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Specimen digitization project at the National Herbarium, National Biodiversity Centre, Seribithang, Bhutan
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Digitization Projects, sample recent projects, by no means comprehensive, as most of the items I deal with are contracted and not publicly available, but a broad overview of the scope and types of projects worked on.
Digitization breathes new life, it's one thing to squint at small faded photos, quite a whole other universe to see it fixed up with zoom details at my usual museum-quality levels of around 15,000 x 10,000 pixels; photos people had for life, are new all over again.
From back of photo: "Aunt Elsie Eastlack. Uncle Joe Eastlack (brother of Lydia E. Gleeson). Esther Chambers.
Elsie L. Heritage Eastlack, 1881-1969
Josiah B. Eastlack, 1878-1969
Esther Hearing Chambers, 1908-1987
I got to play again today. My pomegranate was so good I think i will buy another and another and another..
Copyright Tom Stanley Janca
IMG_5172e8
As part of my little explorations of the villages of the Mont d’Or massif and the Saône river valley North to Lyon city, France, I had the idea the visit Genay on December 9, 2025, by a very clear and mild afternoon (16°C) with a strong South wind.
I brought along with me my lovely Rolleiflex 3.5F (1960-1964, see below for details) loaded with a Rollei RPX400 black-and-white film. The camera was equipped with a Rollei Orange 1.5—3 filter together with the original Rollei RII shade hood on the taking lens. The film was exposed for 100 ISO to compensate the orange filter absorption. Light metering was done using an external Minolta Autometer III equipped with a 10° finder for selective metering privileging the shadow areas or its opale dome for incident light integration.
View n°11 1/125s f/5.6 focusing @ 6m, Rollei RII Orange filter and Rollei RII shade hood.
Le Château de Rancé, December 9, 2025
Rue du Château
69730 Genay
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film with 500 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 . The film was processed for 12 min at 20°C with regular 10s agitation every minute.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 120-format film.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic 15 (15.0.1, Nov. 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as print files with frame or the full size JPEG's possibly together with some documentary smartphone color pictures.
About the camera:
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in a remarkable state of conservation.
The Rolleiflex 3.5F is the model-3 that Rollei-Werke Franke & Heidecke produced in about 50.000 units in Germany from 1960 to 1965. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication. Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I did not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China for a safe operation of the field.
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