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After our lunch at Mt Difficulty we went up the Felton Road to Felton Road Winery. March 6, 2014 Central Otago, Bannockburn, South Island, New Zealand.
Felton Road Winery. is situated on warm, north facing slopes of glacial loess soils in Bannockburn, in the heart of Central Otago. The modern gravity fed winery receives 100% estate grown fruit from its three vineyards that are all farmed biodynamically and are fully certified by Demeter. Minimal intervention in the winemaking with such practices as wild yeast, no fining or filtration, allow the unique vineyard characters to further express their considerable personality.
Since the first vintage in 1997, Felton Road has acquired a formidable worldwide reputation.
Zero waste By-products:
Winery waste is, probably more than any other substance, lees. Lees are a mixture of sediments left over from winemaking, and consist mainly of dead yeast and tartaric and malic acid. It isn’t particularly hostile stuff, but acids are a problem in any waste system, so winery waste management systems are designed to deal with this mixture. It takes a lot of money to build a waste management system and a lot of energy to run it so, in a perfect world, we’d do without one. But is it possible to do that? We have demonstrated that it is. Our solution is simple: don’t throw anything away. Nothing whatsoever goes down our drains unless we have failed to find a better use for it. And since almost all waste has some form of value, there is a better use out there. Lees, for example, get separated into fine lees (the more liquid stuff) and the solid gunk. The solids are composted. It might be tricky to compost something this acidic for some wineries, but as we make well over 100 tonnes of compost a year anyway, the lees solids are literally a drop in the manure heap. That leaves the more liquid stuff to deal with. Each year it goes to a beautiful wood fired copper still and is distilled into “Fine”: the term for brandy distilled from wine lees. Roughly a thousand litres of lees yields about 100 litres of wonderful brandy. After 5 years of aging in French oak using a “solera” type system, it is ready to bottle.
What better way to recycle something that most regard as an industrial waste product?
Taken from and for more info: www.nzwine.com/winery/felton-road/
On Thursday, March 31, Erie observed the International Transgender Day of Visibility for the first time. Transgender community members and their friends and family came together to talk about the discrimination and difficulties faced by transgender people, but also their strength and growth, and to advocate for Pennsylvania to pass the Fairness Act. Currently, there is nothing at the state level that protects people in the areas of employment, housing and public accommodations on the bases of gender identity, gender expression or sexual orientation. Those categories have been covered by the Erie County Human Relations Commission since March 8, 2002.
Erie Times News covered the event and included a photo and article in the next day's edition.
Speakers at the event included Caitlyn Strohmeyer, Melanie Shubitowski, Tyler James Titus, and Jewels, an 11 year old trans girl. Supporters spoke as well, including Ashley, a professor at Behrend writing a children's book for trans youth as a community project.
The event was initially organized by Daye Pope of Equality PA Trans and Caitlyn Strohmeyer of TransFamily of NW PA. The event was originally slated to be in Perry Square, but was moved to the Mental Health Association of NW PA, 1101 Peach St, Erie PA, due to thunderstorms in the weather forecast.
Prep Time: | Cook Time: 4 | Servings: 8 | Difficulty:
Ingredients:
2 teaspoons ground cumin
2 teaspoons paprika
2 teaspoons sugar
2 teaspoons salt
1 teaspoon freshly ground black pepper
1 (4 pound) bone-in pork shoulder
1 tablespoon extra-virgin olive oil
1 medium onion, coarsely chopped
4 garlic cloves, smashed
1 cup Mexican beer
1 cup fresh orange juice
1/4 cup chipotle chiles in adobo sauce
1/4 cup fresh lime juice
1 tablespoon brown sugar
Directions:
Heat oven to 300 F. Mix the cumin, paprika, sugar salt and pepper in a small bowl. Rub the spices all over the meat. Heat 1 tablespoon oil in a dutch oven. Brown the pork on all sides. Remove the pork. Add onion, garlic, beer, orange juice, chipotles, lime juice and brown sugar to the dutch oven. Bring to a boil, scraping up any brown bits, then reduce heat to a simmer. Return the pork to the pot. Cover and transfer to oven. Cook until pork is very tender, about 3 to 4 hours, turning every hour or so.
Remove pork from the braising liquid and transfer to a cutting board to cool slightly. When cool enough to handle, shred the meat. Place the meat in a baking dish. Strain the braising sauce into a saucepan. Boil until reduced to a sauce consistency. Drizzle over the shredded pork. Transfer the pork to oven and broil until the meat begins to caramelize, 3 to 5 minutes.
To serve, spoon some of the pork in the center of a tortilla. Top with guacamole, salsa, fresh cilantro and scallions. Roll up and eat.
Notes: Carnitas are perfect weekend food. Festive and fun to eat, they are great for a casual party or a large family gathering. Begin the meat early in the day so that it will slow cook in the oven while you go about your daily business. As the meat breaks down, it will be infused by the beer and chipotle braising liquid until it's falling apart tender at the bone. A little shredding and a final turn in the oven with the reduced sauce turns out smoky, spicy, caramelized pork, ready to pile on tortillas with salsa and guacamole. If you have any leftovers, the meat may be used in sandwiches or loaded on homemade nachos the next day.
courtesy of tastefoodblog.com
After our lunch at Mt Difficulty we went up the Felton Road to Felton Road Winery. March 6, 2014 Central Otago, Bannockburn, South Island, New Zealand.
Felton Road Winery. is situated on warm, north facing slopes of glacial loess soils in Bannockburn, in the heart of Central Otago. The modern gravity fed winery receives 100% estate grown fruit from its three vineyards that are all farmed biodynamically and are fully certified by Demeter. Minimal intervention in the winemaking with such practices as wild yeast, no fining or filtration, allow the unique vineyard characters to further express their considerable personality.
Since the first vintage in 1997, Felton Road has acquired a formidable worldwide reputation.
Zero waste By-products:
Winery waste is, probably more than any other substance, lees. Lees are a mixture of sediments left over from winemaking, and consist mainly of dead yeast and tartaric and malic acid. It isn’t particularly hostile stuff, but acids are a problem in any waste system, so winery waste management systems are designed to deal with this mixture. It takes a lot of money to build a waste management system and a lot of energy to run it so, in a perfect world, we’d do without one. But is it possible to do that? We have demonstrated that it is. Our solution is simple: don’t throw anything away. Nothing whatsoever goes down our drains unless we have failed to find a better use for it. And since almost all waste has some form of value, there is a better use out there. Lees, for example, get separated into fine lees (the more liquid stuff) and the solid gunk. The solids are composted. It might be tricky to compost something this acidic for some wineries, but as we make well over 100 tonnes of compost a year anyway, the lees solids are literally a drop in the manure heap. That leaves the more liquid stuff to deal with. Each year it goes to a beautiful wood fired copper still and is distilled into “Fine”: the term for brandy distilled from wine lees. Roughly a thousand litres of lees yields about 100 litres of wonderful brandy. After 5 years of aging in French oak using a “solera” type system, it is ready to bottle.
What better way to recycle something that most regard as an industrial waste product?
Taken from and for more info: www.nzwine.com/winery/felton-road/
Here Dr Tahira Rubab Hafeez is explaining the facts that sexual problems, well, there are so many individuals, a couple, who suffer from this problem nowadays. It is pretty frequent too. However, it becomes a big concern when it impacts both your health and your sexual life! So, yes, we're taking an effort to give extensive information about the most prevalent sexual difficulties and treatments.
What are Sexual Issues?
A sexual issue is defined as a difficulty that occurs throughout any stage of the sexual response cycle and inhibits an individual or couple from receiving satisfaction from their sexual engagement. There are four stages in the sexual response cycle: stimulation, plateau, climax, and resolution. I am talking about these issues in this video series.
If you have difficulty pronouncing the name just remember that Howth rhymes with both.
If you like eating out and if you like seafood then Howth is the place to go. Personally I would recommend Aqua. If you are not interested in the many restaurants and pubs the place still has a lot to offer as it is a popular area for birdwatching and sailing. It is also popular with anglers. Howth is also a popular destination for cyclists and hillwalkers, particularly on weekends.
There are plenty of sea mammals, such as seals in the harbour.
I must admit that I was a bit surprised so see a notice which read as follows: "A person shall not feed a seal from the quayside or from any other place in this port. A person who contravenes this Bye-Law is guilty of an offence and is liable on summary conviction to a fine nor exceeding Euro 5,000". Today there were many people feeding the seals and I checked a number of tourist guides (in Easons) and many of them suggest "feeding the seals" in Howth as a recommended activity.
The most famous visitor to Howth may have been King George IV of England, who visited Ireland in 1821 and is chiefly remembered because he staggered off the boat in a highly inebriated state. He did manage to leave his footprints at the point where he stepped ashore on the West Pier.
The Armistice Clearing at Compiègne:
You can see what difficulty I'd have had trying to fit into this machine. Safe to say that, during WW1, tankers (George S. Patton's term) were of a smaller stature than my 6ft 4½", 280lb (1.95m, 127kg).
Char Renault FT 17: '00626'
The Renault FT was also called "FT 17" although this specific naming was never acknowledged by Renault or any official working on the project.
It was to be related to the year 1917, like "modele 1917" as it was customary for many French weapons of the time, but this was introduced after the war.
"FT" has no meaning but was the next identification letters available for this project in Renault nomenclature (some authors suggested later "Faible Tonnage" "low tonnage" or "Franchisseur de Tranchées" "trench crosser"). It began as a concept, and became a personal project of Louis Renault, the famous car maker. He sought the ideal weight-to-ratio proportion for a more agile and faster tank than the Schneider CA-1 and the heavy Saint Chamond, and also a cheaper and easier model to produce.
All started after a meeting between Colonel Estienne and him at the Hotel Claridge in Paris. Until then, Louis Renault declined any involvement into tank production, claiming his lack of experience with tracked vehicles and other commitments. However, as an engineer he was taken up by the challenge, and after the meeting, started a practical study for a light vehicle, easy to manufacture with a reduced, unskilled workforce (factories had been depleted then by mass drafts and enlisting).
The Renault FT prototype included a rotating turret, a concept already tested with the Little Willie, a rear engine configuration, a front driver, with the turret operator (and commander) right behind. Compared to the short and narrow hull, the modified Holt chassis was big enough to allow sufficient grip on any ground. To manage large trench crossings a rear tail was mounted, which facilitates balance and hanging. Instead of "mobile fortresses" or "land cruisers", the Renaut FT seemed lightly armed, but the turret made it versatile and efficient in most circumstances.
The Renault 4-cylinder air-cooled petrol engine was started either by a rear crank or an internal one. It was handily reachable from above, protected by a large hood. The petrol tank was installed after the turret and before the engine, high for gravity and well-protected except from above. A steel chain was usually suspended on the rear tail in order to be used for towing another vehicle. Large metal boxes were suspended on the flanks, with shovels, picks, spanner and other tools, as well as sometimes additional fuel tanks and spare track links. There was no means of communication between the turret operator and driver and the interior was almost deafeningly noisy, so a kind of "kicking code" in the back, shoulders or even head of the driver was used to transmit steering orders. These were armed with a Puteaux M19 37 mm (1.45 in) short-barreled, low-velocity gun, or a coaxial Hotchkiss 7.92 mm (0.31 in) machine gun.
FT 17s after the First World War were in service with more than 20 countries around the world and took an active part in many military conflicts on different continents. It has become one of the most popular interwar model, and purchased by Finland, Estonia, Lithuania, Yugoslavia, Belgium, while Czechoslovakia, Switzerland, the Netherlands, Greece and Sweden tested it. The biggest buyer outside Europe was Brazil. The FT influence worldwide could not be underestimated: They were the very first US, Soviet and Italians tanks, generating close-copies and printing a profound mark on later developments.
There were still thousands of FTs in various conditions around the globe when the Second World War broke out. The bulk of this WWI vintage fleet was in France, mostly because of a late rearmament. Both the Renault R35 and Hotchkiss H35 were due to completely replace this model (almost 2800 light tanks combined in May 1940). But still around 1850 FTs were listed as of 1939, renamed "FT-31". These were rearmed version with the Reibel 7.5 mm (0.295 in) compact machine-gun, a gas-operated model originally designed to serve on the Maginot line. But this upgrade did not improve their limited capabilities in range and speed, although not worrying an ageing general staff still thinking in trench warfare terms. Many were stationed in the Colonies, others served in second line, some were in various depots or assigned to training units when the western campaign began. This fleet was seized by the Germans, and reused for various duties.
Numerous Renault FT-17s saw action during the three first years of the war. The Polish ones were committed when the Germans launched Fall Weiss, Finnish modified Neiraas and Koiraas fought as dug out pillboxes for ambushes during the winter campaign, the Belgian FT-18s were also at the stakes when the Werhmacht crossed the north-eastern border in May 1940. Later on in April 1941, the Yugoslavian FTs and a very few Greek models also saw action against the Panzerdivisions. In Indo-China, also in 1941, French colonial armoured brigades equipped with the FT-17 (in original conditions) opposed a Thai invasion. The very same year, Iran, still operating a small fleet of FTs was found mobilized during the Anglo-Soviet invasion of their country. Perhaps some of these were sold or sent to Afghanistan and found some years ago by G.I.s in a metal dump.
Hi guys.
Just thought I'd pop along to let you know that I probably won't be uploading for a little while...
After a short, but hard working life My laptop has decided to opt for early retirement.
I'm down to just a 9" Dell notebook to work with and I just can't face editing with that, so I'll be saving my pennies for a whizzy new desktop instead.
As I don't currently have a desk either, I'll be taking a little while to get my workspace up to scratch.
Hopefully won't be gone too long and will no doubt be taking shots in the meantime to edit with my new system.
Catch you all soon.
Ratty.
Photo and upload via IPhone.
Same mall and same day as this one, but a different system. In fairness, it must be awful hard to get on-site tech support on a holiday weekend.
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
After our lunch at Mt Difficulty we went up the Felton Road to Felton Road Winery. March 6, 2014 Central Otago, Bannockburn, South Island, New Zealand.
Felton Road Winery. is situated on warm, north facing slopes of glacial loess soils in Bannockburn, in the heart of Central Otago. The modern gravity fed winery receives 100% estate grown fruit from its three vineyards that are all farmed biodynamically and are fully certified by Demeter. Minimal intervention in the winemaking with such practices as wild yeast, no fining or filtration, allow the unique vineyard characters to further express their considerable personality.
Since the first vintage in 1997, Felton Road has acquired a formidable worldwide reputation.
Zero waste By-products:
Winery waste is, probably more than any other substance, lees. Lees are a mixture of sediments left over from winemaking, and consist mainly of dead yeast and tartaric and malic acid. It isn’t particularly hostile stuff, but acids are a problem in any waste system, so winery waste management systems are designed to deal with this mixture. It takes a lot of money to build a waste management system and a lot of energy to run it so, in a perfect world, we’d do without one. But is it possible to do that? We have demonstrated that it is. Our solution is simple: don’t throw anything away. Nothing whatsoever goes down our drains unless we have failed to find a better use for it. And since almost all waste has some form of value, there is a better use out there. Lees, for example, get separated into fine lees (the more liquid stuff) and the solid gunk. The solids are composted. It might be tricky to compost something this acidic for some wineries, but as we make well over 100 tonnes of compost a year anyway, the lees solids are literally a drop in the manure heap. That leaves the more liquid stuff to deal with. Each year it goes to a beautiful wood fired copper still and is distilled into “Fine”: the term for brandy distilled from wine lees. Roughly a thousand litres of lees yields about 100 litres of wonderful brandy. After 5 years of aging in French oak using a “solera” type system, it is ready to bottle.
What better way to recycle something that most regard as an industrial waste product?
Taken from and for more info: www.nzwine.com/winery/felton-road/
Eaglehawk Neck.
The dramatic coastline here shows the difficulties mariners faced reaching Hobart in the 19th century. There are caves and blow holes along the coast. The narrow isthmus which separates the Tasman Peninsula from the mainland shows why Port Arthur was such an easily defended prison site. The tessellated (tiled) pavement is unique in Australia. The flat sandstone here has fractured into rectangular tiles, which have then been eroded by water and waves. The fractures dry out at low tide allowing salt crystals to form which speeds up the erosion of the pan or tile surfaces, leaving the original fractures higher.
Port Arthur 1830-1877.
What became the largest convict prison in VDL was started at Port Arthur in 1830 and named after the strict disciplinarian governor of the day, Sir George Arthur. 75,000 convicts served time in VDL before 1853 compromising roughly half of all convicts transported to Australia. Most came direct from England, but a few thousand came from other colonies or Ireland. At its peak in 1847, there were over 30,000 convicts in VDL. The majority were assigned to work for private colonists, some worked on government projects such as roads and bridges and public buildings. The worst criminals and those least likely to reform themselves were sent to convict prisons such as Port Arthur. Most of those assigned to farm work were from the petty criminal class of the industrial cities of Britain but they were not necessarily less skilled than free workers of those days. Port Arthur never had more than 1,200 prisoners there at any one time during its 47 year history. But it had a well deserved reputation for brutality and harshness. It was not an idle penal base; its inmates, if not in solitary confinement, worked felling timber, in foundries, the prison gardens, erecting buildings, and in the nearby coal mines- usually in chain gangs. Port Arthur was an industrial complex. Six forges operated here, bricks, barrels, coach wheels, and shoes were among the major products produced. The dock at Port Arthur was always busy with shipping arrivals and departures. It was not until the last years of the prison that the complex based on Pentonville in London was constructed (1848-52) where the cells were six feet by nine feet, dark and damp. The most infamous commandant, known for his brutality was Captain Charles O’Hara Booth who headed the prison from 1833 to 1844.
The main structures at Port Arthur include many that have not been demolished over the years: the Commandant’s House 1833; the round guard Tower 1835; the church 1836 (partially destroyed by fire in 1884); the Shipwright’s House 1834; the Clerk of Work’s House 1841; the Hospital 1842; the Commandant’s Office 1848; the Magistrates House 1847; the Medical Officer’s House 1847; the large four storey mill and granary was converted into the Penitentiary for those who were left at Port Arthur after 1853; the Model Prison 1852. In its heyday Port Arthur was much bigger than what you see today. After the end of transportation those prisoners convicted for life stayed on until the prison closed in 1877. Some were then transferred to Hobart or other prisons.
The Island of the Dead that we will cruise past is believed to contain about 1,100 graves. Only about 90 still have headstones. The civil workers were separated even in death from the convicts who were buried on the Island of the Dead. Marcus Clarke briefly visited Port Arthur in 1870 as it was winding down to get material for his fictional account of the life of a convict called For the Term of His Natural Life, which was first serialised in newspapers between 1870-72.
Completed in time for the Christmas holiday, this festive scene was just the right degree of difficulty that I was looking for. With that said, I won't be buying many puzzles of this style simply because I don't like the way they look compared to the mosaic style cutting of Michele Wilson, Royal Vera, Eddie, or Genest Le Colimaçon. To me, the busy, looping cut obscures the details of the scene too much, instead of highlighting them. But I did want to have at least one example of this style, so when I someday exhibit my works I can illustrate and highlight the differences in styles.
I suspect that this puzzle (which was cut in a stack, as evidenced by several pinholes) was cut using a continuous line method, where the cutter runs the blade continuously but without ever chopping an individual piece. They are left with two snaking pieces, which are then chopped into many individual pieces. I like that there are no whimsies in the puzzle, as that further enhances the distraction (to my eye). I think there is much technical skill involved in this swooping style cut (especially at this size .. the pieces are very small, the puzzle measuring 17.5" x 23"), but I admire more the cutter who is interacting with the image itself, rather than just focusing on cutting similar swoops.
The puzzle is complete, which is reason for celebration itself, considering how many fewer pieces it has than estimated on the box. There appears to be one replacement piece, near the man wearing green, but it is so perfect both in the shape and the backing paper, that perhaps it is an original piece that was discolored. Or maybe Lux Michou itself replaced the piece, using duplicate backing paper.
The painting is signed "M. Dovaston 1934," and further research shows that the painting is titled "Here's to Another Success," by Margaret Dovaston (1884 - 1954). Trained as an artist in the academy, she was well-known throughout England for her interior scenes and her war paintings from World War I. I also recognize her work in this Eddie puzzle. This genre isn't my favorite, and the print could be a bit sharper, but I think it's appropriate for this time of year. Overall a fun puzzle and another new experience for me.
Completed in 15 hr., 48 mins.; average time: 35.9 secs./piece; 100.4 pcs./hr. Difficulty rating: 3.6/10.
HAPPY MOTHER'S DAY to everyone who celebrates this special day today!
What a mess Flickr was last night! I had difficulty adding titles to my uploaded images, comments didn't save and, after I had added a description to each of the 20 photos, the descriptions all disappeared. When I opened Flickr this morning, there was still no sign of them. Then, suddenly, they re-appeared.
My photos taken at the National Butterfly Centre, Mission, South Texas, have now come to an end, so you can sigh a huge sigh of relief : ) After that, I have just a few photos taken at another place that we called in at later in the afternoon. Unfortunately, we only had an hour there before closing time, but how glad we were that we found this place. The highlight there was watching 25 Yellow-crowned Night-Herons coming in to roost for the night in the trees, right where we were standing! What a great sight this was, and we were lucky enough to have a good, close view of these gorgeous birds. We also saw some Purple Martins and their circular, hanging nest "gourds".
On Day 6 of our birding holiday in South Texas, 24 March 2019, we left our hotel in Kingsville, South Texas, and started our drive to Mission, where we would be staying at La Quinta Inn & Suites for three nights. On the first stretch of our drive, we were lucky enough to see several bird species, including a Golden-fronted Woodpecker, Hooded Oriole, Red-tailed Hawk, Crested Caracara, Harris's Hawk, Pyrrhuloxia male (looks similar to a Cardinal) and a spectacular Scissor-tailed Flycatcher. I'm not sure if this stretch is called Hawk Alley.
We had a long drive further south towards Mission, with only a couple of drive-by photos taken en route (of a strangely shaped building that turned out to be a deserted seed storage building). Eventually, we reached our next planned stop, the National Butterfly Centre. This was a great place, my favourite part of it being the bird feeding station, where we saw all sorts of species and reasonably close. Despite the name of the place, we only saw a few butterflies while we were there. May have been the weather or, more likely, the fact that I was having so much fun at the bird feeding station. We also got to see Spike, a giant African Spurred Tortoise. All the nature/wildlife parks that we visited in South Texas had beautiful visitor centres and usually bird feeding stations. And there are so many of these parks - so impressive!
nationalbutterflycenter.org/nbc-multi-media/in-the-news/1...
"Ten years ago, the North American Butterfly Association broke ground for what has now become the largest native plant botanical garden in the United States. This 100-acre preserve is home to Spike (who thinks he is a butterfly) and the greatest volume and variety of wild, free-flying butterflies in the nation. In fact, USA Today calls the National Butterfly Center, in Mission, Texas, 'the butterfly capitol of the USA'." From the Butterfly Centre's website.
The Centre is facing huge challenges, as a result of the "Border Wall". The following information is from the Centre's website.
www.nationalbutterflycenter.org/about-nbc/maps-directions...
"No permission was requested to enter the property or begin cutting down trees. The center was not notified of any roadwork, nor given the opportunity to review, negotiate or deny the workplan. Same goes for the core sampling of soils on the property, and the surveying and staking of a “clear zone” that will bulldoze 200,000 square feet of habitat for protected species like the Texas Tortoise and Texas Indigo, not to mention about 400 species of birds. The federal government had decided it will do as it pleases with our property, swiftly and secretly, in spite of our property rights and right to due process under the law."
"What the Border Wall will do here:
1) Eradicate an enormous amount of native habitat, including host plants for butterflies, breeding and feeding areas for wildlife, and lands set aside for conservation of endangered and threatened species-- including avian species that migrate N/S through this area or over-winter, here, in the tip of the Central US Flyway.
2) Create devastating flooding to all property up to 2 miles behind the wall, on the banks of the mighty Rio Grande River, here.
3) Reduce viable range land for wildlife foraging and mating. This will result in greater competition for resources and a smaller gene pool for healthy species reproduction. Genetic "bottlenecks" can exacerbate blight and disease.
IN ADDITION:
4) Not all birds can fly over the wall, nor will all butterfly species. For example, the Ferruginous Pygmy Owl, found on the southern border from Texas to Arizona, only flies about 6 ft in the air. It cannot overcome a 30 ft vertical wall of concrete and steel.
5) Nocturnal and crepuscular wildlife, which rely on sunset and sunrise cues to regulate vital activity, will be negatively affected by night time flood lighting of the "control zone" the DHS CBP will establish along the wall and new secondary drag roads. The expansion of these areas to vehicular traffic will increase wildlife roadkill.
6) Animals trapped north of the wall will face similar competition for resources, cut off from native habitat in the conservation corridor and from water in the Rio Grande River and adjacent resacas. HUMANS, here, will also be cut off from our only source of fresh water, in this irrigated desert.
An immediate post-war advert for the famous Crittall windows - it notes the difficulty of actually obtaining windows in the austerity years due to steel shortages - a source of much frustration given the amount of reconstruction work that was outstanding after the war years. The illustration is of interest - it is signed E H Shepard, the man who most famously illustrated Winnie the Pooh.
As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:
Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.
Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.
Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.
Luke Jones from Wales won the wheelchair section.
A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.
As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:
Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.
Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.
Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.
Luke Jones from Wales won the wheelchair section.
A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.
As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:
Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.
Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.
Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.
Luke Jones from Wales won the wheelchair section.
A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.
God is good all over the world!!!!
Afghanistan
Hamid Karzai, the Afghan president, congratulated Obama on his US election victory, saying it took the world into a "new era".
Iraq
Hoshyar Zebari, the Iraqi foreign minister, said Washington would not adopt a "quick disengagement" policy with Baghdad under the presidency of Barack Obama as a "great deal is at stake here".
Speaking to Al Jazeera, Zebari said: "I think it [Obama's election] was a major, major change ... although as far is Iraq is concerned I don't believe there will be any changes overnight. And there won't be any immediate disengagement because a great deal is at stake for everybody.
"I don't think there is much difference between the Iraqi government position and President-elect Obama's. He is contemplating withdrawing US forces within 16 months. We may have some difficulties with that time-line, but we also, in the status of forces agreement, set the date of 2011 as the date for the withdrawal of US troops from Iraq. So really the differences are not very wide."
Pakistan
Yousuf Raza Gilani, Pakistan's prime minister, congratulated Obama on his victory, saying he hoped the Democrat would promote "peace and stability" in the region around Afghanistan.
"I hope that under your dynamic leadership, [the] United States will continue to be a source of global peace and new ideas for humanity," he said in a statement, directed at Obama.
"I look forward to more opportunities to discuss ways to further strengthen Pakistan-US relations and to promote peace and stability in our region and beyond."
Obama has riled Islamabad in the past, pledging that the US under his leadership would "take out" al-Qaeda and Taliban bases in Pakistan.
Palestinian Territories
Mahmoud Abbas, the Palestinian president, congratulated Obama and urged him to speed up efforts to reach an Israeli-Palestinian peace agreement.
"President Abbas congratulates US president-elect Barack Obama in his name and in the name of the Palestinian people and hopes he will speed up efforts to achieve peace, particularly since a resolution of the Palestinian problem and the Israeli-Arab conflict is key to world peace," Nabil Abu Rudeina, Abbas's spokesman, said.
"President Abbas hopes the new administration will continue to make the peace efforts one of its top priorities."
Meanwhile, Hamas, which rules the Gaza Strip, urged Obama to learn from the "mistakes" of previous US administrations in dealing with the Muslim and Arab worlds.
"He must learn from the mistakes of the previous administrations, including that of Bush which has destroyed Afghanistan, Iraq, Lebanon and Palestine," said Fawzi Barhum, a Hamas spokesman.
"He must improve US ties with the rest of the world rather than wave the big American stick.
"We want him to support the Palestinian cause or at least not to be biased towards the Israeli occupation. We have no problem establishing normal relations with the United States to explain our just cause."
Israel
Israeli-US relations face "a bright future", Ygal Palmor, a spokesman for Israel's foreign ministry, said in reaction to Obama's election to the White House.
"Israelis congratulate the two great friends of Israel, John McCain for his great campaign, Barack Obama for his historic victory.
"We are certain that Israeli-American friendship faces a bright future."
Tzipi Livni, leader of the ruling Kadima party, recalled Obama's visit to Israel in July and said that "the people of Israel felt he [Obama] is a man who is deeply committed to Israel's security and peace".
"Israel hopes to pursue close strategic cooperation with the new administration and the new US president, and hopes to further tighten the unshakeable ties between our two countries," she said.
China
Hu Jintao, China's president, congratulated Obama on his victory in the US presidential poll, saying a closer relationship btween the two nations would be "for the benefit of Chinese and American people, and people around the world".
"In a new historical era, I look forward to ... taking our bilateral relationship of constructive co-operation to a new level," Hu said in a written message, according to a statement on the Chinese foreign ministry's website.
Wen Jiabao, China's prime minister, also congratulated Obama, while Xi Jinping, the vice-president, sent a message of congratulations to Joe Biden, Obama's running mate and America's next vice-president.
Britain
Gordon Brown, the UK's prime minister, congratulated Obama, hailing his "energising politics ... his progressive values and his vision for the future".
"I would like to offer my sincere congratulations to Barack Obama on winning the presidency of the United States," he said in a statement.
"The relationship between the United States and the United Kingdom is vital to our prosperity and security ... Barack Obama ran an inspirational campaign, energising politics with his progressive values and his vision for the future."
India
India's ruling Congress party hailed Obama's victory, saying his "youthful energy" was in tune with the energy of emerging India.
"Obama represents youthful energy, exuberant dynamism and a forward-looking progressive mindset which is also the spirit animating India," Abhishek Manu Singhvi, spokesman for India's Congress party, said.
France
Nicolas Sarkozy, the French president, congratulated Obama on a "brilliant victory".
"I give you my warmest congratulations and, through me, those of all French people," Sarkozy told the Democratic candidate in a letter made public by the French presidency.
"Your brilliant victory rewards a tireless commitment to serve the American people. It also crowns an exceptional campaign whose inspiration and exaltation have proved to the entire world the vitality of American democracy. By choosing you, the American people have chosen change, openness and optimism," he wrote.
"At a time when all of us must face huge challenges together, your election raises great hope in France, in Europe and elsewhere in the world."
The European Union
Jose Manuel Barroso, president of the European Comimission, applauded Obama's victory, with Barroso calling for a "new deal".
"This is a time for a renewed commitment between Europe and the United States of America," Barroso said in a statement. "We need to change the current crisis into a new opportunity. We need a new deal for a new world."
"I sincerely hope that with the leadership of President Obama, the United States of America will join forces with Europe to drive this new deal. For the benefit of our societies, for the benefit of the world."
South Africa
Kgalema Motlanthe, South Africa's president, congratulated Obama on his presidential victory, saying Africa "stood proud" and looked forward to a fruitful working relationship.
"Your election ... carries with it hope for millions of your countrymen and women as much as it is for millions of people of ... African descent both in the continent of Africa as well as those in the diaspora," he said.
Nelson Mandela, South Africa's first black leader, also congratualted Obama, saying that Obama's election as US president showed that anybody could dream to change the world.
"Your victory has demonstrated that no person anywhere in the world should not dare to dream of wanting to change the world for a better place," Mandela wrote in a letter to Obama.
The 90-year-old Mandela applauded Obama's commitment to support global peace and said he trusted that combatting poverty and disease would become the mission of Obama's presidency.
"We wish you strength and fortitude in the challenging days and years that lie ahead," said Mandela.
"We are sure you will ultimately achieve your dream [of] making the United States of America a full partner in a community of nations committed to peace and prosperity for all."
Sudan
Khartoum expressed hope that Obama's election win would mean "real change" for the country's strained relations with the US - America has branded Sundan as a "state sponsor of terrorism".
"The result of the election is a purely domestic affair, but certainly the United States, being the only big power in the world, it affects almost everything in other countries," said Ali al-Sadiq, a spokesman for Sudan's foreign ministry.
"We would hope that the slogan of president Obama - 'change' - would be reflected in the foreign policy in the United States, especially towards Sudan and oppressed countries, the Palestinians, the Iraqis and the Somalis.
"We would like to see some real change between Sudan and the United States."
Somalia
Abdullahi Yusuf Ahmed, the president of transitional Somali government, voiced hope that Obama would help end conflict in the world.
"I am congratulating Barack Obama for his election as the president of United States of America," Yusuf said in a statement released by his spokesman.
"I am hopeful that he will help end major crises in the world, particulary the endless conflict in my country Somalia. This was an historic election in which a proper leader was elected. This is a great moment for America and Africa."
Japan
Taro Aso, the Japanese prime minister, offered his "heartfelt congratulations" to Obama, pledging to work with the new leader to strengthen relations.
"I would like to extend my heartfelt congratulations to Senator Obama on his election as President of United States of America," Aso said in a statement.
"I will strive to further strengthen the Japan-US alliance and to resolve various challenges the international community faces when addressing issues such as the international economy, terrorism and the environment."
The Philippines
Gloria Arroyo, the Philippines' president, congratulated Barack Obama for winning the US presidential election.
"We wish to express our profound congratulations to President-elect Barack Obama for his historical and stellar win as the 44th president of the United States," Lorelei Fajardo, a spokesman for Arroyo, said in a statement.
"His call for change opened a new phase in American politics, sparking hope and inspiration not only for the American people but the citizens of the world.
"America has always been the bastion of democracy and the world has always looked to the USA for direction. Obama has promised change and the American people and the world await these changes. We look forward to greater co-operation between the USA and the Philippines, the Democrats have always been good allies."
Australia
Kevin Rudd, the Australian prime minister, praised Obama's victory saying it was a testament to the strength of the US democratic system and was a message of hope not just for the United States but for the whole world.
"Twenty-five years ago Martin Luther King [the US civil right activist] had a dream of an America where men and women would be judged not on the colour of their skin but on the content of their character," Rudd told said.
"Today what America has done is turn that dream into a reality. A world which is in many respects fearful for its future."
"King of Guns"
When you encounter difficulties and contradictions, do not attempt to break them, rather bend them with gentleness and time.
— Saint Francis de Sales
2048 x 2048 pixel image for the iPad’s 2048 x 1536 pixel retina display.
Designed to complement the iPad iOS 7 lock screen, also works on an iPhone, simply centre the image horizontally after selecting it.
image source: tumblr.unsplash.com/post/79818558678/download-by-davide-r...,
© davide ragusa, www.flickr.com/photos/davideragusa
Typeface: Palatino
This is a converted heavy truck used by militias across africa and the middle east. Often a large anti-air gun or some other sort of heavy weapon will be mounted on to a technical.
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-Not That Dead-
A selection of films about the joys and difficulties of the photographer's profession
⠀
If you are fond of photography, then be sure to watch at least some of the films from my selection. I am sure that after watching you take pictures with excitement!
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📌 The window into the yard (1954)
📌 Blow-up (1966)
📌 Photographer (1998)
📌 One hour photo (2002)
📌 City Of God (2002)
📌 Fur: An Imaginary Portrait of Diana Arbus (2006)
📌 Unforgettable moments (2008)
📌 Crazy Club (2010)
📌 Photographer from Mauthausen (2018)
📌 The Great (2020)
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If you know any other interesting 😍 films about photography, write about them in the comments 🙏
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Ph: @safronoviv_photo
Loc: @shansbio
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#blackandwhite #carnivore #companiondog #dog #dogbreed #flashphotography #leg #standing #style #whiskers #sportsphotography #businessphotography #businessphotograph #beautifulphotosession #NikonD850 #safronoviv_photo
You want this game. Even if you've played it before on the PS2 or Cube, you'll still want to download Alien Hominid on Xbox Live Arcade. There's something about it that makes Alien Hominid not just a fun game, but also an excellent fit for the XBLA. Whether it's the classic level of difficulty, the great sense of humor or the perfect combination of both, we can't say for sure. All we know is that you want this game. We want it.
Alien Hominid draws inspiration from its predecessors, most obviously Contra and Metal Slug, but injects a healthy dose of style and originality that gives it an identity all its own. Shooting is the name of the game here. Lots of it. As the title Alien, it's your job to piece together your spaceship and enact revenge for being blasted out of the sky. Blockheaded kids will occasionally give you some handy power-ups, but you'll have to rely on your laser gun for most of the work. There are a few little moves you can perform, such as jumping on an enemy's shoulders and biting his head off or whipping out a knife for close encounter kills, but the main gameplay is pretty straightforward. It's simple, but there are enough quirks thrown in to keep things fresh through the entire game.
Those quirks come in the level design, which is spot on. Hopping along the roofs of cars on a speeding highway, riding a snowmobile through an obstacle course while attacking a train, or taking control of a giant yeti; it's all just part of the game. If you've played your share of classic side-scrollers, you'll have passing feelings of dejavu that will last about a second before the difficulty forces you to stop trying to remember where you've seen something like this in the past. It all feels oddly familiar, yet totally fresh.
If there can be any harsh criticism leveled at Alien Hominid, it would have to be directed at its difficulty which ranges from insane to impossible. A single shot from an enemy is enough to end your life and those little balls of death hurtling your way can easily be lost in the vibrant backgrounds. There's no way around it -- you will die very regularly and be forced to use nearly all of your continues to finish just a single stage. Occasionally, you'll find yourself in situations where death is the only option. Practice makes perfect, but this game can be brutal even after many hours of playing. A second player can hop in at any time for co-op action (offline only), though it hardly makes anything easier. In fact, we found it harder than ever at times since a second player only adds to the onscreen confusion. Thankfully, you can load any level you've previously reached and begin with a clean set of continues, ensuring that you'll be able to keep progressing through the game in spite of itself.
The hand-drawn art looks crisp and better than ever running in HD. This isn't the most technically proficient game ever made, but the inviting art style and quirky humor built into everything from the backgrounds to the animations will make you sit back and wonder why we don't see more 2D shooters these days. All it takes is one look at the little guy's smiling face as he rides in a tank blasting oversized cannonballs at his foes, and any anger you may have had from dying incessantly will instantly melt away.
Alongside the 16-stage game are eight minigames to be unlocked, including a massive set of short little platforming stages called PDA games. Some of these games can be played through Xbox Live, but most are a solo affair. Outside of the PDA games, which can be played for hours if you enjoy their simplicity, the minigames aren't much more than a distraction. But, hey, they're still a nice bonus on top of the great campaign.
The achievements, like the game, are tough as nails. There are a few that are easy, though this is hardly a game for anyone looking for an easy 200 points. Most are centered on the main game, but you'll have to become an expert in a few minigames to get every achievement.
At 800 Microsoft Points ($10 USD), deciding whether to download and give Alien Hominid a shot is an easy choice. This game is such an excellent fit for the Xbox Live Arcade that you'll want to try out the demo at the very least, even if shooters aren't your cup of tea. The game oozes style and humor out of every wound the alien leaves in his wake of destruction. It's hardcore on the level that may discourage some, but it has the most important quality a game can have as well: It's fun. Brief quotes from recognizable media outlets often serve as testimonials and really help drive interest in videogames, so here come the one-liners fit to be printed on any box...
"Alien Hominid is what Neo Contra should have been."
"It's a new Metal Slug with more style."
"I like hominids and Cap 'n Crunch!"
"This game is so much fun, Ed's brain hemorrhaged while we were playing together and now he's stuck in one those poses that are usually reserved for victims of The Joker."
"I used to dream about being a member of the Stargate program. Now I dream of owning a UFO, a tractor beam, and a wood chipper. Thanks, Alien Hominid!"
Well, maybe the last few wouldn't be such good descriptors. The point is, Alien Hominid is a great game worthy of a purchase. Unfortunately for us, it's one of twenty great games worthy of purchase this holiday shopping season. Still, it has its place and it has it for a reason.
This 2004 shopping season brings us our fair share of platformers, action titles, adventures, flight combat games, sports games, and RPGs, but we lack the precious conventional shooters that serve our memories so well. We lack those games that hearken back to an age when reflex ruled and responsiveness was not to be taken for granted (especially where quarters were concerned). Alien Hominid is that game. It's a side and top down shooter with exquisite style, brilliant art, lots of action, slick animations, interesting boss fights, and innovative gameplay mechanics. For the unfamiliar, Alien Hominid was originally free and for the browser on your computer. In fact, the prototype was first released on Newgrounds.com way back in August of 2002 and has since been downloaded approximately six million times. Only now you're going to pay for it and be happy! Don't fret, though, it's not really the same game. Alien Hominid for consoles features new everything.
Let's talk gameplay. You can walk left and right and you can shoot. Enjoy! There's also a jump, a crouch, crouch-walking, a charge shot, multiple weapon types, and multiple grenade types that are dependent on weapon power-ups. Hominid also adds a left or right quick roll, the ability to jump on the heads of enemies to direct them around or throw them, and a burrow maneuver that enables the little yellow protagonist to hide from attacks and pull foes into the ground. These new mechanics play out all the time too, particularly in patterned boss fights that boast such outrageous creatures as the destructive metallic bee, a series of over anxious Soviet bears, and an Area 51 robot that's really, really hungry. It makes this expanded shooting experience quite interesting.
The bee fight actually takes place on the tops of cars speeding down the freeway. You have to jump from one exploding car to the next, hit the bee with everything you've got, and then duck into the cars when he lowers his stinger to scrape their roofs. It's a great use of the varying mechanics presented, and it's not the only example. Later on you'll race snowmobiles alongside a speeding train. This involves ducking under and jumping over trackside obstructions while simultaneously contending with the baddies onboard. It's very hectic, but it's just another level for Alien Hominid. Cool!
All told, Alien Hominid features about 15 of these insane levels, which means there are roughly 15 boss encounters (all very distinct) and tons of mini-bosses dotted along the way. Even when you're not fighting them, just moving from the beginning of a level to the end is enjoyable.
It's an ultra cute, hilarious kind of action that features some of Itchy and Scratchy's explicit cartoon violence. Your little alien (and a friend's alien if you want to play together), are stranded on Earth and you have to kill things...lots of things. It starts with FBI agents but later moves to Soviets and then eventually other aliens. Throughout the killing you're rolling, burrowing, shooting, lobbing grenades, mounting heads, and slicing people in half. And the whole time you're doing it all, your little guy keeps giving off the funniest expressions (I'm especially fond of his face pressed against the glass of the Area 51 walking tank). This makes driving a tank, a car, or a Russian Yeti pretty amusing. When you consider that it's all backed by some truly challenging, frantic gameplay, you can understand the appeal. There are actually only two real faults with the gameplay. 1) It's short, but even then it'll still last for no less than six Neo Contras. And 2) It's sometimes impossible to avoid death. Gamers have always given demanding shooters a certain amount of leeway when it comes to forced deaths, but Alien Hominid is plain unfair at times. Part of this can be attributed to some truly malicious level design (staring up at a massive pudding monster with aerial attacks while soldiers shoot from the sides), but most of it's the result of the game's distinctly cluttered art style.
True, Alien Hominid isn't technically the most impressive game around, but it sure looks good. It's all hand animated, but it's the moving parts and incredibly slick explosions (of which there are many varieties) that make Alien Hominid feel like one of the slickest hand animated titles around. Sometimes all of the animations and effects supersede the gameplay, however, which makes avoiding bullets you can't even see a little tough (even if bullets now shimmer and rapidly change colors).
That's hardly a serious complaint given the quality of this shooter, though. Dying on occasion as a result of something you have no control over can be a little aggravating when you're going for a high score, but it's not the most terrible thing when you're riding a yeti or moving up a series of beams while circumventing falling barrels, flame spews, and some kind of orbital laser cannon.
Again, the game doesn't really last all that long, but then it is just $30 to begin with. And if you do finish you can still enjoy the PDA, which offers around 200 levels of single screen platforming reminiscent of a rudimentary Out of this World or an ultra old school Montezuma's Revenge / Prince of Persia thing. It's presented wonderfully (like the rest of the game) too, and is very addicting. I've personally only reached level 25, but I plan on making my way to at least 100. The game even includes an editor that allows players to create their own mini-game scenarios. Very good stuff. With Alien Hominid everything you need as a shooting fan is right here on the table. It looks good, it's cute and funny, its bosses are interesting, the control is tight, and the game is seriously intense. It's easy to appreciate the aforementioned qualities too, because they're the same ones that have been making games great for the last twenty years. If you're capable of fondly remembering your favorite shooters as attractive, tight, and interesting, the chances are strong that you'll fondly remember this one for the same reasons.
The truth is out there. Believe in the supernatural and buy Alien Hominid. If you're a PC freebie junkie looking for more or if you're just into fun, you can ride a Sasquatch for less than thirty bucks. What do you have to lose?
Schweiz / Wallis - Edelweissweg
Höhbalmen
View Back
Rückblick
Every mountain hiker dreams of spotting edelweiss in the alpine pastures. Here that dream comes true. Along this trail, walkers even spot these beautiful flowers at eye level. The walk leads to one of the finest vantage points in the Zermatt region.
Type Mountain trail
Difficulty hard
Duration 7,30 h
Distance 20,7 km
Ascent 1195 m
Descent 1195 m
Lowest point 1605 m
Highest point 2745 m
Description
The edelweiss can be admired at a variety of habitats in the Zermatt mountains. It won’t grow on ground formed of crystalline rock, but it flourishes on calcareous sediments – despite the often harsh conditions. The fleecy hairs help protect the flowers from solar radiation, frost and aridity. The seeds require exposure to frost before they can germinate the following year.
Hikers on this trail experience a magical moment on the climb up to Trift as the pinnacle of the Matterhorn emerges unexpectedly from behind a hilltop. Who’ll spot it first? The path then continues to one of Zermatt’s finest viewpoints, at Höhbalmen. The panorama is breathtaking: the north face of the Matterhorn with the Zmuttgrat ridge, the Breithorn, Liskamm and the Monte Rosa massif.
Edelweiss: a protected plant
Information panels about the plants along the way
Between the Gasthaus Edelweiss and the Berggasthaus Trift hotels: edelweiss at eye level (right-hand side)
Unusual view of the Monte Rosa massif
Possible encounters with Valais Blacknose sheep and Valais Blackneck goats
(zermatt.ch)
The Dom is a mountain of the Pennine Alps, located between Randa and Saas-Fee in the canton of Valais in Switzerland. With a height of 4,546 m (14,915 ft), it is the seventh highest summit in the Alps, overall. Based on prominence, it can be regarded as the third highest mountain in the Alps, and the second highest in Switzerland, after Monte Rosa. The Dom is the main summit of the Mischabel group (German: Mischabelhörner), which is the highest massif lying entirely in Switzerland.
The Dom is noteworthy for its 'normal route' of ascent having the greatest vertical height gain of all the alpine 4000 metre peaks, and none of that route's 3,100 metres of height can be achieved using mechanical means.
Although Dom is a German cognate for 'dome', it can also mean 'cathedral' and the mountain is named after Canon Berchtold of Sitten cathedral, the first person to survey the vicinity.
The former name Mischabel comes from an ancient German dialect term for pitchfork, as the highest peaks of the massif stand close to each other.
Geographical setting
The Dom is the culminating point of a chain running from the Schwarzberghorn on the south, at the intersection with the main chain of the Alps (Alpine watershed), to the Distelhorn on the north and ending above the town of Stalden. The chain lies entirely in the district of Visp.
The two valleys separated by the range are the Mattertal on the west and the Saastal on the east. The towns of Randa and Saas-Fee lie both six kilometres from the summit (to the west and the east, respectively). The elevation difference between the summit and the valley floor is 3,150 metres on the west side (Randa) and 3,000 metres on the east side (Saas-Grund). On the Mattertal side, the Dom faces the almost equally high Weisshorn and, on the Saastal side, it faces the Weissmies. The Dom is the highest point of the Saastal and the second highest mountain of the Mattertal after Monte Rosa.
Since the Dom is not on the main Alpine chain, the rivers flowing on both the west and east side of the massif end up in the same major river, the Rhone, through the Mattervispa and the Saaservispa. The Dom is the highest mountain in the Alps with this peculiarity.
The Mischabel group includes many subsidiary summits above 4,000 metres. To the north lies the Nadelgrat, composed of the Lenzspitze, the Nadelhorn, the Stecknadelhorn, the Hohberghorn and the Dürrenhorn. The Nadelgrat is easily visible from the north and gives the massif its characteristic pitchfork appearance. The second highest peak of the massif, the Täschhorn to the south, culminates at 4,491 metres, and south of it, is the characteristically flat summit of the Alphubel. In total, eight summits above 4,000 metres make up the Mischabel massif. Other important peaks of the massif are the Ulrichshorn and the Balfrin. The Dom has a western shoulder (4,479 m) and an eastern shoulder (4,468 m).
Generally, areas above 3,000 metres are covered by glaciers, the two largest being the Ried Glacier situated at the foot of the Nadelgrat and the Fee Glacier, at the foot of the Dom itself, below the east face.
Geology
The massif is almost entirely composed of gneiss from the Siviez-Mischabel nappe. The latter is part of the Briançonnais microcontinent and is located in the Penninic nappes.
Climbing history
The first ascent of the Dom was made on 11 September 1858. It was reached via the Festigrat (north-west ridge) by John Llewelyn Davies with guides Johann Zumtaugwald, Johann Krönig and Hieronymous Brantschen. Davies published an account of his ascent in Peaks, Passes and Glaciers.
The first ascent of the western ridge (above the Festikinlücke) was made in 1879 by two parties. One comprised Mrs E. P. Jackson with her guides Aloys Pollinger, Peter Josef Truffer and Josef Biner. The second consisted of Percy Thomas with Josef Imboden and Josef Lengen. They bypassed the upper section and traversed the west face to join the upper part of the Festigrat before arriving to the summit. The first complete ascent on the entire western ridge was made later in 1882 by Paul Güssfeldt and guides Alexander Burgener and Benedict Venetz.
The direct route on the west face (50° ice slope, TD-) was first ascended in 1962.
The 1000-metre-high east face above Saas-Fee was climbed in 1875 by Johann Petrus, along with his clients Alfred and Walter Puckle, and a local hunter, Lorenz Noti.
A route on the south face was first made in August 1906 by Geoffrey Winthrop Young and R. G. Major, with the guides Josef Knubel and Gabriel Lochmatter of St. Niklaus in the canton Valais. According to Young it was more dangerous than the south-west face of the nearby Täschhorn, which they had climbed two weeks earlier.
On 18 June 1917, Arnold Lunn, a pioneer ski mountaineer, and Josef Knubel of St. Niklaus in the canton Valais made the first ski ascent of the Dom, by the Hohberg Glacier (north flank).
Climbing routes and huts
Climbing the Dom by its normal route is a relatively straightforward, but nevertheless long and somewhat arduous 3,100-metre ascent on foot from the valley, and taking 6 hours to the summit from the Dom Hut. The route is graded as PD- on the French adjectival climbing scale. This route has been described in the mountaineering literature as "something of a snow trudge". The only mechanical means of access is located in the Saas-Fee area, on the east side of the mountain, from which all the routes to the Dom are much harder.
The easiest way to the summit starts from Randa, where there is a railway station (1,407 m) served by the Matterhorn Gotthard Bahn. From Randa a trail leads to the Dom Hut (2,940 m), which also crosses the Europaweg near the Europa Hut. Climbing the mountain requires an overnight stay at the Dom Hut. The normal route starts from the hut and goes on the Festigletscher glacier towards the Festijoch (3,720 m). It then follows the Hohberggletscher glacier to the summit above the north face.
An alternative route is provided by the Festigrat, which is the Dom's north-western ridge. It goes directly from the Festijoch to the summit, and is preferred by climbers who wish to avoid the long slopes of the north flank. In good conditions it is graded at PD/PD+. However, its upper section can be treacherous in icy conditions, in which case the north flank approach is better.
Domgrat
The summit of the Dom can also be reached from the south by the classic and exposed 'Täsch-Dom traverse'. This is a very long, committing and challenging mountaineering route which has been described as "one of the most demanding ridge grandes courses in the Alps". This route (via the south ridge or Domgrat), first requires an ascent of the adjacent Täschhorn - most easily attained from the Mischabel Bivouac Hut perched on Mishabeljoch. From there, an ascent of the Täschhorn's south-southeast ridge (Mischabelgrat, grade AD, III) is made in 4 to 5 hours. The descent from the Täschhorn to the Domjoch (4,282m) is on steep, slabby and sometimes icy rock, taking 2–3 hours, followed by a further 2–3 hours ascent of the rocky crest of the Domgrat (Grade D, III+) before the Dom's summit cross is finally reached after some 8 to 11 hours of sustained climbing in total, followed by a long but simple descent of the 'normal route' to reach the Dom Hut.
Highest flowering plant in Europe
In the late 1970s, mountain guide brothers Pierre and Grégoire Nicollier discovered a Two-flowered Stonecrop (Saxifraga biflora) about a hundred meters below the summit, on the southern ridge of the Dom. This caused a sensation as scientists believed it to be the highest flowering plant ever found in Europe. However, in subsequent climbs of the southerly Taeschhorn-Dom-Ridge, the plant could no longer be located, but a new record holder was found: an opposite-leaved saxifrage (Saxifraga oppositifolia), which thrived and bloomed on the same ridge, about 40 meters below the summit. Mountain guide Jürg Anderegg documented this with pictures in 2011, and botanist Christian Körner from the University of Basel published it in the specialist journal Alpine Botany.
Since the location is difficult to access, documentation remained scarce, and the condition of the plant was uncertain. As part of an art project, Swiss artist Sandro Steudler, together with mountain guide Alexander Kleinheinz and alpine photographer Caroline Fink, set out in July 2023 to search for the plant. Despite challenging conditions and snow on the ridge, Alexander Kleinheinz succeeded in finding the plant and placing a temperature sensor beneath it, which had been given to them beforehand by Christian Körner; Caroline Fink documented the location photographically. The sensor will record the temperature under the stonecrop until 2026. It is believed that this saxifrage grows in the coldest location in the world where a flowering plant has been found so far.
(Wikipedia)
The Täschhorn (4,491 metres (14,734 ft)) is a mountain in the Pennine range of the Alps in Switzerland. There are no easy mountaineering routes to its summit, and it is regarded as being among the top ten 4,000-metre mountains in the Alps for difficulty, and "one of the highest, finest and least accessible 4000m mountains". It lies immediately north of the Alphubel, and south of the Dom within the Mischabel range, and is very similar in shape to the Dom when seen from the upper Zermatt valley.
History
The first ascent of the mountain was by John Llewelyn Davies and J. W. Hayward with guides Stefan and Johann Zumtaugwald and Peter-Josef Summermatter on 30 July 1862. They climbed via the north-west (Kin Face) route, with a midnight start from the valley settlement of Randa.
Climbing routes
Mischabelgrat (south-south-east-ridge)
The Täschhorn is normally climbed via its south-south-east ridge, known as the Mischabelgrat. The ascent route starts from the relatively innaccessible bivouac hut situated at its base on the Mischabeljoch. The route follows the exposed and often corniced crest of the ridge from the hut. It is graded AD and can take 4 to 5 hours to the summit. If not continuing to the Dom, descent from the Täschhorn's summit to the Mischabeljoch can take a further 3 1/2 to 4 hours.
The continuation route to the Dom (known as the Täschhorn–Dom traverse) has been described by alpine guide, Martin Moran, as a "magnificent traverse" and "one of the most demanding of the grandes courses in the Alps". With no easy way off, and because of its high altitude, the route can easily be affected by ice and snow in bad weather. In normal conditions, and in good weather, a climber can take between 4 and 6 hours to descend from the Täschhorn's summit to the Domjoch, and then to ascend the Dom's south ridge (Domgrat) to the latter's summit.
Kin Face (north-west face)
The Täschhorn can also be climbed via the obvious glacier tongue that descends from the summit on its north-west face (Kin Face). The route, graded AD+, is a classic expedition on snow and ice. Nevertheless, access to the route is not easy because of awkward terrain on the lower Kin Glacier. However, the installation of a via ferrata on the Kinfelsen ridge offers and alternative route and some security to climbers from the Kin Hut, and has nowadays replaced the long, traditional approach from the Dom Hut, which has become complicated and risky. The route should still only be attempted when there is good quality snow cover on the upper face.
South-west face
Climbed only very rarely, the ascent of the south west face is an extremely serious undertaking on broken mixed ground, and has been compared to the north face of the Matterhorn. It is graded TD+. It was first climbed on 11 August 1906 by the 19 year old guide, Franz Lochmatter and his brother Josef, together with their regular client, Valentine John Eustace Ryan. Also involved in the ascent party were Geoffrey Winthrop Young and Josef Knubel. Together, they faced many difficulties and number of falls on very committing and fragile, unprotectable mixed ground and very steep final rock pitch, and their efforts became one of the most 'epic adventures' in the history of Alpine mountaineering. It was not repeated until 37 years later. By the end of summer 1956, the face had only been climbed six times.
(Wikipedia)
The Alphubel (4,206 m) is a mountain of the Swiss Pennine Alps, located between the valleys of Zermatt and Saas in the canton of Valais. It is part of the Allalin Group, a subgroup of the Mischabel Group, which culminates at the Dom (4,545 m). The summit of the Alphubel consists of a large ice-covered plateau, part of the Fee Glacier on its east side. The west side of the mountain is more rocky and much steeper. It overlooks the Weingartensee.
The nearest settlements are Täsch (north of Zermatt) and Saas-Fee.
Geography
North of the Alphubel is the higher Täschhorn, the southernmost top of the Mischabel, from which it is separated by the saddle of Mischabeljoch (3,847 m), while the ridge to the south is less prominent running via the Alphubeljoch (3,771 m) to the Feechopf (3,888 m) and Allalinhorn. While the terrain drops steeply into the Mattertal valley to the west, the east side is flat and, compared to its neighbours, almost smooth. The characteristically flat summit of the Alphubel is mostly covered with firn and has, in addition to the main summit, a northern top of 4,188 m, which barely rises above the flat summit area.
From the Alphubel a prominent, ice-free, rocky arête, the Rotgrat, strikes westwards down to the Täsch Hut (Täschhütte, 2,701 m), while the main, north-south, ridge and an unnamed arête running northeast are largely covered by ice. Due to its considerable height and relatively low gradient of its slopes, there are several glaciers in the summit area of the Alphubel: To the northwest and west of the summit is the Weingarten Glacier, which has now disintegrated into three ice masses, reaching down to about 3,100 m in front of which is Lake Weingarten (Weingartensee). The entire eastern flank is taken up by the Fee Glacier, one of the larger glaciers of the region, which extends over several square kilometres and still almost reaches the valley basin near Saas-Fee. The Alphubel Glacier, the smallest glacier on the summit, lies in the south-west.
Climbing history
The first ascent of the mountain was by Leslie Stephen and T. W. Hinchliff with guides Melchior Anderegg and Peter Perren on 9 August 1860, starting at Täsch and via the south-east ridge and the Alphubeljoch.
Routes
The morphology of the Alphubel and its proximity to the Saas-Fee funicular make the Alphubel one of the comparatively easier four-thousanders of the Swiss Alps to climb. Nevertheless, all the ascents have the character of a high mountain tour with all the typical dangers of such a tour.
The normal route leads from Berghaus Längflue (2,867 m) above Saas-Fee over the flat but crevassed Fee Glacier to the summit. The ascent takes 4-5 hours and is rated PD or WS ("wenig schwierig / a little difficult") on the Swiss Alpine Club's high tour scale.
Another option with Saas-Fee as the base is a high-level tour from Mittelallalin (3,457 m), which can be easily reached via the Metro Alpin funicular. From there, the ascent, partly over rock, leads via the Feejoch (3826 m), Feechopf and Alphubeljoch to the summit (also WS, 4 hrs).
From the west, the best known route leads from Täsch via Täschalp and the Täschhütte and from there over the Alphubel Glacier via the Alphubeljoch over the main south-south-east running ridge (Eisnase) to the summit. This route takes about 5 hours and is also rated WS.
Huts
Täsch Hut
Britannia Hut, via Mittelallalin
Kin Hut (Kinhütte)
Mischabeljochbiwak, a refuge hut on the eponymous saddle between the Alphubel and Täschhorn
(Wikipedia)
Einmal im Leben ein Edelweiss in der Bergwiese sehen, davon träumt jeder Berggänger. Hier wird der Traum wahr. Die Edelweiss leuchten, auf diesem Weg manchmal gar auf Augenhöhe! Die Wanderung führt zu einem der schönsten Aussichtspunkte im Gebiet von Zermatt.
Typ Bergwanderweg
Schwierigkeit schwer
Dauer 7,30 h
Länge 20,7 km
Aufstieg 1195 m
Abstieg 1195 m
Niedrigster Punkt 1605 m
Höchster Punkt 2745 m
Beschreibung
Das Edelweiss ist in den Zermatter Bergen in verschiedenen Gebieten anzutreffen. Einfach nie da, wo kristallines Gestein den Untergrund bildet, wohl aber bei den Sedimenten, im Kalkgestein. Hier trotzt es den Unbilden der Natur. Die flauschigen Härchen dienen dem Schutz vor starker Sonneneinstrahlung, Frost und Austrockung. Das Edelweiss ist ein Frostkeimer: Die Samen müssen zuerst gefrieren, bevor sie im darauffolgenden Jahr wachsen.
Die Wanderung bietet einen speziellen Moment. Beim Aufstieg vom Trift taucht unverhofft der mächtige Spitz des Matterhorns hinter dem Hügel auf. Wer entdeckt es zuerst? Danach führt der Weg zu einem der schönsten Aussichtspunkte von Zermatt, auf Höhbalmen. Der Blick ist einmalig: Matterhorn mit Nordwand und Zmutt-Grat, Breithorn, Liskamm und Monte Rosa-Massiv.
Edelweiss: geschützte Pflanze
Informationstafeln über die Pflanzen am Weg
zwischen Gasthaus Edelweiss und dem Berggasthaus Trift: Edelweiss auf Augenhöhe (rechter Hand)
ungewohnte Aussicht auf das Monte Rosa-Massiv
Eventuell Schwarznasenschafe und Schwarzhalsziegen
(zermatt.ch)
Der Dom in den Walliser Alpen ist mit einer Höhe von 4546 m ü. M. der höchste Berg, der mit seiner kompletten Basis innerhalb der Schweiz liegt.
Lage und Umgebung
Der Dom gehört zur Mischabelgruppe, nach dem Monte Rosa das zweithöchste Gebirgsmassiv der Schweiz. Benannt wurde er zu Ehren des Domherrn von Sitten, Josef Anton Berchtold. Zum Teil ist auch überliefert, dass Berchtold im Zuge der Vermessungsarbeiten (1833), die er selbst vorgenommen hatte, die ganze Mischabel „Dom“ genannt habe. Ob dies allerdings zu Ehren seines eigenen Standes geschah, erscheint zweifelhaft.
Besteigung
Zum ersten Mal bestiegen wurde der Dom am 11. September 1858 von J. Llewellyn Davies, Johannes Zumtaugwald, Johann Kronig und Hieronymous Brantschen über den Nordwestgrat.
Die Normalroute führt von Randa (1407 m ü. M.) im Mattertal zunächst über Wanderwege und versicherte Steige zur Domhütte (2940 m ü. M.). Dort beginnt dann die eigentliche Hochtour. Über den Festigletscher erreicht man das Festijoch, von wo aus der ziemlich schwierige Festigrat zum Gipfel führt. Der Normalanstieg erfolgt jedoch über die technisch einfachere, objektiv aber gefährlichere (Gletscherspalten) Route über den Hohberggletscher. Beide Anstiege führen über einen schmalen, ausgesetzten Firngrat zum Gipfel.
Der Dom ist auch ein Skiberg, die erste Skibesteigung gelang bereits am 18. Juli 1917 dem Briten Sir Arnold Lunn mit dem Führer Joseph Knubel.
Höchstgelegene Blütenpflanze Europas
Ende der 1970er Jahre entdeckten die Bergführer-Brüder Pierre und Grégoire Nicollier rund hundert Meter unterhalb des Gipfels, am Südgrat des Dom, einen Zweiblütigen Steinbrech (Saxifraga biflora). Dies sorgte für Aufsehen, da es sich laut Wissenschaftern um die höchstgelegene je gefundene Blütenpflanze Europas handeln musste. Bei späteren Begehungen konnte die Pflanze jedoch nicht mehr aufgefunden werden, allerdings wurde ein neuer Rekordhalter gefunden: ein Gegenblättriger Steinbrech (Saxifraga oppositifolia), der am selben Grat – rund 40 Meter unter dem Gipfel – gedieh und blühte. Bergführer Jürg Anderegg dokumentierte diesen 2011 mit Bildern; der Botaniker Christian Körner der Universität Basel publizierte dazu im Fachmagazin Alpine Botany.
Da der Standort schwer zugänglich ist, blieb die Dokumentation jedoch dünn und der Zustand der Pflanze ungewiss. Im Rahmen eines Kunstprojekts machte sich der Schweizer Künstler Sandro Steudler im Juli 2023 gemeinsam mit Bergführer Alexander Kleinheinz und Alpin-Fotografin Caroline Fink auf die Suche nach der Pflanze. Trotz schwierigen Bedingungen und Schnee am Grat gelang es Alexander Kleinheinz, die Pflanze zu finden und eine Temperatur-Sonde unter der Pflanze zu deponieren; Caroline Fink dokumentierte den Standort fotografisch. Der Sensor wird bis 2026 die Temperatur unter dem Steinbrech aufzeichnen. Es wird angenommen, dass dieser Steinbrech am kältesten Standort der Welt wächst, an dem bislang eine Blütenpflanze gefunden wurde.
(Wikipedia)
Das Täschhorn liegt in den Walliser Alpen und hat eine Höhe von 4491 m.
Das Täschhorn ist der zweithöchste Gipfel der Mischabelgruppe, nach dem Monte Rosa das zweithöchste Gebirgsmassiv der Schweiz. Das Täschhorn gehört zu den schwer zu ersteigenden Viertausendern des Wallis. Aufgrund des anspruchsvollen Normalwegs (Mischabelgrat) wird dieser Gipfel relativ selten begangen.
Die Erstbesteigung des Täschhorns erfolgte am 30. Juli 1862 durch Stefan und Johannes Zumtaugwald, J. Llewelyn Davies, J.W. Hayward und Peter-Josef Summermatter über die NW-Flanke (Kinflanke) direkt von Randa aus.
Routen
Nordwestflanke (Kinflanke)
Schwierigkeit: ZS, II (Frz. Skala: AD; mit II. UIAA-Grad Felskletterei)
Zeitaufwand: 6 Stunden
Ausgangspunkt: Domhütte (2940 m ü. M.) oder Kinhütte (2584 m ü. M.)
Talort: Randa (1407 m ü. M.)
Mischabeljoch
Schwierigkeit: ZS-, II (Frz. Skala: AD-; mit II. UIAA-Grad Felskletterei)
Zeitaufwand: 4 Stunden
Ausgangspunkt: Täschhütte (2701 m ü. M.)
Talort: Täsch (1450 m ü. M.)
Mischabelgrat
Schwierigkeit: ZS, III (Frz. Skala: AD; mit III. UIAA-Grad Felskletterei)
Zeitaufwand: 4 Stunden
Ausgangsort: Mischabeljochbiwak (3847 m ü. M.)
Talort: Täsch (1450 m ü. M.)
Westsüdwestgrat (Teufelsgrat)
Schwierigkeit: S+, IV (Frz. Skala: D+; mit IV. UIAA-Grad Felskletterei)
Zeitaufwand: 12–14 Stunden
Ausgangspunkt: Täschhütte
Talort: Täsch
(Wikipedia)
Der Alphubel ist ein 4206 m ü. M. hoher Berg in den Walliser Alpen in der Schweiz. Der zur Allalingruppe gehörende Berg liegt südlich der Mischabel auf dem Grat zwischen dem Mattertal und dem Saastal auf Boden der Gemeinden Täsch und Saas-Fee.
Geographie
Nördlich des Alphubels liegt das höhere Täschhorn, der südlichste Gipfel der Mischabel, von dem es durch das Mischabeljoch (3847 m) getrennt ist, während der Grat im Süden weniger deutlich via Alphubeljoch (3770 m) zum Feechopf (3888 m) und Allalinhorn verläuft. Während das Terrain nach Westen zum Teil recht schroff ins Mattertal abfällt, ist die Ostseite flach und verglichen mit seinen Nachbarn geradezu lieblich. Der charakteristisch flache Gipfel des Alphubels ist mehrheitlich firnbedeckt und besitzt neben dem Hauptgipfel einen nördlichen Gipfel mit einer Höhe von 4188 m, der sich aber kaum von der flachen Kuppe absetzt.
Der Alphubel entsendet nach Westen einen deutlichen, eisfreien Felsgrat, den Rotgrat, bis hinunter zur Täschhütte (2701 m), während der Nord-Süd-Hauptgrat und ein namenloser nordöstlich verlaufender Grat weitgehend eisbedeckt sind. Aufgrund seiner beträchtlichen Höhe und der relativ geringen Neigung seiner Hänge befinden sich im Gipfelgebiet des Alphubels mehrere Gletscher: Nordwestlich bzw. westlich des Gipfels liegt der inzwischen in drei Eismassen zerfallene Weingartengletscher, der bis ca. 3100 m hinunterreicht und in dessen Gletschervorfeld sich der gleichnamige Weingartensee befindet. Die ganze Ostflanke wird vom Feegletscher eingenommen, einem der grösseren Gletscher der Region, der sich über mehrere Quadratkilometer erstreckt und immer noch fast den Talkessel bei Saas-Fee erreicht. Im Südwesten liegt mit dem Alphubelgletscher der kleinste Gletscher des Gipfels.
Besteigungsgeschichte
Die Erstbesteigung fand am 9. August 1860 durch T.W. Hinchliff und Leslie Stephen mit den Führern Melchior Anderegg, Peter Perren und Franz Andenmatten statt.
Routen
Die Morphologie des Alphubels und seine Nähe zu den Bergbahnen von Saas-Fee machen den Alphubel zu einem der vergleichsweise leicht besteigbaren Viertausender der Schweizer Alpen. Dennoch haben sämtliche Anstiege den Charakter einer Hochtour mit allen objektiven Gefahren einer solchen.
Die Normalroute führt vom Berghaus Längflue (2867 m) oberhalb von Saas-Fee über den flachen, aber spaltenreichen Feegletscher auf den Gipfel. Der Aufstieg nimmt 4–5 Stunden in Anspruch und wird in der SAC-Hochtourenskala mit WS gewertet.
Eine weitere Möglichkeit mit Talort Saas-Fee besteht in einer Hochtour vom Mittelallalin (3457 m) aus, der sich bequem mit der Metro Alpin erreichen lässt. Von dort führt der Aufstieg, z. T. über Fels, via Feejoch (3826 m), Feechopf und Alphubeljoch zum Gipfel (ebenfalls WS, 4h).
Von Westen führt die bekannteste Route von Täsch via Täschalp und Täschhütte und von dort über den Alphubelgletscher und das Alphubeljoch über den südsüdöstlich verlaufenden Hauptgrat ("Eisnase") zum Gipfel. Diese Route dauert ca. 5 h und wird ebenfalls mit WS bewertet.
Hütten und Biwaks
Täschhütte
Berghaus Längflue
Britanniahütte, via Mittelallalin
ggf. Kinhütte
Mischabeljochbiwak auf dem namensgebenden Joch zw. Alphubel und Täschhorn
(Wikipedia)
Accumulating financial difficulties for several months, the government of Brian Cowen has resigned under pressure from European leaders, to accept financial assistance from the IMF-led European Union. This "bailout" in the form of a loan of 85 billion euros at the rate of 6.7%, is widely criticized by the population because of its prohibitive cost and the austerity plan associated with it. It is expected a decrease in the minimum wage by 12% and large tax increases on households (3000 euros increase per household per year on average).
These challenges present an enormous challenge for the people and the Irish government.
Facing difficulty in picking the right strategy or the areas of focus for digital marketing in 2015? Here is an inspiring collection of the marketing experts revealing the most significant changes and important trends in 2015.
As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:
Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.
Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.
Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.
Luke Jones from Wales won the wheelchair section.
A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.
As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:
Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.
Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.
Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.
Luke Jones from Wales won the wheelchair section.
A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.
The difficulties of looking through a snorkeling mask, a camera bag, and a viewfinder, while floating, in a pool full of moving water... the split doesn't always come out perfect. The angle of the camera lens is greatly exaggerated because of the level of the water and the magnification involved. Solution - take lots of pictures and hope for the one that works. I din't get enough. Taken with a Nikon D90 in a Dicapac underwater camera bag.
As a kid, I had a lot of difficulties. I went to a school with a lot of kids, and my class consisted mostly of bullies. Unfortunately for me, I was made the victim. It wasn't really all that hard either. A chubby kid with glasses, a thing for computers, who didn't play soccer or handball or any other kind of activity? I played the piano. I was fine with that. But everyone else was obviously not.
Then, a few years later, I got into martial arts. What happened? I don't know. But I knew martial arts was the thing for me. I had the interest, I loved the uniforms, learning to kick, to punch, to be able to beat the living hell out of someone. The first time I put on my uniform and tied the white belt around my waist was incredible. I looked myself in the mirror. A white uniform with the word TAEKWONDO plastered on the front and back. The brand new white belt hanging down. Needless to say, I was thrilled with what I had just done.
Again, though, I was struck by bad luck. The martial arts school I had signed up for was a McDojo. A belt factory. Where money mattered more than the welfare of the students. So, I quit, vowing that I would never practice taekwondo again. I did, however. Six months later I joined a school that seemed more classy. They knew what they were doing. They didn't charge 250 dollars for a black belt testing. I was right. It all began. I slowly found my self respect. My confidence. My passion. My one true love.
And all of a sudden, I felt good being me. I felt good about being the chubby guy with the glasses and the thing for computers. I felt good about what I did and how I did it, and if anyone had a problem with that, I really didn't care. 'Cause I loved it. And then, in January, 2006. I finally got the chance. I finally got to test for my black belt. I kicked. I punched. I beat the living hell out of my opponents. And at the end of the day, they called my name at the ceremony. I got up and walked up to one of the master instructors as everyone applauded me. He reached his hands out to congratulate me. And he gave me the one thing I had worked so hard for for seven years. And as I tied that belt around my waist a few minutes later, I found myself crying. Nearly sobbing.
But none the less, I had done it.
And now I find myself sitting here, writing this. I've visualized these exact words a million times. But I really haven't found a way of expressing them.
But this is me. My love. My passion. My confidence. Me.
This is me.
File name: 07_11_000338
Title: Pursuit of Knowledge Under Difficulties
Creator/Contributor: Thompson, Alfred Wordsworth, 1840-1896 (artist); L. Prang & Co. (publisher)
Date issued:
Copyright date: 1878
Physical description note:
Genre: Chromolithographs; Genre prints
Location: Boston Public Library, Print Department
Rights: No known restrictions
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The Puolustusvoimat’s (Finnish Defense Force) “Ilves” is an indigenous battle tank design, tailored to fulfill the requirement for a lighter, more mobile modern tank than the Finnish Army’s standard MBT (the Leopard 2 of German origin) that can effectively operate in woodland and water-rich regions where the heavier MBTs might have difficulties traversing. Patria started the design for the new XA-2000 ‘Ilves’ (Lynx) tank when the Finnish Army started negotiations to procure Leopard 2A4 MBTs from Germany in the late 1990ies. 100 of these battle tanks were eventually ordered and delivered between 2002 and 2004, but it was clear that these large and heavy tanks – most suited for long-range battle in open field situations – would leave a tactical gap between them and the Finnish Army’s armed infantry fighting vehicles, which were lighter and more compact, so that they could operate more flexibly in the Finnish forests. However, these light vehicles did not offer the armament to fight enemy tanks at medium to long range, and the XA-2000 was to fill this gap.
From the outset, the XA-2000 was designed to be capable of being airlifted to improve its export chances, but it was not designed to be amphibious, due to the heavy turret which would raise the vehicle’s center of gravity and make any naval operations unsafe. The new third generation tank was expected to be much more mobile than typical main battle tanks, due to its light weight and high power/weight ratio. Power came from an electronically controlled 1,000 hp (746 kW) diesel engine, with hydro-mechanical fully automatic transmission. The tank is also capable of neutral steering and featured a hydro-pneumatic suspension.
The Ilves’ main armament was a fully stabilized Rheinmetall Rh-105-30 rifled gun, a modernized version of the famous Royal Ordnance L7 gun with reduced recoil for use in lighter vehicles. This proven weapon offered an effective firing range of 3 km and was compatible with all standard NATO 105 mm tank ammunition. The ammunition selections included APFSDS, HEAT and HE (High explosive) rounds. APFSDS and HEAT rounds were used against enemy armor while HE rounds were used against enemy infantry positions, light/non-armored vehicles, buildings, and field fortifications. The APFSDS projectiles were capable of penetrating 500 mm (20 in) of armored steel at 2,000 meters (1.2 mi), even though this was not considered sufficient to penetrate the front armor of modern main battle tanks such as the T-90. The sustained fire rate was supported by a bustle-mounted autoloader system, which reduced the crew to 3 and helped keeping the vehicle’s dimensions limited. The spent cases were ejected automatically via a hatch at the turret rear. The XA-1200 could hold a total of 38 various 105 mm shells, stored in the turret bustle for improved safety; the ammunition was retrieved from a tail autoloader with blowout panels.
Secondary armament included a 7.62 mm KVKK 62 coaxial machine gun of Finnish origin, and a remote-controlled weapon station mounted on the turret roof, operated by the commander, which was fitted with a 40 mm M203 automatic grenade launcher and a 12.7 mm RSKK 2005 (Browning M2) heavy machine gun.
The XA-2000 featured modern sensory and fire control systems, including laser rangefinder, advanced ballistic computer, meteorological sensors, gunner thermal imaging sight, millimeter-wave radar, and commander's panoramic sight. The fire control system supported automatic target tracking, hunter-killer capabilities, and commander takeover. Other equipment included air conditioning system, oxygen-production equipment for the crew, command and control equipment, battlefield management system, and navigation suite fitted with both inertial navigation system (INS) and satellite navigation system.
The XA-2000 featured two sets of armor packages providing different tactical mobility. Standard armor package featured classic steel armor protection with additional layers of advanced composite armor panels covering the tank turret, hull, and flanks, with additional lightweight explosive reactive armor blocks protecting the front hull. The enhanced package featured thicker explosive reactive armor (ERA) blocks, in addition to the composite armor panels underneath, covering the whole tank turret and hull. ERA mounted armor-skirt and slat armor could also be mounted on the side and rear side of the tank hull for additional protection. The enhanced armor set was designed for open area battle under heavy defensive conditions, but only intended as a tactical option.
As additional protective measure the XA-2000 was fitted with a 360° laser warning sensor system to detect incoming range-finding and anti-tank missiles, mounted at the turret’s corners, and the tank could automatically deploy smoke grenades in dischargers if the tank was being illuminated by enemy laser beams. Other protective features included chemical, biological, radiological, and nuclear (CBRN) protection, and a fire suppression system.
The first XA-2000 prototype was ready for tests in 2009, but it took five more years until the design was finalized and cleared for serial production. In late 2015 the first serial production tanks were delivered to the Finnish Army. A total of 100 XA-2000 had been ordered, but this was soon cut down to just seventy vehicles when the Finnish Army bought more Leopard 2A4 tanks in 2009 and launched an upgrade program for them. In January 2014, Finland agreed with the Netherlands to purchase 100 used Leopard 2A6NL tanks for approximately €200 million. This prevented more XA-2000 orders, even though there were still plans to procure 80 more of these light tanks until 2020. With the more modern tanks from the Netherlands available, most of the Finnish Leopard 2A4s were moved into reserve in 2015, with some converted into Marksman AA vehicles, bridge-laying, and mine-clearing tanks with Israeli-made Urdan mine rollers.
Even though the XA-2000 had been offered since 2016 for export its very specific design and limited firepower did not attract any buyers. Austria had shown early interest, as a potential replacement for the indigenous Kürassier anti-tank SPG, but eventually decided to procure more Leopard 2 tanks. Other countries which had been identified as potential users were Sweden, Canada, and Brazil, but despite successful demonstrations, no export deals have been closed yet.
Specifications:
Crew: Three (commander, gunner and driver)
Weight: 33 tons standard
36 tons with external armor package
Length: 9.2 meters (30.18 ft) overall
7.5 meters (24.61 ft) hull only
Width: 3.3 meters (10.83 ft)
Height: 2.5 meters (8.20 ft)
Ground clearance: Up to 17 in (430 mm)
Suspension: Hydropneumatic
Fuel capacity: 570 l (150 US gal, 120 imp gal)
Armor:
Standard steel armor protection with additional advanced composite armor
and/or explosive reactive armor package
Performance:
Maximum road speed: 70 km/h (43 mph)
Operational range: 480 km (300 mi)
Power/weight: 30.30 hp/ton
27.8 hp/ton with enhanced armor package installed
Engine & transmission:
Electronically controlled Patria 8V132 diesel engine with fully-automatic transmission, 1000 hp (746 kW)
Armament:
1× 105mm Rheinmetall Rh-105-30 rifled gun (with 38 rounds in an autoloader)
1× 7.62 mm KVKK 62 light machine gun, co-axial with the main gun, 4.500 rounds
Remote-controlled weapon station on the turret roof with co-axial…
1× 40 mm M203 automatic grenade launcher with 80 rounds
1× 12.7 mm RSKK 2005 (Browning M2) heavy machine gun with 600 rounds
The kit and its assembly:
The fictional Finnish XA-2000 tank model was a submission for the 2023 “1 Week Group Build” at whatifmodlellers.com – I had tackled a more complex project, but since I knew that the weekends were already blocked and the week in between quite busy, I decided to embark upon a more modest project – also because my usual “building routine” includes a background story and scenic pictures or a model, which take some time beyond the building phase.
I had this project on my agenda for some time, and also had already stashed away the kit, a Meng 1:72 ZTQ-15 light battle tank, a relatively new kit from 2021. The plan was simple: build the ZTQ-15 OOB and just apply a fictional paint scheme, to save time and reduce the risk of unexpected complexities through conversions.
And that’s what happened: the ZTQ-15 went together surprisingly well, with little trouble. Fit is very good, just the attachment points to the sprues are a bit weird, because they reach into gluing surfaces, calling for thorough cleaning. The benefit, though, is that there are no marks on the model’s visible surfaces.
Esp. the turret consists of a zillion small bits and pieces, but if you follow the instructions everything finds its place. Surface detail is also very good, just the weapons in the remote-controlled barbette look somewhat heavy-handed, detail fetishists might want to replace them with something more delicate.
The tracks are also nice; these are IP parts, and a little thick, but each track only consists of four segments (one upper and lower section, plus two very short rounded segments for the drive sprocket and the idler wheel) which are very easy to mount onto the wheels.
The only real change I made to the kit are different side skirts – instead of the OOB parts I implanted parts from a Leopard I tank (Revell kit), which had a similar length and offered thanks to their wavy lower edge, a slightly different look. To change the overall impression away from a PLA/Russian tank I omitted the auxiliary drum barrels on the rear, as well as the log for self-freeing and the protected replacement barrels at the turret’s rear.
Another mod is the open commander’s hatch with a figure; the hatch was a separate piece, so that no cutting was necessary, the figure was puzzled together from torso, arms and head from an 1:72 aftermarket set.
Painting and markings:
The ZTQ-15 was a good canvas to apply a modern Finnish Army camouflage paint scheme, which consists of three colors in a splinter pattern. Reliable information about the tones was not available, though, so I consulted a multitude of pictures of a wide range of vehicles under different light and weather conditions, and I eventually settled for a dirty black, a yellowish light green and a rather bluish dark green. The basic colors I used were Revell 06 (Tar Black, RAL 7021), a mix of 2 parts Humbrol 80 (Grass Green) and 1 part 159 (Khaki Drab), and Humbrol 195 (Chrome Oxide Green, RAL 6020), and in combination they look very good – even though Finnish real-world tanks look lees colorful due to sun-bleached paint.
The pattern was adapted from real Finnish Army T-72 tanks, even though slightly modified to take into account the much bigger turret and the wider hull that covers the tracks. The rubber side skirts and the running surface on the wheels were painted with Revell 09 (Anthracite); the open hatch and the turret interior in Humbrol 41 (Ivory). The commander figure’s suit was painted in an overall olive drab (Revell 46, NATO olive), with a dirty black helmet, light grey gloves and green-grey belts for the weapon holster – with a picture of a real-world Finnish tank commander as benchmark.
The model received a light overall washing with a mix of black ink and umbra and sienna watercolors, the markings/decals were puzzled together. The small Finnish roundels came from a 1:144 Mark I Decals aftermarket sheet (actually for aircraft), the tactical codes on the turret flanks were puzzled together from single, relatively narrow white digits, IIRC from a Roden IS-3 kit’s sheet. This kind of markings is not normally carried on Finnish Army vehicles, but without them, I found the model to look a I bit bleak? The “registration plates” on front and back – normally the only tactical marking on Finnish Army vehicles – came from an IDF Merkava, just trimmed down on their right side and a with a small “P” added to the left to simulate a typical Finnish registration.
As a colorful peacetime detail I added warning stripes on the rear mudguards, composed from a base decal stripe in fluorescent orange with sloping clear-and-yellow stripes on top of that. Looks very good!
The model was sealed overall with matt acrylic varnish and some finishing touches were made, including antennae made from heated black sprue material, glass blocks in the commander und driver cupolas (made with gloss black paint) and various lights (with clear paint over a silver base). Finally, some more mud and dust residue around the running gear was simulated with umbra watercolor.
Well, this build was intended to be completed in a week, but the model itself was already finished in one and a half day! The additional scenic pics with editing took almost the same time, though. However, the simple travesty of a modern Chinese tank into a Finnish Army vehicle went well, the package looks IMHO very plausible. The three-tone splinter cammo even makes it look quite attractive – the idea and building plan worked out well. :D
This is a converted heavy truck used by militias across africa and the middle east. Often a large anti-air gun or some other sort of heavy weapon will be mounted on to a technical.
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-Not That Dead-
Fountains Abbey is one of the largest and best preserved ruined Cistercian monasteries in England. It is located approximately 3 miles (5 kilometres) south-west of Ripon in North Yorkshire, near to the village of Aldfield. Founded in 1132, the abbey operated for 407 years becoming one of the wealthiest monasteries in England until its dissolution in 1539 under the order of Henry VIII.
The abbey is a Grade I listed building owned by the National Trust and part of the designated Studley Royal Park including the Ruins of Fountains Abbey UNESCO World Heritage Site.
Foundation
After a dispute and riot in 1132 at the Benedictine house of St Mary's Abbey, in York, 13 monks were expelled (among them Saint Robert of Newminster) and, after unsuccessful attempts to form a new monastery were taken under the protection of Thurstan, Archbishop of York. He provided them with land in the valley of the River Skell, a tributary of the Ure. The enclosed valley had all the natural features needed for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a supply of running water. After enduring a harsh winter in 1133, the monks applied to join the Cistercian order which since the end of the previous century was a fast-growing reform movement that by the beginning of the 13th century was to have over 500 houses. So it was that in 1135, Fountains became the second Cistercian house in northern England, after Rievaulx. The Fountains monks became subject to Clairvaux Abbey, in Burgundy which was under the rule of St Bernard. Under the guidance of Geoffrey of Ainai, a monk sent from Clairvaux, the group learned how to celebrate the seven Canonical Hours according to Cistercian usage and were shown how to construct wooden buildings in accordance with Cistercian practice.
Consolidation
After Henry Murdac was elected abbot in 1143, the small stone church and timber claustral buildings were replaced. Within three years, an aisled nave had been added to the stone church, and the first permanent claustral buildings built in stone and roofed in tile had been completed.
In 1146 an angry mob, annoyed at Murdac for his role in opposing the election of William FitzHerbert as archbishop of York, attacked the abbey and burnt down all but the church and some surrounding buildings.The community recovered swiftly from the attack and founded four daughter houses. Henry Murdac resigned as abbot in 1147 upon becoming the Archbishop of York and was replaced first by Maurice, Abbot of Rievaulx then, on the resignation of Maurice, by Thorald. Thorald was forced by Henry Murdac to resign after two years in office. The next abbot, Richard, held the post until his death in 1170 and restored the abbey's stability and prosperity. In 20 years as abbot, he supervised a huge building programme which involved completing repairs to the damaged church and building more accommodation for the increasing number of recruits. Only the chapter house was completed before he died and the work was ably continued by his successor, Robert of Pipewell, under whose rule the abbey gained a reputation for caring for the needy.
The next abbot was William, who presided over the abbey from 1180 to 1190 and he was succeeded by Ralph Haget, who had entered Fountains at the age of 30 as a novice, after pursuing a military career. During the European famine of 1194 Haget ordered the construction of shelters in the vicinity of the abbey and provided daily food rations to the poor enhancing the abbey's reputation for caring for the poor and attracting more grants from wealthy benefactors.
In the first half of the 13th century Fountains increased in reputation and prosperity under the next three abbots, John of York (1203–1211), John of Hessle (1211–1220) and John of Kent (1220–1247). They were burdened with an inordinate amount of administrative duties and increasing demands for money in taxation and levies but managed to complete another massive expansion of the abbey's buildings. This included enlarging the church and building an infirmary.
Difficulties
In the second half of the 13th century the abbey was in more straitened circumstances. It was presided over by eleven abbots, and became financially unstable largely due to forward selling its wool crop, and the abbey was criticised for its dire material and physical state when it was visited by Archbishop John le Romeyn in 1294. The run of disasters that befell the community continued into the early 14th century when northern England was invaded by the Scots and there were further demands for taxes. The culmination of these misfortunes was the Black Death of 1348–1349. The loss of manpower and income due to the ravages of the plague was almost ruinous.
A further complication arose as a result of the Papal Schism of 1378–1409. Fountains Abbey along with other English Cistercian houses was told to break off any contact with the mother house of Citeaux, which supported a rival pope. This resulted in the abbots forming their own chapter to rule the order in England and consequently they became increasingly involved in internecine politics. In 1410, following the death of Abbot Burley of Fountains, the community was riven by several years of turmoil over the election of his successor. Contending candidates John Ripon, Abbot of Meaux, and Roger Frank, a monk of Fountains were locked in conflict until 1415 when Ripon was finally appointed, ruling until his death in 1434. Under abbots John Greenwell (1442–1471), Thomas Swinton (1471–8), John Darnton (1478–95), who undertook some much needed restoration of the fabric of the abbey, including notable work on the church, and Marmaduke Huby (1495–1526) Fountains regained stability and prosperity.
At Abbot Huby's death he was succeeded by William Thirsk who was accused by the royal commissioners of immorality and inadequacy and was dismissed as abbot. He was replaced by Marmaduke Bradley, a monk of the abbey who had reported Thirsk's supposed offences, testified against him and offered the authorities six hundred marks for the post of abbot. In 1539 it was Bradley who surrendered the abbey when its seizure was ordered under Henry VIII at the Dissolution of the Monasteries.
The abbey precinct covered 70 acres (28 ha) surrounded by an 11-foot (3.4 m) wall built in the 13th century, some parts of which are visible to the south and west of the abbey. The area consists of three concentric zones cut by the River Skell flowing from west to east across the site. The church and claustral buildings stand at the centre of the precinct north of the Skell, the inner court containing the domestic buildings stretches down to the river and the outer court housing the industrial and agricultural buildings lies on the river's south bank. The early abbey buildings were added to and altered over time, causing deviations from the strict Cistercian type. Outside the walls were the abbey's granges.[citation needed]
The original abbey church was built of wood and "was probably" two stories high; it was, however, quickly replaced in stone. The church was damaged in the attack on the abbey in 1146 and was rebuilt, in a larger scale, on the same site. Building work was completed c.1170.[11] This structure, completed around 1170, was 300 ft (91 m) long and had 11 bays in the side aisles. A lantern tower was added at the crossing of the church in the late 12th century. The presbytery at the eastern end of the church was much altered in the 13th century. The church's greatly lengthened choir, commenced by Abbot John of York, 1203–11, and carried on by his successor terminates, like that of Durham Cathedral, in an eastern transept, the work of Abbot John of Kent, 1220–47. The 160-foot-tall (49 m) tower, which was added not long before the dissolution, by Abbot Huby, 1494–1526, is in an unusual position at the northern end of the north transept and bears Huby's motto 'Soli Deo Honor et Gloria'. The sacristry adjoined the south transept.
The cloister, which had arcading of black marble from Nidderdale and white sandstone, is in the centre of the precinct and to the south of the church. The three-aisled chapter-house and parlour open from the eastern walk of the cloister and the refectory, with the kitchen and buttery attached, are at right angles to its southern walk. Parallel with the western walk is an immense vaulted substructure serving as cellars and store-rooms, which supported the dormitory of the conversi (lay brothers) above. This building extended across the river and at its south-west corner were the latrines, built above the swiftly flowing stream. The monks' dormitory was in its usual position above the chapter-house, to the south of the transept. Peculiarities of this arrangement include the position of the kitchen, between the refectory and calefactory, and of the infirmary above the river to the west, adjoining the guest-houses.
The abbot's house, one of the largest in all of England,is located to the east of the latrine block, where portions of it are suspended on arches over the River Skell.It was built in the mid-twelfth century as a modest single-storey structure, then, from the fourteenth century, underwent extensive expansion and remodelling to end up in the 16th century as a grand dwelling with fine bay windows and grand fireplaces. The great hall was an expansive room 52 by 21 metres (171 by 69 ft).
Among other apartments, for the designation of which see the ground-plan, was a domestic oratory or chapel,
1/2-by-23-foot (14 by 7 m), and a kitchen, 50-by-38-foot (15 by 12 m)
Medieval monasteries were sustained by landed estates that were given to them as endowments and from which they derived an income from rents. They were the gifts of the founder and subsequent patrons, but some were purchased from cash revenues. At the outset, the Cistercian order rejected gifts of mills and rents, churches with tithes and feudal manors as they did not accord with their belief in monastic purity, because they involved contact with laymen. When Archbishop Thurstan founded the abbey he gave the community 260 acres (110 ha) of land at Sutton north of the abbey and 200 acres (81 ha) at Herleshowe to provide support while the abbey became established. In the early years the abbey struggled to maintain itself because further gifts were not forthcoming and Thurstan could not help further because the lands he administered were not his own, but part of the diocesan estate. After a few years of impoverished struggle to establish the abbey, the monks were joined by Hugh, a former dean of York Minster, a rich man who brought a considerable fortune as well as furniture and books to start the library.
By 1135 the monks had acquired only another 260 acres (110 ha) at Cayton, given by Eustace fitzJohn of Knaresborough "for the building of the abbey". Shortly after the fire of 1146, the monks had established granges at Sutton, Cayton, Cowton Moor, Warsill, Dacre and Aldburgh all within 6 mi (10 km) of Fountains. In the 1140s the water mill was built on the abbey site making it possible for the grain from the granges to be brought to the abbey for milling.Tannery waste from this time has been excavated on the site.
Further estates were assembled in two phases, between 1140 and 1160 then 1174 and 1175, from piecemeal acquisitions of land. Some of the lands were grants from benefactors but others were purchased from gifts of money to the abbey. Roger de Mowbray granted vast areas of Nidderdale and William de Percy and his tenants granted substantial estates in Craven which included Malham Moor and the fishery in Malham Tarn. After 1203 the abbots consolidated the abbey's lands by renting out more distant areas that the monks could not easily farm themselves, and exchanging and purchasing lands that complemented their existing estates. Fountains' holdings both in Yorkshire and beyond had reached their maximum extent by 1265, when they were an efficient and very profitable estate. Their estates were linked in a network of individual granges which provided staging posts to the most distant ones. They had urban properties in York, Yarm, Grimsby, Scarborough and Boston from which to conduct export and market trading and their other commercial interests included mining, quarrying, iron-smelting, fishing and milling.
The Battle of Bannockburn in 1314 was a factor that led to a downturn in the prosperity of the abbey in the early fourteenth century. Areas of the north of England as far south as York were looted by the Scots. Then the number of lay-brothers being recruited to the order reduced considerably. The abbey chose to take advantage of the relaxation of the edict on leasing property that had been enacted by the General Chapter of the order in 1208 and leased some of their properties. Others were staffed by hired labour and remained in hand under the supervision of bailiffs. In 1535 Fountains had an interest in 138 vills and the total taxable income of the Fountains estate was £1,115, making it the richest Cistercian monastery in England.
After the Dissolution
The Gresham family crest
The Abbey buildings and over 500 acres (200 ha) of land were sold by the Crown, on 1 October 1540, to Sir Richard Gresham, at the time a Member of Parliament and former Lord Mayor of London, the father of Sir Thomas Gresham. It was Richard Gresham who had supplied Cardinal Wolsey with the tapestries for his new house of Hampton Court and who paid for the Cardinal's funeral.
Gresham sold some of the fabric of the site, stone, timber, lead, as building materials to help to defray the cost of purchase. The site was acquired in 1597 by Sir Stephen Proctor, who used stone from the monastic complex to build Fountains Hall. Between 1627 and 1767 the estate was owned by the Messenger family who sold it to William Aislaby who was responsible for combining it with the Studley Royal Estate.
Burials
Roger de Mowbray, 1st Baron Mowbray
John de Mowbray, 2nd Baron Mowbray
Abbot Marmaduke Huby (d. 1526)
Rose (daughter of Richard de Clare, 6th Earl of Gloucester), wife of Roger de Mowbray, 1st Baron Mowbray
Henry de Percy, 1st Baron Percy
William II de Percy, 3rd feudal baron of Topcliffe
Becoming a World Heritage Site
The archaeological excavation of the site was begun under the supervision of John Richard Walbran, a Ripon antiquary who, in 1846, had published a paper On the Necessity of clearing out the Conventual Church of Fountains.In 1966 the Abbey was placed in the guardianship of the Department of the Environment and the estate was purchased by the West Riding County Council who transferred ownership to the North Yorkshire County Council in 1974. The National Trust bought the 674-acre (273 ha) Fountains Abbey and Studley Royal estate from North Yorkshire County Council in 1983. In 1986 the parkland in which the abbey is situated and the abbey was designated a World Heritage Site by UNESCO. It was recognised for fulfilling the criteria of being a masterpiece of human creative genius, and an outstanding example of a type of building or architectural or technological ensemble or landscape which illustrates significant stages in human history. Fountains Abbey is owned by the National Trust and maintained by English Heritage. The trust owns Studley Royal Park, Fountains Hall, to which there is partial public access, and St Mary's Church, designed by William Burges and built around 1873, all of which are significant features of the World Heritage Site.
The Porter's Lodge, which was once the gatehouse to the abbey, houses a modern exhibition area with displays about the history of Fountains Abbey and how the monks lived.
In January 2010, Fountains Abbey and Studley Royal became two of the first National Trust properties to be included in Google Street View, using the Google Trike.
Film location
Fountains Abbey was used as a film location by Orchestral Manoeuvres in the Dark for their single "Maid of Orleans (The Waltz Joan of Arc)" during the cold winter of December 1981. In 1980, Hollywood also came to the site to film the final scenes to the film Omen III: The Final Conflict.Other productions filmed on location at the abbey are the films Life at the Top, The Secret Garden, The History Boys, TV series Flambards, A History of Britain, Terry Jones' Medieval Lives, Cathedral, Antiques Roadshow and the game show Treasure Hunt. The BBC Television series 'Gunpowder' (2017) used Fountains Abbey as a location.
Group
Buena Fotografía!!! www.flickr.com/groups/2153540@N22/
The theme of this month. "Sculpture". It was a difficulty to me.
And the theme of August. Sensenkyokyo. I pray that is not difficult.
The MtSac v Cerritos dual was held on 23 October 2019 at Mt. San Antonio College.
In his 13 years as the Cerritos College wrestling head coach, Donny Garriott has won a lot of matches. But one place he has had difficulty winning in conference play has been at Mt. San Antonio College, where he had lost his last five matches. But on Wednesday, the #2-ranked Falcons (10-0, 2-0) posted a 25-16 Southwest Conference win over the Mounties. It was the first conference win for Garriott and the Falcons at Mt. SAC since 2010, who now has a lifetime 13-8 record against the Mounties.
125 Pounds - Jonathan Prata (CERR) def. Connor Diamond (MSAC), 11-4
133 Pounds - Andres Gonzales (CERR) pinned Nicholas Weissinger (MSAC), 3:24
141 Pounds - Oscar Chirino (MSAC) pinned Stefano McKinney (CERR), 3:36
149 Pounds - V'ante Moore (CERR) def. Jimmy Adams (MSAC), 9-0
157 Pounds - Larry Rodriguez (CERR) win by forfeit
165 Pounds - Wetzel Hill (MSAC) def. Drake De La Cruz (CERR), 17-3
174 Pounds - Ian Vasquez (MSAC) def. Cobe Hatcher (CERR), 3-2
184 Pounds - Kevin Hope (MSAC) def. Jarrod Nunez (CERR), 10-6
197 Pounds - Hamzah Al-Saudi (CERR) def. Mellad Ayyoub (MSAC), 2-0
285 Pounds - Randy Arriaga (CERR) def. Jackson Clark (MSAC), 5-0
Due to difficulty getting a new large hangar to house jetliners, in recent years the Museum of Flight had to build a plastic & aluminum shield to stop the corrosion assaulting this Comet's wings. The unique Comet's window was inspired by nautical design.
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Here's my photo of the Museum of Flight Restoration Center's de Havilland D.H. 106 Comet Mk. 4C. This one, formerly XA-NAR of Mexicana, has quite the history and even was a star of a PBS documentary.
I've decided to post-process these photos into Kodachrome because Kodachrome is what would have been used to record XA-NAR when it first flew. After all, I'll let everybody else record living history with 2010s tech while I dial the clock back to October 31, 1959 when XA-NAR first flew...
(for further information please click on the link at the end of page!)
Palais Daun-Kinsky
If the Freyung once has been one of the most prestigious residential addresses in town, so for it was next to the Palais Harrach especially the Grand Palais Kinsky responsible. In its place in the middle ages were two parcels, each with a small building. The front part of the Freyung was since the 16th Century always in aristocratic in hands (Bernhard Menesis Freiherr von Schwarzeneck, Countess Furstenberg, Counts Lamberg). 1686 acquired Karl Ferdinand Count Waldstein the house of Count Lamberg. His son bought also the adjacent house in Rose Street (Rosengasse) and united both plots to one parcel. He had three granddaughters, who sold the site in 1709 to Wirich Philipp Laurenz Graf Daun. This came from an old Rhenish nobility. His ancestors were mostly working for the Elector of Trier as officers. In the battle of the Habsburgs against the Turks, Spanish and Frenchmen, he acquired great military merit. He brought it to the General Feldzeugmeister (quartermaster) and Viceroy of Naples. In 1713 he had the house at the Freyung demolished and by Johann Lukas von Hildebrandt built in its place until 1716 a palace, him serving as Vienna's city residence. Down may have been Antonio Beduzzi requested the creation of reconstruction plans, but was eventually Hildebrandt entrusted with the work. In 1719, the palace was largely completed. Daun lived there but rarely because he stayed a lot in Italy and in Austria preferred his country castles Ladendorf, Kirchstetten and Pellendorf. In 1746 acquired Johann Joseph Count von Khevenhüller the Palais from Leopold Joseph von Daun, the son of the owner, who happened to be in financial difficulty. The Reichsgraf (count of empire) was appointed in 1763 by the Empress Maria Theresa for his services to the Lord Steward and Lord Chamberlain, and raised to the hereditary imperial princes (princes of the Holy Roman Empire).
Door knocker
He sold the palace in 1764 to the Imperial Councilor President Ferdinand Bonaventura Harrach Count II. This worked as a diplomat, especially in Holland and Italy. At times of Maria Theresa, the building was inhabited by her Swiss Guards until they 1784 moved to their new quarters in Hofstallgebäude (court stable building). Ferdinand Bonaventura's daughter Rosa brought the palace in 1790 into her marriage to Josef Graf Kinsky. Whose family belonged to the Bohemian nobility. Its members appear at the beginning of the 13th Century documented. Wilhelm Freiherr von Kinsky was a colonel and friend of Wallenstein. He was murdered with this 1634 in Eger. His confiscated estates were divided among the assassins. Only two masteries (Chlumez and Bohemian Kamnitz ) remained through the timely change of front of his nephew, Johann Octavian with the family. The Kinsky but succeeded soon to rise again. They occupied again high positions in the administration and the military. 1798 the had modernized their Viennese palace by the architect Ernst Koch inside. Thus, the original Baroque interior was lost. As in 1809 the Frenchmen had occupied Vienna, a french Marshal and General were billeted in the palace. Prince Ferdinand Kinsky was a great patron of Beethoven, which he paid an annual salary of 4,000 florins for life along with two other nobles. In 1856, the Palace was refurbished in the interior by the architect Friedrich Stache. In the 19th Century lived the Princes Kinsky mostly on their Bohemian goods or in Prague. The building was therefore temporarily rented to some posh tenants. So lived here temporarily Field Marshal Radetzky and Archduke Albrecht. 1904 redecorated the French interior designer Armand Decour the piano nobile.
Staircase - second floor
With the end of World War II began a tough time for the Kinsky family. Almost all goods and industrial holdings, with the exception of the hunting lodge Rosenhof at Freistadt lay in Bohemia. By 1929, 50 % of the extensive Bohemian possessions were expropriated. There were still about 12,000 acres, a sugar factory and breweries. 1919 had to be a part of Vienna's Palais force-let. During World War II it was requisitioned by the German army. For fear of air raids the in the palace remaining objects of art were transferred to some Bohemian castles. The Palais Kinsky was not destroyed, its art treasures but remained in Bohemia. After the Second World War, the remaining Czech possessions were lost by nationalization for the family. In the Viennese palace were temporarily housed the embassies of China and Argentina. In 1986 it was sold by Franz Ulrich Prince Kinsky. After several short-term owners, the palace was acquired by the Karl Wlaschek private foundation in 1997. It was generously restored from 1998 to 2000 and adapted for offices and shops. The Grand Ballroom is often used because of its excellent acoustics as a concert hall. Since 1992, acclaimed art auctions are held at the Palais.
The Palais Kinsky is probably next to the Belvedere the most prominent secular work of the great Baroque architect and one of the best preserved baroque palaces in Vienna. Despite multiple changes of ownership and of numerous rearrangements inside the main components such as Baroque facade, vestibule, staircase, hall and gallery remained largely unchanged. The building extends between Freyung and Rosengasse. The property is only 30 meters wide, but three times longer. It was therefore not an easy task to build on it a representative palace with a grand staircase. Hildebrandt but has brilliantly overcome by putting up four floors at 24 m height, and yet preserving the proportions. He grouped the construction with two long side wings and a cross section around two consecutive large courtyards. The pomp and living rooms of the palace are mounted around the first courtyard, while the second contained carriage houses and stables. Here have yet been preserved the marble wall panels with the animal waterings made of cast iron and enamel from the late 19th century. Hildebrandt integrated various parts of the previous building into the new building. The seven-axle face side at the Freyung is divided several times. Stability is procured by the rusticated ground floor with its inserted diamond blocks. On it sit the two residential floors. They are embraced by Corinthian Riesenpilaster (giant pilasters). The mezzanine floor above it features in comparison with the underlying main floor tiny windows.
Hercules
The large windows on the main floor are particularly detailed designed. While the outer pairs of windows possess pagoda-like over roofings, those of the three windows of the central projection are round-arched. The trophies and weapons depicted in the lintel fields refer to the military profession of the owner. Vertically is the extensive looking facade accented by the slightly protruding, tri-part central risalite, the pilasters are decorated much richer than that of the side projections. In the Fantasiekapitelle (fantasy capital) of the pilasters are diamond lattices incorporated, an important component of the coat of arms of the Counts Down. The with figures and trophies decorated attica is over the central part formed as balustrade. The sculptures are believed to originate from Joseph Kracker, representing the gods Minerva, Juno, Hercules, Neptune, Diana and Constantia. Very elegant looks the plastically protruding portal. Its composition goes back to Johann Lukas von Hildebrandt. It is considered one of the most beautiful Baroque portals of Vienna. The draft was submitted in 1713 and carried out until 1715. The richly decorated wooden gate dates from the period around 1856, when it was renewed. It is outside flanked by two, obliquely placed Doric columns that match the rusticated ground floor. Sloped to the inside carry two, on pillar stumps standing atlases (also from Kracker) the entablature with the overlying structured segment gable. On it sit the stone figures of Prudence and Justice. The middle window in between is much richer decorated than the rest of the window openings on the first floor. Instead of the usual trapezoidal over roofings here it is crowned by a cartouche held by two putti. The originally thereon located coat of arms of the owner was replaced after the change of ownership by that of the Kinsky family with three boar's teeth. Above the shield hangs an chain with the Order of the Golden Fleece. Both the gusset of the archway as well as the overlying triglyph frieze are decorated with trophies.
Banquet Hall
If someone passes the portal, so one gets into one, by strong pillars divided three-aisled gatehouse. The massive spatial impression is something mitigated by the large sculptures in the niches. They were created by Joseph Kracker. Among the somewhat restrained stucco decorations you can see the coat of arms of the owner, with its characteristic diamond motif. At this gate hall adjoins the widely embedded and more than twice as high vestibule with its domed ceiling. This transverse oval space is divided by pilasters and Doric columns. The rich stucco decoration of the ceiling provided with lunettes could come from Alberto Camesina or from his workshop. The here used motifs are again relating to the career of the client as a commander. For instance, in the lunette caps are reliefs of Roman soldiers. On the left side of the vestibule leads an anteroom to the grand staircase. It is dominated by a vault carrying Hercules, a work by Lorenzo Mattielli. As the monogram of Charles VI proves, with it the Emperor was meant to be worshiped. In two oval niches stand above the two double doors of the Treppenvorhauses (stairway hall way) busts of Caesar and Emperor Titus Flavius Vespasian. The elongated stairway occupies almost the entire length of the left wing of the first courtyard. In the stairwell are eleven statues of Roman deities in stucco niches. The relatively narrow, crossed grand stairway is considered one of the most beautiful of Vienna. It overall design might go back to Antonio Beduzzi. On the second floor stand on the from winded perforated volute forms constructed stone balustrade four groups of playing or scrapping putti. They serve in part as a lantern holders, partly just as a decoration. The statue cycle in the staircase is a work of Lorenzo Mattielli, but the cherubs are believed to stem from Joseph Kracker. This type of decoration already points to the coming Rococo. A fresco by Carlo Innocenzo Carlone adorns the ceiling. The simulated architecture painted Antonio Beduzzi. The large wall mirror of the staircase were added after 1907 .
Staircase/ceiling fresco
The somewhat playful balustrade leads to the reception rooms on the second floor. The large oval ballroom above the entrance hall is oriented towards the courtyard. Its allegorical ceiling painting stems from Carlo Innocenzo Carlone. The other frescoes are of him and Marcantonio Chiarini. The walls are covered with marble. The room was several times, most recently in 1904 changed structurally. In front of the banquet hall is the former dining room. It is now called Yellow Salon. In 1879/80 was installed in it a choir stalls from the Pressburg Cathedral by Georg Raphael Donner ( 1736) and partly completed. The also acquired confessionals were converted into boxes that are in the antechamber of the second floor today. In the chapel, designed by Hildebrandt, was until 1741 as altarpiece Francesco Solimena's "Holy Family with the Infant John the Baptist". 1778 the sacred space, however, was already desecrated. The altarpiece is already since the 18th Century in Wiener Neustadt Neuklosterkirche (church in Lower Austria). In the cross-section between the first and the second courtyard lay the paneled gallery whose spatial effect in 1856 by an attached conservatory was changed something. Its vaulted ceiling is decorated with frescoes by Carlo Innocenzo Carlone. Marcantonio Chiarini created 1716/18 the quadrature paintings. At it followed a larger hall in which Francesco Solimena's oil painting "Phaeton and Apollo" was located. It can be admired today in the National Gallery in Prague. The hall was later used as a library. Part of the state rooms 1714 was equipped with ceiling paintings by Peter Strudel. In the course of a radical redesign of the building's interior Ernest Koch has cut off all stucco ceilings of the staterooms 1798-1800 and also redesigned the walls. Since 1879 Carl Gangolf Kayser tried to restore the original spatial impression by the of Rudolf von Weyr created new Neo-Baroque stucco ceilings. Only in a few areas (vestibule, staircase, ballroom), the original substance remained. In the palace there are numerous Mamorkamine (marble fireplaces) and stoves from the 18th and 19th Century. The star parquet floors and many original door fittings date from the third quarter of the 19th Century. The facades of the first courtyard are structured by Tuscan pilasters. The arcades on the ground floor have already been closed in 1753. The with a mascaron decorated wall fountain is a work of Rudolf von Weyr. The second courtyard is kept simple. Remarkable at it rear end is the cenotaph for the current owner Karl Wlaschek.
Location/Address: 1010 Vienna, Freyung 4
Activities: The courtyards are freely accessible, the staircase usually also. A look at the state rooms is only possible if these are not just rented.
As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:
Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.
Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.
Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.
Luke Jones from Wales won the wheelchair section.
A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.
The true believers neither become so happy with life's successes that they forget Allah, nor do they become so depressed with life's difficulties and failures that they lose hope in Allah. Instead, they trust in His decisions.
Dr. Bilal Philips
Lesnes Abbey (pronounced /ˈlɛsnɨs/) is a former abbey, now ruined, in Abbey Wood, in the London Borough of Bexley. It is a scheduled ancient monument and the adjacent park and heath are a Site of Special Scientific Interest. The ruins are adjacent to Lesnes Abbey Woods.
After the Norman Conquest in 1066 the area of Lesnes, close to the town of Erith passed into the possession of Bishop Odo and is mentioned in the Domesday Survey. The year 1178 saw the foundation of the Abbey of St Mary and St Thomas the Martyr at Lesnes.
Lesnes Abbey, as it is known, was founded by Richard de Luci, Chief Justiciar of England, in 1178. It is speculated, this may have been in penance for the murder of Thomas Becket, in which he was involved. In 1179, de Luci resigned his office and retired to the Abbey, where he died three months later. He was buried in the chapter house.
The abbey is situated in the suburbs of south east London, in the north of an ancient but long-managed Lesnes Abbey Woods that are named after it, where the land rises above what would originally have been marshland.
In 1381 Abel Ker of Erith led a local uprising linked to the famous Peasants' Revolt. It actually began in Essex but a mob from Erith burst in to nearby Lesnes Abbey and forced the abbot to swear an oath to support them. After this they marched to Maidstone to join the main body of men led by Wat Tyler.
The Abbott of Lesnes Abbey was an important local landlord, and took a leading part in draining the marshland. However, this and the cost of maintaining river embankments was one of the reasons given for the Abbey's chronic financial difficulties. It never became a large community, and was closed by Cardinal Wolsey in 1525, under a licence to suppress monasteries of less than seven inmates. It was one of the first monasteries to be closed after the Dissolution of the Monasteries in 1524, and the monastic buildings were all pulled down, except for the Abbott's Lodging. Henry Cooke acquired the site in 1541 and it eventually passed to Sir John Hippersley who salvaged building materials, before selling the property to Thomas Hawes of London in 1632. It was then bequeathed to Christ's Hospital in 1633. Some of the stone is said to have been used in the construction of Hall Place in nearby Bexley.
The abbey was effectively lost and the area became farmland with the abbots house forming part of a farmhouse. It has been restored to show some of the walls and the entire outline of the abbey is visible giving a good idea of the size and atmosphere of the original place. It is on the Green Chain Walk and well worth a visit as it is surrounded by good parkland and an ornamental garden. There is a cafe and a small exhibition of the abbey and also toilet facilities for visitors. The is a low, leaning tree at the Northern side of the abbey, and this is reputed to be a mulberry tree.
The site was excavated by Woolwich & District Antiquarian Society in 1909-1910 approx. . Some archaeological finds from the Abbey's site are displayed in Plumstead Museum at 232 Plumstead High Street, others are further east in the museum above Erith Library in Walnut Tree Road. The "Missale de Lesnes" is in the library of the Victoria & Albert Museum in Exhibition Road, London.
The former London County Council purchased the site of the ruins in 1930, which were opened to the public as a park in 1931. Since 1986, the site has been the property of the London Borough of Bexley. A branch of the Green Chain Walk passes the ruins on its way from Oxleas Wood to Thamesmead riverside.