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German promotion card for Cinegraph 'Kino, Krief und Tulpen - Deutsch-Niederländische Filmbeziehungen' (Cinema, War, and Tulips - German-Dutch Film Relations) by Cinefest / Bundelsfilmarchiv, 2002. Photo: Sonja Ziemann and Gunnar Möller in Hollandmädel/Dutch Girl (J.A. Hübler-Kahla, 1953).
Cinefest 2020, the 17th International Festival of German Film-Heritage, will take place in Hamburg, Germany, from 13 till 22 November 2020. It is organised by CineGraph and Bundesarchiv, in Cooperation with EYE Filmmuseum, Amsterdam. Curators are Ivo Blom and Rommy Alders.
Stars like Johannes Heesters and Rudi Carrell are by far not the only connection between these Germany and The Netherlands in terms of film history. Along with their clichés and contrasts, Cinefest 2020 focuses on commonalities in both the production and reception of films. Between World War I and II, Dutch actors such as Truus van Aalten and Frits van Dongen (Philip Dorn) established a career in German film. At the same time, there were close contacts between avant-garde and documentary filmmakers in Berlin and Amsterdam (Joris Ivens, Hans Richter). After 1933, Amsterdam was an early station in exile for directors like Hermann Kosterlitz (Henry Koster) and Detlef Sierck (Douglas Sirk). German filmmakers played an instrumental role in developing the Dutch cinematography of the 1930s.
In the post-war period, what took place under German occupation was the subject of numerous feature films with an everchanging perspective. Dutch documentary filmmakers (Ivens, Joop Huisken) and actors like Cox Habbema worked in the GDR. At Cinefest 2020, as usual, not only directors and actors are in the spotlight. German producer Rudi Meyer was a key figure in Dutch film production between the 1930s and 1960s. Dutch cameramen like Robby Müller and producers such as Rob Houwer and Laurens Straub were central figures in the New German Cinema.
Source: Cinefest.de.
Student Workload:
With the pressure of Global Warming, the everchanging Earth, advancing technologies and higher education.. what else are the next generations in for?
In Ontario Canada high school education, the Academic grade 13 came to an end on June of 2003.
Like other jurisdictions across North America, Ontario decided to abolish the grade13 level. Ontario's last grade 13 class graduated along with an almost equal number of grade 12 students and students, since then, have had an increase workload on their shoulders.
The rising value of the Canadian against the American dollar will help open the doors for Canadian students wishing to enroll in any of several accredited American University online programs.
Several Canadian Universities, including a few in Ontario, are also beginning to offer online accredited degree programs. The University of Athabasca in Alberta and Royal Roads University in British Columbia offer exclusively online degree programs.
However, Ontario government officials may initiate policy action to discourage Ontario's Colleges and Universities from accepting online "home schooled" students from Ontario, even discouraging them from proctoring outside examinations for such students, increasing the pressures they will face in the real World.
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Every photographer has to have one of these.
I don't consider myself a true photographer, but still can't resist the simple beauty of rain drops on glass. It's an everchanging monotony: the running water, the (dis)appearance of shining drops, the flowing background.
Kind of looks like an angel... Maybe? I love photos of the sky and clouds, everchanging and ever magical
Press Release:
Chatham, Cape Cod (July 11, 2008) -- It's hard to believe this book doesn't yet exist, but the many faces of Chatham’s everchanging coastline have now been captured in a newly released coffee table book by photographer Christopher Seufert. "Chatham by Air: Aerial Photographs of Chatham, Massachusetts, 80 photographs in hard cover, hits the streets with a wine and cheese signing at the Christopher Seufert Gallery (2469 Main Street, Chatham) from 3:30pm to 6:30pm on Saturday, July 12.
Shot entirely in 2007 and 2008, the color photos give a priority treatment to the town’s dramatic new break at North Beach. The first 20 images show the progressive erosion in similarly composed images shot over time. Monomoy, downtown Chatham, and virtually every body of water are also revealed in perspectives from the air. Further on, seals bask on sandspits, a scalloper rocks on its anchor in Nantucket Sound, the ever green links of Eastward Ho reflect the light of a sunny day on Pleasant Bay.
While the main project is a traditional hard-cover coffee table book, Seufert, a documentary filmmaker by trade, brought his film and video background to play with a full complement of multimedia components, including a DVD slide show (with 50 additional images) included with the book and also available separately, a free cross-platform screensaver (available as a download from Apple), and a separate 27-minute online video slideshow for sale as a download.
"My core business through Mooncusser Films helped me add a little more kick to the publishing of a Cape Cod photo book, I hope," explains Seufert. "Though I love holding a real book in my hands, photos are no longer something that live only on the printed page. These images really hold up well on a large HD tv and the aerial details are revealed much more truly large like that.”By offering the dvd as a free add-on to the book and giving people the option to purchase it separately for $20 as opposed to the $50 book, I'm hoping to evolve the Cape Cod photo book one step, as it’s a great value at high quality with more images than printed book.
Though Seufert went away to college and spent the early part of his career 'over the bridge,' he grew up in Chatham, where couldn’t help but be influenced by the legendary aerial photographer Dick Kelsey.
“He would shoot our family portrait every year and also progressive aerial photos of our neighborhood so I was very familar with his work,” says Seufert. “Seeing how the Hardings Beach area where I grew up changed so dramatically over time in his photographs, I noticed how well his images functioned as documents of the changing face of Chatham and not just as art. So his work was certainly a big inspiration for this book. He would tip his wings to us when he passed overhead and I’ve always seen him as something of a romantic character, a cowboy of the skies.”
Seufert undertook the photo excursions more for the adventure, foresaking a more scientific approach that would entail shooting the same flats over time at the same tide point in the tides. Working closely with pilot Jill Douglas he chose instead to base his trips more on good weather and on covering every part of town. “I would always go shoot the new break every time I was up, but I also made sure that I got shots of every part of town, including downtown, which I don’t normally see in other Chatham aerial collections. Jill was fantastic, and her skill at the controls really gave me the same ability to hover over one spot as well as if I were in a helicopter. She’s also has a very relaxed and patient demeanor, which made it easy for me to focus on shooting all the time.”
Mr. Seufert currently has most recently had his photos published at Oprah.com, National Public Radio, Cape Cod Magazine, and last year he released his first book “Chatham Views: A Photographic Journal from Chatham, Cape Cod.”
these are some of the song lyrics to a favorite song...
"My life has been a tapestry of rich and royal hue, an everlasting vision of the everchanging view." ~ Carole King
Enjoying my original mosaic with fd's Flickr Toys.
in progress
alice in wonderland penguin book cover live brief.
ideas of objects, her everchanging size, and dream like qualities.
im struggling with the title on the front cover.
So this year hasnt been the most creative or the most energetic in terms of wanting to create creative things… I set myself a goal of trying to create between 30-40 images by New Year’s Eve - at current standing I’m currently at 8 including this image.
I think we are all going through states of fragmentation - us as creatives, whether that be creators or audiences of creators are experiencing a state where things hold multiple layers, where everything is distorted and I can definitely say I’ve experienced this hard for most of this year.
I’ve got my goals, my determination to create, I’ve got my imagination, my possibility and my stability to get me through but I also have distortion, a year of quietness, a year where socialising and bouncing of creatives has dwindled and it’s a kaleidoscope of feelings and emotions that take their turns to control my mindset depending on how reality twists my fate in to its direction…
I’ve got to upcoming plans in the work, shooting with people old and new, shooting elements I’ve had building up for years and ideas that have formed in the spur of the moment - but how this year turns out - is in the hands of me alone - I’m determined to make it through
How do you deal with the fragmentation of yourself? Drop your answer in the comments below ⭐️
The tower in the old Ericsson headquarters lit up at night by everchanging coloured lights.
2014 08 04 221838 Sweden Stockholm Night 1HDR
artist statement: 'Perfectly Imperfect' project arose from a realisation that a rich and meaningful human experience is a tapestry imperfection. This project is a playful look at ourselves weaving together the diverse and interesting walks of life and promoting hope and acceptance. The concept also builds on the yarn bombing movement (aka yarn storming, guerrilla knitting, kniffiti, urban knitting or graffiti knitting). While artists created the knitted and crocheted squares they were encouraged to embrace the journey rather than the outcome itself. The work represents the process of patching one's life together in an everchanging journey. This artwork celebrates the recovery process from mental health issues and the unique talents, wisdom and skills of the elderly- 'Young at Heart' group. Vanessa Anseline.
Wool, buttons and material embellishments. Swell Sculpture festival. Currumbin
Created with fd's Flickr Toys
This is my entry into the 52 weeks of photos challenge: week 14 - hot
These photos were taken when I was sitting in a hotel room in Stockholm last year. I looked up from the computer and couldn't believe the beautiful sunset. I sat there and took photos of the everchanging skyline.
Eternal heights of rock and green, in the shadow of everchanging clouds.
A long way to the solitary peaks. A long way to inner peace.
somewhere in southern Italy..
series: Sacrum
project: Solitudo Meridionalis / Southern Solitude
I was watching these rain showers work their way across the north shore from west to east for the last hour or so..... Weather has always fascinated me, especially in the beguiling season we call Spring, for how quickly and dramatically it can change, not only day-to-day, but over the course of just a single day or even minute by minute! 🌷🌺
#springinthepnw #everchanging #moodyskies #gastown #vancouver #roomwithaview #nevergetsold
This oft-photographed grove of cypress trees surprised us by popping up along a fairly well travelled stretch of highway as we wended our way through the Val d'Orcia region. Who knew that such an iconic symbol of Tuscan life was a "roadside attraction"?
Needless to say, we found a spot to pull over and snapped our fair share of pics, as the everchanging and heavenly sunlight of Toscana danced a pas de duex with the clouds above us.
The timing is right on par with my previous records: March 13, 2015, March 10, 2016, March 11, 2016 (which included 1 Whooping Crane), March 9, 2017, March 13, 2021, and today March 10, 2022. I was able to differentiate the groups by numbers and the time as they passed overhead. Total time observed was 2 hours and 15 minutes. (Orland Park, Cook County, Illinois USA) *Group 9
The sky was a pale, blue gray all day, as the Sandhill Cranes flew overhead at thousands of feet in the air. Viewers of this series may wonder, "Why so many shots of the silhouettes of cranes?" The answer to me is in the spectacle to behold, the balletic movements as they fly, everchanging patterns, and a symphony of sound!
The Lincoln Gettysburg address train and the Lincoln funeral Train both traversed this route. The PRR in 1936 ran 18 passenger trains over this track in 1936. At one point the PRR K5 Pacific was also tested on this line. At present service is disrupted by numerous everchanging economic events and we are stymied in out efforts to view the K5, The Statesman and the Liberty Limited symbol Passenger Trains because Mr. Peabody and Sherman's Way Back Machine is being repaired.
Shot in front of Waras Hut (6km from the base of mountain)
The weather is everchanging. One minute the clouds are covering everything and 3 minutes later you get a break like this.....superb view that requires very minor processing. Makes you feel soooooo small as compared to our creator. Subhanallah!
The spectacular light display at dawn is what most of us landscape photographers get out of bed for. A 1am rise to shoot this location produced such fine example of what mother nature can produce.
As dawn began the everchanging colour temperature had a dramatic effect on the landscape and we had a full range of the light spectrum from cool blues to the deep reds. All of the images in this series have had very little adjustments, in fact some even had a slight desaturation of the colour applied as i felt they were too stong.
This was an 8 second exposure taken 30 minutes before sunrise and the crimson colour was just amazing, emphasized by the skies reflection in the calm sea.
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by R. Ayana
Postmodern : Ever Changing, Fleeting, Positive, Nihilistic,
"There are no simple concepts. Every concept has components and is defined by them.
It therefore has a combination [chiffre]. It is a multiplicity, although not every multiplicity
is conceptual...
Not only do Descartes, Hegel, and Feuerbach not begin
with the same concept,
they do not have the same concept of beginning...
Every concept has an irregular
contour defined by the sum of its components,
which is why,
from Plato to Bergson,
we find
the idea of the concept being a
matter of articulation,
of cutting and
cross-cutting.
The concept is a whole because it totalizes
its components, but it is
a fragmentary whole.
Only on this condition can it escape the
mental chaos
constantly threatening it, stalking it, trying to reabsorb it."
-- Gilles Deleuze and Felix Guattari, What is Philosophy?, pp. 15-16.
Licensing available through Getty Images: www.gettyimages.com/license/142062134
Colorful June .... and the soft mysterious fog playing along the edge of the rugged northern California coast by the coastal village of Albion, California.
This Pacific Northwest Maritime climate means that our summers are softened by the mist and fog, creating an everchanging mood that, for visual artists, is an inspiration!
Inland it's hot, on the other hand! Just a few miles away and one is in the dry Mediterranean Climate zone.
California has some of the most varied and numerous species of plants in the world because of all its micro-climates - from the deserts to the grasslands and high altitude Sierras, to the dark ancient Redwood forests and the coastal zones.
These roses were planted by early American settlers who brought their favorite garden varieties with them from the East Coast in the mid-1800's, after the Gold Rush. It rarely freezes along the Pacific here so all kinds of tender plants make it through the winter. Drought tolerant plants are best for the summer because we don't get a drop of rain between June and October. The mist brings welcome moisture.
To help protect life on Earth, we all need to focus and work together to retool our economies and develop new ways to fuel our everyday life activities with energy that is sustainable for the planet. Here are several excellent and helpful resources on line: www.renewableenergyaccess.com www.greenbiz.com and www.apolloalliance.org
The everchanging colors in the interior lighting makes this a cool spot at midnight.
Looks a lot better On Black
Edit: Added additional copyright protection
This is an copyrighted image with all rights reserved and may not be reproduced, transmitted, copied or used in any way without the written permission from the photographer.
She lost herself in the trees, among the everchanging leaves. She wept beneath the wild sky as the stars told stories of the ancient times. The flowers grew towards her light, the river called her name at night.
Here Be Magic: The Source’s Apprentice>
FEAR = False Evidence Appearing Real
HOPE = Higher Order Potential Explored
LOVE = Living One Vibrant Energy
Who are you, what is the world, how did you get here, where are we going and why? Every child asks these questions, as do the mortally ill and those suddenly faced with unexpected change.
Young children (and venerable ancients) are most intimately connected to the deepest mysteries of being. All existence is a glorious mystery that inspires open minds and passionate hearts. Life begins in a rush of extraordinary emotion with an intimate embrace of the actual, immediate, visceral present and leaves deep imprints that last through the next rebirth and beyond.
Many newborn babes know answers to the deepest conundrums, yet quickly forget – distracted by the ongoing process of learning to wear a new body in a strangely demanding culture of drowsy domesticated primates. Most ‘modern’ people are quickly weaned from a sense of wonder to suckle on toxic waste and moribund notions in notional nations at war with themselves. What use are masters and mistresses of universal truths to soulless machines of industrious wastage – to self-styled half blind so-called ‘leaders’ who only require mindless cogs and obedient dogs that will work on their pet projects without question?
Eternal questions lead to cascades of answers and torrents of more questions. At some point in life all beings wonder and ponder the primal questions of life, the universe and everything. Every child knows they’re on a magical mystery tour, exploring and creating a gloriously intricate realm of intriguing riddles and sumptuous sensualities. Every freshly incarnate soul knows answers to eternal conundrums and recognises that truth must be really simple, clear and meaningful – unlike the plethora of corporate, ‘religious’ and ‘spiritual’ lies they’re fed to keep them in place in the usual fowl-brained pecking ordure.
People are rapidly weaned from infinite fonts of unending wisdom, fed on senseless half truths and superstitions by blithering wastrels until we’re self-caged in boxes and propped before blinding screens devoid of imagination, filled up with loony marching tunes, violent comical characters, warrior ‘ethics’, impersonal personalities and mobsters from the Id.
Yet every being who finds themselves living in the bosom of Gaia has the ability to flourish in a garden of freedom, art, truth and beauty – unless the divine rapture of happy revelry is beaten and brainwashed out of them by damaged control freaks. The adulteration of adulthood customarily twists each bright new spark into a carelessly forgetful servile dolt wearing uniform uniforms that suit self-styled bosses and no-one else. Yet the bright living world continues to glow and beckon with magnetic inner light, awakening inner sight and inner sense in every insightful innocent soul.
Even while selling, selling out or selling one’s soul, answers and questions lurk within, biding their time til the moment of wonder emerges anew – flowers that bud from slimy mud to bloom in the light of an unbranded bright new day.
Children know what magic is. Magic is obviously the ability to alter the fabric of ‘material reality’ at will. Adolescents and adults who quest after magical reality or ultimate truths usually encounter the teaching that magic is the ability to alter one’s level and state of consciousness at will. It transpires that these two views of magical reality are one and the same, for the world is made of mindstuff – the very same stuff you’ve made of your self.
We’re all the creator of the world we inhabit. We make and remake the cosmos we perceive from instant to instant in a seamless flow far quicker than any word or thought a monkey mind can shape or utter. We mould malleable mindstruff to fit about our hopes, dreams, desires and fears. The strongest, most emotively driven visions predominate, setting the course of our self-chosen destiny from moment to moment. At every instant new doors are opened and closed by decisive thoughts which come and go so swiftly they barely seem to register, ignored by minds entrained to self destruction through perpetual distraction.
Who won last weekend’s game? Who’ll win next week’s? Who really cares or remembers the identikit features of identical born-to-die gladiators or the meaningless trivia of daily scores? Every broadcast from the blaring, pumping, chest-thumping media is thoroughly massaged premasticated pap made to sell, sell, sell the messy message that life is hell without labels and boxes and plastic bags. The ‘news’ is a neverchanging regurgitated weather report overflowing with the meaningless mummery of falsified finance, shaggy cat stories and fishy tales about the none that got away from The System.
People aren’t encouraged to examine their minds – to investigate the source and route of each thought that passes through the easily distracted awareness of industrious sociable beings. In the kingdom of the blind, endless mindless busyness is promoted to a virtue and self-examination is regarded as ‘useless navel gazing’.
The boss will tell you that there’s plenty of time for self examination when you’re fading and tired and retired from the rat race. There’s plenty of time to be free when you’re old, weak, moribund and no longer a potential threat to the busy, dizzy status quo. Meanwhile, follow the leaders and only read parking meters – and pay through the nose for the right to exist, eat, drink and inhabit space. Do what’s expected of you and reap your reward; Work. Consume. Obey. Marry and reproduce. Die – and then begin all over again, with that alluring ‘clean slate’ – that fresh start each adult craves when they realise they’re botching Life and selling their heritage for a bowl of cold potage.
Turn on. Tune in. Opt out! The real world and real you awaits; waiting for you to discover your self.
You always get what you wish for – often when you’ve forgotten you ever wished for it – so be careful what you wish for, for wishing is magic. Each idle thought is a wilful wish when fuelled by hope or fear, love or anger or any potent emotion in the unformed ocean of eternal becoming.
Magic in a Holographic Fractal Multiverse
The cosmos is infinite, and we don’t even live in a single universe. We live in – and contain – an infinite multiverse of limitless potential.
Fractals and fractal imagery demonstrate the truth of an infinite cosmos shaping and shaped by each whole fragment of ultimate reality. Every part, particle, participle and person reflects and refracts the infinite whole – a fluid hologram altered by individual perspectives in a freewheeling free willed phantasmagoria of endless possibility and infinite variety in continuous communion with itself.
As free will is real and events are not locked into predetermined courses, there can’t be any such thing as accurate prediction – just hypnotic programs that attempt to create self-fulfilling prophecies – for all is in flux and the Book of Life is always being inscribed and rewritten as the Book of Changes. There was no single Big Bang or Creation event, for creation continues at all times in all places, everywhere and anywhen. The illusion of creation is simply the result of premillennial brainwashed minds; a dopey falsehood imagined by ‘scientists’ entrained to believe in a fantasy parental archetype – a creator god (or goddess) – by superannuated superstitions strangely exalted as ‘faiths’ or ‘religions’.
There is no god and no master, but truth, beauty, freedom and love are royally real. You are the creator. You are totally free – and ultimately responsible for everything! No guilt, honour, opprobrium or any other imaginary construct applies to you as a result of your creation. Mistakes are impossible in an infinite multiverse; all is research and all is Art. Yet some artistic creations are more pleasing to the senses than others and some acts far more compassionate and conscious. The holographic nature of reality assures that everyone IS everyone and that one simple ‘rule’ actually does apply to all human behaviour and discourse – the eternal Golden Rule; do as you’d be done by.
You create (your own) reality. How are you doing it? Self-styled creators tend to develop an exalted opinion of themselves, in the false belief they’re in charge of everyone and everything else – yet everyone is in charge of and charged by their own ongoing freeform destiny, ultimately beholden to no other yet intricately interlinked with all. Everyone is divine, a whole fractal facet of everyone and everything.
You magnetise reality, shaping and guiding the transitory ‘material world’ to follow the pattern of your dreaming. How are you doing it? Are you actually moulding the infinite potential of possibility itself, or are you selecting the best of all possible worlds from the myriad pre-existing choices available – or both, or neither? Are you a corpse that died at an earlier time, dreaming the ongoing world as you decompose into soil? Are you a Neo(tonous being) imagining a preprogrammed life in an artificial matrix?
How can you truly know the truth?
By examining each thought and image that enters your mind, and seeing from whence it arises. By meditating, and truly SEEING the sea of mentality through which you’re swimming until you find the still, pure centre where the true you abides, becoming the source of all creation at the centre of the cyclone, wreathed in the swirling spin of everchanging thoughtforms and myriad potential.
Kaleidoscopic Cosmos
There is another way of viewing the kaleidoscopic cosmos. Matter doesn’t exist. It’s an illusion created by apparent ‘particles’ which also don’t exist in ‘real’ terms, but are actually eddies formed by intricately interlocking standing waves. We live in a fluid fractal hologram. All patterns echo the primal form from which all other fractal versions and visions are derived; the vortex at the core of all things, the shape of the cosmos itself.
Every ‘electron’ and every other vortexial fragment of wholistic unity holds a holographic image of everything within its spinning skein. Every grain of a holographic image contains an image of the whole picture, and every vortex is implicately linked to all others at all levels of resolution.
In quantum theory an ‘electron’ is said to rotate around its axis more than once during each rotation, circling through infinite plena of potentials (other universes) before returning to the phase – the place – from which it’s observed. Thus every part of all possible universes is in potential and actual contact with every other part, at all levels of resolution – and so are you.
Every cloud is a fractal representation of every other cloud. All clouds are different yet similar forms, all exhibiting tendencies we recognise as ‘cloudness’. All trees are fractal representations of every other tree. Every person is a fractal representation of every other person. Every ‘universe’ is a fractal representation of every other universe, and all are intimately linked in the most fundamental ways. All forms are representation of the primordial vortex, the wellspring from which all arises.
Everything we perceive/conceive/receive is produced by standing waves, and standing waves are formed between complementary poles. Every thing vibrates between its core and extremities – the poles of creation – yet the extremities and core of every single thing extend forever and are linked to literally everything.
We live in a far greater reality than a simple single universe. The universe we perceive is a tendency that tends to maintain its apparent form and substance almost wherever we look, but if you step back from the brink of egocentric personality and really see you’ll notice differences and changes all around and within you, all the time. We are part and parcel of everything, and everything changes all the time in ways too varied to mention. Everyone is surfing through spacetimes and everyone gets exactly what they wish for with their most wilful impassioned desires.
Hopes and dreams – affirmations – predominate over fears and insecurities when you invest them with awareness, focus and consideration. Hopes manifest most easily when they dovetail with the dreams of other beings in a mutually reinforcing matrix. Hope for the best! Dare to dream of Paradise – for all.
Psychic abilities are real and available; you enact their reality all the time. Telepathy is an ongoing eternal reality; not something to be achieved, but recognised. The same applies to all psi abilities or ‘psychic powers’. Learning magic begins with the simple recognition –reknowing – that it exists, and you are already ‘doing’ it. That’s how you got here. That’s why you’re reading this.
.You are implicately and inextricably interwoven with the entire potential cosmos. To activate a broader awareness of all this potential you have to explore the core of your being and the limitless bounds of self. The whole whirled world is whorled from mindstuff and thou art god.
And myriad other beings already know this. We soar from the shoulders of giants.
Way Out, Far In
To begin any magical operation draw a circle around yourself, starting in the East. Do it now. In the southern hemisphere of this spinning Earth sphere the circle of protection is drawn clockwise (looking down from above). The opposite pertains in the northern hemisphere.
The circle is an inviolable horizon and you are its centre. All possibilities exist between the horizon and the core. Arrange your body so your spine is erect and your breathing is full and clear – this can take a single moment or many years to achieve, depending on where you’re at and how you came to be here now.
See where you’re seeing the world from. Move that point of awareness – the place where you live – into the centre of your head. Do it now. View the world from the centre of centres and watch your peripheral vision expand – you’re already aware of far more than you think.
Listen to the thoughts you think you’re thinking… see them circling round the inviolate centre where you reside… the centre where nothing exists… in the Heavenly Pool at the core of creation.
You are not the thoughts, but the still silent witness within. Become the nothing that sees and is everything. When you’re here the void is clear, not dark at all but filled with the light of eternal awareness. Be here now. Be free…
You are already immortal You don’t have to die to change or be free. You just have to recognise yourself in every thing and every one… and set it all free to be in victorious sweet surrender…
When you’re located at the still centre of the cycle, place this centre directly above the equally still and central point at the centre of the bowl of your hips – your water-centre of ‘gravity’, the hara or navel chakra, below and behind your physical navel. You can view the world from here as well, with a differing perspective that creates a different style of consciousness. Breathe deeply from and into this core and fill it with chi, prana, the Holy Spirit.
When your spine is straight and the waters above are directly above the waters below, a current begins that sparks the fusion, creating the pure flame of an opening, flowering heart.
Breathe…
If you do this and seek the truth all teachings will follow and flow through you, manifesting from the limitless potential of our massive multiplayer online cocreation. Be the immortal that witnesses all from the core of breath and being. Remove the screen from your eyes and BE HERE NOW. We create the best of all possible worlds… together.
It’s a beautiful, wonderful world.
All things in all times in all places are one thing, and that thing is love
- R. Ayana
Thanks to those who passed and pass this to and through…
Image – author’s: The Great Work
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From the Her(m)etic Hermit @ hermetic.blog.com/2012/01/04/here-be-magic/
Everchanging.
Proyecto fotografico.
Serie de fotos con el tema central de los conocidos 'Mugshot'.
---
Photographic project. Series of photos with the central subject of ' Mugshot'.
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by R. Ayana
Access to the beach at Happisburgh has been washed away again, but part of the beach is still accessible by walking up the coast from the south.
Fantastic light and everchanging clouds formed a backdrop to a delightful family walk.
Thought I'd take a photo of this wonderful unique (i think) bench facing straight into a thick bush.
I later realised that this view is a very special view - with so many possibilities: -
This could be ....
a view to smile about,
a view for those interested in a closer look at insect and bush life,
a view for contemplation and meditation,
and a view to acknowledge and remind us of the transience of everything (nothing stays the same) - and that is why we put so much value on trust - possibly the only steady rock in an everchanging world.
Tapestry
- Carole King
My life has been a tapestry of rich and royal hue
An everlasting vision of the everchanging view
A wondrous woven magic in bits of blue and gold
A tapestry to feel and see, impossible to hold
Once amid the soft silver sadness in the sky
There came a man of fortune, a drifter passing by
He wore a torn and tattered cloth around his leathered hide
And a coat of many colors, yellow-green on either side
He moved with some uncertainty, as if he didn't know
Just what he was there for, or where he ought to go
Once he reached for something golden hanging from a tree
And his hand came down empty
Soon within my tapestry along the rutted road
He sat down on a river rock and turned into a toad
It seemed that he had fallen into someone's wicked spell
And I wept to see him suffer, though I didn't know him well
As I watched in sorrow, there suddenly appeared
A figure gray and ghostly beneath a flowing beard
In times of deepest darkness, I've seen him dressed in black
Now my tapestry's unravelling; he's come to take me back
He's come to take me back
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist ~
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by Ram Ayana
Image - Pipedreamer - author's
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by R. Ayana
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist ~
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by Ram Ayana
Image - Pipedreamer - author's
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by R. Ayana
View from the Millennium Bridge towards the City of London. Construction work is evident from the cranes in the distance the Leadenhall Building, nicknamed the Cheesegrater and Tower 42, otherwise known as the NatWest Tower or National Westminster Tower, can be seen.
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by R. Ayana
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by R. Ayana
An image from my entry for the H.C.Andersen Museum in Odense (Denmark). 477 Entries . No success. Decision was some days ago.
Physical Model in Plastilin (Scale 1:500); some PS work.
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Prologue:
The most impressive plazas in the world almost always have several things in common:
The surrounding architecture is homogenous, the edges are closed, the proportions are
harmonizing, various functions are possible (for example Siena with its horse races or
Brussel with its carpet of flowers) and the plazas become more attractive they more they
are used.
We would like to propose a plaza which is completey surrounded by the ‘House of
Fairytales’, resulting in a sensitive, homogenous and yet fascinating urban setting.
The result would be a unique situation—singular in the world—where a plaza is created in
the heart of a city with the intent that it actively be used around the clock.
Thus, situated around a large urban square, we foresee 20 mysterious, sculptural
structures—as if they were taken from a fairy-tale-world—which are presented to the
viewer as unique objects with singular floor-plans, sections, height and roof-forms—all of
which are taken from the various forms and scales of the neighboring structures of the
city and paired with the new concept of the museum.
This landscape of mysterious structures would be held together by a unifying single-storey
frame which takes over several functions.
The ‘Museum of Fairytales’ by day:
Much like H. C. Anderson again and again finding inspiration in his world-travels as a
cultural-tourist, we found inspiration in the many voyages of our protagonist as well.
A further source of fascination were his wonderful sketches made on these trips.
Our concept would like to pass this fascionation on to the visitors:
‘A journey through time and space’ (approax 6000m2 gross); One enters the museum
via the corner of Hans Jensen Street and Bangs Boder (as one does within the square),
precisely there where the author was born. Here, within the first two building-sculptures,
is the foyer, museum-shop and various other entrance-functions.
After one passes through the Memorial-Hall, one begins the everchanging vicarious
voyage of H.C. Anderson, starting in the year 1819 and, after circumventing the square,
ending in 1874.
This journey includes a flowing, 260 meter-long volume which is completely transparent
the inside and offers continuous views to the ‘Garden of Fairytales’, so that the room is
constantly in dialogue with the public space.
This continuous glass band rises confidently towards the west in order to allow the
planned street-car to pass below it. This band of uniform height acts as a source of
orientation, is a space for variable exhibits and offers the visitors information about the
author’s life by leading them from one sculptural structure to the next.
All of these structures are unique in form, material and atmosphere, suprising the viewer
again and again. Generally, the structures represent a time in Anderson’s life and which
works which produced during this time.
The highest sculpture houses a „mysteries tall space“ and stands at the same time in
dialogue with the planned office tower and is regarded to be the south gate to the whole
complex. The Tinderbox Cultural Center has its main exhibition space on the west side
(1st and 2nd floor), but parts of the space could be anywhere around the square.
The ‘Museum of Fairytales’ by night:
In the evening we see the museums-complex in a completely different light. Within and
through the continuous band of glass, we are presented with an ever-changing light
and/or video-installation. Furthermore, each of the 20 ‘sculptures’ will have a skylight or
panorama-window which with further heighten the unique atmosphere of the public plaza.
The ‘Garden of Fairytales’, seen as a large public stage;
The source of inspiration for this square is the flexible functionality of the aforementioned
plazas in Sienna, Brussels or the Rockefeller Plaza, where a public square has the abilty to
take on various functions within it’s urban setting, be it a concert, the Andersen Festival, a
seasonal Fairytale theme, a special garden theme or a Christmas Market; the east part
could even have a temporary light roof construction.
In other words: This big square is all over the year part of the museum itself; like in a museum
on this space we see temporary exhibitions.
The western side is predominantly green, set with trees and grass, whereas even the
street-car-tracks are to be encorporated in the landscape. Here, an open, roofed-over
amphitheater connects the planned passage between the subterranean parking-garage
and the plaza. Right in the center of the plaza we foresee a big reflecting pool of water
which, depending on the season of the year, can take on various functions, for example
ice-skating .
If a special attraction takes place in the evening, one could even close the gates for the
street-cars.
The public promenade:
Inspired by a landscaped city wall such as in the city of Lucca, as well as by the drawings
done by H.C. Andersen (a castle complex surrounded by a wall), we planned an exquisite
roof-garden on the upper level of the circulatory glass-band.
This promenade, which is easially accessible by gentle ramps and stairs from various
points around the complex is to be understood as an wide extension of the central garden;
we are seeing here even a more green landscape.
This would make around 75% of the area of the complex accessible by the public.
From up on the promonade one would look—much like a king—down on the activites
taking place within the central space.
Thus, the upper garden could function as a box-seat for special productions or simply
for views throughout the city, each view framed by the sculptural roof-scapes of the 20
objects.
There are endless other possibilities for functions within this upper level: for example in
winter, the ramps could be used for sledding.
In order to animate further use of this unique park, approximately 30% of the building-
sculptures have partly additional functions on the upper level, such as cafés, galleries or
special intallations; curiosity will always be rewarded with views into the exhibition-spaces.
The drama of a sunset can be enhancing by the everchanging clouds that enhance the sun's colours and display the sun's rays.
The setting sun provide backlighting to the clouds and mountains, adding to the spectacle.
Between the promontory and the sea lies the nature reserve of the Laghetti di Marinello with its everchanging landscape following the seasons and the tides. A thin spit of sand hides four characteristic salt water lakes, caused by the sea flowing into the bay. The formation of the lagoon area dates back to about 100 years ago, between 1865 and 1895 , due to specific tectonic processes and also to the unique weather and sea conditions exist along this strip of coast. The lagoon area is located within the " Natural Reserve lakes of Marinello " established in 1998 and operated by the Province of Messina.Within the reserve , which covers about 380 hectares, there are a wide variety of environments : it goes from lacustrine to brackish coastal marine sands , the steep slopes and areas overlooking the sea . It is also a lovely natural cave : Cave Woman Villa , difficult to reach because overlooking the sea , within which are formations of stalactites , stalagmites and columns. An old legend tells that in this cave there lived a witch enchantress ( as the sorceress Circe of Homer ) that if after luring sailors to her singing sublime liberate devouring it . If the prey escaped the witch vented his immense rage against the walls of the cave affossandovi , with all its force , the fingers of his hands. The name of the sorceress was Donna Villa and only a few would be able to escape ! In terms of the impending Shrine of the Black Madonna is located in a sandy area that draws a long spit of sand that juts into the Tyrrhenian Sea to the east. In order to appreciate the good form it is convenient to go up to the shrine from where one has a unique overview: In addition to the long sandy bar you can clearly see the lakes of Marinello. To reach them you have to get to the town of Oliver, and from there head north towards Marinello. The car is left at the entrance of the Natural Reserve lakes of Marinello, and then you can take a walk to find their own lonely corner of the beach. Keep in mind the distance, the sand bar has variable size, depending on the currents and seasons, and you can travel up to about 2 km to reach the tip!
Sono spettacolari laghetti marini intrappolati da lingue di sabbia proprio sotto l’altissima rupe culminante, nella parte più alta, con la meravigliosa Tindari. Il numero dei laghetti varia a seconda della stagione e delle maree.Sono raggiungibili a piedi dal paese di Marinello passeggiando nel litorale sabbioso. Sul colle dirimpetto, su un fianco del capo, un sentiero conduce alla grotta della Maga (foto, detta anche Donna Villa), che secondo la leggenda attraeva i marinai con il suo canto e la sua bellezza per poi divorarli. Il 17 Agosto del 310, proprio in questa caverna, morì papa Eusebio, esiliato in Sicilia da Massenzio. Per entrare alla grotta bisogna attraversare un piccolo sentiero da contrada Rocca Femmina. Si tratta di una cavità naturale collocata a 76 metri sul livello del mare, costituita da tre piccoli e quasi inaccessibili atri o caverne. All'interno si trovano bellissime formazioni stalattite e stalagmitiche di vario colore (a conferma che nei periodi di scioglimento dei ghiacciai essa è stata sott'acqua) ed un pozzo profondo circa 3 metri. Nelle pareti sono presenti un'infinità di microfori, creati dai litodomi (molluschi marini), mediante erosione; secondo la leggenda questi fori sarebbero stati provocati dalle unghie della maga, che così si sarebbe sfogata ogni volta che non riusciva ad attirare il navigatore di passaggio.La macchia mediterranea è composta da euforbia, canne, mirto, capperi e fichi d’India. La fauna da molluschi in acqua e uccelli migratori attorno.La riserva naturale orientata Laghetti di Marinello è un'area protetta istituita nel 1998 e affidata in gestione alla provincia di Messina. Si estende su oltre 400 ettari.L'area lagunare di Marinello è sottoposta a molte variazioni morfologiche del territorio che, modificando la costa, creano laghetti del litorale salmastri.Il trasporto sulla costa di sabbia e ghiaia è dovuto all'approfondimento del fondale marino, dovuto all'azione, in questo caso, del Mar Tirreno.
La riserva naturale orientata Laghetti di Marinello è un'area protetta istituita nel 1998 e affidata in gestione alla provincia di Messina. Si estende su oltre 400 ettari. L'area lagunare di Marinello è sottoposta a molte variazioni morfologiche del territorio che, modificando la costa, creano laghetti del litorale salmastri. Il trasporto sulla costa di sabbia e ghiaia è dovuto all'approfondimento del fondale marino, dovuto all'azione, in questo caso, del Mar Tirreno.
La flora più intressante è costituita da :
Hyparrhenia hirta(barboncino mediterraneo);
Helichrysum italicum (elicriso);
Ruppia maritima (fieno di mare);
Echinops spinosissimus (cardo-pallottola vischioso);
Dianthus rupicola (garofano delle rupi);
Brassica incana (cavolo biancastro);
Lonicera implexa (caprifoglio mediterraneo).
Tra le specie dell'ittiofauna segnalate nella riserva merita una menzione il ghiozzetto macrocefalo (Millerigobius macrocephalus) un piccolo ghiozzo che vive a modeste profondità sui fondali fangosi del laghetto "Verde". Altre specie ittiche presenti sono l'anguilla, il latterino capoccione, il cefalo bosega, il ghiozzo nero, il ghiozzetto minuto, la bavosa pavone e il pesce ago, a cui si aggiungono, negli ambienti a salinità marina, il grongo, la spigola e la mormora.