View allAll Photos Tagged Evolution
"Real original, Evolution, real original. We’ve noticed that you’ve repeatedly invented structures that are analogous in form and/or function in certain organisms that were NOT present in the most recent common ancestor of those organisms.
You already used wings for the Insecta, now you want to use them for Mammalia AND Aves? Caps, gills and stalks to make mushrooms again and again? Truffles on truffles on truffles? Repeated convergences in the SAME kingdom? Mammals with fins like FISH?!?
You so crazy. "
Examples of Convergent Evolution Intentionally Included in the Cake:
Wings: In bats, birds, butterflies and pterodactyls
Truffle body form: Tuber and Gymnomyces, Rhizopogon
Mushroom form: stalk, cap and gills in the Russulales and Agaricales
Coralloid form: corals, Ramaria (fungus) and coralline red algae
Splash cup dispersal of propagules: Marchantia polymorpha and Nidula sp. (the bird’s nest fungus)
Fins: in dolphins and fish
Shells: tortoise and limpet
Bills and webbed feet: ducks and duck-billed platypus
Echolocation: bats and dolphins
Electrolocation: duck-billed platypus and dolphins
Bioluminescence: bacteria, jellyfish and dinoflagellates
Wood: Calamites and conifers
Cake by Anna, Ludo, Ying, Jaclyn, Melissa, Anika, and Marybel.
Main Rig:
•Intel i5 3570k Quad Core Overclocked @ 4.5Ghz (IvyBridge)
•Mushkin Enhanced 8GB DRR3 1600MHz RAM 9-9-9-24 timings
•ASRock Extreme4 Z77 motherboard LGA 1155
•Seasonic M12II 620 watt Modular power supply
•NZXT Tempest Evo Case
•Cooler Master Hyper 212+ push pull
•Artic Silver 5 Thermal Paste
•EVGA Nvidia GTX 980 Superclocked reference @ 1550mhz boost clocks
•120GB Mushkin Chronos SSD (Boot)
•128GB Samsung SSD (Game HD)
•75GB WD Raptor HDD (PinGuyOS Partition)
•750GB WD Black HDD (Storage)
•1.5TB WD Green HDD (Storage)
•250GB Seagate HDD (Game ISO Storage)
•Corsair K70RGB with MX Browns
•Logitech G9X Gaming Mouse
•Logitech z2300 2.1 system
•Siberia v1 Headset
•Wireless Official Xbox 360 Controller
•Razer Goliathus Green Speed Edition Mousepad
•HP 4110 1080p HD Webcam
Laptop:
i7 4510u dual core @ 2.2ghz
15.6' 1080p screen
12GB DDR3 1600mhz RAM
256GB SSD
Backlit Keyboard
Harmon Kardon Speakers
Logitech M705 Wireless Mouse
Folds completely backwards into a tablet
"Degrés des âges", bois gravé de François Georgin, imagerie d'Epinal, 1826.
L'Atelier des icônes, 08/11/2009, lire l'article:
Animation diagram show the succession (evolution) in mangrove forest - original: daintreevillage.asn.au - redecorate & animated: me
Jesus before Pilate (mixing technology on canvas, 2011): Ernst Fuchs (1930 in Vienna, 2015 in Vienna). Painter, sculptor, architect, poet. Master of the Vienna school. Lived in Vienna.
Jesus vor Pilatus (Mischtechnik auf Leinen, 2011): Ernst Fuchs (1930 in Wien, 2015 in Wien). Maler, Plastiker, Architekt, Dichter. Meister der Wiener Schule. Lebte in Wien.
The Museum of the Dreamers
The Phantastenmuseum is a museum in the Palais Palffy in the 1st district of Vienna Inner City. It shows the evolution of fantastic, surreal and visionary art of the postwar period to the present.
History
Following discussions between the Austrian artist Ernst Fuchs (* 13. Februar 1930 in Wien; †9. November 2015) and the publisher, organizer and author Gerhard Habarta the idea of a museum of fantastic art in Vienna came to the realization. The "Austrian Cultural Center since 1958" in the Palais Palffy was enthusiastic about the idea, the plans for the new museum were concretised in the year of 2010. In autumn 2010 was started with the adaptation of the premises, which was completed in January 2011. The opening of the museum took place under the patronage of Federal President Heinz Fischer on 15 January 2011.
Premises
For the museum parts of the historical Palais Palffy due to war damage in the 1950s renovated were used.
The foyer was designed by Lehmden student Kurt Welther about The Marriage of Figaro. Here, also a lobby with the ticket office, the information and the museum shop has been set up. In this one gifts like replicas of famous works of art, sculptures, jewelery, catalogs and posters as well as original editions are sold. On the 1st floor is located opposite the Figaro Concert Hall the gallery. It is a 150 m² large space for solo exhibitions. The museum occupies the entire top floor and consists of designed spaces. In addition to works from its own collection and permanent loans, documents and portraits of artist personalities are shown.
The museum
The museum is divided into the following areas:
Impulses: Here are the inspirations identified which brought the young artists first information after the war, with works by Edgar Jené and Gustav K. Beck and Arnulf Neuwirth.
Academy: Here, the young creatives found an artistic home, including works by Albert Paris Gütersloh, Ernst Fuchs, Fritz Janschka, Anton Lehmden and Kurt Steinwendner before he turned into the filmmaker and object artist Curt Stenvert.
Contemporaries: These include older artists of fantastic, who had survived the dictatorship, like Greta Freist, Kurt Goebel, Charles Lipka or the CIA agent Charles von Ripper. And the young ones, as Rudolf Schoenwald or Arnulf Rainer as well as painters who moved in later Art Club. These include the "partisan" Maria Biljan-Bilger, Peppino Wieternik before he turned to the abstract, and Carl Unger who designed a large glass front of the Palais Palffy.
Art Club: It gathered the artistic elite of the post-war period and became with the Strohkoffer (straw suitcase) a social center.
Dog Group: It became the first counter-movement, in which the rebels as Ernst Fuchs, Arnulf Rainer and Maria Lassnig, Wolfgang Kudrnofsky and maverick visionary Anton Krejcar with graphics that today have become valuable manifested themselves.
The Pintorarium of Friedensreich Hundertwasser, Ernst Fuchs and Arnulf Rainer fought actionistically with wall newspaper and nude demonstration against the established Academy, bad architecture and for the freedom of the spirit.
Hundertwasser realized the theories of Pintorarium in his buildings. A photo documentation of Kurt Pultar.
Vienna School of Fantastic Realism: The core of the museum with pictures of Arik Brauer, Wolfgang Hutter, Fritz Janschka, who lives in the United States and Anton Lehmden. Of Rudolf Hausner is - in addition to an oil painting - the documentation of long-term work on his Ark of Odysseus to see. In addition to an early work by Ernst Fuchs, a specially created for the museum great painting version of a 55 years ago arosen drawing is shown.
In the department of simultaneous 16 images of that Viennese Fantasts can be seen who presented themselves in the 1960s for the first time, among other things, in the gallery that installed Ernst Fuchs.
In the Department Next Generation are those almost still "young ones" which - despite temporary exclusion by the avant-garde - are committed to the new tendencies of the fantastic. They studied partly with Hausner, Lehmden, Hutter and Fuchs and also learned as wizards.
The Graphic Cabinet presents some etchings and lithographs to stamps. Here the global network is shown in about 30 works by international visionaries. Representatives from Japan, the US, Australia and European centers are the ambassadors of associations of fantastic artists, the Ambassadors of the Fantastic Universe.
Phantastenmuseum
Das Phantastenmuseum ist ein Museum im Palais Pálffy im 1. Wiener Gemeindebezirk Innere Stadt. Es zeigt die Entwicklung der phantastischen, surrealen und visionären Kunst von der Nachkriegszeit bis zur Gegenwart.
Geschichte
Nach Gesprächen zwischen dem österreichischen Künstler Ernst Fuchs und dem Verleger, Organisator und Autor Gerhard Habarta entstand die Idee zur Verwirklichung eines Museums für phantastische Kunst in Wien. Das „Österreichische Kulturzentrum seit 1958“ im Palais Pálffy zeigte sich von der Idee begeistert, die Pläne für das neue Museum wurden im Jahr 2010 konkretisiert. Im Herbst 2010 wurde mit der Adaptierung der Räumlichkeiten begonnen, die im Jänner 2011 abgeschlossen wurde. Die Eröffnung des Museums fand am 15. Jänner 2011 unter dem Ehrenschutz von Bundespräsident Heinz Fischer statt.
Räumlichkeiten
Für das Museum wurden Teile des historischen, aufgrund Kriegsschäden in den 1950er Jahren renovierten Palais Pálffy genutzt.
Das Foyer wurde vom Lehmden-Schüler Kurt Welther zum Thema Figaros Hochzeit gestaltet. Hier wurde auch ein Empfangsbereich mit der Ticketkasse, der Information und dem Museums-Shop eingerichtet. In diesem werden Geschenke wie Nachbildungen berühmter Kunstwerke, Skulpturen, Schmuck, Kataloge und Kunstdrucke sowie auch Original-Editionen verkauft. Im 1. Stock befindet sich gegenüber dem Figaro-Konzertsaal die Galerie. Es handelt sich um einen 150 m² großen Raum für Einzelausstellungen. Das Museum nimmt das gesamte Obergeschoss ein und besteht aus gestalteten Räumen. Neben den Werken aus eigenem Bestand und Dauerleihgaben werden Dokumente und Porträts der Künstlerpersönlichkeiten gezeigt.
Das Museum
Das Museum ist in folgende Bereiche gegliedert:
Impulse: Hier werden die Impulse aufgezeigt, die den jungen Künstlern erste Informationen nach dem Krieg brachten, mit Werken von Edgar Jené und Gustav K. Beck und Arnulf Neuwirth.
Akademie: Hier fanden die jungen Kreativen eine künstlerische Heimat, mit Werken von Albert Paris Gütersloh, Ernst Fuchs, Fritz Janschka, Anton Lehmden und Kurt Steinwendner, bevor er zum Filmemacher und Objektkünstler Curt Stenvert wurde.
Zeitgenossen: Dazu zählen ältere Künstler des Phantastischen, die die Diktatur überlebt hatten, wie Greta Freist, Kurt Goebel, Charles Lipka oder der CIA-Agent Charles von Ripper. Und die Jungen, wie Rudolf Schönwald oder Arnulf Rainer sowie Maler die sich im späteren Art Club bewegten. Dazu gehören die „Partisanin“ Maria Biljan-Bilger, Peppino Wieternik, bevor er sich zum Abstrakten wandte, und Carl Unger der für das Palais Pálffy eine große Glasfront gestaltete.
Art Club: Er versammelte die künstlerische Elite der Nachkriegszeit und wurde mit dem Strohkoffer ein geselliges Zentrum.
Hundsgruppe: Sie wurde zur ersten Gegenbewegung, in der sich die Aufrührer wie Ernst Fuchs, Arnulf Rainer und Maria Lassnig, Wolfgang Kudrnofsky und der Außenseiter-Phantast Anton Krejcar mit heute wertvoll gewordenen Grafiken manifestierten.
Das Pintorarium von Friedensreich Hundertwasser, Ernst Fuchs und Arnulf Rainer kämpfte aktionistisch mit Wandzeitung und Nacktdemonstration gegen die etablierte Akademie, schlechte Architektur und für die Freiheit des Geistes.
Hundertwasser verwirklichte die Theorien des Pintorariums in seinen Bauten. Eine Fotodokumentation von Kurt Pultar.
Wiener Schule des Phantastischen Realismus: Der Kern des Museums mit Bildern von Arik Brauer, Wolfgang Hutter, dem in den USA lebenden Fritz Janschka und von Anton Lehmden. Von Rudolf Hausner ist - neben einem Ölbild - die Dokumentation der langjährigen Arbeit an seiner Arche des Odysseus zu sehen. Neben einem Frühwerk von Ernst Fuchs ist auch eine eigens für das Museum geschaffene große Gemälde-Fassung einer vor 55 Jahren entstandenen Zeichnung ausgestellt.
In der Abteilung der Gleichzeitigen sind 16 Bilder jener Wiener Fantasten zu sehen, die sich in den 1960er-Jahren zum ersten Mal präsentierten, u.a. in der Galerie, die Ernst Fuchs installierte.
In der Abteilung Next Generation sind jene fast „noch Jungen“, die sich – trotz zeitweiliger Ausgrenzung durch die Avantgarde – neuen Tendenzen des Phantastischen verpflichtet fühlen. Sie haben zum Teil bei Hausner, Lehmden, Hutter und Fuchs studiert und auch als Assistenten gelernt.
Das Graphische Kabinett stellt einige Radierungen und Lithographien bis hin zu Briefmarken aus. Hier wird in etwa 30 Werken internationaler Phantasten die weltweite Vernetzung gezeigt. Vertreter aus Japan, den USA, Australien und europäischen Zentren sind die Botschafter von Vereinigungen phantastischer Künstler, den Ambassadors of the Fantastic Universe.
I'm in a very creative and inspired 'state' of mind at the moment, tee hee.
I really had fun with these in Studio Indigo.
LYSIANTHUS , unfurling in front of your eyes.
Originating in the West Indies, Mexico, and Central and South America, the flower is known botanically as Eustoma grandiflorum.
The common name comes from the Greek words lysis, meaning 'dissolution' and anthos, meaning 'flower'.
Colours include white, light and dark pink, lavender and deep purple. Double and single-flower varieties exist.
THANK YOU, M, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
Eustoma-grandiflorum, Lysianthus, lisianthus, bloom, buds, frills, studio, flower, white, colour, elegance, black-background, design , square, NikonD7000, MAGDA indigo
The first time I have seen an MCV Evolution on the 516, as Buses Excetera J14 (J14 ETC, ex-AE56 MDO) runs through Ashtead for Epsom and Kiln Lane Sainsbury's.
Not the first time it's happened though - even Countryliner had the odd MCV escape onto the route (well, at least once!).
Talking of Ashtead, the long running battle of Residents vs. Tesco has now ended, with Tesco's planned store for the village being one of the ones they've recently announced they're now not going to press on with.
The Street, Ashtead, Surrey.
It's been awhile since I've posted a compiled update but lots has been happening, will probably miss some stuff! New manilla rope donated by Terry (one of our student parents), two ~10lb medicine balls made (fun!), first run of test shirts in (what do you think?), sandbags!, improved balance beam a ......http://blog.parkourvisions.org/compiled-new-changes-to-the-gym-1 Posted via web from Parkour Visions miniBlog
Na época de lançamento do Windows 7 estava sendo realizado um sorteio em um blog em que pedia uma imagem criativa para ganhar um. Infelizmente não ganhei, mas gostei em ter participado...
A imagem mostra a evolução da humanidade até chegar nos computadores movidos a Windows.
Having arrived on the first 489 journey to run into Guildford, Buses Excetera J14 (J14 ETC) stands in Commercial Road in the sunshine. They have an hour and six minutes' layover here before running the next journey back to Epsom.
This is ex-Countryliner MRD10 (AE56 MDO), although it was in Countryliner's Sussex fleet and so has not been in Guildford before.
Commercial Road, Guildford, Surrey.