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"Daniel Miller. Killed About 2 a.m. June 17, 1920."
This small metal sign, embedded into the bark of a tree, is located at Lookout Meadow (elev. 9,400) at Philmont Scout Ranch near Cimarron, New Mexico. Lookout Meadow was my favorite location among many great choices in the summer of 1995. I saw three bears in this meadow about an hour before making this shot, and on a later date I was barked at by a buck elk after getting too close to the herd. It's a very remote location, and must've been especially so a hundred years ago. I have no idea what killed Daniel Miller. The date would place this property in private hands and before the ranch was donated to the Boy Scouts of America.
A death in this meadow could have been caused by lightning, exposure, bear, mountain lion, and of course anything else. I'm hoping some Philmont history buff may know what felled Daniel Miller. No idea about the circumstances or the suffering, but if I had a few more seconds or minutes to absorb all I could, I would want to do it right here.
This image was scanned from a 35 mm negative. Taken in July 1995. Developed at the News and Photo Service (NPS) darkroom.
jun.jul.ago.2008 | inviernosurveranonorte
ON PAPER (new! second edition! 25/09!)
PDF (new! second edition! 24/09!)
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Hi-Res PDF (new! second edition! 24/09!)
Un número dedicado a explorar la visión y propuestas de Marcel Duchamp.
No su vida, no su obra; tan sólo algunos de sus conceptos.
Realizado con aportes de artistas, pensadores y diseñadores de todo el mundo
combinados con la explícita intención de producir a su vez un objeto duchampiano.
-el medio como instrumento intelectual que transpasa su especificidad y se burla de ella
-la obra independientemente de su carácter representativo e interpretativo
-”arte”, en términos de convenciones, lo más “amorfo” posible
-”obras” en las que la obra no es una finalidad en sí misma sino una excusa
-interpretaciones o, mejor dicho, lecturas que pueden convivir a pesar de ser aparentemente excluyentes
-objetos “anestesiados estéticamente”, anulados en su probable complacencia de la mirada, “rectificados”,”asistidos” para otorgarles una nueva -a menudo, insólita- significación. Como en la elección de los “ready-mades”: “basada en la indiferencia visual y en la ausencia total del buen o mal gusto”
-obras “definitivamente inacabadas”
-rrose sélavy, su alter(-)ego
-ajedrez, máquinas ópticas, matemáticas, geometría, “artefactos”
-la “pintura mental”, “pintura de precisión”, el rechazo de cualquier elemento en el que la mirada se pueda recrear con fruición
-texto, - bloques, - fotografías, + mixed-media, + pintura, + ilustración.
-toda la revista está en castellano e inglés.
(descárgala gratis y comienza felizmente el verano -o el invierno-)
# # #
This issue plays around the conceptual universe of Marcel Duchamp. Not his life, nor his works, just some of his concepts.
- the medium, as an intellectual tool which goes beyond its specificity mocking it.
- the work, regardless of its representative and interpretative character.
- “art”, in terms of conventions, as “amorphous” as possible.
- “construction”, in which the work is not it’s purpose, but an excuse.
- interpretations, or rather readings which can coexist despite being seemingly exclusive.
- objects “aesthetically anesthetized,” lapsed in their likely sight complacency; “rectified”, “assisted”, to give them a new –often unusual- significance. As with the choice of “ready-mades”: “based on visual indifference and a total absence of good or bad taste”
- works “definitively unfinished”.
- rrose sélavy, his alter (-) ego.
- chess, optic machines, mathematics, geometry, “artifacts”.
- “mental painting,” “precision painting”, the rejection of any element in which sight can be delighted.
- aesthetics: - text, - blocks, - photographs, + mixed-media, + painting, + illustration.
- the whole magazine, in spanish and english.
(download it. it's free. and start enjoying summer -or winter-)
# # #
edit(ing), direct(ing) + complements
art direct(ing) + design(ing)
insistAnçao, correct(ing) + additional stuff
listen(ing)
musicaliz(ing)
translat(ing)
frontcover(ing) concept fot
une autre sensualité
backcover(ing) concept borrador
UU - dou _ ble _you et aa
open(ing) concept
nacho piédrola + salaboli & fp porta
-structure:
accesories, lisa kehoe { kiddo | emilia cavecedo, lisa liibbe lara, josean prado, oriol espinal, mark valentine sullivan, hernán dardes, alfredo de la rosa, jonathan minila } => meta
{ pepo m.-the secret society, r | v, leah leone } => hilarious
{ pancho lorenz, natalia osiatynska } fernandoprats => rage
=> meta kiddo | emilia cavecedo, nacho piédrola, salaboli, lisa kehoe { lisa liibbe lara, mark valentine sullivan + shari baker, oriol espinal, gabriel magri, naomi vona, mara carrión }
=> hilarious { d7, olivier gilet, jef safi, special spatial guests }
=> rage { brancollina, gabriel magri, natalia osiatynska, bill horne, UU, christy trotter } simon fröehlich
ysinembargo#16... sensualmente inacabada.
a b r e l a m u r a l l a
antwerp · barcelona · basauri · boulder · bruxelles · buenos aires · carlsbad · collioure · coyoacán · grenoble · holden beach · iowa city · lawrenceville · lansing · london · madrid · mendoza · mexicali b.c. · milano · san francisco · san rafael · sào paulo · tarragona · warsaw
# # #
YSE #16's Original Music | YSElected videos
# # #
Although I've been using texture layers for years, it was only a few months ago that I learned about "luminosity masks." Rather than the texture layer appearing to lay flat on top of the background image (even with different layer blending modes), a luminosity mask helps embed it into the background image by varying the strength of the texture according to the tones of the background. The difference is quite significant. In this case, there are two layers embedded into the background - a texture layer and the yin/yang symbol layer.
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Resin embedded cutlery in Fonda Lola's back bar. Really interesting list of mixed drinks that mixes kombucha with tequila, etc. Lots of eclectic, worn and
Fonda Lola
942 Queen St. West
Toronto, ON
(647) 706-9105
fondalola.ca
Twitter @FondaLola
Owners: Ernesto Rodriguez, Howard Dubrowsky and Andrés Márquez
Chef: Howard Dubrowsky
This statue of Guy LaFleur by Marc André J Fortier stands at La Place du Centenaire. The Right Winger, a six-time 50-goal scorer and six-time 100-point man, spent 14 seasons with the Canadiens, from 1971-1985, leading the team to five Stanley Cups. He is the team record holder for career assists (728), and points (1,246), as well as the franchise leader for goals (60) and points (136) in a season. The 1977 Conn Smythe Trophy winner, a three-time Art Ross Trophy and two-time Hart Trophy winner, LaFleur was inducted into the Hockey Hall of Fame in 1988. His #10 was retired by the Montreal Canadiens on February 16, 1985.
La Place du Centenaire (Centennial Plaza), located on De La La Gauchetière and corner of De La Montagne outside La Centre Bell, was inaugurated on December 4, 2008, one year to the day of the 100th anniversary of the founding of the Montreal Canadiens. The Plaza features three other bronze monuments, all by Fortier, honoring the Canadiens greatest legends, Howie Morenz, and Maurice "Rocket" Richard, Jean Béliveau. The Royal Canadian Mint created special dollar coins, which are embedded in a commemorative plaque at the foot of each monument along with original five cent circulation coins marking the career of each player.
The Centennial Plaza also includes over 20,000 personalized bricks by Canadiens fans, a plaque describing each of the 24 Stanley Cup Championships, a small monument for each of the 15 Canadiens players who had their jersey retired by the Club, and bricks commemorating the 100 most memorable moments in franchise history.
Embedded Electronics Starter Kit from GHI Electronics
FEZ Spider Starter Kit
www.ghielectronics.com/catalog/product/297
FEZ Spider Starter Kit is the first commercially available .NET Gadgeteer-compatible kit. it includes everything necessary for educators, hobbyists and even professionals. Embedded development is fast & easy (FEZ) thanks to .NET Micro Framework, .NET Gadgeteer and the numerous GHI value added features such as WiFi and USB Host.
The kit includes:
FEZ Spider Mainboard
Display T35 Module (3.5" with touchscreen)
USB Client DP Module (with USB cable)
Camera Module
2x Multicolor LED Module (DaisyLink)
2x Button Module
Ethernet J11D Module
SD Card Module
USB Host Module
Extender Module
Joystick Module
10cm IDC cables (included with modules).
Assorted IDC Cable Pack:
4x 5cm IDC cables
3x 20cm IDC cables
1x 50cm IDC cable
Reusable Plastic Storage Box
FEZ Spider Mainboard is a .NET Gadgeteer-compatible mainboard based on GHI Electronics' EMX module. This makes FEZ Spider Mainboard the most feature-full .NET Gadgeteer compatible device in the market. It contains all of .NET Micro Framework core features and adds many exclusive features, such as USB host, WiFi and RLP (loading native code). All these features combine to provide a rapid prototyping platform.
Key Features:
14 .NET Gadgeteer compatible sockets that include these types: X, Y, A, C, D, E, F, H, I, K, O, P, S, T, U, R, G, B and Z.
Configurable on-board LED
Configuration switches.
Based on GHI Electronics EMX module
72MHz 32-bit ARM7 processor
4.5 MB Flash
16 MB RAM
LCD controller
Full TCP/IP Stack with SSL, HTTP, TCP, UDP, DHCP
Ethernet, WiFi driver and PPP ( GPRS/ 3G modems) and DPWS
USB host
USB Device with specialized libraries to emulate devices like thumb-drive, virtual COM (CDC), mouse, keyboard
76 GPIO Pin
2 SPI (8/16bit)
I2C
4 UART
2 CAN Channels
7 10-bit Analog Inputs
10-bit Analog Output (capable of WAV audio playback)
4-bit SD/MMC Memory card interface
6 PWM
OneWire interface (available on any IO)
Built-in Real Time Clock (RTC) with the suitable crystal
Processor register access
OutputCompare for generating waveforms with high accuracy
RLP allowing users to load native code (C/Assembly) for real-time requirements
Extended double-precision math class
FAT File System
Cryptography (AES and XTEA)
Low power and hibernate support
In-field update (from SD, network or other)
Dimensions: W 2.25" x L 2.05" x H 0.5"
Power
Low power and hibernate modes
Active power consumption 160 mA
Idle power consumption 120 mA
Hibernate power consumption 40 mA
Enviromental:
Requires .NET Gadgeteer standard red power modules.
RoHS compliant /Lead-free compliant
Most EMX software features are GHI exclusive, see software documentation for details.
For more information about .NET Gadgeteer visit:
Photograph taken by Michael Kappel
Copyright © John G. Lidstone, all rights reserved.
You are warned: DO NOT STEAL or RE-POST THIS PHOTO.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.
The same applies to all of my images.
My copyright is also embedded in the image metadata.
This ring is from my Embedded series. It is a one-of-a-kind production. The ring was cast in fine silver using the lost wax technique. A volcanic beach pebble is embedded in the silver of the ring.
Probably every person who has worked with stones and metal has longed for the possibility to inset the stone directly into the metal without the obtrusive interference of prongs and bezels. Embedded is my personal fulfillment of this longing. The resulting jewelry gives me great satisfaction
Sydney’s tallest building, Sydney Tower, gets reflected in 20 level office tower. Walking along the Pitt Street at one time I was stunned by clear and almost full size reflection of Sydney Tower in one of the glass buildings nearby. I observed it for a while moving around and noticing how reflection is changing and disappearing at some spots. After that I started to think about capturing the view noticing when would be the best light and the best time. Sometime later with Tower glowing in yellow light of setting sun and sky deeply blue I took around 27 shots handheld from different places to select just a few for further processing.
For this image I chose 9 shots (3 vertical AEB sets with three -2,0,+2EV photos in each). 3 HDR files came out of those 9 images and finally they were stitched into one big HDR panorama. I then tonemapped it lightly and processed to enhance the contrast, color and few minor things like noise and shadows.
Location: Pitt Street, Sydney, New South Wales, Australia
From my photoblog at www.bouncedphoton.com
Copyright © John G. Lidstone, all rights reserved.
You are warned: DO NOT STEAL or RE-POST THIS PHOTO.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.
The same applies to all of my images.
My copyright is also embedded in the image metadata.
sep.oct.nov.2008 | primaverasurotoñonorte
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.
Múltiples mensajes.
¿ Cuánto 'texto' entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?
Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?
# # #
An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.
Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?
Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?
# # #
Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu'où le médium supporte-t-il la charge ?
Jusqu'où l'information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu'où l'architecture invisible peut-elle être étendue (quelle profondeur) ?
Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu'il est posssible d'y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?
(download it. it's free.)
# # #
edit(ing), direct(ing) + complements
art direct(ing) + design(ing)
insistAnçao, correct(ing) + additional stuff
listen(ing)
original music {free cd in-out-side}:
translat(ing)
refill(ing) image:
open(ing) messimages:
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
featuring:
ysinembargo#17... cuál es la frontera... si no se sale ni se llega.
a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw
# # #
YSE #17's Original Music | YSElected videos
# # #
Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr
Found a washed up log with some rusted hardware embedded in it at New Brighton Park, Vancouver. I suspect the log might have been part of a log boom at some point.
Cadet Cadet Victor Mills, from the University of Florida, conducts a movement during the Grizzly FTX (Field Training Exercise) at Fort Knox, Ky., August 9, 2019. | Photo by Cadet Kyle Gallagher, Oklahoma State University
JERUSALEM (April 13, 2013) - After returning to Jerusalem, the priest pilgrims made their way to the Dormition Abbey on Mount Zion, the location the Mary, the Blessed Mother of Jesus, is believed to have been assumed into heaven or "fell asleep" ("dormition"). The present church is about 100 years old.
Cardinal Seán and a group of 29 priests of the Archdiocese of Boston have traveled on an Easter pilgrimage to the Holy Land this week, and they're bringing the readers of TheGoodCatholicLife.com blog along with them.
On the sixth day of their pilgrimage, the pilgrims awoke very early in the Holy City of Jerusalem and walked to the Basilica of the Holy Sepulchre where they had the rare privilege of celebrating Mass inside the actual Empty Tomb of our Lord; had a meeting with Fr. Pierbattista Pizzaballa, O.F.M., the Custos of the Holy Land; drove to Bethlehem to visit the birthplace of Jesus in the Basilica of the Nativity; and later traveled back to Jerusalem for a special evening in the Upper Room of the Cenacle, the place where Christ had the Last Supper with the Apostles.
All this week, our colleague George Martell is traveling with the pilgrimage, embedded with the Cardinal and his priests so we can bring you photos, blogs, videos, and audio reports from the Holy Land from the pilgrims at such places as the Basilica of the Annunciation, Mount Carmel, the Sea of Galilee, the Church of the Transfiguration, Qumran, the Mount of Olives, the Church of the Holy Sepulchre, the Upper Room, and more. This once in a lifetime opportunity to walk in the footsteps of Jesus with Cardinal Seán and the Archdiocese's priests as an Easter retreat experience.
Please stay tuned to www.thegoodcatholiclife.com, as well as www.BostonCatholicPhotos.com and www.YouTube.com/BostonCatholic and our Facebook Page at www.facebook.com/bostoncatholic and Twitter account: www.twitter.com/bostoncatholic for the latest updates from the Holy Land.
(Photo credit: George Martell/TheGoodCatholicLife.com) This work is licensed under a Creative Commons Attribution-NoDerivs 3.0 Unported License. creativecommons.org/licenses/by-nd/3.0/)
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