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2015 Mitsubishi Lancer Evolution Car Wallpapers
2015 Mitsubishi Lancer Evolution Car Wallpapers, 1600 x 1200, 468 KB, erandersen.com/new-2015-mitsubishi-lancer-evolution-mr-pi...
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Spettacolo con la Mitsubishi Lancer Evolution X sul circuito di Vizzola
In diretta dalla pista di Vizzola con il test della Mitsubishi Lancer Evolution X
In diretta dalla pista di Vizzola con il test della Mitsubishi Lancer Evolution X
Public Service Announcement: M. Night Shyamalan, please stop making movies. "The Happening" was ridiculous. Spoiler alert: the twist ending was that you wasted 2 hours of your life watching it.
The Anatomy of Prejudice
5-year-growing-exhibition
on prejudice and xenophobia
@IKM Museum in Oslo
"Thierry Geoffroy’s art format EXTRACTEUR is different from the scientific and academic investigation methods. Rather than following the standard categories, the EXTRACTEUR is based on an artistic way of combining the factual and the poetic interpretations of a subject matter. I consider EXTRACTEUR to be a unique way of extending our understanding of data-collection, classification, and analyses."
—Tijana Miskovic, curator
The exhibition is based around “The Jungle” - an EXTRACTEUR art format, created to collect data about prejudice and give them an evolutive artistic form. The format also includes academic studying of the collected data in order to understand the anatomy of prejudice. The information collected during the exhibition period is aesthetically forming part of a monumental sculptural artwork, but can at the same time be considered as valuable data for scientific and academic purposes. This doubleness between aesthetics and analytics is the core idea of all EXTRACTEUR formats, developed to analyze the socio-political context of the world we live in through artists lens. By the end of the 5-year long exhibition period, the collected data will consist of a huge number of detections of xenophobia-signs reported by 50.000 active participants.
"The Anatomy of Prejudice"
5-year-growing-exhibition
on prejudice and xenophobia
@IKM Museum in Oslo
#anatomyofprejudice #thereisnobut #typiskdem #fordommer
#ikmmuseum#interkultureltmuseum #thierrygeoffroy #utstilling #strongpeopledontfearothers #whoistheotherinyou #artformat
#formatart #ultracontemporary #interculture #multiculture
"Thierry Geoffroy’s art format EXTRACTEUR is different from the scientific and academic investigation methods. Rather than following the standard categories, the EXTRACTEUR is based on an artistic way of combining the factual and the poetic interpretations of a subject matter. I consider EXTRACTEUR to be a unique way of extending our understanding of data-collection, classification, and analyses."
—Tijana Miskovic, curator
The exhibition is based around “The Jungle” - an EXTRACTEUR art format, created to collect data about prejudice and give them an evolutive artistic form. The format also includes academic studying of the collected data in order to understand the anatomy of prejudice. The information collected during the exhibition period is aesthetically forming part of a monumental sculptural artwork, but can at the same time be considered as valuable data for scientific and academic purposes. This doubleness between aesthetics and analytics is the core idea of all EXTRACTEUR formats, developed to analyze the socio-political context of the world we live in through artists lens. By the end of the 5-year long exhibition period, the collected data will consist of a huge number of detections of xenophobia-signs reported by 50.000 active participants.
Thierry Geoffroy/COLONEL’ s exhibition "The Anatomy of Prejudice" is part of TYPISK DEM curated by the IKM museum team: Annelise Bothner-By, Gazi Øzcan and Anders Bettum.
Apart from “EXTRACTEUR”, the artist Thierry Geoffroy/COLONEL works with many other art formats such as "EMERGENCY ROOM" and "CRITICAL RUN". For more information: www.colonel.dkThe exhibition also presents several new videos produced in Oslo this winter together with Jella Bethman and Åsmund Boye Kverneland. The videos express the artist’s meeting with the city and its inhabitants through performative interventions.
Thierry Geoffroy/COLONEL’ s exhibition "The Anatomy of Prejudice" is part of TYPISK DEM curated by the IKM museum team: Annelise Bothner-By, Gazi Øzcan and Anders Bettum.
Apart from “EXTRACTEUR”, the artist Thierry Geoffroy/COLONEL works with many other art formats such as "EMERGENCY ROOM" and "CRITICAL RUN". For more information: www.colonel.dk
Sumarize picture the road to 4G. By chuongns (bii)
The artical were post on eChip Mobile magazine. Vietnam. 2/2006.
It does not mean random.
It does not mean to improve.
It does not mean morphing during a lifetime.
It does not mean abiogenesis.
It does not mean the origins of the universe.
It does not mean social darwinism.
It does not mean amoral.
It does not address theological claims.
It does not mean atheism, communism, racism, or any ideology.
Evolution means change over time.
If you deny that things; the universe, change over time, then you deny reality.
The theory of biological evolution attempts to explain the facts and connect the data that indicate that life on earth is related through common descent and has been changing for a long time. If you think you can do better, become a scientist and show us.
11/2013
Com maremotos abrimos a porta para a expedição no além. O coração de luz marca a passada da porta e revela em neon os primeiros raios necessários para se enxergar aquilo ainda não notado. A descoberta da força, a presença do ar além da visão comum, coisas que saem sem censura e nadam até o reino dos arquétipos da dança para se entregar ao mundo.
Com os quatro elementos naturais reunidos e representados, observamos e absorvemos o que vemos ao redor. Nesta série, o objetivo foi reconhecer conhecimentos além da imaginação. O reacreditar para se conseguir a dose necessária.
O trabalho dá as boas vindas a este universo de levitação com o trabalho “Ar além”, imaginação criada para eternizar a memória dos espíritos jovens. Em seguida vamos ao fervente mundo em saltos altos com “Jehnny Beth”. O próximo quadro segue com “Existimos”, apontando o convívio entre diversidades mitológicas e o segredo ao se concentrar força. Em “O descanso” levantamos um vôo assistido pela mãe natureza, trazendo com suas asas as primeiras sensações de estar vivo. “O instrumentista” expande a consciência mágica no deserto da solitude. Com o silêncio quebrado por suas ferramentas o mito parte para onde campos da feminilidade adentram a compreensão dos mistérios. Com “Observar Absorver” somos puxados ao alto pela tomada da decisão de embarcar nos passos do acaso para reintegrar respostas no presente. Em “Palco Giratório” damos uma volta de 360° em torno de velas, deuses e elementais para questionarmos a ligação entre as coisas e pedir por luzes de compreensão. Ao fim, tomamos a luz em abraços de palavras com “Caladinho”. Estampando fantasia e poesia com um salto direto ao amor, reconhecemos este, como o espírito de criação.
pHragmento.maremotos