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The CREST CAVITY CREEPS
HERB TRIMPE - Animator/DESIGNER
Item Type: Rare PRODUCTION MODEL SHEETS by ANIMATOR / DESIGNER HERB TRIMPE for the 1970s TELEVISION Commercial "THE CAVITY CREEPS"
THE COMMERCIAL FOR THESE SPOTS CAN BE VIEWED ON YOU TUBE.....
Size: 16.5 x 14.5 (approx)
Condition:GOOD
Type: PRODUCTION MODEL SHEETS - Used by Animators....Large 16 Field Xerox Stats, with CUT OUTS and some HAND DRAWN REPLACEMENT Mouths/Features on CHARACTERS
Circa 1976
NOTES:
If you were a kid in the late 70s/early 80s you most likely remember these very cool animated Crest toothpaste commercials. There was a series of them, each telling a short story in which the evil alien-like Cavity Creeps would attempt to break into the enamel-walled island city of Toothopolis, defended by the heroic Crest Team. Each time the Creeps would come up with some new scheme to drill or blast their way through the walls, only to be thwarted by some sort of fluoride lazers or cannons. In my favorite installment the Crest Team actually had a submarine in the shape of a tube of Crest that fired fluoride missiles at the Creeps. The art design for the commercials was done by Herb Trimpe, who soon after would work on the GI Joe comic book
Herbert W. "Herb" Trimpe (b. May 26, 1939, Peekskill, New York[3]) is an American comic book artist and occasional writer, best known for his work on The Incredible Hulk and as the first artist to draw for publication the character Wolverine, who later became a breakout star of The X-Men
Herb Trimpe was raised in Peekskill, New York,[ where he graduated from Lakeland High School. He graduated with a BA in Arts from Empire State College, Hudson Valley Center. Trimpe commuted to New York City for three years to attend School of Visual Arts. There, Trimpe recalled in 2002, instructor and longtime comics artist Tom Gill needed a student "to ink his backgrounds and stuff. So that's how I started, at Dell [Comics], doing mostly Westerns and also licensed books, like the adaptation of the movie JOURNEY TO THE CENTER OF THE EARTH
Trimpe then enlisted in the United States Air Force, where he served for four years, including a year in Vietnam. Upon his discharge in October 1966, he learned that fellow SVA classmate John Verpoorten was working at Marvel Comics' production department, and
. . . said they were hiring freelance people, and I should come up to the office and show my work to Sol Brodsky, who was Stan [Lee]'s right-hand man at the time. . . . I was just preparing to put some material together and go to DC and Charlton when I got a call from Sol Brodsky, who was production chief. He said they needed somebody on staff in the production department to run the new photostat machine they had just bought, and to do some production work. I would primarily run the 'stat' machine and wouldn't be seated at a desk, but I would be able to pick up some freelance pencilling and inking. This kind of opened the door. The staff job didn't pay much by today's standards; I think it started at $135 dollars a week which wasn't as low as it sounds. Remember, it was 1966 and that was a fairly good entry-level salary.
He joined Marvel's production staff in 1967 and remained associated with the company as a contract artist through 1996. While operating the Photostat camera in the Marvel offices, Trimpe did freelance inking for Marvel, and made his professional penciling debut with two Kid Colt Western stories, in Kid Colt, Outlaw #134–135 (May & July 1967). Shortly thereafter, Trimpe and writer Gary Friedrich created Marvel's World War I aviator hero the Phantom Eagle in MARVEL SUPER HEROES #16 (Sept. 1968).
In the 1960s, during the period known as the Silver Age of Comics, Trimpe was assigned to pencil what became his signature character, the Hulk. Beginning with pencil-finishes over Marie Severin layouts in The Incredible Hulk #106 (August 1968), he went on to draw the character for a virtually unbroken run of over seven years, through issue #142 (August 1971), then again from #145–193 (Nov. 1971 – Nov. 1975). Additionally, Trimpe penciled the covers of five Hulk annuals (1969, 1971–72, 1976–77, titled King-Size Special! The Incredible Hulk except for #4, The Incredible Hulk Special), and both penciled and inked the 39-page feature story of The Incredible Hulk Annual #12 (Aug. 1983).
Trimpe also had a year's run on THE DEFENDERS (#69–81, March 1979–March 1980), a superhero-team comic featuring the Hulk. He also drew the cover, featuring the Hulk, of the 1971 issue of Rolling Stone containing a major profile of Marvel Comics.
The artist in 2002 recalled a less-than-smooth start to his Hulk tenure: "I did, like, three or four pages, and Stan [Lee] saw them and made Frank Giacoia do the layouts [for Trimpe's fourth issue, #109, Nov. 1968]. It wasn't my storytelling, there was a good flow there, but it was too [much like] EC [Comics] for Stan. I loved EC, the dark atmosphere and clean lines of it. . . . But it wasn't right for Marvel
William Marlow
London 1740 - 1813 Twickenham
The Tiber with Saint Peter's and the Castel S. Angelo, 1765/1768 pen and ink with graphite
Applied drawing
by Brown, Harold Haven, 1869-1932
Published 1916
Topics Drawing, Decoration and ornament
I got a great new resource for my drawings so I've just redone the entire Disneyland site drawing sheet layouts changing everything from 1"=100' to 1"=64" or 1"=50' which means more sheets so the next 10 sheets in my photostream are new and improved
Work in progress!
Pencil drawing on Bristol board
Total work = 5hours
Drawing done from a beautiful photo of a tiger cub by DigitalART2
Applied drawing
by Brown, Harold Haven, 1869-1932
Published 1916
Topics Drawing, Decoration and ornament
coloured pencil on watercolour paper.
an early drawing of mine - from a tuition book.
This drawing is © Karen White. Please do not reproduce in any form without my permission.
This drawing was used as part of the background for a puppet theatre.
#drawing #handdrawing #handdrawn #trees #forest #sketch #sketchbook #moleskine #pencildrawing #pencilart
This is Shannon. I met her several years ago when I was doing the Trek Across Maine - a 150 mile bicycle ride across our lovely state that benefits the American Lung Association. She's an Ironman triathlete and big supporter of the Dempsey Challenge - another bike ride that raises money for Cancer research, education and support. She is also one of the funniest people I know on Facebook. I love her take on life.
A couple of years ago she got my attention when she posted that every day for the month of December she was going to embark on a different adventure. Here was her criteria - "an adventure is anything that 1) takes me out of my comfort zone; 2) I'm not 100% sure I can do; 3) I've never done; 4) I wouldn't normally do in December; 5) is ridiculously fun; or 6) is something I'm so glad I'm doing that I don't have to actually enjoy doing it." And then she wrote about it in the funny and keenly observant way that Shannon does.
She asked her friends make some suggestions on how to fill out her month of adventures, so.... I suggested she pose nude for our life drawing class. And you know what? She did it!! And I have to say, she was a great model - interesting and expressive poses, and she held them for up to 20 minutes. It's not easy work! You can read what she wrote about that adventure in this blog post.
www.celebrateadventure.com/2013/12/baring-my-soul-and-eve...
11x15 pencil and watercolor. #235
Flyer para el Cierre de "Muñeco Ruso", mi muestra en 708 Sala de Exposiciones, Av. Vélez Sársfield 708, Córdoba.
Fue a mediados de octubre e incluyó una charla que dà acerca de mis pasos en el mundo de la expresión artÃstica; pero también la música de Pinkerton quien nos deleitó con sus hermosas melodÃas, mientras Kokoro y Anitamour lo hicieron con sus delicias saladas y dulces, todo decorado por la linda música que estuvo sonando, la que seleccionado personalmente.
También presenté el nuevo número de mi fanzine ese dÃa, por suerte muchos se coparon y pidieron el suyo. Fue un evento hermoso por donde se lo mirara (:
+ + + + + + + + + + +
Flyer for the closing of "Muñeco Ruso/Matrioshko", my own personal exhibition at 708 Sala de Exposiciones, Av. Vélez Sársfield 708, Córdoba.
It was mid-October and it became a really special evening. It included a talk I gave about my steps in the world of art but also the music of Pinkerton who delighted us with its beautiful melodies, while Kokoro and Anitamour did so with their exquisite and delicious food and sweets, all of this was decorated by beautiful music I personally selected. I also presented the new issue of my fanzine that day, luckily many wanted a copy of it.
So, as I was saying, It was a beautiful event in every way.
Mother Teresa
I mostly used black gel pens/ ink pens and pencils (HB) on office/printer paper A4 sheets - cheap but effective :P
I won't be able to do origami for a while now, so I thought I'd post these drawings here...The shittier the drawing, the younger I was XD.
Hope you all like it.
Local Accession Number: 2012.AAP.323
Title: The evolution of church music
Creator/Contributor: Rhead, Louis, 1857-1926 (artist)
Created/Published: New York : Charles Screibner's Sons
Date issued: 1890-1920 (approximate)
Physical description: 1 print (poster) : lithograph ; 50 x 35 cm.
Summary: Two angels stand playing instruments.
Genre: Book & magazine posters; Lithographs
Subjects: Angels
Notes: Title from item.
Date note: Date supplied by cataloger.
Statement of responsibility: Louis Rhead
Collection: American Art Posters 1890-1920
Location: Boston Public Library, Print Department
Rights: No known restrictions.