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HANNA BARBERA STUDIOS
ABBOTT and COSTELLO
Original Animation TELEVISION SERIES 1967
Type: AWESOME Original Production Animation MODEL Drawing
from the 1967 HANNA BARBERA Animated TELEVISION SERIES
This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during
the production filming of the original Television Commercial.
NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION
Size: 12 field 12.5 x 10.5
Type: . Vintage Hand Drawn Art
Condition: EXCELLENT
Featuring UNCLE WOLFGANG
Date 1967
NOTES:
The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.
The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)
William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)
The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.
In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.
Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.
In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.
In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.
Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances
In the summer of 2016, the BLM Burns District continued its partnership with the University of Oregon Museum of Natural and Cultural History and the Oregon Archaeological Society and conducted archaeological excavations at the Rimrock Draw Rockshelter site in southeastern Oregon.
The site, discovered in 2009 by BLM Archaeologist Scott Thomas, has hosted archaeology field schools since 2011. In 2015, it became internationally known after archaeologists found a small stone tool under a layer of volcanic ash from a volcanic eruption about 15,800 years ago.
This tool suggests one of the oldest known human occupations in the western United States.
The 2016 excavations encountered significant rock and boulder debris, resulting from at least two occasions of portions of the rock wall calving or breaking off – probably around 8,000 and 10,000 years ago. These rocks limited access to the ground beneath them, and many were removed only after drilling and splitting reduced them to removeable sizes.
In coordination with the BLM’s Scott Thomas, Dr. Patrick O’Grady with the University of Oregon Museum of Natural and Cultural History directed excavations for the fifth year in 2016, and Jordan Pratt, graduate student at Texas A&M University, served as the excavation’s site supervisor. Volunteers from the Oregon Archaeological Society, students from the University of Oregon, and archaeologists from the BLM conducted the excavations.
Photo by Greg Shine, BLM
My Draw Something version of Ariel. This is probably the most effort I've ever put into a round for this game. Which is kind of sad, considering the drawing is still pretty bad lol.
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Will you Draw The Line with Us?- Photos by Damien
Conway.
Citizens from Seattle, Bellingham and beyond came together for a
coordinated national day of action to Draw The Line against fossil
fuel foolishness. Inspired by the beautiful Salish Sea
that unites our bio-region, activists are organizing to protect what
they love, building the future they envision, and stop dead in the
tracks the climate cooking corporate criminals threatening our
children's future. Native allies successfully resisting tar sands oil
extraction and transport through their ancestral lands and Youth
fighting for generational justice provided participants with the moral
compass and courage to take our activism to the next level with deepened
commitment and conviction. Honored were the 14 Montana's
who escalated resistance action by engaging in non-violent civil
disobedience sitting on the coal train's railroad right-of-way, an
escalation of the fight since last year's week-long coal export action.
From the plains, to the ports, we the people are united. We are engaged
in a struggle of paradigms, on one side is Goldman Sachs, Warren Buffet
and fossil fuel companies like Arch Coal, Peabody Energy, and Trans
Canada who profit through disregard for life and all things sacred
through uncaring extraction, exploitation, and domination. On the other
side is We The People people non-violently, steadfastly,
defending in a beautiful expression of what we love a world worthy of
passing on to future generations. Bill McKibben and Seattle Mayor Mike
McGinn who also spoke reminded us that when the People Lead, the Leaders
Will Follow. Draw The Line by joining those who share
your values and becoming active members of the numerous groups who made
this event possible: 350Seattle, Rising Tide Seattle,
Backbone Campaign, and Plant For The Planet
Seattle. Allies also present and whose contributions made the
event possible: Sierra Club,
Friends of the Earth, Washington Fair Trade Coalition,
Hereditary Chief Phil Lane Jr., member of the Yankton Sioux &
Chickasaw Nations, and the Four Worlds International Institute Chairman;
Sundance Chief Rueben George of the Tsleil-Waututh First Nation in B.C.
At the Extinction Rebellion camp, KC (aka Spidy), draws attention to a poster aimed at raising awareness about climate change. Reducing the demand for meat may decrease the environmental impact of meat production by influencing how much meat is produced.
The 2006 report Livestock's Long Shadow, released by the Food and Agriculture Organization (FAO) of the United Nations, states that "the livestock sector is a major stressor on many ecosystems and on the planet as a whole.” Globally it is one of the largest sources of greenhouse gases.
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