View allAll Photos Tagged DavidLynch
This door at the Salish Lodge is where Audrey Horne makes her first appearance in the Twin Peaks pilot when she exits to go to school. Taken in 2015.
Nikon F4. Kodak Tri-X 400 35mm B&W film.
# null.daten
# Part of my Corpse Photo-Poetics collaborative film project. Original photography by Matthew W. Beale, LaDonna Chaos, my Dad, and Marc Slanger.
# Locations
# Image 1 -- Maryland & Kentucky
# Image 2 -- Florida & Texas
# Image 3 -- NYC & Lumberton, NC [setting, of course, for the David Lynch film "Blue Velvet."]
The Black Lodge is a widespread secret conspiratorial initiatory group bent on world domination. Or, alternatively, an abstraction of some stage curtains.
We cannot know his legendary head
with eyes like ripening fruit. And yet his torso
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,
gleams in all its power. Otherwise
the curved breast could not dazzle you so, nor could
a smile run through the placid hips and thighs
to that dark center where procreation flared.
Otherwise this stone would seem defaced
beneath the translucent cascade of the shoulders
and would not glisten like a wild beast’s fur:
would not, from all the borders of itself,
burst like a star: for here there is no place
that does not see you. You must change your life.
– Rainer Maria Rilke, ARCHAIC TORSO OF APOLLO
September 2009 - AM Radio's build, Towards The Sky
"Through the darkness of future past,
The magician longs to see
One chants out between two worlds:
Fire, walk with me."
-David Lynch.. from Twin Peaks: Fire Walk With Me (1992)
David Lynch
United States b.1946
Vinyl 12-inch records in gatefold cardboard sleeve
Cover art and design: David Lynch and David Correll
Sunday Best Recordings, United Kingdom, 2013
Collection: QAGOMA Research Library
...I had forgotten that I had owned this set on DVD. I've never opened it because it's been on Netflix for the last number of years. Considering that I've unsubscribed myself from Netflix due to my overall lack of viewership; and that it's finally October, I may need to open this box set to satisfy my yearly fix on Douglas Firs; black coffee; cherry pie; and communal hospitality.
Also, I'd like to commemorate the legacy of the Log Lady.
RIP Catherine Coulson. Thank you for the memories.
Danger Mouse (Brian Joseph Burton)
United States b.1977
Sparklehorse
United States 1995-2010
Vinyl 12-inch records in Gatefold cardboard sleeve; compact-disc in cardboard sleeve; limited edition box with paper booklet and lobby cards
Cover art and design: David Lynch and Jacob Escobedo
Parlophone/Lex Records, Europe, 2010
Collection: QAGOMA Research Library
"The Great Northern" - Salish Lodge
© Copyright 2019, All rights reserved. Do not copy or otherwise reuse my photos.
Top print:
My Shadow is With Me Always 2008-09
Bottom print:
My Shadow is a Monster 2011
Courtesy: The artist and Kayne Griffin Corcoran
Just some last pics at the LynchLand sim before the sim closes ( and we will go do popup events)
Taxi to the Eraserhead Venue in LynchLand:
maps.secondlife.com/secondlife/Pearl%20Coast/188/214/4052
Myrdin Sommer as Lady in the Radiator
Mixed media on giclee print
Collection: The artist.
Lynch approaches painting as a process of 'action and reaction,' 'fast and slow'; he emphasises the organic and visceral possiblities of both the medium and the surface. Finding inspiration in the work of British painter Francis Bacon (1909-92), Lynch has described the artist's paintings as 'organic, violent comedies,' and accordingly suggests his own have to be 'violently done and primitive and crude, and to achieve that I try to let nature paint more than I paint.' Lynch first encountered Bacon's work in 1967 at the Marlborough Gallery in New York. He recalls:
"Bacon was a heavily influence on me...He is all about organic phenomenon and distortion of a figure, things I just love. How he used paint and how he dod the figure and the fast and slow areas and the stage and proportions are just exquisite, just absolutely perfect."
EVOLVED from Dreamshaper v8 with RealVisXL v4 Lightning
This is a tribute to David Lynch, who inspired me numerous times, ever since I had watched his film 'Eraserhead' when it first came out. It was shown at my Alma Mater in Canada before it hit the theaters.
David Lynch passed away January 15th 2025:
www.theguardian.com/film/2025/jan/16/david-lynch-twin-pea...
massaging an already crazy prompt that originated from the depths of a year-old creation, which I first tried with DreamShaper v8.
Subsequently I used this version to evolve later on. That's when it gets really interesting.
The collection:
creator.nightcafe.studio/collection/wHEICRvsDmQStDCQt70t
PROMPT:
Hans Bellmer's Dolls meet David Lynch Eraserhead in a colorful surreal film with scene sets by H.R. Giger with the Alien and Cthulhu, partying with the lady in the radiator on the road to OZ following a frantic rabbit, Bellmer's cat did not survive and the cryptid taxidermy chicken rules in Bogomil's Universe, imperial colors, Alphonse Mucha Max Ernst surrealism art Nouveau oilpainting dynamic lighting Art of Illusion
Angelo Badalamenti
United States b.1937
Vinyl 12-inch record in cardboard sleeve
Warner Bros records, Europe, 1990
Private Collection
Motel Stories: An Immersive David Lynch Event
Presented by Infinite Productions and The Freakout Group
Saturday. June 25th from 2-9pm SLT
1 Motel
7 Color Inspired Rooms with David Lynch's Art
7 DJ's
Performances By:
2PM DJ Vivi @ Green Room
3PM DJ Aisling @ Red Room
4PM DJ Poppy @ Purple Room
5PM DJ Creme @ Blue Room
6PM DJ Lux Tesla @ Grey Room
7PM DJ Khaos @ White Room
8PM DJ H @ Yellow Room
Room and Visual Design by Myrdin Sommer
LynchLand Flickr Group: www.flickr.com/groups/14782280@N24/
LM: maps.secondlife.com/secondlife/Mandala/203/177/22
P.s
The event will be held in the Lost Highway Motel @LynchLand
We have 7 dj's for 7 rooms
We all start in 1 room with 1 dj, 1 hour!
After an hour, we all go to the next room where another dj is gonna play for another hour with a new Decor and so on.
:))
Again i had some fun with David Lynch :)))
Bare with me, it are 9 different little videos in one, so keep watching ;) !
Music: Viagra Boys — Ain't Nice > www.youtube.com/watch?v=vzWds5gWS6c
Ps. IF the video does not show, then push the thumbnail button of the video, and it will start!! :D
btw the Animesh David Lynch is made custom for LYNCHLAND by Jay Pockets !
Lithograph on Japanese Atsu-Shi paper, ed.17/30
Courtesy: The artist & items editions.
Lynch often describes bodies as being like 'little factories' in their abilities to manufacture and transform. For Lynch, the papillomatous growths disfiguring John Merrick's face and body in The Elephant Man evoke the 'slow explosions' of the industrial revolution, wherein the soot of factories covered human flesh. Elements of industrial power, including coal and oil, fire and light, recure throughout Lynch's practice, and the presence and disturbance of electrical currents are linked to expressions of both fear and desire.
Oil and mixed media on canvas
Collection: The artist and Galerie Karl Pfefferle, Munich
Throughout Lynch's practice, we discover home not as a refuge, but as a closed psychological setting coded with the troubling suspicion that things can - or have already - gone terribly wrong. The boundaries between the outside and inside are compromised and incursions into the safety of home become intrusions into the human mind. In the painting Shadow of a Twisted Hand Across My House, the facade of a house is shrouded by a hand as a monstrous insect looms, while in the lithograph Someone is in My House, a figure tries to protect his home and prepares to pull the trigger on an unseen, intruding force.
Watercolour
Courtesy: The artist and Kayne Griffin Corcoran
Lynch often describes bodies as being like 'little factories' in their abilities to manufacture and transform. For Lynch, the papillomatous growths disfiguring John Merrick's face and body in The Elephant Man evoke the 'slow explosions' of the industrial revolution, wherein the soot of factories covered human flesh. Elements of industrial power, including coal and oil, fire and light, recure throughout Lynch's practice, and the presence and disturbance of electrical currents are linked to expressions of both fear and desire.
Taken on the Twin Peaks Festival location tour in 2008, the Fall City Grill was used as Hap's Diner which briefly appears in the prequel film Twin Peaks: Fire Walk with Me.
That is my Dad looking toward the camera.
Nikon F55. Fujifilm Superia Extra 400 35mm C41 film.