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A bunch of old developer chemistry (from the '60ies it seems) I recently found at a garage sale. I'm planning to try them out soon...
Paranjape Schemes’ Forest Trails is a premium residential project in Pune. Forest Trails is a lavish bungalow society set across 140 acres of sprawling hill land in Bhugaon, Pune. Independent tween & row houses with a choice of different styles and sizes of bungalows set in a backwoods ambiance.
What's Consumer Experience?
Within the website design world we cope with the 2 words “user experience” quite frequently. Development snobs maybe have you believe UX (short hands for Consumer Experience) is really a sub-portion of design coping with the interaction from a person along with a tool (PHP developer, application, device). This is correct from the strict development perspective, but from the bigger picture consumer experience is EVERYTHING. Google’s unlocked this mystery. They’ve recognized that to be the best internet search engine is about helping users answer their questions the quickest and presenting information which makes sense.
Let’s take a look at Consumer Experience out of your perspective as you’re searching for any spot to eat tonight.
You look for something similar to “best restaurant” the next happens:
As rapidly as possibly you’re given a summary of relevant results (including using their immediate geographic region) individuals products are purchased appropriately (magically) and so the user clicks each - finds on every website they require to consider on where you can eat - and books a table.
Boom, really quite simple. Bing is spending so much time to increase “user experience” in evaluating PHP developer (see “Google Mobile Update“), page load occasions, time-on-page, bounce-rate, etc. all so that they can connect users using the best pages (which will answer their questions or enable them to using their immediate needs). Google’s becoming your very best friend…
GOOGLE’S My Mate, MY Visit GUY - BUSINESS REVIEWS HELP
Years back we'd a possible client who wanted to produce a network - the “GoToNetwork” - a spin on BNI - whereby people would meet, talk business, and refer one another business. Because, the founders described, everybody has their “Go To Guy… that guy discussion exactly best places to go, or how you can fix your condition.Inches
Bing is becoming our “go to guy.” By knowing all the PHP developer on the internet, and analyzing countless data points, Google has the capacity to rapidly withdraw recent results for you while you look for “best restaurant” one Friday evening as to consider a location to consume.
Insightec, developer of ExBlate 2000, MRI guided Focused Ultrasound Surgery, or MRgFUS, treats uterine fibroids non-invasively in an out patient setting without the need for general anesthesia or hospitalization, greatly reducing recovery time and the risks of side effects. www.uterine-fibroids.org/
Just out of the box ist das Ergebnis von Irident Developer eher überhaupt nicht toll. Naja, halt sehr natürlich. Da gefällt mir das Bild von Capture One besser. Aber ich schau mal, was sich noch machen lässt.
Kamera: Sony RX 100 II
Software: Irident Developer 3.01
for some, i may have overcooked the red/yellow color channels in my b&w conversion. but i kind of liked this dramatic lighting effect it achieves.
my lil' girl tugged on my arm right between these shots, hence my alignment was was off. lol.
this is my newest developer recipe/experiment... i'm calling it CaffandHalf, and i was shocked at how well it has turned out for me.
cheers.
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My new photography blog has yummy ice cream you can download! And fuel additives you can add to your car to triple your mileage!
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If you’d like to view my images larger… While I only allow my contacts to view my larger images (I generally upload at least 800px images on the long axis)…
a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. This is frequently how I view others’ ‘streams, and it will put a large image on black. just click the projector screen icon next to the stream or set. : )
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on 01 jan 2010, I began a new journey w/ a flickr 365 group that i formed. The idea is that I strive to push myself daily; by exploring techniques, ideas, and experiments.
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A Kodak Tri-X with my Zorki 1 type D (year 1955), Lyon, France, January 25 an 26, 2023. Since tenth of days, the weather was invariably very cloudy with 0-3°C (mild temperatures for a Zorki...) making the outdoor scenes very flat and colorless.
The Zorki camera was loaded with a 36-exposure Kodak Tri-X, with its leader trimmed for old Leica's. Outdoor, the Industar-22 lens was equipped with a 36mm push-on "1A" (likely the so-called "Skylight") filter and unknown brand (not FOCA) and a generic metal cylindric shade hood. Indoor, only the shade hood was used. After solving the problem of the stiff rewind mechanism, the film advance was flawless all along the 36 exposures.
Expositions were determined using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. The possible slight absorption of the 1A filter was corrected by +0.5 EV.
Typically the indoor views at the Musée de la Résistance were exposed at 1/20s or 1/30s and full aperture 1:3.5 and outdoor views were at 1/60s at 1:5.6 to 1:8.
January 25, 2023
69004 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+50, 20°C for 14min.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented (with resizing for overlapped ones) in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was deposited the custom receipt and a film label of Agfa negative-color CN17 likely from the 60's.
the used etching and developer fluids has to be picked up by a recycling company that can deal with this chemical waste.
Sitting in the dev corner means you may get attacked by polar bears. Come armed with at least a nerf gun, some ZURB balls and maybe a hammer
ZURBwired 2009: Meet Pie Ranch, a thriving, hands-on farm and food education center. Their mission is to inspire urban and rural people to know the source of their food and to improve the health of our food system from seed to table.
The ZURBwired 24-hour marathon is where our team and the team from one lucky local nonprofit get together to do something great in 24 hours. We spend the day helping the nonprofit solve a big challenge; whether it be marketing for an upcoming event, or completely overhauling their brand—and we get it all done in 24 hours.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
magnifying glass macro shot If I remember right.
Pentax MV SMC 50mm 1:2
HP5@1600asa in HC-110 for 11min
First stopper came out easily, developer dark brown/grey powder (no needles, it's Fredol Quinol, look below) nice and dry. Second stopper crumbled as always. The act/cons started light brown and became white at the bottom and needed some fiddling.
But did the brown solution wòrk!? you shout impatiently in my ear...
Yes yes it did, it did. (Always those silly questions.)
btw I know Fredol only as anti-migraine, with lots of caffeine... but a century ago Fredol/Quinone was quite modern, the (metol related) metamizole made a very stable developer.
If you need to use colors only, to indicate teams or opponents, make certain to select a colorblind-friendly color scheme as default. mobile app developer can observe a few examples of those palettes here.
2. Select the best Font Type & Size
You may make things a great deal simpler for users with lengthy-sightedness or any other visual impairments while on an appropriate font size. Although Apple and Google offer guidelines on minimum font size within their guidelines, you might like to increase the dpi when thinking about individuals with various abilities.
It is also remember this that utilizing a consistent font during your application can make it much simpler for the eyes to remain adjusted. This can save your valuable eyes from getting to operate so difficult, making the application more fun.
Whenever we can, use simple text formatting to share your message. Any classic font against an ordinary background could be read effortlessly. Keep in mind that next time you need to explore fonts!
There are several cognitive advantages to utilizing a well-sized font too. It’s much simpler for dyslexics to see a properly-sized simple font because the letters aren't as near together. If you're able to get the font size correct, then it ought to be simple to make all of your mobile app developer or game accessible too.
3. Focus on Buttons
Buttons could possibly be the most challenging part of engaging by having an application or game for that visually impaired. A few of the issues that users encounter include buttons being they canrrrt press or buttons being too close together.Just like font size, both Google and Apple provide guidelines for button design and minimum button sizes. You should use the following tips to start with and then suggest enhancements after that.
Buttons will not be close together, however if you simply absolutely must have buttons close together, make certain mobile app developer large enough to pay for that tight contact area.
Flex Crash Course led by Adobe's Ted Patrick at the Ribbit Spawn- Sunday, March 16, 2008 - developer.ribbit.com
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Tudor Grange House at Blossomfield Rose Care Home.
It was previously called Blossomfield Park.
The sun and blue sky is back after days and days of foggy conditions at the end of the year.
Got off the bus early for a quick walk through Tudor Grange Park to Solihull Town Centre.
The house and parkland was the estate of the Bird Family of the Custard Factory fame.
But had been formerly part of Solihull College before it became empty, until developers turned into a care home, and built new buildings to the right of here.
Grade II* listed building
Reasons for Designation
Tudor Grange, Solihull is designated at Grade II* for the following principal reasons: * The house contains a series of carefully designed reception rooms which incorporate panelling, plasterwork, antique glass panels and tilework of considerable quality. * Tudor Grange is an interesting example of a new type of late-C19 house which was built for a generation of confident businessmen who did not establish themselves as country gentlemen but preferred to build houses which were within easy reach of their businesses but enjoyed the attributes of country house life. * The plan form of the house has been little altered and all of the principal areas and many of the different rooms can be identified. * The exterior of the house, with its joined stable block, terracing and walling forms a coherent group.
Details
SOLIHULL
732/0/10042 BLOSSOMFIELD ROAD 24-OCT-08 Tudor Grange House and Stable Block
II* A large suburban house with attached stable block. It was designed and built in 1887 in a loosely Jacobean style by Thomas Henry Mansell of Birmingham for the industrialist Alfred Lovekin with panelling by Plunketts of Smith Street, Warwick. The house is of red stretcher bond brick with ashlar dressings and a tiled roof and has two storeys with attics and basement. The stable block is T-shaped in plan and attached to the west side of the house. EXTERIOR: The northern entrance front has a near-symmetrical centrepiece which is recessed at first floor level and above but which has a projecting three-bay porch to the ground floor with door to the right. At either side are projecting, gabled wings and these and the central bay all have shaped outlines to their gables. The windows to the ground and first floors are mullioned and transomed, and there are projecting bay windows to the ground floor at either side. There are panels of carved stonework, particularly around the porch, featuring strapwork and grotesque masks. A further bay to the east then joins to the low wall screening a service court and this in turn joins to the stable block. Extending to the west is a single-storey range of two bays added by Sir Alfred Bird with a square bay window and small, elaborately-carved oriel capped by a battlemented parapet. The garden front is composed with deliberate asymmetry, having five bays with shaped gables to the left of centre and far right and a canted and square bay, each of two storeys, as well as a single-storey bay to the far right. At the west end is a low screen wall which connects to the stable block. To the far east is a portion of walling, the southern side of which was formerly inside the conservatory. Attached to this are concrete containers attached to the wall which are moulded in immitation of rock. The skyline on both principal fronts has a very full array of clustered octagonal chimneys with moulded caps. The balustrade at the top of the wall has moulded balusters and the balustrade piers are surmounted by statues personifying a variety of figures including Hercules, Brutus and William the Conqueror some of which were carved by White's, according to George Noszlopy, who has identified the overall scheme as based on late C16 and early-C17 English engravings of heroes from Greek mythology, Roman Emperors and characters from English legend, some of which were added by Sir Alfred Bird who employed Robert Bridgeman. INTERIOR: The ground floor plan approximates to a double-pile plan with a large central staircase and entrance hall at either side of which are corridors leading to the former conservatory and the kitchens and service court. The ground floor has a series of lavishly decorated rooms, including the Dining Room, Morning Room, Drawing Room and Music Room. The Jacobean and Elizabethan styles are freely mixed and there are also elements of Georgian joinery, particularly in the Music Room. Each room has an elaborate fireplace with a carved oak surround and overmantel and panelling to dado height. Many of the fireplaces have tiled cheeks by the De Morgan or Ruskin potteries. The plaster ceilings are decorated with strapwork, fruit and flowers in high relief. Many of the windows contain panels of stained glass of good quality showing coats of arms or mottoes. Several also have panels of Flemish or German C16 or C17 glass. The Study and Music Room are particularly sumptuous, with richly carved woodwork. The Study, which was added to the earlier house by Sir Alfred Bird in the same style, has a screen of free-standing columns behind which is a small, richly-modelled, barrel-vaulted ceiling and, in the Music Room, there is panelling to the full height of the walls, divided by Ionic pilasters with panels of bay leaves to their lower bodies and strapwork and masks above. To the western end of the room are fitted cabinets with glazed doors and a smaller, central fireplace with flambeau glazing to the tiled surround. Above is an inset tapestry panel running the width of the wall showing a Tudor hunting scene. Sir Alfred Bird was a collector of Old Master paintings and several of the panels in the Music Room and Hallway have buttons to their lower rims which allow the panels to be removed and it is possible that pictures were incorporated into the panelling with a mechanism to release them in the event of a fire, as is the case with the heavy frames at the Wallace Collection and other C19 collections. The panelling is recorded as being fitted by Plunkett's of Warwick, and it seems likely that they were responsible for fitting out the rooms in their entirety. The staircase hall contains further panelling and the window has nine panels of Flemish or German glass. To the first floor one bedroom has a fireplace with richly figured wood and ivory inlay. There is a first floor corridor with housekeepers' panelled cupboards to either side and Lyncrusta wallpaper and the former bedrooms contain a series of fireplaces with wood or cast metal surrounds.
STABLE BLOCK: The stables, with coach houses and, possibly, garaging are attached to the west side of the house. They have a T-shaped plan. The cross-stroke is oriented north-south and has a partially-glazed roof. The stables were arranged at either side of the central passageway of the downstroke, which runs east-west, but these have now been re-arranged to form teaching rooms. This part of the building is also richly decorated, with statuary and a louvered octagonal bellcote to the skyline and ball and sceptre finials. Several of the original windows have been replaced with uPVC windows and the openings appear to have been enlarged.
SUBSIDIARY FEATURES: Terrace Balustrade and Stone Bench: Immediately to the south of the house is a terrace which is bounded to its south and east sides by a stone balustrade which has oval and diamond motifs and a moulded handrail. The balustrade connects at its east end to the foundations of the former conservatory. On the terrace is a stone bench with shaped ends which include lions masks and to its back it has a cresting incorporating carved acanthus leaves. HISTORY The opening of the Birmingham-Oxford Railway in 1852 caused the initial expansion of Solihull's urban area and throughout the later C19 and much of the C20, the borough has expanded to become an affluent commuter suburb of Birmingham. Tudor Grange was built for Alfred Lovekin of Adie & Lovekin, jewellers and silversmiths in 1887. The company manufactured a wide range of silver fancy goods at the end of the C19 and had a factory in Regent Street, Hockley. In 1894 they commissioned Mansell & Mansell to design a new factory for them at 23, Frederick Street, Birmingham which became known as `Trafalgar Works' (Grade II). Lovekin's wife died in 1900 and in 1901 the house was sold to Alfred Bird, son of the founder of Bird's Custard Company. He enlarged the house, adding the library and a sizeable conservatory to the east, and had Blossomfield Road moved northwards, away from the entrance front, and built a new entrance lodge at the end of the re-configured drive. He also employed Robert Bridgeman to ornament the house with statuary and furnished it with an extensive art collection which included paintings and also with panels of C16 and C17 Flemish stained glass, which survive in situ. Alfred Bird became M.P. for Wolverhampton West in 1910. In 1920 he was knighted and in 1922, the year of his death, he was made a baronet. His widow lived on at Tudor Grange until her death in 1943 and the house is believed to have been used as a Red Cross auxiliary hospital during and after the Second World War. In 1946 the house was bought by Warwickshire County Council and became a school for children with special needs until 1976 when it became part of Solihull Technical College.
REASONS FOR DESIGNATION DECISION Tudor Grange, Solihull is designated at Grade II* for the following principal reasons: * The house contains a series of carefully designed reception rooms which incorporate panelling, plasterwork, antique glass panels and tilework of considerable quality. * Tudor Grange is an interesting example of a new type of late-C19 house which was built for a generation of confident businessmen who did not establish themselves as country gentlemen but preferred to build houses which were within easy reach of their businesses but enjoyed the attributes of country house life. * The plan form of the house has been little altered and all of the principal areas and many of the different rooms can be identified. * The exterior of the house, with its joined stable block, lodge, terracing and walled garden forms a coherent group.
SOURCES John Cattell, Sheila Ely, Barry Jones, The Birmingham Jewellery Quarter, 2002, 219; George T. Noszlopy, Sculpture of Warwickshire, Coventry and Solihull, Liverpool University Press, 2003, 301.
During PNTAX, developers and Soldiers assessed how more than 80 mounted, dismounted and NAVWAR capabilities and systems operated within a replicated real-world, anti-access and area-denied environment. (Photo by U.S. Army)
Mean Stack online training courses in Gangboard helps you a lot in mastering Javascript. This course will make your career to get huge jump with best salary in industry. In this course you will be given full theoretical knowledge classes by the best and experienced tutors. Front End and Back end Developers are using Mean Stack platform for utilizing the webpages.
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Adobe's Ted Patrick dives deep into Flex at the Spawn. Sunday, March 16, 2008 - developer.ribbit.com
Tripod mounted shot of a the buds on a Hyacinth plant. This was taken indoors using a Canon 50d and Canon 100mm f2.8 macro lens using only natural light and then tweaked a little in PSE 9.
I decided to compare the four different film developers I've got in stock. They are: HC-110 (dil. B), Pyrocat HD (1+1+100), Rodinal (1+50), and Xtol (replenished stock). This is a comparison of the results. Can you tell which is which? All times were taken from the Massive Dev Chart. Scanned in Vuescan with the multi exposure option checked.
In order, they are:
Top left: Kodak HC-110 (B)
Top right: Agfa Rodinal (1+50)
Bottom left: Pyrocat HD
Bottom right: Kodak Xtol (replenished)
Taken at the Pennsylvania Military Museum in Boalsburg, PA.
Camera: Hasselblad 500C/M
Film: Ilford HP5+
Get more details about ColdFusion here: www.cfDevshop.com/ To build a dynamic site in this present world is simple yet to keep up it is a bit hard job. An expert and master Coldfusion designer will make the assignment easier however it is not so easy to find an expert but they are real sagas in technology. Hiring a ColdFusion Developer to get highly effective web applications is a vibrant and successful thought.
Kyocera Slim T (Japanese version of the Yashica T4), Carl Zeiss Tessar 35mm f3.5 *T, Kodak T-Max 400, self developed in Kodak T-Max Developer, 1+4, 6 min @ 24C
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