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HANNA BARBERA STUDIOS

ABBOTT and COSTELLO

Original Animation TELEVISION SERIES 1967

 

Type: AWESOME Original Production Animation MODEL Drawing

from the 1967 HANNA BARBERA Animated TELEVISION SERIES

 

This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during

the production filming of the original Television Commercial.

 

NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION

 

Size: 12 field 12.5 x 10.5

Type: . Vintage Hand Drawn Art

Condition: EXCELLENT

Featuring UNCLE WOLFGANG

Date 1967

  

NOTES:

 

The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.

 

The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)

William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)

  

The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.

 

In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.

 

Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.

 

In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.

 

In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.

 

Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances

 

I looked, and behold, an ashen horse; and he who sat on it had the name Death, uhhhh wait. Where did he go? Must have fallen off.

mixed media collage - folding book

From 1979, for about 15 years, I did illustrations for the record reviews for Audio Magazine. This one of Johnny Cash I specifically remember doing. I had telephoned my illustrator friend, Sally, and while we chatted I mindlessly drew. By the time we finished our conversation the drawing was done. I wish it worked like that all the time.

 

Some of this stuff I can't identify now, but this is a visual record of all the stuff I remember leaving behind when J and I moved to Seattle. Some of it ended up at thrift stores. A few things stayed with the house. Most of it went to friends or family.

I've been wanting to do a Lalaloopsy inspired drawing of me & Mal for a while... I'm pretty happy with how it's coming together, I can't wait to colour it in :D

acrylic and charcoal on paper

ink and collage on paper, 18"x24"

I was at a local coffee shop and drew this young lady doing something on her phone. I don’t think she saw me drawing her.

Art teacher told me to do this one with my LEFT hand! Good exercise.

Entusiasta de la Facultad de Bellas Artes de Barcelona

Pencil Drawing

Drawings based on the Golden Ratio and aperiodic patterns of the quasicrystal structures.

gouache on paper with embroidery SOLD

To see my earlier JKPP portraits these are covered in Recent Portraits 2012...

A beautifully designed and illustrated book with a foreword by Julia Kay, introduction, sections covering different media, working studies and sketches, previously unseen drawings, photographs and an index of subjects.

 

Soft cover version

 

Hardback version

 

Copyright © 2012 Martin Beek

Foreword copyright © 2012 Julia Kay

ISBN 978-0-9571417-0-4 hardback

ISBN 978-0-9571417-1-1 paperback

 

‘Each individual fills the page with their unique presence, and seems to glow from within.’

Julia Kay

  

Limited Edition Free Subscription

 

Positive Space, Longworth May 2013

  

Ipsden in Winter Just out in printed and e-book form.

 

An Interview with me in Glow Magazine

 

And about my iPad work...

 

Featuring an interview on Witney TV about iPad art

 

My first book on Ipsden featuring the autumn paintings and studies 2012

 

My Book of Landscapes

paper, ballpoint, 2008/ Take Junichiro

作:武盾一郎

A gift for my Uncle, I hope he likes it!

Perched on a fence, ready to use his sketch pad at Bryce National Park in Utah.

Can I do a multi-color screenprint? We'll see.

Please visit my website www.think-differently-about-sheep.com

 

In the photograph gallery you will find more photographs not only of sheep but other animals. Also photographs sized for desktop wallpaper of a variety of subjects including sheep, cattle, horses, birds , fish, plants, architecture and scenery . Also artwork

  

Frankly so much time has passed since I drew this that I don't remember what kind of truck this is. I think the chassis is an International of some sort but I have no idea about the body.

Graphite and watercolor wash on smooth bristol. Approximately 14x16 inches.

ink on two sheets of paper

35" x 18"

2009

Caption America Drawing SHARE AND LIKE

Pen drawing of Regina Carter, a well known jazz violinist, drawn by my daughter, Alaina.

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