View allAll Photos Tagged Distribution
A local resident in Bung village, Maban, South Sudan, receives seeds during a distribution.
Read more about FAO and the crisis in South Sudan.
Photo credit must be given: ©FAO/UNHCR Albert Gonzalez Farran. Editorial use only. Copyright FAO.
twitter.com/keltruck/status/1194620612616114176
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#ICSDistribution #Smethwick #BlackCountry #WestMidlands #WestMids #B66 icsltd.uk.com #ICS #ScaniaV8 #PrideOfTheFleet #KingOfTheRoad keltruckscania.com/silverknights
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Video: pic.twitter.com/MHAf3ONgz3
Seeds distribution in Doro refugee camp, in Maban, South Sudan.
Read more about FAO and the crisis in South Sudan.
Photo credit must be given: ©FAO/UNHCR Albert Gonzalez Farran. Editorial use only. Copyright FAO.
A rather smart looking 47307 carrying Railfreight Distribution branding at Kearsley on 28th May 1990 with the 11:17 Barrow to Manchester Victoria service. The more normal motive power for these services was a Class 31/4. The weather conditions on this day had been somewhat mixed, the M62 was in dense fog when I drove West, but cleared to sunshine when I dropped down to Diggle. Moving brought me back into duller conditions, at least the fog had lifted somewhat.
47207 “Bulmers of Hereford” in BR Railfreight Distribution two tone grey livery. Built in Crewe and originally numbered D1857 the loco survived a further 3 years after this image was taken before being cut up by C.F. Booth in Rotherham.
Nikon F4
35/70mm/F2.8
125/F5.6
Fuji Velvia
The 4th Squadron, 2d Cavalry Regiment receives a simulated full combat load of ammunition at the ammunition transfer and holding point at Powidz, Poland, June 1, 2018.
90021 with the 12:17 North Berwick to Edinburgh service flies through Ballencrieff on 30th August 2005 in the short time locomotives and stock were used on weekday North Berwick services.
Lancaster, NY. September 2015.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
July 17th 1999
Healey Mills
Namessplates removed and awaiting their fate are, left to right, Class 47s 47241 Halewood Silver Jubilee 1988 (exD1918), 47218 United Transport Europe (exD1868), 47213 Marchwood Military Port (exD1863) and just a little of 47237 (exD1914) - never named and the only one to survive, in use today (2014) with West Coast.
Ref 4005
Links: Class 47s / Healey Mills / Albums
twitter.com/keltruck/status/1287726861976559617
Five more new #TDWDistribution highly spec'd R450 6x2/2. A driver's dream #SuppliedByKeltruck !
#TDW #Bridgend #MidGlamorgan #SouthWales #Wales #Cymru #CF31 tdw-distribution.co.uk
Spec & order your new #Scania at keltruckscania.com/sales
[Shizuoka, Japan / 静岡]
Japanese Name: シラン, 紫蘭
Distribution: China to C. & S. Japan (36 CHC CHN CHS 38 JAP KOR NNS 41 MYA)
Lifeform: Rhizome geophyte
Basionym/Replaced Synonym:
Limodorum striatum Thunb. in J.A.Murray, Syst. Veg. ed. 14: 816 (1784).
Homotypic Names:
Epidendrum striatum (Thunb.) Thunb., Trans. Linn. Soc. London 2: 327 (1794).
Cymbidium striatum (Thunb.) Sw., Nova Acta Regiae Soc. Sci. Upsal. 6: 77 (1799).
Bletia striata (Thunb.) Druce, Rep. Bot. Soc. Exch. Club Brit. Isles 1916: 609 (1917).
Jimensia striata (Thunb.) Garay & R.E.Schult., Bot. Mus. Leafl. 18: 184 (1958).
Heterotypic Synonyms:
Cymbidium hyacinthinum Sm., Exot. Bot. 1: 117 (1805).
Limodorum hyacinthinum (Sm.) Donn, Hortus Cantabrig., ed. 4: 201 (1807).
Gyas humilis Salisb., Trans. Hort. Soc. London 1: 300 (1812).
Bletia hyacinthina (Sm.) Aiton, Hortus Kew. 5: 206 (1813).
Jimensia nervosa Raf., Fl. Tellur. 4: 38 (1838).
Bletia gebina Lindl., J. Hort. Soc. London 2: 307 (1847).
Sobralia bletioides Brongn. ex Decne., Rev. Hort. (Paris), sér. 3, 1: 421 (1847).
Bletilla gebina (Lindl.) Rchb.f., Fl. Serres Jard. Eur. 8: 246 (1853).
Calanthe gebina (Lindl.) Lindl., Fol. Orchid. 6: 11 (1855).
Bletia hyacinthina var. gebina (Lindl.) Blume, Coll. Orchid.: 17 (1858).
Polytoma inodora Lour. ex B.A.Gomes, Mem. Acad. Real Sci. Lisboa, 2 Cl. Sci. Moraes, n.s., 4(1): 30 (1872).
Bletilla striata var. gebina (Lindl.) Rchb.f., Bot. Zeitung (Berlin) 36: 75 (1878).
Coelogyne elegantula Kraenzl., Repert. Spec. Nov. Regni Veg. 17: 111 (1921).
Bletia hyacinthina var. liukiuensis S.Sakag., Gen. Ind. Fl. Okinawa: 80 (1924).
Bletilla striata var. albomarginata Makino, J. Jap. Bot. 6: 31 (1929).
Bletilla striata f. gebina (Lindl.) Ohwi, Bull. Natl. Sci. Mus. Tokyo 33: 70 (1953).
Bletilla elegantula (Kraenzl.) Garay & G.A.Romero, Harvard Pap. Bot. 3: 53 (1998).
Tool distribution in Jeremie/Distribution d'outils à Jeremie.
Read more about FAO and the Hurricane Matthew in Haiti.
Photo credit must be given: ©FAO/François Grunewald. Editorial use only. Copyright FAO
photo supposedly shows distribution of relief after 1906 Quake
Market Street was only cut through the blocks west of Castro sometime around the construction of the Twin Peaks tunnel, ca. 1917...... this site would now be in the middle of Market Street......
The narrow path near my home, I used to walk this path to go home, now the last part of it will be demolished soon. Expired Fujicolor 100 Film (Expired Date: 2009-12)
The Art Gallery of Knoxville
January 1-27, 2007
"Distribution Religion" was developed in 1973 by Chicago artists Dan Sandin and Phil Morton as a text to describe the schematic plans for Sandin's Image Processor, an analog computer optimized for video processing. The "Distribution Religion" expressed a determined belief in the idea of free and open copying, which is a central aspect of the Chicago School and a notion that has begun to become important to many contemporary artists.
From January 1 – 27, The Art Gallery of Knoxville will examine situations of sharing and exchange provided by three contemporary Chicago groups: criticalartware, People Powered , and Temporary Services. Each of these artists have developed interests in distribution and it's role as an important social / cultural concern.
criticalartware is a contemporary group led by artists jonCates, jon.satrom and bensyverson. A central part of their work involves the public distribution / presentation of interviews, video and text featuring the key players of early code or concept based Art. They are particularly interested in enabling "shared cultural resources connecting these conversations." In Knoxville, criticalartware will coordinate an electronic system for the sharing and exchange of this information – primarily through a custom computer interface.
People Powered is a Chicago group run by artist Kevin Kaempf. His work integrates itself socially, becoming a means for the distribution of physical tools. People Powered "adopts consumer culture's aesthetic forms to distribute information about sustainable living practices such as community composting, recycling, and free public transportation." A recent People Powered exhibit at the Chicago Museum of Contemporary Art highlighted prototypes for "Chicago Blue Bikes," in which junked bicycles are salvaged and rebuilt into a fleet of public bicycles. The Knoxville exhibition will become part of the project "Loop Limited: Recycled Paints" where unfinished cans of used paint are recycled/mixed together and redistributed into the community. Cans of paint will be available for free in the Gallery space.
The artists of Temporary Services are founders of the Chicago space "Mess Hall" and widely known for their public and social works. Often the group aims to "provide a network for the collection and distribution of artistic work going on looking at the line between art and ethics, power and art, and the role of the public." In Knoxville, the group's Booklets, a large collection of self published material on a wide range of subjects, will be freely available. Alongside this substantial library, an example set of works given away at the Temporary Services event "Free For All" will be shown. "Free For All" was a public art project where multiples of many small objects were collected by the public within a cardboard box that acted as a portable, distributed exhibition.
Temporary Services: Free For All by Marc Fischer "Over 10,000 objects were given away! Over 50 artists, individuals and organizations contributed work that was distributed for free at this one-day-only event. Artists' work was integrated with a wide range of material submerging the work in a broader context than it normally enjoys. Religious tracts, booklets, flyers, stickers, matchbooks, posters, audio tapes, and postcards were among the items given away. … 100 boxes (like the one pictured above) were provided for free. Visitors were invited to take anything they wanted making their own portable exhibitions to take with them."
"Free For All" is a self-replicating exhibit, one which is shared and exchanged in both the collecting and the viewing of it. Through "make-shift methods of distribution and display that are commonly found in flea markets, garage sales and craft shows" Temporary Services created an alternative, distributed exhibition that enabled a public to engage with cultural information on a level of personal ownership. The exhibition dealt not only with the free use of Art – but the creation of free and open systems as Art.
On the night of Friday, January 5, 2007 members of criticalartware will be involved in creating a free computer art and cultural event, (A) r4WB1t5 micro.Fest at the Pilot Light on January 5th. "(A) r4WB1t5 micro.Fest in Knoxville parallel processes The Art Gallery of Knoxville and the Pilot Light nightclub with intersections of New Media Art, realtime audio video processing, computer art geekery, digital punk rock, noise music, the Blues and freak folktronics!" Please join us to celebrate the Distribution Religion opening at both The Art Gallery of Knoxville and The Pilot Light.