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While doing Plane Watching at Moody Air Force Base, GA. After getting drenched in this we see a Developing Storm Producing good amount's of rain.
Label reads: "Estd. 1877. McWilliam's Mount Pleasant Anne Riesling 1974. Each year specially selected riesling grapes from the same Mount Pleasant Vineyard are reserved to produce "Anne Riesling". This gives wines with a similarity in style, but because of variations in climatic conditions, these wines still attain an individual character of their own. Bottled in June, 1974, this wine has a well developed bouquet and is full and round on the palate..."
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Jasper Francis Cropsey, Born Rossville, NY 1823
died Hastings-on-Hudson, NY 1900
Greenwood Lake, 1875, oil on canvas mounted on masonite, 30 1⁄8 x 53 3⁄4 in.
Jasper F. Cropsey was born in 1823, the son of a farmer. He was initially trained as an architect under Joseph Trench, who encouraged his interest in drawing and painting. Cropsey soon developed a keen interest in landscape. Throughout the 1840s he supported himself with architectural commissions; among the most notable was New York's Sixth Avenue Elevated Railway. In 1847 Cropsey traveled to Europe and settled in Thomas Cole's old studio in Rome. In 1849 he returned to New York and traveled upstate to devote himself to the landscape work that would eventually bring him prominence as a Hudson River School painter. Cropsey's landscapes reflect his interest in the influence of nature on man's existence, a concept that was fundamental to the Hudson River School artists. He was a founding member of the American Watercolor Society in 1867.
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The Smithsonian American Art Museum is the home to one of the most significant and most inclusive collections of American art in the world. Its artworks reveal America’s rich artistic and cultural history from the colonial period to today. The museum’s main building is located at Eighth and G streets N.W., above the Gallery Place/Chinatown Metrorail station. Admission is free.
The museum has been a leader in identifying and collecting significant aspects of American visual culture, including photography, modern folk and self-taught art, African American art, Latino art, and video games. The museum has the largest collection of New Deal art and exceptional collections of contemporary craft, American impressionist paintings and masterpieces from the Gilded Age. In recent years, the museum has focused on strengthening its contemporary art collection, and in particular media arts, through acquisitions, awards, curatorial appointments, endowments, and by commissioning new artworks.
Explore the sweep of the American imagination across four centuries at the nation's flagship museum for American art and craft. Dive into inspiring artworks, the reimagined collection, and an array of special exhibitions including Glenn Kaino: Bridge. Experience our offerings both online and in person at our two locations, including national educational programs, innovative research, video interviews with artists, virtual artist studio tours, lectures, audio guides, and more. Admission is always free.
Since 1968, the National Portrait Gallery has been housed in the former Patent Office building, a structure designed by Robert Mills in the neoclassical style and built between 1836-1867. This historic building, which is the third oldest government building in the city, is shared with another Smithsonian museum, the Smithsonian American Art Museum. The building's marble and granite porticos are inspired by those of the Parthenon in Athens, Greece.
An undulating steel and glass canopy wows visitors who enter the Kogod Courtyard. Inside you’ll find diners from the museum’s café, tourists soaking their weary feet in the shallow fountain running across the space, and students taking advantage of free Wi-Fi in the light and airy setting. The modern roof seals the center of the old Patent Office Building, currently shared by the National Portrait Gallery and American Art Museum. Architect Norman Foster designed the roof to have minimal impact on the building by creating a support system that prevents direct contact and weight placement on it. Unlike most of the other Smithsonian Museums located on the Mall, this gem is found in the busy Penn Quarter of downtown D.C. It is a favorite place to bring visitors, not only for the impressive courtyard space, but also for the preserved architecture of the patent offices on the top floor. Check the Smithsonian’s website for special courtyard workshops, concerts, or events. The museum is right near the Gallery Place/Chinatown Metro on the green, yellow, and red lines.
The Smithsonian American Art Museum showcases rotating exhibits, which have previously exposed visitors to work created in response to the Vietnam War, glasswork, native women artists and more. The Smithsonian American Art Museum also operates a separate branch, the Renwick Gallery, devoted to contemporary craft and decorative arts.
One of my first prints in real black-and-white film.
I am absolutely enanamoured with the whole b/w film processing process. It's relaxing and exciting to have to wait to see what I've taken, even though I write everything down and have an idea of what it will look like.
To me it's a lot like when I was kid, waiting for letters from friends, rather than now when I get e-mail instantly.
I don't care who says what about digital vs. film, or whatever. I know that someday I will have a little closet in my house for doing this.
Ilford HP5 Plus
Shot 17
f/8.0, 1/125s
overcast skies,+1/2 EV
Print made on Ilford paper 8x10
20s exposure @ f/5.6 with +3 Magenta Filter contrast
3s burning on the sky to enhance the detail.
Cows courtesy of the farmland that I call my backyard at the moment.
Developed in the days before the Internet was fast and widely available (1998-2002), the Ontario Curriculum Unit Planner gathered research-based design, planning, and assessment strategies and promoted the development performance-task based units of study within Ontario schools. Later versions of the planner supported browsing and downloading of completed/edited units, and allowed educators the option of customizing the lessons and units within the Planner interface in response to the needs of their learners. The Planner was developed for the Ontario Ministry of Education.
A repository of units developed using the Planner is available (in PDF format) courtesy of the Faculty of Education, Queen's University at Kingston.
Camera: Bronica S2; Lens: Nikkor-P 75mm f/2.8; Film: Ilford HP5+ 400;
Developed in Rodinal (1+25) @ 19.4C for 6:20 minutes.
Nutrition
| Jul 15, 2015 1:30pm
1300 Longworth House Office Building
Washington, D.C.
Subcommittee on Nutrition
RE: Past, Present, and Future of SNAP: Developing and Using Evidence-Based Solutions
Andrés Pizarro (Asian Infrastructure Investment Bank), Anne-Lise Cœur-Bizot (RATP Group), Bronwen Thornton (Walk21 Foundation), Kyung Suk Kim (Research Institute Korean Expressway Corporation), Mohamed Hegazy (Climate Champions), and Rodrigo Da Costa (EUSPA) explores how transport providers assess and prioritise climate risks to infrastructure, while tackling the interlinked challenges of climate resilience and biodiversity protection during the session “Developing Climate-Resilient, Nature-based Transport Infrastructure”. This session is held during the International Transport Forum’s 2025 Summit on “Transport Resilience to Global Shocks” on 21 May 2025 in Leipzig.
Try #2 at developing.
Camera: Bronica SQ
Lens: Zenzanon-S 80mm
Film: Kodak TriX 320 ISO
Developed in Koday D-76 full strength for 8 minutes at 68 deg F
Scanned at 2400 DPI on an Epson perfection V700 using Epson negative holders
Stock Epson settings for scan
Slight tweaks for contrast in Photoshop
Unsharp Mask 41:52:12