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Canonet QL17 40/1.7
Kodak ImageLink Technical film
Exposed like ISO32
Developing R09 1:100, 20C, 40min.
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.
Enough time in the air and you develop the agility of a mountain goat. I would have no trouble walking that beam, if it was six inches off the ground.
And yes, it is standard summertime procedure for crane operators to work with their sock feet propped up on the dashboard.
A larger collection of photos of this building project can be viewed on this Internet Archive page.
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Photo © 2017 W.H.Wilson
Text © 2020 W.H.Wilson
Thank you.
The Maya was the only civilization in the Americas to have developed its own alphabet, which they used to decorate stellae and art objects, as well as to even write on paper, which they have invented as well independent of the Old World's civilizations; unfortunately virtually all of their books have been burned by the Spanish during the Conquista.
Pictured here is an item belonging to the collection of art of the Ancient Maya exibited by the Museo de Antropologia, perhaps, the best museum in the world dedicated to Pre-Columbian art. The diversity, the quantity - and the quality! - of its exhibits is truly astonishing, even though I have seen quite a few of such museums in my life.
Цивилизация Майя - единственная в Западном полушарии, которая независимо от Старого Света изобрела письменность; иероглифами украшались стеллы и предметы искусства, и майя даже писали книги на бумаге, которую они также смогли изобрести самостоятельно! (К сожаление практически все их книги и тексты были сожжены испанцами во время Конкисты.) На фото - предмет из коллекции искусства древних майя Музея Антропологии в Мехико - пожалуй, лучшего музея в мире в сфере искусства Доколумбовой эпохи. Разнообразие, количество - и качество! - его экспонатов меня потрясло, хотя мне довелось побывать во многих музеях такого профиля.
IDIA is developing a virtual living museum in Blue Mars bringing to life the well-known 1920's and 1930's Lynd Study of Middletown America- specifically a simulation of the Ball Glass Factory - incorporating Non-Player Character avatars, bots and our interactive HUD system for navigation and learning.
The mission of the Center for Middletown Studies is to build on the scholarship inaugurated by Robert S. and Helen Merrell Lynd in their landmark studies Middletown (1929) and Middletown in Transition (1937). These in-depth accounts of life in Muncie, Indiana, became classic sociological studies and established the community as a barometer of social trends in the United States.
IDIA is working deeply with the advanced graphics capabilities of the Cryengine in Blue Mars to create a high effect of realism incorporating parallax mapping, detail mapping, volumetric lighting, as well as advanced interactive tools.
Camera: Leica M6
Film: 35mm Ilford Pan 50
Lens: Voigtlander 50mm
Self Developed in HC110
Scanned with Epson v600
On September 7, 2024, at the annual photo fair of Saint-Bonnet-de-Mure, France, I found this Meyer-Optik Görlitz lens Oreston 1:1.8 f=50mm in M42 mount that I wanted to associate to my Praktica IV SLR camera body.
The lens was in acceptable condition for 20€ in the range range of price of my Praktica IV. Both were manufactured in Dresden, Germany in the year 1960’s. Oreston lens was marketed starting from 1965 in order to equip, in particular, the Praktica Nova that was anticipated to be produced massively by Pentacon for exportation (zeissikonveb.de/start/objektive/normalobjektive/oreston.html).
Oreston was a modern normal lens 6-lens double Gauss type, capable to compete with other foreign productions of that time, with a large aperture, automatic diaphragm mechanism, and optical performances that could not rival to Zeiss Jena productions (as the Flexon and Pancolar) but still very near at medium apertures.
For testing the lens, I loaded a 36-exposure black-and-white Fomapan 100.In the Praktica IV equipped with the Oreston lens. The lens was equipped a generic Yellow 49mm screw-on filter and a cylindrical modern shade hood for the views taken. The expositions were determined for 64 ISO instead of the nominal 100 ISO to compensate the filter light absorption, using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas or with the integrative dome for measurement of the incident light.
September 10, 2024
69001 Lyon
France
After complete exposure, the film was revealed using Adox Adonal (Agfa Rodinal) developper at dilution 1+50 at 20°C for 9 min. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg plus some documentary smartphone color pictures.
About the Praktica IV camera :
I got the camera body Praktica IV and a set of related KDH Leipzig accessories from an eBay seller near Paris, France.. The whole arrived to me on January, 31, 2024, in Lyon, France.
The Praktica IV was designed by the prestigious KW (Kamera Werk Niedersedlitz) German company in Dresden on the basis of their previous Praktica FX SLR camera's. The camera was produced first under the KW name starting from June 1959 then within the Kombinat VEB Pentacon after the merge of the company in 1960.
166.800 Praktica IV and V (6 models) were produced until January 1966. Praktica IV essentially incorporates a condenser focusing screen plus a pentaprism. Due to the Praktica FX architecture the Pentaprism looks protruding from the camera body with an unusual style. It fits lenses with M42x1 mount and the mirror has no automatic return. The shutter is made of two horizontal curtains of rubberized fabric giving 1/500s to 1/2s plus B in two registers of slow speeds (1/2s to 1/10s) and high speeds (1/25s to 1/500s). The film is advanced coupled to the shutter cocking using either the right upper button or the rapid lever underneath the body.
The Praktica IV handles the "Auto" M42 lenses with the lever for automatic iris closing upon the release. Sequentially, when pressing the shutter release button, the diaphragm closes to the indicated value, the mirror is lift-off and finally the shutter is erased at the given value. If a non-auto (manual closing) M42 is used the pushing lever could be cancelled (declutched) moving a small red button to the right in the mirror chamber.
The camera camera came without lens but with a body cap and the original ever-ready leather bag with et "Ernermann tower" Pentacon logo. This model is likely the second Praktica IV essentially the same as the initial KW one with a different front plate. The camera was likely art of a collection and is completely preserved without use marks.
The KDH Leipzig (Kurt-Dieter Huffziger Foto- und Kinozubehör) accessories set included:
-A panoramic tripod head
-A set of three extension tubes M42x1)
- A big aluminum shade hood (screw-on 49mm) for wide-angle lens.
- A M42x1 metal body cap in its original box.
- An accessory shoe fitting the the Praktica IV eye piece.
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Developed: 9.2.2011
Minolta X-700
MD Rokkor 50/1.7
Kodak Tri-X 400TX @ 1600
Rodinal 1:100, stand development
10 min. presoaking @ 20C
60 min. developing @ 20C
* agitation: first 30 s
5 min. Hypam fixer @ 20C
* agitation: first 30 s + 10 s every min
ANTALYA, TURKEY - MAY 29: Amir Mahmoud Abdulla, Deputy Executive Director, World Food Programme delivers a speech during the High-Level Round-table 4 meeting on "Multiple crises and other emerging challenges, mobilizing financial resources for development and capacity-building" as part of the Midterm Review of the Istanbul Programme of Action at Titanic Hotel in Antalya, Turkey on May 29, 2016. The Midterm Review conference for the Istanbul Programme of Action for the Least Developed Countries takes place in Antalya, Turkey from 27-29 May 2016. Gökhan Balcı / Anadolu Agency
Developing Film in Coffee
2013.01.19 photoed in New Taipei City, Taiwan
咖啡顯影
2013年1月19日於新北市
Caffenol-C-M 14mins
Take the opportunity to develop your existing surfing ability or start from scratch, a surf lesson on a one to one basis with a qualified BSA instructor. Ask all the questions you like in your two-hour lesson, and practice your skills. This one to one will guarantee improvement in surfing confidence and surfing ability.
Des Moines has a small, developing Asian garden near the Des Moines River. There are a number of guardian lions along the walkways and a small pagoda. This guardian lion is one of the larger ones.
This is an anaglyph image. Use red/cyan glasses for best viewing results.
The 2D rendering of this picture is here:
Still in the same place. I had to escape to our car to get fresh batteries for my camera. When I got inside, the car was surrounded by kids. This kid happened to look straight into my camera when I was shooting.
Some of the messiness of this picture come from a dirty window.
Ph.D student Parker Roberts works in the PEPL lab on the new Hall thruster developed by a team lead by Benjamin Jorns, U-M associate professor of aerospace engineering.
Plasma thrusters used on satellites could be much more powerful
It was believed that running more propellant through a Hall thruster would wreck its efficiency, but new experiments suggest they might power a crewed mission to Mars
It was believed that Hall thrusters, an efficient kind of electric propulsion widely used in orbit, need to be large to produce a lot of thrust. Now, a new study from the University of Michigan suggests that smaller Hall thrusters can generate much more thrust—potentially making them candidates for interplanetary missions.
"People had previously thought that you could only push a certain amount of current through a thruster area, which in turn translates directly into how much force or thrust you can generate per unit area," said Benjamin Jorns, U-M associate professor of aerospace engineering who led the new Hall thruster study to be presented at the AIAA SciTech Forum in National Harbor, Maryland, today.
His team challenged this limit by running a 9 kilowatt Hall thruster up to 45 kilowatts, maintaining roughly 80% of its nominal efficiency. This increased the amount of force generated per unit area by almost a factor of 10.
Thursday, January 19, 2023
Photo by Marcin Szczepanski/Lead Multimedia Storyteller, University of Michigan College of Engineering
Camera: Pentax645+75mm F2.8
Film: Fuji provia 100F
develop: Naniwa Color Kit-N
scanner: Epson GT-X970 (without color revise)
photograph condition: bright（+1）
develop conditiion: twice time as standard
(twice time as naga film standard developing time)
A roll of Fuji 200 my mother left in a Minolta 400si with two exposures remaining after battery died.. then they gave me the camera.
Bronica ETRsi
50mm
Fuji Nepan Acros 400
Developed in Rodinal 1+100 for about 20 minutes
Taken at the Jamestown Rail Museum in Jamestown, Ca
Mechanical Puppet developed by Tatyana Mustakos during her post-baccalaureate artist residency, Summer 2020.
Shoes are made out of leather, heat molded and wet molded to fit the feet precisely.
Legs have a pulley system that runs from knee to thigh through hips into torso and out the back, when pulled they create a slight kicking motion.
Arms have a pulley system that runs from hand to forearm to upper arm to shoulder blades, When pulled raises the hands, when not pulled, gravity causes them to lower
Mouth: a pulley through the head allows the mouth to open when pulled; when not actively pulled the elasticity of the silicone face pulls it closed.
Eyes: rotation system closes eyes when pulled up - this mimics the design of antique bisque dolls with a weight on the eyes that closes them when doll is horizontal and opens when vertical.
Clothes: Shirt has hole in the back to allow for easier access to pulleys.
Internal channels stop everything from tangling as aside from pulleys the body is strung together with elastic, but an open back allows for everything to be managed and checked/observed/altered.
The system is based on 6 bike stations, respectively staffed by two employees in two shifts. Ecovolis program has proven successful in dramatically increasing bicycle use in Tirana, which, formerly, was a city without a developed bicycle culture. Ecovolis program is the first project in Albania that provides low-income adults with commuter bicycles as well as a donating program for children bicycles. The program recently completed two major steps, opening new bike stations in the city of Durrës and integrating Tourist Information Point Service to the bicycles stations' structure.
History
The Tirana Community Bicycle Albania project won financial support from the George Soros Open Society Foundation Albania (OSFA). An even larger contribution came from the US-based Pedal for Progress organization, which donated 450 bicycles. Sixty of these were used road bikes, which were modified and painted by local technicians to serve as public bikes in the Ecovolis scheme. Another portion was set aside to donate to children and to activists and volunteers at PASS. Still another portion were diverted to the project's Eco Bicycle Shop, a social enterprise which sells bikes for USD 50-150 and reinvests profits for the service and maintenance of Ecovolis bicycles. The main objective of the program was to introduce the community to an inexpensive, environmental friendly form of transport -- the bicycle; to sell used bikes at low prices; to donate bikes to the children of needy families and to PASS volunteers; to establish a bike sharing-scheme in the city (Ecovolis); and to employ financially disadvantaged people and young students to operate the bike-sharing scheme.
System
Each Ecovolis station is staffed by two employees in two shifts and contains 30 -- 60 bicycles. In order to use the bicycles it is required to provide a personal identification document (such as passport or ID card) or by subscribing to the Ecovolis membership Card.
The first black and red bicycles, (also the colors of the Albanian flag) were donated from US-organization Pedal for Progress, (which collect and donate used bicycles). As these bicycles were of different types, converting them for safe and comfortable public use took months of work. The price per bicycle varies from 60 US$ to 90 US$ each. The bicycle is equipped with a front bicycle basket, a behind carrier, a comfortable saddle and a public fender with the Ecovolis sign.
The bicycle stations also provide touristic information to the visitors and a list of the city attractions. Moreover, being a non-profit social enterprise, during particular days the program offers free bicycle service, cycling courses, donations of bicycles and helmets for children in need, bike tours and a bicycle recycle program.
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
A National Historic Landmark
Monterey County, CA
Listed: 02/27/1987
Asilomar (Spanish for "retreat" or "refuge by the sea") was designed as the Young Women's Christian Association's national camp and conference grounds in the West. It is significant for its role in the work of the Association and in the development of the Monterey peninsula as a resort area. It is also notable architecturally, as an example of its style and as an outstanding work by Julia Morgan, a noted California architect, who was one of the first women to achieve eminence in the architectural profession in the United States.
The Young Women's Christian Association (YWCA), which pioneered in recreation and leadership training for young women, established Asilomar in 1913. Previously, the YWCA's western conferences had been held at Mills College, near Oakland, California, in 1897; at the Hotel Capitola ("Guardamar"), in Santa Cruz, which burned in 1912, in 1900-11; and in tents at the "hacienda" of Mrs. Phoebe Apperson Hearst, of the publishing family, in 1912. In 1913, Mrs. Hearst, a vigorous supporter of the YWCA movement, motivated the Pacific Improvement Company (a predecessor of the present-day Del Monte interests), to donate to the "YW" 30 undeveloped seaside acres in Pacific Grove that became the nucleus of Asilomar.
The task of developing Asilomar fell to Julia Morgan (1872-1957). Morgan was the first woman to receive an architect's license in California. She had also been the first woman accepted in the architecture section of L'Ecole de Beaux- Arts in Paris. When she took on the Asilomar project, Morgan had already designed the main buildings at Mills College and additions to Mrs. Hearst's "hacienda."
The historic core of the Asilomar Conference Grounds contains 11 buildings, all designed by the noted American architect, Julia Morgan, in a rustic "Craftsman" mode intended to fit sensitively into the scenic oceanside location. Built among the dunes and Monterey pines of Asilomar Beach, the buildings utilize compatible materials such as redwood shingles and shakes, exposed stone foundations, porch piers, and fireplaces.
The focal point of the complex is the large circle flanked on the three land sides by the Administration Building (east), the Chapel (north), and the Crocker Dining Hall (south). Dormitory facilities lie to the east and north of this core. Access roadways, following Morgan's plan, wind through the complex from the massive stone entrance gates, also designed by her; retaining walls are of exposed stone; and pathways are often lined with stone where they cut into the grade. New constructionhas occurred around the edges of the historic core. It does not obscure the view from the historic structures to the sea.
The features that remain from the historic period are: the Entrance Gates (1913), Administration Building (Phoebe A. Hearst Social Hall) (1913), Crocker Dining Hall (Mary A. Crocker Kitchen and Dining Room) (1918), Memorial Chapel (1915), The Lodge (Visitor's Lodge) (about 1918), Scripps Lodge (1927-28), Viewpoint (originally the "Health Cottage") (about 1918), Hilltop ("Stuck-Up Inn") ("House of Happiness") (about 1918), Outside Inn (about 1913), Merrill Hall (1927-28), Tide Inn ("Pirates Inn") ("Reserve Cottage") (1923), Pinecrest (David Visel's Cottage) (1927-28), Along with the road plan, the Morgan-era structures are all judged to contribute to the historic significance of the complex.
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