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"RP 13", ink and graphite on paper, 4.125" x 5.75".
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An entry point. A beauty we hunger for. Here is contentment, Sabbath rest. Someone has called, said a word, and the eyes are alert, the mouth responding, the ear listening. A light shining on the cheek and the fabric, an envelope. We are in peace.
- Sherrie Lowly
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About "The Redeemer Project" - In November of 2017 I received an invitation from Bethany Kenyon of Redeemer University College in Ontario, Canada to participate in a two-person exhibition. My initial thought was to show a few paintings, but various considerations led me to the idea of making a series of small, postcard sized drawings. The drawings would be installed over the course of the exhibition one at a time, starting with just one. I invited my wife Sherrie to write a text for each drawing (see above) which I will post in relation to each drawing concurrently with when it (the drawing) is installed in the exhibition.
AasP
I made this yesterday. Drawn by free hand except base lines (obviously), for which I used the ruler. Excuse me if something is a bit out of size... © L.Marzano - iastudio on Flickr.
It's my school homework.
This was redrawn based on the original artwork by Pablo Picasso - Portrait
Ink drawing / A3
07.01.09
Applied drawing
by Brown, Harold Haven, 1869-1932
Published 1916
Topics Drawing, Decoration and ornament
Graphite portrait on paper.
This drawing of a friend came about as a result of the lessons learned in the series of blind contours.
(See Nicolette: www.flickr.com/photos/elizabeth_rice/8706616918/in/photos...) It was a wonderfully satisfying drawing to complete.
ma fwend draw me last year .. we were bored at english class so, she decided 2 draw me :D ..
and believe me, this 100% looks like me (A) ..
thanx ma fwend .. luv ya ..
© all rights are reserved to me
do not use this without my permission
model:: moi
taken by:: moi
edit by:: moi
P.S:: Tabasco in viewers eyez .. and mashalla is a must ppl ..
sometimes I do small and personal commissions for nice people who just want me to draw a thing for them - #Jon Boam #Drawing
Grab the large version to find out how to draw SpongeBob.
SpongeBob SquigglePants is out on the uDraw GameTablet on 15 April in the UK. Find out more.
Pen & ink with Gouache. Frankenstein drawing for Illustration class. One of the pieces I had in the Senior Art Show for SMCC (December 2012).
Please visit my website www.think-differently-about-sheep.com
In the photograph gallery you will find more photographs, and also paintings, not only of sheep but other animals. Also photographs sized for desktop wallpaper of a variety of subjects including sheep, cattle, horses, birds , fish, plants, architecture and scenery
Recently I came across an innovated form of art called Zentangle.
Among other things Zentangle is a meditative practice recommended for relaxation and for stress relief . Rather like a doodle the emphasis is on relaxing and allowing the patterns to form with out too much contrivance. Usually rendered in black ink after a while I tended to prefer the addition of coloured pencils. Here is one of my attempts at Zantangles or art work inspired by Zentangles
Here is a website with some ideas www.zentangle.com/index.php
The CREST CAVITY CREEPS
HERB TRIMPE - Animator/DESIGNER
Item Type: Rare PRODUCTION MODEL SHEETS by ANIMATOR / DESIGNER HERB TRIMPE for the 1970s TELEVISION Commercial "THE CAVITY CREEPS"
THE COMMERCIAL FOR THESE SPOTS CAN BE VIEWED ON YOU TUBE.....
Size: 16.5 x 14.5 (approx)
Condition:GOOD
Type: PRODUCTION MODEL SHEETS - Used by Animators....Large 16 Field Xerox Stats, with CUT OUTS and some HAND DRAWN REPLACEMENT Mouths/Features on CHARACTERS
Circa 1976
NOTES:
If you were a kid in the late 70s/early 80s you most likely remember these very cool animated Crest toothpaste commercials. There was a series of them, each telling a short story in which the evil alien-like Cavity Creeps would attempt to break into the enamel-walled island city of Toothopolis, defended by the heroic Crest Team. Each time the Creeps would come up with some new scheme to drill or blast their way through the walls, only to be thwarted by some sort of fluoride lazers or cannons. In my favorite installment the Crest Team actually had a submarine in the shape of a tube of Crest that fired fluoride missiles at the Creeps. The art design for the commercials was done by Herb Trimpe, who soon after would work on the GI Joe comic book
Herbert W. "Herb" Trimpe (b. May 26, 1939, Peekskill, New York[3]) is an American comic book artist and occasional writer, best known for his work on The Incredible Hulk and as the first artist to draw for publication the character Wolverine, who later became a breakout star of The X-Men
Herb Trimpe was raised in Peekskill, New York,[ where he graduated from Lakeland High School. He graduated with a BA in Arts from Empire State College, Hudson Valley Center. Trimpe commuted to New York City for three years to attend School of Visual Arts. There, Trimpe recalled in 2002, instructor and longtime comics artist Tom Gill needed a student "to ink his backgrounds and stuff. So that's how I started, at Dell [Comics], doing mostly Westerns and also licensed books, like the adaptation of the movie JOURNEY TO THE CENTER OF THE EARTH
Trimpe then enlisted in the United States Air Force, where he served for four years, including a year in Vietnam. Upon his discharge in October 1966, he learned that fellow SVA classmate John Verpoorten was working at Marvel Comics' production department, and
. . . said they were hiring freelance people, and I should come up to the office and show my work to Sol Brodsky, who was Stan [Lee]'s right-hand man at the time. . . . I was just preparing to put some material together and go to DC and Charlton when I got a call from Sol Brodsky, who was production chief. He said they needed somebody on staff in the production department to run the new photostat machine they had just bought, and to do some production work. I would primarily run the 'stat' machine and wouldn't be seated at a desk, but I would be able to pick up some freelance pencilling and inking. This kind of opened the door. The staff job didn't pay much by today's standards; I think it started at $135 dollars a week which wasn't as low as it sounds. Remember, it was 1966 and that was a fairly good entry-level salary.
He joined Marvel's production staff in 1967 and remained associated with the company as a contract artist through 1996. While operating the Photostat camera in the Marvel offices, Trimpe did freelance inking for Marvel, and made his professional penciling debut with two Kid Colt Western stories, in Kid Colt, Outlaw #134–135 (May & July 1967). Shortly thereafter, Trimpe and writer Gary Friedrich created Marvel's World War I aviator hero the Phantom Eagle in MARVEL SUPER HEROES #16 (Sept. 1968).
In the 1960s, during the period known as the Silver Age of Comics, Trimpe was assigned to pencil what became his signature character, the Hulk. Beginning with pencil-finishes over Marie Severin layouts in The Incredible Hulk #106 (August 1968), he went on to draw the character for a virtually unbroken run of over seven years, through issue #142 (August 1971), then again from #145–193 (Nov. 1971 – Nov. 1975). Additionally, Trimpe penciled the covers of five Hulk annuals (1969, 1971–72, 1976–77, titled King-Size Special! The Incredible Hulk except for #4, The Incredible Hulk Special), and both penciled and inked the 39-page feature story of The Incredible Hulk Annual #12 (Aug. 1983).
Trimpe also had a year's run on THE DEFENDERS (#69–81, March 1979–March 1980), a superhero-team comic featuring the Hulk. He also drew the cover, featuring the Hulk, of the 1971 issue of Rolling Stone containing a major profile of Marvel Comics.
The artist in 2002 recalled a less-than-smooth start to his Hulk tenure: "I did, like, three or four pages, and Stan [Lee] saw them and made Frank Giacoia do the layouts [for Trimpe's fourth issue, #109, Nov. 1968]. It wasn't my storytelling, there was a good flow there, but it was too [much like] EC [Comics] for Stan. I loved EC, the dark atmosphere and clean lines of it. . . . But it wasn't right for Marvel
Please visit my website www.think-differently-about-sheep.com
In the photograph gallery you will find more photographs, not only of sheep but other animals. Also photographs sized for desktop wallpaper of a variety of subjects including sheep, cattle, horses, birds , fish, plants, architecture and scenery also more artwork
©2015, Daniel Novotny, Ink on Paper, 21×30 cm
This is a portrait for Julia Kay’s Portrait Party.
www.danielnovotnyart.com/?p=5211
Visit my blog at www.danielnovotnyart.com!
Gina's JKPP thread www.flickr.com/groups/portraitparty/discuss/7215762539883...