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Emulsion paint on (window)-shaped plywood panel - approx 50cm x 25cm.
Based on a sketch made in situ in Chichester -
Original sketch: flic.kr/p/2mvv8oy
I was fascinated by the view from this basement flat - and the novel shape created my view of the window...
Day5 Pola2
ATZ + emulsion lift + comics + ass kicking on the roof = awesomeness!!!
I have done a few of these now (emulsion transfers on 600 style film), and I really like it. I plan to do lots more of these :)
Second outing using the FPP hand-rolled Emulsion X 35mm bw film. Emulsion X was discovered in an unknown film vault. Where? Why? We'll never know. What we do know is somehow 800 feet wound up at The Film Photography Project. In short supply.
Image: Ricoh GR1v camera
Processed in Kodak Xtol
Welcome to EMULSIVE interview 102! Today we’re grabbing some time with new film shooter Sam Smith from Nottingham in the UK.
Sam’s a bit of a medium format landscape junkie, as you’ll see below.
Over to you, Sam!
Hi Sam, what’s this picture, then?
Back Tor...
More at: emulsive.org/interviews/i-am-sam-smith-and-this-is-why-i-...
Filed under: #Interviews
Marrón Van Dyke [Kalitipia] sobre Araucaria, previamente impermeabilizada con gelatina, y posteriormente sellado con laca acrílica
La foto original está acá : www.flickr.com/photos/breatheoutnow/14084180217
Death Valley
Polaroid Emulsions Lift.
PX 70 Color Protection on Noble Vat.
Part of the exhibition "Abheben!" in Düsseldorf/Germany.
Emulsion lift of color impossible film on b&w impossible film.
I dream of making portraits that show more than one layer.
Color on top of invisible ultraviolet black light
B&W zone plate capture of two swans on Polaroid film. The emulsion was then lifted and transferred to art paper and scanned.
Today is EMULSIVE‘s first birthday and what a year it’s been! Grab a drink and sit down for a bit of navel gazing, some back-patting and a taste of what’s to come.
Ready?
I think it makes sense to start with a little background. In April 2015 I scratched an itch I’d had...
More at: emulsive.org/articles/one-year-of-emulsive-retrospective
Filed under: #Articles
silver gelatin print
Fabriano Pittura acryllic paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
beh, raga. Mi sono capitate tutte una in fila all’altra. Secondo la legge di Murphy.
Viene Fenn (Fenella, dall’Inghilterra) a trovare mia figlia Daniela. Oltre che essere molto carina, studia fotografia. Il discorso va sul collodio e dico: what a bout a wet plate portrait?
Monto il Dallmeyer 3a, che non so come, CADE DALLA MACCHINA! (@§##!&$;%#!…). Per fortuna il paraluce assorbe il colpo, si stacca deformandosi ma la lente è intatta (10 anni più vecchio in un istante). Però non ho più l’attacco per il tappo.
Labbé. Metto in posa, preparo, spiego che il vetro va pulito benissimo, per cui lo pulisco con molta cura, e faccio il subbing dei bordi con l’albume.
Stendo, sensibilizzo, infilo nello chassis fidelity modificato, cerco la plastichino che fa da molla e non la trovo.
Vuoi cedere … Ecco: è rimasta nello chassis e ci ho messo su la lastra (@§##!&%#!…). Quindi una bella impronta che verrà tutta nera. Mi assicuro che non stia dove ci sarà la faccia, chiudo, scatto, e giù a guardare la magia…
Vacca eva! Ho finito lo sviluppatore (@§##!&$;%#!…). Ci sono 10 cc mal contati di svil. positivo e niente di negativo. (E lo sapevo, tra l’altro, ma non me lo sono ricordato)
Al volo diluisco con distillata, aggiungo alcool e acido acetico a naso e sviluppo.
Beh, neanche male.
Metto in acqua e SI ALZA TUTTA LA PELLICOLA… (@§##!&$;%#!…).
Allora prendo una lastra di alluminio a recupero come per una emulsion lift. Asciugo forzatamente per verniciare subito e guarda un po’? Le aree più dense - per il calore eccessivo? - diventano gialle e omogeneizzate, così altro difetto, però piacevole, mi fa uno split dei toni che sembra un effetto Sabattier.
Vernicio e non so cosa potrebbe capitare. Forse che si sia lavata male dall’Hypo per la fretta di concludere e fra due mesi è tutta bruna?
Per ora, va bene così.
Chinagraph and graphite pencil on 2 sheets of A3 recycled card - in situ. Emulsion paint added later.
Original sketch: flic.kr/p/2nbwEZK
The four cherry trees behind the Priory are in full, beautiful bloom!
Turquoise and red – 2016-05-11
Fuji Velvia 50 (RVP) shot at EI 40
Color reversal (slide) film in 120 format shot as 6×6
Expired and cross processed.
Turquoise and red 2016-05-11 – Fuji Velvia 50 (RVP) shot at EI 40. Color reversal (slide) film in 120 format shot as 6×6....
More at: emulsive.org/photography/turquoise-and-red-fuji-velvia-50...
Filed under: #Photography
Emulsion lift px-70 cool
Thames Barrier. For scale notice the man in the orange jacket on the right.
I'm loving the lifts but am disappointed my batch of px-70 Cool films all have a scratch across the top of the shot from the production process.
One thing I also love about these emulsion lifts is the fact you get a sharper negative which you can turn into a black and white image. I'll upload that later.
I just unpacked a box from a few weeks ago and found how nice this emulsion transfer dried. It is a standard Fuji FP100c lift from a Polachrome Instant 35mm slide. I created it for a workshop and lecture for Bowling Green State University. I mounted it on a 5x7 pre-stretched canvas. I do not like the scan as well as the final product.
Camera: Probably Olympus OM2n, lens not recorded either. '
Original image on Polaroid High Contrast Polachrome Instant Slide Film
Instant print made on Fuji FP100c and the emulsion lifted to canvas.
Image and transfer by Leslie Lazenby
Original slide taken in the early 1990s at the Granite farm, Gettysburg, PA,
Transfer created December 2013.
We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher. Despite offering us an 8×10 selfie via Twitter (a promise he has yet to keep!), we think Craig has some pretty interesting work and thoughts ...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
Filed under: #FilmPhotographerInterviews, #Interviews, #120FormatFilm, #4X5FormatFilm, #8X10FormatFilm, #CraigPindell, #EMULSIVEInterview, #FilmPhotographerInterviews, #Fuji, #FujiNEOPAN100ACROS, #Interview, #Kodak, #KodakTMAX100TMX
#shootfilmbenice #filmphotography # believeinfilm
emulsion mix of ammonium and sodium palladate (about 8:2)
same humidity (over 95%), same exposure time - printed out until the mids - developed in hot (about 70-80°C) phosphate/oxalate-developer
I like this hue much more and will continue experiments with other moisture content and mixtures in different ratios.
Holga 120N, SFX in eco film developer,
enlarged by reversal development onto Arista -II Ortho Lithographic Film in SE6 Blue 1+20 6 mins,
printing paper is Arches Platine
It’s rumoured that today’s interviewee spends so much time on the water because he was sent by an ancient subsea civilization to spy on us dry-landers using German glass and 6×7 format cameras. Some even go as far as to accuse him of writing reviews of old cameras based on actual...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
Filed under: #FilmPhotographerInterviews, #Interviews, #EMULSIVEInterview, #FilmPhotographerInterviews, #Interview, #Kodak, #KodakPortra, #Leica, #LeicaM2, #Makina, #Plaubel, #PlaubelMakina, #RayLarose, #ZenBones
#shootfilmbenice #filmphotography # believeinfilm
We often see the phrase "a long time coming" but what does that really mean?
Well, in this case, it's nine months. That's how long we've been working on this with Melvin. Most of the delay has been the fault of yours truly but trust me, it's been well worth the wait.
Time to hand over to...
emulsive.org/interviews/i-am-melvin-mapa-and-this-is-why-...
Interviews
#China #FED2 #Ilford #IlfordHP5 #Japan #Jupiter85015 #KodakHC110 #Leica #LeicaElmarit28Mm #LeicaM6 #Shanghai #Singapore
So, I thought I would try an emulsion lift last night. I've never done it before so I chose a shot I didn't care if I ruined, which is why this is kinda lame. I'll do a better shot next time. BUT, after I lifted it onto a piece of paper it was way to lame for all that work, so I put it on another shot (taken with my 680) instead.
Interestingly, both shots are of the same thing. My new Christmas ornament, these red birds.
Scanned liquid emulsion print.
M645 ProTL w/45 mm/f2.8 last summer. Fomapan 100 in Rodinal.
Adox Polywarmtone emulsion on Saunders Waterford CP.
Developed in Moersch SE2 Warm. May 22, 2021.
Untoned.
PS borders.
Still waiting for a new Polywarmtone paper, so decided to try the liquid emulsion in the meantime. Available at fotoimpex.de @ roughly double the price compared to Foma's liquid emulsion. Worth it?
First experiments with Foma's Liquid Emulsion on Hahnemühle Platinum Rag. Print size 8x10".
Mamiya 645 ProTL + Rollei IR 400. Shots from Sept 2015, Borgviks Bruk.
25 g emulsion (+0,4 ml hardener) was more than enough to coat 2 pcs of 8x10" paper with a thick layer. A lot of curling when dried and some problems with getting the paper flat on the easel. After processing in ordinary multigrade paper developer (although the emulsion has a fixed grade around 3), acidic stop bath and fixing in rapid acidic fixer, the paper-emulsion combo was ok to flatten in a Seal dry mounting press @ 80°C without visible degradation of the image.
The white corners represent uncoated paper base due to taping the paper to the underlay when coating.
The emulsion is very light sensitive, these prints were exposed only for 5 sec @ f11, despite pretty dense negs.
Today I’m very happy to have the opportunity to interview the incredibly enthusiastic Sprocket-Shooting-Swede, Jonas Lundström!
Jonas is a bit of a force of nature when it comes to experimenting with and talking about film and I’m looking forward to hearing what he has to say. Le...
Read on at: emulsive.org/interviews/interview-5-i-am-jonas-lundstrom-...
Filed under: #FilmPhotographerInterviews, #Interviews, #2015July, #EMULSIVEInterview, #FilmPhotographerInterviews, #Interview, #JonasLundstrom
#shootfilmbenice #filmphotography # believeinfilm
Pentacon six TL medium format analog camera
Liquid emulsion on paper -alternative photography process
300g watercolor paper-Foma liguid emulsion
I experimented with emulsion lifts this morning. It's been on my list - and it was quite good fun. Caffenol is next!
Emulsion lift of Impossible Project 8x10 color film on to Canson watercolor paper (12x16). The original is here.