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TAMRON SP AF90mm F/2.8 Di MACRO1:1

 

Person who was there realize difficulty of capturing it.

April 23, 2015 on our trip to the blipmeet at Wanaka, Central Otago in New Zealand. www.polaroidblipfoto.com/browse/me

 

Our first morning in Cromwell. We woke to heavy fog which took a while to lift. We have arrived at Mt Difficulty Estate Winery so John can do some tasting.

 

The unique microclimate of the Bannockburn area is partially created by the presence of Mount Difficulty which overlooks the southern Cromwell basin, and is the namesake of Mt Difficulty Wines. Mount Difficulty is integral in providing low rainfall and humidity for the region. Bannockburn enjoys hot summers, a large diurnal temperature variation and long cool autumns; conditions which bring the best out of the Pinot Noir grapes. These conditions, along with soils which are ideal for viticulture, provide an excellent basis not only for Pinot Noir, but also for Pinot Gris, Riesling, and Chardonnay. The soils are a mix of clay and gravels, but all feature a high pH level; grapes produce their best wines on sweet soils.

For More Info and photos: www.mtdifficulty.co.nz/aboutus/ourstory.html

An extract from the Bradshaw's Railway Map of 1852 with the four enlargements of three of the country's new industrial powerhouses along with their then railways. Bradshaw was a Mancunian whose name became synonimous with the 'new' railways as he produced timetables, information and maps on the Victorians new mode of transport. To the side we can see the railway map of the east of Scotland that shows the basis of the current mainlines along with interesting sections such as the Slammanan Railway. Of the English cities Liverpool and Manchester were, of course, the first to be linked by railway in 1829. The approaches to Liverpool, involving steep gradients and tunnels can be seen in the tripartite split at Edge Hill station leading to the city centre at Lime St and the Docks that fostered so much trade. Likewise in Manchester the basis of todays railways are already in place. It is amazing to think that the north - south link at Ordsall Lane, discussed for over a century, has not long been finally constructed! The Lancashire & Yorkshire can already been serving Victoria Station, with the original Oldham Rd station demoted to the goods status it had for so long.

The maps of Birmingham and Leeds have one thing in common; both lack the through city railway lines they were to have. This link would be opened in 1869 when the effective link between the 1839 Selby station and the London & North Western's lines was constructed. In Birmingham the lack of central area penetration can be most clearly seen, even allowing for the cartographer's simplifications. It also shows the difficulty of dating such maps as the lines into and through New Street station had actually opned in 1851 although the 'official opening' was three years later in 1854. Equally the GWR line into Birmingham and to its station on Snow Hill came into use in 1852 and this isn't shown either! That said, given the name of the London & North Western railway being shown all over the place the map has to be post-1846 when this comapny came into being follwoing an amalgamation of various early railways.

Vladimir Semyonovich Vysotsky (Russian: Владимир Семёнович Высоцкий, IPA: [vlɐˈdʲimʲɪr sʲɪˈmʲɵnəvʲɪtɕ vɨˈsotskʲɪj]; 25 January 1938 – 25 July 1980), was a Soviet singer-songwriter, poet, and actor who had an immense and enduring effect on Soviet culture. He became widely known for his unique singing style and for his lyrics, which featured social and political commentary in often humorous street-jargon. He was also a prominent stage- and screen-actor. Though the official Soviet cultural establishment largely ignored his work, he was remarkably popular during his lifetime, and to this day exerts significant influence on many of Russia's musicians and actors.

 

Vysotsky was born in Moscow at the 3rd Meshchanskaya St. (61/2) maternity hospital. His father, Semyon Volfovich (Vladimirovich) (1915–1997), was a colonel in the Soviet army, originally from Kiev. Vladimir's mother, Nina Maksimovna, (née Seryogina, 1912–2003) was Russian, and worked as a German language translator.[3] Vysotsky's family lived in a Moscow communal flat in harsh conditions, and had serious financial difficulties. When Vladimir was 10 months old, Nina had to return to her office in the Transcript bureau of the Soviet Ministry of Geodesy and Cartography (engaged in making German maps available for the Soviet military) so as to help her husband earn their family's living.

 

Vladimir's theatrical inclinations became obvious at an early age, and were supported by his paternal grandmother Dora Bronshteyn, a theater fan. The boy used to recite poems, standing on a chair and "flinging hair backwards, like a real poet," often using in his public speeches expressions he could hardly have heard at home. Once, at the age of two, when he had tired of the family's guests' poetry requests, he, according to his mother, sat himself under the New-year tree with a frustrated air about him and sighed: "You silly tossers! Give a child some respite!" His sense of humor was extraordinary, but often baffling for people around him. A three-year-old could jeer his father in a bathroom with unexpected poetic improvisation ("Now look what's here before us / Our goat's to shave himself!") or appall unwanted guests with some street folk song, promptly steering them away. Vysotsky remembered those first three years of his life in the autobiographical Ballad of Childhood (Баллада о детстве, 1975), one of his best-known songs.

 

As World War II broke out, Semyon Vysotsky, a military reserve officer, joined the Soviet army and went to fight the Nazis. Nina and Vladimir were evacuated to the village of Vorontsovka, in Orenburg Oblast where the boy had to spend six days a week in a kindergarten and his mother worked for twelve hours a day in a chemical factory. In 1943, both returned to their Moscow apartment at 1st Meschanskaya St., 126. In September 1945, Vladimir joined the 1st class of the 273rd Moscow Rostokino region School.

 

In December 1946, Vysotsky's parents divorced. From 1947 to 1949, Vladimir lived with Semyon Vladimirovich (then an army Major) and his Armenian wife, Yevgenya Stepanovna Liholatova, whom the boy called "aunt Zhenya", at a military base in Eberswalde in the Soviet-occupied zone of Germany (later East Germany). "We decided that our son would stay with me. Vladimir came to stay with me in January 1947, and my second wife, Yevgenia, became Vladimir's second mother for many years to come. They had much in common and liked each other, which made me really happy," Semyon Vysotsky later remembered. Here living conditions, compared to those of Nina's communal Moscow flat, were infinitely better; the family occupied the whole floor of a two-storeyed house, and the boy had a room to himself for the first time in his life. In 1949 along with his stepmother Vladimir returned to Moscow. There he joined the 5th class of the Moscow 128th School and settled at Bolshoy Karetny [ru], 15 (where they had to themselves two rooms of a four-roomed flat), with "auntie Zhenya" (who was just 28 at the time), a woman of great kindness and warmth whom he later remembered as his second mother. In 1953 Vysotsky, now much interested in theater and cinema, joined the Drama courses led by Vladimir Bogomolov.[7] "No one in my family has had anything to do with arts, no actors or directors were there among them. But my mother admired theater and from the earliest age... each and every Saturday I've been taken up with her to watch one play or the other. And all of this, it probably stayed with me," he later reminisced. The same year he received his first ever guitar, a birthday present from Nina Maksimovna; a close friend, bard and a future well-known Soviet pop lyricist Igor Kokhanovsky taught him basic chords. In 1955 Vladimir re-settled into his mother's new home at 1st Meshchanskaya, 76. In June of the same year he graduated from school with five A's.

 

In 1955, Vladimir enrolled into the Moscow State University of Civil Engineering, but dropped out after just one semester to pursue an acting career. In June 1956 he joined Boris Vershilov's class at the Moscow Art Theatre Studio-Institute. It was there that he met the 3rd course student Iza Zhukova who four years later became his wife; soon the two lovers settled at the 1st Meschanskaya flat, in a common room, shielded off by a folding screen. It was also in the Studio that Vysotsky met Bulat Okudzhava for the first time, an already popular underground bard. He was even more impressed by his Russian literature teacher Andrey Sinyavsky who along with his wife often invited students to his home to stage improvised disputes and concerts. In 1958 Vysotsky's got his first Moscow Art Theatre role: that of Porfiry Petrovich in Dostoyevsky's Crime and Punishment. In 1959 he was cast in his first cinema role, that of student Petya in Vasily Ordynsky's The Yearlings (Сверстницы). On 20 June 1960, Vysotsky graduated from the MAT theater institute and joined the Moscow Pushkin Drama Theatre (led by Boris Ravenskikh at the time) where he spent (with intervals) almost three troubled years. These were marred by numerous administrative sanctions, due to "lack of discipline" and occasional drunken sprees which were a reaction, mainly, to the lack of serious roles and his inability to realise his artistic potential. A short stint in 1962 at the Moscow Theater of Miniatures (administered at the time by Vladimir Polyakov) ended with him being fired, officially "for a total lack of sense of humour."

 

Vysotsky's second and third films, Dima Gorin's Career and 713 Requests Permission to Land, were interesting only for the fact that in both he had to be beaten up (in the first case by Aleksandr Demyanenko). "That was the way cinema greeted me," he later jokingly remarked. In 1961, Vysotsky wrote his first ever proper song, called "Tattoo" (Татуировка), which started a long and colourful cycle of artfully stylized criminal underworld romantic stories, full of undercurrents and witty social comments. In June 1963, while shooting Penalty Kick (directed by Veniamin Dorman and starring Mikhail Pugovkin), Vysotsky used the Gorky Film Studio to record an hour-long reel-to-reel cassette of his own songs; copies of it quickly spread and the author's name became known in Moscow and elsewhere (although many of these songs were often being referred to as either "traditional" or "anonymous"). Just several months later Riga-based chess grandmaster Mikhail Tal was heard praising the author of "Bolshoy Karetny" (Большой Каретный) and Anna Akhmatova (in a conversation with Joseph Brodsky) was quoting Vysotsky's number "I was the soul of a bad company..." taking it apparently for some brilliant piece of anonymous street folklore. In October 1964 Vysotsky recorded in chronological order 48 of his own songs, his first self-made Complete works of... compilation, which boosted his popularity as a new Moscow folk underground star.

 

In 1964, director Yuri Lyubimov invited Vysotsky to join the newly created Taganka Theatre. "'I've written some songs of my own. Won't you listen?' – he asked. I agreed to listen to just one of them, expecting our meeting to last for no more than five minutes. Instead I ended up listening to him for an entire 1.5 hours," Lyubimov remembered years later of this first audition. On 19 September 1964, Vysotsky debuted in Bertolt Brecht's The Good Person of Szechwan as the Second God (not to count two minor roles). A month later he came on stage as a dragoon captain (Bela's father) in Lermontov's A Hero of Our Time. It was in Taganka that Vysotsky started to sing on stage; the War theme becoming prominent in his musical repertoire. In 1965 Vysotsky appeared in the experimental Poet and Theater (Поэт и Театр, February) show, based on Andrey Voznesensky's work and then Ten Days that Shook the World (after John Reed's book, April) and was commissioned by Lyubimov to write songs exclusively for Taganka's new World War II play. The Fallen and the Living (Павшие и Живые), premiered in October 1965, featured Vysotsky's "Stars" (Звёзды), "The Soldiers of Heeresgruppe Mitte" (Солдаты группы "Центр") and "Penal Battalions" (Штрафные батальоны), the striking examples of a completely new kind of a war song, never heard in his country before. As veteran screenwriter Nikolay Erdman put it (in conversation with Lyubimov), "Professionally, I can well understand how Mayakovsky or Seryozha Yesenin were doing it. How Volodya Vysotsky does it is totally beyond me." With his songs – in effect, miniature theatrical dramatizations (usually with a protagonist and full of dialogues), Vysotsky instantly achieved such level of credibility that real life former prisoners, war veterans, boxers, footballers refused to believe that the author himself had never served his time in prisons and labor camps, or fought in the War, or been a boxing/football professional. After the second of the two concerts at the Leningrad Molecular Physics institute (that was his actual debut as a solo musical performer) Vysotsky left a note for his fans in a journal which ended with words: "Now that you've heard all these songs, please, don't you make a mistake of mixing me with my characters, I am not like them at all. With love, Vysotsky, 20 April 1965, XX c." Excuses of this kind he had to make throughout his performing career. At least one of Vysotsky's song themes – that of alcoholic abuse – was worryingly autobiographical, though. By the time his breakthrough came in 1967, he'd suffered several physical breakdowns and once was sent (by Taganka's boss) to a rehabilitation clinic, a visit he on several occasions repeated since.

 

Brecht's Life of Galileo (premiered on 17 May 1966), transformed by Lyubimov into a powerful allegory of Soviet intelligentsia's set of moral and intellectual dilemmas, brought Vysotsky his first leading theater role (along with some fitness lessons: he had to perform numerous acrobatic tricks on stage). Press reaction was mixed, some reviewers disliked the actor's overt emotionalism, but it was for the first time ever that Vysotsky's name appeared in Soviet papers. Film directors now were treating him with respect. Viktor Turov's war film I Come from the Childhood where Vysotsky got his first ever "serious" (neither comical, nor villainous) role in cinema, featured two of his songs: a spontaneous piece called "When It's Cold" (Холода) and a dark, Unknown soldier theme-inspired classic "Common Graves" (На братских могилах), sung behind the screen by the legendary Mark Bernes.

 

Stanislav Govorukhin and Boris Durov's The Vertical (1967), a mountain climbing drama, starring Vysotsky (as Volodya the radioman), brought him all-round recognition and fame. Four of the numbers used in the film (including "Song of a Friend [fi]" (Песня о друге), released in 1968 by the Soviet recording industry monopolist Melodiya disc to become an unofficial hit) were written literally on the spot, nearby Elbrus, inspired by professional climbers' tales and one curious hotel bar conversation with a German guest who 25 years ago happened to climb these very mountains in a capacity of an Edelweiss division fighter. Another 1967 film, Kira Muratova's Brief Encounters featured Vysotsky as the geologist Maxim (paste-bearded again) with a now trademark off-the-cuff musical piece, a melancholy improvisation called "Things to Do" (Дела). All the while Vysotsky continued working hard at Taganka, with another important role under his belt (that of Mayakovsky or, rather one of the latter character's five different versions) in the experimental piece called Listen! (Послушайте!), and now regularly gave semi-official concerts where audiences greeted him as a cult hero.

 

In the end of 1967 Vysotsky got another pivotal theater role, that of Khlopusha [ru] in Pugachov (a play based on a poem by Sergei Yesenin), often described as one of Taganka's finest. "He put into his performance all the things that he excelled at and, on the other hand, it was Pugachyov that made him discover his own potential," – Soviet critic Natalya Krymova wrote years later. Several weeks after the premiere, infuriated by the actor's increasing unreliability triggered by worsening drinking problems, Lyubimov fired him – only to let him back again several months later (and thus begin the humiliating sacked-then-pardoned routine which continued for years). In June 1968 a Vysotsky-slagging campaign was launched in the Soviet press. First Sovetskaya Rossiya commented on the "epidemic spread of immoral, smutty songs," allegedly promoting "criminal world values, alcoholism, vice and immorality" and condemned their author for "sowing seeds of evil." Then Komsomolskaya Pravda linked Vysotsky with black market dealers selling his tapes somewhere in Siberia. Composer Dmitry Kabalevsky speaking from the Union of Soviet Composers' Committee tribune criticised the Soviet radio for giving an ideologically dubious, "low-life product" like "Song of a Friend" (Песня о друге) an unwarranted airplay. Playwright Alexander Stein who in his Last Parade play used several of Vysotsky's songs, was chastised by a Ministry of Culture official for "providing a tribune for this anti-Soviet scum." The phraseology prompted commentators in the West to make parallels between Vysotsky and Mikhail Zoschenko, another Soviet author who'd been officially labeled "scum" some 20 years ago.

 

Two of Vysotsky's 1968 films, Gennady Poloka's Intervention (premiered in May 1987) where he was cast as Brodsky, a dodgy even if highly artistic character, and Yevgeny Karelov's Two Comrades Were Serving (a gun-toting White Army officer Brusentsov who in the course of the film shoots his friend, his horse, Oleg Yankovsky's good guy character and, finally himself) – were severely censored, first of them shelved for twenty years. At least four of Vysotsky's 1968 songs, "Save Our Souls" (Спасите наши души), "The Wolfhunt" (Охота на волков), "Gypsy Variations" (Моя цыганская) and "The Steam-bath in White" (Банька по-белому), were hailed later as masterpieces. It was at this point that 'proper' love songs started to appear in Vysotsky's repertoire, documenting the beginning of his passionate love affair with French actress Marina Vlady.

 

In 1969 Vysotsky starred in two films: The Master of Taiga where he played a villainous Siberian timber-floating brigadier, and more entertaining Dangerous Tour. The latter was criticized in the Soviet press for taking a farcical approach to the subject of the Bolshevik underground activities but for a wider Soviet audience this was an important opportunity to enjoy the charismatic actor's presence on big screen. In 1970, after visiting the dislodged Soviet leader Nikita Khrushchev at his dacha and having a lengthy conversation with him, Vysotsky embarked on a massive and by Soviet standards dangerously commercial concert tour in Soviet Central Asia and then brought Marina Vlady to director Viktor Turov's place so as to investigate her Belarusian roots. The pair finally wed on 1 December 1970 (causing furore among the Moscow cultural and political elite) and spent a honeymoon in Georgia. This was the highly productive period for Vysotsky, resulting in numerous new songs, including the anthemic "I Hate" (Я не люблю), sentimental "Lyricale" (Лирическая) and dramatic war epics "He Didn't Return from the Battle" (Он не вернулся из боя) and "The Earth Song" (Песня о Земле) among many others.

 

In 1971 a drinking spree-related nervous breakdown brought Vysotsky to the Moscow Kashchenko clinic [ru]. By this time he has been suffering from alcoholism. Many of his songs from this period deal, either directly or metaphorically, with alcoholism and insanity. Partially recovered (due to the encouraging presence of Marina Vladi), Vysotsky embarked on a successful Ukrainian concert tour and wrote a cluster of new songs. On 29 November 1971 Taganka's Hamlet premiered, a groundbreaking Lyubimov's production with Vysotsky in the leading role, that of a lone intellectual rebel, rising to fight the cruel state machine.

 

Also in 1971 Vysotsky was invited to play the lead in The Sannikov Land, the screen adaptation of Vladimir Obruchev's science fiction,[47] which he wrote several songs for, but was suddenly dropped for the reason of his face "being too scandalously recognisable" as a state official put it. One of the songs written for the film, a doom-laden epic allegory "Capricious Horses" (Кони привередливые), became one of the singer's signature tunes. Two of Vysotsky's 1972 film roles were somewhat meditative: an anonymous American journalist in The Fourth One and the "righteous guy" von Koren in The Bad Good Man (based on Anton Chekov's Duel). The latter brought Vysotsky the Best Male Role prize at the V Taormina Film Fest. This philosophical slant rubbed off onto some of his new works of the time: "A Singer at the Microphone" (Певец у микрофона), "The Tightrope Walker" (Канатоходец), two new war songs ("We Spin the Earth", "Black Pea-Coats") and "The Grief" (Беда), a folkish girl's lament, later recorded by Marina Vladi and subsequently covered by several female performers. Popular proved to be his 1972 humorous songs: "Mishka Shifman" (Мишка Шифман), satirizing the leaving-for-Israel routine, "Victim of the Television" which ridiculed the concept of "political consciousness," and "The Honour of the Chess Crown" (Честь шахматной короны) about an ever-fearless "simple Soviet man" challenging the much feared American champion Bobby Fischer to a match.

 

In 1972 he stepped up in Soviet Estonian TV where he presented his songs and gave an interview. The name of the show was "Young Man from Taganka" (Noormees Tagankalt).

 

In April 1973 Vysotsky visited Poland and France. Predictable problems concerning the official permission were sorted after the French Communist Party leader Georges Marchais made a personal phone call to Leonid Brezhnev who, according to Marina Vlady's memoirs, rather sympathized with the stellar couple. Having found on return a potentially dangerous lawsuit brought against him (concerning some unsanctioned concerts in Siberia the year before), Vysotsky wrote a defiant letter to the Minister of Culture Pyotr Demichev. As a result, he was granted the status of a philharmonic artist, 11.5 roubles per concert now guaranteed. Still the 900 rubles fine had to be paid according to the court verdict, which was a substantial sum, considering his monthly salary at the theater was 110 rubles. That year Vysotsky wrote some thirty songs for "Alice in Wonderland," an audioplay where he himself has been given several minor roles. His best known songs of 1973 included "The Others' Track" (Чужая колея), "The Flight Interrupted" (Прерванный полёт) and "The Monument", all pondering on his achievements and legacy.

 

In 1974 Melodiya released the 7" EP, featuring four of Vysotsky's war songs ("He Never Returned From the Battle", "The New Times Song", "Common Graves", and "The Earth Song") which represented a tiny portion of his creative work, owned by millions on tape. In September of that year Vysotsky received his first state award, the Honorary Diploma of the Uzbek SSR following a tour with fellow actors from the Taganka Theatre in Uzbekistan. A year later he was granted the USSR Union of Cinematographers' membership. This meant he was not an "anti-Soviet scum" now, rather an unlikely link between the official Soviet cinema elite and the "progressive-thinking artists of the West." More films followed, among them The Only Road (a Soviet-Yugoslav joint venture, premiered on 10 January 1975 in Belgrade) and a science fiction movie The Flight of Mr. McKinley (1975). Out of nine ballads that he wrote for the latter only two have made it into the soundtrack. This was the height of his popularity, when, as described in Vlady's book about her husband, walking down the street on a summer night, one could hear Vysotsky's recognizable voice coming literally from every open window. Among the songs written at the time, were humorous "The Instruction before the Trip Abroad", lyrical "Of the Dead Pilot" and philosophical "The Strange House". In 1975 Vysotsky made his third trip to France where he rather riskily visited his former tutor (and now a celebrated dissident emigre) Andrey Sinyavsky. Artist Mikhail Shemyakin, his new Paris friend (or a "bottle-sharer", in Vladi's terms), recorded Vysotsky in his home studio. After a brief stay in England Vysotsky crossed the ocean and made his first Mexican concerts in April. Back in Moscow, there were changes at Taganka: Lyubimov went to Milan's La Scala on a contract and Anatoly Efros has been brought in, a director of radically different approach. His project, Chekhov's The Cherry Orchard, caused a sensation. Critics praised Alla Demidova (as Ranevskaya) and Vysotsky (as Lopakhin) powerful interplay, some describing it as one of the most dazzling in the history of the Soviet theater. Lyubimov, who disliked the piece, accused Efros of giving his actors "the stardom malaise." The 1976 Taganka's visit to Bulgaria resulted in Vysotskys's interview there being filmed and 15 songs recorded by Balkanton record label. On return Lyubimov made a move which many thought outrageous: declaring himself "unable to work with this Mr. Vysotsky anymore" he gave the role of Hamlet to Valery Zolotukhin, the latter's best friend. That was the time, reportedly, when stressed out Vysotsky started taking amphetamines.

 

Another Belorussian voyage completed, Marina and Vladimir went for France and from there (without any official permission given, or asked for) flew to the North America. In New York Vysotsky met, among other people, Mikhail Baryshnikov and Joseph Brodsky. In a televised one-hour interview with Dan Rather he stressed he was "not a dissident, just an artist, who's never had any intentions to leave his country where people loved him and his songs." At home this unauthorized venture into the Western world bore no repercussions: by this time Soviet authorities were divided as regards the "Vysotsky controversy" up to the highest level; while Mikhail Suslov detested the bard, Brezhnev loved him to such an extent that once, while in hospital, asked him to perform live in his daughter Galina's home, listening to this concert on the telephone. In 1976 appeared "The Domes", "The Rope" and the "Medieval" cycle, including "The Ballad of Love".

 

In September Vysotsky with Taganka made a trip to Yugoslavia where Hamlet won the annual BITEF festival's first prize, and then to Hungary for a two-week concert tour. Back in Moscow Lyubimov's production of The Master & Margarita featured Vysotsky as Ivan Bezdomny; a modest role, somewhat recompensed by an important Svidrigailov slot in Yury Karyakin's take on Dostoevsky's Crime and Punishment. Vysotsky's new songs of this period include "The History of Illness" cycle concerning his health problems, humorous "Why Did the Savages Eat Captain Cook", the metaphorical "Ballad of the Truth and the Lie", as well as "Two Fates", the chilling story of a self-absorbed alcoholic hunted by two malevolent witches, his two-faced destiny. In 1977 Vysotsky's health deteriorated (heart, kidneys, liver failures, jaw infection and nervous breakdown) to such an extent that in April he found himself in Moscow clinic's reanimation center in the state of physical and mental collapse.

 

In 1977 Vysotsky made an unlikely appearance in New York City on the American television show 60 Minutes, which falsely stated that Vysotsky had spent time in the Soviet prison system, the Gulag. That year saw the release of three Vysotsky's LPs in France (including the one that had been recorded by RCA in Canada the previous year); arranged and accompanied by guitarist Kostya Kazansky, the singer for the first time ever enjoyed the relatively sophisticated musical background. In August he performed in Hollywood before members of New York City film cast and (according to Vladi) was greeted warmly by the likes of Liza Minnelli and Robert De Niro. Some more concerts in Los Angeles were followed by the appearance at the French Communist paper L’Humanité annual event. In December Taganka left for France, its Hamlet (Vysotsky back in the lead) gaining fine reviews.

 

1978 started with the March–April series of concerts in Moscow and Ukraine. In May Vysotsky embarked upon a new major film project: The Meeting Place Cannot Be Changed (Место встречи изменить нельзя) about two detectives fighting crime in late 1940s Russia, directed by Stanislav Govorukhin. The film (premiered on 11 November 1978 on the Soviet Central TV) presented Vysotsky as Zheglov, a ruthless and charismatic cop teaching his milder partner Sharapov (actor Vladimir Konkin) his art of crime-solving. Vysotsky also became engaged in Taganka's Genre-seeking show (performing some of his own songs) and played Aleksander Blok in Anatoly Efros' The Lady Stranger (Незнакомка) radio play (premiered on air on 10 July 1979 and later released as a double LP).

 

In November 1978 Vysotsky took part in the underground censorship-defying literary project Metropolis, inspired and organized by Vasily Aksenov. In January 1979 Vysotsky again visited America with highly successful series of concerts. That was the point (according to biographer Vladimir Novikov) when a glimpse of new, clean life of a respectable international actor and performer all but made Vysotsky seriously reconsider his priorities. What followed though, was a return to the self-destructive theater and concert tours schedule, personal doctor Anatoly Fedotov now not only his companion, but part of Taganka's crew. "Who was this Anatoly? Just a man who in every possible situation would try to provide drugs. And he did provide. In such moments Volodya trusted him totally," Oksana Afanasyeva, Vysotsky's Moscow girlfriend (who was near him for most of the last year of his life and, on occasion, herself served as a drug courier) remembered. In July 1979, after a series of Central Asia concerts, Vysotsky collapsed, experienced clinical death and was resuscitated by Fedotov (who injected caffeine into the heart directly), colleague and close friend Vsevolod Abdulov helping with heart massage. In January 1980 Vysotsky asked Lyubimov for a year's leave. "Up to you, but on condition that Hamlet is yours," was the answer. The songwriting showed signs of slowing down, as Vysotsky began switching from songs to more conventional poetry. Still, of nearly 800 poems by Vysotsky only one has been published in the Soviet Union while he was alive. Not a single performance or interview was broadcast by the Soviet television in his lifetime.

 

In May 1979, being in a practice studio of the MSU Faculty of Journalism, Vysotsky recorded a video letter to American actor and film producer Warren Beatty, looking for both a personal meeting with Beatty and an opportunity to get a role in Reds film, to be produced and directed by the latter. While recording, Vysotsky made a few attempts to speak English, trying to overcome the language barrier. This video letter never reached Beatty. It was broadcast for the first time more than three decades later, on the night of 24 January 2013 (local time) by Rossiya 1 channel, along with records of TV channels of Italy, Mexico, Poland, USA and from private collections, in Vladimir Vysotsky. A letter to Warren Beatty film by Alexander Kovanovsky and Igor Rakhmanov. While recording this video, Vysotsky had a rare opportunity to perform for a camera, being still unable to do it with Soviet television.

 

On 22 January 1980, Vysotsky entered the Moscow Ostankino TV Center to record his one and only studio concert for the Soviet television. What proved to be an exhausting affair (his concentration lacking, he had to plod through several takes for each song) was premiered on the Soviet TV eight years later. The last six months of his life saw Vysotsky appearing on stage sporadically, fueled by heavy dosages of drugs and alcohol. His performances were often erratic. Occasionally Vysotsky paid visits to Sklifosofsky [ru] institute's ER unit, but would not hear of Marina Vlady's suggestions for him to take long-term rehabilitation course in a Western clinic. Yet he kept writing, mostly poetry and even prose, but songs as well. The last song he performed was the agonizing "My Sorrow, My Anguish" and his final poem, written one week prior to his death was "A Letter to Marina": "I'm less than fifty, but the time is short / By you and God protected, life and limb / I have a song or two to sing before the Lord / I have a way to make my peace with him."

 

Although several theories of the ultimate cause of the singer's death persist to this day, given what is now known about cardiovascular disease, it seems likely that by the time of his death Vysotsky had an advanced coronary condition brought about by years of tobacco, alcohol and drug abuse, as well as his grueling work schedule and the stress of the constant harassment by the government. Towards the end, most of Vysotsky's closest friends had become aware of the ominous signs and were convinced that his demise was only a matter of time. Clear evidence of this can be seen in a video ostensibly shot by the Japanese NHK channel only months before Vysotsky's death, where he appears visibly unwell, breathing heavily and slurring his speech. Accounts by Vysotsky's close friends and colleagues concerning his last hours were compiled in the book by V. Perevozchikov.

 

Vysotsky suffered from alcoholism for most of his life. Sometime around 1977, he started using amphetamines and other prescription narcotics in an attempt to counteract the debilitating hangovers and eventually to rid himself of alcohol addiction. While these attempts were partially successful, he ended up trading alcoholism for a severe drug dependency that was fast spiralling out of control. He was reduced to begging some of his close friends in the medical profession for supplies of drugs, often using his acting skills to collapse in a medical office and imitate a seizure or some other condition requiring a painkiller injection. On 25 July 1979 (a year to the day before his death) he suffered a cardiac arrest and was clinically dead for several minutes during a concert tour of Soviet Uzbekistan, after injecting himself with a wrong kind of painkiller he had previously obtained from a dentist's office.

 

Fully aware of the dangers of his condition, Vysotsky made several attempts to cure himself of his addiction. He underwent an experimental (and ultimately discredited) blood purification procedure offered by a leading drug rehabilitation specialist in Moscow. He also went to an isolated retreat in France with his wife Marina in the spring of 1980 as a way of forcefully depriving himself of any access to drugs. After these attempts failed, Vysotsky returned to Moscow to find his life in an increasingly stressful state of disarray. He had been a defendant in two criminal trials, one for a car wreck he had caused some months earlier, and one for an alleged conspiracy to sell unauthorized concert tickets (he eventually received a suspended sentence and a probation in the first case, and the charges in the second were dismissed, although several of his co-defendants were found guilty). He also unsuccessfully fought the film studio authorities for the rights to direct a movie called The Green Phaeton. Relations with his wife Marina were deteriorating, and he was torn between his loyalty to her and his love for his mistress Oksana Afanasyeva. He had also developed severe inflammation in one of his legs, making his concert performances extremely challenging.

 

In a final desperate attempt to overcome his drug addiction, partially prompted by his inability to obtain drugs through his usual channels (the authorities had imposed a strict monitoring of the medical institutions to prevent illicit drug distribution during the 1980 Olympics), he relapsed into alcohol and went on a prolonged drinking binge (apparently consuming copious amounts of champagne due to a prevalent misconception at the time that it was better than vodka at countering the effects of drug withdrawal).

 

On 3 July 1980, Vysotsky gave a performance at a suburban Moscow concert hall. One of the stage managers recalls that he looked visibly unhealthy ("gray-faced", as she puts it) and complained of not feeling too good, while another says she was surprised by his request for champagne before the start of the show, as he had always been known for completely abstaining from drink before his concerts. On 16 July Vysotsky gave his last public concert in Kaliningrad. On 18 July, Vysotsky played Hamlet for the last time at the Taganka Theatre. From around 21 July, several of his close friends were on a round-the-clock watch at his apartment, carefully monitoring his alcohol intake and hoping against all odds that his drug dependency would soon be overcome and they would then be able to bring him back from the brink. The effects of drug withdrawal were clearly getting the better of him, as he got increasingly restless, moaned and screamed in pain, and at times fell into memory lapses, failing to recognize at first some of his visitors, including his son Arkadiy. At one point, Vysotsky's personal physician A. Fedotov (the same doctor who had brought him back from clinical death a year earlier in Uzbekistan) attempted to sedate him, inadvertently causing asphyxiation from which he was barely saved. On 24 July, Vysotsky told his mother that he thought he was going to die that day, and then made similar remarks to a few of the friends present at the apartment, who begged him to stop such talk and keep his spirits up. But soon thereafter, Oksana Afanasyeva saw him clench his chest several times, which led her to suspect that he was genuinely suffering from a cardiovascular condition. She informed Fedotov of this but was told not to worry, as he was going to monitor Vysotsky's condition all night. In the evening, after drinking relatively small amounts of alcohol, the moaning and groaning Vysotsky was sedated by Fedotov, who then sat down on the couch next to him but fell asleep. Fedotov awoke in the early hours of 25 July to an unusual silence and found Vysotsky dead in his bed with his eyes wide open, apparently of a myocardial infarction, as he later certified. This was contradicted by Fedotov's colleagues, Sklifosovsky Emergency Medical Institute physicians L. Sul'povar and S. Scherbakov (who had demanded the actor's immediate hospitalization on 23 July but were allegedly rebuffed by Fedotov), who insisted that Fedotov's incompetent sedation combined with alcohol was what killed Vysotsky. An autopsy was prevented by Vysotsky's parents (who were eager to have their son's drug addiction remain secret), so the true cause of death remains unknown.

 

No official announcement of the actor's death was made, only a brief obituary appeared in the Moscow newspaper Vechernyaya Moskva, and a note informing of Vysotsky's death and cancellation of the Hamlet performance was put out at the entrance to the Taganka Theatre (the story goes that not a single ticket holder took advantage of the refund offer). Despite this, by the end of the day, millions had learned of Vysotsky's death. On 28 July, he lay in state at the Taganka Theatre. After a mourning ceremony involving an unauthorized mass gathering of unprecedented scale, Vysotsky was buried at the Vagankovskoye Cemetery in Moscow. The attendance at the Olympic events dropped noticeably on that day, as scores of spectators left to attend the funeral. Tens of thousands of people lined the streets to catch a glimpse of his coffin.

 

According to author Valery Perevozchikov part of the blame for his death lay with the group of associates who surrounded him in the last years of his life. This inner circle were all people under the influence of his strong character, combined with a material interest in the large sums of money his concerts earned. This list included Valerii Yankelovich, manager of the Taganka Theatre and prime organiser of his non-sanctioned concerts; Anatoly Fedotov, his personal doctor; Vadim Tumanov, gold prospector (and personal friend) from Siberia; Oksana Afanasyeva (later Yarmolnik), his mistress the last three years of his life; Ivan Bortnik, a fellow actor; and Leonid Sul'povar, a department head at the Sklifosovski hospital who was responsible for much of the supply of drugs.

 

Vysotsky's associates had all put in efforts to supply his drug habit, which kept him going in the last years of his life. Under their influence, he was able to continue to perform all over the country, up to a week before his death. Due to illegal (i.e. non-state-sanctioned) sales of tickets and other underground methods, these concerts pulled in sums of money unimaginable in Soviet times, when almost everyone received nearly the same small salary. The payouts and gathering of money were a constant source of danger, and Yankelovich and others were needed to organise them.

 

Some money went to Vysotsky, the rest was distributed amongst this circle. At first this was a reasonable return on their efforts; however, as his addiction progressed and his body developed resistance, the frequency and amount of drugs needed to keep Vysotsky going became unmanageable. This culminated at the time of the Moscow Olympics which coincided with the last days of his life, when supplies of drugs were monitored more strictly than usual, and some of the doctors involved in supplying Vysotsky were already behind bars (normally the doctors had to account for every ampule, thus drugs were transferred to an empty container, while the patients received a substitute or placebo instead). In the last few days Vysotsky became uncontrollable, his shouting could be heard all over the apartment building on Malaya Gruzinskaya St. where he lived amongst VIP's. Several days before his death, in a state of stupor he went on a high speed drive around Moscow in an attempt to obtain drugs and alcohol – when many high-ranking people saw him. This increased the likelihood of him being forcibly admitted to the hospital, and the consequent danger to the circle supplying his habit. As his state of health declined, and it became obvious that he might die, his associates gathered to decide what to do with him. They came up with no firm decision. They did not want him admitted officially, as his drug addiction would become public and they would fall under suspicion, although some of them admitted that any ordinary person in his condition would have been admitted immediately.

 

On Vysotsky's death his associates and relatives put in much effort to prevent a post-mortem being carried out. This despite the fairly unusual circumstances: he died aged 42 under heavy sedation with an improvised cocktail of sedatives and stimulants, including the toxic chloral hydrate, provided by his personal doctor who had been supplying him with narcotics the previous three years. This doctor, being the only one present at his side when death occurred, had a few days earlier been seen to display elementary negligence in treating the sedated Vysotsky. On the night of his death, Arkadii Vysotsky (his son), who tried to visit his father in his apartment, was rudely refused entry by Yankelovich, even though there was a lack of people able to care for him. Subsequently, the Soviet police commenced a manslaughter investigation which was dropped due to the absence of evidence taken at the time of death.

 

Vysotsky's first wife was Iza Zhukova. They met in 1956, being both MAT theater institute students, lived for some time at Vysotsky's mother's flat in Moscow, after her graduation (Iza was 2 years older) spent months in different cities (her – in Kiev, then Rostov) and finally married on 25 April 1960.

 

He met his second wife Lyudmila Abramova in 1961, while shooting the film 713 Requests Permission to Land. They married in 1965 and had two sons, Arkady (born 1962) and Nikita (born 1964).

 

While still married to Lyudmila Abramova, Vysotsky began a romantic relationship with Tatyana Ivanenko, a Taganka actress, then, in 1967 fell in love with Marina Vlady, a French actress of Russian descent, who was working at Mosfilm on a joint Soviet-French production at that time. Marina had been married before and had three children, while Vladimir had two. They were married in 1969. For 10 years the two maintained a long-distance relationship as Marina compromised her career in France to spend more time in Moscow, and Vladimir's friends pulled strings for him to be allowed to travel abroad to stay with his wife. Marina eventually joined the Communist Party of France, which essentially gave her an unlimited-entry visa into the Soviet Union, and provided Vladimir with some immunity against prosecution by the government, which was becoming weary of his covertly anti-Soviet lyrics and his odds-defying popularity with the masses. The problems of his long-distance relationship with Vlady inspired several of Vysotsky's songs.

 

In the autumn of 1981 Vysotsky's first collection of poetry was officially published in the USSR, called The Nerve (Нерв). Its first edition (25,000 copies) was sold out instantly. In 1982 the second one followed (100,000), then the 3rd (1988, 200,000), followed in the 1990s by several more. The material for it was compiled by Robert Rozhdestvensky, an officially laurelled Soviet poet. Also in 1981 Yuri Lyubimov staged at Taganka a new music and poetry production called Vladimir Vysotsky which was promptly banned and officially premiered on 25 January 1989.

 

In 1982 the motion picture The Ballad of the Valiant Knight Ivanhoe was produced in the Soviet Union and in 1983 the movie was released to the public. Four songs by Vysotsky were featured in the film.

 

In 1986 the official Vysotsky poetic heritage committee was formed (with Robert Rozhdestvensky at the helm, theater critic Natalya Krymova being both the instigator and the organizer). Despite some opposition from the conservatives (Yegor Ligachev was the latter's political leader, Stanislav Kunyaev of Nash Sovremennik represented its literary flank) Vysotsky was rewarded posthumously with the USSR State Prize. The official formula – "for creating the character of Zheglov and artistic achievements as a singer-songwriter" was much derided from both the left and the right. In 1988 the Selected Works of... (edited by N. Krymova) compilation was published, preceded by I Will Surely Return... (Я, конечно, вернусь...) book of fellow actors' memoirs and Vysotsky's verses, some published for the first time. In 1990 two volumes of extensive The Works of... were published, financed by the late poet's father Semyon Vysotsky. Even more ambitious publication series, self-proclaimed "the first ever academical edition" (the latter assertion being dismissed by sceptics) compiled and edited by Sergey Zhiltsov, were published in Tula (1994–1998, 5 volumes), Germany (1994, 7 volumes) and Moscow (1997, 4 volumes).

 

In 1989 the official Vysotsky Museum opened in Moscow, with the magazine of its own called Vagant (edited by Sergey Zaitsev) devoted entirely to Vysotsky's legacy. In 1996 it became an independent publication and was closed in 2002.

 

In the years to come, Vysotsky's grave became a site of pilgrimage for several generations of his fans, the youngest of whom were born after his death. His tombstone also became the subject of controversy, as his widow had wished for a simple abstract slab, while his parents insisted on a realistic gilded statue. Although probably too solemn to have inspired Vysotsky himself, the statue is believed by some to be full of metaphors and symbols reminiscent of the singer's life.

 

In 1995 in Moscow the Vysotsky monument was officially opened at Strastnoy Boulevard, by the Petrovsky Gates. Among those present were the bard's parents, two of his sons, first wife Iza, renown poets Yevtushenko and Voznesensky. "Vysotsky had always been telling the truth. Only once he was wrong when he sang in one of his songs: 'They will never erect me a monument in a square like that by Petrovskye Vorota'", Mayor of Moscow Yuri Luzhkov said in his speech.[95] A further monument to Vysotsky was erected in 2014 at Rostov-on-Don.

 

In October 2004, a monument to Vysotsky was erected in the Montenegrin capital of Podgorica, near the Millennium Bridge. His son, Nikita Vysotsky, attended the unveiling. The statue was designed by Russian sculptor Alexander Taratinov, who also designed a monument to Alexander Pushkin in Podgorica. The bronze statue shows Vysotsky standing on a pedestal, with his one hand raised and the other holding a guitar. Next to the figure lies a bronze skull – a reference to Vysotsky's monumental lead performances in Shakespeare's Hamlet. On the pedestal the last lines from a poem of Vysotsky's, dedicated to Montenegro, are carved.

 

The Vysotsky business center & semi-skyscraper was officially opened in Yekaterinburg, in 2011. It is the tallest building in Russia outside of Moscow, has 54 floors, total height: 188.3 m (618 ft). On the third floor of the business center is the Vysotsky Museum. Behind the building is a bronze sculpture of Vladimir Vysotsky and his third wife, a French actress Marina Vlady.

 

In 2011 a controversial movie Vysotsky. Thank You For Being Alive was released, script written by his son, Nikita Vysotsky. The actor Sergey Bezrukov portrayed Vysotsky, using a combination of a mask and CGI effects. The film tells about Vysotsky's illegal underground performances, problems with KGB and drugs, and subsequent clinical death in 1979.

 

Shortly after Vysotsky's death, many Russian bards started writing songs and poems about his life and death. The best known are Yuri Vizbor's "Letter to Vysotsky" (1982) and Bulat Okudzhava's "About Volodya Vysotsky" (1980). In Poland, Jacek Kaczmarski based some of his songs on those of Vysotsky, such as his first song (1977) was based on "The Wolfhunt", and dedicated to his memory the song "Epitafium dla Włodzimierza Wysockiego" ("Epitaph for Vladimir Vysotsky").

 

Every year on Vysotsky's birthday festivals are held throughout Russia and in many communities throughout the world, especially in Europe. Vysotsky's impact in Russia is often compared to that of Wolf Biermann in Germany, Bob Dylan in America, or Georges Brassens and Jacques Brel in France.

 

The asteroid 2374 Vladvysotskij, discovered by Lyudmila Zhuravleva, was named after Vysotsky.

 

During the Annual Q&A Event Direct Line with Vladimir Putin, Alexey Venediktov asked Putin to name a street in Moscow after the singer Vladimir Vysotsky, who, though considered one of the greatest Russian artists, has no street named after him in Moscow almost 30 years after his death. Venediktov stated a Russian law that allowed the President to do so and promote a law suggestion to name a street by decree. Putin answered that he would talk to Mayor of Moscow and would solve this problem. In July 2015 former Upper and Lower Tagansky Dead-ends (Верхний и Нижний Таганские тупики) in Moscow were reorganized into Vladimir Vysotsky Street.

 

The Sata Kieli Cultural Association, [Finland], organizes the annual International Vladimir Vysotsky Festival (Vysotski Fest), where Vysotsky's singers from different countries perform in Helsinki and other Finnish cities. They sing Vysotsky in different languages and in different arrangements.

 

Two brothers and singers from Finland, Mika and Turkka Mali, over the course of their more than 30-year musical career, have translated into Finnish, recorded and on numerous occasions publicly performed songs of Vladimir Vysotsky.

 

Throughout his lengthy musical career, Jaromír Nohavica, a famed Czech singer, translated and performed numerous songs of Vladimir Vysotsky, most notably Песня о друге (Píseň o příteli – Song about a friend).

 

The Museum of Vladimir Vysotsky in Koszalin dedicated to Vladimir Vysotsky was founded by Marlena Zimna (1969–2016) in May 1994, in her apartment, in the city of Koszalin, in Poland. Since then the museum has collected over 19,500 exhibits from different countries and currently holds Vladimir Vysotsky' personal items, autographs, drawings, letters, photographs and a large library containing unique film footage, vinyl records, CDs and DVDs. A special place in the collection holds a Vladimir Vysotsky's guitar, on which he played at a concert in Casablanca in April 1976. Vladimir Vysotsky presented this guitar to Moroccan journalist Hassan El-Sayed together with an autograph (an extract from Vladimir Vysotsky's song "What Happened in Africa"), written in Russian right on the guitar.

 

In January 2023, a monument to the outstanding actor, singer and poet Vladimir Vysotsky was unveiled in Yuzhno-Sakhalinsk, in the square near the Rodina House of Culture. Author Vladimir Chebotarev.

 

After her husband's death, urged by her friend Simone Signoret, Marina Vlady wrote a book called The Aborted Flight about her years together with Vysotsky. The book paid tribute to Vladimir's talent and rich persona, yet was uncompromising in its depiction of his addictions and the problems that they caused in their marriage. Written in French (and published in France in 1987), it was translated into Russian in tandem by Vlady and a professional translator and came out in 1989 in the USSR. Totally credible from the specialists' point of view, the book caused controversy, among other things, by shocking revelations about the difficult father-and-son relationship (or rather, the lack of any), implying that Vysotsky-senior (while his son was alive) was deeply ashamed of him and his songs which he deemed "anti-Soviet" and reported his own son to the KGB. Also in 1989 another important book of memoirs was published in the USSR, providing a bulk of priceless material for the host of future biographers, Alla Demidova's Vladimir Vysotsky, the One I Know and Love. Among other publications of note were Valery Zolotukhin's Vysotsky's Secret (2000), a series of Valery Perevozchikov's books (His Dying Hour, The Unknown Vysotsky and others) containing detailed accounts and interviews dealing with the bard's life's major controversies (the mystery surrounding his death, the truth behind Vysotsky Sr.'s alleged KGB reports, the true nature of Vladimir Vysotsky's relations with his mother Nina's second husband Georgy Bartosh etc.), Iza Zhukova's Short Happiness for a Lifetime and the late bard's sister-in-law Irena Vysotskaya's My Brother Vysotsky. The Beginnings (both 2005).

 

A group of enthusiasts has created a non-profit project – the mobile application "Vysotsky"

 

The multifaceted talent of Vysotsky is often described by the term "bard" (бард) that Vysotsky has never been enthusiastic about. He thought of himself mainly as an actor and poet rather than a singer, and once remarked, "I do not belong to what people call bards or minstrels or whatever." With the advent of portable tape-recorders in the Soviet Union, Vysotsky's music became available to the masses in the form of home-made reel-to-reel audio tape recordings (later on cassette tapes).

 

Vysotsky accompanied himself on a Russian seven-string guitar, with a raspy voice singing ballads of love, peace, war, everyday Soviet life and of the human condition. He was largely perceived as the voice of honesty, at times sarcastically jabbing at the Soviet government, which made him a target for surveillance and threats. In France, he has been compared with Georges Brassens; in Russia, however, he was more frequently compared with Joe Dassin, partly because they were the same age and died in the same year, although their ideologies, biographies, and musical styles are very different. Vysotsky's lyrics and style greatly influenced Jacek Kaczmarski, a Polish songwriter and singer who touched on similar themes.

 

The songs – over 600 of them – were written about almost any imaginable theme. The earliest were blatnaya pesnya ("outlaw songs"). These songs were based either on the life of the common people in Moscow or on life in the crime people, sometimes in Gulag. Vysotsky slowly grew out of this phase and started singing more serious, though often satirical, songs. Many of these songs were about war. These war songs were not written to glorify war, but rather to expose the listener to the emotions of those in extreme, life-threatening situations. Most Soviet veterans would say that Vysotsky's war songs described the truth of war far more accurately than more official "patriotic" songs.

 

Nearly all of Vysotsky's songs are in the first person, although he is almost never the narrator. When singing his criminal songs, he would adopt the accent and intonation of a Moscow thief, and when singing war songs, he would sing from the point of view of a soldier. In many of his philosophical songs, he adopted the role of inanimate objects. This created some confusion about Vysotsky's background, especially during the early years when information could not be passed around very easily. Using his acting talent, the poet played his role so well that until told otherwise, many of his fans believed that he was, indeed, a criminal or war veteran. Vysotsky's father said that "War veterans thought the author of the songs to be one of them, as if he had participated in the war together with them." The same could be said about mountain climbers; on multiple occasions, Vysotsky was sent pictures of mountain climbers' graves with quotes from his lyrics etched on the tombstones.

 

Not being officially recognized as a poet and singer, Vysotsky performed wherever and whenever he could – in the theater (where he worked), at universities, in private apartments, village clubs, and in the open air. It was not unusual for him to give several concerts in one day. He used to sleep little, using the night hours to write. With few exceptions, he wasn't allowed to publish his recordings with "Melodiya", which held a monopoly on the Soviet music industry. His songs were passed on through amateur, fairly low quality recordings on vinyl discs and magnetic tape, resulting in his immense popularity. Cosmonauts even took his music on cassette into orbit.

 

Musically, virtually all of Vysotsky's songs were written in a minor key, and tended to employ from three to seven chords. Vysotsky composed his songs and played them exclusively on the Russian seven string guitar, often tuned a tone or a tone-and-a-half below the traditional Russian "Open G major" tuning. This guitar, with its specific Russian tuning, makes a slight yet notable difference in chord voicings than the standard tuned six string Spanish (classical) guitar, and it became a staple of his sound. Because Vysotsky tuned down a tone and a half, his strings had less tension, which also colored the sound.

 

His earliest songs were usually written in C minor (with the guitar tuned a tone down from DGBDGBD to CFACFAC)

 

Songs written in this key include "Stars" (Zvyozdy), "My friend left for Magadan" (Moy drug uyekhal v Magadan), and most of his "outlaw songs".

 

At around 1970, Vysotsky began writing and playing exclusively in A minor (guitar tuned to CFACFAC), which he continued doing until his death.

 

Vysotsky used his fingers instead of a pick to pluck and strum, as was the tradition with Russian guitar playing. He used a variety of finger picking and strumming techniques. One of his favorite was to play an alternating bass with his thumb as he plucked or strummed with his other fingers.

 

Often, Vysotsky would neglect to check the tuning of his guitar, which is particularly noticeable on earlier recordings. According to some accounts, Vysotsky would get upset when friends would attempt to tune his guitar, leading some to believe that he preferred to play slightly out of tune as a stylistic choice. Much of this is also attributable to the fact that a guitar that is tuned down more than 1 whole step (Vysotsky would sometimes tune as much as 2 and a half steps down) is prone to intonation problems.

 

Vysotsky had a unique singing style. He had an unusual habit of elongating consonants instead of vowels in his songs. So when a syllable is sung for a prolonged period of time, he would elongate the consonant instead of the vowel in that syllable.

 

The Vladimir Semyonovich Vysotsky Statue is a prominent monument located in Voronezh, Russian Federation, dedicated to the legendary Russian singer-songwriter, actor, and poet Vladimir Semyonovich Vysotsky. This statue stands as a tribute to Vysotsky's immense contributions to Russian culture and his enduring legacy.

 

Vladimir Vysotsky was born on January 25, 1938, in Moscow, Russia. He quickly gained recognition for his unique artistic style, characterized by his powerful voice, poetic lyrics, and charismatic stage presence. Vysotsky's songs captured the essence of the Soviet era, addressing social issues, human emotions, and political satire. His music resonated deeply with the masses, and he became an iconic figure in Russian popular culture.

 

The idea of erecting a statue in Voronezh to honor Vladimir Vysotsky was conceived to commemorate his connection to the city. Vysotsky had a special relationship with Voronezh, as he spent a significant portion of his early career performing in local theaters and interacting with the local artistic community. The statue serves as a reminder of this bond and celebrates his artistic contributions.

 

The Vysotsky Statue was unveiled on November 18, 2009, in front of the Voronezh Academic Drama Theater, where Vysotsky performed numerous times. The monument was created by renowned Russian sculptor Grigory Pototsky. Standing at approximately 5 meters tall, the bronze statue captures Vysotsky in a dynamic pose, holding a guitar and singing passionately.

 

The sculpture depicts Vysotsky in mid-performance, capturing his energy and intensity on stage. The attention to detail in the statue is remarkable, with intricate facial features, flowing hair, and realistic clothing. The sculptor aimed to convey Vysotsky's passion and charisma through the artwork, and the statue successfully embodies these qualities.

 

The location of the statue, in front of the Voronezh Academic Drama Theater, is significant. It symbolizes Vysotsky's strong ties to the theater and his impact on the performing arts. The statue serves as a meeting point for admirers of Vysotsky's work, attracting locals and tourists alike. It has become an iconic landmark in Voronezh, attracting visitors who come to pay their respects and celebrate Vysotsky's artistic legacy.

 

The statue's unveiling was accompanied by a grand ceremony, attended by government officials, artists, and Vysotsky's fans. The event highlighted the significance of Vysotsky's artistic contributions and celebrated his enduring influen

HAPPY MOTHER'S DAY to everyone who celebrates this special day today!

 

What a mess Flickr was last night! I had difficulty adding titles to my uploaded images, comments didn't save and, after I had added a description to each of the 20 photos, the descriptions all disappeared. When I opened Flickr this morning, there was still no sign of them. Then, suddenly, they re-appeared.

 

My photos taken at the National Butterfly Centre, Mission, South Texas, have now come to an end, so you can sigh a huge sigh of relief : ) After that, I have just a few photos taken at another place that we called in at later in the afternoon. Unfortunately, we only had an hour there before closing time, but how glad we were that we found this place. The highlight there was watching 25 Yellow-crowned Night-Herons coming in to roost for the night in the trees, right where we were standing! What a great sight this was, and we were lucky enough to have a good, close view of these gorgeous birds. We also saw some Purple Martins and their circular, hanging nest "gourds".

 

On Day 6 of our birding holiday in South Texas, 24 March 2019, we left our hotel in Kingsville, South Texas, and started our drive to Mission, where we would be staying at La Quinta Inn & Suites for three nights. On the first stretch of our drive, we were lucky enough to see several bird species, including a Golden-fronted Woodpecker, Hooded Oriole, Red-tailed Hawk, Crested Caracara, Harris's Hawk, Pyrrhuloxia male (looks similar to a Cardinal) and a spectacular Scissor-tailed Flycatcher. I'm not sure if this stretch is called Hawk Alley.

 

We had a long drive further south towards Mission, with only a couple of drive-by photos taken en route (of a strangely shaped building that turned out to be a deserted seed storage building). Eventually, we reached our next planned stop, the National Butterfly Centre. This was a great place, my favourite part of it being the bird feeding station, where we saw all sorts of species and reasonably close. Despite the name of the place, we only saw a few butterflies while we were there. May have been the weather or, more likely, the fact that I was having so much fun at the bird feeding station. We also got to see Spike, a giant African Spurred Tortoise. All the nature/wildlife parks that we visited in South Texas had beautiful visitor centres and usually bird feeding stations. And there are so many of these parks - so impressive!

 

nationalbutterflycenter.org/nbc-multi-media/in-the-news/1...

 

"Ten years ago, the North American Butterfly Association broke ground for what has now become the largest native plant botanical garden in the United States. This 100-acre preserve is home to Spike (who thinks he is a butterfly) and the greatest volume and variety of wild, free-flying butterflies in the nation. In fact, USA Today calls the National Butterfly Center, in Mission, Texas, 'the butterfly capitol of the USA'." From the Butterfly Centre's website.

 

The Centre is facing huge challenges, as a result of the "Border Wall". The following information is from the Centre's website.

 

www.nationalbutterflycenter.org/about-nbc/maps-directions...

 

"No permission was requested to enter the property or begin cutting down trees. The center was not notified of any roadwork, nor given the opportunity to review, negotiate or deny the workplan. Same goes for the core sampling of soils on the property, and the surveying and staking of a “clear zone” that will bulldoze 200,000 square feet of habitat for protected species like the Texas Tortoise and Texas Indigo, not to mention about 400 species of birds. The federal government had decided it will do as it pleases with our property, swiftly and secretly, in spite of our property rights and right to due process under the law."

 

"What the Border Wall will do here:

1) Eradicate an enormous amount of native habitat, including host plants for butterflies, breeding and feeding areas for wildlife, and lands set aside for conservation of endangered and threatened species-- including avian species that migrate N/S through this area or over-winter, here, in the tip of the Central US Flyway.

 

2) Create devastating flooding to all property up to 2 miles behind the wall, on the banks of the mighty Rio Grande River, here.

 

3) Reduce viable range land for wildlife foraging and mating. This will result in greater competition for resources and a smaller gene pool for healthy species reproduction. Genetic "bottlenecks" can exacerbate blight and disease.

 

IN ADDITION:

 

4) Not all birds can fly over the wall, nor will all butterfly species. For example, the Ferruginous Pygmy Owl, found on the southern border from Texas to Arizona, only flies about 6 ft in the air. It cannot overcome a 30 ft vertical wall of concrete and steel.

 

5) Nocturnal and crepuscular wildlife, which rely on sunset and sunrise cues to regulate vital activity, will be negatively affected by night time flood lighting of the "control zone" the DHS CBP will establish along the wall and new secondary drag roads. The expansion of these areas to vehicular traffic will increase wildlife roadkill.

 

6) Animals trapped north of the wall will face similar competition for resources, cut off from native habitat in the conservation corridor and from water in the Rio Grande River and adjacent resacas. HUMANS, here, will also be cut off from our only source of fresh water, in this irrigated desert.

University of Sussex, Falmer, Brighton

 

Falmer House, 2016. I saw the Pogues play in this building in 1984.

 

It was my daughter's Applicants' Day at the University of Sussex, so we headed down to Brighton. It is more than thirty years since I was a student there, and I haven't set foot on the campus since, until yesterday.

 

The University was one of the dozen or so new campus universities of the 1960s, mostly set in the grounds of former Big Houses (in Sussex's case, Stanmer Park) and designed by leading architects of the day. At Sussex this was Sir Basil Spence, who had recently completed Coventry Cathedral. The idea was a red brick Italianate hill village, climbing up into the South Downs, designed for about 2,500 students, though there are probably four times that many now.

 

I was never really very happy at Sussex, although as Philip Larkin observed of Coventry, it's not the place's fault after all. I was a post-graduate education student, and I had done my first degree in the centre of lovely, friendly Sheffield. I had partly chosen the University because the family of a girlfriend of the time had recently moved to Brighton (the University's high reputation was no doubt secondary). As you will no doubt have guessed, the relationship had ended before I arrived at Sussex.

 

Everybody seems to love Brighton, and they can't understand it when I say that I don't, but I was too miserable there. Brighton, for me, will be forever associated with debt, and with the transience of being a student. There has never been a time in my life, before or since, when I have been so poor. And then, extraordinarily, a brief, doomed relationship, a love affair, became the one vivid thing, a brief, sweet memory of my year in that brash town.

 

How narrow was the single bed we shared, how intense those brief few weeks. And she loved me more than I could possibly have loved her, for I had already met the woman who would become my wife. And so it was messy, and then it ended. My most dramatic memory of our time together is of leaving her flat shortly before daylight on an October morning and cycling back to my own house only to be stopped by a police roadblock, because the IRA had bombed the Grand Hotel half an hour earlier.

 

The University campus has expanded since I was there, but is still entirely graspable. The wide-open spaces and reflections of water under arches that Basil Spence aimed at are now overwhelmed by blocks in the same red brick but without any life to them whatsoever. I thought it was a shame. And yet, the campus still has the intensely intellectual vibe of a major University sequestered in the hills, the thrill of promise and the energy of youth. In some ways it was good to be back.

20121220 - "The Greatest Trial"

“Our most significant opportunities will be found in times of greatest difficulty.” -Thomas S. Monson

 

-Get up, stand up, believe and have the courage. Hardships are made to make you better, trials are given to make you stronger, walk the path and become the best as you can be.

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This sculpture popped out at you as you entered the large room it was in at the gallery. I had some difficulty getting this. Flash is banned in the gallery.

 

All the walls were black with harsh lighting coming through the door and off the lit art on some of the walls with very dim lighting throughout the room. In fact it was the same room as the floating silver balls I posted a few weeks ago.

 

I wanted to steady the P&S LX3 against something, but the only thing off the floor was a sign saying don't touch. The skater was on a base of simulated ice with a frame edge about 150mm high on the floor.

 

I tried the sign to rest the camera on first but there were wall lights at the back and I wanted to have a full black.

 

I tossed around the idea of asking the security guards if I could use the frame around the edge, but if they said No, then I would have difficulty ignoring that. After about 5 minutes of mental yoyoying, the guard went out of sight for a moment so I swooped and got the shot. If seen, I might have been "spoken to" which is easier than asking and getting rejected followed by temptation anyway.

 

I like the result here. It is all about the challenge, you know.

 

This attire is not made of the usual brocades and silks of the era but of vibrant Dutch wax-dyed fabrics of Africa.

 

The fabric used in the work has a fascinating history, having originally been produced by the Dutch in the late nineteenth century. Despite incorporating traditional Indonesian batik designs, it failed to appeal to the Indonesian textile market for whom it was intended.

 

The artist Yinka Shonibare was orn in London and raised in Lagos, Nigeria.

 

WATCH where you are going.

I could go on writing pages about this photo not because of the technical difficulties I faced as a photographer and photo editor, but because of the personal meaning this verse has to me.

 

This photo is an HDR image with the Orton effect added to it. I chose those colours, a bit reddish, because it makes the figurine looks like a figurine—I didn’t want it to look like a real person—since the bride is supposed to be symbolic of my future wife.

 

You might be wondering why I chose this verse when the Bible is full of verses about purity, marriage, and love!

 

Well, for a long time now it has been my heart’s desire to get married to the woman God has meant for me, according to His timing. Second to only knowing Jesus more and more and become more like Him and fulfilling His purpose for my life, having my own family has been my biggest dream. However, waiting has not been an easy task, especially few years ago when I knew what God’s will was from reading the Bible, but I didn’t have enough faith to live a worry free life in Christ—simply put, I knew He was faithful but I didn’t trust Him fully all the time.

 

I think about two years ago I felt so lonely and saw how everyone around me has someone, whether according to God’s will or not, and so I went to pray and started crying out to Him. I was so troubled in my heart that I opened the Bible to show Him 1 Corinthians 7 where Paul talks about ‘marriage’. (I know it might sound silly to show God where in His Word He said this or that, but I also know it is better to wrestle with God, like Jacob did, and find His will rather than just pretend everything is “fine” and not know His will.) As I was looking for 1 Corinthians I passed Romans where in few seconds I passed over a page in Romans that I felt God wanted me to read, but I was in such a hurry that I passed it by! Then I sensed God telling me to stop and go back two pages, to the page I had skipped, so I stopped and went back to it. The page is divided by two columns and I had read it before and underlined some verses and circled some words, etc. However, God told me to look down the first column, which was not touched by a pen, and to start reading it. It was Romans 8:24-25:

 

For in this hope we were saved. But hope that is seen is no hope at all. Who hopes for what he already has?

But if we hope for what we do not yet have, we wait for it patiently.

 

I kept reading it over and over again, because I knew it was God telling me two things:

 

1) He knows where in His Word He said so and so, just as He knows everything else!

2) If I want to get married according to His way and timing, my future wife and I have to be ready, and that takes time and in the meantime we have to allow God to make us ready.

 

So now it is the most romantic verse to me! Ever since then until now God has confirmed this promise to me through other scripture and answer of prayers. I would like to mention that this promise is a conditional promise: if I would wait PATIENTLY then God will keep His promise—getting married to the woman He has in mind for me according to His timing. In other words, I cannot live according to the way of the world and then expect to get the blessing of God.

 

Another thing I have decided is not to create a mental image of her, because that will put restrictions on God’s will which will make it hard for me to be single minded with Him and harder to accept His will and obey Him. (The people who lived in Jesus' days on earth created a mental image of the promised Saviour, a mental image that did not fit God's description in His Word of the promised Saviour, so when He finally came they could not accept Him--instead they crucified Him.)

 

I am also learning to accept myself, whether the way He created my physical body, personality, my talents, and the place and family I grew up in. The only thing I desire He changes is my character and make it like the character of His Son, Jesus Christ. (This is especially has not been easy because I grew up in a culture where everybody is constantly being compared to everyone else. And your worth is determined by a class system based on human standards.)

 

I have prayed what some (especially ‘men’) would call “outrageous” prayers, however if the fulfillment of those prayers is what it takes to conform me to the likeness of my Lord Jesus Christ then so be it. And believe me God has answered those prayers and as hard as God’s sanctifying process has been I wouldn’t chose to do it any other way. (I just hope my future wife won't be upset with me when she will know I've included her in those prayers too! After all, He has to prepare her too!)

 

However, God’s most important lesson in this time is: to be happy, and emotionally wholesome simply because I know Him. I truly believe if God can’t make a person happy and content a husband and wife won’t be able to. This will introduce a lot of strains into the marriage as it stresses the partner whose emotional and spiritual needs are not being met, and the other partner who can’t meet needs that only God can. (Even though for this lesson to start I had to go through hardest time of my life, but I am trusting that the God who created the universe and everything in it so magnificently and who loved me so much as to die on the cross for me, knows what He is doing and He is doing it for my best and my future wife’s best.)

 

Lastly and more importantly, I am learning to live for Him and focus on Him and trust that He is faithful and can take care of fulfilling His promise. I am learning to delight myself in the Lord and in due time He will fulfill my heart second desire (Psalm 37:4; Matthew 6:33). And if I won't ever get married, that's ok too as long as I have Him and it is His will for my lfe.

 

I would like to add one more comment to whoever made it this far! Being a Christian does not mean we are perfect. It does not mean life around us is perfect either. We cry, we weep, we feel rejected and heartbroken, and we get scared and worry. We give up sometimes, get confused, and disillusioned (even with God!). But as Paul put it in 2 Corinthians 4:8-9:

 

We are hard pressed on every side, but not crushed; perplexed, but not in despair;

persecuted, but not abandoned; struck down, but not destroyed.

 

PS: One day, as I was working alone I was telling Him about my future wife and I came up for a nickname for her, and He seemed to like it. So now everyone who is close to me knows her nickname! I just hope she will like it!

 

(Orton effect. HDRI. Toronto, ON; winter 2008.)

 

Due to financial difficulties Alfa Romeo stopped racing in 1933 (Alfa’s own version of the story is that the marque had already proved itself) and sold off its racing division to Enzo Ferrari, who established his own racing team, ‘Scuderia Ferrari’.

 

The legendary racing driver Louis Chiron took part in the 1933 Le Mans race for the Scuderia in this car, which has bodywork designed by Touring. The regulations for participating touring cars specified that they had to be fitted with a windshield, mudguards, a silencer, lighting, a horn and four seats. Needless to say, everything was kept to a minimum in order to limit the weight. The rear seats, for example, aren’t really usable. The car weighs just over 1,000 kilograms. Note the fin at the rear, an important step towards the streamlining of racing cars.

 

The 2.3-litre, eight-cylinder engine introduced by Alfa Romeo in 1931 was in fact made up of two four-cylinder blocks, one behind the other, with an ingenious gear mechanism that drove the camshafts as well as the compressor. The cylinder capacity was increased to 2.6 litres for this Le Mans version.

 

2,6 Liter

8 Cylinder

180 HP

 

Louwman Museum

Den Haag - The Hague

Nederland - Netherlands

March 2013

Tulamba the forgotten heritage

Reference Archeological Survey of India (Volulme V) 04-11-2017

 

Tulamba is more than 2500 years old. People say that Tulamba was here even in the era of Noah. Tulamba faced many armies as it was in the way to famous Multan. The forces coming from North and West had to pass from Tulamba to go to Multan.On digging, five eras are discovered. The first era belongs to Moi tribe. The remaining four belong to Greek, Sasani, Budh, Hinduand Muslim civilizations. From Aplodots Sir Megas to Muhammad Ghauri, the coins of several governments were found here.

 

When Alexander the great invaded Indian Sub-Continent, he also came to Tulamba. In that time, Tulamba was ruled by Moi people. They were very brave and courageous, that's why Alexandar faced big difficulties here.The history of Muslims begins with Muhammad bin Qasim when he came to Tulamba in his way to Multan. The place from where he passed is now called Qasim Bazar.

 

Sher Shah Suri built a Fort right in the center of the city, whose boundary wall and some parts of the building are still present. The Girls High School and the offices of Town Committee are present in the Fort.

 

The ruins of older city are on a distance of one kilometre from the city. Though they are in a miserable condition due to rains and negligence, but their bricks are still visible. When Dr. Sayyed Zahid Ali Wasti visited Tulamba in 1967, he saw the ruins spread in the area of several miles. He saw a Fort with walls and a very high Tower. He saw a three thousand years old trench around the fort which was dig for the protection of the fort. He describes that walls were beautifully plastered with mud and floors were not solid. Yet most of his description is now unpredictable, because ruins are very much destroyed now.

The present town of Tulamba is said to have been built by Shujawa khan, son-in-law and Minster of Mahmud Langa of Multan, between A.D, 1510 and 1525. The old fortress, which had escaped the army of Timur, was situated upwards of one mile to the south of the modern town. It was upward of 1000 feet square, the outer rampart being about 200 feet thick and from 35 to 40 feet in height above the fields. Inside there is a clear space of 100 feet in width and 15 feet above the country, surrounding an inner fort upward of 400 feet square and 60 feet in height the level of the faussebraie. The eastern ramparts of the inner fort are still upwards of 50 feet in thickness. The whole was originally faced with brick walks, the traces of which still exist in the horizontal lines of the courses on the outer face of the ramparts, and in the numerous pieces of brick lying about in all direction. This strong, old fort is said to have been abandoned in consequence of a change in the course of the Ravi, which took a more northerly course, and thus cut of the old ramparts were then removed to build the wall of the new town, in which it is curious to see numerous carved and moulded bricks placed in various odd positons, sometimes singly, sometimes in lines of five or six and frequently upside down. The true name of the place is said to have been Kulamba, or Kulambha; but no meaning is assingmed to the name, and no reason is given for the change to Tulamba. Masson writes the name as Tulumba; but al the Muhammadan authors, from Sharf-ud-din downwards spell the name Tulamba, just as it is pronuced at the present day. The earliest notince of Tulamba that I am aware of is in Sharf-ud-din’s History of Timur, The town capitulated on terms which, as usual, were broken by Timur and his troops. “During the night the soldiers under pretence of making a search (for grain), marched towards the town, which they sacked and pillaged, burning all the houses , and even making the inhabitants slaves.”But the fort escaped. As its siege would have delayed Timur for some time, and he was imptietn to push on to Delhi.

In A.D. 1480, just one generation later, the unfortunate town of Tulamba again captitulated to a Muhammadan invader , Amire Shekh Ali, Governor of Kabul, under Shah Rokh. Again the invader broke his pledge, and after plundering the town and killing all the males able to bear arms, he burned the place and carried of the women and children as slaves.

 

Tulambah is a historical place in Khanewal district. According to the district gazetteer of Multan, the present town appears to have been preceded by at least two previous sites, one of which was at the huge mound known as Mamu Sher, a mile or so to the southwest of the present town, and the other among the ruin which extends immediately to the west. According to some oral traditions, this was the place where Alexander had to face stiff resistance from the local people, and it was here that an arrow hit him which ultimately became the cause of his death on his way back to Athens.

 

The location on the east bank of the Ravi and the presence of ruins of a fort are a proof of the tradition. This place emerges in history many times. Many centuries later, it gave stiff resistance to Amir Temur while on his way to Delhi. According to his memoirs, he had halted here but was not welcomed by the local people for which they had to suffer at the hands of his commanders, Amir Shah Malik and Shaikh Mohammad who had slaughtered two thousand men who had taken refuge in the neighbouring jungles. Temur writes: "Amir and Shaikh slaughtered two thousands of these ill-fated Indians with their remorseless sabres, carrying off captives of their women and children." The city till 1947 was a stronghold of Brahmins who had resisted the invasion of Mahmood Ghaznavi. He plundered the city. For the fourth time, it was looted by Ahmad Shah Abdali in one of his incursions.

 

The city with such a glorious tradition of resistance against foreign invaders had produced a historian like Satya M. Roy who had to migrate to the Indian Punjab in 1947. She wrote a book on The Revolutionary Movements of the Punjab (1906-1946) which has been translated into Urdu by journalist Mahmood Zaman under the title, Punjab ki Inqalabi Tehreekein (published by Jamhoori Publications, Nila Gumbad, Lahore).

Migrated Tribes from India, after partition of Sub continent, people from India came to Tulamba, Shorkot, Makhdoom Pur, Kassowal, almost all parts of Southern Punjab. These people who came from India mostly are muslims and agricultural professionals, their languages are rohtiki or heryanvi.There is family like khan,s they speek pure urdu and punjabi as wel They are Rajpoots and have any subcasts according to clan and tribes system in the subcontinent; Tiagi, Sarohi, Chohan, Rajpoot, Mdahr, Toor etc. Also people from other casts; Dogar, Mio Pathan(Khan,s) Blouch and clans migrated to Tulamba

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aliusmanbaig.blogspot.com/2017/11/tulamba-forgotten-herit...

Sunderland is a port city[a] in Tyne and Wear, North East England. It is located at the mouth of the River Wear on the North Sea, approximately 10 miles (16 km) south-east of Newcastle upon Tyne. The city has a population of 168,277, making it the second largest settlement in the North East after Newcastle. It is the administrative centre of the metropolitan borough of the same name.

 

The centre of the modern city is an amalgamation of three settlements founded in the Anglo-Saxon era: Monkwearmouth, on the north bank of the Wear, and Sunderland and Bishopwearmouth on the south bank. Monkwearmouth contains St Peter's Church, which was founded in 674 and formed part of Monkwearmouth–Jarrow Abbey, a significant centre of learning in the seventh and eighth centuries. Sunderland was a fishing settlement and later a port, being granted a town charter in 1179. The city traded in coal and salt, also developing shipbuilding industry in the fourteenth century and glassmaking industry in the seventeenth century. Following the decline of its traditional industries in the late 20th century, the area became an automotive building centre. In 1992, the borough of Sunderland was granted city status. It is historically part of County Durham.

 

Locals from the city are sometimes known as Mackems, a term which came into common use in the 1970s. ; its use and acceptance by residents, particularly among the older generations, is not universal. The term is also applied to the Sunderland dialect, which shares similarities with the other North East England dialects.

 

In 685, King Ecgfrith granted Benedict Biscop a "sunder-land". Also in 685 The Venerable Bede moved to the newly founded Jarrow monastery. He had started his monastic career at Monkwearmouth monastery and later wrote that he was "ácenned on sundorlande þæs ylcan mynstres" (born in a separate land of this same monastery). This can be taken as "sundorlande" (being Old English for "separate land") or the settlement of Sunderland. Alternatively, it is possible that Sunderland was later named in honour of Bede's connections to the area by people familiar with this statement of his.

 

Early history

The earliest inhabitants of the Sunderland area were Stone Age hunter-gatherers and artifacts from this era have been discovered, including microliths found during excavations at St Peter's Church, Monkwearmouth. During the final phase of the Stone Age, the Neolithic period (c. 4000 – c. 2000 BC), Hastings Hill, on the western outskirts of Sunderland, was a focal point of activity and a place of burial and ritual significance. Evidence includes the former presence of a cursus monument.

 

Roman Empire

It is believed the Brigantes inhabited the area around the River Wear in the pre- and post-Roman era. There is a long-standing local legend that there was a Roman settlement on the south bank of the River Wear on what is the site of the former Vaux Brewery, although no archaeological investigation has taken place.

 

In March 2021, a "trove" of Roman artefacts were recovered in the River Wear at North Hylton, including four stone anchors, a discovery of huge significance that may affirm a persistent theory of a Roman Dam or Port existing at the River Wear.

 

Recorded settlements at the mouth of the Wear date to 674, when an Anglo-Saxon nobleman, Benedict Biscop, granted land by King Ecgfrith of Northumbria, founded the Wearmouth–Jarrow (St Peter's) monastery on the north bank of the river—an area that became known as Monkwearmouth. Biscop's monastery was the first built of stone in Northumbria. He employed glaziers from France and in doing he re-established glass making in Britain. In 686 the community was taken over by Ceolfrid, and Wearmouth–Jarrow became a major centre of learning and knowledge in Anglo-Saxon England with a library of around 300 volumes.

 

The Codex Amiatinus, described by White as the 'finest book in the world', was created at the monastery and was likely worked on by Bede, who was born at Wearmouth in 673. This is one of the oldest monasteries still standing in England. While at the monastery, Bede completed the Historia ecclesiastica gentis Anglorum (The Ecclesiastical History of the English People) in 731, a feat which earned him the title The father of English history.

 

In the late 8th century the Vikings raided the coast, and by the middle of the 9th century the monastery had been abandoned. Lands on the south side of the river were granted to the Bishop of Durham by Athelstan of England in 930; these became known as Bishopwearmouth and included settlements such as Ryhope which fall within the modern boundary of Sunderland.

 

Medieval developments after the Norman conquest

In 1100, Bishopwearmouth parish included a fishing village at the southern mouth of the river (now the East End) known as 'Soender-land' (which evolved into 'Sunderland'). This settlement was granted a charter in 1179 by Hugh Pudsey, then the Bishop of Durham (who had quasi-monarchical power within the County Palatine); the charter gave its merchants the same rights as those of Newcastle-upon-Tyne, but it nevertheless took time for Sunderland to develop as a port. Fishing was the main commercial activity at the time: mainly herring in the 13th century, then salmon in the 14th and 15th centuries. From 1346 ships were being built at Wearmouth, by a merchant named Thomas Menville, and by 1396 a small amount of coal was being exported.

 

Rapid growth of the port was initially prompted by the salt trade. Salt exports from Sunderland are recorded from as early as the 13th century, but in 1589 salt pans were laid at Bishopwearmouth Panns (the modern-day name of the area the pans occupied is Pann's Bank, on the river bank between the city centre and the East End). Large vats of seawater were heated using coal; as the water evaporated, the salt remained. As coal was required to heat the salt pans, a coal mining community began to emerge. Only poor-quality coal was used in salt panning; better-quality coal was traded via the port, which subsequently began to grow.

 

17th century

Both salt and coal continued to be exported through the 17th century, but the coal trade grew significantly (2–3,000 tons of coal were exported from Sunderland in the year 1600; by 1680 this had increased to 180,000 tons). Because of the difficulty for colliers trying to navigate the shallow waters of the Wear, coal mined further inland was loaded onto keels (large, flat-bottomed boats) and taken downriver to the waiting colliers. The keels were manned by a close-knit group of workers known as 'keelmen'.

 

In 1634 a charter was granted by Bishop Thomas Morton, which incorporated the inhabitants of the 'antient borough' of Sunderland as the 'Mayor, Aldermen and Commonality' of the Borough and granted the privilege of a market and an annual fair. While as a consequence a mayor and twelve aldermen were appointed and a common council established, their establishment does not seem to have survived the ensuing Civil War.

 

Before the 1st English civil war the North, with the exclusion of Kingston upon Hull, declared for the King. In 1644 the North was captured by parliament. The villages that later become Sunderland, were taken in March 1644. One artifact of the English civil war near this area was the long trench; a tactic of later warfare. In the village of Offerton roughly three miles inland from the area, skirmishes occurred. Parliament also blockaded the River Tyne, crippling the Newcastle coal trade which allowed the coal trade of the area to flourish for a short period. There was intense rivalry between the ports of Sunderland and Newcastle when the two towns took opposing sides in the Civil War.

 

In 1669, after the Restoration, King Charles II granted letters patent to one Edward Andrew, Esq. to 'build a pier and erect a lighthouse or lighthouses and cleanse the harbour of Sunderland', and authorised the levying of a tonnage duty on shipping in order to raise the necessary funds; however it took time before these improvements were realized.

 

There is evidence of a growing number of shipbuilders or boatbuilders being active on the River Wear in the late 17th century: among others, the banking family Goodchilds opened a building yard in 1672 (it eventually closed when the bank went out of business in 1821); and in 1691 one Thomas Burn aged 17 is recorded as having taken over the running of a yard from his mother.

 

18th century

The River Wear Commission was formed in 1717 in response to the growing prosperity of Sunderland as a port. Under the Board of Commissioners (a committee of local land owners, ship owners, colliery owners and merchants) a succession of civil engineers adapted the natural riverscape to meet the needs of maritime trade and shipbuilding. Their first major harbour work was the construction in stone of the South Pier (later known as the Old South Pier), begun in 1723 with the aim of diverting the river channel away from sandbanks; the building of the South Pier continued until 1759. By 1748 the river was being manually dredged. A northern counterpart to the South Pier was not yet in place; instead, a temporary breakwater was formed at around this time, consisting of a row of piles driven into the seabed interspersed with old keelboats. From 1786 work began on a more permanent North Pier (which was later known as the Old North Pier): it was formed from a wooden frame, filled with stones and faced with masonry, and eventually extended 1,500 ft (460 m) into the sea. The work was initially overseen by Robert Stout (the Wear Commissioners' Engineer from 1781 to 1795). In 1794 a lighthouse was built at the seaward end, by which time around half the pier had been enclosed in masonry; it was completed in 1802.

 

By the start of the 18th century the banks of the Wear were described as being studded with small shipyards, as far as the tide flowed. After 1717, measures having been taken to increase the depth of the river, Sunderland's shipbuilding trade grew substantially (in parallel with its coal exports). A number of warships were built, alongside many commercial sailing ships. By the middle of the century the town was probably the premier shipbuilding centre in Britain. By 1788 Sunderland was Britain's fourth largest port (by measure of tonnage) after London, Newcastle and Liverpool; among these it was the leading coal exporter (though it did not rival Newcastle in terms of home coal trade). Still further growth was driven across the region, towards the end of the century, by London's insatiable demand for coal during the French Revolutionary Wars.

 

Sunderland's third-biggest export, after coal and salt, was glass. The town's first modern glassworks were established in the 1690s and the industry grew through the 17th century. Its flourishing was aided by trading ships bringing good-quality sand (as ballast) from the Baltic and elsewhere which, together with locally available limestone (and coal to fire the furnaces) was a key ingredient in the glassmaking process. Other industries that developed alongside the river included lime burning and pottery making (the town's first commercial pottery manufactory, the Garrison Pottery, had opened in old Sunderland in 1750).

 

The world's first steam dredger was built in Sunderland in 1796-7 and put to work on the river the following year. Designed by Stout's successor as Engineer, Jonathan Pickernell jr (in post from 1795 to 1804), it consisted of a set of 'bag and spoon' dredgers driven by a tailor-made 4-horsepower Boulton & Watt beam engine. It was designed to dredge to a maximum depth of 10 ft (3.0 m) below the waterline and remained in operation until 1804, when its constituent parts were sold as separate lots. Onshore, numerous small industries supported the business of the burgeoning port. In 1797 the world's first patent ropery (producing machine-made rope, rather than using a ropewalk) was built in Sunderland, using a steam-powered hemp-spinning machine which had been devised by a local schoolmaster, Richard Fothergill, in 1793; the ropery building still stands, in the Deptford area of the city.

 

Urban developments

In 1719, the parish of Sunderland was carved from the densely populated east end of Bishopwearmouth by the establishment of a new parish church, Holy Trinity Church, Sunderland (today also known as Sunderland Old Parish Church). Later, in 1769, St John's Church was built as a chapel of ease within Holy Trinity parish; built by a local coal fitter, John Thornhill, it stood in Prospect Row to the north-east of the parish church. (St John's was demolished in 1972.) By 1720 the port area was completely built up, with large houses and gardens facing the Town Moor and the sea, and labourers' dwellings vying with manufactories alongside the river. The three original settlements of Wearmouth (Bishopwearmouth, Monkwearmouth and Sunderland) had begun to combine, driven by the success of the port of Sunderland and salt panning and shipbuilding along the banks of the river. Around this time, Sunderland was known as 'Sunderland-near-the-Sea'.

 

By 1770 Sunderland had spread westwards along its High Street to join up with Bishopwearmouth. In 1796 Bishopwearmouth in turn gained a physical link with Monkwearmouth following the construction of a bridge, the Wearmouth Bridge, which was the world's second iron bridge (after the famous span at Ironbridge). It was built at the instigation of Rowland Burdon, the Member of Parliament (MP) for County Durham, and described by Nikolaus Pevsner as being 'a triumph of the new metallurgy and engineering ingenuity [...] of superb elegance'. Spanning the river in a single sweep of 236 feet (72 m), it was over twice the length of the earlier bridge at Ironbridge but only three-quarters the weight. At the time of building, it was the biggest single-span bridge in the world; and because Sunderland had developed on a plateau above the river, it never suffered from the problem of interrupting the passage of high-masted vessels.

 

Defences

During the War of Jenkins' Ear a pair of gun batteries were built (in 1742 and 1745) on the shoreline to the south of the South Pier, to defend the river from attack (a further battery was built on the cliff top in Roker, ten years later). One of the pair was washed away by the sea in 1780, but the other was expanded during the French Revolutionary Wars and became known as the Black Cat Battery. In 1794 Sunderland Barracks were built, behind the battery, close to what was then the tip of the headland.

 

19th century

In 1802 a new, 72 ft (22 m) high octagonal stone lighthouse was built on the end of the newly finished North Pier, designed by the chief Engineer Jonathan Pickernell. At the same time he built a lighthouse on the South Pier, which showed a red light (or by day a red flag) when the tide was high enough for ships to pass into the river. From 1820 Pickernell's lighthouse was lit by gas from its own gasometer. In 1840 work began to extend the North Pier to 1,770 ft (540 m) and the following year its lighthouse was moved in one piece, on a wooden cradle, to its new seaward end, remaining lit each night throughout the process.

 

Local government

In 1809 an Act of Parliament was passed creating an Improvement Commission, for 'paving, lighting, cleansing, watching and otherwise improving the town of Sunderland'; this provided the beginnings of a structure of local government for the township as a whole. Commissioners were appointed, with the power to levy contributions towards the works detailed in the Act, and in 1812–14 the Exchange Building was built, funded by public subscription, to serve as a combined Town Hall, Watch House, Market Hall, Magistrate's Court, Post Office and News Room. It became a regular gathering place for merchants conducting business, and the public rooms on the first floor were available for public functions when not being used for meetings of the Commissioners. By 1830 the Commissioners had made a number of improvements, ranging from the establishment of a police force to installing gas lighting across much of the town.

 

In other aspects, however, Local government was still divided between the three parishes (Holy Trinity Church, Sunderland, St Michael's, Bishopwearmouth, and St Peter's Church, Monkwearmouth) and when cholera broke out in 1831 their select vestrymen were unable to cope with the epidemic. Sunderland, a main trading port at the time, was the first British town to be struck with the 'Indian cholera' epidemic. The first victim, William Sproat, died on 23 October 1831. Sunderland was put into quarantine, and the port was blockaded, but in December of that year the disease spread to Gateshead and from there, it rapidly made its way across the country, killing an estimated 32,000 people; among those to die was Sunderland's Naval hero Jack Crawford. (The novel The Dress Lodger by American author Sheri Holman is set in Sunderland during the epidemic.)

 

Demands for democracy and organised town government saw the three parishes incorporated as the Borough of Sunderland in 1835. Later, the Sunderland Borough Act of 1851 abolished the Improvement Commission and vested its powers in the new Corporation.

 

Coal, staiths, railways and docks

In the early nineteenth century 'the three great proprietors of collieries upon the Wear [were] Lord Durham, the Marquis of Londonderry and the Hetton Company'. In 1822 the Hetton colliery railway was opened, linking the company's collieries with staiths ('Hetton Staiths') on the riverside at Bishopwearmouth, where coal drops delivered the coal directly into waiting ships. Engineered by George Stephenson, it was the first railway in the world to be operated without animal power, and at the time (albeit briefly) was the longest railway in the world. At the same time Lord Durham began establishing rail links to an adjacent set of staiths ('Lambton Staiths'). Lord Londonderry, on the other hand, continued conveying his coal downriver on keels; but he was working on establishing his own separate port down the coast at Seaham Harbour.

 

Although the volume of coal exports were increasing, there was a growing concern that without the establishment of a purpose-built dock Sunderland would start losing trade to Newcastle and Hartlepool. The colliery rail links were on the south side of the river, but Sir Hedworth Williamson, who owned much of the land on the north bank, seized the initiative. He formed the Wearmouth Dock Company in 1832, obtained a Royal Charter for establishing a dock at Monkwearmouth riverside, and engaged no less a figure than Isambard Kingdom Brunel to provide designs (not only for docks but also for a double-deck suspension bridge to provide a rail link to the opposite side of the river). Building of the dock went ahead (albeit the smallest of Brunel's proposals) but not of the bridge; the resulting North Dock, opened in 1837, soon proved too small at 6 acres (2.4 ha), and it suffered through lack of a direct rail link to the colliery lines south of the Wear (instead, it would be linked, by way of the Brandling Junction Railway from 1839, to collieries in the Gateshead area).

 

Also in Monkwearmouth, further upstream, work began in 1826 on sinking a pit in the hope of reaching the seams of coal (even though, at this location, they were deep underground). Seven years later, coal was struck at 180 fathoms; digging deeper, the Bensham seam was found the following year at 267 fathoms and in 1835 Wearmouth Colliery, which was then the deepest mine in the world, began producing coal. When the superior Hutton seam was reached, at a still greater depth in 1846, the mine (which had begun as a speculative enterprise by Messrs Pemberton and Thompson) began to be profitable.

 

Meanwhile, south of the river, the Durham & Sunderland Railway Co. built a railway line across the Town Moor and established a passenger terminus there in 1836. In 1847 the line was bought by George Hudson's York and Newcastle Railway. Hudson, nicknamed 'The Railway King', was Member of Parliament for Sunderland and was already involved in a scheme to build a dock in the area. In 1846 he had formed the Sunderland Dock Company, which received parliamentary approval for the construction of a dock between the South Pier and Hendon Bay. The engineer overseeing the project was John Murray; the foundation stone for the entrance basin was laid in February 1848, and by the end of the year excavation of the new dock was largely complete, the spoil being used in the associated land reclamation works. Lined with limestone and entered from the river by way of a half tide basin, the dock (later named Hudson Dock) was formally opened by Hudson on 20 June 1850. Most of the dockside to the west was occupied with coal staiths linked to the railway line, but there was also a warehouse and granary built at the northern end by John Dobson in 1856 (this, along with a second warehouse dating from the 1860s, was demolished in 1992).

 

In 1850–56 a half-tidal sea-entrance was constructed at the south-east corner of the dock, protected by a pair of breakwaters, to allow larger ships to enter the dock direct from the North Sea. At the same time (1853–55) Hudson Dock itself was extended southwards and deepened, and, alongside the entrance basin to the north, the first of a pair of public graving docks was built. In 1854 the Londonderry, Seaham & Sunderland Railway opened, linking the Londonderry and South Hetton collieries to a separate set of staiths at Hudson Dock South. It also provided a passenger service from Sunderland to Seaham Harbour.

 

In 1859 the docks were purchased by the River Wear Commissioners. Under Thomas Meik as engineer the docks were further extended with the construction of Hendon Dock to the south (1864–67). (Hendon Dock was entered via Hudson Dock South, but in 1870 it too was provided with a half-tidal sea-entrance providing direct access from the North Sea.) Under Meik's successor, Henry Hay Wake, Hudson Dock was further enlarged and the entrances were improved: in 1875 lock gates were installed (along with a swing bridge) at the river entrance, to allow entry at all states of the tide; they were powered by hydraulic machinery, installed by Sir William Armstrong in the adjacent dock office building. Similarly, a new sea lock was constructed at the south-east entrance in 1877–80. The breakwater (known as the 'Northeast Pier') which protected the sea entrance to the docks was provided with a lighthouse (29 ft (8.8 m) high and of lattice construction, since demolished) which Chance Brothers equipped with a fifth-order optic and clockwork occulting mechanism in 1888; it displayed a sector light: white indicating the fairway and red indicating submerged hazards.

 

By 1889 two million tons of coal per year was passing through the dock. The eastern wharves, opposite the coal staiths, were mainly occupied by saw mills and timber yards, with large open spaces given over to the storage of pit props for use in the mines; while to the south of Hendon Dock, the Wear Fuel Works distilled coal tar to produce pitch, oil and other products.

 

After completion of the dock works, H. H. Wake embarked on the construction of Roker Pier (part of a scheme to protect the river approach by creating an outer harbour). Protection of a different kind was provided by the Wave Basin Battery, armed with four RML 80 pounder 5 ton guns, constructed just inside the Old South Pier in 1874.

 

Increasing industrialisation had prompted affluent residents to move away from the old port area, with several settling in the suburban terraces of the Fawcett Estate and Mowbray Park. The area around Fawcett Street itself increasingly functioned as the civic and commercial town centre. In 1848 George Hudson's York, Newcastle and Berwick Railway built a passenger terminus, Monkwearmouth Station, just north of Wearmouth Bridge; and south of the river another passenger terminus, in Fawcett Street, in 1853. Later, Thomas Elliot Harrison (chief engineer to the North Eastern Railway) made plans to carry the railway across the river; the Wearmouth Railway Bridge (reputedly 'the largest Hog-Back iron girder bridge in the world') opened in 1879. In 1886–90 Sunderland Town Hall was built in Fawcett Street, just to the east of the railway station, to a design by Brightwen Binyon.

 

Sunderland's shipbuilding industry continued to grow through most of the 19th century, becoming the town's dominant industry and a defining part of its identity. By 1815 it was 'the leading shipbuilding port for wooden trading vessels' with 600 ships constructed that year across 31 different yards. By 1840 the town had 76 shipyards and between 1820 and 1850 the number of ships being built on the Wear increased fivefold. From 1846 to 1854 almost a third of the UK's ships were built in Sunderland, and in 1850 the Sunderland Herald proclaimed the town to be the greatest shipbuilding port in the world.

 

During the century the size of ships being built increased and technologies evolved: in 1852 the first iron ship was launched on Wearside, built by marine engineer George Clark in partnership with shipbuilder John Barkes. Thirty years later Sunderland's ships were being built in steel (the last wooden ship having been launched in 1880). As the century progressed, the shipyards on the Wear decreased in number on the one hand, but increased in size on the other, so as to accommodate the increasing scale and complexity of ships being built.

 

Shipyards founded in the 19th century, and still operational in the 20th, included:

 

Sir James Laing & Sons (established by Philip Laing at Deptford in 1818, renamed Sir James Laing & sons in 1898)

S. P. Austin (established in 1826 at Monkwearmouth, moving across the river to a site alongside Wearmouth Bridge in 1866)

Bartram & Sons (established at Hylton in 1837, moved to South Dock in 1871)

William Doxford & Sons (established at Cox Green in 1840, moved to Pallion in 1857)

William Pickersgill's (established at Southwick in 1845)

J. L. Thompson & Sons (yard established at North Sands by Robert Thompson in 1846, taken over by his son Joseph in 1860, another son (also Robert) having established his own yard at Southwick in 1854)

John Crown & Sons (yard established at Monkwearmouth by Luke Crown (or Crone) by 1807, taken over by his grandson Jackie in 1854)

Short Brothers (established by George Short in 1850, moved to Pallion in 1866)

Sir J Priestman (established at Southwick in 1882)

Alongside the shipyards, marine engineering works were established from the 1820s onwards, initially providing engines for paddle steamers; in 1845 a ship named Experiment was the first of many to be converted to steam screw propulsion. Demand for steam-powered vessels increased during the Crimean War; nonetheless, sailing ships continued to be built, including fast fully-rigged composite-built clippers, including the City of Adelaide in 1864 and Torrens (the last such vessel ever built), in 1875.

 

Other industries

By the middle of the century glassmaking was at its height on Wearside. James Hartley & Co., established in Sunderland in 1836, grew to be the largest glassworks in the country and (having patented an innovative production technique for rolled plate glass) produced much of the glass used in the construction of the Crystal Palace in 1851. A third of all UK-manufactured plate glass was produced at Hartley's by this time. Other manufacturers included the Cornhill Flint Glassworks (established at Southwick in 1865), which went on to specialise in pressed glass, as did the Wear Flint Glassworks (which had originally been established in 1697). In addition to the plate glass and pressed glass manufacturers there were 16 bottle works on the Wear in the 1850s, with the capacity to produce between 60 and 70,000 bottles a day.

 

Local potteries also flourished in the mid-19th century, again making use of raw materials (white clay and stone) being brought into Sunderland as ballast on ships. Sunderland pottery was exported across Europe, with Sunderland Lustreware proving particularly popular in the home market; however the industry sharply declined later in the century due to foreign competition, and the largest remaining manufacturer (Southwick Pottery) closed in 1897.

 

Victoria Hall Disaster

Victoria Hall was a large concert hall on Toward Road facing Mowbray Park. The hall was the scene of a tragedy on 16 June 1883 when 183 children died. During a variety show, children rushed towards a staircase for treats. At the bottom of the staircase, the door had been opened inward and bolted in such a way as to leave only a gap wide enough for one child to pass at a time. The children surged down the stairs and those at the front were trapped and crushed by the weight of the crowd behind them.

 

The asphyxiation of 183 children aged between three and 14 is the worst disaster of its kind in British history. The memorial, a grieving mother holding a dead child, is located in Mowbray Park inside a protective canopy. Newspaper reports triggered a mood of national outrage and an inquiry recommended that public venues be fitted with a minimum number of outward opening emergency exits, which led to the invention of 'push bar' emergency doors. This law remains in force. Victoria Hall remained in use until 1941 when it was destroyed by a German bomb.

 

Lyceum Theatre

The Lyceum was a public building on Lambton Street, opened August 1852, whose many rooms included a Mechanics' Institute and a hall 90 by 40 feet (27 m × 12 m) which Edward D. Davis converted into a theatre, opened September 1854, then was gutted by fire in December the following year. It was refurbished and reopened in September 1856 as the Royal Lyceum Theatre, and is notable as the venue of Henry Irving's first successes. The building was destroyed by fire in 1880 and demolished. The site was later developed for the Salvation Army.

 

20th and 21st centuries

The public transport network was enhanced in 1900 – 1919 with an electric tram system. The trams were gradually replaced by buses during the 1940s before being completely axed in 1954. In 1909 the Queen Alexandra Bridge was built, linking Deptford and Southwick.

 

The First World War led to a notable increase in shipbuilding but also resulted in the town being targeted by a Zeppelin raid in 1916. The Monkwearmouth area was struck on 1 April 1916 and 22 lives were lost. Many citizens also served in the armed forces during this period, over 25,000 men from a population of 151,000.

 

In the wake of the First World War, and on through the Great Depression of the 1930s, shipbuilding dramatically declined: the number of shipyards on the Wear went from fifteen in 1921 to six in 1937. The small yards of J. Blumer & Son (at North Dock) and the Sunderland Shipbuilding Co. Ltd. (at Hudson Dock) both closed in the 1920s, and other yards were closed down by National Shipbuilders Securities in the 1930s (including Osbourne, Graham & Co., way upriver at North Hylton, Robert Thompson & Sons at Southwick, and the 'overflow' yards operated by Swan, Hunter & Wigham Richardson and William Gray & Co.).

 

With the outbreak of World War II in 1939, Sunderland was a key target of the German Luftwaffe, who claimed the lives of 267 people in the town, caused damage or destruction to 4,000 homes, and devastated local industry. After the war, more housing was developed. The town's boundaries expanded in 1967 when neighbouring Ryhope, Silksworth, Herrington, South Hylton and Castletown were incorporated into Sunderland.

 

During the second half of the 20th century shipbuilding and coalmining declined; shipbuilding ended in 1988 and coalmining in 1993. At the worst of the unemployment crisis up to 20 per cent of the local workforce were unemployed in the mid-1980s.

 

As the former heavy industries declined, new industries were developed (including electronic, chemical, paper and motor manufacture) and the service sector expanded during the 1980s and 1990s. In 1986 Japanese car manufacturer Nissan opened its Nissan Motor Manufacturing UK factory in Washington, which has since become the UK's largest car factory.

 

From 1990, the banks of the Wear were regenerated with the creation of housing, retail parks and business centres on former shipbuilding sites. Alongside the creation of the National Glass Centre the University of Sunderland has built a new campus on the St Peter's site. The clearance of the Vaux Breweries site on the north west fringe of the city centre created a further opportunity for development in the city centre.

 

Sunderland received city status in 1992. Like many cities, Sunderland comprises a number of areas with their own distinct histories, Fulwell, Monkwearmouth, Roker, and Southwick on the northern side of the Wear, and Bishopwearmouth and Hendon to the south. On 24 March 2004, the city adopted Benedict Biscop as its patron saint.

 

The 20th century saw Sunderland A.F.C. established as the Wearside area's greatest claim to sporting fame. Founded in 1879 as Sunderland and District Teachers A.F.C. by schoolmaster James Allan, Sunderland joined The Football League for the 1890–91 season. By 1936 the club had been league champions on five occasions. They won their first FA Cup in 1937, but their only post-World War II major honour came in 1973 when they won a second FA Cup. They have had a checkered history and dropped into the old third division for a season and been relegated thrice from the Premier League, twice with the lowest points ever, earning the club a reputation as a yo-yo club. After 99 years at the historic Roker Park stadium, the club moved to the 42,000-seat Stadium of Light on the banks of the River Wear in 1997. At the time, it was the largest stadium built by an English football club since the 1920s, and has since been expanded to hold nearly 50,000 seated spectators.

 

In 2018 Sunderland was ranked as the best city to live and work in the UK by the finance firm OneFamily. In the same year, Sunderland was ranked as one of the top 10 safest cities in the UK.

 

Many fine old buildings remain despite the bombing that occurred during World War II. Religious buildings include Holy Trinity Church, built in 1719 for an independent Sunderland, St Michael's Church, built as Bishopwearmouth Parish Church and now known as Sunderland Minster and St Peter's Church, Monkwearmouth, part of which dates from AD 674, and was the original monastery. St Andrew's Church, Roker, known as the "Cathedral of the Arts and Crafts Movement", contains work by William Morris, Ernest Gimson and Eric Gill. St Mary's Catholic Church is the earliest surviving Gothic revival church in the city.

 

Sunderland Civic Centre was designed by Spence Bonnington & Collins and was officially opened by Princess Margaret, Countess of Snowdon in 1970. It closed in November 2021, following the opening of a new City Hall on the former Vaux Brewery redevelopment site.

Noting the tactical difficulties with the PTT Loader, designers set out to build a more modern, and tougher, version of the Prime Truck Transporter series.

 

Thus, the PTT ''Hauler'' was born. With larger tires, better suspension, and featuring the much more practical tan-gray paint pattern, military officials are looking forward to using it.

I had some difficulty choosing the subject, partly because we're new to the South Bay area of Los Angeles. Initially, I considered some obvious choices but my thoughts began to dwell on the qualities that first attracted us to our city, such as its laid-back, casual atmosphere. I started thinking about people who might represent that quality, and then I thought of Chef Hiro.

 

Chef Hiro owns Sun & Moon Cafe, a sushi bar that serves Japanese fusion cuisine just a block from the beach. The bar is a well-known hangout among locals. The first time we went to his bar, I saw all the eclectic, somewhat chaotic decor, with Japanese umbrellas and daruma dolls beside drawings of surfboards. I thought it was a little wacky but cool in a down-to-earth way, which reflected the personality of Chef Hiro.

 

When I asked him for an appointment for a portrait, I introduced myself and offered to shake his hand. He offered me a fist bump instead. That's Chef Hiro. He has bragging rights for having been an Iron Chef in Japan but you'd never know it by talking to him because he's entirely unassuming, and the first time you meet him, he already makes you feel like you've been buddies for years.

 

That's what I want to show about our community. It is one of the most affluent cities in the whole country, and there are plenty of wealthy residents, but generally, most of them don't flaunt their wealth and most people are warm and congenial, just like Chef Hiro.

 

For Chef Hiro's portrait, I wanted to show the sushi bar in the background because it shows his personality. It's a very busy background and it would have been easier to select a clean background, but it wouldn't do justice to Chef's colorful restaurant or character. To make the background less of a distraction and more supportive to the portrait, I thought of some solutions such as a low-key portrait where a shaft of light illuminated only part of the background. However, I thought that the low-key portrait didn't suit Chef Hiro's cheerful disposition. Instead I decided to use a background light to draw the viewer's attention to Chef Hiro.

 

For the light on Chef Hiro himself, it was going to be simple and natural -- a reflection of his personality. I used the ambient light from a large window, then used a reflector as fill.

 

The gesture I captured here is 100% Chef Hiro. I didn't 'direct' him or anything, although that's exactly how I imagined he would look (partly why I chose a wide focal length - to exaggerate the gesture that I expected).

 

In post-processing, I applied a radial blur with a layer mask to keep the viewer's attention on Chef Hiro.

 

Nikon D300 + Tamron 17-50 VC @ 17mm. ISO 1600, f/2.8, 1/125.

Lighting info: SB-800 gelled, aimed at background, triggered via Radiopopper JrX. Large window as key, reflector as fill.

Started Sept. 15, completed Dec. 7, this 8000-piece art puzzle by Francisco de Goya ranks within the top few puzzles I've done in terms of difficulty. The very limited color palette, the dominance of muted and dark hues, and the fact that the image on the accompanying box didn't match the colors of the puzzle, made this one especially challenging. On the other hand, the painting's composition, punctuated by the square light-box and white shirt, and then emanating outwards into darker peripheries, made this one a real pleasure 'to watch grow.'

 

*****

 

I thought this might be a good time to provide some context about the painting itself - The Shootings of May 3rd, 1808 - which is very significant both in terms of Spanish art and art history in general. The text below is an excerpt from smarthistory.khanacademy.org/romanticism-in-spain.html:

 

Goya's dark vision

This painting offers an excellent example of the radical stylistic shift that rejects Neo-Classicism. Goya presents us with a dark vision of innocent Spaniards executed by a Napoleonic firing squad. In order to offer an explanation of what this event meant to Goya, we first need to introduce a little history.

 

The Napoleonic Empire

Napoleon Bonaparte, who, in a coup d'etat in 1799 seized control of post-revolutionary France from the weak governing body, the Directory. Napoleon eventually consolidated his power, and with a nod to Charlmagne and the Caesars declared himself Emperor. At the height of his power, Napoleon's empire included France, the low countries (Belgium, Luxembourg, and The Netherlands), Germany, Italy, Spain, and much of north Africa and the Near East. It is, of course, Spain that we need to focus on here.

 

By the end of the 18th century, Goya's talents had been rewarded and he had attained the post of First Painter to the Spanish monarch, King Charles IV. This enviable position was to be short lived, due to the poor judgment of the King. Early in the new century, Charles became convinced that Great Britain, which had previously wrest control of the world's seas from Spain, intended to invade its historical enemy.

 

The Crown's defensive response was catastrophic. Charles invited Napoleon Bonaparte to bring troops onto Spanish soil in order to defend against Great Britain, their great mutual enemy. The French recognized King Charles's fateful request as an admission of weakness and seized Spain. Eventually, Napoleon's brother, not the English, would replace Charles on the Spanish throne.

 

Initially, Goya, like many Spanish intellectuals, welcomed the French. Spain had been declining in wealth and power since the 16th century and had managed to avoid the beneficial revolutions in science, philosophy and industry that were then transforming Northwestern Europe. Intellectuals hoped that France would impose its modern Enlightenment culture on an increasingly reactionary Spain.

 

The Third of May, 1808

Goya's 1814 painting, The Third of May, 1808, The Shootings at Mount Principio Outside Madrid, expresses Goya's bitter disappointment. On May 2, 1808, a French soldier was shot dead in Madrid. A Spanish sniper was blamed for the murder, ostensibly an act in defense of Spanish autonomy. The French response was swift, brutal and wildly disproportionate.

 

On May Third, the following day, Napoleonic troops rounded up a large number of innocent civilians, marched them beyond the city's walls, and shot each of them. Goya depicts this grim scene by brilliantly twining form and content. In other words he finds ways to support the narrative through his choices in the actual construction of the canvas. For example:

 

Scale

This is a large canvas of a contemporary tragedy (the painting could be safely made only after Napoleon was deposed in 1814). It consciously refers to the historical use of large-scale history and religious painting (ex. David's Oath of the Horatii, 1784-85), asserting the Romantic claim that the present should reclaim its primacy over an idealized past. Large scale both implies significance and makes the scene both proximate and immediate for the viewer. Goya's scale places us not so much outside the canvas, looking in, but rather so that it seems that we are enveloped into the space, we are not so much observer as direct witnesses.

 

Composition

Rather than the more obvious solution where both the French and the Spanish face off in perfect and equal profile, Goya has shifted our vantage so that we more directly face the victims while the faces of the Napoleonic guard are obscured. This successful strategy increases our sympathy on the one hand while reducing the soldiers individuality and perhaps even equating them with the guns that become their faces on the other.

 

Similarly expressive is Goya's decision to trap the persecuted against the rising mountain and the heavy and forbidding blackness of the night sky. Finally, Goya multiplies the terror of the immediate ordeal by trailing the line of unfortunate captives into the distance, suggesting the that this action will by repeated throughout the night.

 

Line, Brushwork and Color

In sharp contrast to the smooth surfaces and modulation of tone seen in Neo-Classicism, French and Spanish Romanticism tended to strive instead for a more impulsive, more physical mark.

 

In Goya's painting the figures are rendered in comparatively broad and rough strokes of the brush. Like the mature work of the Great Spanish Baroque painter Diego Velasquez whom Goya so much admired, there is in the Third of May... an effort to invigorate and humanize the frozen compositions of the previously dominant styles (the High Renaissance and Neo-Classicism respectively). This newly recovered aggressiveness is also expressed through light and color. Goya intensifies the painting's emotional pitch by the interaction of sharp contrasts; light collides with expansive darks; white and yellow are sharp and vivid against the deep blacks, browns and reds.

 

Symbolism

Light is central to Goya's image. Like the Baroque masters, Gentileschi and de la Tour, the picture's sole source of light, the papered oil lantern controlled by the French, is contained within the frame of the canvas. Some art historians that specialize in Goya have suggested that this lantern functions as the bitter core of the painting. It symbolizes the Enlightenment that Goya had once hoped the French would bring to Spain but is here used to further their campaign of terror, the enlightenment turned to evil purpose. Certainly, the lantern focuses our attention on the spectrum of emotions on the face of those being shot.

 

Our eyes are drawn to the young man in white and yellow. In contrast to the pleading and terrified faces that surround him, he stands with arms up facing his enemy. It is in the mighty yet fragile bravery expressed in this man's face that Goya's deep humanity becomes apparent. But Goya invests this figure with even greater importance. While at first the figure's raised arms might be read as a sort of active surrender, Goya is in fact mimicking Christ upon the cross. Note the stigmata that appears in the figure's right hand. Goya has cast this massacre as a martyrdom borrowing more than scale from the history of art.

Candid street shot, Porto, Portugal.

-----------------------------

Sudden shortness of breath, or breathing difficulty (dyspnoea), is the most common reason for visiting a hospital accident and emergency department.

 

It's also one of the most common reasons people call 999 for an ambulance.

 

It's normal to get out of breath when you've overexerted yourself, but when breathlessness comes on suddenly and unexpectedly, it's usually a warning sign of a medical condition.

 

If you've struggled with your breathing for a while, don't ignore it. See your GP as it's likely you have a long-term condition, such as obesity, asthma or chronic obstructive pulmonary disease (COPD), which needs to be managed properly.

  

For more information:

 

www.nhs.uk/Conditions/shortness-of-breath/Pages/introduct...

 

Evidence and Mystery

 

God created the world out of nothing; this is the teaching of the Semitic theologies, and by it they answer the following difficulty: if God had made the world out of a preexisting substance, that substance must be either itself created, or else Divine. The creation is not God, it cannot therefore emanate from Him; there is an unbridgeable hiatus between God and the world, neither can become the other; the orders of magnitude or of reality, or of perfection, are incommensurable.

 

The main concern of this reasoning is not a disinterested perception of the nature of things, but the safeguarding of a simple and unalterable notion of God, while making allowance for a mentality that is more active than contemplative. The aim is therefore to provide, not a metaphysical statement that does not engage the will or does not appear to do so, but a key notion calculated to win over souls rooted in willing and acting rather than in knowing and contemplating; the metaphysical limitation is here a consequence of the priority accorded to what is effective for the governing and saving of souls. That being so, one is justified in saying that Semitic religious thought is by force of circumstances a kind of dynamic thought with moral overtones, and not a static thought in the style of the Greek or Hindu wisdom.

 

From the point of view of the latter, the idea of emanation, in place of creatio ex nihilo, in no way compromises either the transcendence or the immutability of God; between the world and God there is at once discontinuity and continuity, depending on whether our conception of the Universe is based on a scheme of concentric circles or on one of radii extending outward from the center to the periphery: according to the first mode of vision, which proceeds from the created to the Uncreated, there is no common measure between the contingent and the Absolute; according to the second mode of vision, which proceeds from the Principle to its manifestation, there is but one Real, which includes everything and excludes only nothingness, precisely because the latter has no reality whatsoever. The world is either a production drawn from the void and totally other than God, or else it is a manifestation "freely necessary" and "necessarily free" of Divinity or of Its Infinitude, liberty as well as necessity being Divine perfections.

 

As tor the contention that the creationist concept is superior to the so-called emanationist or pantheistic concepts because it is Biblical and Christ-given, and that the Platonic doctrine cannot be right because Plato cannot be superior either to Christ or the Bible, this has the fault of leaving on one side the real fundamentals of the problem.

 

First, what is rightly or wrongly called "emanationism" is not an invention of Plato, it can be found in the most diverse sacred texts; second, Christ, while being traditionally at one with the creationist thesis, nevertheless did not teach it explicitly and did not deny the apparently opposed thesis. The message of Christ, like that of the Bible, is not a priori a teaching of metaphysical science; it is above all a message of salvation, but one that necessarily contains, in an indirect way and under cover of an appropriate symbolism, metaphysics in its entirety. The opposition between the Divine Bible and human philosophy, or between Christ and Plato, therefore has no meaning so far as the metaphysical truths in question are concerned; that the Platonic perspective should go farther than the Biblical perspective brings no discredit on the Bible, which teaches what is useful or indispensable from the point of view of the moral or spiritual good of a particular humanity, nor does it confer any human superiority on the Platonists, who may be mere thinkers just as they may be saints, according to how much they assimilate of the Truth they proclaim.

 

For the Platonists it is perfectly logical that the world should be the necessary manifestation of God and that it should be without origin; if the monotheistic Semites believe in a creation out of nothing and in time, it is evidently not, as some have suggested, because they think that they have the right or the privilege of accepting a "supralogical" thesis that is humanly absurd; for the idea of creation appears to them on the contrary as being the only one that is reasonable and therefore the only one that is capable oflogical demonstration,as is proved precisely by tlfe method of argumentationused in theology.

 

Starting from the axiom that God created the worldout of nothing, the Semites reason thus, grosso modo: since God alone has Being, the world could not share it with Him; there had there fore to be a time when the world did not exist; it is God alone who could give it existence. On the religious plane, which so far as cosmology is concerned demands no more than the minimum necessary or useful for salvation, this idea of creation is fully sufficient, and the logical considerations which support it are perfectly plausible within the framework of their limitation; for they at least convey a key truth that allows a fuller understanding of the nature of God, as it is pleased to reveal itself in the monotheistic religions.

 

More than once we have had occasion to mention the following erroneous argument: if God creates the world in response to an inward necessity, as is affirmed by the Platonists, this must mean that He is obliged to create it, and that therefore He is not free; since this is impossible, the creation can only be a gratuitous act. One might as well say that if God is One, or if He is a Trinity, or if He is all-powerful, or if He is good, He must be obliged to be so, and His nature is thus the result of a constraint, quod absit.

 

It is always a case of the same incapacity to conceive of antinomic realities, and to understand that if liberty, the absence of constraint, is a perfection, necessity, the absence of arbitrariness, is another.

 

If, in opposition to the Pythagorean-Platonic perspective, the concept is put forward of an Absolute which is threefold in its very essence, therefore devoid of the degrees of reality that alone can explain the hypostatic polarizations - an Absolute which creates without metaphysical necessity and which in addition acts without cause or motive - and if at the same time the right is claimed to a sacred illogicality in the name of an exclusive "Christian supernaturalism'', then an explanation is due of what logic is and what human reason is; for if our intelligence, in its very structure, is foreign or even opposedto Divine Truth, what then is it, and why did God give it to us? Or to put it the other way round, what sort of Divine message is it that is opposed to the laws of an intelligence to which it is essentially addressed, and what does it signify that man was created "in the image of God"?

 

[According to Genesis "God created man in his own image" and "male and female created He them." Now according to one Father of the Church, the sexes are not made in the image of God; only the features that are identical in the two sexes resemble God, for the simple reason that God is neither man nor woman. This reasoning is fallacious because, although it is evident that God is not in Himself a duality, He necessarily comprises the principia! Duality in His Unity, exactly as He comprises the Trinity or the Quaternity; and how can one refuse to admit that the Holy Virgin has a prototype in God not only as regards her humanity but also as regards her femininity?]

 

And what motive could induce us to accept a message that was contrary, not to our earthly materialism or to ourpassion, but to the very substance of our spirit? For the "wisdom according to the flesh" of Saint Paul does not embrace every form of metaphysics that does not know the Gospels, nor is it logic as such, for the Apostle was logical; what it denotes is the reasonings whereby worldly men seek to prop up their passions and their pride, such as Sophism and Epicureanism and, in our days, the current philosophy of the world. "Wisdom according to the flesh" is also the gratuitous philosophy that does not lead us inwards and which contains no door opening on to spiritual realization; it is philosophy of the type of"art for art's sake” which commits one to nothing and is vain and pernicious for that very reason.

 

The incomprehension by theologians of Platonic and Oriental emanationism arises from the fact that monotheism puts in parenthesis the notion, essential metaphysically, of Divine Relativity or Maya; it is this parenthesis, or in practice this ignorance, which inhibits an understanding of the fact that there is no incompatability whatever between the "absolute Absolute", Beyond-Being, and the "relative Absolute", creative Being, and that this distinction is even crucial.

 

The Divine Maya, Relativity, is the necessary consequence of the very Infinitude of the Principle: it is because God is infinite that He comprises the dimension of relativity, and it is because He comprises that dimension that He manifests the world. To which it should be added: it is because the world is manifestation and not Principle that relativity, which at first was only determination, limitationand manifestation, gives rise to that particular modality constituting "evil". It is neither in the existence of evil things that evil lies nor in their existential properties nor in their faculties of sensation and of action, if it be a question of animate beings, nor even in the act insofar as it is the manifestation of a power; evil resides only in whatever is privative or negative with respect to good, and its function is to manifest in the world its aspect of separation from the Principle, and to play its part in an equilibrium and a rhythm necessitated by the economy of the created Universe.

 

In this way evil (wholly evil though it be when looked at in isolation) attaches itself to a good and is dissolved qua evil when one looks at it in its cosmic context and in its universal function.

 

Platonists feel no need whatever to try to fill the gap which might seem to exist between the pure Absolute and the determination and creative Absolute; it is precisely because they are aware of relativity in divinis and of the Divine cause of that relativity that they are emanationists.

 

In other words, the Hellenists, if they did not have a word to express it, nevertheless possessed in their own way the concept of Maya, and it is their doctrine of emanation that proves it.

  

In 1871 under the stewardship of the Swiss industrialist Alfred Escher, who had created the Schweizerische Kreditanstalt in 1856, the Gotthard Railway Company was founded. Despite initial difficulties to finance the project, and resulting costs of about 11% over budget, the financing was shared among private and public investors from Switzerland (20M CHF), Italy (45M CHF) and the German Empire (20M CHF). The bidding war between an engineering company from Geneva and Italy was fought viciously, and finally, the Swiss engineer Louis Favre won the project with an estimated cost of 2830 Swiss francs per meter. Because of his low bid, and the extra costs during construction, Favre increasingly found himself at odds with Swiss politicians and investors alike.

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s304 6409 Vienac1880 Gotthard Pass Switzerland Svetogothardski podrov kod Airola Dr. B. Š.: Podrov sveto–gothardski. XII. 19. 299–301 –čl [Anonimno]: Južni ulaz u svetogothardski podrov kod Airola; Put kroz svetogothardski klanac. XII. 19. 305 –il Zabavi i pouci Tečaj XII. Uredjuje ga August Šenoa, a izdaje dionička tiskara 1880. u Zagrebu Tisak dioničke tiskare a

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Podrov sveto-gothardski. (Sa slikom.)

Italiju razstavljaju od ostale Evrope, po imenu od Švajcarske, visoke planine Alpe, kojim je glava do blizu 15.000 stopa visoki Montblank. Alpe sve nisu doduše jednako visoke, nisu sve vječnim sniegom i ledom zastrte; ima ondje dosta sleka i uvala (Einsattelung), al i te se vrlo visoko penju, ponajviše 6-7000 stopah visoko. Ako ondje i kopni po ljetu snieg i led, al to kopnjenje traje samo koji mjesec; inače je sve sniegom zavaljeno. Zato je obćenje medju Italijom i preko-alpinskimi zemljami jošt i danas vrlo mučno, akoprem sada ima 18 izvrstnih i skupocjenih drumova preko Alpa. No kud i kamo tegotnije bijaše to obćenje u staro doba. Zato pripoviedaju stari pisci s nekim užasom o strahotah Hanibalova prielaza s vojskom preko Alpa ; pa i prielazi Julija Caesara, Napoleona, Suvarova smatraju se kao vanredni dogodjaji. Kako nebi, kad ondje do njih nije bilo prava puta, nego samo staza za ljude a putanja za natovarene konje i mazge. Ovako bijaše i u srednjem vieku. Kad je njemački car Henriko IV. putovao sa suprugom u Canossu, da pokoru čini pred papom, te je morao preko velikoga Bernharda, putovanje je bilo tako opasno, a staze tako vrletne i presrtne, da su caricu u kravljoj koži niz brda spuštali, a konji su se sputani kao denjak robe na daskah i vlačugah niza strmen plazali. Stoprv u naše doba sagradjeni su pomenuti drumovi; al nit ovi nisu potrebam udovoljavali, jer . se onuda sporo putuje, tako n. pr. put preko sv. Gotharda trajao je čitav dan, a po zimi jedva se mogla ta planina poradi prevelika sniega i leda kako prevaliti; samo se je onda pošta s velikom mukom prevlačila, Kako je Švajcarska zemlja obrtna, al slabo rodna, te mora plodine od drugud dovoziti; sjeverna pako Italija obiluje plodinami , al neima dosta rukotvorina: od davna se je očitovala vruća želja za lakšim uzajamnim obćenjem obijuh zemalja. Al dok nije bilo željeznica, nije se moglo naći bolje obćilo nego što su pomenuti drumovi. Stoprv pokle se je uza željeznice počela podrivati i ovelika brda, smisliše, da bi se onako .podrovati mogla čitava planina, te s.e napokon zbilja probije planina Mont-Cenis i ondašnjim tunelom sveza se Francezka s Italijom. Živa želja Švajcarske postade sada jošte življa, pokle se je tako očevidno dokazala mogućnost probušiti Alpe. Nu eto nove biede! Svaki švajcarski kanton je zahtievao, da se ta željeznica povede kroz njegovu zemlju: tako su jedni iskali, da se podrije Simplon, drugi su potrebovali, da se probuši Splügen , a treći da Gothard. Borba ova trajala je do 15 godina; napokon se je većina izjavila za Gothard, stranom zato, što ovaj leži u sredini Švajcarske i od prilike jednako razdaleko od Brennera, preko kojega se je već povila željeznica, i od Mont-Cenisa , koji se je uprav onda bio probušio, s druge strane zato, što je gothardski podrov naišao na krepče i vještije zatočnike. Za to su se iztočni i zapadni kantoni švajcarski osvetili, jer jim je pošlo za rukom zapriečiti, da nesudjeluje kod rovljenja Gotharda svakolika Švajcarska. Tim je postalo izvedenje toga posla vrlo dvojbeno ; jer ono nekoliko kantona, koji su to želili, nebi namakli tolikih novaca, što jih trebaše za ovakov ogroman posao. Srećom je jošt i drugim dvima državama vrlo mnogo za tim stalo, da se Gothard probuši, i to Njemačkoj i Italiji. Dva su tomu razloga: prvi, vojnički, da si osiguraju neposredno obćenje kroz neutralnu švajcarsku državu; drugi, trgovački, da umnože zamjenit promet na korist naroda i talijanskoga i njemačkoga. S ovoga gledišta motreć stvari učini jim se podrov Gotharda tako znamenit, te su odlučili priskočiti u pomoć dotičnomu željezničkomu društvu golemom svotom od 65 miliuna franaka, od koje svote je Njemačka preuzela 45 milijuna, a Italija 20 milijuna; srednjo-švajcarski kautoni priložili su takodjer 20 milijuna, a samo društvo sabralo je 34 milijuna, tako da se je svega skupilo do 120 miliuna franaka.

Pošto se je ovako potrebita glavnica namakla, latiše se posla. Godine 1871. probušen bje Mont-Cenis, a godine 1872, mjeseca rujna počeše rovati Gothard. Ravnateljem svega bio je ženialni a neumorni genevski Švajcar Louis Favre, izprva tesar, a do skora na glasu podhvatnik gradnje željeznica. Već prva zadaća bila je neizmjerno mučna. Da se djelo prije svrši, trebaše kopati sa strane talijanske i švajcarske zajedno; jer da se samo s jedne strane kopa, trebalo bi jedno 25 godina. Al kako da se osieče, gdje bi trebalo s obje strane započeti, i kako na svakoj strani roviti, da se oba rova (Stollen) upravo sastanu? To je bio doista tvrd orah. Jer osjeći pravac (t. j. upravu crtu) na 2 i pol milje daleko, zadaje puno truda i na ravnici, gdje se sve na daleko vidi: kud i kamo mučnije pako je osjeći pravac preko onako dugačke, nepristupnimi stienami i vrletnimi dolinami izpresiecane, ponajviše sniegom i ledom zastrte planine kao što je sv. Gothard ! Tu je trebalo neizmjernom pomnjom pomoću trigonometrije opet i . opet sve mjeriti i računati, dok se je napokon osjeklo, gdje treba motikom _ zakopati, naime na švajcarskoj strani kod sela Goschenena, a na talijanskoj kod varošice Airola. Al sad eto nove muke: kako da se u podzemnom tavniku drži pravac, gdje se na daleko nevidi? A nije se tu radilo samo o tom, da se rov goni na pravac, nego i u odlučenoj strmini, jer kopati trebaše ne posve ravno, nego malko uz brdo. Sada da se promaši osječen pravac i smjer, pa da se bušeć s obje strane radnici gdje u sredini razminu i neznajuć za to; da jedni probuše pol planine puno više ili niže od drugih, ili da zastrane lievo, desno, pa da se nesastanu u samoj utrobi Gotharda - zaludo jim sav trud i trošak; treba iznova početi, - Lasno će se dakle svatko domisliti, kolikom brigom i nestrpljivosti su dotični inžeuiri izgledali o naj čas, gdje će se osjeći, valja li jim posao, to jest hoće li se švajcarski i talijanski radnici na pravome mjestu sastati. Nevještaku činilo se je to nemoguće; al inženiri su se uzdali u znanost i da joj osiguraju uspjeh izumiše i osobite sprave (n. p. Universal-Dreifuss). Tako se je u toj neizviestnosti radilo sedam godina; napokon održa znanost i njezini svećenici iuženiri sjajnu pobjedu nad toliki mi zaprekami : oba rova švajcarski i talijanski sastaše se II pravom pravcu u jednakoj visini i to gotovo do dlake (razlika je bila samo nekoliko centimetara).

Na ovim umnim pogodjenjem pravca, kojim da se Gotharda probuši, bila je svršeua samo prva zadaća: sad je trebalo planinu sagradjenu ponajviše od pretvrda kamena doista bušiti. Eto nove zagonetke znanosti! - Izprva se je samo rukom radilo, to jest po dva radnika bušila su rupe u kamen i to ovako: jedan je držao i ravnao šiljastu dugačku motku od tvrda, ocila, a drugi je udarao batom li motku, dok se ovako nije izdubila dovoljna rupa, a kad jih se je više izdubilo, nabiše jih dinamitom, uzmakoše i zapališe lagum (mine), te je dinamit razkrhao kamen, koji se je onda na polje vozio. Buduć da je prvotni rov samo :2 do 2 ½ metra širok, to. su ovako mogla u isto vrieme raditi samo 4 radnika bušeća dvie rupe. Ovi su radeć dan i noć (dakako na izmjenu) na vrtali danomice recimo deset rupa; kada bi bio uz ovakov postupak tunel gotov, kad se sada znade, da je zanj trebalo 320.000 takovih rupa? - Da se dakle djelo pospješi, trebalo je osobitih strojeva, koji rade brže od čovječje ruke, pa je zbilja izumljeno bušilo, koje je u isti čas četiri do pet rupa neizmjernom brzinom dubilo, ta ko da je podrov svaki dan poprieko 3 metra i više napredovao.

Pitat će tko: kakva je sila ovo bušilo kretala? - Para nije mogla, pa nijedna sila, kojoj ognja treba; jer oguj u se hoće zraka, pravo govoreć uzduha (annosfera}: a toga u podrovu bijaše vrlo malo, tako malo, da bi se ondje morala za kratko svaka životinja ugušiti. Kako se je pako doskočilo ovoj nestašici zraka? Evo ovako!

Blizu Gotseheueua teče riečica Reuss; a kod Airola druga riečica; na ovih riekah sagradiše vodenice na mutvu ili vrtaljku (čigru; Turbiue), ne da okreće žrvanj, nego da utiskuje uzduh u ciev, koja se uzduž podrova oteže, Na kraju cievi stoji pomenuto bušilo. Stisnut uzdah tjera mjesto bata njegove motke u kamen, onako kako para, pa se onda uzduh razalazi po podrovu, da radnici imaju zraka za disanje. Bušilo je na kolih, tako da se može prema potrebi napried ili natrag potisnuti.

Uz nestašicu zraka jošte je i druga neprilika radnike mučila, naime vrućina. Što su dublje prođirali u planinu, to je bila veća toplina, koja je naj poslje do 37 stupnjeva (po Celsiju) narasla: ljudi su bili pola goli, pa su se opet znojili, a u ovakvom stanju, u tom zagušljivom zraku morali su jošt i raditi: nije čudo, što jih je ondje vrlo mnogo iznemoglo ili baš zaglavilo. Malo jih je preživilo cielo vrieme radnje, baš niti sam glavni ravnatelj Favre, kojemu je lani mjeseca srpnja, dok je bio u podrovu, valjda od ornare i sparine, kaplja pala. Još više je od nje nastradala tegleća marva, po imenu konji, koji su u podrovu kola vukli, kažu da je od njih cielu dobu grad nje preživi lo samo jedno malo kljuse.

Dok se je u podrovu najvećim naporom radilo - eto jada iznenada! Nadinženir Hellwag izračuna, da skupljenu, glavnica od 120 milijuna franaka neće doteći za gradjenje, već da će još trebati 102 milijuna, ako se želi sva osnova izvesti. To je bio doista grom iz vedra neba, za koji se je već mislilo, da će raztepsti svekoliko liepo i uspješno započeto djelo. Napokon se je prvotna osnova što se je više moglo stegla i onda je trebalo samo jošte 40 milijuna franaka. Ovi budu srećno skuckani, pošto je Njemačka i Italija nadoplatila svaka po 10 miliuna fran., 4 miliuna srednjo-švajcarski kantoni, isto toliko švajcarska republika, a 12 mil. fran. pribralo je društvo za gothardsku željeznicu.

Sad se je počelo pomladjenorn snagom raditi, pa na izmaku mjeseca veljače ove godine već su radnici jedne pole čuli pucanje laguma u drugoj poli. Inžiniri i težaci bili su svejednako u grozničavoj nestrpljivosti, hlepteć upravo za časom, kad će bušeća motka probušiti sav pretin, koji je preostao. Da se taj čas pospješi, upotrebiše 5 metara dugačke motke za bušenje rupa; napokon 28. veljače prodre jedna motka s talijanske strane u sam podrov švajcarski, a sutra dan, to jest na sam prestupni dan, bude onda razvaljen dinamitom ostatak stiene, koji je razstavljao švajcarske radnike od talijanskih, te su jedni drugim pohrlili u naručaj ; a veselje bijaše obćenito ne samo po svoj Švajcarskoj i Italiji, već se može kazati, da se je sav obrazovani sviet iskreno radovao ovoj novoj pobjedi znanosti; jer znanost je svjetska stečevina.

Planina Gothard je dakle probušena. Zanimat će štioce "Vienca" nekoliko podataka, iz kojih . se razabire ogromnost toga djela. Savkolik podrov dugačak je 14.920 metara (od prilike dvie milje); ovo je dakle za sada najdulji tunel ovoga svieta ;" jer je podrov Mont-Cenisa samo 12333 metra dugačak (dakle je gothardski za jedno 2700 metara dulji od ujega), pa je opet za podrov Mont Cenisa trebalo 13 godina, a dulji gothardski tunel dovršen je za 7 godina i 5 mjeseci. Evo koliko je. od onda napredovala inženirska znanost i vještina. - Kod bušenja rupa za lagume potrošilo se je 1,650.000 svrdlova (t. j. pomenutih zaoštrenih šibaka) i 490.000 kilograma dinamita ; za izvoženje razvaljena dinamitom kamena trebalo je 1,450.000 vezova. Poprieko je 3400 težaka za sve vrieme gradnje dnevice radilo.

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morton1905.blogspot.hr/2018/04/podrov-sveto-gothardski.html

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www.facebook.com/historia.hr/posts/1965149026866498

 

 

..It's going to be a bumpy ride..!!

 

Are you having difficulties there? Let me show you how to insert that...

 

A little bit of Sunday Uniform Fun in my Monarch Airlines Cabin Crew Uniform..

 

Now remember.. Keep your seat belt fastened at all times..!😉💋

Allhart and I spent a pleasant morning at the Audubon Center at Strawberry Plains a couple of weeks ago. My external flash was giving trouble and the light was poor. Changing positions, I caught this white breasted nuthatch hanging upside down on a large tree limb with the sky as a background. I'll just say it is an artsy shot, not a good one! LOL

What a mess Flickr was the night before last! I had difficulty adding titles to my uploaded images, comments didn't save and, after I had added a description to each of the 20 photos, the descriptions all disappeared. When I opened Flickr next morning, there was still no sign of them. Then, suddenly, they re-appeared. I also discovered that all the hundreds of photos from this trip that I added to the map are no longer on the map!!! Someone on the Help Forum told someone else to refresh a page and the map will appear again - and it works. Now, I can't add photos to albums - it looks like they are added, but when I check the album, some of yesterda's photos had not appeared. Suddenly, now appeared. Also, my descriptions appeared in duplicate! Today, 13 May 2019, everything I try to do on Flickr takes a long time to do.

 

My photos taken at the National Butterfly Centre, Mission, South Texas, have now come to an end, so you can sigh a huge sigh of relief : ) Today I added 22 photos taken at another place that we called in at later in the afternoon, the Valley Nature Centre. Unfortunately, we only had an hour there before closing time, but how glad we were that we found this place. The highlight there was watching 25 Yellow-crowned Night-Herons coming in to roost for the night in the trees, right where we were standing! What a great sight this was, and we were lucky enough to have a good, close view of these gorgeous birds, though in very poor light. We also saw some Purple Martins and their circular, hanging nesting "gourds".

 

On Day 6 of our birding holiday in South Texas, 24 March 2019, we left our hotel in Kingsville, South Texas, and started our drive to Mission, where we would be staying at La Quinta Inn & Suites for three nights. On the first stretch of our drive, we were lucky enough to see several bird species, including a Golden-fronted Woodpecker, Hooded Oriole, Red-tailed Hawk, Crested Caracara, Harris's Hawk, Pyrrhuloxia male (looks similar to a Cardinal) and a spectacular Scissor-tailed Flycatcher. This stretch is called Hawk Alley.

 

We had a long drive further south towards Mission, with only a couple of drive-by photos taken en route (of a strangely shaped building that turned out to be a huge, deserted seed storage building). Eventually, we reached our next planned stop, the National Butterfly Centre. This was a great place, my favourite part of it being the bird feeding station, where we saw all sorts of species and reasonably close. Despite the name of the place, we only saw a few butterflies while we were there. May have been the weather or, more likely, the fact that I was having so much fun at the bird feeding station. We also got to see Spike, a giant African Spurred Tortoise. All the nature/wildlife parks that we visited in South Texas had beautiful visitor centres and usually bird feeding stations. And there are so many of these parks - so impressive!

 

Tomorrow, I will be able to start sorting and editing images taken on Day 7 of our 13-day trip!

KOM League

Flash Report

For

August 3, 2019

 

The Flash Report is posted on Flickr at: www.flickr.com/photos/60428361@N07/48153832902/ Going to that site will leave you with a “fawn” memory.

 

Note: Due to technical difficulties with Google three previous attempts at transmitting this report using “bcc” have failed. This transmission is being sent using “cc.” I trust this will not be an inconvenience to anyone. Hopefully, this problem won’t be of a lasting nature.

 

Second note: Great angst is being experienced in getting this report delivered. Try this link again and if the report is still not available, let me know. www.flickr.com/photos/60428361@N07/48153832902/

 

At precisely 1:11 p.m. Central Daylight Savings Time on August 2, 2019 I sat down at my computer having done nothing during the week to include in a report. So, this will be a report without form and void.

 

If this forum was for late breaking news it could be reported that in the early morning hours the news of the death of Harley Race came over the radio. Less than 2% of the readership would even recognize that name but he was known as “Handsome” Harley Race when he was on the professional wrestling cards around the Midwest.

 

Never was I a “wrasslin” fan but I had heard Race’s name mentioned a few times and during my last years in the “rat race” of working for a living, many a day was spent at Eldon, Missouri. Lunch options in Eldon (aka Petticoat Junction) were sparse and many a meal was a tenderloin sandwich was served to me by none other than “Handsome Harley” and his much more attractive wife, Beverley. To show I have so little baseball news to share you might want to learn about or take a refresher course on the deceased. search.yahoo.com/yhs/search?hspart=avast&hsimp=yhs-se...

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Number of known living former KOM Leaguers drops to 224 with the death of Robert E. Lee

 

Robert "Bob" E. Lee, 93, loving husband, father, grandfather and great grandfather passed away on July 22, 2019. He was born on January 29, 1926 in Topeka, the son of Willis H. and Rill Eva Lee. He was educated in Topeka, attending Roosevelt Junior High and graduating from Topeka High School in 1944. In April of 1944 he joined the United States Marine Corps where he served until April of 1946. He served in the South Pacific on the Marshall Islands, Carolina Islands, and Ryukyu Islands in Okinawa, Japan.

 

In 1946, Bob enrolled at Washburn University where he was on the football team and track teams. In 1947, he started a professional baseball career with the Joplin Minors in the Western Association League. He played professional baseball in the minor leagues through the 1951 season with the Topeka Owls.

 

Bob was very active at Washburn University, serving as their baseball coach in 1960. He also served on the Washburn Board of Regents, Ichabod Board, Alumni Association, Lincoln Society, Washburn University Foundation, and he and his wife, Sallee, started the Robert E. and Sallee Lee Athletic Scholarship. In 1984, the basketball arena at Washburn was named after them, and Bob was also given the President's "W" Award.

 

Professionally, Bob was realtor, developer, appraiser, starting Lee Realtors in 1955, and later Lee and Bueltel Realtors and Lee and Bueltel Construction Company. He also served as president of the Topeka Board of Realtors, Topeka Multiple Listing Exchange, Society of Real Estate Appraisers and American Society of Appraisers, and he was the first Kansan to receive the CAE (certified assessment evaluator) certification.

 

In 1971, he was a partner in Cablevision of Topeka, the company that first brought cable TV to Topeka.

 

Throughout his professional life, Bob had a slogan on his desk that read "Luck is the crossroads of where planning and opportunity meet."

 

Bob also served on multiple boards in Topeka including the YMCA, American Red Cross, St. Francis Hospital foundation, Urban Renewal Advisory Board, Family Guidance Center, Rotary Club, Topeka Capitals, Topeka Recreation Commission, Human Relations Commission, and served as the president of the 20-30 Club and Cosmopolitan Club.

 

Bob was an avid sports fan enjoying baseball, softball, golf and tennis. He managed and sponsored multiple baseball and slow pitch softball teams, his 1982 Lee and Bueltel softball team won the USSSA Kansas State Championship and finished 9th in the ASA Major Men's Nationals in Parma, Ohio.

 

Mr. Lee is survived by his wife, Sallee, and their three children, Gregory A. Lee (Jenny), Topeka, Dr. David Lee, Houston, TX, and Debbie Florence (Stacy), Topeka; four grandchildren, Emily Dore, (Jim) Overland Park, Amy Nohl, (Brent) Prairie Village, Bobby Florence, (Jazmin) Lawrence, LeKeevis Lee (preceded him in death) and six great grandchildren.

 

Memorial contributions can be made to Washburn University Athletics Fund, 1700 SW College, Topeka, KS, 66604 or Prince of Peace Church, 3625 SW Wanamaker, Topeka, KS, 66614.

 

A memorial service will be held at 11:00 a.m. on Friday, August 2, 2019 at Faith Lutheran Church, 1716 SW Gage Blvd, Topeka.

 

To leave a message for the family online, please visit www.PenwellGabelTopeka.com Robert E. Lee.

 

Ed comment:

 

At some juncture, over the past 25 years, Robert Lee attended a KOM league event basically for the sole purpose of visiting with some former buddies of his, from Topeka. Although Lee played for the 1946 Bartlesville Oilers he didn’t want to admit it. For whatever reason he had for not wanting to confess being a former KOM leaguer, he was.

______________________________________________________________________________

Wife of former Pittsburg Brown, Ray Lindquist, passes

 

Mary Virginia (nee Pangborn) Lindquist passed away on January 4, 2019, surrounded by family. She was 87 years old. A breast cancer survivor, twice, Mary spent the last fifteen years battling Parkinson's disease. Born in Detroit, Mary was the granddaughter of a Michigan senator, Samuel H. Pangborn and Michigan District Court Judge Xenophon A. Boomhower, both of Bad Axe, Michigan, and the daughter of Willard and Florence Pangborn. Mary graduated from Cleveland Heights High School, in Ohio, and Michigan State University, and was the second generation to pledge Delta Delta Delta. After graduation, she taught elementary education within the Cleveland Heights district and married Dartmouth graduate and professional baseball player, Raymond Lindquist.

 

They, and their growing family eventually settled in South Euclid, Ohio, where Mary served as a president of Adrien Elementary PTA and taught Sunday school at the former First Presbyterian Church of East Cleveland. She was a den mother for Boy Scouts and Girl Scouts, and a 'baseball mom' for her sons' Little League teams. After the family moved to Buffalo, New York, Mary became the president of the Eden Garden Club and won awards for her floral arrangements. She played golf, tennis, and bridge.

 

She was also an avid knitter, passing on the tradition started by her aunt, Leta Pangborn Shere, by creating over one hundred blue-ribbon Christmas stockings for extended family and friends. She and Ray retired to Gulf Harbor, in Fort Myers, Florida, where Mary continued to be an active golfer and Tri Delta member. She and Raymond traveled often, enjoying trips to Europe, Asia, and New Zealand. Mary is survived by her sister, Mrs. Barbara Doren of La Jolla, California and Dr. Willard Pangborn of Long Beach, California, as well as her son, Robert, a businessman and graduate of West Point Academy, Eric, a graduate of Tufts University and Dartmouth's Tuck School of Business, Catherine, a graduate of SUNY Buffalo's John Lord O'Brian School of Law, and William, a graduate of Trinity College and Michigan Ross, the University of Michigan's business school. Mary will remain beloved by each of her grandchildren—Raymond, Matthias, Paige, Anna, Erin, Haley, Kyle, Ryan, and Sydney, their spouses, and her friends. A memorial service will be held Aug. 3, 11 a.m., at Colfax Cemetery, 598 N. Barrie Road, Bad Axe, Michigan, 48413.

Published in Huron Daily Tribune on July 30, 20

 

Ed comment:

 

2009 was the last time I spoke with Ray Lindquist. I recall, vividly, him talking about the political pedigree of his wife’s family and the place in Michigan from which they came. Bad Axe would have to be one of my favorite names for a town. Ray will celebrate his 90th birthday on Sept. 30. Ray was born in Cleveland, attended Dartmouth College and is still living in Ft. Myers.

______________________________________________________________________________

Alex Muirhead, Elvis and Reagan

 

Last week the readers were promised a few paragraphs regarding a former Ponca City Dodger shortstop by the name of Alex Muirhead. He was born in Libertyville, Ill. in 1927 and had played in the Piedmont league in 1945 with the Roanoke, Red Sox. He was there a month and was drafted into the Army.

 

He joined the Ponca City Dodgers for the 1948 season and spent one year there and retired from baseball at the age of 21 and that is when his life began. He worked four years with the California Department of Justice and then began his 30-year career with the California Highway Patrol. He attained the rank of captain and served as an area commander for 11 of those 30 years.

 

Like most law enforcement officers he came across many situations but two stood out as we sat on my back deck one afternoon and relived some of his life’s highlights. During the stage in the life of Elvis Presley when he was interested into martial arts and guns, his contingent pulled into the parking lot of the patrol office and asked to speak with the captain in charge.

 

Muirhead recalled that Presley seemed to be genuinely interested in law enforcement and paid rapt attention as he was told how the patrol operated. When he arrived Presley was carrying two pearl handle revolvers which he displayed for Muirhead. After Presley and the Memphis Mafia

www.youtube.com/watch?v=fFwRiPj_pLw departed one of the members of Muirhead’s staff entered his office and said that Elvis had given him the pearl handled revolvers. Muirhead explained that it was not legal to accept gifts and that he’d have to return them the next time Presley was in the area. (The URL mentioned in this paragraph will provide many hours of gtrsy viewing if you are interested in the security that surrounded Presley.)

 

When Presley next appeared in the area the deputy made a trip to see him to return the gift. Muirhead said that in thinking back that move was risky. He said his deputy asked for a meeting with Elvis without telling his bodyguards the nature of the visit and he was carrying those two weapons, concealed. Muirhead mused that carrying those guns to meet with one of the best guarded men in America wasn’t a very smart thing to do.

 

While serving as the area commander for the California Highway Patrol at Sacramento, Muirhead was surprised when the governor’s limousine pulled up to the station and out came Ronald Reagan. He recalled the governor was in some distress and asked “May I use your restroom.” After doing his “business” Reagan came out and posed for a photo with Capt. Muirhead which never got much attention until it was published in my of my non-bestselling books. If you have the second edition of Majoring in The Minors you’ll find it on page 133.

 

That and more regarding the life and times of Alex Muirhead is in that book and a story about how he suffered his most serious injury in his law enforcement career. It was meted out by a Chihuahua/ Toy Fox mixture. If the stories about Presley and Reagan didn’t live up to the hype maybe you’d like to hear the dog story, next time.

 

There were a lot of other items I wanted to share regarding Muirhead so maybe that will happen at another time.

 

For those wishing to see a photo of Reagan and Muirhead it was posted in this forum in 2015 and it can be viewed by clicking here: www.flickr.com/photos/60428361@N07/20581119710/

 

Another link shows Muirhead’s billfold that was a gift from the 1948 team. He gave me the billfold sans any money. www.flickr.com/photos/60428361@N07/20581106198/

______________________________________________________________________________

Two paths crossed in Wichita and Ponca City

 

In 1952 the Ponca City Dodgers had two players who were natives of Wichita, Kansas. Elbert Jarvis played first base for that club and Clyde Girrens did the catching. Three years later Jarvis was married and Girrens was an usher at that event.

 

Just three short years later, tragedy struck and this time Girrens was attending the funeral of his friend.

 

Elbert Jarvis Ponca City, 1952- www.findagrave.com/memorial/93405814/elbert-dean-jarvis

 

Wichita Eagle, Saturday, May 31, 1958

 

Ex-Wichita Ball Player Drowns--Fishing in Pond Near Ponca City

 

A former Wichitan, Elbert D. (Dean) Jarvis, 27, (Ed note: He was 25) Ponca City, Okla., drowned Friday afternoon in a private pond five miles northeast of Ponca City.

 

He was the son of Mrs. Esta Pearl Jarvis, 1221 Larimer. He graduated from North High School and attended the University of Wichita.

 

He and his wife, Jackie, and his mother-in-law, Mrs. William L. Troup, Ponca City, were fishing in the pond on the M. M. Acton farm about 1:30 p.m.

 

After stripping off his shirt and pants, he dived into the water after something, possibly his hat which had blown off.

 

A man who resides at the farm, Charles Johnson, heard the women screaming and called the Ponca City fire department. The fire department manned four boats at the scene.

 

The police department and Kay County, Okla., Sheriff Forrest Walker and Undersheriff Norman Coffelt also helped to search the water for an hour.

 

The body was found about 20 feet from shore in about 20 feet of water. Mr. Jarvis apparently had cramped. Firemen worked a resuscitator, but without success.

 

A Ponca City physician was treating Mrs. Jarvis for shock when the body was pulled out. The body was taken to Miles Funeral Home, Ponca City.

 

Mr. Jarvis played baseball with the Newport News, Va. Farm Club of the Brooklyn Dodgers, and later was first baseman for the Ponca City Cubs, a class D farm club of the Chicago Cubs.

 

Wichita Eagle, Sunday, June 1, 1958

 

ELBERT D. JARVIS

 

A resident of Ponca City, Okla. he commuted to Oklahoma State University at Stillwater, Okla. He was born June 4, 1932, in Wichita.

 

He graduated from North High School in 1950. He was a letterman in football, basketball and baseball. He had played on a farm club for the Brooklyn Dodgers, for the Shawnee, Okla., Hawks, and for the Cedar Rapids, Iowa Three I league.

 

Mr. Jarvis drowned while on a picnic with his wife and her parents. He and his wife had begun to fish some distance from where her parents had just finished eating.

 

He dived from the shore after his hat which had blown off. He retrieved the hat and was swimming back pushing the hat in front of him when his wife heard him call for help.

 

Survivors, besides his mother and his. wife, Sarah Ann (Jackie), include two brothers, Kile, Tucson, Ariz., and Gerald, 1444 S. Hydraulic; and two sisters, Mrs. C. O. Avery, 1319 N. Main, and Mrs. H. J. Valko, 1661 Jeanette.

 

Trout Funeral Home, Ponca City, is in charge of arrangements.

 

Fifty eight years later this story appeared regarding Clyde Girrens

 

North Central-Flint Hills Area Agency on Aging--July 25, 2016 ·

www.facebook.com/ncfhaaa/posts/clyde-girrens-86-of-wichit... A photo of Clyde Girrens at age 86 in a Kansas City Royals hat is on this link.

 

Clyde Girrens, 86, of Wichita, Kansas will be honored as Keeping Seniors in the Game! First Pitcher on Saturday, July 30, 2016 at the 7 p.m. feature game of the National Baseball Congress (NBC) World Series.

 

Clyde grew up in St. Marks, Kansas and has lived in Wichita since 1982. He and his wife Patricia have three children -- Clyde Jr., Phil, and Tom.

 

From a very young age Clyde loved baseball. At 15, he was a catcher on the St. Marks team. When his team played in the 1945 Kansas State NBC Tournament, he was the youngest player in that tournament. In 1949 he played in the NBC World Series with the Cessna Bobcats and the Bobcats won the national championship that year. In 1950, Clyde signed with the Brooklyn Dodgers. Everyone knew that when Clyde was the catcher, if someone was starting to steal second, the pitcher needed to get out of the way because Clyde had a great arm. He played for the Dodgers five years and then was drafted in the Army and served in Korea.

 

After Korea, he returned to Wichita and made NBC's All-tournament team a record four times playing for the Wichita Weller Indians, Service Auto Glass and Bob Moore Oldsmobile. He earned MVP honors in 1959 and in 1963. His favorite baseball memory happened in l963 when The Rapid Transit Dreamliners won NBC's National Championship after defeating the Ponchatoula, Louisiana Athletics. He played with the Dreamliners for 17 years--until 1987.

 

In 1980 he was inducted into the Kansas Sports Hall of Fame. These days Clyde enjoys spending quality time with Patricia and gardening.

 

Clyde was nominated for the Keeping Seniors in the Game SM honor by the Central Plains Area Agency on Aging. This group serves seniors and caregivers in Sedgwick, Butler and Harvey counties.

 

"We are delighted to work with the NBC to recognize the contributions that Clyde Girrens and other older Kansans make to our country, our hometowns and our communities," said Julie Govert Walter, Executive Director of the North Central-Flint Hills Area Agency on Aging who leads the Keeping Seniors In The Game!SM initiative.

 

Ed comment:

 

According to the late Bob Dellinger who was the Ponca City Dodger sportswriter for most of its time in the KOM league, he cited Clyde Girrens as being the best catching prospect to ever wear Dodger blue in that town.

 

One regret I have is not being able to spend more time conversing with Girrens but fate has dealt that a cruel blow. In 1994 I met Girrens at a reunion of former Ponca City Angels, Dodgers and Cubs. Without any exaggeration he was the guy most sought out by the attendees for the purpose of engaging in conversation.

 

Girrens had a long career in Wichita amateur baseball after five years in the Brooklyn Dodger organization beginning in 1950. There have been 80 ballplayers named as the MVP of the National Baseball Congress (NBC) Tournament in Wichita. Some of those names are Satchel Paige, Ellis “Cot” Deal, Chris Chambliss, Daryl Spencer and Lance Berkman who all played major league baseball. Of course, Girrens is one of 80 players to win that honor. He did it the year his team only advanced as far as the quarterfinals of the tournament.

 

A Hall of Fame for the NBC tournament exists that includes nearly 110 names. Included in that group are: Bob Boone, Joe Carter, Ron Guidry, Whitey Herzog, Ralph Houk, Billy Martin, Rick Monday, Satchel Paige, Allie Reynolds, Tom Seaver, Ozzie Smith, Roger Clemens, Daryl Spencer, Harry “The Hat” Walker, Barry Bonds, Rafael Palmeiro, Tony Gwynn, Kirk Gibson, Dave Kingman and of course, Clyde Girrens.

 

Clyde’s brother, John, pitched for the Bartlesville, Oklahoma Pirates in 1948.

 

Girrens played professional baseball from 1950, sans 1951, through 1955 and then decided upon a life making more money playing for industry teams in Wichita. However, the Los Angeles Angels coaxed him out of retirement, in 1964 and as a 34-year old catcher he was sent to the Hawaii Islanders of the Pacific Coast league. Following that stint in Hawaii he continued to play semi-pro ball for another 23 years making him 57 years of age when he finally hung up his spikes.

 

Why I came upon the names of Jarvis and Girrens for this report baffles me, it wasn’t planned. It is a story about how things work out. Jarvis left this world at age 25 and Girrens is still going at age 89. But, it is great that both are being remembered. I’m sure one reader of this report will recall Jarvis. He was a young, good looking member of the Ponca City Dodgers and the less than 10-year daughter of the team’s manager had a crush on him.

______________________________________________________________________________

Leftover from last week

 

Last time around there was a listing of former players never located or fate determined.

 

Steve Smith has researched ballplayers who were with Keokuk, Iowa for many years. When he notices Keokuk or other Central Association players who had experience in the KOM league he gets interested. He had a photo from the April 24, 1948 edition of the Moline, Ill. Dispatch. In that photo was a played listed as John Moore.

 

He commented “As always your reports are interesting. I looked at your list and of course the ever elusive John Moore is on it. I have found a picture of Mr. Moore which is attached. You may already have it. Moore was from Philly. I have tried to find his high school career but so far no luck. There were too many John Moore’s in Philly.”

 

With the foregoing input from Mr. Smith these were my observations. “Here is something to consider. There is a U. S. Baseball Questionnaire that a John Moore filled out for Bill Weiss in 1950. Here are the comments Moore made. Born June 28, 1928 in Philadelphia. Lived at 1803 67th Ave. in Philly in 1950. Nickname was Jackie. Was 5' 10" and weighed 170. Threw and batted right handed. Graduated from North East High in Philly in 1945. Played at Welch, WVA in 1947 and Portsmouth, Ohio in 1948 and played in some town in North Carolina in 1949. Maybe he felt his time in the KOM and wasn't significant enough to mention or his time in Moline, same thing. Of course, this might not be our guy.”

 

He claimed to have served one year in the Marine Corps by 1950. He stated in his questionnaire that he loved to play golf.. This same John Moore attended LaSalle Univ. from 1947-49 and was a member of the golf team. His name appears in the LaSalle yearbook. I can't find any information where this person has passed on. Just some things to mull over.

 

Another former player never found—William Ruel Waggener

 

This fellow was signed by the St. Louis Browns and sent to Pittsburg, Kansas in 1946. He was soon on his way to Bartlesville. During the off-season he attended Kansas State Teachers College in Pittsburg. He was back with Bartlesville to start the 1947 season but maintained his home in Pittsburg during the winter where he continued to attend classes in pursuing his major in civil engineering.

 

On Dec. 31, 1947 he and his wife welcomed a son they named Michael Stephen. Many references are made to Waggener in the Jacksonville, Ill. Daily Journal and they usually centered on the news he was visiting his parents at Christmas time. The last such reference was from 1972 and by that time he was living in Peoria. I believe he now resides in a nursing home in Peoria.

 

As you have probably guessed I’ll keep looking for any word on this man.

______________________________________________________________________________

Well, I’m done. Seventeen hours ago this report was started. Things went just fine for about two of them and then I shut down for the day. After what passes as a night of sleeping like a baby I arose and remembered there was a Flash Report still in the oven. I pulled it out to check how done it was and figured it was time to slice and serve it.

 

Hopefully, your piece of the report was done satisfactorily. If not, return the unconsumed portion for a full refund of its listed price on the menu.

  

I had difficulty translating the names of the saints from the Russian script in the mosaic.

 

I believe the saint on the left is St. Peter. That's consistent with the translation and with the church he's holding, which symbolizes St. Peter's role as the founder of the Christian church.

 

The name of the saint on the right contains archaic letters that prevented me from translating the name using Google translate. If anyone can translate it, I'd appreciate it.

 

Alexander Nevsky Cathedral, Tallinn, Estonia.

With major difficulties at their birth, the Tugs got off to a troubled start to their lives.

 

Along came new 'parents', who apparently told untruths about their capabilities and displaced them with a family of sheds.

 

The Americans early days were in complete contrast to their British counterparts, with no health issues or complications.

 

In 2013 there was some rejoicing following the 'super sixty' event and around thirty were given major surgery. The next decade would be their finest, during which time they were considered 'top of the class'.

 

Sadly the option to prolong their lives was not taken, and ten of the Americans were chosen for changes that would mean heightened interest from the grim reaper.

 

2024 will be a year of change, with a further ten given the X of doom on their cabs, while on the other side of the line twenty of their red and silver sisters are feeling nervous.

 

60094 'Rugby Flyer' RIP and 66651, the first of the DB 66/6 locos at Toton.

 

The original title would have been 'Scrap Metal?', but I did not know at the time the identity of the loco in the background, or that a further ten tugs had been chosen for scrapping.

A glass of wine and a meal at Mt Difficulty Vineyard Central Otago New Zealand

I had a difficulties with this shot because of the back-lighting and being in the woods, I could not get in a better shooting position so that is the final result.

J'ai eu de la difficulté avec cette photo dû à la lumière contre-jour et je ne pouvais pas me positionner autrement dans cette forêt dense.

BIGGER IS BETTER

   

© All rights reserved. Use without permission is illegal.

© Tous droits réservés. L'utilisation sans ma permission est illégale

The more difficulties one has to encounter, within and without, the more significant and the higher in inspiration his life will be.

Horace Bushnell

Dear People!

Behind me stands Mother Ukraine. Ukraine that stands firmly on its feet, does not bow its head, looks ahead, believes in its future and victory over all the evil that Russia has brought us. Ukraine that is capable of achieving a just peace – having a shield and a sword. Defending its people, its colors, its Independence. Today I address all those who value Ukraine, cherish their state, and lovingly call it “Mine.” I thank you for 2024. Our people who endure all difficulties with dignity. People for whom being citizens of Ukraine is a source of pride. And for me, it is a pride to be the President of such people – Ukrainians who prove that no cruise missile can defeat a nation that has wings.

Throughout this leap year, we have proven it every day. And we saw it yesterday. When we were uplifted with happiness because 189 Ukrainians returned from captivity to their native land. Because they will celebrate the New Year at home. Because we are bringing our people back. 1,358 people this year. 3,956 Ukrainians during this time. And I’m giving not estimates but precise numbers, because each one represents a person, our person, a very important person. And with each return – we bring life back to Ukraine.

And every time this happens, we all cry. It doesn’t matter if it’s a moved mother, or it’s a child who finally has their father back, or the President of Ukraine – we all cry because we are all human, and we have kept the light within us.

And it helped us endure through over 1,000 days. To be brave when it was needed most. To be strong when it was so vital. As did our teachers, our medics, our power engineers, our transport workers, as did all our air defense personnel, mobile fire groups. The guys who brought down 1,310 cruise and ballistic missiles this year, and 7800 Iranian “Shahed” drones. Bravo! We are proud! Thank you! We lived through this year together. We overcame everything 2024 brought together. Victories and setbacks. Joys and challenges. Tears of happiness when we succeeded. And tears of pain when our hearts were wounded.

July. Morning. Okhmatdyt. That’s how weaklings and cowards strike. And we will never forget those children’s eyes. We will never forgive them for this! When evil brings death, our response is a human chain. This is what the strength of Ukrainians looks like. And that unity of ours could be seen from space. God saw it. He saw what kind of people we have. What kind of children we have. And I will never forget those incredibly mature and strong eyes of the boy from Okhmatdyt. How much life is in him, energy and dignity! And how much stronger this child alone is than Putin! How much stronger all our children are than their entire evil. Ukrainian boys and girls who are winning this war, gaining knowledge online and even in underground schools, winning global science competitions, raising funds for our army, and inventing technological solutions that help with our defense. You are a phenomenal generation! This is who we are fighting for. This is who our heroes, our warriors, protect above all. Those who stand firm and carry Independence on their shoulders. Where freedom and valor fight every day – even now, on this New Year's night. On all our fronts. On all of them. In the east, where it’s extremely, extremely difficult and challenging right now. But we believe, we know: you will stand strong. Our guys will stand strong. Your spirit and courage will stand strong. All the things that helped you not to surrender our Sumy and Kharkiv, our Kherson and our Zaporizhzhia this year. And the Russians wanted it so badly. But instead – you paid the occupiers back, bringing the war back home to Russia. And the one who sowed evil on our land received it on their own. In the Kursk region and in other places where our response, our justice, came this year.

Justice. Just one word, but behind it stand hundreds of thousands of our people. Our defense industry and our science. Whose minds and work have made us stronger, because 30% of everything our guys had on the battlefield this year – all this was made in Ukraine.

And at one of these facilities, I asked a young engineer: "How did you manage to achieve so much? How were these people able to do all of this?" And the young man joked: "They're not just people, they're missiles."

And you know, at that moment, I felt ashamed as a citizen that since the 90s, the state hadn’t noticed such people of ours. And I am proud, when meeting them throughout the year I hear: they are happy to be needed by Ukraine. And that Ukraine is once again building its own, its own missiles. And for the first time, it produces over a million drones in a year. Forcing the enemy to learn Ukrainian. Palianytsia, Peklo, Ruta. Making them tremble at the words Neptune and Sapsan. All these are our missiles. Ukrainian. Hor, Vampire, Kolibri, Kamik, Liutyi, Heavy Shot, Firepoint. All these are our drones. Ukrainian. And all these are our arguments, the arguments for a just peace.

It is achieved only by the strong. And we have proven time and again that we are strong. Our athletes. Oleksandr Khyzhniak, our Tank. Olga Kharlan, Yaroslava Mahuchikh, all our Olympians and Paralympians, for whom we cheered, worried, and screamed with joy and pride when the blue and yellow flag was raised. We took the hits and fought back alongside Oleksandr Usyk. All of this is about something bigger than just sports. It’s about our character. It’s about who we are and what we are capable of. It’s about meanings and symbols. It’s about Sashko’s fights, like Ukraine’s daily battles, showing us: it doesn't matter how much bigger the enemy is compared to you, what matters is how much bigger your will is. Then it takes the breath away of the whole world! And all the leaders told me frankly: "We've never seen anything like this – when a full hall of Notre-Dame de Paris is applauding." And those were applause for you. For all our people. This is what respect for Ukraine sounds like. This is what Independence is.

It’s when we don’t give up what’s ours. And when we don’t forget our people. Those who are in captivity. And we will fight for every person who, unfortunately, is still there. And we will fight for all those whom Russia has forced into occupation; but couldn’t occupy their Ukrainian hearts. And no matter how many passports evil hands out at gunpoint, our people say: "You are not our kin, you are temporary." And all those imposed weeds will not take root on our land, will not defeat the natives. I always recall the story about one of our Ukrainian elderly men, whom the occupiers asked: "What time is it?" And he answered: "Time to get off our land." This is what the inner will is, which simply cannot be occupied. And I turn to all those who carry this will in their hearts on the temporarily occupied territories. Dear Ukrainians! I know you are celebrating the New Year according to our time, and now you hear these words. In our Crimea, in Donbas, in Melitopol, in Mariupol – everywhere where Ukraine is awaited. And where, one day, Ukraine will return to be together. And the only thing that will divide Ukrainians is a generously laid table.

I know that all our people will be at this table. Those who are now abroad but have kept Ukraine in their hearts. So today, in the first minute of the New Year, in Warsaw, New York, or Buenos Aires, "Shche ne vmerla…" will sound. In Berlin, Prague or Tokyo, people will say today: “Glory to Ukraine!” And the world will respond: “Glory to the Heroes!” Because Ukraine is not alone. Because we have our friends with us. Since the first minutes of this war, America has stood with Ukraine. I believe that America will also stand with Ukraine in the first minutes of peace.

I remember my conversation with Joe Biden after the Russian invasion. I remember my conversation with Donald Trump after he was elected. All the conversations with Congressmen, Senators, ordinary Americans, with all those who support us in the US, in Europe, and around the world – in those many and varied conversations, there was always unity on the main point: Putin cannot win. Ukraine will prevail.

I thank all Americans for proving these words with deeds. I have no doubt that the new American President is willing and capable of achieving peace and ending Putin’s aggression. He understands that the first is impossible without the second. Because this is not a street fight where you have to calm down both sides. This is the full-scale aggression of a mad state against a civilized one. And I believe that we, together with the United States, are capable of exerting that force. Of compelling Russia into a just peace. That means not forgetting, and not erasing everything Russia has done. Bucha, Olenivka, Avdiivka, all our destroyed towns and villages. This is why a truly just peace cannot be based on the principle of “let’s start with a clean slate.” Because the score is not 0:0. The score is thousands, thousands of Ukrainians whose lives Russia has stolen.

And today, the heart of Ukraine is covered with scars. These are the names of our fallen heroes. May God protect every family in the world from experiencing such losses. I would not wish any leader in the world to experience these feelings – the moment you hand over awards posthumously. You see the eyes of a mother, a wife, or a child of a warrior who gave their life for Ukraine, and you hear them say: "Please, let it all not be in vain." Thousands of our guys and girls have not faded into oblivion. They are with us, they are by our side, always, they are watching over us from the heavens. And we have no right to let them down, and we cannot betray their feat and memory.

And every day in the coming year, I, and all of us, must fight for a Ukraine that is strong enough. Because only such a Ukraine is respected and heard. Both on the battlefield and at the negotiating table.

I thank everyone who has stood by us this year. Our partners, allies, friends, leaders. Leaders indeed, not because it is customary to call them that, but because they prove their leadership by their actions. Those who were not afraid to come to Ukraine, knowing how valuable it is to see us standing shoulder to shoulder. With whom, despite the distance and time difference, we worked together, found solutions and achieved results. Patriots, IRIS-Ts, NASAMS and ATACMS systems, F-16s, SCALPs, Storm Shadows. The Czech initiative and a million shells. The Danish model and hundreds of millions in our domestic production. 27 security agreements and 40 billion to support our army. The European Union and 50 billion to support our economy. The G7 and the decision on 50 billion dollars of frozen Russian assets. This is our great international work. This is our great international victory. I thank our partners, thank you for this; I thank our team. The Army, the Government, the Office, the Parliament, the regions, the communities, the volunteers. All those who strengthen our country from within and care about people.

I thank everyone thanks to whom Ukraine is standing and will stand. It will overcome its path to peace, to a strong Ukraine. And to a European Ukraine. And these are not just words, but a reality that began this June with the opening of negotiations on Ukraine's accession to the EU. And this is a historic result. And this path is irreversible. And Ukraine will be in the European Union. And one day Ukraine will be in NATO and will strengthen the Alliance. It will strengthen the stability of the world. The unity of Europe, which determines the destiny of every nation on the continent. And this unity must be respected by all. By both Budapest and Bratislava. I know the Hungarian and Slovak peoples are actually with us, with Ukraine, with Ukrainians, on the side of truth. The authorities of these countries should also acknowledge the truth. There is no need to be afraid of Ukraine being in Europe. We must do everything to prevent Russia from being in Europe. Its tanks, its missiles, and the evil it will surely spread further if Ukraine does not withstand. If Russia shakes your hand today, it does not mean that tomorrow, it will not start killing you with the same hand. Because Russians are afraid of the free people. Of what they are not familiar with. They are afraid of freedom. They were born under Putin, went to school under Putin, joined the army under Putin and are dying for his sick ideas.

And that is why it is so crucial today to support all peoples who defend freedom. Those who refuse to give it up in Chișinău. Those who are fighting for their future in Tbilisi. And I am sure that the day will come when we will all say: "Long Live Belarus!"

Dear Ukrainians!

May 2025 be our year. The year of Ukraine. We know that peace will not be given to us as a gift. But we will do everything to stop Russia and end the war. This is what each of us wishes for.

Behind all of us stands Mother Ukraine. And she deserves to live in peace. I wish this to all of us. And as the President of Ukraine, as well as a citizen, I will do everything to achieve it in the coming year. Knowing that I will not be alone. I know that you stand shoulder to shoulder with me – millions of Ukrainians. Strong. Free. Beautiful. Independent.

Happy New Year, dear people!

Happy New Year, Ukraine!

Glory to Ukraine!

The difficulties of fitting a quart into a pint pot...

The railway overbridge disguises the entrance to a small 'storage area' in which to park trams 'offstage'. The common term fiddle yard seems extravagant, as no 'fiddling' as such is envisaged!

Today I rebuilt the bridge at a different angle, which increased the span and meant that another bridge had to be provided! The Ferodo one seen in previous views, has been replaced, but will doubtless reappear somewhere else in due course.

Whilst the storage area is divided from the layout by a skyboard, it is lit by natural light which has meant that a printed backscene works reasonably well here, seen behind the STL and Walls ice cream van. Must do something about the underside of the bridge deck though!

The small area to the left is problematic.Perhaps some sort of of single floor building used as a shop? Possibly just a bit of wasteground behind some advertisement hoardings - we shall see.

Holy Trinity, Scoulton, Norfolk

 

Photographs taken in April 2007.

 

I remembered we'd had difficulty seeing inside back in 2007, and coming back in 2021 was to find a locked church that appeared to no longer be much in use.

 

Scoulton: www.norfolkchurches.co.uk/scoulton/scoulton.htm

Me, Larry and Louise.

 

Negotiating a broken light socket fitting, jutting out into the hallway, and an overturned plastic chair blocking what looked an otherwise disused stairwell, we made our way up to the hostel on the first floor.

 

Osama had driven us to the hostel through the wet evening streets of Nablus in his beaten up Peugeot, all the while frantically gesticulating, trying to impress on us the severity of the situation in this city, perhaps seeing us as his or Nablus’s only chance to share a Palestinian perspective with some internationals. With one eye on the road and one arm on the back of the passenger seat, turning to talk to us in the back seat, Osama told us of the closures, the curfews, the checkpoints and the difficulty of moving about freely. Between narrowly avoiding oncoming cars as he occasionally veered into the opposite lane he told us of the nightly Israeli military incursions, the rocket attacks on the refugee camps, the shootings and assassinations, the house demolitions, the funerals and the loss of innocent lives. But for all we were told perhaps the most upsetting thing for me was to see this desperate attempt to squeeze as much information as possible into what was no more than a 10 minute car journey. Most, if not all, Palestinians have shocking stories to tell, and are more than willing to share their opinions about the occupation and the hardship it has created, but nowhere as much as Nablus have I felt that this to be a need and certainly never one so desperate. Osama questioned us, “What life is this? Where is my dignity? Where is my dignity? And what of my son? What life is there for him?” We had no answers. All we could do was sit solemnly and nod, the windscreen wipers jolting back and forth as we continued through the wet streets. My mind wandering, I remembered that very morning when we had come through Hawara checkpoint, just to the south of the city. As we passed through wire mesh walkways, not unlike the pens used for livestock herding before a final despatching at the abattoir, and crossed a wasteland to where Nablus bound minibus taxis waited in muddy pot-holed car park, I watched an old lady, perhaps of grandmother age, tiptoe through sloppy mud to a wheel spinning taxi, its back end sliding out down the slippery dirt mounds. The old lady hitched her traditional style black embroidered dress, at the same time trying to pass her plastic bagged wares to a fellow passenger, finally being dragged aboard before the mud sprayed taxi bounced and skidded off across the wasteland rank. I thought of my own grandmother in a similar scenario, humbled by the relative immobility of old age and humiliated by a blind oppressive system that continues to punish the innocent in ways that are slowly becoming an excepted norm. While the Palestinians continue to put up with life as it is, to see it anew with an outsiders perspective is shocking. It simply isn’t right. Osama’s question came back to me then as it always will whenever the immense disparity between freedom and oppression makes itself even subtly apparent. Where is the dignity? What life is this?

 

The hostel’s reception desk, tucked away in a dingy corner of a strip lit room, was dead apart from where between nicotine yellowed walls the proprietor sat, stooped over a cigarette and a game of cards with another of the guests. A television set flickered and chattered away, ignored in the corner, and from an ashtray on the card table a column of Brownian smoke rose from the lodger’s unstubbed butt. Creaking out of his low chair, and shuffling across the room he took a key from the wall behind the desk and beckoned us to follow him. The better of the two rooms we were shown had what looked to be a relatively new a bullet-hole in the window. Broken reflected light from the florescent on the rear wall accentuated the fissures emanating from the crude hole, and a dent in the opposite wall betrayed the bullets trajectory. “Don’t worry.” Osama told us, “It’s just a stray bullet, probably from children throwing stones at soldiers from the roof.” With that and a recommendation that we didn’t go out, just to be on the safe side, Osama left us. Deciding on a supermarket purchased bread and hommous dinner and an early night, we took Osama’s advice.

 

Later, back in the smoke-filled reception room I sat with Samer, a construction worker from Hebron, in the south of the West Bank. Over the game of cards he continued to play with the proprietor, communicating in broken Arabic and English I learnt that he had no choice but to stay in the hostel during the week due to the difficulty in travel between Hebron and Nablus. Hebron would be just an hours drive away, unhindered, but with at least three main Israeli military checkpoints, and the further possibility of “flying checkpoints”, a system of permanent structures manned only on what seems a random basis, travel has become extremely difficult with no guarantee of reaching work on time, if at all. This, coupled to the rise in oil prices and the longer tortuous routes Palestinians are forced to take around any Israeli territory, including the illegal West Bank settlements, has become a serious issue for travel between all of the West Bank’s major cities and regions. This inefficiency of flow through the West Bank, these restrictive measures upon money, trade and people, has to be looked upon as a very shrewd move by Israel that has a very predictable outcome; a slow death for the Palestinian economy and a gradual chipping away at any chance of a viable Palestinian state. Looked at in terms of Nature, impeding blood circulation between body organs is a sure fire way of killing any organism.

 

At least the closures and checkpoints benefit hostels. The dribs and drabs of tourists though Nablus are certainly too few to keep the hostel industry afloat. In the centre of the city the tourist information centre is now used as mission control for Nablus’s street cleaning operations. We dropped in just to share the fact of our tourist status only to be met with apparent confusion and asked if we wanted the Turkish Bath, Nablus’s biggest attraction. When we again tried to make ourselves understood, we were just met with a shaking head, a smile, and asked if we wanted tea.

 

Just a short walk through the bustling new city reveals obvious signs of ongoing violence. Bullet dents in shops’ steel shutters, shattered, bullet pierced windows in some of the high rise buildings, bill board sized posters of young and proud Kalashnikov toting “militants”, the latest to be killed or assassinated by the Israeli military; one even of a father with his arm around the shoulder of, presumably, his son, not older than 12 years old and bearing an AK47 machine gun. In the old city, these “martyr” bill posters can be found on every free wall and shop shutter, the older sunlight faded faces progressively covered with those of new victims. I can’t help but feel that these serious posters lend further an underlying oppressive air to the everyday comings and goings of an otherwise culturally peaceful society. While I understand the natural principle of action and reaction, these young militants must understand that their activity can only ever at best be a gesture of resistance, never the real thing.

 

Due to its geographical location in the mountainous north of the West Bank, Nablus was at one time a stronghold of the West Bank Palestinian resistance whose militants posed a real problem to Israeli troops during the second Intifada. Now, however, the grinding occupation, closure, siege, and continuing violence has seen this resistance all but crushed, and large parts of the city’s infrastructure damaged with little hope of near future repair. The destruction that Israel has caused the city, both infrastructurally and socially, in retaliation for the actions of relatively few Palestinian militants really amounts to a collective punishment of the city’s population, a population that still live in fear of nightly Israeli military incursions, and even, as a visiting friend experienced last year, sonic boundary breaking Israeli fighter jets flying just hundreds of feet above Nablus city rooftops. I hate to think of the effect these deafening sonic booms have upon the developing inner ear of any young child. Beyond 10 o’clock in the evening the city’s streets are abandoned to Israeli soldiers and whoever they manage to taunt into a showdown. In the narrow alleyways of the old city, Israeli soldiers have been known, locals say, to shout out to anyone in range, “Mujahideen. Show yourselves and fight.” Any rise, usually from stone throwing youths, will be met with live ammunition and more often than not new statistics to add to the ever growing discrepancy between Israeli and Palestinian casualties. The fight, slowly but surely, is becoming a one sided campaign that not only represents continued harassment of the local Palestinian population and provokes disenfranchised youths into bloody confrontations; this fight is even further polarising the impressionable minds of teenage Israeli soldiers, youths that grow up believing popular right wing media and what life in the military instils – hatred for a perceived enemy.

 

Earlier in the day I had visited Al Lod Charitable Society in Nablus’s Asker refugee camp. Asker camp along with the infamous “Balata”, are among the most frequently targeted areas on the Israeli military’s agenda, and where any trouble can rapidly escalate. These camps are the usual sites of stone, Molotov cocktail, and gunfire exchange between angry yet apathetic Palestinian youths in disbelief of their ability to affect social change through peaceful means, and young indoctrinated Israeli soldiers. It was, in fact, the riot in Balata camp following the funeral of a youth killed by an Israeli sniper in 2000, that is partly attributed to the sparking of the second Intifada. I had been sent to photograph some of the donations and projects funded by Muslim Aid UK, an NGO that channels money, food, and education to Al Lod and similar organisations. I sat with Jamal in his office at the Al Lod centre while, over a cup of tea, he showed me some of the centre’s work: charitable donations of meat and money during the Eid festival; computer and Internet facilities for the surrounding camp neighbourhoods; educational and school materials for local children; even a “Charitable Cheese Project”, distributing 400 tons of cheese to camp residents. Besides charitable donations the centre is also involved in art workshop programs that help children deal with internalised emotional issues. Jamal showed me a collection of some of the art produced. One workshop was based around each child producing two drawings; one of a world in which the children would like to live, and one with life as it is in the camp. Flicking through the pages I was met time and time again with the same, or similar images; the idealism of young minds, rainbowed pastures and sunny hillsides, large rabbits eating carrots from a child’s outstretched hand, kite flying and park scenes – nothing materialistic, simple desires. Contrasting these images to the scenes of perceived camp life, green men chain-sawing trees, tanks demolishing homes, barbed wire, walls, rocket launchers, and war planes, a faceless brutality, it is austerely apparent that the occupation is forging young minds warped to the extremity. As I played with local children, called in off the streets to model for a impromptu photo shoot, some of whom had probably produced the drawings I had seen, I realised that these are the Palestinians in need of real help. These are the children whose only contact with Israelis is with armed soldiers sent to demolish a neighbour’s house, or arrest and drag away a youth in the middle of the night. These are the children amongst which real seeds of anger are being sown. All the while Israel is busy tackling its own perceived “security threat”, it is in the process of creating another perhaps more real future threat. If this brutal contact between Palestinian youths and Israeli soldiers, this inequality, is propagated much further into the future, Israel will only respond with ever more extreme measures; measures that will not only further escalate violence, but measures that will portray the State of Israel’s already tainted human rights track record as beyond all international acceptance. This further alienation of an already insecure state is not only dangerous; it is far from being in the global community’s interests. Without concerted effort and political pressure, Israel is itself in danger of becoming a “rogue” state.

 

That night, as I lay in bed, I could hear the distant bangs and echoes of stun grenades and bullet split air reverberate up and down streets and alleyways. Jeeps passed by outside, given away by the whirring of off-road tyres on tarmac, and their familiar throaty engine tone. I could not help but think that, in the morning, after sleep has come to us all, maybe, just maybe in those awakening moments, before the reality of the world we live in comes flooding back, before all the complex interactions that have formed the evolution of our social structures, there is a moment when all is well, when peace seems the only possible way, and every sole is equal. If only we could hold on to this innocence and let it permeate into our day.

       

The difficulty with a 365 Project is that not every day yields a great photo. Today was a pretty uneventful day and there was little time or inspiration for a nice photo. I made a quick trip to urgent care in the morning, which is what is pictured here. Nothing serious and everyone is fine!

Knowing firsthand the difficulty that lesser known artists have in finding a venue to display their work, Marion reopened the Little Gallery to visiting artists after her husband’s death. Today the DeGrazia Foundation continues this legacy during the winter months. We are happy to announce our 2020/2021 Little Gallery application is now online until February 28th! All applications must be filled out and submitted to the gallery by March 31st. Good luck!

 

degrazia.org/exhibitions/little-gallery/

Your difficulties stem from the fact that you are not aware of the full gravity of the human condition, and you are not aware of this because nothing in your habitual surroundings—the world you live in—suggests it, to say the least. It is finally a question of imagination; I am not saying you are directly responsible for this, but you are in any case its victim, and you are not alone in being so.

 

In the Middle Ages the whole civilization was structured in such a way as to give a person at least some sense of his cosmic situation; today we live in a kind of misleading “extraterritoriality,” in opaque back rooms that hide reality. Nonetheless God touches us everywhere, for there is no empty space and no respite. He is “the First” and “the Last,” “the Outward” and “the Inward” (al-Awwalu wal-Ākhiru wal-Zāhiru wal-Bātin); man is like the point of intersection of the “divine dimensions.”

 

You must detach your life from an awareness of the multiple and reduce it to a geometrical point before God. You have but one life, and it is not just anything; this life is everything for you, and it owes its greatness to its divine origin and goal. The human condition is something great because its foundation is God; the modern error is to believe we are small, that we are biological accidents, that we are entitled to be lukewarm—that we are free to be small, apathetic, mediocre. In reality we are condemned to greatness, if I may express it this way, and we find this greatness in spiritual smallness before the divine Greatness. It is God who is great, but we must open ourselves up to this Greatness, knowing that there is only He, that we are bound to Him, that we cannot escape Him; knowing this we must resign ourselves to our human and personal condition—to the fact that the sacred is everywhere—and we must repose in trust.

 

F. Schuon

 

-----

 

Image:

 

Beato of Liébana: The Codex of Fernando I and Doña Sancha.

 

Illustration of Rev 20:11-15

 

"Anyone whose name was not found written in the book of life was thrown into the lake of fire."

 

www.loc.gov/resource/gdcwdl.wdl_10639/?sp=7&st=gallery

   

The Fountain of Putti is a monumental work in Carrara marble , located at the entrance to Piazza dei Miracoli and Via Santa Maria in Pisa .

 

It was built between 1746 and 1765 by Giuseppe Vaccà , who took care of the base, and by Giovanni Antonio Cybei , author of the marble group of putti holding the coats of arms of Pisa and the Opera del Duomo, based on a design by the painter Giovanni Battista Tempesti

 

The presence of a first fountain in the Piazza del Duomo, although simple and devoid of ornaments, has been attested since 1659. However, it was thanks to the Operaio dell'Opera Francesco Quarantotti , appointed in 1729, that the current structure was built , strategically moved a few meters compared to the position of the previous fountain and placed "on the corner of the paved road that goes to the church" , that is, in front of the exit of via Santa Maria into Piazza del Duomo. For the new monument, an aesthetic solution was chosen that could better harmonize with the classic appearance of the monuments in the square .

 

The first phase of construction of the fountain was entrusted to the Carrara sculptor Giuseppe Vaccà, who had participated together with his father Giovan Battista and his cousin in the furnishing of the Cathedral , a phase which ended in 1746 with the construction of a base decorated with cherubs and acanthus leaves. The pillar of the source was built in Avenza di Massa in the Vaccà workshop in just under a year, and despite the construction difficulties caused by the soft ground (which it was necessary to consolidate by driving 33 pine poles deep) , in September by 1746 the fountain could now be said to be completed . Its creation, as reported in the Memoria del Duomo by Filippo D'Angelo, was defined as "not magnifying but beautiful and gallant" .

 

In 1763 Anton Francesco Maria Quarantotti, who had succeeded his father in the service of the Opera del Duomo, agreed with Vaccà to complete the structure of the fountain with a sculptural group to be positioned above the marble base. Vaccà in all likelihood in this case only played the role of entrepreneur : the construction was in fact entrusted to Giovanni Antonio Cybei , who worked starting from a preparatory drawing by the painter Giovanni Battista Tempesti . From 1763, the work kept Cybei busy for about two years ; the sculptural group was transported to the city by sea and up the Arno a few days before Christmas 1765

 

Shortly after the completion of the work, the first critical assessments also emerged, which were directed in particular against the sculptural group of the three putti. The oldest written testimony of these negative judgments dates back to Filippo D'Angelo , who, in his Memoirs of the Cathedral and events of the city of Pisa in 1767 , defined the author as "a terrible statuary" .

 

In 1848, the Pisan sculptor Girolamo Marconi was the first to propose replacing the sculptural group with a statue of the city's patron saint, San Ranieri , also replacing the base with another, more sober one, bearing the city coat of arms [9] . However, probably due to lack of funds, the proposal was not followed up .

 

With the foundation in Pisa of the Association for the embellishments of the Piazza del Duomo (1862), born in the period of national unification, the hypothesis of replacing the group of three putti, judged to be of little value, with the statue of Buscheto , architect of the Cathedral . However, not even this time did the intent to restore a more austere appearance to the square lead to concrete results.

 

The opportunity for a new attempt to remove the group presented itself with the appointment of Archbishop Pietro Maffi in 1905. Maffi, who was an astronomer and had been appointed president of the Vatican Observatory in 1904 , proposed replacing the putti with a monument to Galileo Galilei . To reduce costs, he also suggested removing only the sculptural group, using the fountain below. The project, however, was harshly criticized when it was made public in 1906; on this occasion, for the first time, some defenders of the Fontana dei Putti intervened as a historical and symbolic element of the square. The determination of Maffi, who in the meantime had become cardinal, led him to a second attempt in 1922, when the Genoese sculptor Antonio Bozzano was entrusted with the task of creating a sketch for the work . Once again, however, the project was not successful: the survival of the Fontana dei Putti was probably guaranteed by the failure of Maffi to be elected to the papal throne in the Council of 1922 , which instead led to the election of Achille Ratti with the name of Pope Pius XI. This event marked the end of a century of replacement projects and allowed the three cherubs to maintain their role among the prominent monuments in the square.

 

The history of the attribution of the sculptural group of the three putti has been the subject of complex developments.

 

Despite the relevant testimony of Girolamo Tiraboschi , who already in 1786, in his biography dedicated to Cybei, mentioned among the artist's works the three putti in the Piazza del Duomo of Pisa , over time the name of the author of group was lost.

 

In 1873 Tiraboschi's words were also reported by the Marquis Giovanni Campori in his Biographical Memoirs of sculptors, architects, painters, etc. natives of the Province of Massa in 1873 , but despite this testimony for a long time the role of Cybei was ignored and the sculptures were attributed to Giuseppe Vaccà. The attribution to Vaccà also remained in the Pisa Guide by Bellini Pietri and in a 1931 essay by Giorgio Castelfranco entitled The Fountain of G. Vaccà in Piazza del Duomo in Pisa.

 

Subsequently, in 1990, Paolo Roberto Ciardi seemed to resolve the issue by publishing the contract stipulated in 1763 between the Worker Quarantotti and Giuseppe Vaccà, which recognized the latter as the author of the three putti. However, towards the end of the nineties, the discovery of an autograph by Cybei, in which the sculptor explicitly declared that he had created the group for the fountain, allowed the paternity of the work to be returned to him

 

The base created by Giuseppe Vaccà appears as a parallelepiped positioned vertically, characterized on two sides by acanthus leaves, which create a bulge in the lower part of the plinth, while, on the opposite sides, two volutes resting on a base support the basin for the 'waterfall.

 

In the areas of the squares of the fountain's pedestal the artist is inspired by the architectural formulas of the sixteenth and seventeenth centuries, proposing an architecture animated by two different themes: on two sides, a geometric ornamentation; on the other two, mythological figures in high relief. The artist also uses different techniques for the two pairs of panels: high relief for the figurative images and low relief for the more ornamental decoration .

 

In the squares of the parallelepiped, the artist creates a dialogue between art and nature , representing an acanthus leaf that invades the lower part of the base, a symbol widely used in architectural decorative resolutions. The artist here clearly refers to classical models [19] , loading them with allusive values: the acanthus leaf, a constant presence on capitals, ceiling and wall decorations, returns here to symbolize freshness and refreshment, themes that are well suited to the nature and function of the monument.

 

The considerable volume of acanthus leaves also has its own structural utility . It distributes the weight thrusts at the base of the parallelepiped towards the ground in a more uniform and less incidental way, avoiding the formation of cracks and ensuring better cohesion between the different parts. To confirm this, we observe the presence of two overturned shelves under the two basins, which also serve to balance the downward forces.

 

In the other two areas of the panels, however, the work is loaded with allegorical-symbolic values ​​through one of the most traditional figures of mythological language: the Triton who fights with the sea monster. The extremely popular theme, however, seems to refer in particular to a preparatory drawing by Marco da Faenza for the grotesques of the Triton in combat, preserved at the superintendence for artistic and historical heritage of Florence .

 

The young Tritons, represented in a mirrored manner in the mirrors of the base, have the aim of enhancing the wonder of the sea. One, by blowing the conch, seems to attract the attention of the other intent on fighting, immortalized in the gesture of throwing a stone at the monster subjected to him, in a playful and carefree atmosphere. The volumes of the figures burst into space, projecting to the maximum, with a powerful modeling that goes beyond the limits of high relief.

 

The sculptural group created between 1763 and 1765 by Antonio Cybei is located above the base and depicts three colossal putti, also in white Carrara marble , holding the coats of arms of Pisa and the Opera del Duomo .

 

In his reworking of the work, Cybei did not modify the poses of the three putti compared to the original sketch proposed by Tempesti, but inverted the central putto counterclockwise, creating a composition capable of further highlighting the dynamism of the figures.

 

The spiral arrangement of the figures had the aim of lightening the base and, at the same time, creating the optical illusion of an ascending movement, as if the direction given to the movement was not directed downwards, but was going towards the sky . The different compositional arrangement between Tempesti's sketch and Cybei's work highlights a different intent. In Tempesti's sketch, which is arranged clockwise, the shield seems to move downwards, as if it descended directly from the sky into the arms of the children . On the contrary, in the layout given by Cybei the figures are positioned counterclockwise, with the statues appearing to raise the shield upwards, in a gesture "of thanksgiving and consecration of the Pisan people to God".

 

In this sense, the execution of Tempesti's modeling still has a baroque character, in which the composition rotates around a central axis, and the distribution of weights moves in a spiral that converges downwards. On the contrary, the change made by Cybei, with the anti-clockwise movement of the figures, seems to mark, according to Mario Noferi, the transition from baroque to rococo . In fact, the revision, which proposed an ascending dynamism in the form of a spiral, seems to lighten the weight of the compositions that characterizes baroque works while maintaining the basic principles of representation intact, in line with one of the main objectives of the Rococo. In summary, the reworking of Cybei made the work more modern compared to Tempesti's sketch, which still reflected the influence of the Roman school .

 

Another notable characteristic of the Putti group is certainly the plastic treatment of the volumes, capable of expressing the sensation of the softness of the flesh. The skilful use of chiaroscuro also contributes to this rendering, which gives the sculpture an almost pictorial character, to the point of pushing Mario Noferi to believe that "the sculptor, with intention, wanted to leave traces of the original design idea taken from the drawing of a painter". Evidence of these plastic abilities would also be, according to the scholar, the careful reproduction of an atmospheric phenomenon: the disheveled hair of the children, in fact, seems to be agitated by the wind, a re-enactment of a natural phenomenon that contributes to the overall movement of the work

 

From a symbolic point of view, the presence of water refers to the concept of purification, historically also referring to the dawn of Christianity, when fountains were placed in the atrium of Christian basilicas to introduce the sacred space. In the same way it would then be possible, according to Mario Noferi, to consider the monumental fountain as a spiritual entrance to the square, at the convergence of all the city streets that lead to the Cathedral.

 

Furthermore, according to the scholar, the iconic buildings of the square symbolize the essential phases of human life in relation to faith: birth represented by the baptistery, life symbolized by the cathedral and death evoked by the cemetery. Similarly, the three lively children who adorn the top of the Fountain represent a specific phase of human existence, recalling the short period of childhood characterized by energy and recklessness in games

 

The introduction of postal cards is believed to have contributed to the revaluation of the fountain in the 19th century . Initially, in fact, the classic view of the square included only the Baptistery, the Cathedral and the famous Leaning Tower. However, as time passed, the fountain was included in other images taken from different angles, acquiring a significant role among other major monuments and arousing the interest of both postcard buyers and the recipients themselves .

 

This process gradually led the fountain to establish itself in the collective imagination as an essential element of the urban panorama of the Piazza dei Miracoli. However, it is with the advent of mobile devices and new technologies that the fountain has taken on an even more relevant role. Today, thanks to the ease with which it is possible to take photographs and videos, the fountain is included in many images of the square, deliberately chosen to offer added value to the image itself and enhance the other monuments present.

 

Furthermore, a notable aspect is that from the perspective located at the intersection between Piazza dei Miracoli and Via Santa Maria, it is possible to appreciate in a single glance all three faces of the children who, with their different contortions, support the coat of arms of the city of Pisa .

 

Ultimately, the fountain on the Piazza dei Miracoli has undergone a process of revaluation over the years, becoming a fundamental element of the urban landscape. Thanks to social media, its presence is increasingly constantly documented, while the peculiar detail of the cherubs holding up the coat of arms of Pisa contributes to increasing the curiosity and attention of visitors

 

The Fountain of Putti also appears in the theme song of the fourth animated season of " Lupine III - The Italian Adventure ", a derivative of the manga by the Japanese cartoonist Monkey Punch and broadcast in 2015 .

 

The series, made up of twenty-six episodes, is entirely set in Italy and the opening theme features several important Italian tourist places (such as Rome, the canals of Venice, San Marino, Santa Maria del Fiore in Florence). Among these, a significant shot is reserved for the Leaning Tower of Pisa, with the Fountain of the Putti placed right in the foreground.

 

Pisa is a city and comune in Tuscany, central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower, the city contains more than twenty other historic churches, several medieval palaces, and bridges across the Arno. Much of the city's architecture was financed from its history as one of the Italian maritime republics.

 

The city is also home to the University of Pisa, which has a history going back to the 12th century, the Scuola Normale Superiore di Pisa, founded by Napoleon in 1810, and its offshoot, the Sant'Anna School of Advanced Studies.

 

History

For a chronological guide, see Timeline of Pisa.

Ancient times

The most believed hypothesis is that the origin of the name Pisa comes from Etruscan and means 'mouth', as Pisa is at the mouth of the Arno river.

 

Although throughout history there have been several uncertainties about the origin of the city of Pisa, excavations made in the 1980s and 1990s found numerous archaeological remains, including the fifth century BC tomb of an Etruscan prince, proving the Etruscan origin of the city, and its role as a maritime city, showing that it also maintained trade relations with other Mediterranean civilizations.

 

Ancient Roman authors referred to Pisa as an old city. Virgil, in his Aeneid, states that Pisa was already a great center by the times described; and gives the epithet of Alphēae to the city because it was said to have been founded by colonists from Pisa in Elis, near which the Alpheius river flowed. The Virgilian commentator Servius wrote that the Teuti founded the town 13 centuries before the start of the common era.

 

The maritime role of Pisa should have been already prominent if the ancient authorities ascribed to it the invention of the naval ram. Pisa took advantage of being the only port along the western coast between Genoa (then a small village) and Ostia. Pisa served as a base for Roman naval expeditions against Ligurians and Gauls. In 180 BC, it became a Roman colony under Roman law, as Portus Pisanus. In 89 BC, Portus Pisanus became a municipium. Emperor Augustus fortified the colony into an important port and changed the name to Colonia Iulia obsequens.

 

Pisa supposedly was founded on the shore, but due to the alluvial sediments from the Arno and the Serchio, whose mouth lies about 11 km (7 mi) north of the Arno's, the shore moved west. Strabo states that the city was 4.0 km (2.5 mi) away from the coast. Currently, it is located 9.7 km (6 mi) from the coast. However, it was a maritime city, with ships sailing up the Arno. In the 90s AD, a baths complex was built in the city.

 

Late Antiquity and Early Middle Ages

During the last years of the Western Roman Empire, Pisa did not decline as much as the other cities of Italy, probably due to the complexity of its river system and its consequent ease of defence. In the seventh century, Pisa helped Pope Gregory I by supplying numerous ships in his military expedition against the Byzantines of Ravenna: Pisa was the sole Byzantine centre of Tuscia to fall peacefully in Lombard hands, through assimilation with the neighbouring region where their trading interests were prevalent. Pisa began in this way its rise to the role of main port of the Upper Tyrrhenian Sea and became the main trading centre between Tuscany and Corsica, Sardinia, and the southern coasts of France and Spain.

 

After Charlemagne had defeated the Lombards under the command of Desiderius in 774, Pisa went through a crisis, but soon recovered. Politically, it became part of the duchy of Lucca. In 860, Pisa was captured by vikings led by Björn Ironside. In 930, Pisa became the county centre (status it maintained until the arrival of Otto I) within the mark of Tuscia. Lucca was the capital but Pisa was the most important city, as in the middle of tenth century Liutprand of Cremona, bishop of Cremona, called Pisa Tusciae provinciae caput ("capital of the province of Tuscia"), and a century later, the marquis of Tuscia was commonly referred to as "marquis of Pisa". In 1003, Pisa was the protagonist of the first communal war in Italy, against Lucca. From the naval point of view, since the ninth century, the emergence of the Saracen pirates urged the city to expand its fleet; in the following years, this fleet gave the town an opportunity for more expansion. In 828, Pisan ships assaulted the coast of North Africa. In 871, they took part in the defence of Salerno from the Saracens. In 970, they gave also strong support to Otto I's expedition, defeating a Byzantine fleet in front of Calabrese coasts.

 

11th century

The power of Pisa as a maritime nation began to grow and reached its apex in the 11th century, when it acquired traditional fame as one of the four main historical maritime republics of Italy (Repubbliche Marinare).

 

At that time, the city was a very important commercial centre and controlled a significant Mediterranean merchant fleet and navy. It expanded its powers in 1005 through the sack of Reggio Calabria in the south of Italy. Pisa was in continuous conflict with some 'Saracens' - a medieval term to refer to Arab Muslims - who had their bases in Corsica, for control of the Mediterranean. In 1017, Sardinian Giudicati were militarily supported by Pisa, in alliance with Genoa, to defeat the Saracen King Mugahid, who had settled a logistic base in the north of Sardinia the year before. This victory gave Pisa supremacy in the Tyrrhenian Sea. When the Pisans subsequently ousted the Genoese from Sardinia, a new conflict and rivalry was born between these major marine republics. Between 1030 and 1035, Pisa went on to defeat several rival towns in Sicily and conquer Carthage in North Africa. In 1051–1052, the admiral Jacopo Ciurini conquered Corsica, provoking more resentment from the Genoese. In 1063, Admiral Giovanni Orlandi, coming to the aid of the Norman Roger I, took Palermo from the Saracen pirates. The gold treasure taken from the Saracens in Palermo allowed the Pisans to start the building of their cathedral and the other monuments which constitute the famous Piazza del Duomo.

 

In 1060, Pisa had to engage in their first battle with Genoa. The Pisan victory helped to consolidate its position in the Mediterranean. Pope Gregory VII recognised in 1077 the new "Laws and customs of the sea" instituted by the Pisans, and emperor Henry IV granted them the right to name their own consuls, advised by a council of elders. This was simply a confirmation of the present situation, because in those years, the marquis had already been excluded from power. In 1092, Pope Urban II awarded Pisa the supremacy over Corsica and Sardinia, and at the same time raising the town to the rank of archbishopric.

 

Pisa sacked the Tunisian city of Mahdia in 1088. Four years later, Pisan and Genoese ships helped Alfonso VI of Castilla to push El Cid out of Valencia. A Pisan fleet of 120 ships also took part in the First Crusade, and the Pisans were instrumental in the taking of Jerusalem in 1099. On their way to the Holy Land, the ships did not miss the occasion to sack some Byzantine islands; the Pisan crusaders were led by their archbishop Daibert, the future patriarch of Jerusalem. Pisa and the other Repubbliche Marinare took advantage of the crusade to establish trading posts and colonies in the Eastern coastal cities of the Levant. In particular, the Pisans founded colonies in Antiochia, Acre, Jaffa, Tripoli, Tyre, Latakia, and Accone. They also had other possessions in Jerusalem and Caesarea, plus smaller colonies (with lesser autonomy) in Cairo, Alexandria, and of course Constantinople, where the Byzantine Emperor Alexius I Comnenus granted them special mooring and trading rights. In all these cities, the Pisans were granted privileges and immunity from taxation, but had to contribute to the defence in case of attack. In the 12th century, the Pisan quarter in the eastern part of Constantinople had grown to 1,000 people. For some years of that century, Pisa was the most prominent commercial and military ally of the Byzantine Empire, overcoming Venice itself.

 

12th century

In 1113, Pisa and Pope Paschal II set up, together with the count of Barcelona and other contingents from Provence and Italy (Genoese excluded), a war to free the Balearic Islands from the Moors; the queen and the king of Majorca were brought in chains to Tuscany. Though the Almoravides soon reconquered the island, the booty taken helped the Pisans in their magnificent programme of buildings, especially the cathedral, and Pisa gained a role of pre-eminence in the Western Mediterranean.

 

In the following years, the powerful Pisan fleet, led by archbishop Pietro Moriconi, drove away the Saracens after ferocious battles. Though short-lived, this Pisan success in Spain increased the rivalry with Genoa. Pisa's trade with Languedoc, Provence (Noli, Savona, Fréjus, and Montpellier) were an obstacle to Genoese interests in cities such as Hyères, Fos, Antibes, and Marseille.

 

The war began in 1119 when the Genoese attacked several galleys on their way home to the motherland, and lasted until 1133. The two cities fought each other on land and at sea, but hostilities were limited to raids and pirate-like assaults.

 

In June 1135, Bernard of Clairvaux took a leading part in the Council of Pisa, asserting the claims of Pope Innocent II against those of Pope Anacletus II, who had been elected pope in 1130 with Norman support, but was not recognised outside Rome. Innocent II resolved the conflict with Genoa, establishing Pisan and Genoese spheres of influence. Pisa could then, unhindered by Genoa, participate in the conflict of Innocent II against king Roger II of Sicily. Amalfi, one of the maritime republics (though already declining under Norman rule), was conquered on August 6, 1136; the Pisans destroyed the ships in the port, assaulted the castles in the surrounding areas, and drove back an army sent by Roger from Aversa. This victory brought Pisa to the peak of its power and to a standing equal to Venice. Two years later, its soldiers sacked Salerno.

 

New city walls, erected in 1156 by Consul Cocco Griffi

In the following years, Pisa was one of the staunchest supporters of the Ghibelline party. This was much appreciated by Frederick I. He issued in 1162 and 1165 two important documents, with these grants: Apart from the jurisdiction over the Pisan countryside, the Pisans were granted freedom of trade in the whole empire, the coast from Civitavecchia to Portovenere, a half of Palermo, Messina, Salerno and Naples, the whole of Gaeta, Mazara, and Trapani, and a street with houses for its merchants in every city of the Kingdom of Sicily. Some of these grants were later confirmed by Henry VI, Otto IV, and Frederick II. They marked the apex of Pisa's power, but also spurred the resentment of other cities such as Lucca, Massa, Volterra, and Florence, thwarting their aim to expand towards the sea. The clash with Lucca also concerned the possession of the castle of Montignoso and mainly the control of the Via Francigena, the main trade route between Rome and France. Last, but not least, such a sudden and large increase of power by Pisa could only lead to another war with Genoa.

 

Genoa had acquired a dominant position in the markets of southern France. The war began in 1165 on the Rhône, when an attack on a convoy, directed to some Pisan trade centres on the river, by the Genoese and their ally, the count of Toulouse, failed. Pisa, though, was allied to Provence. The war continued until 1175 without significant victories. Another point of attrition was Sicily, where both the cities had privileges granted by Henry VI. In 1192, Pisa managed to conquer Messina. This episode was followed by a series of battles culminating in the Genoese conquest of Syracuse in 1204. Later, the trading posts in Sicily were lost when the new Pope Innocent III, though removing the excommunication cast over Pisa by his predecessor Celestine III, allied himself with the Guelph League of Tuscany, led by Florence. Soon, he stipulated[clarification needed] a pact with Genoa, too, further weakening the Pisan presence in southern Italy.

 

To counter the Genoese predominance in the southern Tyrrhenian Sea, Pisa strengthened its relationship with its traditional Spanish and French bases (Marseille, Narbonne, Barcelona, etc.) and tried to defy the Venetian rule of the Adriatic Sea. In 1180, the two cities agreed to a nonaggression treaty in the Tyrrhenian and the Adriatic, but the death of Emperor Manuel Comnenus in Constantinople changed the situation. Soon, attacks on Venetian convoys were made. Pisa signed trade and political pacts with Ancona, Pula, Zara, Split, and Brindisi; in 1195, a Pisan fleet reached Pola to defend its independence from Venice, but the Serenissima soon reconquered the rebel sea town.

 

One year later, the two cities signed a peace treaty, which resulted in favourable conditions for Pisa, but in 1199, the Pisans violated it by blockading the port of Brindisi in Apulia. In the following naval battle, they were defeated by the Venetians. The war that followed ended in 1206 with a treaty in which Pisa gave up all its hopes to expand in the Adriatic, though it maintained the trading posts it had established in the area. From that point on, the two cities were united against the rising power of Genoa and sometimes collaborated to increase the trading benefits in Constantinople.

 

13th century

In 1209 in Lerici, two councils for a final resolution of the rivalry with Genoa were held. A 20-year peace treaty was signed, but when in 1220, the emperor Frederick II confirmed his supremacy over the Tyrrhenian coast from Civitavecchia to Portovenere, the Genoese and Tuscan resentment against Pisa grew again. In the following years, Pisa clashed with Lucca in Garfagnana and was defeated by the Florentines at Castel del Bosco. The strong Ghibelline position of Pisa brought this town diametrically against the Pope, who was in a dispute with the Holy Roman Empire, and indeed the pope tried to deprive Pisa of its dominions in northern Sardinia.

 

In 1238, Pope Gregory IX formed an alliance between Genoa and Venice against the empire, and consequently against Pisa, too. One year later, he excommunicated Frederick II and called for an anti-Empire council to be held in Rome in 1241. On May 3, 1241, a combined fleet of Pisan and Sicilian ships, led by the emperor's son Enzo, attacked a Genoese convoy carrying prelates from northern Italy and France, next to the isle of Giglio (Battle of Giglio), in front of Tuscany; the Genoese lost 25 ships, while about a thousand sailors, two cardinals, and one bishop were taken prisoner. After this major victory, the council in Rome failed, but Pisa was excommunicated. This extreme measure was only removed in 1257. Anyway, the Tuscan city tried to take advantage of the favourable situation to conquer the Corsican city of Aleria and even lay siege to Genoa itself in 1243.

 

The Ligurian republic of Genoa, however, recovered fast from this blow and won back Lerici, conquered by the Pisans some years earlier, in 1256.

 

The great expansion in the Mediterranean and the prominence of the merchant class urged a modification in the city's institutes. The system with consuls was abandoned, and in 1230, the new city rulers named a capitano del popolo ("people's chieftain") as civil and military leader. Despite these reforms, the conquered lands and the city itself were harassed by the rivalry between the two families of Della Gherardesca and Visconti. In 1237 the archbishop and the Emperor Frederick II intervened to reconcile the two rivals, but the strains continued. In 1254, the people rebelled and imposed 12 Anziani del Popolo ("People's Elders") as their political representatives in the commune. They also supplemented the legislative councils, formed of noblemen, with new People's Councils, composed by the main guilds and by the chiefs of the People's Companies. These had the power to ratify the laws of the Major General Council and the Senate.

 

Decline

The decline is said to have begun on August 6, 1284, when the numerically superior fleet of Pisa, under the command of Albertino Morosini, was defeated by the brilliant tactics of the Genoese fleet, under the command of Benedetto Zaccaria and Oberto Doria, in the dramatic naval Battle of Meloria. This defeat ended the maritime power of Pisa and the town never fully recovered; in 1290, the Genoese destroyed forever the Porto Pisano (Pisa's port), and covered the land with salt. The region around Pisa did not permit the city to recover from the loss of thousands of sailors from the Meloria, while Liguria guaranteed enough sailors to Genoa. Goods, however, continued to be traded, albeit in reduced quantity, but the end came when the Arno started to change course, preventing the galleys from reaching the city's port up the river. The nearby area also likely became infested with malaria. The true end came in 1324, when Sardinia was entirely lost to the Aragonese.

 

Always Ghibelline, Pisa tried to build up its power in the course of the 14th century, and even managed to defeat Florence in the Battle of Montecatini (1315), under the command of Uguccione della Faggiuola. Eventually, however, after a long siege, Pisa was occupied by Florentines in 1405.[9] Florentines corrupted the capitano del popolo ("people's chieftain"), Giovanni Gambacorta, who at night opened the city gate of San Marco. Pisa was never conquered by an army. In 1409, Pisa was the seat of a council trying to set the question of the Great Schism. In the 15th century, access to the sea became more difficult, as the port was silting up and was cut off from the sea. When in 1494, Charles VIII of France invaded the Italian states to claim the Kingdom of Naples, Pisa reclaimed its independence as the Second Pisan Republic.

 

The new freedom did not last long; 15 years of battles and sieges by the Florentine troops led by Antonio da Filicaja, Averardo Salviati and Niccolò Capponi were made, but they failed to conquer the city. Vitellozzo Vitelli with his brother Paolo were the only ones who actually managed to break the strong defences of Pisa and make a breach in the Stampace bastion in the southern west part of the walls, but he did not enter the city. For that, they were suspected of treachery and Paolo was put to death. However, the resources of Pisa were getting low, and at the end, the city was sold to the Visconti family from Milan and eventually to Florence again. Livorno took over the role of the main port of Tuscany. Pisa acquired a mainly cultural role spurred by the presence of the University of Pisa, created in 1343, and later reinforced by the Scuola Normale Superiore di Pisa (1810) and Sant'Anna School of Advanced Studies (1987).

 

Pisa was the birthplace of the important early physicist Galileo Galilei. It is still the seat of an archbishopric. Besides its educational institutions, it has become a light industrial centre and a railway hub. It suffered repeated destruction during World War II.

 

Since the early 1950s, the US Army has maintained Camp Darby just outside Pisa, which is used by many US military personnel as a base for vacations in the area.

 

Geography

Climate

Pisa has a borderline humid subtropical climate (Köppen climate classification: Cfa) and Mediterranean climate (Köppen climate classification: Csa). The city is characterized by cool to mild winters and hot summers. This transitional climate allows Pisa to have summers with moderate rainfall. Rainfall peaks in autumn. Snow is rare. The highest officially recorded temperature was 39.5 °C (103.1 °F) on 22 August 2011 and the lowest was −13.8 °C (7.2 °F) on 12 January 1985.

 

Culture

Gioco del Ponte

In Pisa there was a festival and game fr:Gioco del Ponte (Game of the Bridge) which was celebrated (in some form) in Pisa from perhaps the 1200s down to 1807. From the end of the 1400s the game took the form of a mock battle fought upon Pisa's central bridge (Ponte di Mezzo). The participants wore quilted armor and the only offensive weapon allowed was the targone, a shield-shaped, stout board with precisely specified dimensions. Hitting below the belt was not allowed. Two opposing teams started at opposite ends of the bridge. The object of the two opposing teams was to penetrate, drive back, and disperse the opponents' ranks and to thereby drive them backwards off the bridge. The struggle was limited to forty-five minutes. Victory or defeat was immensely important to the team players and their partisans, but sometimes the game was fought to a draw and both sides celebrated.

 

In 1677 the battle was witnessed by Dutch travelling artist Cornelis de Bruijn. He wrote:

 

"While I stayed in Livorno, I went to Pisa to witness the bridge fight there. The fighters arrived fully armored, wearing helmets, each carrying their banner, which was planted at both ends of the bridge, which is quite wide and long. The battle is fought with certain wooden implements made for this purpose, which they wear over their arms and are attached to them, with which they pummel each other so intensely that I saw several of them carried away with bloody and crushed heads. Victory consists of capturing the bridge, in the same way as the fistfights in Venice between the it:Castellani and the Nicolotti."

 

In 1927 the tradition was revived by college students as an elaborate costume parade. In 1935 Vittorio Emanuele III with the royal family witnessed the first revival of a modern version of the game, which has been pursued in the 20th and 21st centuries with some interruptions and varying degrees of enthusiasm by Pisans and their civic institutions.

 

Festivals and cultural events

Capodanno pisano (folklore, March 25)

Gioco del Ponte (folklore)

Luminara di San Ranieri (folklore, June 16)

Maritime republics regata (folklore)

Premio Nazionale Letterario Pisa

Pisa Book Festival

Metarock (rock music festival)

Internet Festival San Ranieri regata (folklore)

Turn Off Festival (house music festival)

Nessiáh (Jewish cultural Festival, November)

Main sights

 

The Leaning Tower of Pisa.

While the bell tower of the cathedral, known as "the leaning Tower of Pisa", is the most famous image of the city, it is one of many works of art and architecture in the city's Piazza del Duomo, also known, since the 20th century, as Piazza dei Miracoli (Square of Miracles), to the north of the old town center. The Piazza del Duomo also houses the Duomo (the Cathedral), the Baptistry and the Campo Santo (the monumental cemetery). The medieval complex includes the above-mentioned four sacred buildings, the hospital and few palaces. All the complex is kept by the Opera (fabrica ecclesiae) della Primaziale Pisana, an old non profit foundation that has operated since the building of the Cathedral in 1063 to maintain the sacred buildings. The area is framed by medieval walls kept by the municipal administration.

 

Other sights include:

Santo Stefano dei Cavalieri, church sited on Piazza dei Cavalieri, and also designed by Vasari. It had originally a single nave; two more were added in the 17th century. It houses a bust by Donatello, and paintings by Vasari, Jacopo Ligozzi, Alessandro Fei, and Pontormo. It also contains spoils from the many naval battles between the Cavalieri (Knights of St. Stephan) and the Turks between the 16th and 18th centuries, including the Turkish battle pennant hoisted from Ali Pacha's flagship at the 1571 Battle of Lepanto.

St. Sixtus. This small church, consecrated in 1133, is also close to the Piazza dei Cavalieri. It was used as a seat of the most important notarial deeds of the town, also hosting the Council of Elders. It is today one of the best preserved early Romanesque buildings in town.

St. Francis. The church of San Francesco may have been designed by Giovanni di Simone, built after 1276. In 1343 new chapels were added and the church was elevated. It has a single nave and a notable belfry, as well as a 15th-century cloister. It houses works by Jacopo da Empoli, Taddeo Gaddi and Santi di Tito. In the Gherardesca Chapel are buried Ugolino della Gherardesca and his sons.

San Frediano. This church, built by 1061, has a basilica interior with three aisles, with a crucifix from the 12th century. Paintings from the 16th century were added during a restoration, including works by Ventura Salimbeni, Domenico Passignano, Aurelio Lomi, and Rutilio Manetti.

San Nicola. This medieval church built by 1097, was enlarged between 1297 and 1313 by the Augustinians, perhaps by the design of Giovanni Pisano. The octagonal belfry is from the second half of the 13th century. The paintings include the Madonna with Child by Francesco Traini (14th century) and St. Nicholas Saving Pisa from the Plague (15th century). Noteworthy are also the wood sculptures by Giovanni and Nino Pisano, and the Annunciation by Francesco di Valdambrino.

Santa Maria della Spina. A small white marble church alongside the Arno, is attributed to Lupo di Francesco (1230), is another excellent Gothic building.

San Paolo a Ripa d'Arno. The church was founded around 952 and enlarged in the mid-12th century along lines similar to those of the cathedral. It is annexed to the Romanesque Chapel of St. Agatha, with an unusual pyramidal cusp or peak.

San Pietro in Vinculis. Known as San Pierino, it is an 11th-century church with a crypt and a cosmatesque mosaic on the floor of the main nave.

 

Borgo Stretto. This medieval borgo or neighborhood contains strolling arcades and the Lungarno, the avenues along the river Arno. It includes the Gothic-Romanesque church of San Michele in Borgo (990). There are at least two other leaning towers in the city, one at the southern end of central Via Santa Maria, the other halfway through the Piagge riverside promenade.

Medici Palace. The palace was once a possession of the Appiano family, who ruled Pisa in 1392–1398. In 1400 the Medici acquired it, and Lorenzo de' Medici sojourned here.

Orto botanico di Pisa. The botanical garden of the University of Pisa is Europe's oldest university botanical garden.

Palazzo Reale. The ("Royal Palace"), once belonged to the Caetani patrician family. Here Galileo Galilei showed to Grand Duke of Tuscany the planets he had discovered with his telescope. The edifice was erected in 1559 by Baccio Bandinelli for Cosimo I de Medici, and was later enlarged including other palaces. The palace is now a museum.

Palazzo Gambacorti. This palace is a 14th-century Gothic building, and now houses the offices of the municipality. The interior shows frescoes boasting Pisa's sea victories.

Palazzo Agostini. The palace is a Gothic building also known as Palazzo dell'Ussero, with its 15th-century façade and remains of the ancient city walls dating back to before 1155. The name of the building comes from the coffee rooms of Caffè dell'Ussero, historic meeting place founded on September 1, 1775.

Mural Tuttomondo. A modern mural, the last public work by Keith Haring, on the rear wall of the convent of the Church of Sant'Antonio, painted in June 1989.

Museums

Museo dell'Opera del Duomo: exhibiting among others the original sculptures of Nicola Pisano and Giovanni Pisano, the Islamic Pisa Griffin, and the treasures of the cathedral.

Museo delle Sinopie: showing the sinopias from the camposanto, the monumental cemetery. These are red ocher underdrawings for frescoes, made with reddish, greenish or brownish earth colour with water.

Museo Nazionale di San Matteo: exhibiting sculptures and paintings from the 12th to 15th centuries, among them the masterworks of Giovanni and Andrea Pisano, the Master of San Martino, Simone Martini, Nino Pisano and Masaccio.

Museo Nazionale di Palazzo Reale: exhibiting the belongings of the families that lived in the palace: paintings, statues, armors, etc.

Museo Nazionale degli Strumenti per il Calcolo: exhibiting a collection of instruments used in science, between a pneumatic machine of Van Musschenbroek and a compass which probably belonged to Galileo Galilei.

Museo di storia naturale dell'Università di Pisa (Natural History Museum of the University of Pisa), located in the Certosa di Calci, outside the city. It houses one of the largest cetacean skeletons collection in Europe.

Palazzo Blu: temporary exhibitions and cultural activities center, located in the Lungarno, in the heart of the old town, the palace is easy recognizable because it is the only blue building.

Cantiere delle Navi di Pisa - The Pisa's Ancient Ships Archaeological Area: A museum of 10,650 square meters – 3,500 archaeological excavation, 1,700 laboratories and one restoration center – that visitors can visit with a guided tour.[19] The Museum opened in June 2019 and has been located inside to the 16th-century Medicean Arsenals in Lungarno Ranieri Simonelli, restored under the supervision of the Tuscany Soprintendenza. It hosts a remarkable collection of ceramics and amphoras dated back from the 8th century BCE to the 2nd century BC, and also 32 ships dated back from the second century BCE and the seventh century BC. Four of them are integrally preserved and the best one is the so-called Barca C, also named Alkedo (written in the ancient Greek characters). The first boat was accidentally discovered in 1998 near the Pisa San Rossore railway station and the archeological excavations were completed 20 years later.

 

Churches

St. Francis' Church

San Francesco

San Frediano

San Giorgio ai Tedeschi

San Michele in Borgo

San Nicola

San Paolo a Ripa d'Arno

San Paolo all'Orto

San Piero a Grado

San Pietro in Vinculis

San Sisto

San Tommaso delle Convertite

San Zeno

Santa Caterina

Santa Cristina

Santa Maria della Spina

Santo Sepolcro

 

Palaces, towers and villas

Palazzo della Carovana or dei Cavalieri.

Pisa by Oldypak lp photo

Pisa

Palazzo del Collegio Puteano

Palazzo della Carovana

Palazzo delle Vedove

Torre dei Gualandi

Villa di Corliano

Leaning Tower of Pisa

 

Sports

Football is the main sport in Pisa; the local team, A.C. Pisa, currently plays in the Serie B (the second highest football division in Italy), and has had a top flight history throughout the 1980s and the 1990s, featuring several world-class players such as Diego Simeone, Christian Vieri and Dunga during this time. The club play at the Arena Garibaldi – Stadio Romeo Anconetani, opened in 1919 and with a capacity of 25,000.

 

Notable people

For people born in Pisa, see People from the Province of Pisa; among notable non-natives long resident in the city:

 

Giuliano Amato (born 1938), politician, former Premier and Minister of Interior Affairs

Alessandro d'Ancona (1835–1914), critic and writer.

Silvano Arieti (1914–1981), psychiatrist

Gaetano Bardini (1926–2017), tenor

Andrea Bocelli (born 1958), tenor and multi-instrumentalist.

Giosuè Carducci (1835–1907), poet and 1906 Nobel Prize in Literature winner.

Massimo Carmassi (born 1943), architect

Carlo Azeglio Ciampi (1920–2016), politician, former President of the Republic of Italy

Maria Luisa Cicci (1760–1794), poet

Giovanni Carlo Maria Clari (1677–1754), a musical composer and maestro di cappella at Pistoia.

Alessio Corti (born 1965), mathematician

Rustichello da Pisa (born 13th century), writer

Giovanni Battista Donati (1826–1873), an Italian astronomer.

Leonardo Fibonacci (1170–1250), mathematician.

Galileo Galilei (1564–1642), physicist.

Giovanni Gentile (1875–1944), philosopher and politician

Orazio Gentileschi (1563–1639), painter.

Count Ugolino della Gherardesca (1214–1289), noble (see also Dante Alighieri).

Giovanni Gronchi (1887–1978), politician, former President of the Republic of Italy

Giacomo Leopardi [1798–1837), poet and philosopher.

Enrico Letta (born 1966), politician, former Prime Minister of Italy

Marco Malvaldi (born 1974), mystery novelist

Leonardo Ortolani (born 1967), comic writer

Antonio Pacinotti (1841–1912), physicist, inventor of the dynamo

Andrea Pisano (1290–1348), a sculptor and architect.

Afro Poli (1902–1988), an operatic baritone

Bruno Pontecorvo (1913–1993), nuclear physicist

Gillo Pontecorvo (1919–2006), filmmaker

Ippolito Rosellini (1800–1843), an Egyptologist.

Paolo Savi (1798–1871), geologist and ornithologist.

Antonio Tabucchi (1943–2012), writer and academic

Sport

Jason Acuña (born 1973), Stunt performer

Sergio Bertoni (1915–1995), footballer

Giorgio Chiellini (born 1984), footballer

Camila Giorgi (born 1991), tennis player

A Day Out with 60103/2999 on the ELR . 2999 departing Summerseat with a little difficulty

Barb Wright as Liberace

 

This painting gave me difficulties....part and parcel of the woes as well as pleasures of digital painting. I began by loading the full cover from Confidential magazine (a sensational gossip rag from the 1950's onward) into ArtRage. Then I began painting the portrait on top of it. I was pleased with how it was coming along with the juxtaposition of painted portrait slapped against the magazine photo background. Then the difficulties began. First, part of the underlying red text area below became submerged under the painted image. As ArtRage does not have layers capability, I needed to hand paint the missing words in the "Mad About the Boy" area. In so doing, I zoomed in to work on the details of the lettering and moved the painting to one side of my computer screen to accomplish this easier. That was a fatal mistake. When I was finished with the letters, I then moved the picture back into place. All of a sudden, the entire right half of the picture was cut off and gone for good. I was faced with either abandoning the picture at this point or going on with it to hand paint the missing right half of the portrait as well as the missing photographic areas at the right of the picture. This explains the hand painted right section of the magazine. Actually, as it turned out, I now rather like the shift from left to right on the background section. In the "Frigid Wives" section, the move toward a bright green color was purely a color consideration called up by the bright yellow adjacent.... and the cool tone suggesting "frigid" in my painter's eye.

 

Toward completion, I thought perhaps to cut off the entire "Frigid Wives" section when I realized the "painted word" can load a painting with unavoidable narrative associations not attached to the image. However, the words tickled me as being so related to notions of American sexism of the '50's. So I let them stand as they were tied into the entire picture process from the beginning.

 

The portrait has been carried out with benign intent. I hope all viewers....and especial Barb Wright....can appreciate my image on its own process-involved terms.

 

Link to Photo Sources: www.flickr.com/photos/54791441@N03/7488795090/

www.google.com/imgres?imgurl=http://www.annehelenpetersen...

 

Link to Barb Wright's Flickr Photostream: www.flickr.com/photos/54791441@N03/

"Use the difficulty! For example there's an earth quake; when else will you be able to take photos of people running for their lives? Or you can create your own difficulty!"

 

-Leo Castillo

 

*Painting this styrofoam green; as a background for portraits. :)

*Not intended to be artistic. Just sharing. :)

We had a bit of a calamity with our "entertainment system" on Friday evening, and ended up having to spend a good part of our Saturday getting things back on track. Here, Daisy is working to hook up our new TV and sound system. Yes, we pretty much had to replace the whole shebang. Sigh....nothing is ever simple, is it? Or cheap! 😩

Anyway, everything is back in working order now, and Daisy has today off for the MLK holiday. And with a little luck, maybe we can have a little peace and quiet for the remainder of the long weekend. Better wish us luck, just in case! 😉

More shortly! ❤

Looks at Links there more inside.

 

pharmacycode.com/msds/Thalidomide

 

History

Thalidomide was created by Grünenthal in 1953 and was used in the late 1950s and early 1960s as a "wonder drug" to treat morning sickness, headaches, coughs, insomnia and colds. Thalidomide was marketed in the UK under the name Distaval in 1958, and advertisements emphasized the drug's complete safety, using phrases such as “non-toxic” and “no known toxicity”.

However, in 1961 an Australian doctor, William McBride, wrote to the Lancet after noticing an increase in deformed babies being born at his hospital – all to mothers who had taken Thalidomide.

Between 1958 and 1962 tens of thousands of women throughout Europe found that the baby they were carrying unaccountably miscarried, or, worse, after they gave birth were told it was stillborn. Thousands more discovered that their babies had severe birth defects, missing arms, legs, or with severe reductions to these limbs, or even worse, damage to their internal organs, brain, heart, kidneys, intestines, genitals, etc. During 1962 record keepers began to count all of the children living who were born damaged by the drug. The only complete records are of those who survived long enough to participate in the national compensation schemes, which were established in Germany, Britain, Japan, Sweden and Australia in the 1970s. The difficulty in uncovering the full toll of the disaster begins with the unknown numbers of miscarriages and stillbirths (possibly up to ten times the number of live births), and the widespread practice of infanticide.

The Thalidomide injuries did not stop once the babies were born. At the age of fifty, the Thalidomide Trust’s records show that around half of all survivors are coping with chronic pain – mainly from muscles and joints (musculo-skeletal pain), largely as a result of the challenges of living with missing or damaged limbs. For many, their bodies are deteriorating far faster than able-bodied people. Several have been told words to the effect “your body is getting the problems of someone in their seventies”, which at forty to fifty years of age is not good news. At least a quarter are coping with developing neurological problems, tingling, numbness, and pain in their affected limbs. This means that a person may be holding a cup, for instance, and the next thing they know is it has fallen to the floor and broken, because of the numbness in their hand. For these survivors, the disaster is still slowly unfolding in their day-to-day lives.

Grünenthal scientists were not only negligent in failing to withdraw the drug when reports of problems came in, or for failing to test it according to the standards of the time, but more than most companies they were very well placed to anticipate the possibility that Thalidomide would cause birth defects.

Grünenthal initially denied claims that the drug hadn’t been extensively tested according to the standards of the time, but once the scandal became undeniable, they sought to deflect blame and limit damage.

In 1961 Thalidomide was eventually withdrawn after being found to be a teratogan - a cause of birth defects. 12 years later, the UK company Distillers Biochemicals Limited (now Diageo) – which was responsible for distributing the drug in the UK – reached a compensation settlement following a legal battle by the families of those affected.

Based on incomplete medical evidence and unrealistic expectations of Thalidomide survivors future needs this settlement has turned out to be at an inadequate level. With all Thalidomide survivors in the UK now over the age of 50, it is no longer sufficient to deal with their rising cost of living, and the dramatic deterioration of their health.

To this day, Grünenthal have never accepted responsibility for the suffering caused by Thalidomide. On September 1st 2012, The Grünenthal Group released a statement containing an apology, stating that it "regrets" the consequences of the drug, which led to babies being born without limbs during the 1950s and 1960s. Although the statement was welcomed by some Thalidomide survivors, it is still not an acceptance of responsibility. They just want to live a comfortable life, and that means Grünenthal should be held accountable and pay for their mistake financially.

 

Spanish

Historia

La talidomida fue creado por Grünenthal en 1953 y fue utilizado a finales de 1950 y principios de 1960 como una "droga milagrosa" para el tratamiento de las náuseas, dolores de cabeza, tos, insomnio y resfriados. La talidomida fue comercializada en el Reino Unido bajo el nombre Distaval en 1958, y destacó los anuncios de seguridad completa del medicamento, utilizando frases como "no tóxico" y "no hay toxicidad conocida".

Sin embargo, en 1961 un médico australiano, William McBride, escribió a la revista The Lancet después de notar un aumento en los bebés que nacen deformes en su hospital - todo a las madres que habían tomado Talidomida.

Entre 1958 y 1962, decenas de miles de mujeres de toda Europa descubrieron que el bebé que llevaban inexplicablemente abortado, o, peor aún, después de dar a luz se les dijo que estaba muerto. Miles de personas descubrieron que sus bebés nacieron con defectos congénitos graves, los brazos, las piernas, que faltan o con reducciones severas a estos miembros, o peor aún, el daño a sus órganos internos, cerebro, corazón, riñones, intestinos, genitales, etc Durante 1962 guardianes de los registros empezó a contar toda la vida los niños que nacieron dañado por la droga. Los únicos registros completos son de los que sobrevivieron lo suficiente como para participar en los sistemas nacionales de indemnización, que se establecieron en Alemania, Gran Bretaña, Japón, Suecia y Australia en la década de 1970. La dificultad para descubrir el número de víctimas del desastre comienza con los números desconocidos de abortos involuntarios y mortinatos (posiblemente hasta diez veces el número de nacidos vivos), y la práctica generalizada del infanticidio.

Las lesiones de la talidomida no se detuvo una vez que los bebés nacieron. A la edad de cincuenta años, los registros de la confianza talidomida muestran que cerca de la mitad de todos los sobrevivientes están lidiando con el dolor crónico - principalmente de músculos y articulaciones (dolor musculoesquelético), en gran parte como resultado de los desafíos de vivir con la falta o ramas dañadas. Para muchos, sus cuerpos se deterioran mucho más rápido que las personas sanas. Algunos han dicho palabras en el sentido de "su cuerpo está recibiendo los problemas de alguien en los setenta", que a los cuarenta o cincuenta años de edad no es una buena noticia. Al menos una cuarta están lidiando con el desarrollo de problemas neurológicos, hormigueo, entumecimiento y dolor en las extremidades afectadas. Esto significa que una persona puede ser la celebración de una taza, por ejemplo, y lo siguiente que sé es que ha caído al suelo y se rompe, debido a la sensación de adormecimiento en la mano. Para estos sobrevivientes, el desastre está siendo poco a poco se desarrolla en su día a día.

Grünenthal científicos no sólo fueron negligentes al no haber retirado la droga cuando los informes de problemas de vino, o por no probarlo de acuerdo a los estándares de la época, pero más que la mayoría de las empresas que estaban muy bien situados para prever la posibilidad de que la talidomida haría causar defectos de nacimiento.

Grünenthal inicialmente negó las acusaciones de que el medicamento no ha sido ampliamente probado de acuerdo con los estándares de la época, pero una vez que el escándalo se hizo innegable, trataron de desviar la culpa y limitar el daño.

En 1961, la talidomida fue finalmente retirada después de haber sido encontrado para ser un teratogan - una de las causas de los defectos congénitos. 12 años después, el Reino Unido, Distillers Company Limited (ahora Bioquímicos Diageo) - encargada de la distribución de la droga en el Reino Unido - llegó a un acuerdo de compensación después de una batalla legal por las familias de los afectados.

Sobre la base de evidencia incompleta médica y expectativas poco realistas de la talidomida futuro sobrevivientes necesita esta solución ha resultado ser en un nivel adecuado. Con todos los sobrevivientes de la talidomida en el Reino Unido ahora más de 50 años de edad, ya no es suficiente para hacer frente a su creciente costo de vida, y el dramático deterioro de su salud.

A día de hoy, Grünenthal nunca ha aceptado la responsabilidad por el sufrimiento causado por la talidomida. El 1 de septiembre de 2012, el Grupo Grünenthal emitió una declaración que contenga una disculpa, diciendo que "lamenta" las consecuencias de la droga, lo que llevó a los bebés que nacen sin extremidades durante los años 1950 y 1960. Aunque la declaración fue bien recibida por algunos sobrevivientes de la talidomida, no es todavía una aceptación de responsabilidad. Ellos sólo quieren vivir una vida cómoda, y eso quiere decir Grünenthal deben rendir cuentas y pagar por su error financieramente.

 

Italian

 

Storia

La talidomide è stato creato da Grünenthal nel 1953 ed è stato utilizzato alla fine del 1950 e 1960 come un "farmaco miracoloso" per curare la malattia di mattina, mal di testa, tosse, insonnia e raffreddori. La talidomide è stato commercializzato nel Regno Unito con il nome di Distaval nel 1958, e la pubblicità ha sottolineato sicurezza del farmaco, con frasi come "non tossico" e "nessuna tossicità conosciuto".

Tuttavia, nel 1961 un medico australiano, William McBride, ha scritto al Lancet dopo aver notato un aumento delle nascite di bimbi malformati essendo nati a suo ospedale - tutti da madri che avevano assunto talidomide.

Tra il 1958 e il 1962 decine di migliaia di donne in tutta Europa ha scoperto che il bambino che portavano inspiegabilmente abortito, o, peggio, dopo che ha dato alla luce hanno detto che era morto. Altre migliaia hanno scoperto che i loro bambini hanno gravi difetti di nascita, braccia, gambe, mancanti o con gravi riduzioni a queste arti, o peggio ancora, danni ai loro organi interni, cervello, cuore, reni, intestino, genitali, ecc Nel 1962 custodi record cominciò a contare tutta la vita i bambini che sono nati danneggiati dal farmaco. Le uniche registrazioni complete sono di coloro che sono sopravvissuti abbastanza a lungo per partecipare ai sistemi di indennizzo nazionali, che sono stati stabiliti in Germania, Gran Bretagna, Giappone, Svezia e Australia nel 1970. La difficoltà nello scoprire il bilancio del disastro inizia con i numeri sconosciuti di aborti spontanei e nati morti (forse fino a dieci volte il numero di nati vivi), e la pratica diffusa di infanticidio.

Le lesioni Talidomide non si è fermata una volta che i bambini sono nati. All'età di 50, del Trust talidomide i tabulati mostrano che circa la metà di tutti i sopravvissuti stanno affrontando con dolore cronico - principalmente da muscoli e le articolazioni (il dolore muscoloscheletrico), soprattutto a causa delle sfide della vita con mancanti o arti danneggiati. Per molti, i loro corpi si stanno deteriorando molto più veloce di persone abili. Molti hanno detto parole per l'effetto "il tuo corpo è sempre il problema di qualcuno nei loro anni settanta", che a 40-50 anni di età non è una buona notizia. Almeno un quarto stanno affrontando con lo sviluppo di problemi neurologici, formicolio, intorpidimento e dolore a carico degli arti colpiti. Ciò significa che una persona può essere in possesso di un tazza, per esempio, e la prossima cosa che so è che è caduto a terra e rotto, a causa del torpore in mano. Per questi sopravvissuti, il disastro è ancora lentamente svolgendo nel loro giorno per giorno la vita.

Grünenthal scienziati non erano solo negligenza nel non ritirare il farmaco quando i report di problemi è venuto in, o per non aver testarlo secondo gli standard del tempo, ma più che la maggior parte delle aziende erano molto ben disposti ad anticipare la possibilità che Thalidomide avrebbe causare difetti di nascita.

Grünenthal inizialmente smentito che il farmaco non era stato ampiamente testati secondo gli standard del tempo, ma una volta che lo scandalo è diventata innegabile, hanno cercato di deviare la colpa e di limitare i danni.

Nel 1961 talidomide è stata infine ritirata dopo essere stato trovato per essere un teratogan - una causa di difetti di nascita. 12 anni dopo, i Distillers Company Limited, Regno Unito Biochemicals (ora Diageo) - incaricata di distribuire il farmaco nel Regno Unito - ha raggiunto un accordo di compensazione a seguito di una battaglia legale da parte delle famiglie delle persone colpite.

Sulla base di prove mediche incomplete e le aspettative non realistiche del futuro Thalidomide sopravvissuti ha bisogno di questa soluzione si è rivelata essere ad un livello insufficiente. Con tutti i sopravvissuti Talidomide nel Regno Unito ora di età superiore ai 50 anni, non è più sufficiente per affrontare la loro crescente costo della vita, e il drammatico deterioramento della loro salute.

Fino ad oggi, la Grünenthal non hanno mai accettato la responsabilità per la sofferenza causata dal talidomide. Il 1 ° settembre 2012, il Gruppo Grünenthal ha rilasciato una dichiarazione che contiene delle scuse, affermando che esso "deplora" le conseguenze della droga, che ha portato a bambini nati senza arti nel corso del 1950 e 1960. Anche se la dichiarazione è stata accolta da alcuni sopravvissuti talidomide, non è ancora una assunzione di responsabilità. Vogliono solo vivere una vita comoda, e questo significa che Grünenthal dovrebbero essere ritenuti responsabili e pagare per il loro errore finanziario.

 

History

Thalidomide was created by Grünenthal in 1953 and was used in the late 1950s and early 1960s as a "wonder drug" to treat morning sickness, headaches, coughs, insomnia and colds. Thalidomide was marketed in the UK under the name Distaval in 1958, and advertisements emphasized the drug's complete safety, using phrases such as “non-toxic” and “no known toxicity”.

However, in 1961 an Australian doctor, William McBride, wrote to the Lancet after noticing an increase in deformed babies being born at his hospital – all to mothers who had taken Thalidomide.

Between 1958 and 1962 tens of thousands of women throughout Europe found that the baby they were carrying unaccountably miscarried, or, worse, after they gave birth were told it was stillborn. Thousands more discovered that their babies had severe birth defects, missing arms, legs, or with severe reductions to these limbs, or even worse, damage to their internal organs, brain, heart, kidneys, intestines, genitals, etc. During 1962 record keepers began to count all of the children living who were born damaged by the drug. The only complete records are of those who survived long enough to participate in the national compensation schemes, which were established in Germany, Britain, Japan, Sweden and Australia in the 1970s. The difficulty in uncovering the full toll of the disaster begins with the unknown numbers of miscarriages and stillbirths (possibly up to ten times the number of live births), and the widespread practice of infanticide.

The Thalidomide injuries did not stop once the babies were born. At the age of fifty, the Thalidomide Trust’s records show that around half of all survivors are coping with chronic pain – mainly from muscles and joints (musculo-skeletal pain), largely as a result of the challenges of living with missing or damaged limbs. For many, their bodies are deteriorating far faster than able-bodied people. Several have been told words to the effect “your body is getting the problems of someone in their seventies”, which at forty to fifty years of age is not good news. At least a quarter are coping with developing neurological problems, tingling, numbness, and pain in their affected limbs. This means that a person may be holding a cup, for instance, and the next thing they know is it has fallen to the floor and broken, because of the numbness in their hand. For these survivors, the disaster is still slowly unfolding in their day-to-day lives.

Grünenthal scientists were not only negligent in failing to withdraw the drug when reports of problems came in, or for failing to test it according to the standards of the time, but more than most companies they were very well placed to anticipate the possibility that Thalidomide would cause birth defects.

Grünenthal initially denied claims that the drug hadn’t been extensively tested according to the standards of the time, but once the scandal became undeniable, they sought to deflect blame and limit damage.

In 1961 Thalidomide was eventually withdrawn after being found to be a teratogan - a cause of birth defects. 12 years later, the UK company Distillers Biochemicals Limited (now Diageo) – which was responsible for distributing the drug in the UK – reached a compensation settlement following a legal battle by the families of those affected.

Based on incomplete medical evidence and unrealistic expectations of Thalidomide survivors future needs this settlement has turned out to be at an inadequate level. With all Thalidomide survivors in the UK now over the age of 50, it is no longer sufficient to deal with their rising cost of living, and the dramatic deterioration of their health.

To this day, Grünenthal have never accepted responsibility for the suffering caused by Thalidomide. On September 1st 2012, The Grünenthal Group released a statement containing an apology, stating that it "regrets" the consequences of the drug, which led to babies being born without limbs during the 1950s and 1960s. Although the statement was welcomed by some Thalidomide survivors, it is still not an acceptance of responsibility. They just want to live a comfortable life, and that means Grünenthal should be held accountable and pay for their mistake financially.

 

Spanish

Historia

La talidomida fue creado por Grünenthal en 1953 y fue utilizado a finales de 1950 y principios de 1960 como una "droga milagrosa" para el tratamiento de las náuseas, dolores de cabeza, tos, insomnio y resfriados. La talidomida fue comercializada en el Reino Unido bajo el nombre Distaval en 1958, y destacó los anuncios de seguridad completa del medicamento, utilizando frases como "no tóxico" y "no hay toxicidad conocida".

Sin embargo, en 1961 un médico australiano, William McBride, escribió a la revista The Lancet después de notar un aumento en los bebés que nacen deformes en su hospital - todo a las madres que habían tomado Talidomida.

Entre 1958 y 1962, decenas de miles de mujeres de toda Europa descubrieron que el bebé que llevaban inexplicablemente abortado, o, peor aún, después de dar a luz se les dijo que estaba muerto. Miles de personas descubrieron que sus bebés nacieron con defectos congénitos graves, los brazos, las piernas, que faltan o con reducciones severas a estos miembros, o peor aún, el daño a sus órganos internos, cerebro, corazón, riñones, intestinos, genitales, etc Durante 1962 guardianes de los registros empezó a contar toda la vida los niños que nacieron dañado por la droga. Los únicos registros completos son de los que sobrevivieron lo suficiente como para participar en los sistemas nacionales de indemnización, que se establecieron en Alemania, Gran Bretaña, Japón, Suecia y Australia en la década de 1970. La dificultad para descubrir el número de víctimas del desastre comienza con los números desconocidos de abortos involuntarios y mortinatos (posiblemente hasta diez veces el número de nacidos vivos), y la práctica generalizada del infanticidio.

Las lesiones de la talidomida no se detuvo una vez que los bebés nacieron. A la edad de cincuenta años, los registros de la confianza talidomida muestran que cerca de la mitad de todos los sobrevivientes están lidiando con el dolor crónico - principalmente de músculos y articulaciones (dolor musculoesquelético), en gran parte como resultado de los desafíos de vivir con la falta o ramas dañadas. Para muchos, sus cuerpos se deterioran mucho más rápido que las personas sanas. Algunos han dicho palabras en el sentido de "su cuerpo está recibiendo los problemas de alguien en los setenta", que a los cuarenta o cincuenta años de edad no es una buena noticia. Al menos una cuarta están lidiando con el desarrollo de problemas neurológicos, hormigueo, entumecimiento y dolor en las extremidades afectadas. Esto significa que una persona puede ser la celebración de una taza, por ejemplo, y lo siguiente que sé es que ha caído al suelo y se rompe, debido a la sensación de adormecimiento en la mano. Para estos sobrevivientes, el desastre está siendo poco a poco se desarrolla en su día a día.

Grünenthal científicos no sólo fueron negligentes al no haber retirado la droga cuando los informes de problemas de vino, o por no probarlo de acuerdo a los estándares de la época, pero más que la mayoría de las empresas que estaban muy bien situados para prever la posibilidad de que la talidomida haría causar defectos de nacimiento.

Grünenthal inicialmente negó las acusaciones de que el medicamento no ha sido ampliamente probado de acuerdo con los estándares de la época, pero una vez que el escándalo se hizo innegable, trataron de desviar la culpa y limitar el daño.

En 1961, la talidomida fue finalmente retirada después de haber sido encontrado para ser un teratogan - una de las causas de los defectos congénitos. 12 años después, el Reino Unido, Distillers Company Limited (ahora Bioquímicos Diageo) - encargada de la distribución de la droga en el Reino Unido - llegó a un acuerdo de compensación después de una batalla legal por las familias de los afectados.

Sobre la base de evidencia incompleta médica y expectativas poco realistas de la talidomida futuro sobrevivientes necesita esta solución ha resultado ser en un nivel adecuado. Con todos los sobrevivientes de la talidomida en el Reino Unido ahora más de 50 años de edad, ya no es suficiente para hacer frente a su creciente costo de vida, y el dramático deterioro de su salud.

A día de hoy, Grünenthal nunca ha aceptado la responsabilidad por el sufrimiento causado por la talidomida. El 1 de septiembre de 2012, el Grupo Grünenthal emitió una declaración que contenga una disculpa, diciendo que "lamenta" las consecuencias de la droga, lo que llevó a los bebés que nacen sin extremidades durante los años 1950 y 1960. Aunque la declaración fue bien recibida por algunos sobrevivientes de la talidomida, no es todavía una aceptación de responsabilidad. Ellos sólo quieren vivir una vida cómoda, y eso quiere decir Grünenthal deben rendir cuentas y pagar por su error financieramente.

 

Italian

 

Storia

La talidomide è stato creato da Grünenthal nel 1953 ed è stato utilizzato alla fine del 1950 e 1960 come un "farmaco miracoloso" per curare la malattia di mattina, mal di testa, tosse, insonnia e raffreddori. La talidomide è stato commercializzato nel Regno Unito con il nome di Distaval nel 1958, e la pubblicità ha sottolineato sicurezza del farmaco, con frasi come "non tossico" e "nessuna tossicità conosciuto".

Tuttavia, nel 1961 un medico australiano, William McBride, ha scritto al Lancet dopo aver notato un aumento delle nascite di bimbi malformati essendo nati a suo ospedale - tutti da madri che avevano assunto talidomide.

Tra il 1958 e il 1962 decine di migliaia di donne in tutta Europa ha scoperto che il bambino che portavano inspiegabilmente abortito, o, peggio, dopo che ha dato alla luce hanno detto che era morto. Altre migliaia hanno scoperto che i loro bambini hanno gravi difetti di nascita, braccia, gambe, mancanti o con gravi riduzioni a queste arti, o peggio ancora, danni ai loro organi interni, cervello, cuore, reni, intestino, genitali, ecc Nel 1962 custodi record cominciò a contare tutta la vita i bambini che sono nati danneggiati dal farmaco. Le uniche registrazioni complete sono di coloro che sono sopravvissuti abbastanza a lungo per partecipare ai sistemi di indennizzo nazionali, che sono stati stabiliti in Germania, Gran Bretagna, Giappone, Svezia e Australia nel 1970. La difficoltà nello scoprire il bilancio del disastro inizia con i numeri sconosciuti di aborti spontanei e nati morti (forse fino a dieci volte il numero di nati vivi), e la pratica diffusa di infanticidio.

Le lesioni Talidomide non si è fermata una volta che i bambini sono nati. All'età di 50, del Trust talidomide i tabulati mostrano che circa la metà di tutti i sopravvissuti stanno affrontando con dolore cronico - principalmente da muscoli e le articolazioni (il dolore muscoloscheletrico), soprattutto a causa delle sfide della vita con mancanti o arti danneggiati. Per molti, i loro corpi si stanno deteriorando molto più veloce di persone abili. Molti hanno detto parole per l'effetto "il tuo corpo è sempre il problema di qualcuno nei loro anni settanta", che a 40-50 anni di età non è una buona notizia. Almeno un quarto stanno affrontando con lo sviluppo di problemi neurologici, formicolio, intorpidimento e dolore a carico degli arti colpiti. Ciò significa che una persona può essere in possesso di un tazza, per esempio, e la prossima cosa che so è che è caduto a terra e rotto, a causa del torpore in mano. Per questi sopravvissuti, il disastro è ancora lentamente svolgendo nel loro giorno per giorno la vita.

Grünenthal scienziati non erano solo negligenza nel non ritirare il farmaco quando i report di problemi è venuto in, o per non aver testarlo secondo gli standard del tempo, ma più che la maggior parte delle aziende erano molto ben disposti ad anticipare la possibilità che Thalidomide avrebbe causare difetti di nascita.

Grünenthal inizialmente smentito che il farmaco non era stato ampiamente testati secondo gli standard del tempo, ma una volta che lo scandalo è diventata innegabile, hanno cercato di deviare la colpa e di limitare i danni.

Nel 1961 talidomide è stata infine ritirata dopo essere stato trovato per essere un teratogan - una causa di difetti di nascita. 12 anni dopo, i Distillers Company Limited, Regno Unito Biochemicals (ora Diageo) - incaricata di distribuire il farmaco nel Regno Unito - ha raggiunto un accordo di compensazione a seguito di una battaglia legale da parte delle famiglie delle persone colpite.

Sulla base di prove mediche incomplete e le aspettative non realistiche del futuro Thalidomide sopravvissuti ha bisogno di questa soluzione si è rivelata essere ad un livello insufficiente. Con tutti i sopravvissuti Talidomide nel Regno Unito ora di età superiore ai 50 anni, non è più sufficiente per affrontare la loro crescente costo della vita, e il drammatico deterioramento della loro salute.

Fino ad oggi, la Grünenthal non hanno mai accettato la responsabilità per la sofferenza causata dal talidomide. Il 1 ° settembre 2012, il Gruppo Grünenthal ha rilasciato una dichiarazione che contiene delle scuse, affermando che esso "deplora" le conseguenze della droga, che ha portato a bambini nati senza arti nel corso del 1950 e 1960. Anche se la dichiarazione è stata accolta da alcuni sopravvissuti talidomide, non è ancora una assunzione di responsabilità. Vogliono solo vivere una vita comoda, e questo significa che Grünenthal dovrebbero essere ritenuti responsabili e pagare per il loro errore finanziario.

 

Yesterday, the state park was closed as police conducted a search for a twenty-one-year-old woman. Her car was found at the park, but the family says she never returned home. They've published a photo of her sitting on the bridge that spans the creek in one of the nature trails. The one I call "Doodle Bridge."

 

Prayers for Lindsey's safe return.

The difficulty with this model is getting the bodywork fitted with the cab. Some minors changes were done but I had to abandon the whole structure again … Having almost all pieces needed to finalize it but probably not before LEGO World!

To The Glory of God

Following the end of World War One, communities erected war memorials all over Britain – in virtually every city, town and village – to commemorate those who had served and fallen in the conflict.

 

And since, on every Armistice Day - 11th November - these statues and sculptures are the scene of poignant memorials.

 

Newcastle United’s own War Memorial was first discussed at a meeting in 1917 when it was noted that "a list of those killed in the war should be placed in the offices of the club".

 

Following the Armistice, a memorial was on the agenda at Board meetings and by 1920, it was confirmed that a design for a 'Roll of Honour' was to proceed, erected at the club’s Strawberry Place office soon afterwards.

 

It took the form of a large decorated plaque, entitled 'To The Glory of God'.

 

When the stadium was later redeveloped, it was put into storage for many years until it was restored when the club opened a museum in 1991.

 

It now has a place in a covered walkway beneath the Milburn Stand at St. James’ Park for thousands to see as supporters enter the ground every matchday.

 

The plaque notes the names of 52 players and officials on the club’s staff during the period 1914 to 1919 and who served in the armed forces. Included are five footballers to lose their lives.

 

Due to difficulties in precise army service of some of the club’s players at the time, the memorial shows reserve winger Owen McManus having survived. He had sadly died in November 1918, just before war ended.

 

Colleague Thomas Suart, on the club’s books as a young reserve, was overlooked. He lost his life in June 1917.

 

More than 100 ex-players or future players and officials of Newcastle United also served in World War One.

 

Roll of Honour - Newcastle United players who died in the Great War

 

Pvt SJ Allan (NU 1908-11): RAMC, 4 May 1919, Home

 

Sec-Lt DS Bell VC (NU 1911-12): Yorkshire Reg, 10 July 1916, France

 

Corp T Cairns (NU 1914-17): RFA, 13 Oct 1917, France

 

Corp D Dunglinson (NU 1912-16): Northumberland Fusiliers, 1 July 1916, France

 

Pvt J Findlay (NU 1905-06): Scots Guards, 18 Sept 1916, France

 

L-Corp JBM Fleming (NU 1911-13): Cameron Highlanders, 21 March 1916, Home

 

Pvt J Forster (NU 1897-98): Yorkshire Reg, 7 Oct 1916, France

 

Pvt J Froud (NU 1901): Royal West Kent Reg, 28 July 1917, Belgium

 

Pvt T Goodwill (NU 1913-16): Northumberland Fusiliers, 1 July 1916, France

 

L-Corp R Harker (NU 1904-05): Northumberland Fusiliers, 9 April 1917, France

 

Pvt T Hughes (NU 1912-14): Northumberland Fusiliers, 1 July 1916, France

 

L-Corp JM Maxwell (NU 1904): Seaforth Highlanders, 21 April 1917, Mesopotamia

 

Bomb R McGough (NU 1914-17): RGA, 18 April 1917, France

 

Corp O McManus (NU 1914-18): RFA, 6 Nov 1918, France

 

Pvt CE Randall (NU 1908-11): Coldstream Guards, 27 Sept 1916, France

 

Pvt GS Rivers (NU 1914-16): Durham Light Infantry, 13 Aug 1916, France

 

Capt TS Rowlandson MC (NU 1905-06): Yorkshire Reg, 15 Sept 1916, France

 

Pvt J Stevenson (NU 1898-1900): Highland Light Infantry, 3 July 1916, France

 

Pvt T Suart (NU 1914-17): Border Reg, 16 June 1917, Belgium

 

Corp C Winter (NU 1904-05): Cam Scot Rifles, 27 Oct 1918, France

 

Sgt WA Witherington DCM (NU 1901-02): British Colombia Reg, 15 Aug 1917, France

 

RW Benson (NU 1902-04): Munitions, 19 Feb 1916, Home

 

A Douglas (NU 1913-18): Munitions, 14 Dec 1918, Home

 

Newcastle United Football Club is a professional association football club based in Newcastle upon Tyne, Tyne and Wear, England. The team compete in the Premier League, the first level of the English football league system, as of the 2023–24 season. Since the formation of the club in 1892, when Newcastle East End absorbed the assets of Newcastle West End to become Newcastle United, the club has played its home matches at St James' Park. Located in the centre of Newcastle, it currently has a capacity of 52,305.

 

The club has been a member of the Premier League for all but three years of the competition's history, spending 91 seasons in the top flight as of May 2023, and has never dropped below English football's second tier since joining the Football League in 1893. Newcastle have won four League titles, six FA Cups and an FA Charity Shield, as well as the 1968–69 Inter-Cities Fairs Cup, the ninth-highest total of trophies won by an English club. The club's most successful period was between 1904 and 1910, when they won an FA Cup and three of their League titles. Their last major domestic trophy was in 1955. More recently the club have been League or FA Cup runners-up on four occasions in the 1990s. Newcastle were relegated in 2009, and again in 2016. The club won promotion at the first time of asking each time, returning to the Premier League, as Championship winners, in 2010 and 2017. In October 2021, a consortium led by the Public Investment Fund, the sovereign wealth fund of Saudi Arabia, became majority owners of Newcastle United.

 

The team's traditional kit colours are black-and-white striped shirts, black shorts and black or white socks. Their crest has elements of the city coat of arms, which features two grey hippocamps. Before each home game, the team enters the field to "Going Home", with "Blaydon Races" also being sung during games. The 2005 film Goal! featured Newcastle United, and many signings mentioned the influence the film had on them.

 

The history of Newcastle United Football Club, an English professional association football club based in Newcastle upon Tyne, North East England, covers the club's entire history from its formation to the present day. Formed by a merger between Newcastle East End and Newcastle West End to become 'United' in 1892, the club was elected to the Football League, which they entered in 1893.

 

Newcastle are England's 9th most successful club of all time. They have been English champions four times (in 1905, 1907, 1909, 1927) and FA Cup winners six times (in 1910, 1924, 1932, 1951, 1952, 1955). The club have also won the 1909 Charity Shield, the 1968–69 Inter-Cities Fairs Cup, and the 2006 Intertoto Cup. Newcastle have reached the League Cup final twice, finishing runners-up in both years ( 1976 and 2023). They have played in England's top league from 1898–1934, 1948–61, 1965–78, 1984–89, 1993–2009, 2010–2016, and 2017–present, playing in the second tier at all other times.

 

The first record of football being played on Tyneside dates from 3 March 1877 at Elswick Rugby Club. Later that year, Newcastle's first association football club, Tyne Association, was formed. The origins of Newcastle United Football Club itself can be traced back to the formation of a football club by the Stanley Cricket Club of Byker in November 1881. They won their first match 5–0 against Elswick Leather Works 2nd XI. The team was renamed Newcastle East End F.C. in October 1882, to avoid confusion with the cricket club in Stanley, County Durham.

 

Shortly after this, another Byker side, Rosewood FC, merged with East End to form an even stronger side. Meanwhile, across the city, West End Cricket Club began to take an interest in football and in August 1882, they formed Newcastle West End F.C. West End played their early football on their cricket pitch, but in May 1886, the club moved into St James' Park. The two clubs became rivals in the Northern League. In 1889, Newcastle East End became a professional team, before becoming a limited company the following March.

 

West End soon became the city's premier club. East End were anxious not to be left behind and lured Tom Watson into becoming the club secretary/manager in the close season of 1888 and from that point, never looked back; Watson made several good signings, especially from Scotland, and the Heaton club went from strength to strength, while West End's fortunes slipped dramatically.

 

The region's first league competition was formed in 1889 and the FA Cup began to cause interest. Ambitious East End turned professional in 1889, a huge step for a local club, and in March 1890, they made an even more adventurous move by becoming a limited company with capital of 1,000 pounds in ten shilling notes. During the spring of 1892, in a season during which their results were at an all-time low, and in which they had lost to their bitter rivals, East End, five times, West End found themselves in serious trouble. They approached East End with a view to a take over, the directors having decided that the club could no longer continue.

 

What actually happened was that West End wound up, while some of its players and most of its backroom staff joined East End. East End also took over the lease on St. James' Park in May 1892.

 

With only one senior club in the city for fans to support, development of the club was much more rapid. Despite being refused entry to the Football League's First Division at the start of the 1892–93 season, they were invited to play in their new Second Division. However, with no big names playing in the Second Division, they turned down the offer and remained in the Northern League, stating "gates would not meet the heavy expenses incurred for travelling". In a bid to start drawing larger crowds, Newcastle East End decided to adopt a new name in recognition of the merger. Suggested names included Newcastle F.C., Newcastle Rangers, Newcastle City and City of Newcastle, but Newcastle United was decided upon on 9 December 1892, to signify the unification of the two teams. The name change was accepted by the Football Association on 22 December, but the club was not legally constituted as Newcastle United Football Club Co. Ltd. until 6 September 1895. At the start of the 1893–94 season, Newcastle United were once again refused entry to the First Division and so joined the Second Division, along with Liverpool and Woolwich Arsenal. They played their first competitive match in the division that September against Woolwich Arsenal, with a score of 2–2.

 

Turnstile numbers were still low, and the incensed club published a statement claiming "The Newcastle public do not deserve to be catered for as far as professional football is concerned". However, eventually figures picked up by 1895–96, when 14,000 fans watched the team play Bury. That season Frank Watt became secretary of the club, and he was instrumental in promotion to the First Division for the 1898–99 season. However, they lost their first game 4–2 at home to Wolves and finished their first season in thirteenth place.

 

In 1903–04, the club built up a promising squad of players, and went on to dominate English football for almost a decade, the team known for their "artistic play, combining team-work and quick, short passing". Newcastle started to purchase talented players, especially from Scotland, and soon had a squad to rival all of England. With players like Colin Veitch, Jackie Rutherford, Jimmy Lawrence and Albert Shepherd, Newcastle had a team of international talent. Bill McCracken, Jimmy Howie, Peter McWilliam and Andy Aitken were also household names in their day. Long after his retirement, defender Peter McWilliam said "The Newcastle team of the 1900s would give any modern side a two goal start and beat them, and further more, beat them at a trot".

 

Newcastle United went on to win the League on three occasions during the 1900s: in 1904–05, 1906–07 and 1908–09. Newcastle reached five FA Cup finals in the years leading up to World War I. In 1904–05, they nearly did the double, losing to Aston Villa in the 1905 FA Cup Final. They were beaten again the following year by Everton in the 1906 FA Cup Final. They reached the final again in 1908 where they lost to Wolves. In 1908 the team suffered a record 9–1 home defeat to local rivals Sunderland in the league but still won that season's league title. They finally won the FA Cup in 1910 when they beat Barnsley in the final. They lost again the following year in the final against Bradford City.

 

The team returned to the FA Cup final in 1924, in the second final held at the then new Wembley Stadium. They defeated Aston Villa, winning the club's second FA Cup.Three years later they won the First Division championship a fourth time in 1926–27. Record signing & Scottish international centre-forward Hughie Gallacher, one of the most prolific goal scorers in the club's history, captained the championship-winning team. Other key players in this period were Neil Harris, Stan Seymour and Frank Hudspeth. Seymour was to become an influential figure for the next 40 years as player, manager and director.

 

In 1930, Newcastle United came close to relegation, and at the end of the season Gallacher left the club for Chelsea, and at the same time Andy Cunningham became the club's first team manager. In 1931–32, the club won the FA Cup a third time in the infamous 'Over the Line' final. United won the game 2–1 after scoring a goal following a cross from Jimmy Richardson which appeared to be hit from out of play - over the line. There were no action replays then and the referee allowed the goal, a controversial talking point in FA Cup history.

 

Newcastle boasted master players like Sam Weaver and Jack Allen, as well as the first player-manager in the top division in Scottish international Andy Cunningham. But at the end of the 1933–34 season, the team were relegated to the Second Division after 32 seasons in the First. Cunningham left as manager and Tom Mather took over. Amazingly in the same season as they fell into the Second Division, United defeated Liverpool 9–2 and Everton 7–3 within the space of a week.

 

The club found it difficult to adjust to the Second Division and were nearly further relegated in the 1937–38 season, when they were spared on goal averages.

 

When World War II broke in 1939, Newcastle had a chance to regroup, and in the War period, they brought in Jackie Milburn, Tommy Walker and Bobby Cowell.

 

Newcastle United won no Wartime League trophies, but Jackie Milburn made his debut in 1943 in a "Stripes vs Blues" match. Milburn's side was losing at half-time 3–0, but following a switch from midfielder to centre forward, he scored 6 goals to help them win the match 9–3. Jackie went on to score 38 goals in the next 3 years of the league's life.

 

By the time peace was restored in 1945, Seymour was at the forefront of Newcastle's affairs, manager in all but name. He ensured that the Magpies possessed an entertaining eleven full of stars, a mix of home-grown talent like Jackie Milburn, Bobby Cowell and Ernie Taylor, as well as big signings in the shape of George Robledo, Bobby Mitchell, Joe Harvey, Len Shackleton and Frank Brennan.

 

Newcastle spent the first couple of years post-war in the Second Division. Crowds were extremely high after the return to football, and in 1946 Newcastle recorded the joint-highest victory in English League Football history, defeating Newport County 13–0. Len Shackleton, playing his debut in that match, scored 6 goals in the match, another record for Newcastle United.

 

Newcastle returned to the First Division in double of the time. Promotion was achieved in 1948 in front of vast crowds. An average of almost 57,000 at every home game saw United's fixtures that year, a national record for years to come. That was just the start of another period of success.

 

During the Fifties decade United lifted the FA Cup trophy on three occasions within a five-year period. In 1951 they defeated Blackpool 2–0, a year later Arsenal were beaten 1–0 and in 1955 United crushed Manchester City 3–1. The Magpies were known in every corner of the country, and so were their players; 'Wor Jackie' Milburn and Bobby 'Dazzler' Mitchell the pick of a side that was renowned the nation over. Other players of this time were Frank Brennan (like Mitchell a Scot), Ivor Broadis, Len White and Welshman Ivor Allchurch.

 

Despite having quality players throughout the era, stars like Allchurch, White and George Eastham during the latter years of the decade, United slipped from the First Division in 1961 under the controversial management of ex-Manchester United star, Charlie Mitten. It was a huge blow to the club.

 

An old war-horse returned to revitalise the Magpies in the shape of Joe Harvey, who had skippered the club to much of their post-war success. He teamed up with Stan Seymour to rebuild United and the Black'n'Whites returned to the elite as Second Division Champions in 1965. United then became very much an unpredictable side, always capable of defeating the best, but never quite realising their huge potential until very recently.

 

Joe Harvey's side qualified for Europe for the first time in 1968 and stunned everyone the following year by lifting the Inter Cities Fairs Cup; the forerunner of the UEFA Cup. United possessed a solid eleven and Newcastle's tradition of fielding a famous Number 9 at centre-forward since earliest years continued as big Welshman Wyn Davies was prominent along with the likes of Pop Robson, Bobby Moncur and Frank Clark.

 

In the years that followed European success, manager Harvey brought in a string of talented entertainers who thrilled the Gallowgate crowd. Pleasers like Jimmy Smith, Tony Green and Terry Hibbitt. And especially a new centre-forward by the name of Malcolm Macdonald.

 

Nicknamed 'Supermac', Macdonald was one of United's greatest hero figures. Brash, arrogant and devastating in front of goal, he led United's attack to Wembley in 1974, against Liverpool in the FA Cup. But the Magpies failed to bring the trophy back to Tyneside, and a complete lack of success in any of the competitions the next season resulted in Joe Harvey being sacked in mid-1975.

 

Blackburn manager Gordon Lee was appointed to replace Harvey, and despite a mediocre league campaign in 1975–76, led the club to its first League Cup final, which ended in defeat by Manchester City. Despite Macdonald controversially being sold to Arsenal for a cut price deal, the following season saw United's best League campaign for years, and by Christmas the club looked to have an outside chance of winning the title. However, Lee walked out on the club to take over at Everton at the start of 1977, and inexperienced coach Richard Dinnis was put in charge of the team after the players demanded that he be given the job. United's form initially remained quite consistent under Dinnis, and they secured 5th place and a UEFA Cup spot at the end of the season. However, the team totally fell apart the following season, and Dinnis was sacked after a run of ten straight League defeats and a thumping UEFA Cup exit at the hands of French team SC Bastia. Bill McGarry took over as manager, but was powerless to prevent United from being relegated in statistically their worst season ever. The only mercy they had was Leicester City's terrible goal difference preventing United from finishing bottom of the table.

 

McGarry remained in charge of the club, but only managed two midtable finishes before being sacked in the wake of an uninspiring start to the 1980–81 season, and it was his successor Arthur Cox who steered United back again to the First Division with ex England captain Kevin Keegan leading the attack, having joined the Magpies in a sensational deal in 1982.

 

The football inspired by Keegan captivated Tyneside and United stormed into the top division in a style only bettered by Kevin's own brand of football when he returned to the club as manager a decade later. Cox had also signed young winger Chris Waddle out of non-league football, as well as young striker Peter Beardsley, Liverpool midfielder Terry McDermott and former Manchester United midfielder David McCreery. The club was rocked however when Cox resigned after the board refused to offer him an improved contract in the aftermath of promotion, and, surprisingly, accepted an offer to take charge of Derby County - who had been relegated from the Second Division.

 

One of English footballs greatest talents, Paul Gascoigne or 'Gazza', emerged as an exciting 18-year-old midfielder in 1985-86, under Newcastle's next manager Jack Charlton, who left after only one season despite Newcastle achieving a secure mid-table finish on their return to the First Division. His successor was former player Willie McFaul. Newcastle consolidated their place in Division One but then a period of selling their best players (Beardsley to Liverpool, and Waddle and eventually Gascoigne both to Tottenham), rocked the club and led to supporter unrest, as did a share-war for control of the boardroom. The effect of this on the pitch soon proved evident, as McFaul was sacked after a dismal start to the 1988–89 season, and new boss Jim Smith was unable to turn Newcastle around, resulting in them finishing at the foot of the First Division in 1989 and dropping back into the Second Division.

 

Smith then signed Portsmouth striker Mick Quinn and Newcastle began the 1989–90 season on a high note, beating promotion favourites Leeds United 5–2 on the opening day with Quinn scoring four goals, and Newcastle appeared to be on the path to a revival. However, they missed out on automatic promotion by one place, before enduring a humiliating play-off exit at the hands of local rivals Sunderland. The intensifying boardroom battle soon took its toll on the club, and Smith resigned early in the following season with the side stuck in mid-table. Ossie Ardiles became the club's new manager, and despite being initially being the club's most popular manager since Joe Harvey, Newcastle dropped to the bottom of the Second Division in October 1991. Results failed to improve, despite the acquisition of a new striker in David Kelly and the efforts of promising young players including Steve Howey, Steve Watson and Gavin Peacock, and in February 1992 Ardiles was sacked. Despite being the best-supported side in the division and frequently still managing to pull in crowds of more than 20,000, Newcastle were also millions of pounds in debt and faced with the real prospect of third-tier football for the first time ever. A saviour was needed, and in came new chairman John Hall, who offered the manager's job to Kevin Keegan. Despite having vowed never to enter management following his retirement as a player, Keegan accepted the offer to manage Newcastle. His first task was to deliver Second Division survival.

 

Kevin Keegan returned as manager in the 1991–92 season, and survived relegation from the Second Division. The club's finances were transformed, with Hall aiming to put Newcastle among Europe's biggest clubs, and signings like Rob Lee and Andy Cole helped Newcastle to promotion the following season, 1992–93, as champions of the new First Division. The finish also secured qualification for the 1993–94 UEFA Cup upon return to the top flight in the 1993–94 Premier League season.

 

St James' Park was redeveloped during this time into an all-seated stadium with a capacity of 36,000. This increased to 52,000 in the late 1990s, after the rejection of Hall's proposal to build a larger stadium at Castle Leazes.

 

Keegan stunned fans and critics alike in 1995 when prolific striker Andy Cole was sold to Manchester United in exchange for £6 million and midfielder Keith Gillespie, leaving many to blame the sale to have affected Newcastle's title chances for the 1994–95 season, in which they finished sixth. The club, however, continued to build up a reputation for playing attacking football under Keegan. In the 1995–96 season, high-profile foreign stars David Ginola and Faustino Asprilla, in addition to British players Peter Beardsley and striker Les Ferdinand, guided the team to a second-place finish. During the 1996–97 season, Keegan made one signing, securing the services of England striker Alan Shearer for a then-world record transfer fee of £15 million to produce a shrewd partnership with Les Ferdinand, and claim a 5–0 victory over title rivals Manchester United. whilst remaining in contention to win the league.

 

With the team having failed to win any trophies under his reign, Keegan resigned as manager on 8 January 1997, saying, "I feel that I have taken the club as far as I can."

 

Kenny Dalglish replaced Keegan as manager, and maintained the club's good form through to the end of the season, finishing second. In the 1997–98 season, Les Ferdinand and David Ginola both left the club, whilst Alan Shearer broke his ankle in a pre-season friendly, keeping him out for the first half of the season. Dalglish signed Ian Rush, John Barnes, Duncan Ferguson and Stuart Pearce to bolster the squad, and achieved a 3–2 victory over Barcelona in the UEFA Champions League through a Faustino Asprilla hat-trick, but Dalglish's cautious brand of football, as opposed to the attacking style played under Keegan, did not prove successful—the club failed to progress beyond the Champions League group stage, finished 13th in the Premier League, and lost the FA Cup final to Arsenal. Dalglish began the 1998–99 season signing Nolberto Solano and Dietmar Hamann, but was soon dismissed following the club's declining form.

 

Ruud Gullit replaced him, however the club again finished the league in 13th place and again lost in the FA Cup final, this time to Manchester United F.C. Gullit resigned early in the 1999–2000 season, having fallen out with several senior players, including Alan Shearer and captain Rob Lee. Keith Gillespie later blamed Gullit's arrogance for his failure as manager of the club.

 

Ex-England manager Bobby Robson was brought in to replace Gullit in September 1999. He ensured Newcastle's survival in the Premiership, but the club remained in the bottom half of the table, finishing 11th in 1999–2000 and 2000–01. Robson, however, built up an exciting young squad, and an unlikely top four challenge emerged in 2001–02 season—Newcastle finished in fourth place.

 

Playing in the Champions League in 2002–03, Newcastle progressed to the second group stage in unlikely circumstances, beating Italian squad Juventus 1–0 along the way. United finished the 2002–03 season third in the Premier League, but lost their Champions League qualifier and played in the 2003–04 UEFA Cup instead, reaching the semi-final. In 2003–04, Newcastle finished fifth in the Premiership, lower than in previous seasons, and outside of Champions League contention.

 

Robson was then sacked following a poor start to the 2004–05 season and alleged discontent in the dressing room. In his autobiography, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He had previously publicly criticised the club's highly financed offer for Wayne Rooney, which the club later claimed they could not afford, stating young players were making excessive demands without first proving themselves on the pitch. He also criticised Shepherd and the club's deputy chairman Douglas Hall for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts.

 

Graeme Souness replaced Robson and finished the season 14th in the league. Souness' arrival, however, was met with mixed reactions, with many expecting Robson being a hard task to improve upon, despite insisting he was aware of Sir Bobby's admiration and was ready for the role. In the January transfer window, Souness caused controversy in securing an £8 million bid for France international Jean-Alain Boumsong, who had joined Rangers for free just months before, prior to which Sir Bobby had travelled to France to review Boumsong but declined to sign him. The Stevens inquiry in 2007 documented that in this purchase Souness was accused of lack of consistency and was reviewed over the large media speculation the transfer received, but was eventually exonerated from any illegal participations. Going into 2005–06 season, despite signing several new players, including the return of Nolberto Solano from Aston Villa as well as Albert Luque from Deportivo de La Coruña for £10 million, Souness struggled with the opening games. He later blamed the state of the club's training ground for injuries suffered to players. The signing of Michael Owen (for a club record £17 million from Real Madrid) and his strike partnership with Alan Shearer produced goals at the end of 2005, but an injury caused Owen to miss the rest of the season and following a poor start to the new year, Souness was sacked in February 2006. Robbie Elliiot and Shay Given announced regret over his exit in the club's Season Review DVD but acknowledged his seeming favouritism of players and the amounting pressure on him damaged morale, whilst Alan Shearer blamed the injury crisis to first-team players.

 

Caretaker manager Glenn Roeder was issued the role of temporary first-team manager, seeing his first game against Portsmouth secure Alan Shearer's 201st goal for Newcastle United, becoming the club's all-time highest-scoring player. Roeder guided Newcastle from 15th to seventh place securing 32 league points from a possible 45 by the end of 2005–06, as well as securing a place in the UEFA Intertoto Cup and was given a two-year contract by chairman Freddy Shepherd. His appointment caused controversy, as at the time he did not hold the necessary UEFA Pro Licence to manage in the UEFA leagues and cup tournaments His role, however, was approved by UEFA who acknowledged that Roeder's diagnosis with a brain tumour in 2003 prevented him from developing his career, whilst Chairman Freddy Shepherd also fulfilled UEFA's request that he gain backing from all 19 other Premier League clubs to appoint him as manager. Alan Shearer retired at the end of the 2005–06 season scoring a record 206 goals.

 

Roeder encountered a difficult 2006–07 season, losing many players to injury, in particular Michael Owen, who had severely damaged his ligaments during the 2006 FIFA World Cup seeing him only play the final two games of the season. Newcastle won the 2006 Intertoto Cup, but a 5–1 exit to Birmingham City in the FA Cup, a round of 16 exit in the UEFA Cup and poor league results seeing a 13th-place finish led Roeder to resign in May 2007.

 

As the 2007 season drew to a close, St James Holdings Limited, the bid vehicle of billionaire businessman Mike Ashley, was reported to be in the process of buying the club. Ashley successfully acquired Sir John Hall's majority stake in the club in May 2007, leaving many to believe chairman Freddie Shepherd was set to depart after stepping down as chairman, should Ashley acquire more than 50 percent, which would see Shepherd no longer in control of the club and Ashley able to replace the board. Shepherd dismissed all speculation and proceeded to appoint ex-Bolton Wanderers boss Sam Allardyce as Newcastle manager, but eventually met with Mike Ashley and the board on 29 May. On 7 June 2007, Shepherd ended his 11 years with the club after Mike Ashley accepted his bid to buy his shares and in his role as chairman of the board, also having Shepherd advise the remaining shareholders to sell to Ashley. Ashley then announced he would be delisting the club from the London Stock Exchange upon completion of the takeover. The club officially ceased trading on the Stock Exchange as of 8 am on 18 July 2007 at 5p a share. Ashley brought in lawyer Chris Mort as the new club "deputy chairman".

 

Despite signing and building a seemingly strong squad, Sam Allardyce soon became widely unpopular with fans and players alike, and was surprisingly sacked by Ashley halfway through his first season after underwhelming results and pressure from the fans. Ashley, however, defended his decision to sack Allardyce, stating he made a mistake in not appointing his own choice of manager before the season started.

 

Kevin Keegan then made a sensational surprise return as manager. His return had an instant impact on club ticket sales as he sat with the fans, Mike Ashley and Chris Mort for the FA Cup replay 4–1 win against Stoke City. Following his return, Keegan had a disappointing first ten games back, with the club not winning a single game until his decision to include strikers Obafemi Martins, Michael Owen and Mark Viduka into a 4–3–3 formation, which saw the club back on goal-scoring and winning form and eventually finishing 12th in 2007–08. In May Keegan met with Mike Ashley and Director of Football Dennis Wise after he had suggested Champions League qualification was out of Newcastle United's reach and expressed dissatisfaction with the board's financial backing. Ashley was battling reports that he had lost hundreds of millions of pounds in a disastrous attempt to rescue bank HBOS. The morning following, after the club's 3–0 defeat to Arsenal, rumours were circulating that Keegan had either been sacked or resigned as Newcastle boss, citing board interference and his lack of control over transfers. Keegan confirmed the reports the same week, and reportedly held unsuccessful resolution talks with Mike Ashley the following week, leading to fan fury and protests around St James' Park, and marring the club's home defeat to Hull City, with fans accusing Ashley and club executives Dennis Wise, Tony Jimenez and Derek Llambias of forcing Keegan out.

 

Following mass media coverage of Keegan's departure, the club struggled to find a replacement, with the majority of managers showing no interest in the role. Ashley released a statement to the club's fans that in fear of his and his families reputation and safety, he was placing the club for sale. It was then announced that former Nottingham Forest manager Joe Kinnear was appointed temporary manager His appointment, however, saw a backlash from fans, prompting a verbal tirade from Kinnear at the media, who questioned his decision to take the job at such a time. By the end of the year, Ashley took the club off the market claiming he was unable to find a suitable buyer.

 

In the remainder of 2008–09, Kinnear won four out of 18 matches before stepping down due to reported heart problems. Chris Hughton then took temporary charge before Alan Shearer returned to Newcastle United as manager in April with Iain Dowie as his assistant. After winning only one out of eight games, the club was relegated to the Championship for the first time since 1992. Mike Ashley then re-issued his desire to sell the club once again and issued a £100 million sale price tag.

 

Prior to the start of the 2009–10 season, Keegan's dispute with the club was resolved after a Premier League Arbitration Panel ruled that he had been misled to believe he had the final word on the club's transfer policy when in fact Director of Football Dennis Wise had been handed such control. The signings of Xisco and Nacho González were ruled to have been made without the manager's approval; with González, Dennis Wise signed him only after viewing him off of YouTube. Wise and Derek Llambias were ruled to have deliberately misled the media to believe Keegan had the final say, which amounted to constructive dismissal. Keegan was awarded £2 million in compensation and re-offered his job as Newcastle United manager under fresh new terms, though in response to the offer, he stated the fans had "had enough" for the time being and declined. He stated in 2013 he would consider a return should Mike Ashley leave the club.

 

Chris Hughton was appointed full-time manager early in the 2009–10 season. The club dominated the Championship, winning 30 games, drawing 12 and losing only four, scoring a total of 90 goals and finishing top of the league with 102 points, thus re-gaining Premier League status at the first attempt.

 

Beginning 2010–11, Hughton remained on course to secure survival from relegation with the club's first win at the Emirates over Arsenal, and a memorable 5–1 defeat over Sunderland. However, fury once again was caused by the board, as the club controversially sacked Chris Hughton after a 3–1 defeat to West Bromwich Albion on 6 December 2010. Critics players and fans alike were shocked by Hughton's dismissal, leading to protests prior to the club's game against Liverpool in a bid to thank him for his work and support. Alan Pardew was then announced as being appointed manager on a five-and-a-half-year contract, with the club announcing they wanted a manager with more experience. Pardew stated he had nothing but respect for Chris Hughton and acknowledged the fact that other managers questioned his appointment. He secured his first win on his debut as manager with a 3–1 win over Liverpool On 31 January 2011, Newcastle sold striker Andy Carroll to Liverpool for a club record of £35 million. The sale of a young player at a high value proved controversial for Liverpool, with Alan Shearer ridiculing the price Liverpool paid as well as expressing sorrow at Newcastle for losing Carroll. Carroll himself stated that he did not want to leave the club but was forced out by the club's directors after Liverpool's final offer of £35 million; the board responded that Carroll had previously handed in a transfer request. Pardew said he was disappointed to lose Carroll, but pledged to invest in the club's summer transfer window. The remainder of the season saw Leon Best score a hat-trick on his debut in a 5–0 defeat of West Ham United, a memorable 4–4 comeback against Arsenal, and a 4–1 defeat of Wolverhampton Wanderers, eventually finishing 12th in the league.

 

Entering 2011–12, Pardew was reportedly denied the £35 million from the sale of Andy Carroll for transfers and told to sell players to raise funds, having claimed he had been assured the finances upon Carroll's departure. Kevin Keegan had previously stated Alan Pardew should not have expected the money following his issues with the board in 2008. The club signed many French-speaking players in the transfer window, including Yohan Cabaye, Mathieu Debuchy, Sylvain Marveaux and Demba Ba. and with impressive results throughout the season, Newcastle finished fifth.

 

In the 2012–13 UEFA Europa League, Newcastle reached the quarter-finals, and in the January transfer window, the French revolution continued into the new year, with Moussa Sissoko and Yoan Gouffran joining the squad. The team, however, had a poor 2012–13 Premier League and finished 16th in the Premier League.

 

Beginning the 2013–14 season, in a surprise move Joe Kinnear returned to the club as Director of Football, instantly causing fan fury following his outburst that he was "more intelligent" than the fans and critics, as well as mispronouncing various players names during a radio interview. However, he resigned after just eight months on the job following further critique for managing to sign only two players on loan—Loïc Rémy and Luuk de Jong—throughout the season's summer and January transfer windows, as well selling Yohan Cabaye to Paris Saint-Germain for £20 million, considered to be one of the most influential players at the time. Following the lack of transfer activity, Mike Ashley once again faced a fan revolt, with protests being launched at him to sell the club, and entered a dispute with several media titles whom the club banned from Newcastle United media facilities, press conferences and player interviews, declaring stories reported were intensely exaggerated and aimed only to damage Ashley's image further. Throughout the season, the club remained on course to ensure a top half finish, notably defeating Manchester United at Old Trafford for the first time since 1972. Nonetheless, the team struggled for goals following the sale of Cabaye. Further dismay upon the season was caused when Pardew was banned for seven matches and fined £100,000 for an assault on Hull City midfielder David Meyler. The club then encountered a poor run of form, losing eight out of ten games and finishing the season tenth in the league, though the club confirmed Alan Pardew would stay on.

 

The opening eight games of the 2014–15 season proved disappointing, with the club failing to secure a win. After the dip in form, however, the club had an emphatic resurgence, seeing a five-game unbeaten run whilst also surprising League Cup holders Manchester City with a 2–0 win and progressing to the quarter-finals of the tournament. Pardew, however, resigned from the club on 30 December 2014 following immense pressure from fans calling for his departure, with many posters at games designed with the Sports Direct logo advertising a website demanding his resignation. Pardew admitted in the months leading up to his departure that protests from the fans were affecting his family and was subsequently feeling unhappy at the club. He was replaced by his assistant manager John Carver, though the team subsequently earned just 13 points out of a possible 50, surviving relegation on the final day of the season with a victory over West Ham, Carver was dismissed before the club's pre-season for 2016 began. The club paid tribute to player Jonás Gutiérrez following his successful recovery from testicular cancer to resume his playing career.

 

Beginning the 2015–16 season, former England F.C. Manager Steve McClaren was appointed manager, signing Georginio Wijnaldum, Aleksandar Mitrovic, Chancel Mbemba, Florian Thauvin, Henri Saivet, Jonjo Shelvey, Andros Townsend and Ivan Toney. McClaren however struggled to produce results winning 6 and drawing 6 out of 28 games, whilst exiting both the FA Cup and League Cup in the Third Round. McClaren was subsequently sacked on 11 March 2016 with critics and former players voicing their favour of the decision. Rafael Benítez was announced as McClaren's successor the same day, signing a three-year deal. Benítez recorded his first victory in 3–0 defeat of Swansea City in the Premier League on 17 April 2016 after 5 games in charge, and maintained an emphatic 5-game unbeaten streak to the end of the season. Newcastle were however relegated from the Premier League along with Aston Villa and Norwich finishing 18th place, 2 points below safety. Betting websites confirmed after the final game that the club's 5–1 defeat of Tottenham Hotspur matched the initial odds of Leicester City's 5000/1 win of the 2015–16 Premier League season.

 

Starting the 2016-17 season, Rafa Benítez signed 12 new players full-time and also acquired 5 players on loan, whilst 8 players left the club and another 12 on loan. New signings Dwight Gayle and Matt Ritchie proved popular scoring a combined total of 39 goals, finishing among the top goalscorers that season. Despite failing to improve on their dominant success in the 2009/10 championship season, the club remained in contention for the trophy throughout; threatened only by Brighton & Hove Albion Newcastle enjoyed a 3-game winning streak to the final day of the season and lifted the Football League Championship trophy on 8 May 2017 following a 3–0 win over Barnsley. Rafa Benítez denied speculation that he would leave the club following promotion to the Premier League and confirmed his commitment to the club for the foreseeable future. Shortly prior to the season's finish, the club was subject to raids by HMRC following suspicions of tax evasion. Managing Director Lee Charnley was arrested during the raid, but was later released without charge.

 

Ending the 2017-18 season, the club finished 10th in the Premier League defeating the current champions Chelsea on the final day of the season, the highest finish achieved within 4 years. Beginning the 2018–19 season, Mike Ashley again came under scrutiny following lack of major signings in the summer transfer window, with many fans accusing him of lacking interest in the club following his purchase of troubled retail chain House of Fraser for £90m. Despite the January signing of Miguel Almirón from Atlanta United FC for £21 million surpassing the club's transfer record fee of £16.8 million for Michael Owen in 2005, the club struggled throughout the season with 12 wins, 9 draws and 17 losses seeing a 13th place league table finish, whilst exiting the League Cup at the 2nd round in a 3–1 defeat of Nottingham Forest F.C and a 4th round exit of the FA Cup in a 2–0 defeat to Watford F.C. The season also saw heavy speculation regarding Rafa Benítez remaining at the club following reports he was still in negotiations following the end of the season.

 

Following fresh reports of Ashley's intention to sell the club, Sheikh Khaled Bin Zayed Al Nahyan, Founder and Chairman of The Bin Zayed Group of Companies, a member of the Al Nahyan royal family of Abu Dhabi, confirmed he had agreed terms to purchase the club for £350 million. On 5 June 2019 a company named Monochrome Acquisitions Limited was registered in Nahyan's name, whilst managing director Lee Charnley applied to have four companies linked to Ashley's company St James Holdings Ltd struck off, leaving many to believe the club was on course to be sold. Talks of a takeover however stalled throughout the summer transfer window, whilst Ashley confirmed he had not received an official bid from any prospective buyer.

 

Benítez rejected a new contract offer and departed the club on 30 June 2019, accepting a move to Chinese Super League side Dalian Yifang in a £12 million deal. Ashley criticised Benítez stating unfair demands were made making it impossible for him to remain as manager. Notable player departures saw Salomón Rondón join Benitez at Dalian Yifang after returning to West Bromwich Albion F.C. from loan, whilst Ayoze Perez joined Leicester City for £30 million and Mohamed Diamé was released by Newcastle upon the expiry of his contract at the end of the 2018–19 season.

 

BBC Sport reported in July 2019 that Steve Bruce had resigned from his managerial position at Sheffield Wednesday after he earlier admitted that he had held talks with Newcastle United over their managerial vacancy. His appointment was confirmed on 17 July. Sheffield Wednesday however stated there were still outstanding legal issues with Bruce having resigned just 48 hours before, leading a report being filed to the Premier League alleging misconduct in his appointment. Newcastle United denied any wrongdoing and stated they were confident no case could be escalated. Reaction from the fans was mixed, with some feeling Bruce would not achieve the standard set by Benítez, whilst his recent lack of Premier League football and management of rival club Sunderland proved controversial. Bruce later acknowledged Benítez's popularity and stated he hoped the fans would not rush to judgement and give him time to prove himself and manager of Newcastle. Due to visa problems in China, Bruce watched his first match as manager from the stands which saw Newcastle achieve a third-place finish in the pre-season 2019 Premier League Asia Trophy following a 1–0 victory over West Ham United F.C. Bruce quickly made his first transfer, signing Joelinton from TSG 1899 Hoffenheim for £40 million, breaking the club's transfer fee record previously held by Miguel Almirón at £21 million just 6 months before, before signing French international winger Allan Saint-Maximin from OGC Nice on a permanent deal for £16.5 million, Sweden international defender Emil Krafth for £5 million, central midfielder Kyle Scott on a free signing following his departure from Chelsea, and Netherlands international defender Jetro Willems on loan from Frankfurt F.C until the end of the 2019–20 season. Bruce made his final transfer of the pre-season on deadline day by re-signing striker Andy Carroll, who had left the club over 7 years earlier. On 4 February 2020, Steve Bruce's side ended a 14-year drought by reaching the 5th round of the FA Cup they beat League One side Oxford United 2–3 in a replay thanks to a late winner from Allan Saint-Maximin in extra time.

 

From March 2020, the season was affected by the COVID-19 pandemic. On 13 March, following an emergency meeting between the Premier League, The Football Association (FA), the English Football League and the FA Women's Super League, it was unanimously decided to suspend professional football in England. On 19 March, the suspension was extended indefinitely, with a restart date of 17 June announced in late May with all remaining games to be played without crowd attendance.

 

Newcastle finished the season in 13th place. Defender Danny Rose was an outspoken critic of the decision to continue the season, citing the virus was still in major circulation and accused the FA of having no concern for footballers' health. Karl Darlow has since urged players at the club to get vaccinated following his hospitalisation from complications of Covid, whilst manager Steve Bruce admitted some players had voluntarily declined the vaccination.

 

The 2020-21 season saw all matches played without crowd attendance until May 2021, in light of the COVID-19 pandemic. Newcastle failed to improve on the previous season, finishing 12th in the premier league and were knocked out of the FA Cup in the third round added time to Arsenal and exited the EFL Cup in the quarter-finals losing 1–0 to Brentford.

 

In April 2020, it was widely reported that a consortium consisting of Public Investment Fund, PCP Capital Partners and the Reuben Brothers, was finalising an offer to acquire Newcastle United. The proposed sale prompted concerns and criticism, such as arguments considering it sportwashing of the country's human rights record, as well as ongoing large-scale piracy of sports broadcasts in the region. However the consortium announced its withdrawal from the Newcastle deal on July 30, 2020, after multiple media reports highlighted realm as the staunch violator of human rights, and the WTO ruled that it was behind the piracy campaign using pirate-pay-service beoutQ. "With a deep appreciation for the Newcastle community and the significance of its football club, we have come to the decision to withdraw our interest in acquiring Newcastle United Football Club," the group said in its statement upon withdrawal. The group also stated that the "prolonged process" was a major factor in them pulling out. The collapse of the takeover was met with widespread criticism from Newcastle fans, with Newcastle MP Chi Onwurah accusing the Premier League of treating fans of the club with "contempt" and subsequently wrote to Masters for an explanation. Despite the consortium's withdrawal, disputes over the takeover continued. On 9 September 2020, Newcastle United released a statement claiming that the Premier League had officially rejected the takeover by the consortium and accused Masters and the Premier League board of " acting appropriately in relation to [the takeover]", while stating that the club would be considering any relevant legal action. The Premier League strongly denied this in a statement released the next day, expressing "surprise" and "disappointment" at Newcastle's statement.

 

On October 7, 2021, the Public Investment Fund, PCP Capital Partners and RB Sports & Media confirmed that they had officially completed the acquisition of Newcastle United. Governor of the investment fund Yasir bin Othman Al-Rumayyan was appointed non-executive chairman, whilst Amanda Staveley and Jamie Reuben were both appointed as directors and each held a 10% shareholding in the club.

 

The takeover led to widespread speculation that manager Steve Bruce was expected to leave the club. Although not denying the speculation that the club was keen to appoint a new manager, Staveley stated Bruce was to remain for the new owners first game against Tottenham Hotspur; his 1000th match as a football manager. However following Newcastle losing the game 3-2 and alleged discontent among the players, Bruce left the club by mutual consent. Bruce stated his sadness at leaving the club and felt Newcastle fans launched unnecessary verbal abuse at him during his time there. Interim manager Graeme Jones as well as Arsenal manager Mikel Arteta supported Bruce's claims stating the abuse he received was off putting for other managers to take the role.

 

Eddie Howe was appointed as manager on 8 November 2021. The announcement was made following reports that the club had discussed the role with him the previous week and confirmed following his attendance at the away draw to Brighton & Hove Albion. On 19 November 2021, Newcastle announced that Howe had tested positive for COVID-19 and would miss his first game in charge, which instead forced him to watch his first game as manager from a hotel room as Newcastle drew 3–3 with Brentford on 20 November.

 

Lee Charnley, who acted as Managing Director under Ashley's ownership, left the club on 19 November 2021 following a six-week handover period. His departure was the final of Mike Ashley's hierarchy, with Staveley stating the club was undergoing a "formal process" to appoint a new figure to replace the role.

 

Eddie Howe had to wait until 4 December 2021 for his first win as Newcastle manager in a 1–0 win against Burnley, which was also the first win since the takeover happened. Howe then made five signings in the first January transfer window under the new ownership which included a marquee singing in Brazilian midfielder Bruno Guimarães from Olympique Lyonnais. The transfer window and the players that were already there that Howe improved helped Newcastle to go on a 9-game unbeaten run in the Premier League to get them 10 points clear from the relegation zone and increasing the chance of guaranteeing survival. After Newcastle's 1–0 win against Crystal Palace, this was the first time the club had managed to win 6 home games in a row since 2004 when Sir Bobby Robson was in charge. Newcastle finished in 11th place after a run of 12 wins in their final 18 games, and became the first team in Premier League history to avoid relegation after not winning any of the first 14 games they played.

 

On 30 May 2022, the club announced they had reached an agreement of a compensation fee with Brighton & Hove Albion to appoint Dan Ashworth as the new Sporting Director, the appointment was confirmed on 6 June 2022. On 15 July 2022, the club brought in Darren Eales, from MLS side Atlanta United, as the club's new Chief Executive Officer - acting as a "key member of the club's leadership structure".

 

Newcastle United was set up as a private company limited by shares on 6 September 1895. However, by the 1930s, ownership of the company was dominated by a small number of individuals: Alderman William McKeag, George and Robert Rutherford, and William Westwood, 1st Baron Westwood. George Stanley Seymour was allocated some shares when he joined the board in 1938.

 

By the second half of the 20th century, these shareholdings had passed to the next generation: Gordon McKeag, Robert James Rutherford, Stan Seymour Jr. and William Westwood, 2nd Baron Westwood. The Magpie Group led by Sir John Hall built up a large shareholding in the club and then took control in 1992. In 2007, St James Holdings Limited, the bid vehicle of billionaire businessman Mike Ashley, secured control of the club and in 2021, the Public Investment Fund of Saudi Arabia, PCP Capital Partners and RB Sports & Media confirmed that they had acquired ownership of the club.

Coachwork by Touring Superleggera

 

By the end of the 1950s Maserati was facing a bleak future. Its parent company's financial difficulties forced a withdrawal from racing, and Maserati's survival strategy henceforth centred on establishing the company as a producer of road cars. The Modena marque's new era began in 1957 with the launch of the Touring Superleggera-bodied 3500 GT, its first road car built in significant numbers. A luxury 2+2, the 3500GT drew on Maserati's competition experience. A tubular chassis frame was used and the suspension was independent at the front by wishbones and coil springs, while at the back there was a conventional live axle/semi-elliptic arrangement. The 3500 GT's designer was none other than Giulio Alfieri, creator of the immortal Tipo 60/61 'Birdcage' sports-racer and the man responsible for developing the 250F into a World Championship winner. The twin-overhead-camshaft, six-cylinder engine was a close relative of that used in the 250F and developed around 220 bhp initially, later examples producing 235 bhp on Lucas mechanical fuel injection. Built initially with drum brakes and four-speed transmission, the 3500 GT was progressively updated, gaining five speeds, front disc brakes and, finally, all-disc braking. By the time the 3500GT was discontinued in 1964, around 2,200 of all types had been made.

 

The 2nd Series example offered here represents the pinnacle of the model's development, leaving the factory equipped with the five-speed ZF gearbox, twin-plug ignition, and Lucas mechanical fuel injection, hence the name change to '3500 GTI', the first time the now common 'GTI' appellation had ever been used. Chassis number '2716' was delivered new to Gianvico Saccardo of Schio near Vicenza, Italy, a local industrialist. Prominent collectors of historic vehicles, Gianvico and his brother, Gianluigi, were founders of the Monza Italian Bugatti Register. Saccardo's Maserati was subsequently exported to New England, USA where it has spent most of its life. Henry Cabot Lodge Jr, the former Massachusetts Senator and Republican Vice Presidential Candidate in 1960, is believed to have been its second owner. During the 1970s, Cabot Lodge served occasionally as US envoy to the Holy See in Rome, and it is believed that he imported the car from Italy to the USA.

 

Since his death in 1985, the Maserati has had four owners: Anthony D Paglia (1986-1998), John Drew (1998-2003), Christopher Derricott (2003-2014), and the current vendor. Mr Drew commissioned Spencer Restorations of Natick, Massachusetts to carry out a comprehensive restoration. Completed in 2003, the latter included a mechanical rebuild, bare-metal re-spray, and a full interior re-trim in the original colour. Borrani wire wheels, a stainless steel exhaust system, and polished stainless steel bumpers and trim were fitted at the same time. The quality of this restoration has been recognised at the Lars Anderson 'Tutto Italiano' meeting in Massachusetts, where '2716' won the 'Best Maserati in Show' award on each occasion it was entered following the restoration.

 

During Mr Derricott's ownership in the UK, the restoration process was extended to include all mechanicals including the engine, transmission, brakes, and suspension together with an overhaul of the electrical components and installation of a new wiring loom. These works were undertaken by two specialist companies: Prestige Restoration and CGP Auto Engineers, and there are related invoices on file totalling some £ 76.000 (approximately € 91.000). The total spent between July 2010 and July 2014 was in excess of £85,700 (approximately € 102.600).

 

It should be noted that this car is equipped with a non-original but correct Maserati 3500 GT engine that has been re-stamped with the original's number. It is fitted with three Weber 42 DCOE carburettors, a common upgrade considered superior to the original Lucas fuel injection system.

Accompanying paperwork consists of a Maserati Certificate of Origin; copies of the original factory documentation; and all restoration invoices relating to works carried out in both the USA and UK. Offered with a UK V5C registration document and current MoT certificate, this beautiful Maserati would make a stunning addition to any private collection.

 

Les Grandes Marques du Monde au Grand Palais

Bonhams

Sold for € 178.250

Estimated : € 180.000 - 220.000

 

Parijs - Paris

Frankrijk - France

February 2017

Alien: Isolation

- 3840x1620 downsampling

- ReShade SweetFX

- Hattiwatti's Injector (Free Cam, FOV, Freeze Actors, Postprocessing Control)