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Whitney's a triple threat: a beautiful young woman, a masterful basketball player in college, and a black belt striking a winning pose!
Dedicated to the Jackie Robinson West Little League baseball team
Crayola colored pencils, ballpoint pens
Canson white, acid-free drawing paper
9 x 12
2014
This little guy is for my friend Wendy. She wants a tangled butterfly, but this will have to do for now : )
This is a character I don't draw often, much less showing much emotion. This is the first time I've drawn him smiling like this. I feel like it turned out nice, especially since I don't draw on toned paper very much. His name is Aican. :)
With the southbound out of the way, I started sizing up my money shot of 357 crossing the Fox. Broad St is actually quite narrow without parking so I parked near the river and waited. There was just enough notice when the train was close to reposition here, park in the street, and get my shot without any fuss. July 21, 2024.
suggestions from - @EltonsKuns - A cool squirrel on a motorcycle! @michelle_last - an octopus on stilts!
@joedecie - a flying saucer?
@themooks - Monkey detective
#Jon Boam #drawing
HANNA BARBERA STUDIOS
ABBOTT and COSTELLO
Original Animation TELEVISION SERIES 1967
Type: AWESOME Original Production Animation MODEL Drawing of ABBOTT and COSTELLO character ELEPHANT
from the 1967 HANNA BARBERA Animated TELEVISION SERIES
This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during
the production filming of the original Television Commercial.
NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION
Size: 12 field 12.5 x 10.5
Type: . Vintage Hand Drawn Art
Condition: EXCELLENT
Featuring ABBOTT and COSTELLO character ELEPHANT
Date 1967
NOTES:
The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.
The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)
William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)
The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.
In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.
Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.
In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.
In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.
Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances
untitled #14 (line dancing (masking))
2017_02_05
graphite and oil pastel on manila tagboard
12" x 18" (30.5 x 45.7)cm
Matt Niebuhr
West Branch Studio
Private collection
San Francisco, CA
.
Study after Orazio Gentileschi, Tim Lowly © 2010, graphite, 6" x 4"
This is a study of Orazio Gentileschi's Andata al Calvario in the Kunsthistorisches Museum in Vienna (a detail of which I just posted). This artist is best known now as being the father of the painter Artemisia Gentileschi . As I look at this now I wonder (and it is a bit of a stretch) if Artemisia might have been the model for this figure, who I assume is Mary Magdelene or Mary the mother of Jesus.
A
Another drawing! Finished in four hours, three for the actual drawing and an additional one for final editing on Pixelmator.