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Developing Models for Cooperative Security
General Tea Banh, Deputy Prime Minister; Minister of National Defense, Cambodia
Richard Marles, Deputy Prime Minister; Minister for Defence, Australia
Dr Ng Eng Hen, Minister for Defence, Singapore
Audience at the signing of MoU between the Health and Family Welfare department of the Government of the National Capital Territory of Delhi and UNDP.
· Negra Pan 21 100 (exposed circa 1969)
· Yashica 635 (with 35mm adapter)
· Rodinal 1:100 1h (stand developed)
· Pakon F-135 Plus
La Yashica 635 que he adquirido recientemente tenía en su interior una sorpresa: un Negra Pan 21 expuesto. Sin apenas esperanzas lo revelé con Rodinal en desatendido durante una hora en dilución 1:100. Y aquí tenéis los resultados: una auténtica cápsula del tiempo que nos traslada a finales de los años 60, posiblemente 1969, y que pone de manifiesto la magia de la fotografía analógica. Más de 50 años después las fotos seguían ahí.
The course presents best practices to develop and operate science centres and museums relating to our natural and cultural heritage, and supporting programmes for the public.
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Foto: Lisa Zillio
Developing the right skills, acquiring complete knowledge of the fashion process and putting into practice your competencies in the best way: these are the very true secrets to become a successful manager in fashion industry.
I found Samuel Johnson's house within a maze of red brick hidden alongside Fleet Street. To be in the home of the man who wrote the English dictionary, and whose indefatigable love for obscure words became the inspiration for my own lexical obsession, this, by far, is the climax of my visit to England! The best certainly has been saved for last.
There are a multitude of portraits hanging around the house like ornaments on a tree. Every likeness has its own story, meticulously retold on the crib sheets in each room. Celebrities abound, including David Garrick and Sir Joshua Reynolds, who painted several of the finer images in the house. I have developed a particular affinity for Oliver Goldsmith, of whom Boswell writes, "His person was short, his countenance coarse and vulgar, his deportment that of a scholar awkwardly affecting the easy gentleman. It appears as though I, too, could use a more flattering description of myself!
Bronica SQ-A, Zenzanon-S 150mm, Yellow filter. Fomapan Ortho 400 @400, developed in Rodinal 1+50 10min.
this is a reflection some of us make smiles
to avoid people's frown all the things i could say about a drive to win is a loss
less charactor this is lucky the shot was quite another distant beauty
Holga 120 CFN, my second roll, self developed. Ilford HP5+ at iso 400. Rodinal 1+100, 42 minutes at 24ºC, stand developed. Too high temperature as you can notice in the grain.
Develop Your PR Skills by Lucy Laville and Neil Richardson of Leeds Business School was launched with a celebration event at the Rose Bowl, Leeds Metropolitan University, on 21 July.
This book is designed to maximise a company's potential in public relations, with a view to supporting SMEs and voluntary sector organisations who until now may not have had either the budgets or the skills to have a go at PR. It is full of relevant case studies and helpful tips, each chapter ending with a series of exercises to build the reader's confidence in practicing their own PR. It aims to help the reader to gain a quick understanding of PR concepts and principles and to learn how to use them in real life business situations. Issues covered include strategic PR, PR and the internet, working with the media, dealing with different stakeholders and customers, dealing with a crisis, using internal communications, using research to get a competitive edge, evaluating the success of your PR and ethics and sustainability.
I developed this very old film in home made microdol X with 2 ml benzotralazole for anti-fog. The dilution of the microdol was 1:3 for 17 minutes--I think a bit more dev time will tighten up the graim
The CAC Winjeel, an Aboriginal word meaning “young eagle”, was developed to meet a 1948 RAAF specification for a basic trainer to replace both the Tiger Moth and Wirraway then in service.
First flown in 1951, the Winjeel suffered a prolonged development period, which delayed it’s entry into service until 1955.
Constructed of stressed aluminium structure, and with fixed undercarriage, the Winjeel had side by side seating, with provision for a third seat in the rear to allow for intended training of two pilots at a time.
Much of the development problems related to handling problems, and in particular its spinning characteristics.
Eventually a total of 62 aircraft were built and served as the RAAF’s basic trainer for over 20 years. A planned retirement due to introduction of an “all through” jet training scheme in 1968 was abandoned, and the Winjeel maintained its training role until replaced by the CT-4 Airtrainer in 1975.
However this was not the end of RAAF service for the type, with 4 operational aircraft and others held in store for rotation, being used for Forward Air Control training.
The Winjeel was not finally retired from the RAAF until 1994, when replaced in the role by Pilatus PC-9 aircraft, ending a service period of nearly 40 years.
The Museum’s Winjeel was built by the Commonwealth Aircraft Corporation in March 1956, and spent its entire life with No 1 Basic Flying Training School first at Uranquinty NSW and later known as 1 FTS at RAAF Base Point Cook where it accumulated over 6000 flying hours training recruit pilots.
It was retired in 1977 and passed into private ownership before being acquired by the Museum in 1982.
Although suffering development problems, the Winjeel become known as a stable, reliable and rugged training aircraft and a number of Winjeels continue to fly with private owners.
Engine: 9 Cylinder radial 450HP Pratt & Whitney Wasp Junior
Length: 28 feet 0.5 inches ( 8.55 m)
Span: 38 feet 7.5 inches ( 11.77 m)
Height: 9 feet 1 inch ( 2.77 m)
Weight: 3,400 pounds (empty) ( 1,542 kg)
Speed: 157 mph (cruise) ( 252 kph)
Range: 550 miles ( 883 km)
Ha Long Bay, located in the Gulf of Tonkin, within Quang Ninh Province, in the northeast of Vietnam, is165 km from the capital of Ha Noi. Covering an area of 43,400 ha and including over 1600 islands and islets, most of which are uninhabitated and unaffected by humans, it forms a spectacular seascape of limestone pillars and is an ideal model of a mature Karst landscape developed during a warm and wet tropical climate. The property’s exceptional scenic beauty is complemented by its great biological interest.
The outstanding value of the property is centered around the drowned limestone karst landforms, displaying spectacular pillars with a variety of coastal erosional features such as arches and caves which form a majestic natural scenery. The repeated regression and transgression of the sea on the limestone karst over geological time has produced a mature landscape of clusters of conical peaks and isolated towers which were modified by sea invasion, adding an extra elemant to the process of lateral undercutting of the limstone towers and islands.
Casuarina developed by Synergy Farms - Gated community of 97 plots facing Yesaji Kank Lake on Velvandi River (Backwaters of Bhatghar Dam) near Bhor. For more Real Estate updates, visit indianconcretejungle.blogspot.in
Under the Swastika
In the history of the Friends of the Kunsthalle too the seizure of power by the Nazis is a deep cut. The Nazi regime developed a practice of arts funding which was marked by the mandatory relationship of art and state.
The enforced conformity of friends meant the loss of independence and the orientation of the association's activities to the objectives of the National Socialist government. Decisive for this change of course, was the board meeting on 10 June 1933. The poet and art historian Wilhelm Niemeyer played the key role as the representative of the Militant League for German Culture (Kampfbund). The Kampfbund was a Nazi-oriented organization which represented a nationalist-racist concept of art. Although Niemeyer since 1927 no longer belonged to the board of the association, he participated against the resistance of Gustav Pauli and the other board members at the meeting to introduce a list of the Executive Board drawn up by the Kampfbund.
As a result of the meeting Pauli on the same day sent a list of candidates for the election of the new board of the Friends to the Kampfbund. This was his last official act for the Friends of the Kunsthalle. The new board then was no longer elected but appointed by the First Mayor Carl Vincent Krogmann and was completely re-assembled, with two exceptions.
New chairman became Hermann Maetzig who also headed the official business at the Kunsthalle from the beginning of October, Pauli in late September 1933 as director of the Kunsthalle was sent into retirement. On the part of the club members, there was no opposition against the replacement of the Board, they confirmed this one after a short debate on their general meeting on 31 October 1933.
The era Maetzig did not last long. Already in April 1934, he had to give up all offices for belonging to the Freemasons. His successor Wilhelm Freiherr Kleinschmit of Lengefeld remained until August 1937 executive director of the Kunsthalle and Chairman of Friends. In the action "degenerate art" to which the set up by Pauli collection of modern art in the summer of 1937 fell victim he did not participate. However, in the tenure of Kleinschmit fell the exclusion of Jewish club members. This marks the blackest chapters in the history of the club.
At the beginning of 1936, the Statute of friends was officially completed by an "Aryan paragraph". But already at the end of the fiscal year 1935, the Jewish members had been forced to leave the club. In September 1935, the new program of events was sent with a message of Kleinschmit. It was said there, the membership card will be issued only to those persons who signed a statement that they were "Aryans".
Alone in September and October 1935, 29 Jewish donors, so financially particularly committed members, had to leave the club. Among them are such famous names as Bleichröder, Budge or Warburg. In addition, there were also about 100 regular members who had been excluded. Against this background is hardly surprising that the number of members of the Friends in 1936 with 1,124 members reached a historic low.
The lecture program of friends during the Nazi period designed primarily Wilhelm Niemeyer, who was secretary of the association since August 1933. As already Pauli, he also succeeded to win a number of known German art historians. Speeches were held by university professors as Hans Jantzen, Hans Kauffmann or the befriended with Niemeyer, Wilhelm Pinder. Although the Kunsthalle was closed at the beginning of World War II to the public, the friends continued to offer lectures. Those ones, however, unlike as in the days of the Weimar Republic, as regards contents offered only little direct references to the collection fund of the Kunsthalle.
Unter dem Hakenkreuz
Auch in der Geschichte der Freunde der Kunsthalle stellt die Machtergreifung der Nationalsozialisten einen tiefen Einschnitt dar. Das NS-Regime entwickelte eine Praxis der Kunstförderung, die durch die zwangsweise Verbindung von Kunst und Staat gekennzeichnet war.
Die Gleichschaltung der Freunde bedeutete den Verlust der Selbstständigkeit und die Ausrichtung der Vereinsaktivitäten auf die Ziele der nationalsozialistischen Regierung. Entscheidend für diesen Kurswechsel wurde die Vorstandssitzung am 10. Juni 1933. Der Dichter und Kunsthistoriker Wilhelm Niemeyer spielte als Repräsentant des Kampfbundes für deutsche Kultur die maßgebliche Rolle. Der Kampfbund war eine NSDAP-nahe Organisation, die einen völkisch-rassistischen Kunstbegriff vertrat. Obwohl Niemeyer seit 1927 nicht mehr dem Vorstand des Vereins angehörte, nahm er gegen den Widerstand Gustav Paulis und der übrigen Vorstandsmitglieder an der Sitzung teil, um eine vom Kampfbund erstellte Vorstandsliste einzubringen.
Als Ergebnis der Sitzung schickte Pauli noch am selben Tag eine Vorschlagliste für die Wahl des neuen Vorstandes der Freunde an den Kampfbund. Dies war seine letzte Amtshandlung für die Freunde der Kunsthalle. Der neue Vorstand wurde dann nicht mehr gewählt, sondern vom Ersten Bürgermeister Carl Vincent Krogmann bestimmt und war bis auf zwei Ausnahmen völlig neu zusammengesetzt.
Neuer Vorsitzender wurde Hermann Maetzig, der ab Anfang Oktober auch die Amtsgeschäfte in der Kunsthalle leitete; Pauli wurde Ende September 1933 als Direktor der Kunsthalle in den Ruhestand versetzt. Von Seiten der Vereinsmitglieder gab es keinerlei Widerstände gegen die Neubesetzung des Vorstandes, sie bestätigten diesen nach kurzer Aussprache auf ihrer Mitgliederversammlung am 31. Oktober 1933.
Die Ära Maetzig währte nicht lange. Bereits im April 1934 musste er wegen seiner Zugehörigkeit zu den Freimaurern alle Ämter aufgeben. Sein Nachfolger Wilhelm Freiherr Kleinschmit von Lengefeld blieb bis August 1937 verantwortlicher Leiter der Kunsthalle und Vorsitzender der Freunde. An der Aktion „entartete Kunst“, der im Sommer 1937 die von Pauli aufgebaute Sammlung der Moderne zum Opfer fiel, war er allerdings nicht beteiligt. In Kleinschmits Amtszeit kam es jedoch zum Ausschluss der jüdischen Vereinsmitglieder. Dies markiert das schwärzeste Kapitel in der Geschichte des Vereins.
Zu Beginn des Jahres 1936 wurde die Satzung der Freunde offiziell um einen „Arierparagraphen“ ergänzt. Doch bereits am Ende des Geschäftsjahres 1935 hatten die jüdischen Mitglieder den Verein verlassen müssen. Im September 1935 wurde das neue Veranstaltungsprogramm mit einer Mitteilung Kleinschmits versandt. Dort hieß es, die Mitgliedskarte werde nur an solche Personen ausgestellt, die eine Erklärung unterschrieben, dass sie „ arischer Abstammung“ seien.
Allein 29 jüdische Stifter, also finanziell besonders engagierte Mitglieder, mussten im September und Oktober 1935 den Verein verlassen. Unter ihnen finden sich so berühmte Namen wie Bleichröder, Budge oder Warburg. Hinzu kamen noch ungefähr 100 ordentliche Mitglieder, die ausgeschlossen wurden. Vor diesem Hintergrund verwundert wenig, dass die Mitgliederzahl der Freunde im Jahr 1936 mit 1.124 Mitgliedern einen historischen Tiefststand erreichte.
Das Vortragsprogramm der Freunde während der NS-Zeit gestaltete in erster Linie Wilhelm Niemeyer, der seit August 1933 Schriftführer des Vereins war. Wie bereits Pauli gelang es auch ihm, eine Reihe bekannter deutscher Kunsthistoriker zu gewinnen. Es sprachen Universitätsprofessoren wie Hans Jantzen, Hans Kauffmann oder der mit Niemeyer befreundete Wilhelm Pinder. Obwohl die Kunsthalle mit Beginn des Zweiten Weltkrieges für das Publikum geschlossen wurde, boten die Freunde weiterhin Vorträge an. Diese wiesen allerdings – anders als zu Zeiten der Weimarer Republik – inhaltlich nur wenig direkte Bezüge zum Sammlungsbestand der Kunsthalle auf
freunde-der-kunsthalle.de/meta/ueber-uns/geschichte/unter...
This was viewed from around San Jose, CA. This was at the "back side" of the cold front, which ushered some instability in the atmosphere, causing spotty showers and even a few storm cells to pop up during the afternoon hours.
This one cell in particular developed south of us. It has a wispy anvil, indicating it was one of those "winter-type" thunderheads with the anvil purely composed of ice crystals. It was cold this day, with temps only reaching up to around the upper 50s at the most. (Saturday, March 31, 2012; 4:43 p.m.)
Canonet QL17 40/1.7
Kodak ImageLink Technical film
Exposed like ISO32
Developing R09 1:100, 20C, 40min.
I developed this film using QWD ECN-2 chemistry. It's a long story about a gift of 4 Silbersalz rolls that should have included developing and scanning back in Stuttgart. Instead, the film took a round trip from New York to Frankfurt, getting stuck in German customs for months with indifferent support from Silbersalz. So upon their return to me, I developed and scanned them myself. QWD makes a great product for home development of Vision3.