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Yaaaaay...I finally made my 1st ever slideshow!
You can't imagine, how long I've been wanting to do this!
I am relatively happy with the end result (for a first) although I would've liked some different music but time didn't allow me to search for too long!
I took this photo on my mobile phone and one night I decided to download and editing program for mobile phones!
I started playing with all the different effects and wanted to show them to you but I didn't want to bore you with ten different photos of the same subject, so I decided to put them all together!
With Love
Nat :)
copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.
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The Garuda is a large bird-like creature, or humanoid bird that appears in both Hinduism and Buddhism. Garuda is the mount (vahana) of the Lord Vishnu. Garuda is the Hindu name for the constellation Aquila. The brahminy kite and phoenix are considered to be the contemporary representations of Garuda. Indonesia adopts a more stylistic approach to the Garuda's depiction as its national symbol, where it depicts a Javanese eagle (being much larger than a kite).
ABOUT GARUDA
In Hinduism, Garuda is a Hindu divinity, usually the mount (vahana) of the Lord Vishnu. Garuda is depicted as having the golden body of a strong man with a white face, red wings, and an eagle's beak and with a crown on his head. This ancient deity was said to be massive, large enough to block out the sun.
Garuda is known as the eternal sworn enemy of the Nāga serpent race and known for feeding exclusively on snakes, such behavior may have referred to the actual short-toed eagle of India. The image of Garuda is often used as the charm or amulet to protect the bearer from snake attack and its poison, since the king of birds is an implacable enemy and "devourer of serpent". Garudi Vidya is the mantra against snake poison to remove all kinds of evil.
His stature in Hindu religion can be gauged by the fact that a dependent Upanishad, the Garudopanishad, and a Purana, the Garuda Purana, is devoted to him. Various names have been attributed to Garuda - Chirada, Gaganeshvara, Kamayusha, Kashyapi, Khageshvara, Nagantaka, Sitanana, Sudhahara, Suparna, Tarkshya, Vainateya, Vishnuratha and others. The Vedas provide the earliest reference of Garuda, though by the name of Śyena, where this mighty bird is said to have brought nectar to earth from heaven. The Puranas, which came into existence much later, mention Garuda as doing the same thing, which indicates that Śyena (Sanskrit for eagle) and Garuda are the same. One of the faces of Śrī Pañcamukha Hanuman is Mahavira Garuda. This face points towards the west. Worship of Garuda is believed to remove the effects of poisons from one's body. In Tamil Vaishnavism Garuda and Hanuman are known as "Periya Thiruvadi" and "Siriya Thiruvadi" respectively.
In the Bhagavad-Gita (Ch.10, Verse 30), in the middle of the battlefield "Kurukshetra", Krishna explaining his omnipresence, says - " as son of Vinata, I am in the form of Garuda, the king of the bird community (Garuda)" indicating the importance of Garuda.
Garuda wears the serpent Adisesha on his left small toenail and the serpent Gulika on his right cerebral cortex. The serpent Vasuki forms his sacred thread. The cobra Takshaka forms his belt on his hip. The snake Karkotaka is worn as his necklace. The snakes Padma and Mahapadma are his ear rings. The snake Shankachuda adorns his divine hair. He is flanked by his two wives ‘Rudra’ and ‘Sukeerthi’ or (Sukirthi). These are all invoked in Vedanta Desika's Garuda Panchashath and Garuda Dandaka compositions. Garuda flanked with his consorts 'Rudra' and 'Sukirthi' can be seen worshipped in an ancient Soumya Keshava temple in Bindiganavile (or Mayura puri in Sanskrit ) in Karnataka state of India.
Garuda Vyuha is worshiped in Tantra for Abhichara and to protect against Abhichara. However, the interesting thing is that Garuda is the Sankarshna form of the lord who during creation primarily possesses the knowledge aspect of the lord (among Vasudeva, Sankarshana, Pradyumna and Aniruddha forms). The important point is that Garuda represents the five vayus within us : prana, apana, vyana, udana, samana through his five forms Satya, Suparna, Garuda, Tarkshya, Vihageshwara. These five vayus through yoga can be controlled through Pranayama which can lead to Kundalini awakening leading to higher levels of consciousness.
Garuda plays an important role in Krishna Avatar in which Krishna and Satyabhama ride on Garuda to kill Narakasura. On another occasion, Lord Hari rides on Garuda to save the devotee elephant Gajendra. It is also said that Garuda's wings when flying will chant the Vedas.
With the position of Garuda's hands and palms, he is also called 'Kai Yendhi Perumal', in Tamil.
IN THE MAHABHARATA
BIRTH AND DEEDS
The story of Garuda's birth and deeds is told in the first book of the great epic Mahabharata.[4] According to the epic, when Garuda first burst forth from his egg, he appeared as a raging inferno equal to the cosmic conflagration that consumes the world at the end of every age. Frightened, the gods begged him for mercy. Garuda, hearing their plea, reduced himself in size and energy.
Garuda's father was the creator-rishi Kasyapa. He had two wives, Vinata and Kadru, who were daughters of Prajapathi Daksha. Kasyapa, on the pleadings of his wives, granted them their wishes; Vinata wished for two sons and Kadru wished for thousand snakes as her sons. Both laid eggs, while the thousand eggs of Kadru hatched early (after steaming the eggs to hatch) into snakes, the hatching of two eggs of Vinata did not take place for a long time. Impatient, Vinata broke open one egg, which was half formed with the upper half only as a human and was thus deformed. Her half formed son cursed her that she would be slave for her sister (she was her rival) for a long time by which time her second son would be born who would save her from his curse; her first son who flew away and came to prominence as Aruna, the red spectacle seen as the Sun rises in the morning, and as also charioteer of the Sun. The second egg hatched after a long time during which period Vinata was the servant of her sister as she had lost a bet with her. When the second egg hatched, a fully grown, shining and of mighty sized bird form emerged as Garuda, the king of birds. Garuda was thus born.
One day, Vinata entered into and lost a foolish bet, as a result of which she became enslaved to her sister. Resolving to release his mother from this state of bondage, Garuda approached the serpents and asked them what it would take to purchase her freedom. Their reply was that Garuda would have to bring them the elixir of immortality, also called amrita. It was a tall order. The amrita at that time found itself in the possession of the gods, who guarded it zealously, since it was the source of their immortality. They had ringed the elixir with a massive fire that covered the sky. They had blocked the way to the elixir with a fierce mechanical contraption of sharp rotating blades. And finally, they had stationed two gigantic poisonous snakes next to the elixir as deadly guardians.
Undaunted, Garuda hastened toward the abode of the gods intent on robbing them of their treasure. Knowing of his design, the gods met him in full battle-array. Garuda, however, defeated the entire host and scattered them in all directions. Taking the water of many rivers into his mouth, he extinguished the protective fire the gods had thrown up. Reducing his size, he crept past the rotating blades of their murderous machine. And finally, he mangled the two gigantic serpents they had posted as guards. Taking the elixir into his mouth without swallowing it, he launched again into the air and headed toward the eagerly waiting serpents. En route, he encountered Vishnu. Rather than fight, the two exchanged promises. Vishnu promised Garuda the gift of immortality even without drinking from the elixir, and Garuda promised to become Vishnu's mount. Flying onward, he met Indra the god of the sky. Another exchange of promises occurred. Garuda promised that once he had delivered the elixir, thus fulfilling the request of the serpents, he would make it possible for Indra to regain possession of the elixir and to take it back to the gods. Indra in turn promised Garuda the serpents as food.At long last, Garuda alighted in front of the waiting serpents. Placing the elixir on the grass, and thereby liberating his mother Vinata from her servitude, he urged the serpents to perform their religious ablutions before consuming it. As they hurried off to do so, Indra swooped in to make off with the elixir. The serpents came back from their ablutions and saw the elixir gone but with small droplets of it on the grass. They tried to lick the droplets and thereby split their tongues in two. From then onwards, serpents have split tongues and shed their skin as a kind of immortality. From that day onward, Garuda was the ally of the gods and the trusty mount of Vishnu, as well as the implacable enemy of snakes, upon whom he preyed at every opportunity.
DESCENDANTS
According to the Mahabharata, Garuda had six sons (Sumukha, Suvarna, Subala, Sunaama, Sunethra and Suvarchas) from whom were descended the race of birds. The members of this race were of great might and without compassion, subsisting as they did on their relatives the snakes. Vishnu was their protector.
AS A SYMBOL
Throughout the Mahabharata, Garuda is invoked as a symbol of impetuous violent force, of speed, and of martial prowess. Powerful warriors advancing rapidly on doomed foes are likened to Garuda swooping down on a serpent. Defeated warriors are like snakes beaten down by Garuda. The field marshal Drona uses a military formation named after Garuda. Krishna even carries the image of Garuda on his banner.
IN BUDDHISM
In Buddhist mythology, the Garuda (Pāli: garuḷā) are enormous predatory birds with intelligence and social organization. Another name for the Garuda is suparṇa (Pāli: supaṇṇa), meaning "well-winged, having good wings". Like the Naga, they combine the characteristics of animals and divine beings, and may be considered to be among the lowest devas.
The exact size of the Garuda is uncertain, but its wings are said to have a span of many miles. This may be a poetic exaggeration, but it is also said that when a Garuda's wings flap, they create hurricane-like winds that darken the sky and blow down houses. A human being is so small compared to a Garuda that a man can hide in the plumage of one without being noticed (Kākātī Jātaka, J.327). They are also capable of tearing up entire banyan trees from their roots and carrying them off.
Garudas are the great golden-winged Peng birds. They also have the ability to grow large or small, and to appear and disappear at will. Their wingspan is 330 yojanas (one yojana being 8 miles long). With one flap of its wings, a Peng bird dries up the waters of the sea so that it can gobble up all the exposed dragons. With another flap of its wings, it can level the mountains by moving them into the ocean.
There were also the four garuda-kings: Great-Power-Virtue Garuda-King, Great-Body Garuda-King, Great-Fulfillment Garuda-King, and Free-At-Will Garuda-King, each accompanied by hundreds of thousands of attendants.
The Garudas have kings and cities, and at least some of them have the magical power of changing into human form when they wish to have dealings with people. On some occasions Garuda kings have had romances with human women in this form. Their dwellings are in groves of the simbalī, or silk-cotton tree.
The Garuda are enemies to the nāga, a race of intelligent serpent- or dragon-like beings, whom they hunt. The Garudas at one time caught the nāgas by seizing them by their heads; but the nāgas learned that by swallowing large stones, they could make themselves too heavy to be carried by the Garudas, wearing them out and killing them from exhaustion. This secret was divulged to one of the Garudas by the ascetic Karambiya, who taught him how to seize a nāga by the tail and force him to vomit up his stone (Pandara Jātaka, J.518).
The Garudas were among the beings appointed by Śakra to guard Mount Sumeru and the Trāyastriṃśa heaven from the attacks of the asuras.
In the Maha-samaya Sutta (Digha Nikaya 20), the Buddha is shown making temporary peace between the Nagas and the Garudas.
The Thai rendering of Garuda (ครุฑ Krut) as Vishnu vehicle and Garuda's quest for elixir was based on Indian legend of Garuda. It was told that Garuda overcame many heavenly beings in order to gain the ambrosia (amrita) elixir. No one was able to get the better of him, not even Narai (Vishnu). At last, a truce was called and an agreement was made to settle the rancor and smooth all the ruffled feathers. It was agreed that when Narai is in his heavenly palace, Garuda will be positioned in a superior status, atop the pillar above Narai's residence. However, whenever Narai wants to travel anywhere, Garuda must serve as his transport.
The Sanskrit word Garuda has been borrowed and modified in the languages of several countries. In Burmese, Garudas are called galone (ဂဠုန်). In Burmese astrology, the vehicle of the Sunday planet is the galone. In the Kapampangan language of the Philippines, the native word for eagle is galura. In Japanese a Garuda is called karura (however, the form Garuda ガルーダ is used in recent Japanese fiction - see below).
For the Mongols, the Garuda is called Khan Garuda or Khangarid (Mongolian: Хангарьд). Before and after each round of Mongolian wrestling, wrestlers perform the Garuda ritual, a stylised imitation of the Khangarid and a hawk.
In the Qing Dynasty fiction The Story of Yue Fei (1684), Garuda sits at the head of the Buddha's throne. But when a celestial bat (an embodiment of the Aquarius constellation) flatulates during the Buddha’s expounding of the Lotus Sutra, Garuda kills her and is exiled from paradise. He is later reborn as Song Dynasty General Yue Fei. The bat is reborn as Lady Wang, wife of the traitor Prime Minister Qin Hui, and is instrumental in formulating the "Eastern Window" plot that leads to Yue's eventual political execution. It is interesting to note The Story of Yue Fei plays on the legendary animosity between Garuda and the Nagas when the celestial bird-born Yue Fei defeats a magic serpent who transforms into the unearthly spear he uses throughout his military career. Literary critic C. T. Hsia explains the reason why Qian Cai, the book's author, linked Yue with Garuda is because of the homology in their Chinese names. Yue Fei's courtesy name is Pengju (鵬舉). A Peng (鵬) is a giant mythological bird likened to the Middle Eastern Roc. Garuda's Chinese name is Great Peng, the Golden-Winged Illumination King (大鵬金翅明王).
As a cultural and national symbol
In India, Indonesia and the rest of Southeast Asia the eagle symbolism is represented by Garuda, a large mythical bird with eagle-like features that appears in both Hindu and Buddhist mythology as the vahana (vehicle) of the god Vishnu. Garuda became the national emblem of Thailand and Indonesia; Thailand's Garuda is rendered in a more traditional anthropomorphic mythical style, while that of Indonesia is rendered in heraldic style with traits similar to the real Javan hawk-eagle.
INDIA
India primarily uses Garuda as a martial motif:
Garud Commando Force is a Special Forces unit of the Indian Air Force, specializing in operations deep behind enemy lines
Brigade of the Guards of the Indian Army uses Garuda as their symbol
Elite bodyguards of the medieval Hoysala kings were called Garudas
Kerala and Andhra pradesh state road transport corporations use Garuda as the name for a/c moffusil buses
Garuda rock, a rocky cliff in Tirumala in Andhra pradesh
13th century Aragalur chief, Magadesan's, insignia was Rishabha the sacred bull and the Garuda
INDONESIA
Indonesia uses the Garuda, called the Garuda Pancasila, as its national symbol, it is somewhat intertwined with the concept of the phoenix.
Garuda Pancasila is coloured or gilt gold, symbolizes the greatness of the nation and is a representation of the elang Jawa or Javan hawk-eagle Nisaetus bartelsi. The black color represents nature. There are 17 feathers on each wing, 8 on the lower tail, 19 on the upper tail and 45 on the neck, which represent the date Indonesia proclaimed its independence: 17 August 1945. The shield it carries with the Indonesian Panca Sila heraldry symbolizes self-defense and protection in struggle.
Indonesian national airline is Garuda Indonesia.
Indonesian Armed Forces United Nations peacekeeping missions is known as Pasukan Garuda or Garuda Contingent
Airlangga University, one of the oldest and leading university in Indonesia uses Garuda on its emblem. The emblem, containing a Garuda in a blue and yellow circle, is called "Garudamukha", and depicts Garuda as the bearer of knowledge, carrying a jug of Amrita, the water of eternity, symbolizing eternal knowledge.
In Bali and Java Garuda has become a cultural symbol, the wooden statue and mask of Garuda is a popular artworks and souvenirs.
In Bali, we can find the tallest Garuda statue of 18 metres tall made from tons of copper and brass. The statue is located in Garuda Wisnu Kencana complex.
Garuda has identified as Indonesian national football team in international games, namely "The Garuda Team".
The stylized brush stroke that resemble Garuda is appear in the logo of 2011 Southeast Asian Games, held in Palembang and Jakarta, Indonesia.
The stylized curves that took form of Garuda Pancasila is appear in the logo of Wonderful Indonesia tourism campaign.
THAILAND
Thailand uses the Garuda (Thai: ครุฑ, khrut) as its national symbol.
One form of the Garuda used in Thailand as a sign of the royal family is called Khrut Pha, meaning "Garuda, the vehicle (of Vishnu)."
The statue and images of Garuda adorned many Buddhist temples in Thailand, it also has become the cultural symbol of Thailand.
MONGOLIA
The Garuda, known as Khangarid, is the symbol of the capital city of Mongolia, Ulan Bator. According to popular Mongolian belief, Khangarid is the mountain spirit of the Bogd Khan Uul range who became a follower of Buddhist faith. Today he is considered the guardian of that mountain range and a symbol of courage and honesty.
The bird also gives its name to Hangard Aviation
Khangarid (Хангарьд), a football (soccer) team in the Mongolia Premier League also named after Garuda.
Garuda Ord (Гаруда Орд), a private construction and trading company based in Ulaanbaatar, also named after Garuda.
State Garuda (Улсын Гарьд) is a title given to the debut runner up in wrestling tournament during Mongolian National Festival Naadam.
SURINAME
In Suriname, there is a TV channel called Garuda. Suriname has a lot of people from Indonesia and Java, as it is a multicultural country.
WIKIPEDIA
Simple Washington Post explainer graphic describing the new Evzio naloxone auto injection, designed to reverse the effects of opioids overdose. Online version: apps.washingtonpost.com/g/page/national/reversing-an-opio...
The Postcard
A postcard bearing no publisher's name that was posted using a 2d. stamp in Weymouth, Dorset on Thursday the 4th. July 1957 to:
Miss Doswell,
77 Ryedale,
East Dulwich,
London SE.
The message on the divided back of the card was as follows:
"Dear Miss Doswell,
We are having a nice
holiday. We had a bad
storm on Tuesday night -
thunder and lightning
all night.
Nice yesterday and
today again.
We hope you are keeping
well.
We have just had a boat
trip around Portland
Harbour.
Best wishes,
Mr. & Mrs. Voak."
Weymouth
Weymouth is a seaside town in Dorset, England, situated on a sheltered bay at the mouth of the River Wey on the English Channel coast. The town is 11 kilometres (7 mi) south of Dorchester and 8 kilometres (5 mi) north of the Isle of Portland. The town's population in 2011 was 52,300.
Weymouth is a tourist resort, and its economy depends on its harbour and visitor attractions; the town is a gateway situated halfway along the Jurassic Coast, a World Heritage Site on the Dorset and east Devon coast, important for its geology and landforms.
Weymouth Harbour has provided a berth for cross-channel ferries, and is home to pleasure boats and private yachts, and nearby Portland Harbour is home to the Weymouth and Portland National Sailing Academy, where the sailing events of the 2012 Olympic Games and Paralympic Games were held.
The history of the borough stretches back to the 12th century; including involvement in the spread of the Black Death, the settlement of the Americas, the development of Georgian architecture, and a major departure point for the Normandy Landings.
Greenhill Gardens
Greenhill Gardens in the Greenhill suburb of Weymouth is a public garden positioned at the edge of the town centre, sloping up from the beach and promenade.
The Gardens were originally part of the Wilton Estate and were handed over as a gift to the local council in 1902 for 'the benefit of the inhabitants of Weymouth.'
Bennett's Shelter
Within the gardens, Bennett's Shelter, a benevolent donation made by Mayor V. H. Bennett, was constructed in 1919. The original shelter had lower wooden sections that have since been replaced by Portland stone walling, whilst the upper timber structure and tiled roof are essentially in their original form. The shelter continues to provide shelter to today's visitors.
The Schneider Trophy Weathervane
The Schneider Trophy weathervane is a memorial to the former Weymouth College student, Lieutenant George Stainforth, who set a world record air speed in a Schneider Supermarine S6B seaplane in 1931. The weather vane was originally presented to Weymouth College in 1932 as a memorial to Stainforth. Made of hardwood and covered in a copper sheath, the vane was erected above Weymouth College chapel in 1932, but moved for safety at the start of World War II.
The weathervane was later presented to the Borough Council and placed in the gardens in May 1952. In 1996, the vane had to be taken down after the effects of years of sea spray and coastal winds had taken their toll; however it was restored in 1999 by a local marine engineer.
The Floral Clock
In 1936, a floral clock with a cuckoo type chime was built by Ritchie & Sons of Edinburgh. The Company also designed the famous floral clock in Princes Street Garden in Edinburgh.
It features an adjacent clock house, holding the original mechanism that keeps the clock ticking. The clock house has two holes in the side where the noise of a cuckoo comes out.
Since its creation, it has become one of the most popular features of the gardens.
The Wishing Well
In the late 1980's, a wishing well, donated by Melcombe Regis Rotary Club, was introduced into the lower gardens, and any monies thrown into the well are collected and presented to a local charity.
The Tennis Courts
In 2006, the council were considering plans to erect a large restaurant on the tennis courts in the Gardens. This plan was received with almost universal dismay, and was subsequently shelved.
The Floral Bedding Design
Each year a large crescent shaped bed is given over to a charity or organisation which is celebrating a significant anniversary. The Gardeners painstakingly plant out thousands of tiny bedding plants, and where necessary, use coloured gravel to replicate the selected organisation's logo.
Eleanor Boucher
The gardens were highlighted on national news in the summer of 2009 when pensioner Eleanor Boucher from Glastonbury, Somerset, found a postcard from Weymouth on her doormat of the gardens.
After looking at it for a few moments she realised she was there - sunning herself in the picture taken 17 years before as a photographer snapped the shot for the postcard as Boucher and her two daughters enjoyed a family day trip to Weymouth in 1992.
Seventeen years later, her brother-in-law and his wife, who were visiting the resort, picked out the postcard by chance without noticing her in the picture.
Jenny Seagrove
So what else happened on the day that the card was posted?
Well, the 4th. July 1957 marked the birth of the English actress Jenny Seagrove.
She trained at the Bristol Old Vic Theatre School, and first came to attention in the film Local Hero (1983), as well as playing the lead in a television dramatisation of Barbara Taylor Bradford's A Woman of Substance (1984).
Jenny starred in the thriller Appointment with Death (1988) and William Friedkin's horror film The Guardian (1990). She later played Louisa Gould in Another Mother's Son (2017).
Jenny is known for her role as the character of Jo Mills in the long-running BBC drama series Judge John Deed (2001–07). Her credits as a voiceover artist include a series of Waitrose television advertisements.
-- Jenny Seagrove - The Early Years
Jenny was born in Kuala Lumpur, Malaya (now Malaysia) to British parents, Pauline and Derek Seagrove. Her father ran an import-export firm, which afforded the family a privileged lifestyle.
When Seagrove was less than a year old, her mother suffered a stroke, and was unable to care for her. Seagrove attended St. Hilary's School in Godalming, Surrey, from the age of nine.
After leaving school, Seagrove attended the Bristol Old Vic Theatre School, in spite of her parents' wishes for her to have a career as a professional cook.
Seagrove developed bulimia in her early adulthood, but recovered:
"I could feel myself tearing my stomach,
and I kind of pulled out of it. It was a
very slow process."
-- Jenny Seagrove's Career
(a) Theatre
Seagrove's theatre work includes the title role in Jane Eyre at the Chichester Festival Theatre (1986); Ilona in The Guardsman at Theatr Clwyd (1992); and Bett in King Lear in New York, again at Chichester (1992).
Jenny played opposite Tom Conti in Present Laughter at the Globe Theatre (1993); Annie Sullivan in The Miracle Worker at the Comedy Theatre (1994); and Dead Guilty with Hayley Mills at the Apollo Theatre (1995).
She played in Hurlyburly for the Peter Hall Company when the production transferred from the London Old Vic to the Queen's Theatre (1997); co-starred with Martin Shaw in the Parisian thriller Vertigo (Theatre Royal Windsor October 1998) and then with Anthony Andrews (also Windsor, 1998).
In 2000 she appeared in Brief Encounter at the Lyric Theatre; followed by Neil Simon's The Female Odd Couple at the Apollo (2001). Again at the Lyric Theatre in 2002 she played the title role in Somerset Maugham's The Constant Wife, followed by a revival of David Hare's The Secret Rapture in 2003, and The Night of the Iguana two years later in 2005.
Coming to the West End from a UK tour, she played Leslie Crosbie in Maugham's The Letter at Wyndham's Theatre (2007), co-starring with Anthony Andrews.
In December 2007, Jenny played Marion Brewster-Wright in the Garrick Theatre revival of Alan Ayckbourn's dark, three-act comedy Absurd Person Singular.
In 2008, she and Martin Shaw starred in Murder on Air, at the Theatre Royal, Windsor.
In 2011, Jenny once again starred alongside Martin Shaw in The Country Girl at the Apollo Theatre, playing the part of Georgie Elgin.
In early 2014, she appeared as Julia in a revival of Noël Coward's Fallen Angels. The production was produced by her partner Bill Kenwright, and also starred Sara Crowe.
In 2015, she and Martin Shaw starred in an adaptation of Brief Encounter, using an original radio script from 1947 and staged as "A live broadcast from a BBC radio studio", at the Theatre Royal Windsor.
Returning to the West End in October 2017, Seagrove played Chris MacNeil in The Exorcist at the Phoenix Theatre.
(b) Film
Jenny Seagrove starred alongside Rupert Everett in the Academy Award-winning short film A Shocking Accident (1982), directed by James Scott. Her first major film appearance was in Local Hero (1983) in which she played a mysterious environmentalist with webbed feet.
Roles in a number of films including Savage Islands (1983) opposite Tommy Lee Jones, and Appointment with Death (1988) followed.
One of her lead starring roles was in The Guardian (1990), directed by William Friedkin, in which she played an evil babysitter.
In 2017, she played the lead role in Another Mother's Son, starring as Louisa Gould, a member of the Channel Islands resistance movement during World War II, who famously sheltered an escaped Russian slave worker in Jersey and was later gassed to death in 1945 at Ravensbrück concentration camp.
(c) Television
Seagrove first came to mass public attention in the 10-episode series of the BBC production Diana (1984) adapted from an R. F. Delderfield novel, in which she played the title role as the adult Diana Gaylord-Sutton (the child having been played in the first two episodes by Patsy Kensit).
Seagrove starred in two American-produced television miniseries based upon the first novels of Barbara Taylor Bradford: as Emma Harte in A Woman of Substance (1984) and Paula Fairley in Hold the Dream (1986).
Jenny portrayed stage actress Lillie Langtry in Incident at Victoria Falls (1992), a UK made-for-television film. As the female lead, Melanie James in the film Magic Moments (1989), she starred with John Shea, who played the magician Troy Gardner with whom she falls in love.
Seagrove, along with Simon Cowell, presented Wildlife SOS (1997), a documentary series about the work of dedicated animal lovers who save injured and orphaned wild animals brought into their sanctuary.
Most of Seagrove's filmed work since 1990 has been for television. Between 2001 and 2007, she appeared as QC Jo Mills in the series Judge John Deed. She was the subject of This Is Your Life in 2003 when she was surprised by Michael Aspel.
With John Thaw she guest starred in the episode "The Sign of Four" (1987) of the series Sherlock Holmes. She also guest starred in episodes of Lewis ("The Point of Vanishing", 2009) and Identity ("Somewhere They Can't Find Me", 2010).
A few years later, she appeared in the series Endeavour (the prequel to the Inspector Morse series), in the episode "Rocket" (2013).
-- Jenny Seagrove's Personal Life
Seagrove is an animal rights activist and an advocate for deregulation of the herbal remedy industry in the United Kingdom, and promotes a vegetarian diet.
Since 1994, her partner has been the theatrical producer Bill Kenwright, chairman of Everton F.C. The couple appeared together as contestants on a charity edition of ITV1's Who Wants to Be a Millionaire?, winning £1,000. They also appeared together on a celebrity edition of the BBC's Pointless which aired on 3 January 2014.
Seagrove was previously married to British and Indian actor Madhav Sharma from 1984 to 1988, and then dated film director Michael Winner from 1989 until 1993.
-- Mane Chance Sanctuary
Mane Chance Sanctuary is a registered charity that provides care for rescued horses, based in Compton, Guildford. The charity aims:
"To provide sanctuary and relief from suffering
for horses, while promoting humane behaviour
to all animals and mutually beneficial relationships
with people who need them".
Mane Chance Sanctuary was established in 2011 by Seagrove, who stepped in to support a friend facing financial difficulties. Seagrove was able to secure land on Monkshatch Garden Farm, and has since grown the charity which today cares for over 30 horses using a unique system of equine welfare.
The charity's trustees include the actor Sir Timothy Ackroyd and the philanthropist Simrin Choudhrie. The chairman is James McCarthy.
In 2014, she performed a duet alongside singer Peter Howarth called The Main Chance, as part of a promotion for the Mane Chance Sanctuary.
Lonnie Donegan
Also on that day, the Number One chart hit record in the UK was 'Gambling Man' by Lonnie Donegan.
Lonnie Donegan
Also on that day, the Number One chart hit record in the UK was 'Gambling Man' by Lonnie Donegan.
Anthony James Donegan MBE, who was born in Bridgeton, Glasgow, on the 29th. April 1931, was known as Lonnie Donegan. He was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960's British pop and rock musicians.
Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival, but transitioned to skiffle in the mid-1950's, rising to prominence with a hit recording of the American folk song "Rock Island Line" which helped spur the broader UK skiffle movement.
Donegan had 31 UK top 30 hit singles, 24 were successive hits and three were number one. He was the first British male singer with two US top 10 hits.
Donegan received an Ivor Novello lifetime achievement award in 1995, and in 2000 he was awarded an MBE. Donegan was a pivotal figure in the British Invasion due to his influence in the US in the late 1950's.
-- Lonnie Donegan and Traditional Jazz
As a child growing up in the early 1940's, Donegan listened mostly to swing jazz and vocal acts, and became interested in the guitar.
Country & western and blues records, particularly by Frank Crumit and Josh White, attracted his interest, and he bought his first guitar at 14 in 1945.
He learned songs such as "Frankie and Johnny", "Puttin' on the Style", and "The House of the Rising Sun" by listening to BBC radio broadcasts. By the end of the 1940's he was playing guitar around London and visiting small jazz clubs.
Donegan first played in a major band after Chris Barber heard that he was a good banjo player and, on a train, asked him to audition. Donegan had never played the banjo, but he bought one for the audition, and succeeded more on personality than talent.
Lonnie's stint with Barber's trad jazz band was interrupted when he was called up for National Service in 1949, but while in the army at Southampton, he was the drummer in Ken Grinyer's Wolverines Jazz Band at a local pub.
A posting to Vienna brought him into contact with American troops, and access to US records and the American Forces Network radio station.
In 1952, he formed the Tony Donegan Jazzband, which played around London. On the 28th. June 1952 at the Royal Festival Hall they opened for the blues musician Lonnie Johnson.
Donegan adopted Lonnie's first name as a tribute. He used the name at a concert at the Royal Albert Hall on the 2nd. June 1952.
In 1953, after cornetist Ken Colyer was imprisoned in New Orleans over a visa problem, he returned to Great Britain and joined Chris Barber's band. The band's name was changed to Ken Colyer's Jazzmen before making their first public appearance on the 11th. April 1953 in Copenhagen.
The following day, Chris Albertson recorded Ken Colyer's Jazzmen and the Monty Sunshine Trio—Sunshine, Barber, and Donegan—for Storyville Records. These were amongst Donegan's first commercial recordings.
-- Lonnie Donegan and Skiffle
While in Ken Colyer's Jazzmen with Chris Barber, Donegan sang and played guitar and banjo in their Dixieland set.
He began playing with two other band members during the intervals, to provide what posters called a "skiffle" break, a name suggested by Ken Colyer's brother, Bill, after the Dan Burley Skiffle Group of the 1930's. In 1954 Colyer left, and the band became Chris Barber's Jazz Band.
With a washboard, tea-chest bass, and a cheap Spanish guitar, Donegan played folk and blues songs by artists such as Lead Belly and Woody Guthrie.
This proved popular, and in July 1954 he recorded a fast version of Lead Belly's "Rock Island Line", featuring a washboard but not a tea-chest bass, with "John Henry" on the B-side.
The record was a hit in 1956, but because it was a band recording, Donegan made no money beyond his session fee. It was the first debut record to go gold in the UK, and it reached the Top Ten in the United States. It also later inspired the creation of a full album, An Englishman Sings American Folk Songs, released in America on the Mercury label in the early 1960's.
The Acoustic Music organisation made this comment about Donegan's "Rock Island Line":
"It flew up the English charts. Donegan had
synthesized American southern blues with simple
acoustic instruments: acoustic guitar, washtub bass,
and washboard rhythm. The new style was called
'Skiffle'.... and referred to music from people with
little money for instruments. The new style captivated
an entire generation of post-war youth in England."
Lonnie's next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on the 30th. October 1954.
Decca dropped Donegan thereafter, but within a month he was at the Abbey Road Studios in London recording for EMI's Columbia label. He had left the Barber band, and by the spring of 1955, had signed a recording contract with Pye.
Lonnie's next single "Lost John" reached No. 2 in the UK Singles Chart.
He appeared on television in the United States on the Perry Como Show and the Paul Winchell Show.
Returning to the UK, he recorded his debut album, Lonnie Donegan Showcase, in summer 1956, with songs by Lead Belly and Leroy Carr, plus "Ramblin' Man" and "Wabash Cannonball". The LP sold hundreds of thousands of copies.
The skiffle style encouraged amateurs, and one of many groups that followed was the Quarrymen, formed in March 1957 by John Lennon. Donegan's "Gamblin' Man"/"Puttin' On the Style" single was number one in the UK in July 1957, when Lennon first met Paul McCartney.
Lonnie's Skiffle rendition of Hank Snow's Country song "Nobody's Child" was also the inspiration for Tony Sheridan's blues version which he recorded with the Beatles as his backing band.
Donegan went on to successes such as "Cumberland Gap" and "Does Your Chewing Gum Lose Its Flavour on the Bedpost Overnight?", which was his biggest hit in the US.
Lonnie turned to music hall style with "My Old Man's a Dustman" in 1960. This was not well received by skiffle fans, and unsuccessful in America, but it reached number one in the UK.
Donegan's group had a flexible line-up, but was generally Denny Wright or Les Bennetts playing lead guitar and singing harmony, Micky Ashman or Pete Huggett—later Steve Jones—on upright bass, Nick Nichols—later Pete Appleby, Mark Goodwin, and Ken Rodway on drums or percussion, and Donegan playing acoustic guitar or banjo and singing the lead.
His last hit single on the UK chart was his cover version of "Pick a Bale of Cotton." Ironically, or perhaps appropriately, his fall from the chart coincided with the rise of The Beatles and the other beat music performers whom he inspired.
-- Lonnie Donegan's Later Career
Donegan recorded sporadically throughout the 1960's, including sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires. After 1964 he was a record producer at Pye Records. Justin Hayward was one of the artists with whom he worked.
Donegan was not popular through the late 1960's and 1970's (although his "I'll Never Fall in Love Again" was recorded by Tom Jones in 1967 and Elvis Presley in 1976), and he began to play the American cabaret circuit.
A departure from his normal style was a cappella recording of "The Party's Over". Capella means a purely vocal recording with no musical backing.
Donegan reunited with the original Chris Barber band for a concert in Croydon in June 1975. A bomb scare meant that the recording had to be finished in the studio, after an impromptu concert in the car park. The release was titled The Great Re-Union Album.
He collaborated with Rory Gallagher on several songs, notably "Rock Island Line" with Gallagher performing most of the elaborate guitar work.
Lonnie had his first heart attack in 1976 while in the United States, necessitating quadruple bypass surgery. He returned to prominence in 1978 when he recorded his early songs with Rory Gallagher, Ringo Starr, Elton John, and Brian May. The album was called Putting on the Style.
A follow-up featuring Albert Lee saw Donegan in less familiar country and western vein.
By 1980, he was making regular concert appearances again, and another album with Barber followed. In 1983, Donegan toured with Billie Jo Spears, and in 1984 he made his theatrical debut in a revival of the 1920 musical Mr Cinders.
More concert tours followed, with a move from Florida to Spain. In 1992 Lonnie had further bypass surgery following another heart attack.
In 1994, the Chris Barber band celebrated 40 years with a tour with both bands. Pat Halcox was still on trumpet (a position he retained until July 2008).
Donegan had a late renaissance when in 2000 he appeared on Van Morrison's album The Skiffle Sessions – Live in Belfast 1998, an acclaimed album featuring him singing with Morrison and Chris Barber, with a guest appearance by Dr John.
Donegan also played at the Glastonbury Festival in 1999, and was made an MBE in 2000.
Donegan also appeared at Fairport Convention's annual music festival on the 9th. August 2001. His final CD was This Yere de Story.
-- Peter Donegan
Peter Donegan started touring as his father's pianist when he was aged 18. In 2019, Peter appeared on the show The Voice as a contestant, and dueted with Tom Jones with a song Lonnie had written for Tom, "I'll Never Fall in Love Again". Anthony Donegan also performs under the name, Lonnie Donegan Jr.
-- Lonnie Donegan's Private Life and Death
Donegan was the son of an Irish mother (Mary Josephine Deighan) and a Scots father (Peter John Donegan), a professional violinist who had played with the Scottish National Orchestra.
In 1933, when Donegan was aged 2, the family moved to East Ham in Essex. Donegan was evacuated to Cheshire to escape the Blitz in the Second World War, and attended St. Ambrose College in Hale Barns. He lived for a while on Chiswick Mall in Middlesex.
Donegan married three times. He had two daughters (Fiona and Corrina) with his first wife, Maureen Tyler (divorced 1962), a son and a daughter (Anthony and Juanita) with his second wife, Jill Westlake (divorced 1971), and three sons (Peter, David and Andrew) with his third wife, Sharon whom he married in 1977.
Lonnie Donegan died on the 3rd. November 2002, aged 71, after having a heart attack in Market Deeping, Lincolnshire mid-way through a UK tour. He died before he was due to perform at a memorial concert for George Harrison with the Rolling Stones.
-- The Legacy of Lonnie Donegan
Mark Knopfler released a tribute to Lonnie Donegan titled "Donegan's Gone" on his 2004 album, Shangri-La, and said that Lonnie was one of his greatest influences.
Donegan's music formed a musical starring his two sons. It was called Lonnie D – the musical took its name from the Chas & Dave tribute song which started the show.
Subsequently, Peter Donegan formed a band to perform his father's material, and has since linked with his father's band from the last 30 years with newcomer Eddie Masters on bass.
They made an album together in 2009 titled Here We Go Again. Lonnie Donegan's eldest son, Anthony, also formed his own band, as Lonnie Donegan Junior, who also performed "World Cup Willie" for the 2010 FIFA World Cup in South Africa.
On his album A Beach Full of Shells, Al Stewart paid tribute to Donegan in the song "Katherine of Oregon". In "Class of '58" he describes a British entertainer who is either Donegan or a composite including him.
In a 2023 video interview with Steve Houk, Al Stewart stated:
"'Rock Island Line' is a record that completely
changed the complexion of English society,
and changed my life and everybody else's".
Peter Sellers recorded Puttin' on the Smile featuring "Lenny Goonagain", who travels to the "Deep South" of Brighton and finds an "obscure folk song hidden at the top of the American hit parade", re-records it and reaches number one in the UK.
David Letterman pretended to try to remember Jimmy Fallon's name during the Tonight Show conflict between Jay Leno and Conan O'Brien, calling Fallon "Lonnie Donegan."
In the 2019 movie Judy, the actor John Dagleish portrays Lonnie Donegan, who replaces an ill Judy Garland. He is shown in the (entirely fictional) final scene generously allowing her to make one last appearance on stage.
-- Quotations Relating to Lonnie Donegan
"He was the first person we had heard of from
Britain to get to the coveted No. 1 in the charts,
and we studied his records avidly. We all bought
guitars to be in a skiffle group. He was the man."
– Paul McCartney
"He really was at the very cornerstone of English
blues and rock."
– Brian May.
"I wanted to be Elvis Presley when I grew up,
I knew that. But the man who really made me
feel like I could actually go out and do it was
a chap by the name of Lonnie Donegan."
– Roger Daltrey
"Remember, Lonnie Donegan started it
for you."
– Jack White's acceptance speech at
the Brit Awards.
-- Final Thoughts From Lonnie Donegan
"I'm trying to sing acceptable folk music. I want to
widen the audience beyond the artsy-craftsy crowd
and the pseudo intellectuals–but without distorting
the music itself." NME – June 1956
"You know in my little span of life I've come across
such a sea of bigotries and prejudices. I get so fed
up with it now. I feel I have to do something about it."
- BBC Panorama
"In Britain, we were separated from our folk music
tradition centuries ago, and were imbued with the
idea that music was for the upper classes. You had
to be very clever to play music. When I came along
with the old three chords, people began to think
that if I could do it, so could they. It was the
reintroduction of the folk music bridge which did
that." – Interview, 2002.