View allAll Photos Tagged EMULSIVE
First experiments with Foma's Liquid Emulsion on Hahnemühle Platinum Rag. Print size about 14x20 cm (rest of he 8x10 used as test strips).
Mamiya 645 ProTL + Rollei IR 400. Shots from Sept 2015, Borgviks Bruk.
25 g emulsion (+0,4 ml hardener) was more than enough to coat 2 pcs of 8x10" paper with a thick layer. A lot of curling when dried and some problems with getting the paper flat on the easel. After processing in ordinary multigrade paper developer (although the emulsion has a fixed grade around 3), acidic stop bath and fixing in rapid acidic fixer, the paper-emulsion combo was ok to flatten in a Seal dry mounting press @ 80°C without visible degradation of the image.
The emulsion is very light sensitive, these prints were exposed only for 5 sec @ f11, despite pretty dense negs.
Today is EMULSIVE‘s first birthday and what a year it’s been! Grab a drink and sit down for a bit of navel gazing, some back-patting and a taste of what’s to come.
Ready?
I think it makes sense to start with a little background. In April 2015 I scratched an itch I’d had...
More at: emulsive.org/articles/one-year-of-emulsive-retrospective
Filed under: #Articles
silver gelatin print
Fabriano Pittura acryllic paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
We often see the phrase "a long time coming" but what does that really mean?
Well, in this case, it's nine months. That's how long we've been working on this with Melvin. Most of the delay has been the fault of yours truly but trust me, it's been well worth the wait.
Time to hand over to...
emulsive.org/interviews/i-am-melvin-mapa-and-this-is-why-...
Interviews
#China #FED2 #Ilford #IlfordHP5 #Japan #Jupiter85015 #KodakHC110 #Leica #LeicaElmarit28Mm #LeicaM6 #Shanghai #Singapore
Chinagraph and graphite pencil on 2 sheets of A3 recycled card - in situ. Emulsion paint added later.
Original sketch: flic.kr/p/2nbwEZK
The four cherry trees behind the Priory are in full, beautiful bloom!
Turquoise and red – 2016-05-11
Fuji Velvia 50 (RVP) shot at EI 40
Color reversal (slide) film in 120 format shot as 6×6
Expired and cross processed.
Turquoise and red 2016-05-11 – Fuji Velvia 50 (RVP) shot at EI 40. Color reversal (slide) film in 120 format shot as 6×6....
More at: emulsive.org/photography/turquoise-and-red-fuji-velvia-50...
Filed under: #Photography
Emulsion lift px-70 cool
Thames Barrier. For scale notice the man in the orange jacket on the right.
I'm loving the lifts but am disappointed my batch of px-70 Cool films all have a scratch across the top of the shot from the production process.
One thing I also love about these emulsion lifts is the fact you get a sharper negative which you can turn into a black and white image. I'll upload that later.
I just unpacked a box from a few weeks ago and found how nice this emulsion transfer dried. It is a standard Fuji FP100c lift from a Polachrome Instant 35mm slide. I created it for a workshop and lecture for Bowling Green State University. I mounted it on a 5x7 pre-stretched canvas. I do not like the scan as well as the final product.
Camera: Probably Olympus OM2n, lens not recorded either. '
Original image on Polaroid High Contrast Polachrome Instant Slide Film
Instant print made on Fuji FP100c and the emulsion lifted to canvas.
Image and transfer by Leslie Lazenby
Original slide taken in the early 1990s at the Granite farm, Gettysburg, PA,
Transfer created December 2013.
We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher. Despite offering us an 8×10 selfie via Twitter (a promise he has yet to keep!), we think Craig has some pretty interesting work and thoughts ...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
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emulsion mix of ammonium and sodium palladate (about 8:2)
same humidity (over 95%), same exposure time - printed out until the mids - developed in hot (about 70-80°C) phosphate/oxalate-developer
I like this hue much more and will continue experiments with other moisture content and mixtures in different ratios.
Holga 120N, SFX in eco film developer,
enlarged by reversal development onto Arista -II Ortho Lithographic Film in SE6 Blue 1+20 6 mins,
printing paper is Arches Platine
It’s rumoured that today’s interviewee spends so much time on the water because he was sent by an ancient subsea civilization to spy on us dry-landers using German glass and 6×7 format cameras. Some even go as far as to accuse him of writing reviews of old cameras based on actual...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
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So, I thought I would try an emulsion lift last night. I've never done it before so I chose a shot I didn't care if I ruined, which is why this is kinda lame. I'll do a better shot next time. BUT, after I lifted it onto a piece of paper it was way to lame for all that work, so I put it on another shot (taken with my 680) instead.
Interestingly, both shots are of the same thing. My new Christmas ornament, these red birds.
These colors were created by forming an emulsion of cooking oil and water drops on the shiny side of a CD, and then shining a bright light on to the mixture. I used my 60 mm macro lens focused as closely as possible. The colors can be changed by partially blocking the light, and also by using a mirror to change where the light goes. This is fun stuff to play with. This is straight photography (whatever that is), and not created on a computer, although I used Photoshop to adjust contrast, saturation and remove tiny bubbles and specks of dust. It's not possible to go to the Canadian Rockies or Baja California every day.
I've created an album with psychedelic content that can be seen here if you like this sort of thing. www.flickr.com/photos/9422878@N08/sets
More of my emulsion art images can be seen in my Emulsion Art set. www.flickr.com/photos/9422878@N08/sets/72157625787156195/...
I first saw this technique, done brilliantly, here. www.flickr.com/photos/jane_in_wales/sets/72157623079913402/
If you enjoy this type of image, you might not hate my Drops/Bubbles set. www.flickr.com/photos/9422878@N08/sets/72157625432239555/
Scanned liquid emulsion print.
M645 ProTL w/45 mm/f2.8 last summer. Fomapan 100 in Rodinal.
Adox Polywarmtone emulsion on Saunders Waterford CP.
Developed in Moersch SE2 Warm. May 22, 2021.
Untoned.
PS borders.
Still waiting for a new Polywarmtone paper, so decided to try the liquid emulsion in the meantime. Available at fotoimpex.de @ roughly double the price compared to Foma's liquid emulsion. Worth it?
First experiments with Foma's Liquid Emulsion on Hahnemühle Platinum Rag. Print size 8x10".
Mamiya 645 ProTL + Rollei IR 400. Shots from Sept 2015, Borgviks Bruk.
25 g emulsion (+0,4 ml hardener) was more than enough to coat 2 pcs of 8x10" paper with a thick layer. A lot of curling when dried and some problems with getting the paper flat on the easel. After processing in ordinary multigrade paper developer (although the emulsion has a fixed grade around 3), acidic stop bath and fixing in rapid acidic fixer, the paper-emulsion combo was ok to flatten in a Seal dry mounting press @ 80°C without visible degradation of the image.
The white corners represent uncoated paper base due to taping the paper to the underlay when coating.
The emulsion is very light sensitive, these prints were exposed only for 5 sec @ f11, despite pretty dense negs.
Today I’m very happy to have the opportunity to interview the incredibly enthusiastic Sprocket-Shooting-Swede, Jonas Lundström!
Jonas is a bit of a force of nature when it comes to experimenting with and talking about film and I’m looking forward to hearing what he has to say. Le...
Read on at: emulsive.org/interviews/interview-5-i-am-jonas-lundstrom-...
Filed under: #FilmPhotographerInterviews, #Interviews, #2015July, #EMULSIVEInterview, #FilmPhotographerInterviews, #Interview, #JonasLundstrom
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Pentacon six TL medium format analog camera
Liquid emulsion on paper -alternative photography process
300g watercolor paper-Foma liguid emulsion
I experimented with emulsion lifts this morning. It's been on my list - and it was quite good fun. Caffenol is next!
Emulsion lift of Impossible Project 8x10 color film on to Canson watercolor paper (12x16). The original is here.
Film Photography Project's newest mystery emulsion, code named Emulsion X.
Looking for gritty, grindy, grainy, looking for a soft focus vintage look? Emulsion X is for you. It is a panchromatic film with a super thick base. Don’t be shocked as it has a red tinted, age related, base fog after processed. Load it up, shoot it, process it and wait for the 50’s to roll off your reel.
This film is available here for a limited time. filmphotographystore.com/
Exposure and processing data:
Film: Emulsion X, ISO 100, but like most B/W films it has a decent latitude, but over expose it even one stop and the grain explodes.
Processing: Xtol stock, 8 minutes and double your normal fix time.
Other steps can be completed as your normal routine dictates. I recommend that you use water for the stop bath step as this film can exhibit small pepper flakes in the emulsion and an acid stop bath may magnify this. Keep close control of the temperature throughout all steps of your processing as this film has an older emulsion that will reticulate.
I also tried this in HC-110 and C-41, with not so great results.
Personally I found this film a tough nut to crack.
Camera: Minolta 600si, Tamron 28-200 AF lens
Image by: Leslie Lazenby
Kenton, OH, November, 2017
and acrylic, shellac, emulsion, sand, and soil on canvas
Usually I'm quite sceptical when it comes to modern art but I liked this one. Maybe because of the unusual ingredients.
Eigentlich bin ich nicht so der Mensch für Moderne Kunst. Aber a) meine ich hier tatsächlich was erkennen zu können und b) finde ich die "Zutatenliste" einfach großartig!
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It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017. Well, she’s back with a little more to say today.
Over to you, Joy!
Hi Joy, What’s this...
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Read on at: emulsive.org/interviews/i-am-joy-celine-asto-and-this-is-...
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#shootfilmbenice #filmphotography # believeinfilm
This was a wood splitting day not a photography day so I went to the archives for this colorful shot. I'm a big fan of bright colors, and years back I played around for a time with colorful emulsions.
These colors were created by forming an emulsion of cooking oil and water drops on the shiny side of a CD, and then shining a bright light on to the mixture. I used my 60 mm macro lens focused as closely as possible. The colors can be changed by partially blocking the light, and also by using a mirror to change where the light goes. This is fun stuff to play with. This is straight photography (whatever that is), and not created on a computer, although I used Photoshop to adjust contrast, saturation and remove tiny bubbles and specks of dust. It's not possible to go to the Canadian Rockies or Baja California every day.
More of these photographs of colorful emulsions are in my pretentiously titled Emulsion Art album.
I took this shot with various cameras and emulsions. I think a version of it, taken on 4x5, appeared in the latest issue of Conspiracy of Cartographers zine.
This version, shot with the Mamiya RB67 on expired Provia has the feel of being there. The warmth and dry are both present, as is (obviously) the coolness of the water.
This isn't the lake or stream where I soaked my legs and feet on fire. This is in the same coulee, but a bit to the east. If you got a copy of the zine, you could easily spot it on the map.
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'Of the Sedentary'
Camera: Mamiya RB67 (1974)
Lens: Mamiya-Sekor C 3.5/90mm
Film: Fuji Provia 100; x-08/2000; 25iso
Process: DIY ECN-2
Ancient Lake, Potholes Coulee, Washington
May 2019
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It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven’t already done so, please do check out her take on portrait photography and double exposure portraiture. Fascinating stuff.
Anyway, enough from me. Over to you,...
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Read on at: emulsive.org/interviews/i-am-clara-araujo-and-this-is-why...
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Filed under: #Interviews, #Canon, #CanonEOS3000N, #Fuji, #FujiC200, #FujiSuperia100, #ILFORD, #ILFORDHP5PLUS, #Kodak, #KodakColorplus200, #KodakKodakTriX400, #KodakPortra400, #Pentax, #PentaxEspio160, #YashicaMF3
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