lying at their feet, Eugène Jacquet, Georges Maertens, Ernest Deceuninck and Sylvère Verhulst set up a network for communicating information to the Allies about the German occupiers of Lille.

They were eventually betrayed and executed on the 22nd. September 1915.

In total, twenty-five individuals were executed in Lille by firing squad under the occupation. Notices were posted informing the public about executions of political prisoners, saboteurs, and hostages in response to attacks or acts of sabotage against the German occupiers.

An estimated 500,000 French men and women worked for the Resistance during Germany's occupation of France. Resistance workers carried out thousands of acts of sabotage against the German occupiers, even though the risks were great. More than 90,000 members of the Resisters were killed, tortured or deported by the Germans.

Toby Graham

So what else happened on the day that Jack posted the card?

Well, the 24th. July 1920 marked the birth of Dominick 'Toby' Graham in Yeovil, Somerset.

Dominick Stuart 'Toby' Graham, MC was a British Army officer, cross-country Olympic skier and university professor. He is best known for his collaboration with British military historian Shelford Bidwell.

A wartime graduate of the Royal Military Academy, Woolwich, Graham served in the Royal Artillery during the Second World War. He was wounded twice, spent time as a prisoner of war in Italy, and was awarded the Military Cross in 1945.

After the war he served with the British Army of the Rhine, and represented Great Britain in cross-country skiing at the 1956 Winter Olympics in Italy.

After leaving the army in 1958, Graham moved to Canada, where he taught high school maths in Saint John, New Brunswick.

He taught military history at the University of New Brunswick until his 1986 retirement, at which point he was named professor emeritus, and returned to England.

Toby Graham - The Early Years

Dominick Stuart Graham was born the son of Colonel Fergus Reginald Winsford Graham and Egeria Marion Spottiswood Baker. His father was a soldier who had served in Northern Ireland, the Middle East and China.

His family nicknamed him "Toby" because when he was a baby they thought he looked like Toby the Dog in Punch and Judy. He was educated at Bradfield College, and entered the Royal Military Academy, Woolwich in January 1939.

Toby Graham's Military Career

Graham's training was shortened by the outbreak of the Second World War. He graduated from Woolwich on the 4th. November 1939, and was commissioned as a second lieutenant in the Royal Artillery.

In 1940 he was sent to Narvik during the Norwegian campaign to command an anti-aircraft battery, and was wounded during an air raid.

In July 1942, Graham was serving as a Forward Observer near Tobruk, Libya, during the Western Desert campaign, when his vehicle was hit, and he was taken prisoner by the Germans, and sent to a prisoner of war camp in Italy.

Toby's first escape attempt was through a sewer near Chieti, but was unsuccessful. He was then taken to a camp at Fontanellato, from which he again escaped. This time he made it as far as the railway station before he was recaptured.

He was freed after the Armistice of Cassibile in September 1943, and made his way back to Allied lines through Italy, evading German patrols, and eventually reaching a village near Ortona, where he was discovered by a Canadian patrol.

Graham returned home to the School of Gunnery to bring his skills up to date, and then served in the North-West Europe campaign of 1944–45 as a battery commander in the Guards Armoured Division, reaching the rank of Major.

On the 16th. February 1945, while serving as a Forward Observer, he was again wounded during a German counterattack, but refused to be evacuated until the attack was repelled. For this he was mentioned in despatches and awarded the Military Cross in April 1945.

After the war Graham served as instructor at the Royal Military College, Sandhurst, and then as a staff officer with the 6th. Armoured Division in the British Army of the Rhine. He commanded the British Army's first missile-equipped artillery battery. He was promoted to Major in 1952.

Toby retired from the British Army on the 20th. December 1958.

Toby Graham's Skiing Career

Graham represented Great Britain in cross-country skiing at the 1956 Winter Olympics at Cortina d'Ampezzo in Italy, where he finished 29th of 33 competitors in the men's 50 kilometres.

Toby Graham's Academic Career

After leaving the army, Graham moved to Canada, where he taught high school mathematics in Saint John, New Brunswick. He earned his master's degree from the University of New Brunswick in 1965, writing his master's thesis on "British Intervention in Defence of the American Colonies, 1748–1756". He then obtained a doctorate from the University of London on the same topic in 1969.

Graham taught military history at the University of New Brunswick until 1986, when his marriage broke up and he decided to retire and return to England. He received the news of his appointment as emeritus while climbing K2 in the Himalayas.

He married his childhood sweetheart, Mary Hawson in 1991, and they settled in Yorkshire, where he worked on her family estate and gardens. After she died he travelled by container ship to visit his daughter in New Zealand. The only other passenger aboard the ship was Ursula Behringer, and they were married in 2002.

Toby Graham's Publications

Graham is best known for his collaboration with British military historian Shelford Bidwell, a former Royal Artillery officer, whom he first met at a bar near Sandhurst after a seminar on the use of artillery on the Western Front of the First World War.

The two had a long and close collaboration despite living on different sides of the Atlantic Ocean. Their first book, Fire-Power (1982) was about the development of artillery in the two world wars. Their second, Tug of War (1986), was about the Italian campaign during the Second World War.

Finally, they wrote Coalitions, Politicians and Generals (1993), in which they wrote about the command and staff systems in the British, French and German armies in the two world wars. Graham also wrote an autobiography, The Escapes and Evasions of 'An Obstinate Bastard' (2000).

The Death of Toby Graham

Toby died on the 8th. March 2013 at the age of 92.

Gospel Book, Manticore and inhabited initial of a bird, Walters Manuscript W.540, fol. 161r by Walters Art Museum Illuminated Manuscripts

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This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

Gospel Book, Male crowned siren and inhabited initial of a bird, Walters Manuscript W.540, fol. 138v by Walters Art Museum Illuminated Manuscripts

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

Gospel Book, Siren and historiated initial with a human face, Walters Manuscript W.540, fol. 26v by Walters Art Museum Illuminated Manuscripts

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.

New Orleans - CBD: Lafayette Square - Flowers for Theresa by Wally Gobetz

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Flowers for Theresa, executed by Aria da Capo in 2008, sits at the southern end of Lafayette Square. The concrete and steel sculpture is part of Sculpture for New Orleans, curated by Michael Manjarris and Peter Lundberg.

Lafayette Square, bound by St. Charles Avenue, Camp Street and Maestri Street, was founded in 1788 for the City's first suburb, Faubourg Ste. Marie, making it the second oldest park in New Orleans. Originally called "place publique", the square was renamed after Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de Lafayette, the French aristocrat and general who fought on the American side in the American Revolutionary War. Lafayette declined the invitation to become the first Governor when the United purchased Lousiana, but his popularity was evident when he visited New Orleans from April 9-15, 1825 to cheers of "Vive Lafayette!"

In the early 20th Century, three bronze statues were placed along the East/West axis of the square. A statue of Henry Clay was moved from the intersection of Canal and Royal and placed in the center of the park, and statues of John McDonogh and Benjamin Franklin were placed on St. Charles Avenue and Camp Street, respectively. In 2005, Hurricane Katrina caused extensive damage to many of the trees, and broken glass and debris scattered from nearby buildings made Lafayette Square unsafe. A group of neighborhood residents and downtown workers formed the non-profit Lafayette Square Conservancy (LSC), to renovate, improve and preserve the space.

Joint Operation by Greater Manchester Police

Yesterday (Wednesday 11 March 2020), officers from Greater Manchester Police and the City of London Police’s Intellectual Property Crime Unit (PIPCU) executed a number of warrants at Great Ducie Street, Manchester.

Officers from GMP and the City of London Police - the national policing lead for fraud – worked alongside UK immigration, meaning a total of 100 officers and staff members were involved in the operation.

The search warrant, which developed from a previous operation that involved the sale and distribution of counterfeit items, saw thousands of labels, computer equipment and cash seized.

Detectives are currently exploring links between the counterfeit operation and Serious Organised Crime, helping to fund criminal activity beyond Greater Manchester.

15 people were arrested, after officers uncovered an estimated £7.5 million worth of branded clothing, shoes and perfume suspected to be counterfeit.

Chief Inspector Kirsten Buggy, of GMP’s North Manchester division, said: “Yesterday’s operation is one of the largest of its kind ever carried out in the area and has taken a meticulous amount of planning and preparation.

“I am thankful to colleagues from the City of London Police, who as the national policing lead for fraud, have worked in partnership with officers from GMP and helped bring about yesterday’s direct action. I am also grateful to those from UK Immigration for their help.

“Such partnerships are absolutely vital when tackling counterfeit operations, as they bring specialisms from across the country together in a bid to make an impactive and real difference. Steps such as yesterday are often only the start when it comes to investigating the scale of these operations and we will continue to work in conjunction with the City of London’s Intellectual Property Crime Unit to tackle this type of offending to its’ very core.

“It is important to recognise the far-reaching and serious impact of sophisticated and large scale counterfeit operations such as this one; and I would like to take this opportunity to remind members of the public of the repercussions of this kind of offending and the link to organised criminal activity. Please be under no illusion- this type of crime is not victimless.”

Police staff investigator Charlotte Beattie, of the City of London Police’s Intellectual Property Crime Unit (PIPCU), said:

“The counterfeit goods business is a deceiving one and the key message to be take away from this operation, is that counterfeiting is not a victimless crime.

“An individual may think that when buying counterfeit goods they are only affecting a multi-million pound brand, and won’t matter, when in fact they are helping to fund organised criminal activity. Counterfeit goods also pose a health risk to individuals as they usually are not fit for purpose or have not gone through the legal health and safety checks.

“Working in partnership has ensured that today’s operation has been a success. We will continue to work with Greater Manchester Police and UK Immigration to tackle the scourge of the counterfeit goods problem.”

To find out more about Greater Manchester Police please visit our website. www.gmp.police.uk

You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.

Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.

You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.

You can access many of our services online at www.gmp.police.uk.

Detail of the "Hope" Ferguson and Urie Stained Glass Sanctuary Window; St Kilda Presbyterian Church - Corner Barkley Street and Alma Road, St Kilda by raaen99

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The Sanctury of the St Kilda Presbyterian Church features three beautiful 1880s Ferguson and Urie stained glass windows; Faith on the left, Charity in the middle and Hope on the right. All are executed in iridescent reds, yellows, greens and blues, to reflect the colour palate used in other Ferguson and Urie windows elsewhere around the church.

Built on the crest of a hill in a prominent position overlooking St Kilda and the bay is the grand St Kilda Presbyterian Church.

The St Kilda Presbyterian Church's interior is cool, spacious and lofty, with high ceilings of tongue and groove boards laid diagonally, and a large apse whose ceiling was once painted with golden star stenciling. The bluestone walls are so thick that the sounds of the busy intersection of Barkley Street and Alma Road barely permeate the church's interior, and it is easy to forget that you are in such a noisy inner Melbourne suburb. The cedar pews of the church are divided by two grand aisles which feature tall cast iron columns with Corinthian capitals. At the rear of the building towards Alma Road there are twin porches and a narthex with a staircase that leads to the rear gallery where the choir sang from. It apparently once housed an organ by William Anderson, but the space today is used as an office and Bible study area. The current impressive Fincham and Hobday organ from 1892 sits in the north-east corner of the church. It cost £1030.00 to acquire and install. The church is flooded with light, even on an overcast day with a powerful thunder storm brewing (as the weather was on my visit). The reason for such light is because of the very large Gothic windows, many of which are filled with quarry glass by Ferguson and Urie featuring geometric tracery with coloured borders. The church also features stained glass windows designed by Ferguson and Urie, including the impressive rose window, British stained glass artist Ernest Richard Suffling, Brooks, Robinson and Company Glass Merchants, Mathieson and Gibson of Melbourne and one by Australian stained glass artist Napier Waller.

Opened in 1886, the St Kilda Presbyterian church was designed by the architects firm of Wilson and Beswicke, a business founded in 1881 by Ralph Wilson and John Beswicke (1847 - 1925) when they became partners for a short period. The church is constructed of bluestone with freestone dressings and designed in typical Victorian Gothic style. The foundation stone, which may be found on the Alma Road facade, was laid by the Governor of Victoria Sir Henry Barkly on 27 January. When it was built, the St Kilda Presbyterian Church was surrounded by large properties with grand mansions built upon them, so the congregation were largely very affluent and wished for a place of worship that reflected its stature not only in location atop a hill, but in size and grandeur.

The exterior facades of the church on Barkley Street and Alma Road are dominated by a magnificent tower topped by an imposing tower. The location of the church and the height of the tower made the spire a landmark for mariners sailing into Melbourne's port. The tower features corner pinnacles and round spaces for the insertion of a clock, which never took place. Common Victorian Gothic architectural features of the St Kilda Presbyterian Church include complex bar tracery over the windows, wall buttresses which identify structural bays, gabled roof vents, parapeted gables and excellent stone masonry across the entire structure.

I am very grateful to the Reverend Paul Lee for allowing me the opportunity to photograph the interior of the St Kilda Presbyterian Church so extensively.

The architects Wilson and Beswicke were also responsible for the Brighton, Dandenong, Essendon, Hawthorn and Malvern Town Halls and the Brisbane Wesleyan Church on the corner of Albert and Ann Streets. They also designed shops in the inner Melbourne suburbs of Auburn and Fitzroy. They also designed several individual houses, including "Tudor House" in Williamstown, "Tudor Lodge" in Hawthorn and "Rotha" in Hawthorn, the latter of which is where John Beswicke lived.

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

Wien, 1. Bezirk, Stephansdom, la chiesa di Santo Stefano, la Catedral de San Esteban de Viena, La Cathédrale Saint-Étienne, St. Stephen's Cathedral, Vienna, Katedra św. Szczepana w Wiedniu (Stephansplatz) by Alfred Lex

Klinkicht, Gerhard, * 1915, † 14.03.2000 Bavaria, Wehrmacht Captain. A commemorative plaque on St. Stephen's Cathedral (side of the gate Singertor) recalls that in April 1945 Klinkicht refused to execute the order to bombard the cathedral.

Klinkicht, Gerhard, * 1915, † 14.03.2000 Bayern, Wehrmachtshauptmann. Eine Gedenktafel am Stephansdom (Seite des Singertors) hält in Erinnerung, dass sich Klinkicht im April 1945 geweigert hatte, den Befehl zur Beschießung des Doms auszuführen.

Fire in St. Stephen's Cathedral: eyewitnesses cried in the face of devastation.

Despite great need after the war, the landmark of Austria was rebuilt within seven years.

04th April 2015

What happened in the heart of Vienna 70 years ago brought tears to many horrified residents. On 12 April 1945, the Pummerin, the largest bell of St. Stephen's Cathedral, fell as a result of a roof fire in the tower hall and broke to pieces. The following day, a collapsing retaining wall pierced through the vault of the southern side choir, the penetrating the cathedral fire destroyed the choir stalls and choir organ, the Imperial oratory and the rood screen cross. St. Stephen's Cathedral offered a pitiful image of senseless destruction, almost at the end of that terrible time when the Viennese asked after each bombing anxiously: "Is Steffl still standing?"

100 grenades for the cathedral

Already on April 10, the cathedral was to be razed to the ground. In retaliation for hoisting a white flag on St. Stephen's Cathedral, the dome must be reduced to rubble and ash with a fiery blast of a hundred shells. Such was the insane command of the commander of an SS Artillery Division in the already lost battle for Vienna against the Red Army.

The Wehrmacht Captain Gerhard Klinkicht, from Celle near Hanover, read the written order to his soldiers and tore the note in front of them with the words: "No, this order will not be executed."

What the SS failed to do, settled looters the day after. The most important witness of the events from April 11 to 13, became Domkurat (cathedral curate) Lothar Kodeischka (1905-1994), who, as the sacristan director of St. Stephen, was practically on the spot throughout these days. When Waffen-SS and Red Army confronted each other on the Danube Canal on April 11, according to Kodeischka a report had appeared that SS units were making a counter-attack over the Augarten Bridge. Parts of the Soviet artillery were then withdrawn from Saint Stephen's square. For hours, the central area of the city center was without occupying forces. This was helped by gangs of raiders who set fire to the afflicted shops.

As a stone witness to the imperishable, the cathedral had defied all adversity for over 800 years, survived the conflagrations, siege of the Turks and the French wars, but in the last weeks of the Second World War St. Stephen was no longer spared the rage of annihilation. Contemporary witness Karl Strobl in those days observed "an old Viennese lady who wept over the burning cathedral".

The stunned spectators of destruction were joined, according to press reports, by a man in baggy trousers and a shabby hat, who incidentally remarked, "Well, we'll just have to rebuild him (the dome)." It was Cardinal Theodor Innitzer. Only a few weeks later, on May 15, 1945, the Viennese archbishop proclaimed to the faithful of his diocese: "Helping our cathedral, St. Stephen's Cathedral, to regain its original beauty is an affair of the heart of all Catholics, a duty of honor for all."

April 1945

In April 1945, not only St. Stephen's Cathedral burned. We did some research for you this month.

April 6: The tallest wooden structure of all time, the 190 meter high wooden tower (short-wave transmitter) of the transmitter Mühlacker, is blown up by the SS.

April 12: Following the death of President Franklin D. Roosevelt, Harry S. Truman is sworn in as the 33rd US President.

April 13: Vienna Operation: Soviet troops conquer Vienna.

April 25: Björn Ulvaeus, Swedish singer, member of the ABBA group, is born.

April 27: The provisional government Renner proclaims the Austrian declaration of independence.

April 30: The Red Army hoists the Soviet flag on the Reichstag building. Adolf Hitler, the dictator of the Third Reich, commits suicide with Eva Braun.

Brand im Stephansdom: Augenzeugen weinten angesichts der Verwüstung.

Trotz großer Not nach dem Krieg wurde das Wahrzeichen Österreichs binnen sieben Jahren wieder aufgebaut.

04. April 2015

Was vor 70 Jahren im Herzen Wiens passierte, trieb vielen entsetzten Bewohnern die Tränen in die Augen. Am 12. April 1945 stürzte die Pummerin, die größte Glocke des Stephansdoms, als Folge eines Dachbrandes in die Turmhalle herab und zerbrach. Tags darauf durchschlug eine einbrechende Stützmauer das Gewölbe des südlichen Seitenchors, das in den Dom eindringende Feuer zerstörte Chorgestühl und Chororgel, Kaiseroratorium und Lettnerkreuz. Der Stephansdom bot ein erbarmungswürdiges Bild sinnloser Zerstörung, und das fast am Ende jener Schreckenszeit, in der die Wiener nach jedem Bombenangriff bang fragten: "Steht der Steffl noch?"

100 Granaten für den Dom

Bereits am 10. April sollte der Dom dem Erdboden gleichgemacht werden. Als Vergeltung für das Hissen einer weißen Fahne auf dem Stephansdom ist der Dom mit einem Feuerschlag von 100 Granaten in Schutt und Asche zu legen. So lautete der wahnwitzige Befehl des Kommandanten einer SS-Artillerieabteilung im schon verlorenen Kampf um Wien gegen die Rote Armee.

Der aus Celle bei Hannover stammende Wehrmachtshauptmann Gerhard Klinkicht las die schriftlich übermittelte Anordnung seinen Soldaten vor und zerriss den Zettel vor aller Augen mit den Worten: "Nein, dieser Befehl wird nicht ausgeführt."

Was der SS nicht gelang, besorgten einen Tag später Plünderer: Zum wichtigsten Zeugen der Geschehnisse vom 11. bis 13. April wurde Domkurat Lothar Kodeischka (1905–1994), der als Sakristeidirektor von St. Stephan in diesen Tagen praktisch durchgehend an Ort und Stelle war. Als am 11. April Waffen-SS und Rote Armee einander am Donaukanal gegenüberstanden, war laut Kodeischka die Nachricht aufgetaucht, SS-Einheiten würden einen Gegenstoß über die Augartenbrücke unternehmen. Teile der sowjetischen Artillerie wurden daraufhin vom Stephansplatz abgezogen. Für Stunden sei der zentrale Bereich der Innenstadt ohne Besatzung gewesen. Dies nützten Banden von Plünderern, die Feuer in den heimgesuchten Geschäften legten.

Als steinerner Zeuge des Unvergänglichen hatte der Dom über 800 Jahre hinweg "allen Widrigkeiten getrotzt, hatte Feuersbrünste, Türkenbelagerungen und Franzosenkriege überstanden. Doch in den letzten Wochen des Zweiten Weltkrieges blieb auch St. Stephan nicht mehr verschont vor der Wut der Vernichtung. Zeitzeuge Karl Strobl beobachtete damals "eine alte Wienerin, die über den brennenden Dom weinte".

Zu den fassungslosen Betrachtern der Zerstörung gesellte sich laut Presseberichten ein Mann in ausgebeulten Hosen und mit abgeschabtem Hut, der so nebenbei bemerkte: "Na, wir werden ihn (den Dom) halt wieder aufbauen müssen." Es handelte sich um Kardinal Theodor Innitzer. Nur wenige Wochen danach, am 15. Mai 1945, ließ der Wiener Erzbischof an die Gläubigen seiner Diözese verlautbaren: "Unsere Kathedrale, den Stephansdom, wieder in seiner ursprünglichen Schönheit erstehen zu helfen, ist eine Herzenssache aller Katholiken, eine Ehrenpflicht aller."

April 1945

Im April 1945 brannte nicht nur der Stephansdom. Wir haben für Sie recherchiert wa noch in diesem Monat geschah.

6. April: Das höchste Holzbauwerk aller Zeiten, der 190 Meter hohe Holzsendeturm des Senders Mühlacker, wird von der SS gesprengt.

12. April: Nach dem Tod von Präsident Franklin D. Roosevelt wird Harry S. Truman als 33. Präsident der USA vereidigt.

13. April: Wiener Operation: Sowjetischen Truppen erobern Wien.

25. April: Björn Ulvaeus, schwedischer Sänger, Mitglied der Gruppe ABBA, kommt zur Welt.

27. April: Von der provisorischen Regierung Renner wird die österreichische Unabhängigkeitserklärung proklamiert.

30. April: Die Rote Armee hisst die sowjetische Fahne auf dem Reichstagsgebäude. Adolf Hitler, der Diktator des Dritten Reiches, begeht mit Eva Braun Selbstmord.

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