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V-DRIPS(France)
SCOUAP et ROM1: Œuvre mix-média, alliance de peinture et d’arts numériques
V-DRIPS est le nom d’une nouvelle pratique qui mélange vidéo-mapping et peinture, sous lequel travaillent de nombreux artistes dont Scouap, l’initiateur. Pour Bin Ere, il exposera une peinture V-DRIPS réalisée avec ROM1 lors du vernissage de l’exposition CHANTIER NUMERIQUE #1 à Rennes réalisée en 15 mn top chrono.
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Taken with:
Camera model:Canon EOS 1000D
Exposure=0.005 sec (1/200)
Aperture=f/20.0
ISO=200
Focal length=119 mm
Flash:On, Fired
Exif info added with simashin flickr tools
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Homework for my process painting class....
grated watercolour paint onto a page of my sketchbook, dripped water down it, blew away the remaining powder
Milagros Dancehall Collective and Drip at Saguijo. Didn't bring my camera. I used Kat's digicam. Played with slow-sync flash. Experimented with temperatures in Lightroom
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Taken with:
Camera model:Canon EOS 1000D
Exposure=0.005 sec (1/200)
Aperture=f/20.0
ISO=400
Focal length=200 mm
Flash:On, Fired
Exif info added with simashin flickr tools
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This water fountain on Redondo Beach was dripping and this bird was catching each drop.
Taken and originally posted in 2014.
Inspired by the post on strobist I set up a drip drip studio. This kind of photos has been done so many times before. I had to try it myself though.
Strobist: SB-900 Bounced on a red piece of plastic to back light the water. SB-800 with blue gel from right to give it a little more depth.
I played around with the rain on the tables at the uni snack after class. Apparently, the camera is much more efficient at bokeh when I'm shooting in auto mode, through the macro setting.
It rained all day.
Try on black?
[+1 in comments]
A later effort to capture water drops falling from a kitchen faucet. I'm very happy with how this one turned out. In this instance, I used the high-speed sync mode on my flash, and manual focus and a fork to get my trusty 100mm macro lens focused at precisely the point where the water drops would be.
Set-up:
Canon EOS 40D on a tripod with a shutter speed of 1/2500 of a second;
Canon remote switch shutter release;
Canon EF 100mm f/2.8 USM Macro lens at f/5.6;
Canon 580 EX II flash mounted on the camera, bounced off a white ceiling in high-speed sync mode;
3 portable studio lights surrounding the sink
Note: while normally high-speed sync on a flash will not help you freeze motion, it was necessary in this case to provide enough light (even with three studio lights on the subject) for the extremely rapid shutter speed required to catch a drop falling without blur. I might have had even better luck with the flash set to the 1/250 second sync to freeze the motion direclty, but the glare from the kitchen tiles wouldn't permit anything but indirect flash and I wasn't getting satisfactory results that way.