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In 1945, a few days before the end of the war, Wehrmacht Captain Gerhard Klinkicht was ordered by City Commander Dietrich to blow the "Dom" first to pieces with 100 shells. If that is not enough, you have to continue shooting until it is completely destroyed. "But for moral reasons, Gerhard Klinkicht refused to execute this order and thus saved St. Stephen's Cathedral from total destruction.
On 14 March 2000 Gerhard Klinkicht died in Bavaria in his 86th year. A few months before his death, he presented Dr. Christoph Cardinal Schönborn a check worth around 70,000 euros for the restoration of St. Stephen's Cathedral. In total, Klinkicht donated 150,000 euros for "Our St. Stephen's Cathedral".
A memorial plaque at the foot of the high tower commemorates the savior of St. Stephen's Cathedral:
"Captain Gerhard Klinkicht thank you. By his decision of conscience he saved St. Stephen's Cathedral from destruction in April 1945. "
St. Stephen's Cathedral and the Second World War
During the Second World War, of course, hardly any restoration work could be carried out. Priority was the valuable art treasures to protect against possible bomb attacks: thus, for example, the pulpit and the tomb of Friedrich had been walled, the beautiful, colorful glass panes were removed, the giant gate secured and movable art objects brought into the catacombs.
On the night of April 11 to 12, 1945, the scaffolding on the north tower began to burn. Since there was no water to extinguish, the fire could spread to the roof. As a result of the fire, the Pummerin collapsed, including the belfry, the great organ was destroyed, the medieval choir stalls were burned and the vaults of the central and south choir collapsed: essential substance of St. Stephen's Cathedral was lost.
Yet 1945 was begun with the reconstruction of St. Stephen's Cathedral. From 1945 to 1948, the back of the cathedral was used as a church, while the choir (separated by a wall) was restored. In 1952, the choir was solemnly opened and the new Pummerin - a gift from Upper Austria - brought to Vienna.
Actions such as the "roof tile action" (a roof tile cost 5 shillings) or the Dombaulotterie (cathedral building lottery) contributed significantly to the rapid reconstruction of St. Stephen's Cathedral. The material that was used in 1945 (St. Margarethner limestone), was basically good. In some cases, however, layers were used that were biologically interfused and thus vulnerable. This material is still being replaced today.
In 1945 it was also considered to build a flat roof (such as the Milan Cathedral) instead of the steep Gothic roof. The idea was rejected.
The year 1960 marked the end of the reconstruction, from this point on one speaks of restoration work.
Wehrmachtshauptmann Gerhard Klinkicht erhielt 1945 einige Tage vor Kriegsende von Stadtkommandant Dietrich den Befehl, den „... Dom zunächst mit 100 Granaten in Schutt und Asche zu legen. Sollte das nicht ausreichen, ist bis zu seiner völligen Zerstörung weiterzuschießen." Doch Gerhard Klinkicht verweigerte aus moralischen Gründen die Ausführung dieses Befehls und rettete damit den Stephansdom vor der totalen Zerstörung.
Am 14. März 2000 ist Gerhard Klinkicht in Bayern im 86. Lebensjahr verstorben. Einige Monate vor seinem Tod überreichte er Dr. Christoph Kardinal Schönborn einen Scheck im Wert von rund 70.000 Euro für die Restaurierung des Stephansdoms. Insgesamt spendete Klinkicht 150.000 Euro für „Unser Stephansdom“.
Eine Gedenktafel am Fuß des Hochturms erinnert an den Retter des Stephansdoms:
„Hauptmann Gerhard Klinkicht zum Dank. Durch seine Gewissensentscheidung bewahrte er im April 1945 den Stephansdom vor der Zerstörung."
Der Stephansdom und der Zweite Weltkrieg
Während des Zweiten Weltkriegs konnten selbstverständlich kaum Restaurierungsarbeiten durchgeführt werden. Vorrangig waren die wertvollen Kunstschätze vor möglichen Bombeneinschlägen zu schützen: So wurden z. B. die Kanzel und das Friedrichsgrab ummauert, die schönen, bunten Glasscheiben wurden ausgebaut, das Riesentor gesichert und bewegliche Kunstgegenstände in die Katakomben gebracht.
In der Nacht von 11. auf 12. April 1945 begann das Gerüst auf dem Nordturm zu brennen. Da kein Wasser zum Löschen vorhanden war, konnte sich das Feuer auf das Dach ausbreiten. Infolge des Brandes stürzte die Pummerin samt Glockenstuhl herab, die große Orgel wurde zerstört, das mittelalterliche Chorgestühl verbrannte und das Gewölbe des Mittel- und Südchores stürzte ein: Wesentliche Substanz des Stephansdoms war verloren.
Noch 1945 wurde mit dem Wiederaufbau des Stephansdoms begonnen. In den Jahren 1945 bis 1948 wurde der hintere Teil des Doms als Kirche verwendet, während der Chor (durch eine Wand getrennt) wiederhergestellt wurde. 1952 wurde der Chor feierlich eröffnet und die neue Pummerin – ein Geschenk Oberösterreichs – nach Wien gebracht.
Aktionen wie die „Dachziegelaktion“ (ein Dachziegel kostete 5 Schilling) oder die Dombaulotterie trugen wesentlich zum raschen Wiederaufbau des Stephansdoms bei. Das Material, das 1945 verwendet wurde (St. Margarethner Kalksandstein), war grundsätzlich gut. Teilweise kamen aber Schichten zum Einsatz, die biologisch durchsetzt und somit anfällig waren. Noch heute wird dieses Material ausgetauscht.
1945 wurde auch überlegt, ein Flachdach (wie z. B. am Mailänder Dom) anstelle des steilen gotischen Daches zu errichten. Die Idee wurde jedoch verworfen.
Das Jahr 1960 markiert das Ende des Wiederaufbaus, ab diesem Zeitpunkt spricht man von Restaurierungsarbeiten.
The Chair of Saint Peter (Latin: Cathedra Petri), also known as the Throne of Saint Peter, is a relic conserved in St. Peter's Basilica, enclosed in a sculpted gilt bronze casing that was designed by Gian Lorenzo Bernini and executed between 1647 and 1653. The name derives from the Latin cathedra meaning chair or throne, which is used to denote the chair or seat of a bishop. The cathedra in St. Peter's Basilica was once used by the popes. Inside the Chair is a wooden throne, which, according to tradition, was used by Saint Peter. It was, however, actually a gift from Charles the Bald to Pope John VIII in 875.
Description
Like many medieval reliquaries it takes the form of the relic it protects, in this case a chair. Symbolically, the chair Bernini designed had no earthly counterpart in actual contemporary furnishings. It is formed entirely of scrolling members, enclosing a coved panel where the upholstery pattern is rendered as a low relief of Christ giving the keys to Peter. Large angelic figures flank an openwork panel beneath a highly realistic bronze seat cushion, vividly empty: the relic is encased within.
The cathedra is lofted on splayed scrolling bars that appear to be effortlessly supported by four over-lifesize bronze Doctors of the Church: Western doctors St. Ambrose and St. Augustine of Hippo on the outsides, wearing miters, and Eastern doctors St. John Chrysostom and St. Athanasius on the insides, both bare-headed. The cathedra appears to hover over the altar in the basilica's apse, lit by a central tinted window through which light streams, illuminating the gilded glory of sunrays and sculpted clouds that surrounds the window. Like Bernini's Ecstasy of St Theresa, this is a definitive fusion of the Baroque arts, unifying sculpture and richly polychrome architecture and manipulating effects of light.
Above, on the golden background of the frieze, is the Latin inscription: "O Pastor Ecclesiae, tu omnes Christi pascis agnos et oves" (O pastor of the Church, you feed all Christ's lambs and sheep). On the right is the same writing in Greek. Behind the altar is placed Bernini's monument enclosing the wooden chair, both of which are seen as symbolic of the authority of the Bishop of Rome as Vicar of Christ and successor of Saint Peter.
Early martyrologies indicate that two liturgical feasts were celebrated in Rome, centuries before the time of Charles the Bald, in honour of earlier chairs associated with Saint Peter, one of which was kept in the baptismal chapel of Saint Peter's Basilica, the other at the catacomb of Priscilla. The dates of these celebrations were January 18 and February 22. No surviving chair has been identified with either of these chairs. The feasts thus became associated with an abstract understanding of the "Chair of Peter", which by synecdoche signifies the episcopal office of the Pope as Bishop of Rome, an office considered to have been first held by Saint Peter, and thus extended to the diocese, the See of Rome. Though both feasts were originally associated with Saint Peter's stay in Rome, the ninth-century form of the Martyrologium Hieronymianum associated the January 18 feast with his stay in Rome, and the February 22 feast with his stay at Antioch.
The two feasts were included in the Tridentine Calendar with the rank of Double, which Pope Clement VIII raised in 1604 to the newly invented rank of Greater Double. In 1960 Pope John XXIII removed from the General Roman Calendar eight feast days that were second feasts of a single saint or mystery: one of them was the January 18 feast of the Chair of Peter. The February 22 celebration became a Second-Class Feast. This calendar was incorporated in the 1962 Roman Missal of Pope John XXIII, whose continued use Pope Benedict XVI authorized under the conditions indicated in his motu proprio Summorum Pontificum. In the new classification introduced in 1969 the February 22 celebration appears in the Roman Calendar with the rank of Feast. Those traditionalist Catholics who do not accept the changes made by Pope John XXIII continue to celebrate both feast days: "Saint Peter's Chair at Rome" on January 18 and the "Chair of Saint Peter at Antioch" on February 22.
Vatican City, officially Vatican City State, a walled enclave within the city of Rome, with an area of approximately 44 hectares (110 acres), and a population of 842, is the smallest internationally recognized independent state in the world by both area and population.
It is an ecclesiastical or sacerdotal-monarchical state ruled by the Bishop of Rome—the Pope. The highest state functionaries are all Catholic clergy of various national origins. Since the return of the Popes from Avignon in 1377, they have generally resided at the Apostolic Palace within what is now Vatican City, although at times residing instead in the Quirinal Palace in Rome or elsewhere.
Vatican City is distinct from the Holy See (Latin: Sancta Sedes),which dates back to early Christianity and is the main episcopal see of 1.2 billion Latin and Eastern Catholic adherents around the globe. The independent city-state, on the other hand, came into existence in 1929 by the Lateran Treaty between the Holy See and Italy, which spoke of it as a new creation, not as a vestige of the much larger Papal States (756–1870), which had previously encompassed much of central Italy. According to the terms of the treaty, the Holy See has "full ownership, exclusive dominion, and sovereign authority and jurisdiction" over the city-state.
Within Vatican City are cultural sites such as St. Peter's Basilica, the Sistine Chapel and the Vatican Museums. They feature some of the world's most famous paintings and sculptures. The unique economy of Vatican City is supported financially by the sale of postage stamps and tourist mementos, fees for admission to museums, and the sale of publications.
The name "Vatican" predates Christianity and comes from the Latin Mons Vaticanus, meaning Vatican Mount. The territory of Vatican City is part of the Mons Vaticanus, and of the adjacent former Vatican Fields. It is in this territory that St. Peter's Basilica, the Apostolic Palace, the Sistine Chapel, and museums were built, along with various other buildings. The area was part of the Roman rione of Borgo until 1929. Being separated from the city, on the west bank of the Tiber river, the area was an outcrop of the city that was protected by being included within the walls of Leo IV (847–55), and later expanded by the current fortification walls, built under Paul III (1534–49), Pius IV (1559–65) and Urban VIII (1623–44).
Map of Vatican City, highlighting notable buildings and the Vatican gardens
When the Lateran Treaty of 1929 that gave the state its form was being prepared, the boundaries of the proposed territory were influenced by the fact that much of it was all but enclosed by this loop. For some tracts of the frontier, there was no wall, but the line of certain buildings supplied part of the boundary, and for a small part of the frontier a modern wall was constructed.
The territory includes St. Peter's Square, distinguished from the territory of Italy only by a white line along the limit of the square, where it touches Piazza Pio XII. St. Peter's Square is reached through the Via della Conciliazione which runs from close to the Tiber River to St. Peter's. This grand approach was constructed by Benito Mussolini after the conclusion of the Lateran Treaty.
According to the Lateran Treaty, certain properties of the Holy See that are located in Italian territory, most notably the Papal Palace of Castel Gandolfo and the major basilicas, enjoy extraterritorial status similar to that of foreign embassies. These properties, scattered all over Rome and Italy, house essential offices and institutions necessary to the character and mission of the Holy See.
Castel Gandolfo and the named basilicas are patrolled internally by police agents of Vatican City State and not by Italian police. According to the Lateran Treaty (Art. 3) St. Peter's Square, up to but not including the steps leading to the basilica, is normally patrolled by the Italian police.
There are no passport controls for visitors entering Vatican City from the surrounding Italian territory. There is free public access to Saint Peter's Square and Basilica and, on the occasion of papal general audiences, to the hall in which they are held. For these audiences and for major ceremonies in Saint Peter's Basilica and Square, tickets free of charge must be obtained beforehand. The Vatican Museums, incorporating the Sistine Chapel, usually charge an entrance fee. There is no general public access to the gardens, but guided tours for small groups can be arranged to the gardens and excavations under the basilica. Other places are open only to individuals who have business to transact there.
From Wikipedia
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☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share
She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀❄️ @/#GregGutfeld #CarleyShimkus
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--WRW
_.• ✍️🔏
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According to sources, a confrontation between residents and Ethiopian government officials broke out on June 9, 2014, over a mass grave discovered at the former Hameressa military garrison near Harar city, eastern Oromia. The mass grave is believed to contain remains of political prisoners executed during both the Dergue era and the early reigns of the current TPLF regime. Among those who were executed and buried in the location was Mustafa Harowe, a famous Oromo singer who was killed around early 1990′s for his revolutionary songs. Thousands more Oromo political prisoners were kept at this location in early 1990′s – with many of them never to be seen again.
The mass grave was discovered while the Ethiopian government was clearing the camp with bulldozers to make it available to Turkish investors. Upon the discovery of the remains, the government tried to quietly remove them from the site. However, workers secretly alerted residents in nearby villages; upon the spread of the news, many turned up en mass to block the removal of the remains and demanded construction a memorial statue on the site instead. The protests is still continuing with elders camping on the site while awaiting a response from government.
In addition to the remains, belongings of the dead individuals as well as ropes tied in hangman’s noose were discovered at the site.
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Lafeen ilmaan Oromoo bara 1980moota keessa mootummaa Darguutin, baroota 1990moota keessa ammoo Wayyaaneen dhoksaan kaampii waraanaa Hammarreessaa keessatti ajjeefamanii argame. Ilmaan Oromoo mooraa san keessatti hidhamanii booda ajjeefaman keessa wallisaan beekamaan Musxafaa Harawwee isa tokko. Musxafaa Harawwee wallee qabsoo inni baasaa tureef jecha qabamee yeroo dheeraaf erga hiraarfamee booda toora bara ~1991 keessa ajjeefame. Hiraar Musxafaarra geessifamaa ture keessa tokko aara wallee isaatirraa qaban garsiisuuf muka afaanitti dhiibuun a’oo isaa cabsuun ni yaadatama.
Baroota 1990moota keessas Oromoonni kumaatamaan tilmaamaman warra amma aangorra jiru kanaan achitti hidhamanii, hedduun isaanii achumaan dhabamuun yaadannoo yeroo dhihooti.
Haqxi dukkana halkaniitiin ajjeesanii lafa jalatti awwaalan kunoo har’a rabbi as baase. Dhugaan Oromoo tun kan amma as bahe, mootummaa kaampii waraanaa kana diiguun warra lafa isaa warra Turkiitiif kennuuf osoo qopheessuuf yaaluti. Lafee warra dhumee akkuma arganiin dhoksaan achirra gara biraatti dabarsuuf osoo yaalanii hojjattonni ummata naannotti iccitii san himan. Ummanniis dafee wal-dammaqsuun bakka sanitti argamuun ekeraan nama keenyaa akka achii hin kaafamneefi siidaan yaadannoo akka jaaramu gaafachaa jiran.
Hamma feetes turtu dhugaan Oromoo awwaalamtee hin haftu.
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More on the Mass Grave of Oromos at Hameressa:
1) OLF on the Hameressa Mas Grave: gadaa.net/FinfinneTribune/2014/06/olf-press-release-one-o... .... or gadaa.net/FinfinneTribune/2014/06/ibsa-abo-ajjeechaa-ilma...
2) gadaa.net/FinfinneTribune/2014/06/jaal-araarsoo-biqilaa-h...
3) gadaa.net/FinfinneTribune/2014/06/oromoprotests-fdg-hamma...
4) gadaa.net/FinfinneTribune/2014/06/gulelepost-hameressa-ma...
OFFENSE
Peyton ManningQBKurt Warner
Thomas JonesRBAdrian Peterson
Le'Ron McClainFBMike Sellers
Andre JohnsonWRLarry Fitzgerald
Brandon MarshallWRAnquan Boldin
Tony GonzalezTEJason Witten
Jason Peters*OTJordan Gross
Joe ThomasOTWalter Jones*
Alan FanecaOGSteve Hutchinson
Kris DielmanOGChris Snee
Kevin Mawae*CAndre Gurode
DEFENSE
Mario WilliamsDEJulius Peppers
Dwight FreeneyDEJustin Tuck
Albert HaynesworthDTKevin Williams
Kris JenkinsDTJay Ratliff
James HarrisonOLBDeMarcus Ware
Joey PorterOLBLance Briggs
Ray LewisILBPatrick Willis
Nnamdi AsomughaCBCharles Woodson*
Cortland FinneganCBAntoine Winfield
Ed ReedFSNick Collins
Troy PolamaluSSAdrian Wilson
SPECIAL TEAMS
Shane LechlerPJeff Feagles
Stephen GostkowskiKJohn Carney
Leon WashingtonKRClifton Smith
Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.
Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.
Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.
Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.
The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.
On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This portrait bust of Benjamin Franklin (Catalog INDE13730) was executed by the Studio of Jean Jacques Caffieri, circa 1790-1804.
Benjamin Franklin (1706-1790) was one of the Founding Fathers of the United States of America. A noted polymath, Franklin was a leading author and printer, satirist, political theorist, politician, scientist, inventor, civic activist, statesman and diplomat. A major figure in the Enlightenment and the history of physics for his discoveries and theories regarding electricity, he invented the lightning rod, bifocals, the Franklin stove, carriage odometer, and glass armonica. He formed both the first public lending library in America and first fire department in Pennsylvania. He was an early proponent of colonial unity and as a diplomat during the American Revolution, he secured the French alliance that helped to make independence possible.
The Second Bank of the United States, at 420 Chestnut Street, was chartered five years after the expiration of the First Bank of the United States in 1816 to keep inflation in check following the War of 1812. The Bank served as the depository for Federal funds until 1833, when it became the center of bitter controversy between bank president Nicholas Biddle and President Andrew Jackson. The Bank, always a privately owned institution, lost its Federal charter in 1836, and ceased operations in 1841. The Greek Revival building, built between 1819 and 1824 and modeled by architect William Strickland after the Parthenon, continued for a short time to house a banking institution under a Pennsylvania charter. From 1845 to 1935 the building served as the Philadelphia Customs House. Today it is open, free to the public, and features the "People of Independence" exhibit--a portrait gallery with 185 paintings of Colonial and Federal leaders, military officers, explorers and scientists, including many by Charles Willson Peale.
Independence National Historical Park preserves several sites associated with the American Revolution. Administered by the National Park Service, the 45-acre park was authorized in 1948, and established on July 4, 1956. The Second Bank of the United States was added to the Park's properties in 2006.
Second Bank of the United States National Register #87001293 (1987)
Independence National Park Historic District National Register #66000675 (1966)
Six people have been arrested following warrants executed in Manchester as part of a crackdown on criminal groups involved in serious crime in Rochdale.
Seven addresses in #Moston, #Ardwick, #NewtonHeath, #Blackley, and #Openshaw were targeted this morning (Friday 5 February 2021) by officers from GMP Rochdale with support from neighbouring districts and the Tactical Aid Unit (TAU).
A cross bow with ammunition, three machetes and a stab proof vest was recovered from one address. An amount of cannabis was recovered at another address following a successful search by GMP's Tactical Dog Unit.
The action follows two serious assaults in Rochdale in December 2020 which detectives believe to be the result of a feud between two rival groups.
At around 7.15pm on 17 December, a teenager was stabbed on Tweedale Street, Rochdale, before he was taken to hospital with serious injuries. He was discharged three days later.
Over a week later on 28 December, just after 11.30pm, officers were also called to a report of stabbing followed by a road traffic collision on the same street.
A 21 year old man was hospitalised after sustaining lacerations to his arm & torso and also a broken arm. He was released two days later.
Enquiries are ongoing, and anyone with information is encouraged to contact police or Crimestoppers.
Detective Inspector Karl Ward, of GMP's Rochdale #Challenger team, said: "This morning's raids are the result of an extensive amount of investigative work following a concerning trend of serious assaults recently, particularly around the Freehold area of the town.
"It concerns me greatly to see young people involved in assaults where bladed weapons have been used to commit violent attacks. It is absolutely vital that we do all we can to remove this threat and to take such dangerous items off our streets.
"It is important that people feel safe in their communities, and we have done an enormous amount of work with our local authority partners to reduce the risk to young people living in the Freehold area.
"These arrests represent a positive step in sending that reassurance message. Knife crime will not be tolerated, and we will continue to work tirelessly to bring those who choose to engage in such activities to justice.
"While we have arrested six people today, I would encourage the public to continue to report incidents of concern so that we can take appropriate action with the assistance of our partner agencies."
Anyone with information should call 0161 856 8487. Details can be passed anonymously to the independent charity Crimestoppers on 0800 555 111.
the iliveisl sim, Enercity Park, goes away shortly after these pics were taken. it was one of only 100 or so remaining openspace sims.
it had been 3750 prims but when Linden Lab poorly executed their change in policy and pricing and went from $75 to $95 per month and from 3750 prims to 750 prims, this became the most expensive type of land isl
but i promised my residents that Enercity would have a park so kept it until the estate was transferred to the very best residents in all of second life
the park was the closest to a home that Ener Hax had. two sparse fallout shelters would become Ener's homes
one just a bare mattress and cardboard boxes to reduce drafts from broken windows and had and old turret slowly rotating that stood as a silent sentinel to bygone eras when we humans could have taken a lesson from our own avatars and the other a small emergency shelter for the bus stop
the lake in the park was called Butterfly Lake from its shape when viewed from the air and had a swan and ducklings swimming and a nice bench for friends to sit and visit under a weeping willow. near that spot was an old underground shelter to park military vehicles. that spot became an underground skatepark and was connected to the city's catacombs. these catacombs, like in Paris, ran below the city streets
zombies lived in one section near a small graveyard. no one knew why zombies were there, some suspect it was related to the war time bunkers. the manhole cover near the zombies was opened and the catacombs tagged with "i <3 ener hax" and "subQuark sux"
the most favourite spot for Ener Hax was near the bus stop and the 1950's era rotating and steaming coffee billboard (hmm, maybe the chemical smoke from that big coffee cup is to blame for the zombies? after all, the "steam" does drift over the grave yard
the fave spot looked over the smaller lake west of the bus stop and was in view of one of the parks two waterfalls. that spot was made very special because of Mr. Bunny. Ener loved to sit on the ground and just watch Mr. Bunny hop around and doze occasionally. what a cute bunny =) he even had his own carrots planted by Ener
high above the eastern part of the park was the huge zebra striped zeppelin. a bit of a trademark of the iliveisl estate
it was a lovely spot, even had tai chi on the big bunker and a zip line from the water tower
ooh, the water tower! as a surprise gift, DreamWalker scripted the water tower and turned it int a funky hang out spot. there was an abandoned pool inside the tower (???) and place to sit and talk. even a cute ladybug called it home. the water tower's top would slide up and down and also turn invisible. for romance, a moon beam came through the towers top port and could even have its brightness changed
even though the park was outrageously expensive, it was Ener Hax and Mr. Bunnies home and will be sincerely missed
namas te
This weekend was Heritage and Ride & Stride weekend, when many churches are open.
So, a grand tour round Kent's most difficult was planned and executed, with this being the first church of the day open, after four strike outs.
St Alphege is just the chancel of a larger church, so there isn't much to see, or room inside, but I got my shots and declined my first cuppa of the day.
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Hidden from the road and accessible only by footpath, this 13th century gem is a remarkable survivor. It is the chancel of the medieval church of Seasalter, the rest of which was demolished when the new church of St Alphege was built in what is now Whitstable. The west wall of flint is in contrast to the rubble construction of the medieval work and its lancet windows. Inside, all is squashed together but they even managed to get a proper organ in! High in the west wall is a lovely window by Lawrence Lee depicting St Alphege whose body rested in the previous church which stood out where the River Swale washes the shore today. This old church is still used and well loved by its congregation who now also have a brand new (2007) church a few hundred yards away for there regular services.
www.kentchurches.info/church.asp?p=Seasalter
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THE LIBERTY AND PARISH OF SEASALTER.
THIS liberty lies adjoining to the parish of Hernehill and hundred of Boughton Blean, north eastward, being so named from its near vicinity to the sea. (fn. 1)
The LIBERTY AND PARISH of Seasalter lies in an obscure out of the way situation, bounded by the sea northward, but the large tract of marshes which adjoin it westward, as well as the badness of the water, make it very unhealthy. The east and southern parts are mostly coppice wood, and the soil a deep clay. The church stands on the knoll of a hill, nearly in the middle of the parish, below which, westward, it is all marsh land to the sea shore, not far from which the few houses stand which make the village of Seasalter. There are forty-six houses in this parish, most of which are in Whitstaple-street, great part of which is within the bounds of it, and over part of which the borough of Harwich claims. There is an oyster fishery on the shore here, the grounds of which, called the Pollard, are an appendage to the manor of Seasalter, and as such belong to the dean and chapter of Canterbury, who demise them to seven fishermen or free dredgermen of Seasalter, at a certain yearly rent. In December, 1763, a live whale was driven on shore on Seasalter flats, which was about fifty-six feet long. The manor of Seasalter has the privilege of four fairs yearly, on the four principal feasts in the year; but there have not been any held for some years.
The MANOR OF SEASALTER was given, before the Norman conquest, to the priory of Christ-church, in Canterbury, but by whom, I have no where found; and it continued part of the possessions of it at the time of taking the survey of Domesday, in which record it is thus entered:
In Borowart lath, there lies a small borough named Sesaltre, which properly belongs to the kitchen of the archbishop. One named Blize held it of the monks. In demesne there is one carucate, and forty-eight borderers with one carucate. There is a church and eight fisheries, with a rent of twenty-five shillings. Wood for the pannage of ten hogs. In the time of king Edward the Confessor, and afterwards, it was worth twenty-five shillings, and now one hundred shillings.
After which, this manor appears to have been let to ferme by the prior and convent, to Roger de Wadenhale, in king Henry the IId.'s reign, at the yearly rent of six pounds, with a reservation of all royal fish, wrec, &c. and afterwards to Clemencia, daughter of Henry de Hanifeld, at that of ten marcs, which rent was afterwards raised to twenty pounds per annum. In 1494, prior Thomas Goldstone caused a new mansion, or court-lodge to be built here, and at the rectory he rebuilt all the edifices, except the barn. In which situa tion this manor continued with the priory till its dissolution, in the 31st year of king Henry VIII. when it was surrendered into the king's hands, and was by his dotation-charter, in his 33d year, settled on his newfounded dean and chapter of Canterbury, with whom the inheritance still continues. (fn. 2)
A court leet and court baron is regularly held by the dean and chapter for this manor; but the demesne lands, as well as the rectory or parsonage of the church, were lately demised on a beneficial lease to Isaac Rutton, M. D. of Ashford, who died in 1792, whose descendants assigned them to Mr. William Baldock, brewer, of Canterbury, and they were again assigned by him in 1798, to Mr. King, of Whitstaple. (fn. 3)
ELYNDENNE, or Ellenden, as it is now written, is a small manor, situated at the southern boundary of this parish, among the woods adjoining to the ville of Dunkirk, within the bounds of which, one half of the house, as well as part of the lands are situated, though in the deeds belonging to this manor, it is constantly described as within this parish and Whitstaple. It was once the property of a family of its own name, one of whom, John Elyndenne, gave it to the abbot and convent of Faversham, as appeared by the lerger book of that abbey, (fn. 4) with which it staid till its dissolution, anno 30 Henry VIII. when this manor came, with the rest of its estates, into the king's hands, who in his 35th year granted it to Thomas Ardern, gent. of Faversham, to hold in capite, (fn. 5) and he that year passed it away to John Needham, whose son, of the same name, alienated it, in the 32d year of queen Elizabeth, to Michael Beresford, esq. of Westerham, and he soon after conveyed it to Sir George Newman, LL.D. in whose descendants, who bore for their arms, Or, a fess dancette, gules, between three eagles, sable, (fn. 6) it continued till it was alienated to St. Leger, and Sir John St. Leger, in the reign of William and Mary, passed it away to Sir Henry Furnese, bart. of Waldershare, who died possessed of it in 1712, but his grandson Sir Henry Furnese, bart. dying in 1735, under age and unmarried, this, among the rest of his estates, became vested in his three sisters, coheirs of their father, in equal shares in coparcenary, in tail general, and on a partition anno 9 George II. this manor was allotted, among others, to Anne the eldest daughter, wife of John, viscount St. John, whose grandson the right hon. George St. John, lord viscount Bolingbrooke, sold it in 1791 to Mr. John Daniels, of Whitstaple, and he in 1793 sold it to Mr. Hayward, of the Black Friars, Canterbury, who dying in the year 1794, his widow is the present possessor of it.
Charities.
THERE have been given to the use of the poor of this parish, five acres of land, late occupied by Fenner, of the annual produce of 3l. a field of three acres, called the Peters field, of the annual produce of 2l. 6s. four acres of land, in two pieces, of the annual produce of 4l. and two acres of woodland, sold in 1785 at eighteen years growth for 6l. sundry yearly annuities, of 2s. 6d. of 40s paid by the parish of Whitstaple, and of 12s. paid by Mrs Gillow.
The poor constantly maintained are about twenty, casually one hundred.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Westbere.
The church, which is dedicated to St. Alphage, is small, consisting of only one isle and a chancel, having a low pointed turret of wood at the west end, in which hangs one bell. There is no memorial or inscription in it. In the north window of the isle are some small remains of painted glass. There are two hatchments in the isle, one, Argent, two bends wavy, on a chief, gules, three estoiles, or; the other the same, impaling, Paly bendy, or, and sable, a bend, counterchanged, which were for the family of Taylor, who once owned lands in this parish, and lie buried in this church. There is a gallery at the west end.
By the great storm, which happened on Jan. 1, 1779, there was discovered among the beach on the sea shore, at Codhams corner, about half a mile westward of the present church, the stone foundations of a large long buildings, lying due east and west, supposed to have been the remains of the antient church of Seasalter. Many human bones were likewise uncovered, by the shifting of the beach, both within and about it, all of which that could be found, were collected together and buried in the church-yard of Seasalter; but those which have been since uncovered remain at this time sticking up an end among the beach.
¶This church was always appendant to the manor of Seasalter, belonging to the priory of Christ church, to which it was appropriated in 1236, for the maintenance of the monks there, and was by the archbishop afterwards allotted to the almonry. In which state it continued till the dissolution of the priory in the 31st year of Henry VIII. when it came into the king's hands, who settled it, with the advowson of the vicarage and the manor, by his dotation-charter, in his 33d year, on his new-founded dean and chapter of Canterbury, part of whose possessions they still continue.
In the 8th year of Richard II. anno 1384, the vicarage of this church was not, on account of the smallness of its income, taxed to the tenth. It is valued in the king's books at 11l. but it is now a discharged living, of the clear yearly certified value of 25l. 19s. 8d. In 1588 here were communicants seventy-six. In 1640 the same, and it was then valued at 60l.
Among the archives of the dean and chapter is an examination relating to the bounds of the parishes of Seasalter and Hernehill, anno 1481, and another taken the same year by the archbishop's commissary. (fn. 7)
www.british-history.ac.uk/survey-kent/vol8/pp499-504
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A liberty was an English unit originating in the Middle Ages, traditionally defined as an area in which regalian right was revoked and where the land was held by a mesne lord (i.e. an area in which rights reserved to the king had been devolved into private hands). It later became a unit of local government administration.[1]
Liberties were areas of widely variable extent which were independent of the usual system of hundreds and boroughs for a number of different reasons, usually to do with peculiarities of tenure. Because of their tenurial rather than geographical origin, the areas covered by liberties could either be widely scattered across a county or limited to an area smaller than a single parish: an example of the former is Fordington Liberty, and of the latter, the Liberty of Waybayouse, both in Dorset.
In northern England, the liberty of Bowland was one of the larger tenurial configurations covering some ten manors, eight townships and four parishes under the sway of a single feudal lord, the Lord of Bowland, whose customary title is Lord of the Fells.[2][3] Up until 1660, such lords would have been lords paramount.
Legislation passed in 1836 ended the temporal jurisdiction of the Archbishop of York and the Bishop of Ely in several liberties, and the Liberties Act 1850 permitted the merging of liberties in their counties. By 1867, only a handful remained: Ely, Havering-atte-Bower, St Albans, Peterborough, Ripon and Haverfordwest. St Albans was subsequently joined to the county of Hertfordshire in 1875.
The Local Government Act 1888 led to the ending of the special jurisdictions in April 1889: the Isle of Ely and Soke of Peterborough became administrative counties, while the three remaining liberties were united to their surrounding counties.
en.wikipedia.org/wiki/Liberty_(division)
BUFFALO, NY-- Leaders of the New York Army National Guard's 153rd Troop Command Cavalry monitor a statewide video conference at the Connecticut Street Armory here on Wednesday, June 8, following a snow storm which hit the Buffalo area on June 7 at the same time intense cold affected the northeastern United States. The New York National Guard mobilized more than 260 Army and Air National Guard service members to be prepared to help at the direction of New York Governor Andrew Cuomo (U.S. National Guard Photo by Senior Master Sgt. Raymond Lloyd, 107th Airlift Wing/ Released)
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
6MEN241 - that was the registration plate for the Chevrolet Malibu awaiting us in the car rental lot in San Francisco airport.
Great. Not that we drove it very far that week. Jetlag will do that to you. You know, not wanting to do much of anything.
It did take us down to Monterey though, to the awesome aquarium, and to the Embarcadero, to catch the ferry to (the very awesome) Alcatraz. In between, some cruising around along the PCH, Golden Gate Bridge, Google campus and the Lego store. Even past the headquarters of fledgling company Tesla.
Impressions of the car - I was ready to be disappointed. GM had grown a reputation for producing sub-par machines, but the Malibu was pretty good. Plenty of space (hey child-safety car seats) and luggage. material quality felt pretty good, and the car was reasonably quiet. It was the absence of get up and go which marked the car most. I guess I had been expecting 6-cylinder power, which seemed to be missing somewhere. The car felt like it had too little torque (217 Nm), too much weight (1,549 kg) and not enough gears (4AT). It turned out the car was only a 2.4L 4-cylinder, and there were higher output engine available, but not fitted to our rental.
The Malibu rode on the LWB Epsilon platform, shared with the Saturn Aura, Opel Signum and Pontiac G6. Though GM was about to enter bankruptcy (partly as a consequence of poorly executed product), it was clear that the Malibu was an example the GM could build good cars that were affordable. Sadly, the market had already voted and was shopping Japanese and Korean.
Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Number: 39.153
On view at The Met Fifth Avenue in Gallery 501.
This detail is from a study, (or studiolo), intended for meditation and study. Its walls are carried out in a wood-inlay technique known as intarsia. The latticework doors of the cabinets, shown open or partly closed, indicate the contemporary interest in linear perspective. The cabinets display objects reflecting Duke Federico’s wide-ranging artistic and scientific interests, and the depictions of books recall his extensive library. Emblems of the Montefeltro are also represented. This room may have been designed by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar room, in situ, was made for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mother // Men pre-eminent in learning and genius, // How they fall with bared neck before // …… // ………………………………………………knee. // Honored loyalty prevails over justice, and no one // Repents having yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482); Prince Filippo Massimo Lancellotti, Frascati (from 1874); Lancelotti family, Frascati (until 1937; sold to Adolph Loewi, Venice); [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art History
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Creative Writing Activities at The Metropolitan Museum of Art
oOne Met. Many Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Guide (Spanish)
oThe Metropolitan Museum of Art Guide (Russian)
oThe Metropolitan Museum of Art Guide (Portuguese)
oThe Metropolitan Museum of Art Guide (Korean)
oThe Metropolitan Museum of Art Guide (Japanese)
oThe Metropolitan Museum of Art Guide (Italian)
oThe Metropolitan Museum of Art Guide (German)
oThe Metropolitan Museum of Art Guide (French)
oThe Metropolitan Museum of Art Guide (Chinese)
oThe Metropolitan Museum of Art Guide (Arabic)
oThe Metropolitan Museum of Art Guide
oThe Metropolitan Museum of Art Guide
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Look At Art
oThe Artist Project
oThe Art of Renaissance Europe: A Resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Love in Renaissance Italy
This weekend was Heritage and Ride & Stride weekend, when many churches are open.
So, a grand tour round Kent's most difficult was planned and executed, with this being the first church of the day open, after four strike outs.
St Alphege is just the chancel of a larger church, so there isn't much to see, or room inside, but I got my shots and declined my first cuppa of the day.
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Hidden from the road and accessible only by footpath, this 13th century gem is a remarkable survivor. It is the chancel of the medieval church of Seasalter, the rest of which was demolished when the new church of St Alphege was built in what is now Whitstable. The west wall of flint is in contrast to the rubble construction of the medieval work and its lancet windows. Inside, all is squashed together but they even managed to get a proper organ in! High in the west wall is a lovely window by Lawrence Lee depicting St Alphege whose body rested in the previous church which stood out where the River Swale washes the shore today. This old church is still used and well loved by its congregation who now also have a brand new (2007) church a few hundred yards away for there regular services.
www.kentchurches.info/church.asp?p=Seasalter
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THE LIBERTY AND PARISH OF SEASALTER.
THIS liberty lies adjoining to the parish of Hernehill and hundred of Boughton Blean, north eastward, being so named from its near vicinity to the sea. (fn. 1)
The LIBERTY AND PARISH of Seasalter lies in an obscure out of the way situation, bounded by the sea northward, but the large tract of marshes which adjoin it westward, as well as the badness of the water, make it very unhealthy. The east and southern parts are mostly coppice wood, and the soil a deep clay. The church stands on the knoll of a hill, nearly in the middle of the parish, below which, westward, it is all marsh land to the sea shore, not far from which the few houses stand which make the village of Seasalter. There are forty-six houses in this parish, most of which are in Whitstaple-street, great part of which is within the bounds of it, and over part of which the borough of Harwich claims. There is an oyster fishery on the shore here, the grounds of which, called the Pollard, are an appendage to the manor of Seasalter, and as such belong to the dean and chapter of Canterbury, who demise them to seven fishermen or free dredgermen of Seasalter, at a certain yearly rent. In December, 1763, a live whale was driven on shore on Seasalter flats, which was about fifty-six feet long. The manor of Seasalter has the privilege of four fairs yearly, on the four principal feasts in the year; but there have not been any held for some years.
The MANOR OF SEASALTER was given, before the Norman conquest, to the priory of Christ-church, in Canterbury, but by whom, I have no where found; and it continued part of the possessions of it at the time of taking the survey of Domesday, in which record it is thus entered:
In Borowart lath, there lies a small borough named Sesaltre, which properly belongs to the kitchen of the archbishop. One named Blize held it of the monks. In demesne there is one carucate, and forty-eight borderers with one carucate. There is a church and eight fisheries, with a rent of twenty-five shillings. Wood for the pannage of ten hogs. In the time of king Edward the Confessor, and afterwards, it was worth twenty-five shillings, and now one hundred shillings.
After which, this manor appears to have been let to ferme by the prior and convent, to Roger de Wadenhale, in king Henry the IId.'s reign, at the yearly rent of six pounds, with a reservation of all royal fish, wrec, &c. and afterwards to Clemencia, daughter of Henry de Hanifeld, at that of ten marcs, which rent was afterwards raised to twenty pounds per annum. In 1494, prior Thomas Goldstone caused a new mansion, or court-lodge to be built here, and at the rectory he rebuilt all the edifices, except the barn. In which situa tion this manor continued with the priory till its dissolution, in the 31st year of king Henry VIII. when it was surrendered into the king's hands, and was by his dotation-charter, in his 33d year, settled on his newfounded dean and chapter of Canterbury, with whom the inheritance still continues. (fn. 2)
A court leet and court baron is regularly held by the dean and chapter for this manor; but the demesne lands, as well as the rectory or parsonage of the church, were lately demised on a beneficial lease to Isaac Rutton, M. D. of Ashford, who died in 1792, whose descendants assigned them to Mr. William Baldock, brewer, of Canterbury, and they were again assigned by him in 1798, to Mr. King, of Whitstaple. (fn. 3)
ELYNDENNE, or Ellenden, as it is now written, is a small manor, situated at the southern boundary of this parish, among the woods adjoining to the ville of Dunkirk, within the bounds of which, one half of the house, as well as part of the lands are situated, though in the deeds belonging to this manor, it is constantly described as within this parish and Whitstaple. It was once the property of a family of its own name, one of whom, John Elyndenne, gave it to the abbot and convent of Faversham, as appeared by the lerger book of that abbey, (fn. 4) with which it staid till its dissolution, anno 30 Henry VIII. when this manor came, with the rest of its estates, into the king's hands, who in his 35th year granted it to Thomas Ardern, gent. of Faversham, to hold in capite, (fn. 5) and he that year passed it away to John Needham, whose son, of the same name, alienated it, in the 32d year of queen Elizabeth, to Michael Beresford, esq. of Westerham, and he soon after conveyed it to Sir George Newman, LL.D. in whose descendants, who bore for their arms, Or, a fess dancette, gules, between three eagles, sable, (fn. 6) it continued till it was alienated to St. Leger, and Sir John St. Leger, in the reign of William and Mary, passed it away to Sir Henry Furnese, bart. of Waldershare, who died possessed of it in 1712, but his grandson Sir Henry Furnese, bart. dying in 1735, under age and unmarried, this, among the rest of his estates, became vested in his three sisters, coheirs of their father, in equal shares in coparcenary, in tail general, and on a partition anno 9 George II. this manor was allotted, among others, to Anne the eldest daughter, wife of John, viscount St. John, whose grandson the right hon. George St. John, lord viscount Bolingbrooke, sold it in 1791 to Mr. John Daniels, of Whitstaple, and he in 1793 sold it to Mr. Hayward, of the Black Friars, Canterbury, who dying in the year 1794, his widow is the present possessor of it.
Charities.
THERE have been given to the use of the poor of this parish, five acres of land, late occupied by Fenner, of the annual produce of 3l. a field of three acres, called the Peters field, of the annual produce of 2l. 6s. four acres of land, in two pieces, of the annual produce of 4l. and two acres of woodland, sold in 1785 at eighteen years growth for 6l. sundry yearly annuities, of 2s. 6d. of 40s paid by the parish of Whitstaple, and of 12s. paid by Mrs Gillow.
The poor constantly maintained are about twenty, casually one hundred.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Westbere.
The church, which is dedicated to St. Alphage, is small, consisting of only one isle and a chancel, having a low pointed turret of wood at the west end, in which hangs one bell. There is no memorial or inscription in it. In the north window of the isle are some small remains of painted glass. There are two hatchments in the isle, one, Argent, two bends wavy, on a chief, gules, three estoiles, or; the other the same, impaling, Paly bendy, or, and sable, a bend, counterchanged, which were for the family of Taylor, who once owned lands in this parish, and lie buried in this church. There is a gallery at the west end.
By the great storm, which happened on Jan. 1, 1779, there was discovered among the beach on the sea shore, at Codhams corner, about half a mile westward of the present church, the stone foundations of a large long buildings, lying due east and west, supposed to have been the remains of the antient church of Seasalter. Many human bones were likewise uncovered, by the shifting of the beach, both within and about it, all of which that could be found, were collected together and buried in the church-yard of Seasalter; but those which have been since uncovered remain at this time sticking up an end among the beach.
¶This church was always appendant to the manor of Seasalter, belonging to the priory of Christ church, to which it was appropriated in 1236, for the maintenance of the monks there, and was by the archbishop afterwards allotted to the almonry. In which state it continued till the dissolution of the priory in the 31st year of Henry VIII. when it came into the king's hands, who settled it, with the advowson of the vicarage and the manor, by his dotation-charter, in his 33d year, on his new-founded dean and chapter of Canterbury, part of whose possessions they still continue.
In the 8th year of Richard II. anno 1384, the vicarage of this church was not, on account of the smallness of its income, taxed to the tenth. It is valued in the king's books at 11l. but it is now a discharged living, of the clear yearly certified value of 25l. 19s. 8d. In 1588 here were communicants seventy-six. In 1640 the same, and it was then valued at 60l.
Among the archives of the dean and chapter is an examination relating to the bounds of the parishes of Seasalter and Hernehill, anno 1481, and another taken the same year by the archbishop's commissary. (fn. 7)
www.british-history.ac.uk/survey-kent/vol8/pp499-504
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A liberty was an English unit originating in the Middle Ages, traditionally defined as an area in which regalian right was revoked and where the land was held by a mesne lord (i.e. an area in which rights reserved to the king had been devolved into private hands). It later became a unit of local government administration.[1]
Liberties were areas of widely variable extent which were independent of the usual system of hundreds and boroughs for a number of different reasons, usually to do with peculiarities of tenure. Because of their tenurial rather than geographical origin, the areas covered by liberties could either be widely scattered across a county or limited to an area smaller than a single parish: an example of the former is Fordington Liberty, and of the latter, the Liberty of Waybayouse, both in Dorset.
In northern England, the liberty of Bowland was one of the larger tenurial configurations covering some ten manors, eight townships and four parishes under the sway of a single feudal lord, the Lord of Bowland, whose customary title is Lord of the Fells.[2][3] Up until 1660, such lords would have been lords paramount.
Legislation passed in 1836 ended the temporal jurisdiction of the Archbishop of York and the Bishop of Ely in several liberties, and the Liberties Act 1850 permitted the merging of liberties in their counties. By 1867, only a handful remained: Ely, Havering-atte-Bower, St Albans, Peterborough, Ripon and Haverfordwest. St Albans was subsequently joined to the county of Hertfordshire in 1875.
The Local Government Act 1888 led to the ending of the special jurisdictions in April 1889: the Isle of Ely and Soke of Peterborough became administrative counties, while the three remaining liberties were united to their surrounding counties.
en.wikipedia.org/wiki/Liberty_(division)
According to sources, a confrontation between residents and Ethiopian government officials broke out on June 9, 2014, over a mass grave discovered at the former Hameressa military garrison near Harar city, eastern Oromia. The mass grave is believed to contain remains of political prisoners executed during both the Dergue era and the early reigns of the current TPLF regime. Among those who were executed and buried in the location was Mustafa Harowe, a famous Oromo singer who was killed around early 1990′s for his revolutionary songs. Thousands more Oromo political prisoners were kept at this location in early 1990′s – with many of them never to be seen again.
The mass grave was discovered while the Ethiopian government was clearing the camp with bulldozers to make it available to Turkish investors. Upon the discovery of the remains, the government tried to quietly remove them from the site. However, workers secretly alerted residents in nearby villages; upon the spread of the news, many turned up en mass to block the removal of the remains and demanded construction a memorial statue on the site instead. The protests is still continuing with elders camping on the site while awaiting a response from government.
In addition to the remains, belongings of the dead individuals as well as ropes tied in hangman’s noose were discovered at the site.
———————
Lafeen ilmaan Oromoo bara 1980moota keessa mootummaa Darguutin, baroota 1990moota keessa ammoo Wayyaaneen dhoksaan kaampii waraanaa Hammarreessaa keessatti ajjeefamanii argame. Ilmaan Oromoo mooraa san keessatti hidhamanii booda ajjeefaman keessa wallisaan beekamaan Musxafaa Harawwee isa tokko. Musxafaa Harawwee wallee qabsoo inni baasaa tureef jecha qabamee yeroo dheeraaf erga hiraarfamee booda toora bara ~1991 keessa ajjeefame. Hiraar Musxafaarra geessifamaa ture keessa tokko aara wallee isaatirraa qaban garsiisuuf muka afaanitti dhiibuun a’oo isaa cabsuun ni yaadatama.
Baroota 1990moota keessas Oromoonni kumaatamaan tilmaamaman warra amma aangorra jiru kanaan achitti hidhamanii, hedduun isaanii achumaan dhabamuun yaadannoo yeroo dhihooti.
Haqxi dukkana halkaniitiin ajjeesanii lafa jalatti awwaalan kunoo har’a rabbi as baase. Dhugaan Oromoo tun kan amma as bahe, mootummaa kaampii waraanaa kana diiguun warra lafa isaa warra Turkiitiif kennuuf osoo qopheessuuf yaaluti. Lafee warra dhumee akkuma arganiin dhoksaan achirra gara biraatti dabarsuuf osoo yaalanii hojjattonni ummata naannotti iccitii san himan. Ummanniis dafee wal-dammaqsuun bakka sanitti argamuun ekeraan nama keenyaa akka achii hin kaafamneefi siidaan yaadannoo akka jaaramu gaafachaa jiran.
Hamma feetes turtu dhugaan Oromoo awwaalamtee hin haftu.
-----
More on the Mass Grave of Oromos at Hameressa:
1) OLF on the Hameressa Mas Grave: gadaa.net/FinfinneTribune/2014/06/olf-press-release-one-o... .... or gadaa.net/FinfinneTribune/2014/06/ibsa-abo-ajjeechaa-ilma...
2) gadaa.net/FinfinneTribune/2014/06/jaal-araarsoo-biqilaa-h...
3) gadaa.net/FinfinneTribune/2014/06/oromoprotests-fdg-hamma...
4) gadaa.net/FinfinneTribune/2014/06/gulelepost-hameressa-ma...
OFFENSE
Peyton ManningQBKurt Warner
Thomas JonesRBAdrian Peterson
Le'Ron McClainFBMike Sellers
Andre JohnsonWRLarry Fitzgerald
Brandon MarshallWRAnquan Boldin
Tony GonzalezTEJason Witten
Jason Peters*OTJordan Gross
Joe ThomasOTWalter Jones*
Alan FanecaOGSteve Hutchinson
Kris DielmanOGChris Snee
Kevin Mawae*CAndre Gurode
DEFENSE
Mario WilliamsDEJulius Peppers
Dwight FreeneyDEJustin Tuck
Albert HaynesworthDTKevin Williams
Kris JenkinsDTJay Ratliff
James HarrisonOLBDeMarcus Ware
Joey PorterOLBLance Briggs
Ray LewisILBPatrick Willis
Nnamdi AsomughaCBCharles Woodson*
Cortland FinneganCBAntoine Winfield
Ed ReedFSNick Collins
Troy PolamaluSSAdrian Wilson
SPECIAL TEAMS
Shane LechlerPJeff Feagles
Stephen GostkowskiKJohn Carney
Leon WashingtonKRClifton Smith
Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.
Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.
Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.
Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.
The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.
On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.
This statue was executed by Michelangelo Slodtz (1705-1764) in 1744. It captures the refusal of bishop's post by the saint.
St Bruno of Cologne (1035-1101), founder of the Carthusian Order. He was born at Cologne about the year 1030; died 6 October, 1101. He is usually represented with a death's head in his hands, a book and a cross, or crowned with seven stars; or with a roll bearing the device O Bonitas. His feast is kept on the 6th of October.
The great figure of St. Bruno has been often sketched by artists and has inspired more than one masterpiece: in sculpture, for example, the famous statue by Houdon, at St. Mary of the Angels in Rome, "which would speak if his rule did not compel him to silence"; in painting, the fine picture by Zurbaran, in the Seville museum, representing Urban II and St. Bruno in conference; the Apparition of the Blessed Virgin to St. Bruno, by Guercino at Bologna; and above all the twenty-two pictures forming the gallery of St. Bruno in the museum of the Louvre, "a masterpiece of Le Sueur and of the French school".
Palazzo Massimo alle Terme
Images of items in their collection.
Discobolus (Discus Thrower)
"The Discobolus from Castel Porziano, unfortunately lacking the head, was found in 1906 among the remains of an Imperial villa in the estate of Castel Porziano.
It constitutes a more naturalistic and evolved version in comparison with the Lancelloti copy, which perhaps was executed in the age of Hadrian, as suggested by the support in the shape of a palm trunk and by the shape of the plinth."
Valentine, the patron saint of love, was executed in Rome and buried there in the 3rd century. Much later, an Irish priest was granted permission to exhume his remains, and now his skeleton lies under Whitefriar Church in Dublin
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
www.starnow.co.uk/christopherw33618
The FBI focuses on threats that challenge the foundations of American society or involve dangers too large or complex for any local or state authority to handle alone. In executing the following priorities, we will produce and use intelligence to protect the nation from threats and to bring to justice those who violate the law.
1. Protect the United States from terrorist attack
2. Protect the United States against foreign intelligence operations and espionage
3. Protect the United States against cyber-based attacks and high-technology crimes
4. Combat public corruption at all levels
5. Protect civil rights
6. Combat transnational/national criminal organizations and enterprises
7. Combat major white-collar crime
8. Combat significant violent crime
9. Support federal, state, local and international partners
10. Upgrade technology to successfully perform the FBI's mission
Our People & Leadership
On January 4, 2011, we had a total of 35,506 employees. That included 13,807 special agents and 21,699 support professionals, such as intelligence analysts, language specialists, scientists, information technology specialists, and other professionals. Learn how you can join us at FBIJobs.gov. For details on our leadership, see the FBI Executives webpage.
Our Locations
We work literally around the globe. Along with our Headquarters in Washington, D.C., we have 56 field offices located in major cities throughout the U.S., 400+ smaller offices called resident agencies in cities and towns across the nation, and more than 60 international offices called “legal attachés” in U.S. embassies worldwide.
Our Budget
In fiscal year 2010, our total budget was approximately $7.9 billion, including $618 million in program increases to enhance our counterterrorism, computer intrusions, surveillance, weapons of mass destruction, white-collar crime, and training programs.
Our History
The FBI was established in 1908. See our History website and How the FBI Got its Name for more details on our evolution and achievements over the years.
Our Motto
"Fidelity, Bravery, and Integrity." Learn about the origins of this motto.
Our Core Values
■Rigorous obedience to the Constitution of the United States;
■Respect for the dignity of all those we protect;
■Compassion;
■Fairness;
■Uncompromising personal integrity and institutional integrity;
■Accountability by accepting responsibility for our actions and decisions and the consequences of our actions and decisions; and
■Leadership, both personal and professional.
Six people have been arrested following warrants executed in Manchester as part of a crackdown on criminal groups involved in serious crime in Rochdale.
Seven addresses in #Moston, #Ardwick, #NewtonHeath, #Blackley, and #Openshaw were targeted this morning (Friday 5 February 2021) by officers from GMP Rochdale with support from neighbouring districts and the Tactical Aid Unit (TAU).
A cross bow with ammunition, three machetes and a stab proof vest was recovered from one address. An amount of cannabis was recovered at another address following a successful search by GMP's Tactical Dog Unit.
The action follows two serious assaults in Rochdale in December 2020 which detectives believe to be the result of a feud between two rival groups.
At around 7.15pm on 17 December, a teenager was stabbed on Tweedale Street, Rochdale, before he was taken to hospital with serious injuries. He was discharged three days later.
Over a week later on 28 December, just after 11.30pm, officers were also called to a report of stabbing followed by a road traffic collision on the same street.
A 21 year old man was hospitalised after sustaining lacerations to his arm & torso and also a broken arm. He was released two days later.
Enquiries are ongoing, and anyone with information is encouraged to contact police or Crimestoppers.
Detective Inspector Karl Ward, of GMP's Rochdale #Challenger team, said: "This morning's raids are the result of an extensive amount of investigative work following a concerning trend of serious assaults recently, particularly around the Freehold area of the town.
"It concerns me greatly to see young people involved in assaults where bladed weapons have been used to commit violent attacks. It is absolutely vital that we do all we can to remove this threat and to take such dangerous items off our streets.
"It is important that people feel safe in their communities, and we have done an enormous amount of work with our local authority partners to reduce the risk to young people living in the Freehold area.
"These arrests represent a positive step in sending that reassurance message. Knife crime will not be tolerated, and we will continue to work tirelessly to bring those who choose to engage in such activities to justice.
"While we have arrested six people today, I would encourage the public to continue to report incidents of concern so that we can take appropriate action with the assistance of our partner agencies."
Anyone with information should call 0161 856 8487. Details can be passed anonymously to the independent charity Crimestoppers on 0800 555 111.
The portrait of Marquis de Lafayette (Catolog Number INDE11879) was executed by Thomas Sully in 1825-26. Sully, a Philadelphia artist, was commissioned by a group of private citizens to commemorate Lafayette's visit to Philadelphia in late September, 1824, for Indpendence Hall. Sully developed the portrait from a series of small sketches and one study painting made for review by his patrons. Sully idealistically depicted Lafayette as much younger than his sixty-seven years. In the finished work, Lafayette stands in front of the triumphal arch designed by William Strickland for the hero's reception at Independence Hall. Philadelphia's Washington Grays, Lafayette's military escort through the city, are visible in the middle ground. Independence Hall can be seen in the background, filled with a cheering crowd and topped by an American flag. The painting was purchased by the City of Philadelphia from the subscribers in 1826.
Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, Lafayette, commonly known as the Marquis de Lafayette (1757 – 1834) was a French military officer and former aristocrat who participated in both the American and French revolutions. Lafayette served, without pay, in the American Revolutionary War both as a general and as a diplomat.
The Second Bank of the United States, at 420 Chestnut Street, was chartered five years after the expiration of the First Bank of the United States in 1816 to keep inflation in check following the War of 1812. The Bank served as the depository for Federal funds until 1833, when it became the center of bitter controversy between bank president Nicholas Biddle and President Andrew Jackson. The Bank, always a privately owned institution, lost its Federal charter in 1836, and ceased operations in 1841. The Greek Revival building, built between 1819 and 1824 and modeled by architect William Strickland after the Parthenon, continued for a short time to house a banking institution under a Pennsylvania charter. From 1845 to 1935 the building served as the Philadelphia Customs House. Today it is open, free to the public, and features the "People of Independence" exhibit--a portrait gallery with 185 paintings of Colonial and Federal leaders, military officers, explorers and scientists, including many by Charles Willson Peale.
Independence National Historical Park preserves several sites associated with the American Revolution. Administered by the National Park Service, the 45-acre park was authorized in 1948, and established on July 4, 1956. The Second Bank of the United States was added to the Park's properties in 2006.
Second Bank of the United States National Register #87001293 (1987)
Independence National Park Historic District National Register #66000675 (1966)
Yesterday (Wednesday 11 March 2020), officers from Greater Manchester Police and the City of London Police’s Intellectual Property Crime Unit (PIPCU) executed a number of warrants at Great Ducie Street, Manchester.
Officers from GMP and the City of London Police - the national policing lead for fraud – worked alongside UK immigration, meaning a total of 100 officers and staff members were involved in the operation.
The search warrant, which developed from a previous operation that involved the sale and distribution of counterfeit items, saw thousands of labels, computer equipment and cash seized.
Detectives are currently exploring links between the counterfeit operation and Serious Organised Crime, helping to fund criminal activity beyond Greater Manchester.
15 people were arrested, after officers uncovered an estimated £7.5 million worth of branded clothing, shoes and perfume suspected to be counterfeit.
Chief Inspector Kirsten Buggy, of GMP’s North Manchester division, said: “Yesterday’s operation is one of the largest of its kind ever carried out in the area and has taken a meticulous amount of planning and preparation.
“I am thankful to colleagues from the City of London Police, who as the national policing lead for fraud, have worked in partnership with officers from GMP and helped bring about yesterday’s direct action. I am also grateful to those from UK Immigration for their help.
“Such partnerships are absolutely vital when tackling counterfeit operations, as they bring specialisms from across the country together in a bid to make an impactive and real difference. Steps such as yesterday are often only the start when it comes to investigating the scale of these operations and we will continue to work in conjunction with the City of London’s Intellectual Property Crime Unit to tackle this type of offending to its’ very core.
“It is important to recognise the far-reaching and serious impact of sophisticated and large scale counterfeit operations such as this one; and I would like to take this opportunity to remind members of the public of the repercussions of this kind of offending and the link to organised criminal activity. Please be under no illusion- this type of crime is not victimless.”
Police staff investigator Charlotte Beattie, of the City of London Police’s Intellectual Property Crime Unit (PIPCU), said:
“The counterfeit goods business is a deceiving one and the key message to be take away from this operation, is that counterfeiting is not a victimless crime.
“An individual may think that when buying counterfeit goods they are only affecting a multi-million pound brand, and won’t matter, when in fact they are helping to fund organised criminal activity. Counterfeit goods also pose a health risk to individuals as they usually are not fit for purpose or have not gone through the legal health and safety checks.
“Working in partnership has ensured that today’s operation has been a success. We will continue to work with Greater Manchester Police and UK Immigration to tackle the scourge of the counterfeit goods problem.”
To find out more about Greater Manchester Police please visit our website. www.gmp.police.uk
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk.
BANKRUPTCY
the torrent of sneers and abuse, it came at the moment when
Whistler most needed it.*
Whistler's financial affairs were in more hopeless confusion
than ever. The expenses of the White House were heavier
than he anticipated. The interference of the Metropolitan
Board of Works, to whom every drawing and plan had to
be submitted, resulted in delays, disagreements, alterations.
He made what concessions he could ; he even accepted the
stone mouldings insisted upon by the Board. The builder's
estimate was largely exceeded before the decorations
Boehm was to execute had been begun. He had brought
debts from Lindsey Row. The legends of them centre
about a greengrocer who is said to have let him run up
his bill for endless tomatoes and rare fruit out of season,
until it amounted to some six hundred pounds. When the
greengrocer insisted on payment, Whistler said :
" How what why why, of course, you have sent these
things most excellent things and they have been eaten, you
know, by most excellent people. Think what a splendid ad-
vertisement. And sometimes, you know, the salads are not
quite up to the mark the fruit, you know, not quite fresh.
And if you go into these unseemly discussions about the bill
well, you know, I shall have to go into discussions about all this
and think how it would hurt your reputation with all these
extraordinary people. I think the best thing is not to refer to
the past I'll let it go. And in the future, we'll have a weekly
account wiser, you know ! "
The greengrocer left without his money, but received in
payment two Nocturnes, one the blue upright Valparaiso.
Another story of the same creditor is that he followed Whistler
with his account to the White House, arriving as a grand
piano was being carried in. Whistler said he was so busy
* Perhaps it should be added that this first serious article on Whistler was by
no means taken seriously, and that the most was made of Mr. Brownell's mis-
take in describing the dry-point of Joe as a portrait of Dr. Whistler.
1879]
he couldn't attend to the matter just then, and the green-
grocer went away happy, thinking if grand pianos were
being bought, it must be all right.
Whistler used to say of stories told about him, that there
was always some foundation for them. The fact is that the
creditors in Lindsey Row had been many, though before
moving to Tite Street, he wrote hopefully to his mother at
Hastings of his economies, and his prospects for paying off
his debts. Whistler did not know the meaning of economy.
And the trial had to be paid for, the studio still waited for
pupils, his most important pictures were with Mr. Graves,
and no new commissions came. But, as far as he let the
world see, his troubles made no difference to him.
It was no unusual occurrence for bailiffs to be in possession
at the White House, or for bills to cover its walls. The first
time it happened, he told the people whom he invited that
they 'might know his house by the bills on it. Of the bailiffs
he made another " joy," a new feature of his Sunday break-
fasts. Mrs. Lynedoch Moncrieff has told us of a Sunday
when, to her surprise, two or three men waited at table with
Whistler's servant, John, and she said to Whistler :
" Why, Jimmie, I am glad to see you've grown so wealthy."
"Ha ha ! Bailiffs ! You know I had to put them to some
use ! "
Mr. W. M. Rossetti and his wife once found the same
" liveried attendants."
" ' Your servants seem to be extremely attentive, Mr. Whistler,
and anxious to please you,' one of the guests said. ' Oh, yes,'
was his answer, ' I assure you they wouldn't leave me.' '
Others remember the Sunday when all the furniture in
the house was numbered for a coming execution. When
breakfast was announced by a bailiff, Whistler said :
" They are wonderful fellows. You will see how excellently
252 [1879
BANKRUPTCY
they wait at table, and to-morrow, you know, if you want, you
can see them sell the chairs you sit on every bit as well. Amazing."
Mrs. Edwin Edwards wrote us that, when he had at one time
three men in possession, he treated them, while his friends
carted away his pictures from the back door. Other friends
say that the bailiffs, multiplied to seven, were invited into
the garden, and given beer " with a little something in it.'*
No sooner had they drunk of it than down went their heads
on the table round which they sat, and they slept. People
dining with Whistler that evening were taken into the garden
to see the seven sleepers of Ephesus : " stick pins in them,
shout in their ears see you can't wake them ! " All
evening it rained, and it snowed, and it thundered, and it
lightened, and it hailed. All night they slept. Morning
came and they slept. But just at the hour at which he had
given them their glass the day before, they all woke up and
asked for more.
The man who has bailiffs in his house because he cannot
pay his debts must still manage to pay them. One of the
" wonderful fellows " at the end of a week demanded his
money. Whistler answered :
" If I could afford to keep you, I would do without you."
"But what is to become of my wife and family, if I don't
get my wages ? "
" Ha ha ! You must ask those who sent you here to answer
that question."
" I assure you, Mr. Whistler, I need the money badly."
" Why not do as I do then, and have a man in yourself ? "
Whistler made a point of being courteous and attentive
to these gentlemen, for, " really, it was kind of them to see
to such tedious affairs." He asked the first bailiff whom
he encountered in his house, one evening when he returned
from the Arts Club :
" And how long will you remain ' the man in possession * ? "
1879] 2 53
JAMES McNEILL WHISTLER
" That, Mr. Whistler, depends on your paying Mr. 's bill."
" Awkward for me, but perhaps more so for you ! I hope
you won't mind it, though, you know, I fear your stay with me
will be a lengthy one. However, you will find it not entirely
unprofitable. For you will see and hear much that may be
useful to you later on ! "
When things got more desperate, bills covered the front
of the house, announcing the approaching sale. Whistler,
begging the bailiffs to make themselves at home, went off
one night to dine. It was a stormy night, and, returning
late, he found that the rain had washed loose some of the
bills, which were flapping in the wind. He woke up the
bailiffs, made them get a ladder, brought them into the
street, and insisted that every bill should be pasted down
in place again. He had allowed them, he said, to cover his
house with their posters, but, so long as he lived in it, no
man should leave it in a slovenly condition.
The crash came early in May 1879, and Whistler was
declared bankrupt. The amount of his liabilities was four
thousand six hundred and forty-one pounds, nine shillings
and three pence, according to Messrs. Waddell and Co.'s
statement of affairs, dated May 7, 1879. His assets were
estimated at one thousand eight hundred and twenty-four
pounds nine shillings and four pence, which was ultimately
increased by one hundred pounds. Among his debtors were
several friends, whom he urged to press their claims. In
his long overcoat, longer than ever, swinging his light, thin
cane, also lengthening in defiance, his hat set jauntily on the
black curls, he appeared at the office of one of these friends,
in the City, during business hours. " Ha ha ! " he laughed
as he came in. " Well, you know, here I am in the City !
Amazing." And he sat down and gossiped lightly. The
friend, knowing Whistler, knew something else must come of
the visit. And it came, but not before Whistler got up to go.
254 [1879
BANKRUPTCY
" You know, on the way, I dropped in to see George Lewis,
being in the neighbourhood, and, you know, ha ha ! he gave me
a paper for you to sign ! "
It was a petition in bankruptcy. The friend did not want
to sign ; he had lent Whistler money, but was in no hurry
to have it back. Whistler insisted, the friend could not
escape, and would have put down as small a sum as possible.
No, said Whistler, it must be for as much as possible, that
he might have the more influence in the proceedings. The
friend put down the exact amount, which was not large, and
Whistler sauntered away, as if he had no heavier care than
the fit of his coat and the weight of the cane he was swinging.
The meeting of the creditors was held at the Inns of Court
Hotel, a few weeks later, in June. Sir Thomas Sutherland
was in the chair, Whistler on one side, Sir George Lewis on
the other. To Leyland, with whom he had no " business
contract " for the Peacock Room, he attributed his bank-
ruptcy, and Leyland, therefore, was his scapegoat. Various
Chelsea tradesmen were also there. Except the solicitor,
they all seemed amateurs in matters of bankruptcy. Papers
were passed by the solicitor to the chairman, who endorsed
them. Not a word was said. At last, an impatient butcher,
or baker, springing up, moved that some explanation be
made to the creditors. Leyland seconded him. At that,
Whistler was on his feet, making a speech about plutocrats,
men with millions, and what he thought of them. Every-
body was stupefied ! No one knew what to do. With
difficulty, solicitor and chairman pulled him down into his
seat again. At the end of the meeting, debtor and creditors
appeared to understand as little as at the beginning. But
the law took its course. A committee of examiners was
appointed, composed of Leyland, the largest creditor, Howell,
and Mr. Thomas Way.
Leyland was not let off easily by Whistler. As Michael
1879] 255
According to sources, a confrontation between residents and Ethiopian government officials broke out on June 9, 2014, over a mass grave discovered at the former Hameressa military garrison near Harar city, eastern Oromia. The mass grave is believed to contain remains of political prisoners executed during both the Dergue era and the early reigns of the current TPLF regime. Among those who were executed and buried in the location was Mustafa Harowe, a famous Oromo singer who was killed around early 1990′s for his revolutionary songs. Thousands more Oromo political prisoners were kept at this location in early 1990′s – with many of them never to be seen again.
The mass grave was discovered while the Ethiopian government was clearing the camp with bulldozers to make it available to Turkish investors. Upon the discovery of the remains, the government tried to quietly remove them from the site. However, workers secretly alerted residents in nearby villages; upon the spread of the news, many turned up en mass to block the removal of the remains and demanded construction a memorial statue on the site instead. The protests is still continuing with elders camping on the site while awaiting a response from government.
In addition to the remains, belongings of the dead individuals as well as ropes tied in hangman’s noose were discovered at the site.
———————
Lafeen ilmaan Oromoo bara 1980moota keessa mootummaa Darguutin, baroota 1990moota keessa ammoo Wayyaaneen dhoksaan kaampii waraanaa Hammarreessaa keessatti ajjeefamanii argame. Ilmaan Oromoo mooraa san keessatti hidhamanii booda ajjeefaman keessa wallisaan beekamaan Musxafaa Harawwee isa tokko. Musxafaa Harawwee wallee qabsoo inni baasaa tureef jecha qabamee yeroo dheeraaf erga hiraarfamee booda toora bara ~1991 keessa ajjeefame. Hiraar Musxafaarra geessifamaa ture keessa tokko aara wallee isaatirraa qaban garsiisuuf muka afaanitti dhiibuun a’oo isaa cabsuun ni yaadatama.
Baroota 1990moota keessas Oromoonni kumaatamaan tilmaamaman warra amma aangorra jiru kanaan achitti hidhamanii, hedduun isaanii achumaan dhabamuun yaadannoo yeroo dhihooti.
Haqxi dukkana halkaniitiin ajjeesanii lafa jalatti awwaalan kunoo har’a rabbi as baase. Dhugaan Oromoo tun kan amma as bahe, mootummaa kaampii waraanaa kana diiguun warra lafa isaa warra Turkiitiif kennuuf osoo qopheessuuf yaaluti. Lafee warra dhumee akkuma arganiin dhoksaan achirra gara biraatti dabarsuuf osoo yaalanii hojjattonni ummata naannotti iccitii san himan. Ummanniis dafee wal-dammaqsuun bakka sanitti argamuun ekeraan nama keenyaa akka achii hin kaafamneefi siidaan yaadannoo akka jaaramu gaafachaa jiran.
Hamma feetes turtu dhugaan Oromoo awwaalamtee hin haftu.
-----
More on the Mass Grave of Oromos at Hameressa:
1) OLF on the Hameressa Mas Grave: gadaa.net/FinfinneTribune/2014/06/olf-press-release-one-o... .... or gadaa.net/FinfinneTribune/2014/06/ibsa-abo-ajjeechaa-ilma...
2) gadaa.net/FinfinneTribune/2014/06/jaal-araarsoo-biqilaa-h...
3) gadaa.net/FinfinneTribune/2014/06/oromoprotests-fdg-hamma...
4) gadaa.net/FinfinneTribune/2014/06/gulelepost-hameressa-ma...
According to sources, a confrontation between residents and Ethiopian government officials broke out on June 9, 2014, over a mass grave discovered at the former Hameressa military garrison near Harar city, eastern Oromia. The mass grave is believed to contain remains of political prisoners executed during both the Dergue era and the early reigns of the current TPLF regime. Among those who were executed and buried in the location was Mustafa Harowe, a famous Oromo singer who was killed around early 1990′s for his revolutionary songs. Thousands more Oromo political prisoners were kept at this location in early 1990′s – with many of them never to be seen again.
The mass grave was discovered while the Ethiopian government was clearing the camp with bulldozers to make it available to Turkish investors. Upon the discovery of the remains, the government tried to quietly remove them from the site. However, workers secretly alerted residents in nearby villages; upon the spread of the news, many turned up en mass to block the removal of the remains and demanded construction a memorial statue on the site instead. The protests is still continuing with elders camping on the site while awaiting a response from government.
In addition to the remains, belongings of the dead individuals as well as ropes tied in hangman’s noose were discovered at the site.
———————
Lafeen ilmaan Oromoo bara 1980moota keessa mootummaa Darguutin, baroota 1990moota keessa ammoo Wayyaaneen dhoksaan kaampii waraanaa Hammarreessaa keessatti ajjeefamanii argame. Ilmaan Oromoo mooraa san keessatti hidhamanii booda ajjeefaman keessa wallisaan beekamaan Musxafaa Harawwee isa tokko. Musxafaa Harawwee wallee qabsoo inni baasaa tureef jecha qabamee yeroo dheeraaf erga hiraarfamee booda toora bara ~1991 keessa ajjeefame. Hiraar Musxafaarra geessifamaa ture keessa tokko aara wallee isaatirraa qaban garsiisuuf muka afaanitti dhiibuun a’oo isaa cabsuun ni yaadatama.
Baroota 1990moota keessas Oromoonni kumaatamaan tilmaamaman warra amma aangorra jiru kanaan achitti hidhamanii, hedduun isaanii achumaan dhabamuun yaadannoo yeroo dhihooti.
Haqxi dukkana halkaniitiin ajjeesanii lafa jalatti awwaalan kunoo har’a rabbi as baase. Dhugaan Oromoo tun kan amma as bahe, mootummaa kaampii waraanaa kana diiguun warra lafa isaa warra Turkiitiif kennuuf osoo qopheessuuf yaaluti. Lafee warra dhumee akkuma arganiin dhoksaan achirra gara biraatti dabarsuuf osoo yaalanii hojjattonni ummata naannotti iccitii san himan. Ummanniis dafee wal-dammaqsuun bakka sanitti argamuun ekeraan nama keenyaa akka achii hin kaafamneefi siidaan yaadannoo akka jaaramu gaafachaa jiran.
Hamma feetes turtu dhugaan Oromoo awwaalamtee hin haftu.
-----
More on the Mass Grave of Oromos at Hameressa:
1) OLF on the Hameressa Mas Grave: gadaa.net/FinfinneTribune/2014/06/olf-press-release-one-o... .... or gadaa.net/FinfinneTribune/2014/06/ibsa-abo-ajjeechaa-ilma...
2) gadaa.net/FinfinneTribune/2014/06/jaal-araarsoo-biqilaa-h...
3) gadaa.net/FinfinneTribune/2014/06/oromoprotests-fdg-hamma...
4) gadaa.net/FinfinneTribune/2014/06/gulelepost-hameressa-ma...
A modified M1068A3 SICPS assigned to 278th Armored Cavalry Regiment, Tennessee Army National Guard, executes a tactical pause from their fighting position during Decisive Action Rotation 18-07 at the National Training Center, Fort Irwin, Calif., May 6, 2018. Decisive Action Rotations at the National Training Center ensure units remain versatile, responsive, and consistently available for current and future contingencies. (U.S. Army photo by Spc. Guy Mingo, Operations Group, National Training Center)
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Today, Thursday 9 November 2017, saw Greater Manchester Police execute warrants at addresses across the Moss Side and Hulme areas of Manchester.
The warrants, which were supported by the Immigration Service, were executed as part of Operation Malham targeting the supply of drugs in South Manchester.
Detective Chief Inspector Paul Walker, of GMP’s City of Manchester team, said: "Over the past 6 months we have had a dedicated team of detectives trawling through community concerns and information about drug supply in the Moss Side and Hulme areas.
“Today, we have made arrests after executing warrants across these areas and I would like to thank the community for working with us, as well as partners, and making this possible.
“Please continue to report anything suspicious to help us stop the criminals benefiting from drug supply and organised crime.
“Drugs never be tolerated by us and we are determined to bring those responsible to justice.”
To find out more about Greater Manchester Police please visit our website.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.
Crimestoppers is an independent charity who will not want your name, just your information.
Your call will not be traced or recorded and you do not have to go to court or give a statement.
the iliveisl sim, Enercity Park, goes away shortly after these pics were taken. it was one of only 100 or so remaining openspace sims.
it had been 3750 prims but when Linden Lab poorly executed their change in policy and pricing and went from $75 to $95 per month and from 3750 prims to 750 prims, this became the most expensive type of land isl
but i promised my residents that Enercity would have a park so kept it until the estate was transferred to the very best residents in all of second life
the park was the closest to a home that Ener Hax had. two sparse fallout shelters would become Ener's homes
one just a bare mattress and cardboard boxes to reduce drafts from broken windows and had and old turret slowly rotating that stood as a silent sentinel to bygone eras when we humans could have taken a lesson from our own avatars and the other a small emergency shelter for the bus stop
the lake in the park was called Butterfly Lake from its shape when viewed from the air and had a swan and ducklings swimming and a nice bench for friends to sit and visit under a weeping willow. near that spot was an old underground shelter to park military vehicles. that spot became an underground skatepark and was connected to the city's catacombs. these catacombs, like in Paris, ran below the city streets
zombies lived in one section near a small graveyard. no one knew why zombies were there, some suspect it was related to the war time bunkers. the manhole cover near the zombies was opened and the catacombs tagged with "i <3 ener hax" and "subQuark sux"
the most favourite spot for Ener Hax was near the bus stop and the 1950's era rotating and steaming coffee billboard (hmm, maybe the chemical smoke from that big coffee cup is to blame for the zombies? after all, the "steam" does drift over the grave yard
the fave spot looked over the smaller lake west of the bus stop and was in view of one of the parks two waterfalls. that spot was made very special because of Mr. Bunny. Ener loved to sit on the ground and just watch Mr. Bunny hop around and doze occasionally. what a cute bunny =) he even had his own carrots planted by Ener
high above the eastern part of the park was the huge zebra striped zeppelin. a bit of a trademark of the iliveisl estate
it was a lovely spot, even had tai chi on the big bunker and a zip line from the water tower
ooh, the water tower! as a surprise gift, DreamWalker scripted the water tower and turned it int a funky hang out spot. there was an abandoned pool inside the tower (???) and place to sit and talk. even a cute ladybug called it home. the water tower's top would slide up and down and also turn invisible. for romance, a moon beam came through the towers top port and could even have its brightness changed
even though the park was outrageously expensive, it was Ener Hax and Mr. Bunnies home and will be sincerely missed
namas te
Performance by Joan Morey, ‘TOUR DE FORCE. El cos utòpic’ [TOUR DE FORCE: The Utopian Body], 2017. Reenactment executed by the original performer, Eduard Escoffet. Presented in the framework of the exhibition "COLLAPSE. Desiring machine, working machine", Centre d’Art Contemporani de Barcelona - Fabra i Coats, 13 December 2018. Photo: Noemi Jariod. Courtesy the artist.
Each of the six programmed performance reenactments is extracted from its original context as studies or scenes from earlier projects and given independent life. These live-action fragments encompass ritualistic exercises following the artist’s rules, tableaux vivants, and dramatic orations based on texts by the artist or by playwrights such as Samuel Beckett. Whenever possible the performances maintain their original interpreters, yet inevitably they are reinforced or degraded through their repetition, adding another layer to the artist’s exploration of control.
A dramatic extract from the fifth act of ‘TOUR DE FORCE’ (2017), which has only previously been witnessed by an audience of six people in the setting of a white limousine driving on a route through Barcelona. The project as a whole puts together a conceptual history of the HIV/AIDS pandemic—from the fear and stigma surrounding diagnosis and infection in the 1980s and 1990s to the possibility today of its management and control via pharmaceutical compliance.
This performance corresponds to the latter historical context, addressing the complexities of understanding the disease in an epidemiological sense and as a symbolic phenomenon enmeshed with global governance, human rights and civil liberties. A performer dressed in black leather garments makes a ritualistic reading from a mobile device, listing the dates on which new antiretroviral drugs have been approved for use in the US, beginning from 1987. The brand names of each of the medications join the litany of dates, and the pill trademarks are repeated as though they were figures worthy of veneration: Saint Genvoya, Saint Stribild, Saint Odefsey, etc.
The subtitle refers to a 1966 radio broadcast by the philosopher Michel Foucault, known for his histories of healthcare and sexuality, who in 1983 became the first public figure in France to die from an AIDS-related illness.
© Text by Latitudes
—
Since the late 1990s, Joan Morey (Mallorca, 1972) has produced an expansive body of live events, videos, installations, sound and graphic works, that has explored the intersection of theatre, cinema, philosophy, sexuality, and subjectivity. Morey’s work both critiques and embodies one of the most thorny and far-reaching aspects of human consciousness and behaviour – how we relate ourselves to others, as the oppressed or the oppressor. This central preoccupation with the exercise of power and authority seemingly accounts for the black and ominous tenor of his art.
COLLAPSE encompasses three parts: The first is presented over two floors of the Contemporary Art Centre of Barcelona - Fabra i Coats. ‘Desiring machine, Working machine’ is a survey of ten projects from the last fifteen years of the artist’s work. An exhibition display based around vitrines and video screens deployed as if sarcophagi or reliquaries, is presented alongside a continuous programme of audio works and a schedule of live performance extracts.
The second part of COLLAPSE takes place at the Centre d’Art Tecla Sala, L’Hospitalet de Llobregat (23 November 2018–13 January 2019) and is the definitive version of the touring exhibition ‘Social Body’.
Titled ‘Schizophrenic Machine’, the third and final part of the project comprises a major new performance event which will take place on January 10, 2019, at an especially resonant – yet deliberately undisclosed – location in Barcelona, where live action will be integrated within the longer narrative of the site’s physical and discursive past.
COLLAPSE is curated by Latitudes.
—> info: www.lttds.org/projects/morey/
—> info: ajuntament.barcelona.cat/centredart/en/projectes/anterior...
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Norman Rockwell's The Stagecoach, was executed in 1966. The painting was used in advertising for the 1966 remake of the classic 1939 John Ford/John Wayne western film Stagecoach, directed by Gordon Douglas and starring Alex Cord, Andy Devine, Ann-Margret and Bing Crosby.
The Denver Art Museum, a private, non-profit museum, is known for its collection of American Indian art. Its impressive collection of more than 68,000 works includes pieces from around the world including modern and contemporary art, European and American painting and sculpture, and pre-Columbian and Spanish Colonial art. The museum was originally founded in 1893 as the Denver Artists Club. In 1918, it moved into galleries in the Denver City and County Building, and became the Denver Art Museum.
In 1971, the museum opened what is now known as the North Building, designed by Italian architect Gio Ponti and Denver-based James Sudler Associates. The seven-story structure, 210,000-square-foot building allowed the museum to display its collections under one roof for the first time. The Frederic C. Hamilton Building, designed by Studio Daniel Libeskind and Denver firm Davis Partnership Architects, opened on October 7, 2006 to accommodate the Denver Art Museum's growing collections and programs.
Flowers for Theresa, executed by Aria da Capo in 2008, sits at the southern end of Lafayette Square. The concrete and steel sculpture is part of Sculpture for New Orleans, curated by Michael Manjarris and Peter Lundberg.
Lafayette Square, bound by St. Charles Avenue, Camp Street and Maestri Street, was founded in 1788 for the City's first suburb, Faubourg Ste. Marie, making it the second oldest park in New Orleans. Originally called "place publique", the square was renamed after Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de Lafayette, the French aristocrat and general who fought on the American side in the American Revolutionary War. Lafayette declined the invitation to become the first Governor when the United purchased Lousiana, but his popularity was evident when he visited New Orleans from April 9-15, 1825 to cheers of "Vive Lafayette!"
In the early 20th Century, three bronze statues were placed along the East/West axis of the square. A statue of Henry Clay was moved from the intersection of Canal and Royal and placed in the center of the park, and statues of John McDonogh and Benjamin Franklin were placed on St. Charles Avenue and Camp Street, respectively. In 2005, Hurricane Katrina caused extensive damage to many of the trees, and broken glass and debris scattered from nearby buildings made Lafayette Square unsafe. A group of neighborhood residents and downtown workers formed the non-profit Lafayette Square Conservancy (LSC), to renovate, improve and preserve the space.
Seven people have been arrested following a series of dawn warrants to target a suspected gang of violent criminals.
This morning, 7 July 2014, police in Stockport executed a number of warrants in the Brinnington area following a string of violent home invasions and assaults, during which homeowners were either threatened or attacked.
Assisted by the Tactical Aid Unit, seven warrants were carried out and seven men have been arrested on suspicion of assault and aggravated burglary.
Detective Sergeant Matt Tarr said: "We believe the gang responsible for these violent attacks and home invasions are involved in an extensive criminal web that involves drugs, weapons and burglaries.
"During one of assault the homeowner suffered a nasty wound to his arm as a result of being attacked with a machete so clearly those responsible are dangerous and have no qualms about resorting to violence.
"We also believe there may be a case of mistaken identity in a number of these burglaries meaning innocent people who are not involved in this criminal web are being unfairly and unnecessarily subjected to a great deal of distress and upset.
"That is why we have taken this action today and arrested seven people on suspicion of robbery.
"Police in Stockport, together with our partner agencies, have made huge inroads into tackling organised criminality in this town and in recent years we have seized millions of pounds in drugs and cash and put behind bars some high-profile criminals which has disrupted the supply of weapons and drugs onto our streets.
"We know that residents want us to take a tough stand against those involved in the supply of drugs and other criminality that destroys the fabric of the communities we serve. I hope today sends a message to the community, including the criminal fraternity, that we will not allow people to be terrorised in their own homes and we will be coming for anyone who is involved."
Anyone who has information is asked to call police on 101 or the independent charity Crimestoppers, anonymously, on 0800 555 111.
To find out more about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.
Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.
Building
Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688
Canaletto: View of Palais Liechtenstein
1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.
The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.
For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.
A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .
Sala terrene of the Palais
1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.
After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.
Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.
Garden
Liechtenstein Palace from the garden
The new summer palace of Henry of Ferstel from the garden
The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.
Use as a museum
Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.
From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .
On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.
de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)
This weekend was Heritage and Ride & Stride weekend, when many churches are open.
So, a grand tour round Kent's most difficult was planned and executed, with this being the first church of the day open, after four strike outs.
St Alphege is just the chancel of a larger church, so there isn't much to see, or room inside, but I got my shots and declined my first cuppa of the day.
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Hidden from the road and accessible only by footpath, this 13th century gem is a remarkable survivor. It is the chancel of the medieval church of Seasalter, the rest of which was demolished when the new church of St Alphege was built in what is now Whitstable. The west wall of flint is in contrast to the rubble construction of the medieval work and its lancet windows. Inside, all is squashed together but they even managed to get a proper organ in! High in the west wall is a lovely window by Lawrence Lee depicting St Alphege whose body rested in the previous church which stood out where the River Swale washes the shore today. This old church is still used and well loved by its congregation who now also have a brand new (2007) church a few hundred yards away for there regular services.
www.kentchurches.info/church.asp?p=Seasalter
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THE LIBERTY AND PARISH OF SEASALTER.
THIS liberty lies adjoining to the parish of Hernehill and hundred of Boughton Blean, north eastward, being so named from its near vicinity to the sea. (fn. 1)
The LIBERTY AND PARISH of Seasalter lies in an obscure out of the way situation, bounded by the sea northward, but the large tract of marshes which adjoin it westward, as well as the badness of the water, make it very unhealthy. The east and southern parts are mostly coppice wood, and the soil a deep clay. The church stands on the knoll of a hill, nearly in the middle of the parish, below which, westward, it is all marsh land to the sea shore, not far from which the few houses stand which make the village of Seasalter. There are forty-six houses in this parish, most of which are in Whitstaple-street, great part of which is within the bounds of it, and over part of which the borough of Harwich claims. There is an oyster fishery on the shore here, the grounds of which, called the Pollard, are an appendage to the manor of Seasalter, and as such belong to the dean and chapter of Canterbury, who demise them to seven fishermen or free dredgermen of Seasalter, at a certain yearly rent. In December, 1763, a live whale was driven on shore on Seasalter flats, which was about fifty-six feet long. The manor of Seasalter has the privilege of four fairs yearly, on the four principal feasts in the year; but there have not been any held for some years.
The MANOR OF SEASALTER was given, before the Norman conquest, to the priory of Christ-church, in Canterbury, but by whom, I have no where found; and it continued part of the possessions of it at the time of taking the survey of Domesday, in which record it is thus entered:
In Borowart lath, there lies a small borough named Sesaltre, which properly belongs to the kitchen of the archbishop. One named Blize held it of the monks. In demesne there is one carucate, and forty-eight borderers with one carucate. There is a church and eight fisheries, with a rent of twenty-five shillings. Wood for the pannage of ten hogs. In the time of king Edward the Confessor, and afterwards, it was worth twenty-five shillings, and now one hundred shillings.
After which, this manor appears to have been let to ferme by the prior and convent, to Roger de Wadenhale, in king Henry the IId.'s reign, at the yearly rent of six pounds, with a reservation of all royal fish, wrec, &c. and afterwards to Clemencia, daughter of Henry de Hanifeld, at that of ten marcs, which rent was afterwards raised to twenty pounds per annum. In 1494, prior Thomas Goldstone caused a new mansion, or court-lodge to be built here, and at the rectory he rebuilt all the edifices, except the barn. In which situa tion this manor continued with the priory till its dissolution, in the 31st year of king Henry VIII. when it was surrendered into the king's hands, and was by his dotation-charter, in his 33d year, settled on his newfounded dean and chapter of Canterbury, with whom the inheritance still continues. (fn. 2)
A court leet and court baron is regularly held by the dean and chapter for this manor; but the demesne lands, as well as the rectory or parsonage of the church, were lately demised on a beneficial lease to Isaac Rutton, M. D. of Ashford, who died in 1792, whose descendants assigned them to Mr. William Baldock, brewer, of Canterbury, and they were again assigned by him in 1798, to Mr. King, of Whitstaple. (fn. 3)
ELYNDENNE, or Ellenden, as it is now written, is a small manor, situated at the southern boundary of this parish, among the woods adjoining to the ville of Dunkirk, within the bounds of which, one half of the house, as well as part of the lands are situated, though in the deeds belonging to this manor, it is constantly described as within this parish and Whitstaple. It was once the property of a family of its own name, one of whom, John Elyndenne, gave it to the abbot and convent of Faversham, as appeared by the lerger book of that abbey, (fn. 4) with which it staid till its dissolution, anno 30 Henry VIII. when this manor came, with the rest of its estates, into the king's hands, who in his 35th year granted it to Thomas Ardern, gent. of Faversham, to hold in capite, (fn. 5) and he that year passed it away to John Needham, whose son, of the same name, alienated it, in the 32d year of queen Elizabeth, to Michael Beresford, esq. of Westerham, and he soon after conveyed it to Sir George Newman, LL.D. in whose descendants, who bore for their arms, Or, a fess dancette, gules, between three eagles, sable, (fn. 6) it continued till it was alienated to St. Leger, and Sir John St. Leger, in the reign of William and Mary, passed it away to Sir Henry Furnese, bart. of Waldershare, who died possessed of it in 1712, but his grandson Sir Henry Furnese, bart. dying in 1735, under age and unmarried, this, among the rest of his estates, became vested in his three sisters, coheirs of their father, in equal shares in coparcenary, in tail general, and on a partition anno 9 George II. this manor was allotted, among others, to Anne the eldest daughter, wife of John, viscount St. John, whose grandson the right hon. George St. John, lord viscount Bolingbrooke, sold it in 1791 to Mr. John Daniels, of Whitstaple, and he in 1793 sold it to Mr. Hayward, of the Black Friars, Canterbury, who dying in the year 1794, his widow is the present possessor of it.
Charities.
THERE have been given to the use of the poor of this parish, five acres of land, late occupied by Fenner, of the annual produce of 3l. a field of three acres, called the Peters field, of the annual produce of 2l. 6s. four acres of land, in two pieces, of the annual produce of 4l. and two acres of woodland, sold in 1785 at eighteen years growth for 6l. sundry yearly annuities, of 2s. 6d. of 40s paid by the parish of Whitstaple, and of 12s. paid by Mrs Gillow.
The poor constantly maintained are about twenty, casually one hundred.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Westbere.
The church, which is dedicated to St. Alphage, is small, consisting of only one isle and a chancel, having a low pointed turret of wood at the west end, in which hangs one bell. There is no memorial or inscription in it. In the north window of the isle are some small remains of painted glass. There are two hatchments in the isle, one, Argent, two bends wavy, on a chief, gules, three estoiles, or; the other the same, impaling, Paly bendy, or, and sable, a bend, counterchanged, which were for the family of Taylor, who once owned lands in this parish, and lie buried in this church. There is a gallery at the west end.
By the great storm, which happened on Jan. 1, 1779, there was discovered among the beach on the sea shore, at Codhams corner, about half a mile westward of the present church, the stone foundations of a large long buildings, lying due east and west, supposed to have been the remains of the antient church of Seasalter. Many human bones were likewise uncovered, by the shifting of the beach, both within and about it, all of which that could be found, were collected together and buried in the church-yard of Seasalter; but those which have been since uncovered remain at this time sticking up an end among the beach.
¶This church was always appendant to the manor of Seasalter, belonging to the priory of Christ church, to which it was appropriated in 1236, for the maintenance of the monks there, and was by the archbishop afterwards allotted to the almonry. In which state it continued till the dissolution of the priory in the 31st year of Henry VIII. when it came into the king's hands, who settled it, with the advowson of the vicarage and the manor, by his dotation-charter, in his 33d year, on his new-founded dean and chapter of Canterbury, part of whose possessions they still continue.
In the 8th year of Richard II. anno 1384, the vicarage of this church was not, on account of the smallness of its income, taxed to the tenth. It is valued in the king's books at 11l. but it is now a discharged living, of the clear yearly certified value of 25l. 19s. 8d. In 1588 here were communicants seventy-six. In 1640 the same, and it was then valued at 60l.
Among the archives of the dean and chapter is an examination relating to the bounds of the parishes of Seasalter and Hernehill, anno 1481, and another taken the same year by the archbishop's commissary. (fn. 7)
www.british-history.ac.uk/survey-kent/vol8/pp499-504
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A liberty was an English unit originating in the Middle Ages, traditionally defined as an area in which regalian right was revoked and where the land was held by a mesne lord (i.e. an area in which rights reserved to the king had been devolved into private hands). It later became a unit of local government administration.[1]
Liberties were areas of widely variable extent which were independent of the usual system of hundreds and boroughs for a number of different reasons, usually to do with peculiarities of tenure. Because of their tenurial rather than geographical origin, the areas covered by liberties could either be widely scattered across a county or limited to an area smaller than a single parish: an example of the former is Fordington Liberty, and of the latter, the Liberty of Waybayouse, both in Dorset.
In northern England, the liberty of Bowland was one of the larger tenurial configurations covering some ten manors, eight townships and four parishes under the sway of a single feudal lord, the Lord of Bowland, whose customary title is Lord of the Fells.[2][3] Up until 1660, such lords would have been lords paramount.
Legislation passed in 1836 ended the temporal jurisdiction of the Archbishop of York and the Bishop of Ely in several liberties, and the Liberties Act 1850 permitted the merging of liberties in their counties. By 1867, only a handful remained: Ely, Havering-atte-Bower, St Albans, Peterborough, Ripon and Haverfordwest. St Albans was subsequently joined to the county of Hertfordshire in 1875.
The Local Government Act 1888 led to the ending of the special jurisdictions in April 1889: the Isle of Ely and Soke of Peterborough became administrative counties, while the three remaining liberties were united to their surrounding counties.
en.wikipedia.org/wiki/Liberty_(division)
OFFENSE
Peyton ManningQBKurt Warner
Thomas JonesRBAdrian Peterson
Le'Ron McClainFBMike Sellers
Andre JohnsonWRLarry Fitzgerald
Brandon MarshallWRAnquan Boldin
Tony GonzalezTEJason Witten
Jason Peters*OTJordan Gross
Joe ThomasOTWalter Jones*
Alan FanecaOGSteve Hutchinson
Kris DielmanOGChris Snee
Kevin Mawae*CAndre Gurode
DEFENSE
Mario WilliamsDEJulius Peppers
Dwight FreeneyDEJustin Tuck
Albert HaynesworthDTKevin Williams
Kris JenkinsDTJay Ratliff
James HarrisonOLBDeMarcus Ware
Joey PorterOLBLance Briggs
Ray LewisILBPatrick Willis
Nnamdi AsomughaCBCharles Woodson*
Cortland FinneganCBAntoine Winfield
Ed ReedFSNick Collins
Troy PolamaluSSAdrian Wilson
SPECIAL TEAMS
Shane LechlerPJeff Feagles
Stephen GostkowskiKJohn Carney
Leon WashingtonKRClifton Smith
Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.
Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.
Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.
Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.
The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.
On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.