View allAll Photos Tagged Drawing
I did this to enter in a weekly competition.
Unfortunately it turned out that "Beards" was last week's competition theme.
This week it's "Jumping".
Fuck jumping.
Mixed media on paper, 10 x 7 inches
Sold.
One of the drawings James Cameron did for the 1997 film Titanic.
Lent by James Cameron.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Tri-X 400 35mm B&W film.
I really want to thank Phantomhive's Service~♣ and LagoonaLicious ♥ Sebby for tagging me! :D I had a lot of fun with it!
"You" are tagged, if you wan to do this one!! ;)
Q1. Did something inspire you to do this drawing? If yes, then what?
Sure, my character. He is from my second favorite story, which I almost lost the whole story today when my dumb computer Corrupted of the document. D: Thankfully I had it saved on another flash drive. But I did end up losing my favorite part. :(
Q2. How much effort did you put in this drawing? (-/10)
not too much.
Q3. If you could change anything from this drawing, what would it be?
His hand. Having a grey copic marker so I can actually finish it. (He has black hair so you need grey fir the highlights.) and maybe finish the armor. XD
Q4. How would you rate this drawing? (-/10)
I don’t know? It isn’t that bad I hope.
Q5. How long did it take you to do this drawing?
An hour or less. I draw fast.
Q6. What would your best friend say about this drawing?
I don’t know. I don’t think they have seen this one yet? So if you are reading this what do you think?
Q7. Do you dedicate this drawing to anyone?
Um… I don’t think so. I sort of drew this for the tag.
Q8. Do you think that if your started this drawing again you would have done it better?
I don’t think so.
Q9. Do you consider yourself a good artist?
sure, why not.
Q10. What do you like about this drawing?
His smirk, the brand mark on his face, the parts I did filled in. and the sword hilt.
I'm doing a little portrait of my Countess Dracul custom. I'm working on her again and she's almost done. I thought she should have a little portrait of herself. This is a digital sketch, I plan on painting it with acrylics on canvas paper.
HANNA BARBERA STUDIOS
ABBOTT and COSTELLO
Original Animation TELEVISION SERIES 1967
Type: AWESOME Original Production Animation MODEL Drawing
from the 1967 HANNA BARBERA Animated TELEVISION SERIES
This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during
the production filming of the original Television Commercial.
NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION
Size: 12 field 12.5 x 10.5
Type: . Vintage Hand Drawn Art
Condition: EXCELLENT
Featuring UNCLE WOLFGANG
Date 1967
NOTES:
The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.
The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)
William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)
The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.
In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.
Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.
In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.
In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.
Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances
the middle one is supposed to be a palm tree, but unfortunately it looks like weed, hahaha
^sorry if that ruined the photo for you
I've been wanting to do a Lalaloopsy inspired drawing of me & Mal for a while... I'm pretty happy with how it's coming together, I can't wait to colour it in :D
I was at a local coffee shop and drew this young lady doing something on her phone. I don’t think she saw me drawing her.
Please visit my website www.think-differently-about-sheep.com
In the photograph gallery you will find more photographs not only of sheep but other animals. Also photographs sized for desktop wallpaper of a variety of subjects including sheep, cattle, horses, birds , fish, plants, architecture and scenery . Also artwork
Draw fat lines and thin.
Unfinished.
I just love doing this! I want to color and color and color!
Keri Smith: Wreck This Journal
{Sunday, 30 October 2011 -- 303:365}
A bird. I colored & used this bird in a webcomic that can be seen here: demophon.tumblr.com/post/1490581130/a-vengeful-bird