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original pen drawing by: Bill Rogers
These images inspired from stills of the The Knife's music video for Pass This On.
Pass This On video by: Johan Renck.
Working on these. I hope to have them finished by this weekend. Freya(in pink) is new, I just finished her lineart, but I'll probably work more on it as tere's changes I want to make. Saga (in blue) needs some work too, I dont know what I had done with her previously but I had to duplicate her lineart layer and so her lines are thicker which I have to fix now... I also what to add more details and change her dress slightly x)
But when I'm done I'll definitely order some more postcards for my Etsy shop. The batch I got in spring is running out :)
tee design... still up for voting @ Designbyhumans.
vote here: www.designbyhumans.com/vote/detail/207421
thanks for the support
St Paul's Cathedral from Cheapside, 1908 and 1912
Four years separate these postcards. . Both postcards are using the same photograph (witness the two men rounding the corner into Cheapside on the left, and the group of people walking into Paternoster Row on the right), but between 1908 and 1912 something has happened. The horsedrawn traffic has been airbrushed out, and instead images of motor omnibuses and cars have been clumsily inserted.
The card on the left was posted in London SE at 5.15pm on 8th August 1908 to Mademoiselle de Bonnerville, 30 Rue du Vieux Versailles, Versailles, Seine et Oise, France. The only message is that the date was 8/8 '08.
The card on the right was posted in Paddington at 12.15 am on 9th July 1912 to Mrs K Rawlings, "Twyford", Aston Road, East Southsea, Hants, and the message on it was written in reverse writing. it reads My darling Ma, many many thanks for your dear welcome letters, the parcel of good things and the brass received a little while ago. Much love to all at home and heaps of love and kisses for self. I am your loving son George.
moonchild
whatever slid into my mother's room that
late june night, tapping her great belly,
summoned me out roundheaded and unsmiling.
is this the moon, my father used to grin.
cradling me? it was the moon
but nobody knew it then.
the moon understands dark places.
the moon has secrets of her own.
she holds what light she can.
we girls were ten years old and giggling
in our hand-me-downs. we wanted breasts,
pretended that we had them, tissued
our undershirts. jay johnson is teaching
me to french kiss, ella bragged, who
is teaching you? how do you say; my father?
the moon is queen of everything.
she rules the oceans, rivers, rain.
when I am asked whose tears these are
I always blame the moon.
Lucille Clifton
es un país que aparece en las novelas de Mundo Disco, de Terry Pratchett, novelas con las cuales lo gozo bastante
This doodle was done at work, whilst I was on the phone. A couple of days later a friend sent me a link to see a zentangle. I was surprised as I hadn't heard of these before and essentially I had been doodling in that style for years.
I needed a quick fix so I drew up a sperm whale. He's all, "YEAH SO WHAT IF I BLOWHOLE A LITTLE TO THE LEFT AND MY JAW IS FLOPPY, WHATEVER, I AM BIG AND I WILL SMASH YOU" &c.
I was so bored in math today, that's what I drew lol, I upload it just for fun, guys tell me which one your prefer ;) my fav in the on the top right ^^
This pencil drawing was inspired by a Flickr friend Sasastro, who takes wonderful candid shots of people. This looked good when I was drawing it but now I see the photo I'm not so impressed lol!
Did this sketch after a long time (after 8month).
Referred Suresh Babu's picture with his permission. Thanks Suresh!
Used blunt charcoal pencil. Attempted for the mood; not for the perfection ;-)
Took me around an hour! Some how the original look better than this scanned copy.
ALL RIGHTS RESERVED!
© Murali Alagar Photography
muraliwind@yahoo.com
Wall Drawing 915 can be read as an amalgamation of many of the Estate of Sol LeWitt’s formal themes from the 1960s through the 1990s.
This colorful art painting include arcs, circle, and irregular bands shapes with basic colors.
First drawn by Dana Carlson, Christina Hejtmanek, James Sheehen, Emily Ripley.
First installation at Paula Cooper Gallery, New York at September 1999 as acrylic paint.
It also seen at MASS MoCA (Massachusetts Museum of Contemporary Art) besides at underpass from Bayfront MRT Station to Gardens by the Bay Singapore.