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I haven't been active lately because I moved to a house. It's been lot of work and furniture assembling. However I assembled a work table which is great (as its sole purpose is that, no more dinning table for me) and all the heads I have been commissioned to paint are safe and sound. I'll resume commissions soon.
In the meanwhile, one of my new year's resolution was to draw every day so I started with this one. I gotta admit, last year was my worst year ever regarding my own drawings/paintings. I hope that won't repeat again. I might upload to Flickr the best ones.
Concept up for voting at Glennz Tees
Video of illustration process in Adobe Illustrator. 73 mins compressed in to 3 Watch
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A retractable draw gate on the Torre dell'Elefante (1307) controlled access to medieval Cagliari (Sardinia), Italy, from the lower town. The sculpture of an elephant to the left of the gate gave the tower its name.
السلام عليكم ..
نتايج لجلسة تصوير مشتركه مع توأم روحي بنت خالتي أمل الزهراني ..
www.flickr.com/photos/amlalzahrani/
كانت الفكرة عن " الحياة حلوة بس نفهمها "
أتمنى لكم مشاهدة ممتعه :$
لكم مني خالص الود و الاحترام ^^
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( الحياة ) . . مليئة بالسعاده كما هي مليئة بالمئاسي,
فلا تعتقد أن حياتك سوف تكون نعيم دائم أو شقاء دائم,
بل ستكون موزعة بين حزن وسعاده, فرح و ترح, مد و جزر,
فلا تجعل أحزانك تكدر أفراحك و تقضي على سعادتك .
Angel Face and other nice people in the Bar Treppenhaus in Rorschach
Hahnemühle Nostalgie Sketchbook A6, 190g/m2, mechanical Pencil Pentel 0.7mm, 2B, Van Gogh Aquarell, Watertank-Brush, 10’ Sketches
almost the finshed project of my art work for our new place (boyfriend and I). it will be a colage of everything we have done together (movies, zoo, camping ect..) plus us kissing in the middle. this is not from a photograph but from my memory. he is not only my mate but my best friend.
1/3, 1/4
it's actually been really hard. it's my first week back at school and it's been intense, i didn't think it would be this hard.
Country house of 1892-4 by Philip Webb.
MATERIALS: Sandstone (quarried on site) and some Portland stone, Horsham and Keymer bricks, clay tiles, oak, rough-casting.
PLAN: Rectangular east-west family block with equally large, angular, servants' wing off its north-east end.
EXTERIOR: Webb's Standen draws heavily on the Wealden vernacular tradition. It comprises a family block which articulates about a viewing tower (which houses the water tanks) behind which is the servants' wing.
The south, garden front of the family block is of two storeys and an attic. The ground floor with central porch is mainly of stone, while the first floor is largely tile hung. Ground and first floors are lit by sash windows, the former with segmental arches and typical of Webb. At the west end is a large single-storey glass-roofed conservatory with five brick arches to the front, the left hand one giving access to the garden door which is set into a deeply recessed, tiled, porch with a seat. The attic has five weather-boarded gables in a row, and as on other elevations tall brick chimneys rise above the roof line.
The north, entrance front abuts the viewing tower at its left, east end. It is mainly of brick with symmetrically arranged sash windows, but with a central bay with projecting porch in stone and to its right the canted stone mullion-and transom window of the entrance hall. Above the porch is a four-light first floor mullion-and-transom window with leaded lights. A row of flat-roofed dormers pierces the roof.
The four-storey central tower is faced in rough-cast and has a projecting balcony at its top with a pyramidally roofed look-out room above.
The angled servants' and service wing runs north and then turns east, where it wraps around the kitchen courtyard. It is of two storeys, and where it faces onto the main entrance courtyard to its west it has two large gables fronted in weatherboarding.
That entrance courtyard, on the north of the family block, enclosed by the house on two sides and to the west and north by stone retaining walls, is entered from the east via a double-height archway set at the north end of the servants' wing. This links Standen with the C15 Great Hollybush farmhouse (separately listed at Grade II) which was deliberately retained by Webb and integrated in his overall scheme for the house.
INTERIOR: The principal family rooms on the ground floor comprise the central drawing room communicating with the conservatory to its west and the dining room to its east. Behind the drawing room is the main porch, entrance hall and stair, communicating with the billiard room (with recess for spectators) to the west and Mr Beale's study (later business room) to the east. There are twelve first-floor bedrooms in the family block, and originally just one bathroom and two lavatories.
The detailing is careful and individual throughout. All the main rooms have fireplaces by Webb; each is different. Many rooms have specifically designed panelling, cupboards and wardrobes as well as Morris wallpaper.
In the servants' wing the kitchen retains its original Smith & Wellstood range.
HISTORY: In 1890 a successful London solicitor, James Beale bought three farms to the south of East Grinstead, previously part of the Saint Hill estate. Philip Webb was commissioned to build a new country house for Beale, which he did alongside Great Hollybush farmhouse (listed Grade II), a mid C15 farmhouse which had once been the service range of a medieval manor house. This, north of the servants' wing, was retained along with a timber-framed barn (also separately listed Grade II) which is the basis of the house's model farm, these together forming two sides of a grassy area now known as Goose Green. The new property was renamed Standen, borrowed from one of the other three farms. Webbs' initial designs for an ambitious south-facing house with rear servants' wing were gradually whittled down to a less ambitious scheme, settled on in autumn 1891, and on which work began in 1892. Webb took great care over the mostly locally sourced vernacular building materials - stone, brick, clay tiles, and oak - as he did in turn with the finish of the interior. He was a close friend of, and collaborator with, William Morris. Morris & Co was among the leading Arts and Crafts manufacturers of the day, and provided many of the fittings and fixtures inside the house. Standen was completed in 1894, although additions continued to be made to the interior fittings for some years.
Standen was bequeathed to the National Trust in 1972 by the Beales' daughter Helen.
SOURCES: The National Trust, Standen (guide book 1993; revised 2003); M. Girouard, 'Standen, Sussex', Country Life, 26 Feb 1970, p.494-97; 5 March 1970, 554-57.
SUMMARY OF IMPORTANCE: Standen is the last major work by Philip Webb, a leading late C19 architect and associate of William Morris (with whom he founded the Society for the Protection of Ancient Buildings) who worked in the vernacular style. Built for a successful solicitor in the early 1890s, it employs local materials in its carefully detailed exterior while equal concern was shown towards the Arts and Crafts interior. It is the only one of Webb's relatively few commissions to survive standing and unaltered and with its contemporary grounds and landscape setting similarly unchanged. Internally it retains almost all of its original fixtures and fittings, many by Morris & Co.
Source: English Heritage
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I'm trying to make friends with grain. It's kind of difficult for me. You can't really even tell I added any. hah.
I'm Back =D
وحشتوني من زمأآن مانزلت صور ولآ شي ><"
ممم دخلت دورة مرررآ جمييله عن اساسيات الفوتوشوب ورسم الرسوم المتحركه (L)
لسا ماخلصت باقي نص الدوره رآح اسوي قصه واخليها تتحرك وتشوفونها =*
هذآ آول تطبيق لي مدري اسميها رسمه ولآ تصميم !
المفروض ارسم بنت وفستان وهيك بس لسا ماضبطتها =$
سويت هذا شي لصديقتي قالت لي ابي هايدي على ذا الجو الجميل ض1
وقصيت صورتها واشتهيت احط نموول =p
واذا عندكم افكار لرسمات وهيك قولوآ لي بالمسن وارسمها ^^
رآيكم =$ ؟