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Specimen digitization project at the National Herbarium, National Biodiversity Centre, Seribithang, Bhutan
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My first color film with my Contax F / Zeiss Tessar lens at the Botanical Garden of Lyon, France.
The Contax F was equipped of the Carl Zeiss Jena Tessar normal lens 2.8/50mm with an aluminum 42mm push-on FOCA (France) shade hood with protective AUV Hoya filter (40.5mm screw-on). The camera was loaded with a 36 exposure CineStill 400D color negative film. Exposures were determined for 400 ISO using a Minolta Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas. The outdoor views were done at 1/100s. Indoor, in the green houses, I used the 1/50s or the 1/20s from the full aperture f/2.8 to f/4.
Tropical Green Houses, January 24, 2024
Jardin Botanique de Lyon
Parc de la Tête d'Or
69006 Lyon
France
After completion, the film was processed by a local lab service using the C-41 protocol. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
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About the camera and its normal lens:
The VEB Pentacon Dresden company was the name chosen in the 50's for the suite of Zeiss Ikon Dresden after the WWII in the former Deutsche Demokratische Republik (DDR).
Looking for a matching Carl Zeiss Jena Tessar lens for my Pentacon (Contax D), I found for the same low price a combo with later Contax F (1957) in working condition. The camera has the Ernemann tower logo but is branded "Contax". The Contax F is a small improvement of previous "Spiegel Contax" including a Fresnel lens to improve the viewing screen plus a system to automatically close the iris by pressing the shutter release. Both Zeiss Ikon and Contax brands were contested to the Zeiss branch on the other side of the west-east internal German border.
To avoid legal problems for exportation, Zeiss Ikon Dresden deposited two new possible trade marks resulting from the contraction of the words "Pentaprism" + "Contax" giving "Pentacon" and "Pentax". The name of Pentax was sold to Asahi Opticals in 1956 and the SLR Contax continued its distribution either under the name "Contax" for the internal East market, and "Pentacon" for export.
A new logo symbolizing the Ernemann tower of the Dresden Zeiss Ikon factory. For a time the "ZI" initials were included in the logo before disappearing later.
The M42 lens, branded "Carl Zeiss Jena", is a mid 50's Tessar 1:2.8 f=50mm, is in perfect mechanical and optical conditions. The lens could fit 42mm push-on or 40.5mm screw-on filters and shade hoods.
From back of photo: "Aunt Elsie Eastlack. Uncle Joe Eastlack (brother of Lydia E. Gleeson). Esther Chambers.
Elsie L. Heritage Eastlack, 1881-1969
Josiah B. Eastlack, 1878-1969
Esther Hearing Chambers, 1908-1987
I got to play again today. My pomegranate was so good I think i will buy another and another and another..
Copyright Tom Stanley Janca
IMG_5172e8
Digitized with Negative Lab Pro v2.1.0
Pentax K1000 | Ilford HP5 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Iford DDX
Go to Page with image in the Internet Archive
Title: The dental laboratory : a manual of gold and silver plate work for dental substitutes, crowns, etc., regulating appliances for irregular teeth, repairing, etc., to which is added manipulations in vulcanite and celluloid, laboratory hints, suggestions, fixtures, etc.
Creator: Chupein, Theodore F., author
Publisher:
Sponsor: Open Knowledge Commons, U.S. National Library of Medicine
Contributor: U.S. National Library of Medicine
Date: 1890
Language: eng
Description: Microfilm
Condition reviewed
digitized
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
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