View allAll Photos Tagged Develope
Busto Arsizio - Scorcio Urbano
Febbraio 2025
Nikon FE
Nikkor 35mm f2 AI
Fomapan 100
Bellini Hydrofen 1+31 x 9 min
Varese - Scorcio urbano
Aprile 2026
RolleiFlex 2,8C
Schneider-Kreuznach Xenotar 80mm f2,8 + yellow Filter -1 stop
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Busto Arsizio - Scorcio Urbano
Aprile 2025
Nikon FA
Nikkor 35mm f2 AI
Fomapan 100
Bellini Hydrofen 1+31 x 10 min
Milano Centro - Scorcio Urbano
Marzo 2025
Hasselblad SWC
Biogon 38mm f4,5
Kodak TMax 100
R09 Studio 1+30 x 10 min
Habitat: Rocky or sandy soil.
Range: Ontario, Quebec, south to New York, Ohio, Indiana, Illinois and Wisconsin.
Flowers: July-August.
Castellanza - Scorcio Urbano
Gennaio 2024
Rolleiflex 3.5C
Zeiss Planar 75mm f3.5
FomaPan 100
R09 Studio 1+31 x 10min
Oct 22.
Probando el carrete que dice tener la mayor resolución ADOX CMS 20 II PRO
Pentax LX - SMC K 28mm - Adox CMS 20 II pro - Pyrocat HD Semistand 28 min
Milano - San Siro
Giugno 2023
Scorcio Urbano
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Fomapan 100
R09 Studio 1+31 x 10 min
Ä°rem is an ex volleyball player. Her looks come from there, those wild and warrior type of looks develope naturally on volleyball players.
Any sort of comments that include harrassment, sexuality, pornography or related will be deleted and I will block the user. I dont post any of my Ä°mages for such related purposes and I have responsibility for all the models that Ä° made shoot with. I never saw and let anybody see those images neither models as pornogrpahic material. Thank you for all who were/are/ will be kind and respectfull.
Busto Arsizio - Scorcio urbano
Aprile 2026
Canonet G-III QL17
Canon 40 mm f1,7 + yellow filter -1
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Milano Gallaratese - Febbraio 2023
Scorcio Urbano
Leica IIIF (1951)
Leitz Elmar 50 f3.5 LTM (1949)
Fomapan 100
Hydrofen 1+39 x 8 min
1835AD, 17th October, Galapagos, Darwin is picked up from the Galapagos island.
Having spent 5 weeks in the Galapagos islands Darwin brings back on board a reasonable sized haul of plants, animals, rocks and insects. From here Captain FitzRoyreturns HMS Beagle to Albermarle Island and spends the night sailing along the coast. At this time the currents were week and so HMS Beagle sailed on to Wenman and Culpepper Islands. On the evening of the 20th October strong winds develope and so the crew raise the sails and set course for the Island of Tahiti, 3,200 miles.
This picture is based on the painting HMS Beagle in the Galapagos, 17 October 1835 2.15 p.m., by John Chancellor.
Name: Ling Xiayou, 17
Hometown: Linlu, China
Likes: Family, working with the animals from our farm, confident woman to look up to
Dislikes: my boring life, my lack of self awareness
Why I should be picked for Maxine’s My New BFF 4:
My whole life i only worked on my familiys farm. I dont know much about the life outside my little village. Me and my 2 best friends bought a little old tv to watch all of maxines bff´s season. I love how confident Maxine is. She is everthing i want to be: strong, sexy, classy, smart and talented. I want to be on her show, to finally meet her and to learn a lot from her. The whole village put together all the money they saved to buy me my ticket to the states. So i am ready to go on a new adventure- together with Maxine.
_____________________
Thanks for extending the deadline! After my latest contestants i thought it would be about time to create a character with a background that i can develope. I know my Ling kinda sounds boring, but i have a lot in my mind i can do with her character. It would be great to have an oppertunity to create a character people will like instead of hate :D
Im kind of in a rush, so i wasnt able to edit out her joints. Im sorry for that >.<
Castiglione Olona - Scorcio Urbano
Dicembre 2025
Hasselblad SWC
Zeiss Biogon 38mm f4,5 + yellow filter -1
Rollei SuperPan 200
Bellini Hydrophen 1+30 x 10 min
Canale Villoresi - Tornavento
Gennaio 2023
Hasselblad SWC (1968)
Zeiss Biogon 38 mm f4,5
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 9 min
ed il facile respiro..
..avanza nei ricordi,
di quell'ultimo sospiro.
un albero della valle
_______________________________________________
fotocamera analogica di medio formato Salyut-C + 90mm f/2.8
pellicola iLford Delta iso 3200 sviluppata e scansionata by myself 08/09
Milano Gallaratese - Scorcio urbano
Giugno 2025
Canonet G-III QL17
Canon 40 mm f1,7 + filtro giallo -1
Fomapan 100
R09 Studio 1+31 x 10 min
Busto Arsizio- Scorcio urbano
Maggio 2026
Nikon F2a
Nikkor AIs 28-50 mm f3,5 + filtro giallo -1 Stop
Kodak Eastman 5222 double-x 250 asa
Bellini Euro HC 1+31 x 6 min
A further test of the enhance function in LR's Develope module, this time with an image taken with a 10Mp body.
Singapore New Parliment House.
Used to be a dirty but busy port where all ships had to sail pass to reach the shop houses at Boat Quay and clarke quay for business trade, Singapore river is now clean and well develope into a tourist attraction plus financial district after 1970. But some of the old structures are still remain like the cavanagh bridge and the shop houses were evolved into restaurant, pub and bars to attract visitors.
Busto Arsizio - Scorcio Urbano
(test Kiev-5 + Jupiter 8 NB 50mm f2)
Aprile 2022
Kiev-5
Jupiter 8 NB 50mm f2
Fomapan 200 @ 320
R09 One Shot 1+50 x 11 min
test shot for self-develope B/W film.
-
Yashica FX-3 + CZ Distagon T* 35mm F2.8
Strobe : 580EXII bounce on right , 430EXII bounce on left
IN ENGLISH BELOW THE LINE
L'església de Sant Corneli de Collbató, amb Montserrat al fons.
Placa de col•lodió sec, mètode Major Russell (col•lodió-tanÃ), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; 1:30 minuts a f5.6.
Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, tanà i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt prà ctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mÃnim, en queden exclosos els retrats. Aquest tipus de procediment en concret, conegut com a mètode Russell, data de 1861.
cool.culturalheritage.org/albumen/library/monographs/monc...
ca.wikipedia.org/wiki/Sant_Corneli_de_Collbat%C3%B3
====================
Sant Corneli de Collbató church, in Catalonia.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Speed Graphic, made c. 1951; Graflex Optar f4,7 de 135mm lens; exposed for 1:30 minutes at f5.6
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography. This method, discovered by Major Russell in 1861, uses tannin to preserve the sensitivity of the plates once dry.
Glass plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
cool.culturalheritage.org/albumen/library/monographs/monc...
La tècnica coneguda com a "C41 bleach bypass" és la que utilitzà Spielberg a "Salvar al soldat Ryan", aixà com a la serie "Germans de Sang", i altres. Permet donar a la pel·licula en color un aire més apagat, com de record i de antiguitat alhora.
De fet, és molt bà sica, consisteix en fer el procés de revelat C41, el normal per a pel·licula en color (jo faig servir el kit casolà de Tetenal). Però un cop fet el revelat, s'esquiva el "bleach" i es va directament al fixador. Amb el kit de Tetenal el bleach està combinat amb el fixador ("blix") pel que directament revelo amb C41 i després passo a fixar amb Ilford Rapid Fixer com si fos pel·licula en blanc i negre.
Tot plegat el que fà es deixar la plata en el negatiu, incrementant el gra i afeblint els colors. El procés C41 normal primer converteix els halurs de plata en plata i això fa que s'activin els colorants; posteriorment el bleach reconverteix la plata en halurs de plata i el fixador disol els halurs de plata, deixant només els colorants al negatiu.
En aquest cas, és una foto del Hotel Suiss a Sabadell, amb Kodacolor 200 nou, i una cà mera Ihagee Exakta.
El C41 bleach bypass em sembla molt interessant per revelar pel·licula en color caducada fa decades. Els colorants son la part més delicada de negatiu en color; si han caducat, no funcionaran, però la plata si que serà revelada. Però si aleshores el passes pel "bleach", la plata es dissoldrà en el fixador i no quedarà res. Pertant crec que és la manera més segura de revelar negatius antics en color, mantenint bona part del color i amb la seguretat que alguna cosa en sortirà .
www.dzoom.org.es/bleach-bypass-fotos-de-pelicula/
en.wikipedia.org/wiki/Bleach_bypass
===============================================
The technique known as the "C41 bleach bypass" is the one Spielberg used in "Save Private Ryan," as well as in the "Band of Brothers" series, and others. It allows to give to the film in color a more muted atmosphere, like of memory and vintage at the same time.
In fact, it is very basic, it consists of doing the C41 developing process, the normal one for color film (I use Tetenal's homemade kit). But once the developer is done, you bypass the bleach and goes straight to the fixer. With the Tetenal kit the bleach is combined with the fixer ("blix") so I directly develop with C41 as usual, and then move on to fix with Ilford Rapid Fixer as if it were black and white film.
All it does is leave the silver in the negative, increasing the grain and muting the colors. The normal C41 process first converts silver halides to silver and this causes the dyes to be activated; subsequently the bleach converts the silver into silver halides again and the fix dissolves the silver halides, leaving only the dyes in the negative. So the techinque is also known as "silver retention".
In this case, it is a photo of the Hotel Suiss in Sabadell (Catalonia), with new Kodacolor 200 film, and an Ihagee Exakta camera.
The C41 bleach bypass I find very interesting to safely develope color film expired decades ago; only for C41 film, obviously, not E6 nor K14 etc. Dyes are the most delicate part of color negative; if they have expired, they will not work, even the silver image will be developed. But if you then pass it through the "bleach", the silver will dissolve in the fixer and nothing will be left. With the bleach bypass the silver remains, even if there are color dyes still present or not. So I think it’s the safest way to develop old negatives in color, keeping much of the color and with the certainty that something will come out of it.
Atri - Scorcio urbano
Agosto 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + filtro giallo -1
Fomapan 200
R09 Studio 1+30 x 9 min
Busto Arsizio - Scorcio urbano
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter -1
Kentmere 200
Bellini Euro-HC 1+31 x 6,5 min
Busto Arsizio - Febbraio 2022
Scorcio Urbano
Olympus OM-4 + OM Zuiko 35-70mm f3.6 + yellow filter -1
Rollei Superpan 200 @200 asa
Bellini Hydrophen 1+30 x 13 min
Milano Centro - Scorcio Urbano
Marzo 2025
Hasselblad SWC
Biogon 38mm f4,5
Kodak TMax 100
R09 Studio 1+30 x 10 min
IN ENGLISH BELOW THE LINE / BETTER SEEN LARGE
El poble d'Espinelves des del turó del davant, al altre cantó de la riera i sobre el tunel del Eix Transversal.
Placa de col•lodió sec, mètode Major Russell (col•lodió-tanÃ), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; col•lodió barrejat i tanÃ; 2,5 minuts a f5.6 (EV 13).
Mentre anava fent proves de plaques seques de col•lodió, vaig trobar un nou video de Borut Peterlin mostrant aquest procediment, però amb variacions. Vaig adaptar-les al meu sistema de treball i ara les plaques son molt més netes i homogenies.
Bà sicament, el sistema mostrat en aquest video implica una més clara neteja del nitrat de plata i sobretot revelar per inmersió, el que millora el detall i la uniformitat. Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, tanà i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt prà ctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mÃnim, en queden exclosos els retrats.
cool.culturalheritage.org/albumen/library/monographs/monc...
www.youtube.com/watch?v=zjxNoTjOZrc&t=2941s
ca.wikipedia.org/wiki/Sant_Mar%C3%A7al_de_Montseny
============================================================================================================
The beautiful Catalan mountain village of Espinelves, famous for it's Christmas tree market in December. Plate taken in 2023 with XIX Century ways.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Speed Graphic, made c. 1951; Graflex Optar f4,7 de 135mm lens; re-used collodion and tannin; exposed for 2'5 minutes at f5.6 (EV 13).
While testing collodion dry plates, I found a new video by Borut Peterlin showing this procedure, but with variations. I adapted them to my work system and now the plates are much cleaner and homogeneous.
Basically, the system shown in this video involves a much intense cleaning of the silver nitrate and especially developing by immersion, which improves detail and uniformity. Plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography.
cool.culturalheritage.org/albumen/library/monographs/monc...
Busto Arsizio - Scorcio Urbano
Gennaio 2024
Nikon FE
Nikkor AI 35mm f2
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 10 min
That day will come, for individuals to develope their whole potential. But only those willing to see will see.
Crespi d'Adda 2020-01-02
Hasselblad SWC (1968)
Biogon 38mm f4.5
Rollei SuperPan 200@200 asa
Hydrofen 1+15 x 4 min
Altre immagini in questo album flic.kr/s/aHsmKtU24G
Castellanza - Scorcio Urbano
Gennaio 2024
Rolleiflex 3.5C
Zeiss Planar 75mm f3.5
FomaPan 100
R09 Studio 1+31 x 10min
Samarate - Scorcio Urbano
Gennaio 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
FomaPan 400
R09 Studio 1+30 x 12 min
Twitter: @brobphoto
Nikon D300 12mm F/4 1/40s +0EV ... and consider to watch it in B L A C K
No pude resistirme a fotografiar este auto. Me gusta de siempre. La foto la tomé en Utrecht, de la que subiré un par de fotos según vaya teniendo tiempo.
El Volkswagen Sedán, denominado también Volkswagen Tipo 1, es un automóvil de bajo costo producido por el fabricante alemán Volkswagen entre los años 1938 y 2003, exceptuando la época de la Segunda Guerra Mundial. Fue el primer automóvil de la marca, y se construyeron 21 millones de unidades, superando al Ford T como el modelo único más vendido en la historia (modelos como el Volkswagen Golf y Toyota Corolla abarcan varias generaciones).
Aunque inicialmente se llamó "Volkswagen Sedán" o "Volkswagen Tipo 1", recibió numerosos apodos que luego fueron adoptados por Volkswagen en su publicidad y nomenclatura: Escarabajo en Argentina, Perú, Venezuela, Chile, España, El Salvador,Colombia y Paraguay, Vocho en México y algunos paÃses de Centro América, Cucaracha en Guatemala y Honduras, Poncho en Panamá, Pichirilo en Ecuador, Fusca en Brasil y Uruguay, Käfer en Alemania, Coccinelle en Francia, Volky en Puerto Rico, Maggiolino en Italia, Cepillo en República Dominicana, Peta en Bolivia, Garbus en Polonia (jorobado), y Beetle o Bug en los paÃses angloparlantes.
Adolf Hitler, por entonces canciller de Alemania, ideó una red de autopistas diseñadas para unir a todo el paÃs por carretera rápidamente (después el sistema se extenderÃa hasta Suiza y Austria). En principio se pensó que la velocidad máxima debÃa ser de 160 km/h, aunque finalmente se optó por que fuera ilimitada. Esta red, que se llamarÃa Autobahn, estarÃa compuesta por calzadas de tres carriles a cada sentido, con una anchura mÃnima de unos 2,5 metros cada carril; 60 centÃmetros de cemento bajo la capa de asfalto; curvas bien peraltadas; barreras a ambos lados de la calzada, y un larguÃsimo etcétera. Pero se encontró con el inconveniente de que la mayorÃa de la población germana carecÃa de automóvil. El nombre que se adoptarÃa en principio para el modelo serÃa KdF-Wagen, que significa algo asà como "A la fuerza por la alegrÃa", o Fuerza por medio de la alegrÃa.
Para ampliar información, yo he mirado en la Wikipedia y como habréis comprobado, me gusta el hecho de fotografiar autos en la calle… lo hice aquà y aquÃ.
I couldn’t help shooting this car. I’ve always loved it. Picture is taken in Utrecht, from where I will post some pictures in coming days.
The Volkswagen Type 1 is an economy car produced by the German auto maker Volkswagen (VW) from 1938 until 2003. The car was originally known as Käfer, the German word for "beetle," from which the popular English nickname originates. It was not until August 1967 that the Volkswagen corporation itself began using the name Beetle in marketing materials in the US.
In Britain, VW never used the name Beetle officially. It had only been known as either the "Type I" or as the 1100, 1200, 1300, 1500, or 1600 which had been the names under which the vehicle was marketed in Europe; the numbers denoted the vehicle's approximate engine size in cubic centimetres. In 1998, many years after the original model had been dropped from the lineup in most of the world (production continued in Mexico until 2003), VW introduced the "New Beetle" (built on a Volkswagen Golf Mk4 platform) which bore a cosmetic resemblance to the original.
In 1933, Adolf Hitler gave the order to Ferdinand Porsche to develope a "Volks-Wagen" (the name means "people's car" in German, in which it is pronounced [ˈfolksvagən]), a basic vehicle that should be capable of transporting two adults and three children at a speed of 100 km/h (62 mph). The People's Car would be made available to citizens of the Third Reich through a savings scheme at 990 Reichsmark, about the price of a small motorcycle at the time (an average income being around 32RM/week).
Erwin Komenda, Porsche's chief designer, was responsible for the design and styling of the car. Production only became financially viable, however, when it was backed by the Third Reich. War broke out before the large-scale production of the "People's Car" could commence, and manufacturing capacity was shifted to producing military vehicles. Production of civilian VW automobiles did not start until after the post-war occupation began.
For further information, I’ve taken it from Wikipedia and as you checked out, I love to take pictures from cars. I’ve done it, here and here.
Milano Gallaratese - Scorcio urbano
Giugno 2025
Canonet G-III QL17
Canon 40 mm f1,7 + filtro giallo -1
Fomapan 100
R09 Studio 1+31 x 10 min
...whatever we do....we´re a part of the development!!!!
these are the cameras of my grandfathers robert and josef...
all my passion for photography is developed by them and so this is dedicated to them...
This is a very interesting shot..
Seeing beauty in the Nature , then you really find that everything is in the Nature.
Everything is Balance & relativity;
Everything follow co-relation Theorem
Everything is Yin & Yang co-exist!!
This chili stem measure less then half CM, but you see the details of the hair or furs here. How a plant develope natural protection system to prevent getting cold.
Just like human beings, those exposed to cold weather more have more body hair .
Nature is really amazing.
This is great capture.
Thanks for your views; comments & FAVES.
I appreciate it.
Have a great weekend.
N.B.
Sun light is from behind the plant at an angle.
I then use a aluminium food box to reflect more light to the front.