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Original poster - 'Blowing in the Mind/ Mister Tambourine Man', colour screen-print from multiple stencils on gold foil paper, designed by Martin Sharp, London, 1968. It is a complex multi-stencil design in red and black inks screen-printed on gold foil paper, the design featuring multiple radiating circular motifs with two portraits of Bob Dylan, the large central frontal profile with reflecting dark glasses and caption 'Blowing in the Mind', the smaller side profile placed in front of an entwined 'Mister Tambourine Man'. Lyrics of the song are written within letters and circles. This was the first "serious" poster I bought.
7 years ago this morning we drove into the local hospital where Wyatt was going to be born. Yes, Wyatt. It was the name we had agreed upon months before. And then on the way there after some silence his mom says, “I don’t think I like the name Wyatt anymore.” “okay, what do you like?” I reply. “I think I like the name Dylan”. “Dillion?” “No Dylan, with a Y”…. at this point, obviously the mom had this in mind for a while, so there was no chance of me asking her to change her mind to what I wanted, "Xander Bronson". So a couple hours later, Dylan came out. He wasn’t necessarily mellow to start with, which as you can see hasn’t changed a bit.
He’s my best buddy. I love him. And tonight we celebrate 7 amazing, life-changing years. I’m so proud to be his Dad.
Happy Birthday Dylan
Bob Dylan in cloud form examining The Moon. Full moon and empty arms.
Update for 24 May, 2021. Happy 80th birthday Bob.
Dylan zin gắn 4road nghe dỡ quá :(
Ước gì như hồi đó thì hay rồi :(
Biết vậy k phá :((
Lề: thứ 2 31/12/2012 mình có kèo đi VT sáng đi chiều về có bạn nào muốn đi hay couple nào muốn đi chung vs couple bên Kay k :( có thì pm yh Kay nha: Kay.17811. Thanks các bạn đã quan tâm ^^
At the climbing gym.
Visiting Dylan and family, October 2022
Only the street shots - thestreetzine.blogspot.com/
The Experience suite at the Dylan Hotel in Dublin.
You can read more about this shoot here: Between the showers.
Stylist: Dianne Shaw.
1st Assistant: Claudio Salviato.
Copyright © 2017 Ashley Morrison, all rights reserved.
Hard Rain is by no means my favourite Dylan album but probably has my favourite Dylan album cover. That close cropped head shot of him at the time the album was recorded is by Ken Regan.
His photographs appeared on the cover of Desire, the Bootleg Series Vol.5, plus Hard Rain. He was the exclusive official photographer on the first leg of Dylan's Rolling Thunder Review tour in 1975. That's a job I would have loved. He also did some great work for the Rolling Stones too.
The Hard Rain cover shot is so direct a portrait. Those eyes look straight into you.
Many years ago when Hard Rain was a new album I managed Threshold Records in Birmingham. I was given a huge poster of this by the young woman who did the window displays for CBS records. The poster was about four feet square. I put it on the wall in the spare room of my flat. The room was small & used as a guest room & occasional creative space. It was difficult to stand back far enough in the space to take in the whole picture. This was around 1978.
There was a TV concert shot in a muddy field somewhere at the time the album was recorded & shown on the BBC. Dylan, head swathed in what appeared to be Arab headdress played Fender guitar. A shot from this appeared on the back of the album sleeve. The music at the time sounded incredibly rough to my ears. Not at all what I wanted to hear. The verité style of the camera work drove me to distraction. It was like the director had Dylan before his lens & couldn't believe it. The cameraman was clearly under instruction not to let him get away. The footage echoed that tightly cropped sleeve cover but with none of the style or art.
Ken Regen's portrait of Dylan on the cover of the 2010 release 'Live 1975' in the Bootleg series shows what could easily be a shot from the same session. Dylan giving pretty much the same piercing stare that features on Hard Rain, is sporting one of those flower encircled fedora cowboy style hats that he wore on the Rolling Thunder Review.
I'm hoping that the two recently revealed tracks that have been available to download or stream will appear on a new album. I no longer automatically buy anything Dylan related but do habitually get new albums of original material.
If the Rolling Thunder documentary is still available on NETFLIX I might have to watch it again.
Full name:Dylan Baker
Age:19
Hometown:California
Occupation:Student
Hair Color:Brown
Eye Color:Eye Color
Personal Style:Naked ;) ,,,,Jeans and a T-Shirt
Why I should make it Into TMI:Iv'e never modeled before in any competitions,plus people say i'm very sexy so i wanna show it off
Who's team I would like to be on: Sabrina
Bob Dylan. ‘Time Out of Mind’, 1997. The album that saved El Zimmo. Bob had been drifting for a decade or so, playing gigs with diminishing returns. A near fatal illness kicked him into shape. This album is intense, focused, real. Daniel Lanois, who’d worked with U2 and Eno, played on, and produced, this set of songs. It sounds live and stripped back with Bob’s voice up front, close and personal. OK, his sandpaper-and-glue voice hurts some ears, but on this album, it adds depth and ballast. This is a 57-year-old man who’s done stuff. He sounds like an old Bluesman, not some mincing Jagger, on a great sounding record. The production and atmosphere created make this one of Dylan’s best albums.
‘Love Sick’ is slow with an almost reggae lurch to it. Like most of the album, it’s all about the words. Stories whispered in your ear. This one’s about love and regret. ‘Dirt Road Blues’ is a blues shuffle with keyboard and echo on the voice. Done got old but can still tap a toe. ‘Standing In The Door’ is slow and weary with gentle guitar and Bob reminiscing again. The past has always been close behind for our Bob. This tune makes it more melancholy than usual. ‘Million Miles’ is slow, bluesy shuffle with organ chords, slow tap cymbals and guitar breaks. ‘Trying To Get to Heaven’ another tale of regrets and heartbreak and sighs. ‘Til I Fell in Love With You’ a slow blues with stinging guitar and regrets. ‘Not Dark Yet’ slow, sombre, soft drums, gorgeous guitar on a beautiful tune. Bob facing Death. It’ll give you chills. ‘Cold Irons Bound’ eerie slide and bass, echo and dread, tight licks and swinging drums. ‘Make You Feel My Love’ a love song with piano on a pretty melody. ‘Can’t Wait’ a ‘Nawlins style groove. ‘Highlands’ slide guitar drifting after hours.
I could listen to this album as an audiobook, without the music: just Bob’s voice leading me through his tales of Life. A classic.
i always forget how gorgeous dylan is until i take him out for photoshoots *-* andrews are such simple yet beautiful taeyangs
happy monday everyone!! have a great week
Bob Dylan. I love Bob, me. ‘Blonde on Blonde’ and ‘Highway 61 Revisited’ from his ‘60s output are worthy of repeated visits. OK, that voice puts a lot of people off, but the melodies and words make it worth the effort. ‘Blood on the Tracks’ is the masterpiece, the one I’d take to the island.
They say that when men hit 33, they have their ‘Christ phase’. That’s the age Jesus died. Men question what it’s all about and attempt to do something meaningful, worthwhile, mature. Bob was 33, divorced, the Sixties well and truly over, Vietnam still dragging on, Watergate crushing any remaining illusion that America was land of the free, home of the brave. So, Bob comes up with his greatest set of ‘story’ songs. Songs of love, loss, growing old. Great lyrics and some of his best ever tunes.
‘Tangled Up in Blue’ kicks it off. This song alone makes it all worthwhile. ‘Simple Twist of Fate’ slows it down with gentle strum and light touch. ‘You’re a Big Girl’ with gorgeous picking and yearning vocal. ‘Idiot Wind’ with swirling organ and maliciously funny put-down lyrics. ‘You’re Gonna Make me Lonesome When you Go’, slow bass and jangly guitar with happy-sad tune. ‘Meet me in the Morning’ lurching bluesily with weary picking and high hat. ‘If You See Her, Say Hello’, acoustic guitars and heartbreak. ‘Shelter from the Storm’ should be played at every wedding on the planet, by law. ‘Buckets of Rain’ ends the album with gorgeous guitar and bubbling bass sending us off with a smile on our faces.
An album for grown-ups, of all ages.
Dylan was always there for me when I needed him. He was there for me even when I didn't need him. He was the type of person that I could call at 4 in the morning with a problem, and he'd talk me through it. (...and that actually happened several times.)
A true best friend.
He died about a year and a half ago. I was in Italy at the time, so I couldn't even make it to the funeral. I still cry sometimes, and not a day goes by when I don't miss him.
This photo:
Because he lived back at home, and I was away at college most of the year, our friendship played out mainly on the phone and online.
Anyway, I kept a Livejournal, and on one of my more lengthy entries, I ended by mentioning how long the entry was, saying that I'd be surprised if anyone would actually take the time to read it.
This was his reply.
I miss you Dylan...
Taken for FGR - Someone Once Told Me
Shot and made this portrait for Dylan who is a em dj, for lighting it's a 3 light setup using a 35in octobox for a main
If you read my description in my last photo of Dylan, you know how hard these were to get. I am surprised any of them came out. Of course, quite grainy due to 1600 ISO, but, hey, I got some.
Fe aeth y cwmpo mas yn drech arnaf felly roedd rhaid rhoi llun Dylan yma -
The bickering got too much so I had to put Dylan's photo up here.
Dylan House - 3/4" scale dollhouse by brinca dada
Full details on the this house are on my blog here:
Favoloso concerto del 14 Novembre 2011 al Palaforum di Assago - Milano
Qui un mio video della serata con Dylan e Knopfler insieme sul palco
E QUI potete vedere un primo piano di Bob Dylan preso quella sera da Paolo Brillo.
Con questo LINK potete accedere al suo album e vederne altre altrettanto belle.
Band:
Bob Dylan - guitar, keyboard, harp
Tony Garnier - bass
George Recile - drums
Stu Kimball - rhythm guitar
Charlie Sexton - lead guitar
Donnie Herron - electric mandolin, pedal steel, lap steel
Set List:
1. Leopard-Skin Pill-Box Hat (Bob on keyboard, Mark Knopfler on guitar)
2. It's All Over Now, Baby Blue (Bob and Mark Knopfler on guitars)
3. Things Have Changed (Bob center stage with harp, Mark Knopfler on guitar)
4. Spirit On The Water (Bob on keyboard with harp)
5. Honest With Me (Bob on guitar)
6. Tangled Up In Blue (Bob center stage with harp)
7. The Levee's Gonna Break (Bob on keyboard)
8. Desolation Row (Bob on keyboard)
9. Highway 61 Revisited (Bob on keyboard)
10. Simple Twist Of Fate (Bob on guitar)
11. Thunder On The Mountain (Bob on keyboard)
12. Ballad Of A Thin Man (Bob center stage with harp)
13. All Along The Watchtower (Bob on keyboard)
14. Like A Rolling Stone (Bob on keyboard)
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