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Well... the met/quin looked all right, nice (rather grey, and big) needles, but the wax stopper of the second part disintegrated (that's the dark stuff); the act/cons had become rock hard, so I took a hammer and solved that problem. Dissolved the lot (as I did before) and filtered.
But did it wòrk? do you ask...
Well, in fact, it most certainly did! See next pic.
THE 2013 NEW YEAR LECTURE, ABOUT OLD DEVELOPER, IS ONLINE NOW: analoog60.blogspot.com/ 1 Jan 2013
A second photowalk with the Jupiter-9 2/85mm lens, this time mounted on my Zorki-4K (see below for details about the lens and the camera).
For all the views the lens was equipped with a brand-new 49mm Kenko RealPro protective AUV filter and the metal shade hood of my Minolta MD 2/85mm lens. The camera was also fitted with the KMZ multi-focal viewer
using the f=8.5cm setting. Focusing was achieved using the camera range-finder also checked sometime with a LASER meter.
The film used was a 36-exposure Ilford FP4+. Expositions were determined for 125 ISO using a Minolta Autometer III fitted with a 10° finder for selective measurements privileging the shadow areas.
Documentary smartphone picture
February 27, 2025
Parc de la Tête d’Or
69006 Lyon
France
After completion, the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
My Zorki-4K was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model « Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 derived from a Sonnar Zeiss optical formula calculated before WWII for the Zeiss Ikon Contax camera. It fits to the Zorki body using the screwing L39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my FOCAFLEX also fit to the Jupiter lens that fits the standard 42 mm push-on and 40.5 screw-on accessories.
About the lens Jupiter-9:
New in my collection in Feb. 2025, this very popular lens Jupiter-9 1:2.8 f=85mm for my Zorki’s and Leningrad camera’s. The lens was produced in 1978 by the LZOS company (Лыткаринский завод Оптического Стекла , Lytkarino Zavod Optychisovo Sticklo) located in Lytkarino (about 100 km Noth to Moscow).
I sourced a clean exemplary in Germany at regular price given the popularity of the Jupiter-9 (170€) with the Leica 39mm thread mount, front and rear caps plus the lens black storage canister. The lens is popular especially among videographers due to its peculiar bokeh and perfectly round shaped diaphragm made of 15 blades.
Originally, the Jupiter 9 is based on the design of the Carl Zeiss Sonnar designed for the Zeiss Ikon Contax in the years 1930’s. Production began in USSR in 1948, when the lens was initially called the ЗК-85 (Sonnar Kransogorsk) and it was assembled using mostly German parts in Contax/Kiev mount. The lens was also adapted to Zorki (M39) mount to fit the Zorki cameras early in production It appears, for both Zorki and Kiev mount, in a 1949 catalogue. By 1951 the name changes to Jupiter 9 (Юпитер-9). The lens has seven glass elements in three groups; a single glass at the front, and two cemented groups of three. All versions of the lens are coated. It was made by the KMZ (Красногорский механический завод, Krasnogorski Mekhanicheskii Zavod) and LZOS factories, in Leica 39 mm thread mount for Fed and Zorki rangefinders, but originally it was a Contax bayonet used in Kiev cameras. Jupiter-9 lenses were also made at the Arsenal factory in Ukraine, for Kiev rangefinders,but initially released as KMZ. It was later adapted for M42-mount Zenit SLR cameras, with an M24×1 thread mount.
Lexis Nexis Publishing, Canadian Authorship
Game Developers Conference, Moscone Center, March 25th-29th , San Francisco
A small photo tour in Lyon Croix-Rousse by an afternoon of November, 5, 2022.
The film used was a Kentmere Pan400 exposed for 400 ISO. This film is also distributed as AgfaPhoto APX400 and UltraFine Xtreme-400. It was exposed using my Nikon F Photomic FTN (year 1971) and its normal lens Nikkor-S Auto 1:1.4 f=50 mm.
November 5, 2022.
69001 Lyon
France
The film was processed using Adox Adonal (identical to Agfa Rodinal in its latter formulation) developer at dilution 1+25 for 11 min 30 at 20°C. After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
All frames of the film are presented either in their print-framed version or the full-size 24 MP picture.
About the camera:
Late-period Nikon F, chrome body in 720xxxx serial number, produced in Tokyo, Japan, between 1971/01 and 1971/03, with operating Photomic FTN finder, standard Nikon-S Auto 1:1.4 f=50mm, matching Nikon hood shade HS-1 and Nikon L-39 52 mm UV-protection filter.
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Governor Kay Ivey gave remarks to the Rural Developers Summit Wednesday October 26, 2021 in Montgomery, Ala. (Governor’s Office/ Hal Yeager)
AppsterHQ
Miami, FL
(844)277-7837
Appster works with high tech start ups that are altering the world with technology, entrepreneurs who are revolutionizing their businesses with amusement visionaries and company tools letting us construct games much like Angry Birds!
Facebook: facebook.com/AppsterHQ
Linked in: www.linkedin.com/company/appster
Google Plus Page : plus.google.com/117177620319268457969/posts
Dribbble: dribbble.com/Appster
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Photograph from Mobile Developer Summit 2010 held in Bangalore, India, 10 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
Trondheim Developer Conference 2016
31 October 2016
@ Clarion Congress, Trondheim
Higher resolution version of this image available from kristina.brend@gmail.com
Photo credit: Wil Lee-Wright/trondheimfoto.no
Photograph from Mobile Developer Summit 2011 held in Bangalore, India, 2-3 November 2011, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
The developer for the legendary Kodak Technical Pan film. I found this packet (or rather, a whole box of them) about to be thrown away at a camera store.
Photograph from Mobile Developer Summit 2010 held in Bangalore, India, 10 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
AppsterHQ
Miami, FL
(844)277-7837
Mobile App Development San Diego
Appster works with high tech start ups that are altering the world with technology, entrepreneurs who are revolutionizing their businesses with amusement visionaries and company tools letting us construct games much like Angry Birds!
Facebook: facebook.com/AppsterHQ
Linked in: www.linkedin.com/company/appster
Google Plus Page : plus.google.com/117177620319268457969/posts
Dribbble: dribbble.com/Appster
Darwin CBD, Northern Territory, Australia.
A typical Darwin scene, where developers hold sway.
Some roads may be wholly or partially blocked for days or weeks.
An interesting side issue with exponential development is the almost parasitic growth of the traffic control industry, largely staffed by overseas backpackers (mainly well educated Irish female 20-somethings) who can earn 6 figure salaries.