View allAll Photos Tagged DIASPORA
"My Miles" featured students and alumni from the college and the conservatory with a live selection of Davis's music and black vernacular jazz dance. The show included vocalist Che Gonzalez ’96 and noted trumpet player Kevin Louis ’99. Adenike Sharpley, artist in residence, served as artistic director of the program.
Photographs by John Seyfried
Che Guevera makes an appearance with Chilean protesters at the Stop Bush/Make Howard History political demonstration in the CBD, attended by over 10,000 people, in response to the APEC Summit.
George Street, Sydney, 2007
So we left Czech Republic for Italy. By train. Having sent by mail just 1/4 of our stuff, carrying the rest with us. Since it was quite heavy, we planned very well how we would do it, making the least train changes as possible. One stop would be in Innsbruck, in the middle of the Alps region of Austria, so we decided to sleep one night there.
When we went to buy the ticket for Milan we were greeted with one of the best things Italy can offer: a train strike that would happen from saturday 9pm to sunday 9pm. Instead of leaving Innsbruck around sunday noon, we left at 2am of MONDAY, and instead of a few hours trip we had to take a longer route throught Zurich in a completely full train.
And with this picture I start trying other photo services around the web. You can see the rest of Innsbruck here:
www.panoramio.com/photo/8034368 (go right in the picture browser).
All the album is here: www.panoramio.com/user/530174
2023. gada 3. jūlijā Ārlietu ministrijā norisinās Diasporas konsultatīvās padomes sēde, ko vada speciālo uzdevumu vēstniece diasporas jautājumos Elita Gavele.
Foto: Laura Celmiņa, Ārlietu ministrija
world's largest internal migration changes the way a city operates; we have to consider temporality and instability of urban conditions
中國廣東省廣州 廣州火車站
Guangzhou Railway Station, Guangzhou, Guangdong, China
Bronica SQ-Ai
Zenzanon 80mm f2.8
Kodak Portra 160NC
diaspora is an installation exhibit about africa, its past and future, its identity and memories, conceptualized by my favourite film maker, claire denis, at quai branly museum. she is the one who revealed the side of france that i became deeply appreciative of to me, through her somewhat difficult, but always beautiful, reflective, and lyrical films. i was so impatient to get to the exhibit, that i missed the proper entrance until last. it was an simple installation of a passage, with light pacing at the top, a bit religious, a bit sci-fi. you should have seen the spectators' reactions, they were absolutely delighted, as if encountering some primitive memories.
Torque de oro macizo de unos 15 cm de diámetro perteneciente al "tesoro de Berzocana" (Logrosán, Cáceres). Apareció en 1961 dentro de una pátera de bronce junto a otras dos piezas parecidas de las cuales una se ha perdido. Se ha datado en el periodo 1000-800 a.C.
"I pay tribute to the mothers who lost their children at sea. I pay tribute to the families who were ripped apart. Say nothing until I am done. You have colonized our body but never our soul." - Amara Kante
Most of the people of African origin in the Americas are the Diaspora - the descendants of the Africans who were stolen, enslaved and forcibly brought to the Americas via the infamous "Middle Passage."
A view of the second half panel, which presented a sweep of diasporan Armenian artists talking about their work and what seems Armenian to them. Among the panelists were sculptor Linda Ganjian, photographer Aram Jibilian, writer Nancy Agabian, performance artist & activist Harout Simonian, and Argentinean-German artist Silvina Der Mergerditchian.
Ja, Kasha and Ileke Nana Buruku
For inquires, please send an email to OrisaCouture@aol.com #ja #kasha #ileke #eleke #nanaburuku #nana #orisa #orisha #lukumi #lucumi #santeria #yoruba #diaspora #orisacouture
Título: Pendientes.
Descripción: Pendientes de oro. La imagen se corresponde con dos pendientes diferentes vistos desde dos posiciones.
Cultura: Periodo orientalizante.
Datación: s. VI a. C.
Lugar de procedencia: Cerro del Castillo, Medellín (Badajoz, España).
Colección del Museo Arqueológico Nacional (Departamento de Protohistoria y Colonizaciones) ; números de inventario 1982/41/1 y 1982/41/2.
Más información 1982/41/1: ver en CERES.
Más información 1982/41/2: ver en CERES.
DIÁSPORA, Proyecto IB16212.
Agradecimientos al Museo Arqueológico Nacional por las facilidades dadas para fotografiar esta pieza.
The Scottish Diaspora Tapestry is on show in St Giles Cathedral at the moment. The project celebrates the "global Scot" and the vast Scottish diaspora of Scots abroad and the influence they have had in the history and culture of other lands.
When it left Scotland it was around 150 panels, as it journeyed around the world it grew with contributions from craftspeople across the planet, and returns now to Scotland with over 300 panels, celebrating links with Argentina, Australia, Antarctica, Brazil, Canada, Chile, China, Ethiopia, England, France, Germany, India, Italy, Ireland, Jamaica, Lithuania, Malawi, Netherlands, New Zealand, Northern Ireland, Norway, Pakistan, Patestine/Israel, Poland, Portugal, Russia, Sri Lanka, South Africa, Sweden, Taiwan, Tristan da Cunha, the United States of America and Zimbabwe.
The themes range across centuries and continents and subjects, from India to the ships of the Arctic Convoys (who fought the bitter ice to take support to Russia during WWII), to a Hawaiian princess. The global family. It is estimated the descendants of Scots ancestry around the world is about five times the actual population of Scotland now. They've have ranged so far throughout history, some voluntary travels for adventure, commerce, missionary works or exploration, others forced (think of the vile Highland Clearances), but wherever they went they set down roots and had an impact, from starting football in a new country to schools to helping liberate others. Nice to think of in these modern days where so many seem to want to turn inwards and xenophobia rises, something that reminds us how intertwined we are across our world.
This one celebrates one of my own clan, Patrick Gordon, who went on to become a general in Russia, and became not just a trusted aide but friend to the Tsars. Legend has it as he lay ill Tsar Peter visited his friend many times and it was the Tsar who closed his eyes when he passed.
Título: Arracadas.
Descripción: Pareja de arracadas de oro de unos 10 cm de altura. Tienen un cuerpo central hueco terminado en remates circulares para el sistema de cierre. De la parte externa de la arracada salen elementos decorativos. Pertenecen al tesoro de Aliseda.
Cultura: Periodo orientalizante.
Datación: s. VII a VI a. C.
Lugar de procedencia: Aliseda (Cáceres, España).
Colección del Museo Arqueológico Nacional (Departamento de Protohistoria y Colonizaciones) ; números de inventario 28555 y 28556.
Más información 28555: ver en CERES.
Más información 28556: ver en CERES.
DIÁSPORA, Proyecto IB16212.
Agradecimientos al Museo Arqueológico Nacional por las facilidades dadas para fotografiar esta pieza.
Ryder Henry's installation "diaspora" 2014 at the Mattress Factory museum. The core of the installation is a small scale futuristic city he calls"4 Lydia". the Mattress Factory.Pittsburgh
Título: Collar.
Descripción: Collar de oro formado por un aro abierto de 23 cm. Pertenece al tesoro de Aliseda.
Cultura: Periodo orientalizante.
Datación: s. VII a VI a. C.
Lugar de procedencia: Aliseda (Cáceres, España).
Colección del Museo Arqueológico Nacional (Departamento de Protohistoria y Colonizaciones) ; número de inventario 28553.
Más información: ver en CERES.
DIÁSPORA, Proyecto IB16212.
Agradecimientos al Museo Arqueológico Nacional por las facilidades dadas para fotografiar esta pieza.
Ryder Henry's installation "diaspora" 2014 at the Mattress Factory museum. The core of the installation is a small scale futuristic city he calls"4 Lydia". the Mattress Factory.Pittsburgh
The Connecticut College professor lectures on Elizabeth Tashjian, an Armenian American artist who became an American original when she opened a nut museum in Connecticut and began to brand herself as the Nut Lady.
Título: Brazalete.
Descripción: Brazalete de oro de 2.1 cm de anchura y diámetro máximo de 6.6 cm. Pertenece al tesoro de Aliseda.
Cultura: Periodo orientalizante.
Datación: s. VII a VI a. C.
Lugar de procedencia: Aliseda (Cáceres, España).
Colección del Museo Arqueológico Nacional (Departamento de Protohistoria y Colonizaciones) ; número de inventario 28557.
Más información: ver en CERES.
DIÁSPORA, Proyecto IB16212.
Agradecimientos al Museo Arqueológico Nacional por las facilidades dadas para fotografiar esta pieza.