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More of Debbie's recent "preliminary" work, this time moving back into the world of colored pencil. From a lesson in the book by John Muir Laws: "The Laws Guide to Drawing Birds." One of the finest drawing instruction books on the market.
Original B&W drawing by Eleanor aka BlimeyORiley - remixed by moi.
I mean, hey, musicians remix each others' work all the time, why shouldn't artists do the same thing? I love using photoshop to render mad gradients and psychedelic colour effects.
Also, yes, I know his actual drumkit is sparkley blue, but creative license, ya know? Perhaps it's the light show.
HANNA BARBERA STUDIOS
ABBOTT and COSTELLO
Original Animation TELEVISION SERIES 1967
Type: AWESOME Original Production Animation MODEL Drawing of GRUNTO and COSTELLO
from the 1967 HANNA BARBERA Animated TELEVISION SERIES
This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during
the production filming of the original Television Commercial.
NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION
Size: 12 field 12.5 x 10.5
Type: . Vintage Hand Drawn Art
Condition: EXCELLENT
Featuring ABBOTT and COSTELLO as SAILORS Date 1967
NOTES:
The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.
The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)
William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)
The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.
In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.
Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.
In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.
In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.
Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances
done for BLANK IV, a traveling sketchbook collab. Each artist gets 10 pages to do with what they wish. I decided to draw Flux Factory, my former home.
Title wall. First day of my exhibit at the Hearst Center for the Arts, Cedar Falls, Iowa. My signature mark, which is how I sign all my work, has become the logo for the exhibit.
To see the works that make up the exhibit: www.flickr.com/photos/marciamilner-brage/sets/72157632587...
To read the Waterloo/Cedar Falls Courier features article about the exhibit, please visit Urban Sketchers Midwest Blog urbansketchers-midwest.blogspot.com/2013/01/marcia-milner...
Graphite pencil on paper 59.4 x 42 cm (23 3/8 x 16 1/2 in)
Please don't use my images on websites, blogs or other media without my explicit permission. © All rights reserved
Oh how I wish I didn't want to give the skull a dark background, it looks like it has clownhair now :')
I made this drawing a few months during my class genetics and guess what... Saturday; I have the exam of it. I wish I'd paid some more attention instead of making drawings. Lol. But it's really so boring.
Anyway, studying always gives me some (good) ideas.
I want to make a story, but most of it will be drawn. It has to be something around Luna and other animals/humans/... A 'bit Disney-like you know.
Anyone some good ideas for a story? It can be everything. Let your creative mind work! (Mine's already dead.)
More drawings here: Go go and like. :D