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Chef Chris Newell at ORU asked me to design a moose as a gift for his girlfriend. This is the result. Definitely cartoonish, and not particularly realistic, but I'm happy with the result. In exchange, Chris sliced up the lovely salami I brought back from Salumi in Seattle.
Design.ZIP é um evento independente de design organizado, através da movimentação estudantil, por alunos da UniRitter, UFRGS, ESPM-Sul, PUCRS, Unisinos e Feevale.
Temos como objetivo integrar as todas as universidades de Design do RS e descompactar ideias compartilhando vivências entre os estudantes, a fim de promover conhecimento e discussões acerca da Economia Criativa.
Sua terceira edição ocorreu no dia 25 de novembro de 2017, na UniRitter (Campus Zona Sul).
Por encomenda
Dimensões
21 cm L X 13 cm A X 8 cm P
Com espaço p/ pincéis e espelho
Dúvidas?? Email para: mari-mira@uol.com.br (não uso o flickr mail!)
This 3-D model was built in 3ds Max and rendered in 3ds Max 2011, using the Mental Ray rendering engine. A Salinas, California, former bank was used for reference.
Ad for a children's science fair. Bi-Lo Supermarkets. Fun take on what might be included in the competition. See more of my work at www.pattersonvisual.com or call 864.907.1320
Exposition des projets de fin d'études de l'école de Design de Nantes Atlantique - Promotion Da Vinci - Au cluster du Quartier de la création.
Design pattern relationships from Erich Gamma, et al. [ISBN 0201633612] They need to be considered when revising the Moodle UX.
Packagings of the World is a packaging design archive showcasing the best, most interesting and creative packaging work worldwide. We will try to make the archive as digestible and as possible with less text, like they say, pictures speaks a thousand words!
Design is by Brian Sironi + photo is by Diego Alto for DuPont™ Corian® (all rights reserved on design and images)
Sokeva-käsityö products are genuine Scandinavian design, but with an human touch. These handmade products are made by visually impaired craftsmen and women. The most important goal for Sokeva-käsityöt is to employ visually impaired persons.
D*Table is a rotatable, dynamic design that can change shape from a perfect square to a perfect equilateral triangle with 6 different shapes in the stages between the 2 ‘complete’ forms. The table is highly interactive and flexible. Each section is constructed using DuPont™ Corian® hi-tech surface and can be made in any of the 100 colours available for the material.
The D*Table measures 700w x 700l x 370h mm when in square form and is mounted on wheels for ease of use. The design also features sliding drawers and space for books on the top (displayed vertically in the slots) plus an integrated champagne bottle/plant pot holder. The table also has an option for ‘secret’ storage space or the ability to quickly tidy items away, as when it is in square form, all the draws and compartments are hidden! For even greater functionality, each section of the D*Table can be manually detached from the other at its hinges and used separately as a stand-alone piece of furniture, meaning it can be adapted to fit the space and purpose, as required. (www.thedhaus.com)
LLUM | BRONZEARTE é uma empresa de iluminação brasileira com 50 anos de tradição: o desafio era modificar a marca original e propor uma nova logomarca sem perder a identificação do público pois a marca já possuia inúmeros valores agregados.
Com a mudança brusca (tanto de nome quanto de design) nos apegamos ao único elemento marcante: as cores. Desta forma, busquei trabalhar este item de identidade com forte presença em todos os materiais da empresa: logomarca, catálogos, embalagens, PDV, site, etc.
Mesmo assim, a transição deverá ser relativamente lenta, pois o nome Bronzearte ainda tem uma forte presença e identificação com lojistas e profissionais do mercado de materiais de construção e iluminação.partir da marca original e propor uma nova logomarca sem que se perca a identidade anterior, muito presente no mercado.
LLUM | BRONZEARTE lighting is a Brazilian company with 50 years of tradition: the challenge was to modify the original brand and propose a new logo without losing the public's identification (the brand already had numerous values aggregates).With the With the sudden change (name and design) we cling to the only significant element: the color. Thus, I tried to work this item identity with a strong presence in all company materials: logo, catalogs, packaging, merchandising, website, etc.. Still, the transition should be relatively slow because the name Bronzearte still has a strong presence and identification with shopkeepers and professionals in the market of building materials and lighting shops.