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Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Ilford HP5 400
Digitized with Negative Lab Pro v2.1.2
From back of photo: "Bertha Eastlack Allen, Frank Eastlack, Anna Eastlack Platt, John Eastlack, Lydia Eastlack Gleeson, Josiah Eastlack (Joe), Grammie - Mathilda Budd Eastlack, Grandad - John Eastlack. Great-grandmother and grandaddy of Florence DeHart Burns and Ernestine Ann (Dolly) Renaud. Great Uncles and Aunts to them.
192--I009
Bertha Eastlack Allen, 1880-1964
Franklin T. Eastlack, Sr. 1882-
Mary Anna Eastlack Platt, 1868-1956
John Eastlack, Jr., 1877-1961
Lydia P. Eastlack Gleeson, 1873-1953
Josiah B. Eastlack, 1878-1969
Mathilda Budd Eastlack, 1850-1928
John Eastlack, 1845-1935
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
This is the test film of my French FOCA lens OPLAR 1:3.5 f=9cm for the FOCA camera's "PF" ≈ (French : "Petit Format", PF1, PF2, and PF3) with he 36mm screw mount. The test was done in Lyon, France, along the Saône river banks and the district of Ainay, on December 11, 2023 by a quite humid and cloudy weather with about 13°C.
For the test, I mounted the lens to one of my FOCA PF2B range-finder camera bodies (the "PHOTO-BANGARD" one, see below for details). The lens was equipped with a FOCA AUV 42mm push-on filter plus generic cylindrical shade hood. The camera was loaded with a film Rollei Retro 400S (former aerial Agfa Aviphot 400) a super-panchromatic black-and-white film sensitized to 760nm in the near infra-red. The emulsion is coated on a clear PET film leading usually to high-contrast negative views. The film is quite adapted to low-light or misty weather. Exposures were determined using an Minolta Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas. The views were done at 1/200s or 1/100s from the full aperture 1:3.5 to 5.6.
Basilique Saint-Martin d'Ainay, December 11, 2023
69002 Lyon
France
After completion, the film was revealed using Adox Adonal developper at dilution 1+25at 20°C for 10min30 The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg
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About the camera :
According to the serial number this FOCA PF2B should be a model-4 from year 1955 (model-4 spans the years1954-1957). The shutter is a type-3 that equipped the version 16 to 17 in 1956. Curiously, the camera has also the type-6 rewind large button only appeared in 1957 on the model-5 of PF2B's. Maybe a latter upgrade required by the customer or prosed by the after-market service.
The camera was kept in its original box with the serial number hand written on the right side of the box. on the inner side of the camera back a sticker indicates the original seller : "PHOTO BANGARD", 29, Quai du Fossé, Mulhouse, France,
The Foca type PF2B (PF for "Petit Format") was constructed in France by the company "Optique & Precision de Levallois" (OPL) starting from 1947. It was manufactured in the Chateaudun OPL factory, route de Jallans, France. The factory, constructed in 1938, is still at the same place under the name of SAFRAN now producing precision devices for aerospace appliances.
The camera was originally equipped with the collapsible 36mm screw-mount OPLAR lens (a modified Tessar formula with an additional fifth rear element) 1:2.8 f=5cm. The focal shutter of the PF2B has timing of 1/1000, 1/500, 1/200, 1/100, 1/50 and 1/25s plus the B pose. A slow exposure device below 1/25s could be installed by the aftermarket service and was installed basically for the FOCA PF3 type.
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About the OPLAR 1:3.5 f= 9cm long-focal lens :
This long-focal lens is practically pristine either mechanically and optically. The French company O.P.L. ("Optique & Precision de Levallois") designed this lens for its FOCA camera's that first appeared in 1949 (version-1), and manufactured the lens in its factory of Châteaudun, Eure, France.
The serial number identifies a late model-5 version-6 (#115.000 ± 116.100) produced from 1959 to 1962 at the end of the 36mm-mount FOCA camera's. The optical formula improved from version-5 with 3 elements in 3 groups instead of 4 elements previously.
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
From back of photo: "Age 20. Taken before marriage. Charles C. Gleeson, Sr. Husband of Lydia Eastlack Gleeson. Father of Charles C., Lydia E., Florence B., Howard W., Emma C., James H."
189--I002
Charles C. Gleeson, Sr. 1869-1931
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
From back of photo: "Mother Gleeson, Lydia Eastlack Gleeson. Age 25 years. Wedding picture. Mother of Emma DeHart. Grandmother of Florence DeHart Burns, Ernestine (Dolly) DeHart Renaud. Haberle. 210 N. 8th St. Philadelphia."
1896-I001
1896-I002
Lydia P. Eastlack Gleeson, 1872-1953
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On December 24, 2024, I picked up my venerable Leica M3 year 1956 (see below for details) for a photowalk in Lyon city, France. I went to Fourvière, enjoying a not too cold (6°C) and clear sunny weather.
My Leica was loaded with a 36-exposure Ilford HP5+ film. I equipped the Summicron 2/5cm lens with a Hoya HMC AUV screw-on 39mm protective filter plus the Leitz shade hood for all indoor scenes, and outdoor I mounted a push-on 42mm FOCA (France) Yellow x2.5 filter and a generic cylindrical stainless steel hood that, unfortunately, induced some vignette if not perfectly aligned, that should be corrected during the processing). I should find a 39mm screw-on filter more safe to use with my Summicron 2/5cm,
Expositions were determined for the indicated 400 ISO (28 DIN) using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas and erected for the filter absorption if any.
The outside temperature was about 6°C with a bright sunny weather in the afternoon. Typically exposures outdoor were made at 1/250s with apertures ranging from f/8 to 11 and 1/50s or 1/25s at full aperture f/2 or f/2.8 indoor.
Théâtres Romains à Fourvière, December 24, 2024
69005 Lyon
France
After exposure, the film was processed in Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 6 min. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures. All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera and the lens :
This Leica M3 circa 1956 (Ref. Leitz ISUMO), double stroke, was sold to me with a Leitz Wetzlar Summicron collapsible normal lens 1:2 f=5cm of the same period equipped with a 39mm screw-on protective filter, a 42mm push-on Leica lens cap and an original Leitz shade hood (Ref. Leitz IROOA).
The camera was serviced in Paris, France, in 2018 by Gérard Métrot at Photo-Suffren, (a Leica boutique) who worked on the maintenance of camera's of famous French photographers as Henri Cartier-Bresson and Robert Doisneau. The camera was inspected by Odéon-Photo, Paris, another historic Leica place in Paris, in April 2024.
I sourced at the same time in Germany a stunning Leitz Leica leather bag (Ref; Leitz IDCOO) of the same model that appeared on the back cover page go the Leica brochure year 1954. This bag can accommodate the camera and a mounted Leica-Meter type M. The interior in covered with a carmin velvet in perfect condition.
The Leica M3 is one of the most iconic range-finder 35mm camera of the 50's and the 60's. It was produced in Wetzlar, Germany, in different versions at 226178 exemplars, between 1954 (n° 700000) and 1966 (n° 1164865, www.summilux.net/materiel/Leica-M3) . The Leica M3 was the result of the study of a "super-Leica" that was started before WWII and only achieved in the 50'S.
The greater improvement of the M3 compared the classical Leica's was in a magnificent and very complex range-finder combined to the view finder permitting the framing with the two eyes open, integrating the frame in the real and normal vision. The shutter integrates too the normal and the slow speeds in the same barillet. The film advance of this version of Leica M3 is also the typical "double-stroke" advance that was exclusive to the Leica M3 first versions.
The camera was transported to me from Paris to Lyon, France on April 26, 2024 and the bag arrived the day after.