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The Nikon F6 was released in 2004 and is still in production today. It is the most advanced film camera that Nikon ever produced and probably ever will produce. The technology of the F6 is similar to the F5, but in a smaller and lighter body. Within the limits of film, the operation of the F6 is very similar to that of modern Nikon digital SLRs, including color matrix exposure metering and support for VR lenses.
(DSC_5833fin3)
Can't do a macro shot without some background blur ;-)
The PCB is a infered LED driver for old vintage nigh vision equipment from the good old USSR.
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I think that be a good listener is possibly one of the most important qualities in a friendship. Everyone love to be heard, so I try to listen in silence and resist the urge to give advice.
This photo is part of I'M proyect.
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Pienso que saber escuchar es posiblemente una de las cosas más importantes en una amistad. A todos nos encanta ser escuchados, por lo que intento hacerlo en silencio evitando dar consejos rápidamente.
Esta foto es parte del proyecto I'M.
DIY Lens mount conversion, results (see below for "how to")
Here is the completed Minolta 58mm f/1.2 modification mounted on my Sony Alpha DSLR. Originally the lens is for the Minolta MC mount, which can not adapted to the Minolta AF mount "passively", i.e. any adapter would need to have optical elements to maintain infinity focus (at the expense of image quality). I managed to replace the mount on the lens itself by substituting an M42 to Minolta AF adapter for the original mount. After readjusting focus on the lens, it now aligns perfectly with the original distance scale, all the way to infinity.
While I did this for the Sony/Minolta AF system, the guide to the modification (see below) applies to any current DSLR system for which you can get a suitable adapter, e.g. an M42 to Canon EOS or a glassless M42 Nikon adapter can be used.
The lens was chosen because there is no f/1.2 lens available for the Minolta AF mount and most other f/1.2 lenses available tend to be either extremely expensive, hard to find, and/or far inferior (e.g., the Tomioka 50mm f/1.2 for M42 is not very good in my opinion). This lens, on the other hand, cost me about €100 and has bokeh worthy of legends. It is not the sharpest of lenses wide open (still, quite decent), but it has very pleasant image characteristics and is a lot of fun to use.
I recently updated this modification by installing a microchip which identifies itself as a 60mm f/1.1 lens (closest setting available at the moment). The chip was kindly provided by James Lao, who makes custom chips and M42 to Minolta AF adapters. If you use an electric adapter for the mount, the exact same guide can be used, or you can later install the microchip on the adapter (as I did).
With electronics the focus confirmation and in-camera anti-shake both work with this beast. (Focus confirmation doesn't depend on reported focal length, and for anti-shake the slight difference doesn't really matter that much.) The in-camera anti-shake of Sony DSLRs makes this a low-light photography marvel.
See the pictures beginning from here for my complete writeup on doing the modification. This method can also be applied to some other lenses, and certainly for converting to camera mounts other than Minolta AF.
Local: Ituiutaba - Aeroclube de Ituiutaba (SNYB)
Matrícula: PT-VKJ
Operador: Polícia Militar do Estado de Minas Gerais - "Guará 04"
Fabricante/Modelo: Embraer/Neiva EMB-821 Carajá
Serial Number: 820163
Matrículas anteriores:
Ano de fabricação: 1988
Konica Autoreflex T
Prod. 1968-70
Lens: Konica Hexanon AR 52mm F1.8
Shutter: 1-1/1000s, B
ISO 25-1600
Konica Autoreflex T3
Prod. 1973-75
Lens: Konica Hexanon AR 50mm F1.7
Shutter: 1-1/1000s, B
ISO 12-3200
The Konica Autoreflex T was the first camera with fully automatic exposure control and metering through-the-lens (TTL).
The Konica Autoflex T3 was an evolution and improvement of the Autoreflex T2 with multiple exposure provision and hot shoe connection for flash.
Before I bang up the camera any more, I needed a gratuitous beauty shot of my 645Z rig. Several of these classic lenses are from the '80's and '90's and a few newer ones too.
Shot with the DA55mm on the K3II.
OK, back to some landscape photos...
Philips AQ6411 stereo cassette player , from the year 2000 .
For "Crazy Tuesday" ; theme : "OBSOLETE ELECTRONICS" .
Leica M Monochrom
35mm Summilux f/1.4 Asph FLE
These are proving to be a dream combination, definitely my go to lens and camera.
Read about my initial impressions of the Monochrom here - aperturepriority.co.nz/2012/11/14/monochrom-scarily-good/
You can also find me on Instagram: tekapa_pictures
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Praktica Super TL 35mm SLR camera with Focal plane shutter B,1-500 speed, CdS meter, Match needle readout, M42 screw mount Tessar f2.8/50mm lens, Made by VEB Pentacon in Dresden, Germany c1968
My Canon " My baby Coco " ;Pp
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