View allAll Photos Tagged Digitization
From back of photo: "Picture Emma Gleeson (DeHart). 1 year. From front of photo: "Little Emma has had a very nice time all this while here. So I send her home now. Hope she gets there all right. Tell her Aunt Em will come see her if she is a good little girl. I have been very sick and the doctor sent me away somewhere up at Reading, Pa. on the mountain. Sister Emma."
1906-I001
Emma Campbell Gleeson DeHart, 1904-1995
From back of photo: "Pass-a-Grille B. Florida. Feb. 1946. Florence DeHart, Emma, Dolly."
Florence L. DeHart Burns, 1934-
Emma Campbell Gleeson DeHart, 1904-1995
Ernestine (Dolly) DeHart Renaud, 1935-2024
Slides my mom had which I have cheater-digitized; I shot the slides with my dslr while they were on the slide viewer. I don't know where this was taken, and the year is probably about 1965, 67 or 68.
I started this monster project called digitization. Digging through tons of analog slides. I'm afraid it's going to be an endless job. Using my Nikon Z7_II shooting the slides.in 1:1 scale.Tethered sessions with C1. Surprized to see how the slides were aging over the last 35 years.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
At Media Track, we offer different types of printed media digitization services ranging from newspaper digitization, magazine digitization to article digitization. To know more, visit our website. www.mediatrack.sg/mt-analysis/
Kenmare Market 1974, taken on August 15th. (Wikipedia states that this day was long time market date).
This is a test of the new negative color film Harman Phoenix 200 with my Minolta XD5 SLR camera (years 1979-1984).
The Minolta XD5 body was equipped with a Minolta MD (III) 1:2.8 f=28mm lens with a protective Hoya 49mm UV HMC Expert filter and the original shade hood for the 28mm lenses.
The camera was loaded with the 36-exposure color film and exposed for 200 ISO using either the body light meter in the three modes available (M, A, S) and/or checked with a Minolta Autometer III equipped with a 10° viewfinder for selective measuring and privileging the shadow areas.
Jardin Botanique de Lyon, March 18, 2024
Parc de la Tête d'Or
69006 Lyon
France
After exposures the film was processed using a local lab service using the C-41 process. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The duplication light was set to 4800K instead of 8600K for regular negative color film with the classical orange mask. The RAW files obtained were then processed without intermediate files in LR and finally edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
The results shows that this experimental film by Harman is prone to strong halation in the hight lights giving a yellow halo. The film is also and characterized by a strong contrast.
About the camera : Minolta XD5 was manufactured in Japan and released in 1979, two years after the XD7 (XD11 in certain markets). The camera was resized to the "gold dimensions" of the Barnack Leica (approx. 13x3x5 cm) as Olympus did for its OM1 several years before. Minolta XD5 is very closed to the XD7 body with only a few features suppressed. It has the same electronic shutter made of vertical metal shutters and offered for the first time the double mode of automatism with aperture priority (A) and shutter priority (S) with a new series of MD series. XD bodies served has basis for the Leica R4 to R7 SLR and was developped consequently with Leitz. XD camera were more expensive than Minolta X-700 and X-500 famous SLR and co-existed in the catalog from 1981 to 1984.
I found this XD5 from my local photography shop with its likely normal original lens a Minolta MD (III) 1:2 f=50mm. The Minolta MD 1:2.8 f=28mm wide-angle lens is part of my collection of Minolta lens. So far it the time I use this lens for film photography.
Digitized from slide. Original image taken on Olympus OM20. Digitized using Nikon D7200 with 60mm macro lens and ES-1 slide adaptor. Capture time and date approximate.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Black LCD Touch Digitizer Assembly & Camera Aprons & Earpiece Net for Apple iPhone 5
Services and products provided by Flash Tech LLC
The transition from a physical to a digital book is very smooth. From top to bottom:
- Put an object on the table (i.e. a book) and a photo is taken from above.
- The photo is projected on the same place, illuminating the original (including the hand that holds the book).
- Take the book a way and the projection is still there, giving you a magical, smooth transition from the physical to the digital.
Amusing and Spirited Pluto Dog Embroidery Design
Every cool character has to have a cool sidekick as well and so Disney iconic Mickey Mouse needed an iconic sidekick as well and that was none other than his dog Pluto that was spirited to say the least and always lively, until and unless you disturb its sleep, which is usually the case for it. This Spirited Pluto Dog Embroidery Design highlights the youthfulness of the character and shows him as a baby and highlights its characters lightness to the utmost degree.
Canon EOS 5 | Canon EF 40/2.8 STM | Fomapan 200 @ 160
Digitized with Valoi Easy35
Lab developed in Ilfotec DD
Digitized from a 1997 Kodak 100-5 negative film using a Canon R5 in 2024…….27 years later. The original film was photographed with a Canon EOS Elan
Vernal Fall is a 317 foot waterfall on the Merced River in Yosemite, California.
Image - Copyright 2024 Alan Vernon
Digitized from slide. Original image taken on Olympus OM20. Digitized using Nikon D7200 with 60mm macro lens and ES-1 slide adaptor. Capture time and date approximate.