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Product shot of a Canon TL 35mm for cp404 lighting demo. 2 Alien bees to light the scene and 1 1x24 fill card. #w8deypix #FlannelFridayProductions
TOW 4 "Bokeh" #1
As my topic of week 4 i choose something i very much like to shoot, this is bokeh. For this shot i put my 7dII on a tripod, chose manual focus and liveview and shot this setting with my 5dIII@f/ 2.8. f/2.8 was necessary to get the lights in the background blurred. Additionally i used a flash to illuminate the back of the 7dii, and i needed three attempts to get the correct balance between ambiance light (the bokeh in the background) and the camera.
Bella DC 4 for 4X4cm exposures on 120 film shutter B,50,100 speed with Rodenstock Achromat f8 lens, Made by Bilora Germany c1959
cámara análoga zenit 11, incluye correa y armatoste de cuero. velocidad bulb hasta 1/500
lentes helios 44mm
diafragma f/2 a f/16, utiliza película 35mm
45mil
I've been such a good boy this year that I have bought myself an early Christmas present hehehehehehe :-)
Strobist info: Yongnuo 560 IV at 1/2 in a softbox camera right with 1/2 CTO. Bare Yongnuo 560 IV at 1/16 in the background.
The central auditorium at the bottom of City Hall London, which I recently had the pleasure of seeing during the Open House event. Very luxurious looking seating!
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Starting a new, or restarting an old, chapter in my photography. Got myself a Nikon FE, dug out old Fuji color negative film that was still in the camera bag with the old point and shoot, and bought some Ilford black and white film. So much fun ahead!.
An image of some telephone boxes very close to where we were staying while on our trip to London. I have used selective colouring on this and it is also a HDR image.
24/02/2011
Gotta love new toys/tools...
My Fujifilm X100T arrived this weekend, time for some camera porn.
Fujifilm X-T1 & ZEISS Touit 50mm/F2.8 Macro
Baby what you doin', where you at, where you at?
Why you actin' so shy? Holdin' back, holdin' back
We're not the only ones doin' it like that, it like that
So dj bring that, bring that, bring that, bring that back
'Cuz all around the world, people want to be loved (yeah)
'Cuz all around the world, they're no different than us (no)
All around the world, people want to be loved
All around the world, they're no different than us
All around the world
All around the world
'Don't let the noise of other's opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition.' ~ Steve Jobs
Finally! I can stop using my Vintage New Millenium gear and start using my new iPhone. I'm very happy about it!
Taken and processed with iPhone 4S. Apps used: FilmLab, PictureShow, TiltShiftGen
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Manufacturer: Rootes Group
Type: Rapier Fastback Coupé
Engine: 1725cc straight-4
Power: 88 bhp / 5.200 rpm
Speed: 164 km/h
Production time: 1967 - 1976
Production outlet: 46,206
(incl. Rapier, H 120 and Alpine)
Curb weight: 1028 kg
Special:
- Designed by Roy Axe, the Rapier Series was the first of the "Audax" range of light cars in 1955.
- In 1967 came the "Rootes Arrow" project (the "Arrow range"), a series of sporty pillarless fastback coupe models.
- Although designed "in house", it was inspired by the new-generation Studebaker coupés of 1953 by Raymond Loewy.
- The Arrow Rapier, better known now as the Rapier Fastback, was based in the Hillman Hunter Estate chassis.
- The engine had twin Stromberg 150CD carburettors and a four speed manual gearbox (overdrive was standard) or an optional Borg-Warner automatic transmission.
- It had 2 more powerful brothers, the Sunbeam Rapier H120 (1968) and the Sunbeam Alpine Fastback Coupé in 1970.
- Between 1967 and 1969, all Rapiers were built at Ryton-on-Dunsmore and until 1976 at the Imp factory at Linwood in Scotland.
- In the USA the Rapier Fastback Coupé was marketed as the Sunbeam Alpine GT.
- This photographed Rapier is a rare LHD with original Dutch licence plates.
This little gem can handle all my EOS60D lenses :)
Add new batteries, new strap, roll of film, ready to rock and roll!
My collection of the white Minoltians :)
Top left: Minolta 200mm f2.8 HS APO G
Top right: Minolta 80-200mm f2.8 HS APO G
Lower left: Minolta 100mm f2
Middle: Minolta 35-105mm f3.5-4.5 (limited white)
Lower right: Minolta Maxxum 5200i flash (limited white)
Taken with Sony A77 + Sony 50mm f1.8 SAL50F18 lens + Sony HVL-F43AM flash