View allAll Photos Tagged Curly
Dizem que cortar o cabelo é deixar o passado ir embora. Quando se trata de cachos, é muito mais: é sobre abraçar quem você é, do jeito que nasceu pra ser. Foi uma grande satisfação criar um novo style para @adriana_t.nunes
Jean François de Troy - French, 1679 - 1752
The Abduction of Europa, 1716
West Building, Main Floor — Gallery 54
A bare-chested, blond woman sits sideways on a muscular, large, white bull, who charges into an ocean while three women look on in this horizontal painting. All the people have pale or peachy skin and rosy cheeks. The bull is being pulled to our left by a winged, nude, baby-like putto wading into the water. The putto has pudgy arms, a round tummy, and short, blond, curly hair. He looks back over his shoulder and smiles as he reaches along a garland of leaves and flowers, used to pull the bull. The bull turns his head to look over our left shoulder with bright, golden eyes. His front legs plunge into the azure-blue water. Rings of flowers encircle his short, steel-gray horns. The woman riding atop, Europa, leans across the bull’s neck and one hand clutches one of the bull’s horns. She looks and gestures with her other hand to the group behind the bull, to our right. Europa’s blond hair is woven with a deep pink ribbon. Her eyes are slitted as she looks down her nose, her pink lips open. Pale, shimmering yellow fabric covers her legs over sandaled feet. She sits on a rose-pink cloth that also billows up behind her. She wears two pearl bracelets on her gesturing hand. The three women looking on sit and stand near a tree trunk in a dense wooded area in the lower right quadrant of the painting. Their mouths are open, their hair bound, and they wear flowing robes of bronze orange, royal blue, lavender gray, or pale mint green. One woman has dark brown hair and sits with one elbow propped on a tree root. Her hands are clasped and she wears gold bracelets. Another woman leans across her lap, her arms outstretched toward Europa, her back to us. The third woman stands and leans in behind this pair, also reaching out toward Europa. A deeply shaded rocky ground stretches across the bottom of the canvas, and a leafy tree extends off the top right corner. Dense vegetation becomes lighter and hazier in the distance, to our right. A bright dot of cream white surrounded by coral peach on the ocean’s horizon suggests the sun. In the top half of the picture, towering puffy clouds rise against a topaz-blue sky.
This delightful painting by Jean-François de Troy, one of the leading painters in Paris in the first half of the 18th century, portrays the climactic moment from Ovid's story in Metamorphoses—the Abduction of Europa. Jupiter has transformed himself into a handsome bull to lure the lovely princess Europa onto his back and carry her away to Crete where she would bear him three sons. From Rembrandt to Claude Lorrain to Paul Gauguin, this seminal story captured the imagination of European artists for centuries.
Painted in rich colors with the light, refined brush characteristic of the works of de Troy's fellow members of the Académie Royale de Peinture et de Sculpture, Antoine Watteau and FranÃ\u0083§ois Boucher, this painting offers a classical mythological subject in a rococo style that gracefully compliments the National Gallery's collection. De Troy studied with his father, François de Troy, professor and then director of the Académie. In 1699, he traveled to Italy, spending most of his time in Rome copying the masterpieces of antiquity and Italian art. He returned to Paris in 1706, and two years later became a full-fledged member of the Académie. A prodigiously talented painter, he completed ambitious decorations in churches, palaces, and public buildings in Paris, Versailles, Fontainebleau, and Marseilles. In 1738, he was granted the prestigious post of director of the Académie de France in Rome, a position he retained until his death. Although he was officially a history painter, he worked successfully across genres, inventing what are known as tableaux de modes to rival and succeed Watteau's more mysterious and ambiguous fêtes galantes.
The present painting may have been inspired by what is perhaps the most famous iteration of the theme, Titian's Europa, 1560–1562 (Isabella Stewart Gardener Museum, Boston). The latter work was given by Philip V, king of Spain, to the French ambassador, the duc de Gramont, in 1704. Titian's painting subsequently passed into the possession of the duc d'Orléans, with whose collection, on permanent display at the Palais Royal in Paris, de Troy was thoroughly conversant. Smaller in scale and less tragic in tone, de Troy's painting illustrates the same moment in the story and displays a similarly lush palette and dramatic drapery. The probable pendant to The Abduction of Europa, a representation of Cupid and Psyche, is signed and dated 1716, thus placing our picture within a period early in the artist's career during which he specialized in cabinet-sized pictures of erotically charged mythological subjects.
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.
Uploading this for Linda N who blogged about it here: www.nightowlcorner.com/2013/02/curly-sue-dress-done.html
The genus is new to me. Based on known distributions, this could be:
Leiocephalus carinatus carinatus,
Leiocephalus cubensis cubensis or
Leiocephalus raviceps klinikowskii.
Any ID help would be appreciated.
Virgin remy curly human hair weaving - clean, natural ,soft, and comb easily. You can treat it like your own hair and do any hairstyles freely.
Nicole Kidman has secrets to take care of her voluminous red-colored spirals. Her unique haircare habits never fail to showcase her beautiful curly locks to millions of fans.
thebestofhairextensions.wordpress.com/2020/12/15/nicole-k...
The metal was a waste, long thin strip from a milling machine. The blue light was achieved by using one of those colour floating lights you have in the bath! I took the cover off and held it over the metal on a 10 second exposure!!
Closeup of dandelion flower stamens. Was a bit grainy because I cropped so close, so I applied a chalk filter.
Best curly hairstyles for long hair straight hair
Long hair has a versatile nature to cope up with any styles. Give a break to your long tresses by adding curls. Curls on your long hair look gorgeous and stunning. You can use any quality curler to achieve beautiful crazy locks on your hair. Here are six best curly hairstyles you must try in your long hair.
longhairstylish.wordpress.com/2020/09/15/best-curly-hairs...