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Slides my mom had which I have cheater-digitized; I shot the slides with my dslr while they were on the slide viewer. I don't know where this was taken, and the year is probably about 1965, 67 or 68.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
From back of photo: "Aunt Elsie, Ted Gleeson, and Esther's birthday. Sept. 1946. 'The Party,' 1946. Ernest, Grandma Gleeson, Emma, Lydia, Ted Warrington, Dolly, Florence and Florence B. Gleeson X on them."
Ernest R. DeHart, 1903-1991
Lydia P. Eastlack Gleeson, 1872-1953
Emma Campbell Gleeson DeHart, 1904-1995
Lydia Gleeson Warrington, 1899-1988
Theodore (Ted) B. Warrington, 1898-1990
Ernestine (Dolly) DeHart Renaud, 1935-2024
Florence L. DeHart Burns, 1934-
Florence (Ted) Budd Gleeson, 1901-1980
Elsie L. Heritage Eastlack, 1881-1969
From back of photo: "Mother Gleeson of Emma G. DeHart. 1934. Grandmother to Florence, Dolly."
Lydia P. Eastlack Gleeson, 1872-1953
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Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Rodinal 1-50
This has been dubbed as my first flyer! It was created by accident as I was trying to calibrate my camera, but ended up with a nice self-portrait.
From back of photo: "Aug. 1978, Ocean City. Emma, Ted W., Camille, Daryl, Aunt Lydia, Lynn, John, Aunt Ted, Pauline, Huff, Dolly."
Emma Campbell Gleeson DeHart, 1904-1995
Theodore (Ted) B. Warrington, 1898-1990
Camille Burn Boisvert, 1962-
Daryl Burns, 1963-
Lydia Gleeson Warrington, 1899-1988
Lynn D. Renaud McShane, 1959-
John Burns, 1965-
Florence (Ted) Budd Gleeson, 1901-1980
Pauline Gleeson Hall, 1925-2013
Ellis (Huff) A. Hall, 1924-1993
Ernestine (Dolly) DeHart Renaud, 1935-2024
From back of photo: "1942. First Row. Left-right. Esther Chambers, Aunt Elsie Eastlack, Florence Gleeson. 2nd row. Lydia Gleeson Warrington, Theodore Chambers, Lydia P. Gleeson (Grandma), Mary [Stataer?], Theodore Warrington, Aunt Bertha Allen, ? Mary Strictland, Helen Newbert Hay."
Esther Hearing Chambers, 1908-1987
Elsie L. Heritage Eastlack, 1881-1969
Florence (Ted) Budd Gleeson, 1901-1980
Lydia Gleeson Warrington, 1899-1988
Theodore?
Lydia P. Eastlack Gleeson, 1872-1953
Mary?
Theodore (Ted) B. Warrington, 1898-1990
Bertha Eastlack Allen, 1880-1964
Mary Strickland, 1869-1952
Helen Neubert Hay, 1923-2020
From back of photo: "Lydia Eastlack (Mother) Gleeson. Taken in Jeffersonville, Georgia. Brother Charles' home."
Lydia P. Eastlack Gleeson, 1872-1953
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
From back of photo: "Grandpop DeHart, Ernest DeHart, Florence [DeHart], Dolly DeHart. Trenton Fair."
Ernestine (Dolly) DeHart Renaud, 1935-2024
John W. DeHart, 1869-1957
Ernest R. DeHart, 1903-1991
Florence L. DeHart Burns, 1934-
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
From back of photo: "Family reunion, Ocean City, July 1981. Ellis Hall, Uncle Ted Warrington, Larry Hall, Beverly Gleeson, Aunt Lydia Warrington, James Gleeson, Aunt Kitty Gleeson, Uncle James Gleeson, Florence Burns, Emma G. DeHart, Dolly Renaud, James Parrish, Fred Renaud, (back of Dolly) Patsy Parrish, Pauline Hall (Randy's baby), Gail Gleeson, Lynn Renaud."
1981-I001
Ellis (Huff) A. Hall, 1924-1993
Theodore (Ted) B. Warrington, 1898-1990
Lawrence (Larry) E. Hall, 1952-2013
Beverly Gleeson, 1934-
Lydia Gleeson Warrington, 1899-1988
James Gleeson, Jr., 1953-2023
Mary Kathryn (Kitty) Pryor Gleeson, 1927-2015
James H. Gleeson, Sr., 1912-1986
Florence L. DeHart Burns, 1934-
Emma Campbell Gleeson DeHart, 1904-1995
Ernestine (Dolly) DeHart Renaud, 1935-2024
James Parrish, 1930-2012
Fredric Renaud, 1933-
Charlotte Irene "Patsy" Gleeson Parrish, 1929-2018
Pauline Gleeson Hall, 1925-2013
Gail Gleeson, 1943-
Lynn D. Renaud McShane, 1959-
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Condition: New Size: 10.1″ Type: Touch Digitizer
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From back of photo: "Irene W. Gleeson. [W]ife of Charles C. Gleeson. Born 1895-died. Mother of Pauline G. Hall and Patsy G. Spears."
Irene Wimberly Gleeson, 1895-1980
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Slides my mom had which I have cheater-digitized; I shot the slides with my dslr while they were on the slide viewer. I don't know where this was taken, and the year is probably about 1965, 67 or 68.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
In France,at century 19, the French military strategy included the heavy defense of main cities like Lyon. Lyon was defended by 17 different forts located in two concentric defense lines. This time, on January 28, 2025, I went especially to Dardilly, about 15 km away, north to Lyon to see the Fort du Paillet. However the weather soon degraded and my photo session was shorter than expected. The film was completed the day after in Lyon and along the Saône river going to La Mulatière by bicycle with a more pleasant sunny weather.
I used my Zorki version-1 type-D camera (year 1955, see the details given below)) equipped its Industar-22 1:3.5 f=5cm standard lens. With sunny weather on January 29, 2025, I exchanged the anti-UV 36mm push-on filter by a Yellow x2.5 FOCA filter. For the whole views the lens was also protected of parasite lights with a generic cylindrical stainless steel hood (36mm push-on too).
I had the bad idea to pick up in my fridge a Svema (Свема) FOTO 200 film probably of the same batch as the one done in 2022 (flic.kr/s/aHBqjAsaLd). This batch was badly damaged on the second half of the film and this cartridge too. Here, I succeeded to salvage 20 frames to be presented, the rest is so affected by the degradation of the emulsion (see the contact sheet provided). What is more the cartridge was so hard to unroll that I had to move the spool in a similar reusable 135-format cartridge... Still, I noticed during the photo session that the advance was irregular.
Svema FOTO 200 is a super-panchromatic film coated on a very thin polyester flat base that looks very closed to the aerial film Agfa Aviphot 200. The film an extended sensitization in the red to the near IR at 780 nm, The film was exposed for 160 ISO using a Minolta Autometer III and its 10° finder for selective measurements privileging the shadows zones of the scenes.
Typically, with poor light conditions and AUV filter, exposures were at 1/60s f/4.5. With sunshine, and the yellow filter I exposed for 80 ISO giving 1/100s and f/8 or f/11
Fort du Paillet, January 28, 2025
69570 Dardilly
France
After exposures the film was processed using Adox Adonal (equivalent to Agfa Rodinal) developer at dilution 1+50, 20°C for 14min according to data found on www.digitaltruth.com).
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
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About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФÐД", "ФÐД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.