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CRITICAL RUN IS A DEBATING FORMAT
www.emergencyrooms.org/criticalrun.html
THE 28/03/2012 we debate
IS NAVIGATION A TREAT ?
CAN ART BE CURATED BY A PHONE ?
"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH
The App store has taken over state institutions like staten museum for kunst
Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .
but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts
is forgetting an active state
is beeing guided a state of apathy .
( i heard once at a DR- news conference that people need to be guided because they are stupid )
should we debate those issues together before to jump
Is the role of the national museum to promotte compagnies that some would also consider as global threat ?
the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )
we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )
every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win
The Critical Run is in collaboration with BAZART and Critical Run
www.emergencyrooms.org/criticalrun.html
this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .
if you like to be one of the global critical run organisateur please contact : 1@colonel.dk
--------
and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )
library.nothingness.org/articles/SI/en/display/2
CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk
A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .
HOW IT WORKS .
A DIFFICULT QUESTION INDEED ....
the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions
.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)
THE DELEGATION :
Saied Masoudian
Neringa Abrutyte
Rene Victor Valqui Vidal
Marina Testa Pedersen
Diallo Ibrahima Sory
Pero Pivas
Branka Pivas Onofri
Faranak Sohi
Marcelo Lerer
Maher Khatib
Shohreh Shahrzad
Antonieta Medeiros Urioste
Maia Hauser
Åsmund Boye Kverneland
Thomas Fleurquin
Victor Monchamp
Ada Ortega Camara
Tijana Miskovic
Ginka Rinkova
Thierry Geoffroy
Elizabeth Löwe Hunter
Maja Spangsberg Jakobsen
Juan Fernando Lope
thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy
CRITICAL RUN IS A DEBATING FORMAT
www.emergencyrooms.org/criticalrun.html
THE 28/03/2012 we debate
IS NAVIGATION A TREAT ?
CAN ART BE CURATED BY A PHONE ?
"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH
The App store has taken over state institutions like staten museum for kunst
Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .
but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts
is forgetting an active state
is beeing guided a state of apathy .
( i heard once at a DR- news conference that people need to be guided because they are stupid )
should we debate those issues together before to jump
Is the role of the national museum to promotte compagnies that some would also consider as global threat ?
the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )
we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )
every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win
The Critical Run is in collaboration with BAZART and Critical Run
www.emergencyrooms.org/criticalrun.html
this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .
if you like to be one of the global critical run organisateur please contact : 1@colonel.dk
--------
and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )
library.nothingness.org/articles/SI/en/display/2
CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk
A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .
HOW IT WORKS .
A DIFFICULT QUESTION INDEED ....
the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions
.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)
THE DELEGATION :
Saied Masoudian
Neringa Abrutyte
Rene Victor Valqui Vidal
Marina Testa Pedersen
Diallo Ibrahima Sory
Pero Pivas
Branka Pivas Onofri
Faranak Sohi
Marcelo Lerer
Maher Khatib
Shohreh Shahrzad
Antonieta Medeiros Urioste
Maia Hauser
Åsmund Boye Kverneland
Thomas Fleurquin
Victor Monchamp
Ada Ortega Camara
Tijana Miskovic
Ginka Rinkova
Thierry Geoffroy
Elizabeth Löwe Hunter
Maja Spangsberg Jakobsen
Juan Fernando Lope
thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy
Ignacio Reyes, archaeological laboratory technician, works on photographing artifacts at the Veterans Curation Program open house in Alexandria, Virginia, Jan. 12, 2016. The VCP provides employment and vocational training for recently separated veterans using archaeological collections administered by the U.S. Army Corps of Engineers. Reyes was an infantryman with the Army from 2005 to 2013 in which he deployed to Iraq and completed a Multinational Force and Observers Tour in Egypt. Veterans working in the Alexandria laboratory are being trained in data entry, report writing, photography, and scanning technologies. The photography at the VCP is said to be of crime-scene detail and entails photographing artifacts from all angles. It is taught by a forensic photographer. It often takes 10 to 20 minutes to produce three high-quality images of an artifact at multiple angles. (U.S. Army photo by Sarah Gross)
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Historical photographs captured during the Flu pandemic including patient images, medical treatment, hospital, and Red Cross volunteer team. We have selected these historical images from Library of Congress. They are digitally enhanced in high resolution printable quality and free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1243276/historical-pandemic-photographs-free-cc0-public-domain-images?sort=curated&mode=shop&page=1
What’s the Matter with Mommy? The Hang-Over
A multimedia appreciation of unconventional feminine role models, curated by Shana Nys Dambrot and featuring photography, painting, installation, sculpture, video, performance, and spoken word, based in a previous installation at Salon Oblique, currently being revived and expanded as a joint with Edgar Varela Fine Arts and Phantom Galleries LA, presented by THE Magazine.
OPENING Reception: Thur 8 January 2009, 6-9pm, Downtown Art Walk.
GALLERY HOURS: Saturday & Sunday 1:30-5pm, Jan 17-31 (or by appt.)
CLOSING Reception, Sat 31 January, 6-10pm, featuring performances, music & spoken word from exhibiting artists including Grace Zabriskie, Amy Kaps, Lilli Muller, Mrs. Hobbs, Milo Martin and the Onyx Hour poetry slam, plus the Beast from the East book launch for Jim Marquez.
Participating Artists: AVAILABLE IMAGES
Allee Willis www.alleewillis.com
Marion Lane www.marionlane.com
Lindsay Brice www.percevalpress.com/supernatural.html
Kwaku Alston www.kwakualston.com
Augustus Goertz www.augustusgoertz.com
Nicole Cohen www.nicolecohen.org
Ashley Emenegger -- www.bandiniart.com/Emenger_Pritsker_exhibition.htm
Jennifer Vanderpool --www.jennifervanderpool.com
Jaime Scholnick --www.jaimescholnick.typepad.com
Britt Ehringer www.ehringer.com
Marischa Slusarski www.slusarski.net
Ping Ping www.pingpingart.com
Lilli Muller www.lillimuller.com
Rick Robinson www.rickpop.com
Gretchen Rollins
Swinda www.swinda.net
Mark Allen www.markandrewallen.com
Grace Zabriskie www.gracezabriskie.com
Amy Kaps www.amykaps.com
Milo Martin www.myspace.com/milomartin
Jim Marquez www.lulu.com/JimMarquez
Diana Hobstetter www.dianahobstetter.com
Mrs. Hobbs www.mrshobbs.com
Steve Irvin www.dodopop.com/id/steve
Sabine Gebser
Kevan Jenson www.kevanjenson.com/
James Gilbert www.lightandsie.com/artist_22.htm
Matteo www.videosculptures.com
Grace Oh www.graceoh.net
Archie Scott Gobber www.archiescottgobber.com
Paige Wery www.artpaige.com
Robert Reynolds www.bgfa.us/artists/reynolds/index.html
Robert Vargas www.vargaspresents.com
Eve Wood www.evewood.net/
Lulu Stewart www.lulustewart.com/
Ivo Vergara www.ivovergaravisualart.com/
Richard Kessler www.applegategallery.com/pages/kessler.html
Norton Wisdom www.nortonwisdom.com
Rick Mendoza www.rickmendoza.com
CRITICAL RUN IS A DEBATING FORMAT
www.emergencyrooms.org/criticalrun.html
THE 28/03/2012 we debate
IS NAVIGATION A TREAT ?
CAN ART BE CURATED BY A PHONE ?
"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH
The App store has taken over state institutions like staten museum for kunst
Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .
but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts
is forgetting an active state
is beeing guided a state of apathy .
( i heard once at a DR- news conference that people need to be guided because they are stupid )
should we debate those issues together before to jump
Is the role of the national museum to promotte compagnies that some would also consider as global threat ?
the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )
we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )
every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win
The Critical Run is in collaboration with BAZART and Critical Run
www.emergencyrooms.org/criticalrun.html
this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .
if you like to be one of the global critical run organisateur please contact : 1@colonel.dk
--------
and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )
library.nothingness.org/articles/SI/en/display/2
CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk
A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .
HOW IT WORKS .
A DIFFICULT QUESTION INDEED ....
the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions
.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)
THE DELEGATION :
Saied Masoudian
Neringa Abrutyte
Rene Victor Valqui Vidal
Marina Testa Pedersen
Diallo Ibrahima Sory
Pero Pivas
Branka Pivas Onofri
Faranak Sohi
Marcelo Lerer
Maher Khatib
Shohreh Shahrzad
Antonieta Medeiros Urioste
Maia Hauser
Åsmund Boye Kverneland
Thomas Fleurquin
Victor Monchamp
Ada Ortega Camara
Tijana Miskovic
Ginka Rinkova
Thierry Geoffroy
Elizabeth Löwe Hunter
Maja Spangsberg Jakobsen
Juan Fernando Lope
thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy
d15 Selection commity announced / but maybe .... :THE NEXT DOCUMENTA SHOULD BE CURATED BY A TANK
Mitglieder der Findungskommission sind: Ute Meta Bauer, Internationale Kuratorin, Gründungsdirektorin des Centre for Contemporary Art (CCA) in Singapur, Direktorin der 3. Berlin Bienale;
Amar Kanwar, indischer Dokumentarfilmer und Künstler;
Frances Morris, Direktorin des Tate Modern in London;
Gabi Ngcobo, Kuratorin der 10. Berlin Bienale 2018;
Elvira Dyangani Ose, Kuratorin Creative Time in New York;
Philippe Pirotte, Rektor an der staatlichen Hochschule für Bildende Künste, Städelschule in Frankfurt;
Jochen Volz, Direktor der Pinacoteca do Estado in Sao Paulo, Brasilien.
--------------biennalist illustration and inspiration for the commity --------------
illustration documenta 2012 / uusollicited art work "THE NEXT DOCUMENTA SHOULD BE CURATED BY A TANK "
for the exhibition Global art and the Museum @ GAM @ ZKM MUSEUM / (Peter Weibel and Hans Belting ) came this text
THE NEXT DOCUMENTA SHOULD BE CURATED BY A TANK
author of the Month (linkk) "THE NEXT DOCUMENTA SHOULD BE CURATED BY A TANK"
by Thierry Geoffroy / sept 2012 / CL
www.emergencyrooms.org/biennalist.html by www.colonel.dk and www.emergencyrooms.org www.emergencyrooms.org/formats.html about other art format
------------------------------
documenta history From Wikipedia,
Documenta is an exhibition of contemporary art which takes place every five years in Kassel, Germany. It was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultural Show) which took place in Kassel at that time,[1] and was an attempt to bring Germany up to speed with modern art, both banishing and repressing the cultural darkness of Nazism.[2] This first documenta featured many artists who are generally considered to have had a significant influence on modern art (such as Picasso and Kandinsky). The more recent documentas feature art from all continents; nonetheless most of it is site-specific.
Every documenta is limited to 100 days of exhibition, which is why it is often referred to as the "museum of 100 days".[3] Documenta is not a selling exhibition. It rarely coincides with the three other major art world events: the Venice Biennale, Art Basel and Skulptur Projekte Münster, but in 2017, all four were open simultaneously.
Etymology of documenta
The name of the exhibition is an invented word. The term is supposed to demonstrate the intention of every exhibition (in particular of the first documenta in 1955) to be a documentation of modern art which was not available for the German public during the Nazi era. Rumour spread from those close to Arnold Bode that it was relevant for the coinage of the term that the Latin word documentum could be separated into docere (Latin for teach) and mens (Latin for intellect) and therefore thought it to be a good word to describe the intention and the demand of the documenta.[4]
Each edition of documenta has commissioned its own visual identity, most of which have conformed to the typographic style of solely using lowercase letters, which originated at the Bauhaus.[5]
History[edit]
Stadtverwaldung by Joseph Beuys, oaktree in front of the museum Fridericianum, documenta 7
Art professor and designer Arnold Bode from Kassel was the initiator of the first documenta. Originally planned as a secondary event to accompany the Bundesgartenschau, this attracted more than 130,000 visitors in 1955. The exhibition centred less on "contemporary art“, that is art made after 1945: instead, Bode wanted to show the public works which had been known as "Entartete Kunst" in Germany during the Nazi era: Fauvism, Expressionism, Cubism, Blauer Reiter, Futurism and Pittura Metafisica. Therefore, abstract art, in particular the abstract paintings of the 1920s and 1930s, was the focus of interest in this exhibition.
Over time, the focus shifted to contemporary art. At first, the show was limited to works from Europe, but soon covered works by artists from the Americas, Africa and Asia. 4. documenta, the first ever to turn a profit, featured a selection of Pop Art, Minimal Art, and Kinetic Art.[6] Adopting the theme of Questioning Reality – Pictorial Worlds Today, the 1972 documenta radically redefined what could be considered art by featuring minimal and conceptual art, marking a turning point in the public acceptance of those styles.[7] Also, it devoted a large section to the work of Adolf Wolfli, the great Swiss outsider, then unknown. Joseph Beuys performed repeatedly under the auspices of his utopian Organization for Direct Democracy.[8] Additionally, the 1987 documenta show signaled another important shift with the elevation of design to the realm of art – showing an openness to postmodern design.[9] Certain key political dates for wide-reaching social and cultural upheavals, such as 1945, 1968 or 1976/77, became chronological markers of documenta X (1997), along which art's political, social, cultural and aesthetic exploratory functions were traced.[10] Documenta11 was organized around themes like migration, urbanization and the post-colonial experience,[11] with documentary photography, film and video as well as works from far-flung locales holding the spotlight.[7] In 2012, dOCUMENTA (13) was described as "[a]rdently feminist, global and multimedia in approach and including works by dead artists and selected bits of ancient art".[12]
Criticism[edit]
documenta typically gives its artists at least two years to conceive and produce their projects, so the works are often elaborate and intellectually complex.[13] However, the participants are often not publicised before the very opening of the exhibition. At dOCUMENTA (13), the official list of artists was not released until the day the show opened.[14] Even though curators have often claimed to have gone outside the art market in their selection, participants have always included established artists. In the dOCUMENTA (13), for example, art critic Jerry Saltz identified more than a third of the artists represented by the renowned Marian Goodman Gallery in the show.[14]
Directors[edit]
The first four documentas, organized by Arnold Bode, established the exhibition's international credentials. Since the fifth documenta (1972), a new artistic director has been named for each documenta exhibition by a committee of experts. Documenta 8 was put together in two years instead of the usual five. The original directors, Edy de Wilde and Harald Szeemann, were unable to get along and stepped down. They were replaced by Manfred Schneckenburger, Edward F. Fry, Wulf Herzogenrath, Armin Zweite, and Vittorio Fagone.[15] Coosje van Bruggen helped select artists for documenta 7, the 1982 edition. DOCUMENTA IX's team of curators consisted of Jan Hoet, Piero Luigi Tazzi, Denys Zacharopoulos, and Bart de Baere.[16] For documenta X Catherine David was chosen as the first woman and the first non-German speaker to hold the post. It is also the first and unique time that its website Documenta x was conceived by a curator (swiss curator Simon Lamunière) as a part of the exhibition. The first non-European director was Okwui Enwezor for Documenta11.[17]
The salary for the artistic director of documenta is around €100,000 a year.[18]
Title Date Director Exhibitors Exhibits Visitors
documenta 16 July – 18 September 1955 Arnold Bode 148 670 130,000
II. documenta 11 July – 11 October 1959 Arnold Bode, Werner Haftmann 338 1770 134,000
documenta III 27 June – 5 October 1964 Arnold Bode, Werner Haftmann 361 1450 200,000
4. documenta 27 June – 6 October 1968 24-strong documenta council 151 1000 220,000
documenta 5 30 June – October, 1972 Harald Szeemann 218 820 228,621
documenta 6 24 June – 2 October 1977 Manfred Schneckenburger 622 2700 343,410
documenta 7 19 June – 28 September 1982 Rudi Fuchs 182 1000 378,691
documenta 8 12 June – 20 September 1987 Manfred Schneckenburger 150 600 474,417
DOCUMENTA IX 12 June – 20 September 1992 Jan Hoet 189 1000 603,456
documenta X 21 June – 28 September 1997 Catherine David 120 700 628,776
Documenta11 8 June – 15 September 2002 Okwui Enwezor 118 450 650,924
documenta 12 16 June – 23 September 2007 Roger M. Buergel/Ruth Noack[19] 114 over 500 754,301
dOCUMENTA (13) 9 June – 16 September 2012 Carolyn Christov-Bakargiev 187[20]
904,992[21]
documenta 14 8 April - 16 July 2017 in Athens, Greece; 10 June – 17 September 2017 in Kassel, Germany Adam Szymczyk
2012's edition was organized around a central node, the trans-Atlantic melding of two distinct individuals who first encountered each other in the "money-soaked deserts of the United Arab Emirates". As an organizing principle it is simultaneously a commentary on the romantic potentials of globalization and also a critique of how digital platforms can complicate or interrogate the nature of such relationships. Curatorial agents refer to the concept as possessing a "fricative potential for productive awkwardness," wherein a twosome is formed for the purposes of future exploration.[22]
Venues[edit]
documenta is held in different venues in Kassel. Since 1955, the fixed venue has been the Fridericianum. The documenta-Halle was built in 1992 for DOCUMENTA IX and now houses some of the exhibitions. Other venues used for documenta have included the Karlsaue park, Schloss Wilhelmshöhe, the Neue Galerie, the Ottoneum, and the Kulturzentrum Schlachthof. Though Okwui Enezor notably tried to subvert the euro-centric approach documenta had taken, he instigated a series of five platforms before the Documenta11 in Vienna, Berlin, New Delhi, St Lucia, and Lagos, in an attempt to take documenta into a new post-colonial, borderless space, from which experimental cultures could emerge. DOCUMENTA 12 occupyied five locations, including the Fridericianum, the Wilhelmshöhe castle park and the specially constructed "Aue-Pavillon," or meadow pavilion, designed by French firm Lacaton et Vassal.[23] At dOCUMENTA (13) (2012), about a fifth of the works were unveiled in places like Kabul, Afghanistan, and Banff, Canada.[13]
There are also a number of works that are usually presented outside, most notably in Friedrichsplatz, in front of the Fridericianum, and the Karlsaue park. To handle the number of artworks at DOCUMENTA IX, five connected temporary "trailers" in glass and corrugated metal were built in the Karlsaue.[24] For dOCUMENTA (13), French architects Anne Lacaton and Jean-Philippe Vassal constructed the temporary "Aue-Pavillon" in the park.
View of the Friedrichsplatz with the Fridericianum (2nd Building from the left) and the documenta ticket booth (right)
Permanent installations[edit]
Rahmenbau (1977) by Haus Rucker und Co.
A few of the works exhibited at various documentas remained as purchases in Kassel museums. They include 7000 Eichen by Joseph Beuys; Rahmenbau (1977) by Haus-Rucker-Co; Laserscape Kassel (1977) by Horst H. Baumann; Traumschiff Tante Olga (1977) by Anatol Herzfeld; Vertikaler Erdkilometer by Walter De Maria; Spitzhacke (1982) by Claes Oldenburg; Man walking to the sky (1992) by Jonathan Borofsky; and Fremde by Thomas Schütte (one part of the sculptures are installed on Rotes Palais at Friedrichsplatz, the other on the roof of the Concert Hall in Lübeck).------ by BIENNALIST @ documenta kassel 15 /
www.emergencyrooms.org/biennalist.html by www.colonel.dk and www.emergencyrooms.org www.emergencyrooms.org/formats.html about other art format
Phantom Galleries LA presents…"Window Hopping" curated by Stuart Rapeport with special exhibits curated by Sarah Lehrer-Graiwer for Archifest II.
Location:
680 E. Colorado Blvd. Playhouse District, Pasadena 91101.
Exhibition Dates September-October 2007
Open to the public from 11:00 am until 7:00 Pm October 13 for the Playhouse District Art Walk.
Gallery Hours TBA
Stan Edmondson , Rebeca Guerrero, Tod Lychkoff, Ester Petschar, Barry Markowitz
Michael Storc, Tim Quinn, RJ Lee. Archifest II Windows featuring Daniel Lehrer-Graiwer and Travis Frankel, and Peter Holzhauer.
Interrior Gallery Stan Winston presented by Arts
"Window Hopping"
Stuart Rapeport Curator
"As the curator of the exhibition in the Homestead House Building's showroom windows I had a vision of the windows used as art installations reflecting the buildings previous life of a large retail furniture store.
I brought this idea to Liza Simone who agreed to allow me to act as a curator for the space. I invited several artist to participate expressing my vision of the installations and then let express themselves as they chose.
Some of the artists used the Homestead House as inspiration others used it as a jumping off point. The exhibition includes:
• Ester Petschar's installation "Frida's Closet",
• Barry Markowitz takes on the "Barcelona Chair"
• Rebeca Guerrero’s installation "Living with Art "
• Michael Stork's "Jewelry Store Diamonds",
• Stan Edmonson's "untitled, Shopping Cart"
• Tim Quinn's "Universe"
• Tod Lychkoff’s “Shredded”
• RJ Lee's view of track homes "Shelter"
Archifest II Windows curated by Sarah Lehrer-Graiwer:
Archifest II a celebration of Los Angeles architecture October 2007
Architecture will be celebrated in Los Angeles during the month of October.Long regarded as the city of the future, L.A. is home to some of the most original and innovative architecture in the United States and the world, as well as being home to virtually every conceivable historic style, reflecting the diversity and imagination of the people who live here. archifestla.info/
• Peter Holzhauer "Gleaming the Cube" 2007, c-prints www.peterholzhauer.com
• Daniel Lehrer-Graiwer and Travis Frankel …"Terraces".
Stuart Rapeport has worked as an artist and has recently had installations at Phantom Gallery, El Camino College and is currently working on a "Garden at Avenue 50 Studio and the art installation, along with Amy Inouye, of Chicken Boy in Highland Park on North Figueroa Street. www.ChickenBoy.com
Phantom Galleries LA is a Los Angeles County-based organization that transforms unoccupied storefronts and spaces into temporary art galleries. Exhibits are curated by local arts organizations, Los Angeles-based galleries, independent curators, and Los Angeles-based artists. The project gives artists an opportunity to exhibit their work, while promoting the creative community to a broader audience and keeping the area looking vital and culturally exciting. To participate as an Artist, Curator, Volunteer, Sponsor or Host to a Phantom Gallery please contact 213.626.2854 or Info@PhantomGalleriesLA.com. PhantomGalleriesLA.com
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Phantom Galleries LA is a Los Angeles County-based organization that transforms unoccupied storefronts and spaces into temporary art galleries. Exhibits are curated by local arts organizations, Los Angeles-based galleries, independent curators, and Los Angeles-based artists. The project gives artists an opportunity to exhibit their work, while promoting the creative community to a broader audience and keeping the area looking vital and culturally exciting. The spaces are lit and on view 24 hours a day.
The Playhouse District Association and the Pasadena Society
of Artists invite you to discover ArtWalk 2007 on Saturday, October 13 from 11
am to 5 pm. ArtWalk will be held primarily on El Molino Ave. between Green St. and Colorado Boulevard.
Art installations, ice sculpting, pastry design, stand-up
comedy and “the coffee lady” are the nontraditional art forms to be
featured in this year’s ArtWalk event, along with juried art for sell by
painters, photographers and sculptors living, working or exhibiting in Pasadena.
For more information feel free to visit
www.playhousedistrict.org/artwalk or call 626.744.0340.
David Bowie curated the High Line Festival this year, and here he is chatting with Deerhoof backstage. I was immediately told not to photograph him by someone with a very fancy camera. He said, "that's why he always looks good in photographs- because we go through and approve them all." Well, I think he looks pretty good here myself, so thank you!
Curated by Tina Essmaker
• Fish and Ponds of Various Sizes w/ Dan Mall
• Mr. Independent w/ Ryan Fitzgibbon
• I Was Told There Would Be Cake w/ Lindsay Ballant
PHOTOS: Frank Aymami Photography | www.eye-creative.com
Co-curated by Sarah Cook and Kathy Rae Huffman, Broadcast Yourself is an international group exhibition that contextualises the current trend of sharing videos online (on websites such as YouTube) through the presentation of works of video art and web-based art from the 1970s to the 1990s. It includes the work of a diverse group of artists who have challenged television culture and questioned what it means to undertake the personal act of putting oneself ‘on-air’.
Works presented ranged from Bill Viola’s Reverse Television — Portraits of Viewers (1984), where he filmed American television viewers and broadcast the footage back out at them as they watched television, to Shaina Anand’s Khirkee Yaan Project (2006) from New Delhi, an exploration of what happens when you connect people via an open circuit TV system.
The exhibition included artists: Active Ingredient (Rachel Jacobs / Matt Watkins), Shaina Anand, Ian Breakwell, Chris Burden, Stan Douglas, Kit Galloway and Sherrie Rabinowitz, Alistair Gentry, Guillermo Gómez-Peña, Doug Hall, Chip Lord and Jody Proctor, Joanie 4 Jackie (Miranda July et al.), Pat Naldi and Wendy Kirkup, TV Swansong (curated by Nina Pope and Karen Guthrie), Bill Viola, Van Gogh TV, 56Ktv Bastard Channel (curated by Reinhard Storz / xcult.org).
The exhibition toured to Cornerhouse, Manchester from 13 June to 10 August 2008.
Biography
Sarah Cook is a curator and writer based in Newcastle upon Tyne, UK. She is a Reader at the University of Sunderland where she co-founded and co-edits CRUMB, the online resource for curators of new media art and teaches on the MA Curating course. Having grown up in Canada, she has a longstanding association with The Banff Center where she has worked as a guest curator and researcher in residence. After completing her PhD in 2004, she worked as adjunct curator of new media at BALTIC Centre for Contemporary Art funded by the AHRC and in 2008 was the inaugural curatorial fellow at Eyebeam Art and Technology Center in New York. Sarah has curated and co-curated international exhibitions including Database Imaginary (2004), The Art Formerly Known As New Media (2005) and Broadcast Yourself (2008).
Kathy Rae Huffman is an independent curator. She has commissioned artists, written about and coordinated events for a variety of international festivals and organisations since the 1980s. Huffman received an MFA in Exhibition Design from California State University Long Beach, where she also completed the post-graduate course in Museum Studies. She has held curatorial posts at the Long Beach Museum of Art (1979-1984) and The ICA Boston (1984-1990). She was professor of electronic art and director of EMAC at RPI, Troy, New York (1998-2000). She was Visual Arts Director at Cornerhouse, Manchester from 2002-2008, where her curatorial work included: Art TV (for The Getty Museum), Nick Crowe: Commemorative Glass, Marcel Odenbach: The Idea of Africa and Zineb Sedira: Telling stories with differences amongst others.
Credit
Co-curated by Sarah Cook and Kathy Rae Huffman. Touring exhibition produced by AV Festival 08 and Cornerhouse in collaboration with Hatton Gallery. Supported by Arts Council England, CRUMB at the University of Sunderland, and The Leverhulme Trust.
Do It (TV), 1995-1996
Curated by Hans Ulrich Obrist
Shere Hite (2:07), Dave Stewart (1:44), Gilbert & George
(2:12), Michelangelo Pistoletto (1:46), Steven Pippin (2:08),
Yoko Ono (1:01), Erwin Wurm (1:23), Leon Golub (1:09), Nancy
Spero (1:28), Lawrence Weiner (:59), Eileen Miles (2:25),
Rirkrit Tiravanija (:59), Jonas Mekas (2:16), Ilya Kabakov (1:29),
Michael Smith (2:57), Damien Hirst (1:35), Robert Jelinek (1:49).
Agency: Art and Advertising
September 19 – November 8, 2008
Kevin Concannon, PhD, and John Noga, curators
Sometimes puzzling, sometimes provocative, works in advertising media by artists ranging from Marcel Duchamp to Jeff Koons to 0100101110101101.ORG have both delighted and disturbed audiences that are sometimes left to wonder exactly what it is they’re seeing. Indeed, artists have used the media of advertising to communicate content that often defies viewers’ expectations and frequently challenges them. Agency: Art and Advertising is an exhibition that explores artists’ use of advertising media as sites for works of art (as opposed to the more conventional use of advertising for the promotion of work) as well as its subject. The exhibition, curated by Kevin Concannon, PhD, and John Noga, will focus on works of art in and about advertising media from the 1960s to the present.
Artists themselves, who were largely critical of commercial culture when this “ad art” phenomenon first flourished in the 1960s, are now often ambivalent about –or even embracing of –the commercialism they once critiqued. Others simply choose to use advertising media in order to extend their reach beyond conventional contemporary art audiences. Agency: Art and Advertising examines the history of art in advertising spaces –and art that addresses commodity culture through the appropriation of advertising –as it has evolved over the past 50 years.
Stop and Stare
In conjunction with the exhibition, AGENCY: Art and Advertising, shown inside
the McDonough Museum of Art there are nine captivating works that are on view
outside the Museum’s walls. Dotting the Youngstown metropolitan area are
billboards featuring gigantic images created by artists Geoffrey Hendricks,
Marilyn Minter, Yoko Ono and John Lennon, and Felix Gonzalez-Torres. These
spectacular images line the sky, compelling the public to stop and stare.
Agency: Art and Advertising
Catalog is available in the museum office or through our gift shop.
Exhibition Sponsors
Anonymous
Frank and Pearl Gelbman Charitable Foundation
Elizabeth Firestone Graham Foundation
Lamar Advertising of Youngstown, Inc.
Toby Devan Lewis
Ohio Arts Council
Innis Maggiore
McDonough Museum of Art
Tuesday through Saturday, 11-4pm
Wednesday 11am-8pm
Free and open to the public.
call 330.941.1400
htttp://mcdonoughmuseum.ysu.edu
Contents inside the vitrine dedicated to COS SOCIAL. Lliçó d’anatomia [SOCIAL BODY: Anatomy Lesson], 2017.
Performance of roughly three hours in duration, held in the Sala Gimbernat, an old anatomical amphitheatre at the Royal Academy of Medicine of Catalonia (Barcelona). Without an audience.
COS SOCIAL is a performance for the screen, a 50-minute video set in the Sala Gimbernat, an anatomical amphitheatre dating from the 1760s that is part of a former hospital and academic complex in the Raval neighbourhood of Barcelona. Sala Gimbernat was built to teach medicine through the observation of the dissection of corpses. SOCIAL BODY stars two main characters. A naked man—whose head, torso and limbs are scrutinized, probed and manipulated by a group of characters, all in period costume—and a digital camera setup: a handheld device and another camera on a rig that moves on a dolly around the ornate seating tiers built to observe the operating table. One of two alternating voiceovers corresponds to each character. Segments of "Anti-Oedipus" (1972), in which philosopher Gilles Deleuze and psychotherapist Félix Guattari develop concepts of the desiring machine and the body without organs, are read in the French language. Another voice recites an English translation of writings from the 1920s by Soviet filmmaker Dziga Vertov, which set forth a notion of nonhuman perception through cinematic montage: the cine-eye.
In developing and casting COS SOCIAL, Morey furthermore draws on the 1864 painting "The Anatomy Lesson of Dr. Velpeau" by François Nicolas Augustin Feyen-Perrin. In the 18th and 19th centuries, the dramatic exposure and dissection of corpses belonged not only to the domain of medical knowledge but to the artistic language of anatomical representation. The iconography of the anatomy lesson itself was often employed as an allegory for the act of looking, a choreographed spectacle of repulsion and fascination. COS SOCIAL self-consciously merges this art history motif with a term for an expanded notion of society (from which the work takes its title) developed in the 1970s by Michel Foucault in his writings on the history of penal institutions. With COS SOCIAL, Morey deliberately precipitates a saturation of references and crossed metaphors involving embodiment and disembodiment, carnality and rationality, touch and technological vision, subjective perception and indiscriminate surveillance, defective bodies and diligent machines.
© Text by Latitudes.
—
Exhibition by Joan Morey "COLLAPSE. Desiring machine, working machine", Centre d’Art Contemporani de Barcelona - Fabra i Coats, 20 September 2018–13 January 2019. Photo: Latitudes.
Since the late 1990s, Joan Morey (Mallorca, 1972) has produced an expansive body of live events, videos, installations, sound and graphic works, that has explored the intersection of theatre, cinema, philosophy, sexuality, and subjectivity. Morey’s work both critiques and embodies one of the most thorny and far-reaching aspects of human consciousness and behaviour – how we relate ourselves to others, as the oppressed or the oppressor. This central preoccupation with the exercise of power and authority seemingly accounts for the black and ominous tenor of his art.
COLLAPSE encompasses three parts. The first is presented over two floors of the Contemporary Art Centre of Barcelona - Fabra i Coats. ‘Desiring machine, Working machine’ is a survey of ten projects from the last fifteen years of the artist’s work. An exhibition display based around vitrines and video screens deployed as if sarcophagi or reliquaries, is presented alongside a continuous programme of audio works and a schedule of live performance extracts.
The second part of COLLAPSE takes place at the Centre d’Art Tecla Sala, L’Hospitalet de Llobregat (23 November 2018–13 January 2019) and is the definitive version of the touring exhibition ‘Social Body’.
Titled ‘Schizophrenic Machine’, the third and final part of the project comprises a major new performance event which will take place on January 10, 2019 at an especially resonant – yet, for the moment, deliberately undisclosed – location in Barcelona, where live action will be integrated within the longer narrative of the site’s physical and discursive past.
COLLAPSE is curated by Latitudes.
—> info: www.lttds.org/projects/morey/
—> info: ajuntament.barcelona.cat/centredart/en/projectes/3396
CRITICAL RUN IS A DEBATING FORMAT
www.emergencyrooms.org/criticalrun.html
THE 28/03/2012 we debate
IS NAVIGATION A TREAT ?
CAN ART BE CURATED BY A PHONE ?
"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH
The App store has taken over state institutions like staten museum for kunst
Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .
but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts
is forgetting an active state
is beeing guided a state of apathy .
( i heard once at a DR- news conference that people need to be guided because they are stupid )
should we debate those issues together before to jump
Is the role of the national museum to promotte compagnies that some would also consider as global threat ?
the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )
we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )
every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win
The Critical Run is in collaboration with BAZART and Critical Run
www.emergencyrooms.org/criticalrun.html
this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .
if you like to be one of the global critical run organisateur please contact : 1@colonel.dk
--------
and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )
library.nothingness.org/articles/SI/en/display/2
CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk
A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .
HOW IT WORKS .
A DIFFICULT QUESTION INDEED ....
the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions
.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)
THE DELEGATION :
Saied Masoudian
Neringa Abrutyte
Rene Victor Valqui Vidal
Marina Testa Pedersen
Diallo Ibrahima Sory
Pero Pivas
Branka Pivas Onofri
Faranak Sohi
Marcelo Lerer
Maher Khatib
Shohreh Shahrzad
Antonieta Medeiros Urioste
Maia Hauser
Åsmund Boye Kverneland
Thomas Fleurquin
Victor Monchamp
Ada Ortega Camara
Tijana Miskovic
Ginka Rinkova
Thierry Geoffroy
Elizabeth Löwe Hunter
Maja Spangsberg Jakobsen
Juan Fernando Lope
thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy
While at MFNW 2012 in Portland, Oregon we put our heads together with director Greg Hunt and longtime festival producer Trevor Solomon to curate ‘Room 205 live’. Held at venerable downtown venue Ted’s, (formerly Berbati’s Pan), the night showcased five featured artists from our collaborative Sound & Vision series Room 205. No elaborate sets and no second takes. Just 100% live shredding and raw weirdness. Enjoy!
COMPONENTS
Video
• YouTube: youtube.com/playlist?list=PLCD4B3A8A916B881B
• Vimeo: vimeo.com/album/2245009
Photos
• Flickr: flic.kr/s/aHsjCtUUQE
Music
• SoundCloud: soundcloud.com/goincase/sets/live-at-musicfest-nw
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Director
• Greg Hunt: huntfilmwork.com
Director of Photography
• Greg P. Schmitt: gregpschmitt.com
Editor
• Andrew van Baal: andrewvanbaal.com
• Forrest Borie: vimeo.com/forrestborie
Gaffer
• Joel Stirnkorb: linkedin.com/pub/joel-stirnkorb/18/45/510
Camera
• Efrem Peter: boxfishfilms.com
• Mike Weiss
Lighting Technician
• Stephen Purcell
Audio Engineer
• Griffin Rodriguez: linkedin.com/pub/griffin-rodriguez/1b/599/2a
Photos
• Arlie Carstens: disastercasual.typepad.com
Room 205 Theme Song
• Cora Foxx: theheapsf.com
Special Thanks
• Trevor Solomon & Matt Manza of MFNW
• Nathan Ostrander & Dave Hite at Ted's (Berbati's Pan)
• The good folks of Portland, Oregon
Do It (TV), 1995-1996
Curated by Hans Ulrich Obrist
Shere Hite (2:07), Dave Stewart (1:44), Gilbert & George
(2:12), Michelangelo Pistoletto (1:46), Steven Pippin (2:08),
Yoko Ono (1:01), Erwin Wurm (1:23), Leon Golub (1:09), Nancy
Spero (1:28), Lawrence Weiner (:59), Eileen Miles (2:25),
Rirkrit Tiravanija (:59), Jonas Mekas (2:16), Ilya Kabakov (1:29),
Michael Smith (2:57), Damien Hirst (1:35), Robert Jelinek (1:49).
Agency: Art and Advertising
September 19 – November 8, 2008
Kevin Concannon, PhD, and John Noga, curators
Sometimes puzzling, sometimes provocative, works in advertising media by artists ranging from Marcel Duchamp to Jeff Koons to 0100101110101101.ORG have both delighted and disturbed audiences that are sometimes left to wonder exactly what it is they’re seeing. Indeed, artists have used the media of advertising to communicate content that often defies viewers’ expectations and frequently challenges them. Agency: Art and Advertising is an exhibition that explores artists’ use of advertising media as sites for works of art (as opposed to the more conventional use of advertising for the promotion of work) as well as its subject. The exhibition, curated by Kevin Concannon, PhD, and John Noga, will focus on works of art in and about advertising media from the 1960s to the present.
Artists themselves, who were largely critical of commercial culture when this “ad art” phenomenon first flourished in the 1960s, are now often ambivalent about –or even embracing of –the commercialism they once critiqued. Others simply choose to use advertising media in order to extend their reach beyond conventional contemporary art audiences. Agency: Art and Advertising examines the history of art in advertising spaces –and art that addresses commodity culture through the appropriation of advertising –as it has evolved over the past 50 years.
Stop and Stare
In conjunction with the exhibition, AGENCY: Art and Advertising, shown inside
the McDonough Museum of Art there are nine captivating works that are on view
outside the Museum’s walls. Dotting the Youngstown metropolitan area are
billboards featuring gigantic images created by artists Geoffrey Hendricks,
Marilyn Minter, Yoko Ono and John Lennon, and Felix Gonzalez-Torres. These
spectacular images line the sky, compelling the public to stop and stare.
Agency: Art and Advertising
Catalog is available in the museum office or through our gift shop.
Exhibition Sponsors
Anonymous
Frank and Pearl Gelbman Charitable Foundation
Elizabeth Firestone Graham Foundation
Lamar Advertising of Youngstown, Inc.
Toby Devan Lewis
Ohio Arts Council
Innis Maggiore
McDonough Museum of Art
Tuesday through Saturday, 11-4pm
Wednesday 11am-8pm
Free and open to the public.
call 330.941.1400
htttp://mcdonoughmuseum.ysu.edu
Artists: Camp Bosworth, John Calaway, Calvin Ross Carl, Joseph Cohen, Jillian Conrad, David Corbett, Arcy Douglass, Sean Healy, Hana Hillerova, Roxanne Jackson, Jeff Jahn, Terrell James, Jonathan Leach, Victor Maldonado, Ann Marie Nafziger, Alyce Santoro and Vontundra
Red Bull Curates:
The inaugural Red Bull Canvas Cooler Exhibition in Singapore
Singapore, 6th May 2013 – The European Red Bull gave wings to aspiring student artists during Singapore’s first Red Bull Canvas Cooler exhibition at the Reading Room gallery last night. 28 Red Bull canvas coolers were transformed into functional and unique pieces of art over a month long creative process by 20 student artists and 8 established local artists and all pieces were curated for a one-of-a-kind art exhibition in Singapore for the first time globally. The Red Bull Canvas Cooler project aimed at creating an opportunity for aspiring student artists to interact and learn from industry opinion leaders.
The project was supported by 8 renowned artists and designers in Singapore from various disciplines such as fine art, graphic design and illustration. They are Mark Ong (SBTG), Jeff Koh (Flabslab), Denise Jillian Tan, Little Ong (fFurious), Andy Yang, Samantha Lo (SKL0), Eugene Tan and Eric Foenander (creative head of Butter Factory). These established artists lent their artistic expertise and ideas to 20 aspiring art students who applied to create a functional art piece from a Red Bull cooler that is wrapped in canvas. Each of them acted as mentors to 2 to 3 students, providing guidance and feedback, during a month long creative process.
All 28 of the uniquely designed and functional Red Bull Canvas Coolers will be placed in various bars and clubs around Singapore, including Home Club; Broadcast HQ; Attica and Em by the river, following the close of the exhibition.
About the Red Bull Canvas Cooler Project
The Red Bull Canvas Cooler project has taken several stages in different parts of the world, giving wings to emerging artists as the concept catches on across the globe, most recently touring the US, Italy and Japan with unique formats in each city. For example, The Canvas Cooler project that was hosted in New York City, US in 2012 drew nearly 2,000 art enthusiasts who witnessed the live execution of 30 urban, contemporary as well as street artists expressing their creative flair in full flourish. It is the first time Singapore has been a part of the Red Bull Canvas Cooler project.
images taken by Chee Wei Teck
Exhibition curated in collaboration with Daniel Hofstede
A monumental and playful installation in situ, spread over 3 floors, crosses 20 years of work, from the street to the museum, by Boris Tellegen aka Delta, the 'Dutch Master' of graffiti.
( Founded in April 2016 along the Canal in Brussels, the MIMA's mission is to be the defining museum of contemporary art.
The MIMA presents the most significant art of its time, and explores a history of culture 2.0. )
Curated by the street art collective "Juddy Roller".
The "Wall to Wall Festival" showcases the thriving creative scene in Mordi Village and the City of Kingston.
For more information, references refer to -
www.kingston.vic.gov.au/community/events/upcoming-events/...
Coverage from the LEGO Exhibition I curated and participated in at the Multnomah County Central Library in Portland, Oregon.
' After over 80 years in the business of toymaking, LEGO is more than just the biggest brand, it's a way of life. The creative culture surrounding LEGO as an art medium is bustling in the Pacific Northwest, and Portland has a plethora of plastic brick pioneers, maybe even you! '
Viewers joined us in exploring a variety of themes and creative styles throughout the exhibit, and were invited to put their imagination to the test at one of our building stations if feeling inspired!
Local builders represented in the exhibit were in attendance for an opening reception on Saturday 11/03/18 at to answer questions about their creations, provide hands-on interactive opportunities, and share their enthusiasm for LEGO building.
Feedback from the show was extremely positive, and thank you to everyone who took part in this outstanding display of local LEGO talent!
Foot & Sean Boyles
I curated this group show back in January, and finally got to uploading photos.
It was on display from January 16 - 30, 2009 at Kaleid Gallery in San Jose... so if ya snoozed, ya losed, pal!
New Work by:
Jesse Balmer
Francisco Cervantes
George Chen
Vice Cooler
Mark Damrel
Ryan de la Hoz
Mike DeForge
Liam Devowski
Gabriel Dieter
Danny Espinoza
Eddie Flores
Michael Foley
Yoko Furusho
Andy Gouveia
Ben Henderson
Wei Hwu
Evan Meister
Woody Miller
Pellet
Greg Pizzoli
Matt Pugnetti
Brittany Rediger
Centa Schumacher
Matthew Seigel
Kate Stewart
Andrew St. Lawrence
Sara Taylor
Roan Victor
Amberlin Wu
OPENING RECEPTION: Friday, January 16 2009 - 7PM 'til Late
Featuring live music by Panthelion!
Kaleid Gallery
88 South Fourth Street [map]
Downtown San Jose
408-947-1785 - www.kaleidgallery.com
Gallery Hours: Tuesday - Friday 12-7pm & Saturday 12-5pm
Do It (TV), 1995-1996
Curated by Hans Ulrich Obrist
Shere Hite (2:07), Dave Stewart (1:44), Gilbert & George
(2:12), Michelangelo Pistoletto (1:46), Steven Pippin (2:08),
Yoko Ono (1:01), Erwin Wurm (1:23), Leon Golub (1:09), Nancy
Spero (1:28), Lawrence Weiner (:59), Eileen Miles (2:25),
Rirkrit Tiravanija (:59), Jonas Mekas (2:16), Ilya Kabakov (1:29),
Michael Smith (2:57), Damien Hirst (1:35), Robert Jelinek (1:49).
Agency: Art and Advertising
September 19 – November 8, 2008
Kevin Concannon, PhD, and John Noga, curators
Sometimes puzzling, sometimes provocative, works in advertising media by artists ranging from Marcel Duchamp to Jeff Koons to 0100101110101101.ORG have both delighted and disturbed audiences that are sometimes left to wonder exactly what it is they’re seeing. Indeed, artists have used the media of advertising to communicate content that often defies viewers’ expectations and frequently challenges them. Agency: Art and Advertising is an exhibition that explores artists’ use of advertising media as sites for works of art (as opposed to the more conventional use of advertising for the promotion of work) as well as its subject. The exhibition, curated by Kevin Concannon, PhD, and John Noga, will focus on works of art in and about advertising media from the 1960s to the present.
Artists themselves, who were largely critical of commercial culture when this “ad art” phenomenon first flourished in the 1960s, are now often ambivalent about –or even embracing of –the commercialism they once critiqued. Others simply choose to use advertising media in order to extend their reach beyond conventional contemporary art audiences. Agency: Art and Advertising examines the history of art in advertising spaces –and art that addresses commodity culture through the appropriation of advertising –as it has evolved over the past 50 years.
Stop and Stare
In conjunction with the exhibition, AGENCY: Art and Advertising, shown inside
the McDonough Museum of Art there are nine captivating works that are on view
outside the Museum’s walls. Dotting the Youngstown metropolitan area are
billboards featuring gigantic images created by artists Geoffrey Hendricks,
Marilyn Minter, Yoko Ono and John Lennon, and Felix Gonzalez-Torres. These
spectacular images line the sky, compelling the public to stop and stare.
Agency: Art and Advertising
Catalog is available in the museum office or through our gift shop.
Exhibition Sponsors
Anonymous
Frank and Pearl Gelbman Charitable Foundation
Elizabeth Firestone Graham Foundation
Lamar Advertising of Youngstown, Inc.
Toby Devan Lewis
Ohio Arts Council
Innis Maggiore
McDonough Museum of Art
Tuesday through Saturday, 11-4pm
Wednesday 11am-8pm
Free and open to the public.
call 330.941.1400
htttp://mcdonoughmuseum.ysu.edu
AUGUSTA, Ga. – The U.S. Army Corps of Engineers hosted a "meet and greet" event at the Augusta Veterans Curation Program laboratory Jan. 30 to speak with the public about opportunities for veterans to work with the Corps. Pictured left to right: Amy Irons (New South Associates, Inc.), Patrick Rivera (VCP), Dr. Joe Joseph (New South Associates). Photo by Ryan Brewer.
The Veterans Curation Program provides vocational rehabilitation and innovative training for wounded and disabled veterans using archaeological collections administered by the Corps. Veterans working at the Augusta lab are being trained in computer, photographic, and scanning technologies, as well as modern archiving techniques. Work performed by participating veterans helps rehabilitate the Corps' archaeological collections and associated records. The technical skills learned at the lab will be transferrable to potential future jobs outside the lab. For more information on the VCP, visit www.veteranscurationprogram.org.
Meet Mr Sam who handles several documents during the day in and day out. He receives documents from various internal teams including Procurements, Finance Teams, HR, Admin and other business units, and from external teams including Suppliers, Customers etc. On a typical day, he handles several sources including Scanner, Fax, and Emails in several formats like PDF, Docs, Images, hard copies and so on.
Notes: Create an office environment with several documents on a table. Also, Sam character should personify like a typical English & European breed. Try to zoom out department names with an icon relevant to that dept.
It ’s vacation time for Sam and he came back after 10 days. He got scared on seeing the backlog of work to do and the chaos which has been created to handle the backlog.
Chaos to be handled by Sam is:
- Messed up workstation
- Bulky space is taken up by the physical documents
- Browsing of documents is tedious
- Improper Filing of documents
- Prioritisation of backlog as the date of receipt of documents was not maintained
- And many more….
SOLUTION:
To prevent such chaos situations for Sam in future, Curate365 is the right choice which digitises everything!!!
Curate365 helps Sam to -
Scan the documents (bulk) and make them into digitalized form (Automated System) using OCR technologies
Store all digital formats of documents in one or distributed locations
Merge similar documents into one file
Split a document with irrelevant content into multiple files
Identify the right document through Indexing and Versioning
Templatised document formats and maintain consistency across documents
Migrate legacy data automatically
Control data access based on user roles
importantly, save a lot of time and cost
ACROSS INDUSTRIES:
Curate365 not only helps during chaos situations like Sam but also many other digitisation concerns across industries. We would love to discuss your situation and formulate the value propositions that curate365 can offer for you.
Reach us out on help@curate365.com for any information, happy to help you out.
I curated this group show back in January, and finally got to uploading photos.
It was on display from January 16 - 30, 2009 at Kaleid Gallery in San Jose... so if ya snoozed, ya losed, pal!
New Work by:
Jesse Balmer
Francisco Cervantes
George Chen
Vice Cooler
Mark Damrel
Ryan de la Hoz
Mike DeForge
Liam Devowski
Gabriel Dieter
Danny Espinoza
Eddie Flores
Michael Foley
Yoko Furusho
Andy Gouveia
Ben Henderson
Wei Hwu
Evan Meister
Woody Miller
Pellet
Greg Pizzoli
Matt Pugnetti
Brittany Rediger
Centa Schumacher
Matthew Seigel
Kate Stewart
Andrew St. Lawrence
Sara Taylor
Roan Victor
Amberlin Wu
OPENING RECEPTION: Friday, January 16 2009 - 7PM 'til Late
Featuring live music by Panthelion!
Kaleid Gallery
88 South Fourth Street [map]
Downtown San Jose
408-947-1785 - www.kaleidgallery.com
Gallery Hours: Tuesday - Friday 12-7pm & Saturday 12-5pm
I curated this group show back in January, and finally got to uploading photos.
It was on display from January 16 - 30, 2009 at Kaleid Gallery in San Jose... so if ya snoozed, ya losed, pal!
New Work by:
Jesse Balmer
Francisco Cervantes
George Chen
Vice Cooler
Mark Damrel
Ryan de la Hoz
Mike DeForge
Liam Devowski
Gabriel Dieter
Danny Espinoza
Eddie Flores
Michael Foley
Yoko Furusho
Andy Gouveia
Ben Henderson
Wei Hwu
Evan Meister
Woody Miller
Pellet
Greg Pizzoli
Matt Pugnetti
Brittany Rediger
Centa Schumacher
Matthew Seigel
Kate Stewart
Andrew St. Lawrence
Sara Taylor
Roan Victor
Amberlin Wu
OPENING RECEPTION: Friday, January 16 2009 - 7PM 'til Late
Featuring live music by Panthelion!
Kaleid Gallery
88 South Fourth Street [map]
Downtown San Jose
408-947-1785 - www.kaleidgallery.com
Gallery Hours: Tuesday - Friday 12-7pm & Saturday 12-5pm
CRITICAL RUN IS A DEBATING FORMAT
www.emergencyrooms.org/criticalrun.html
THE 28/03/2012 we debate
IS NAVIGATION A TREAT ?
CAN ART BE CURATED BY A PHONE ?
"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH
The App store has taken over state institutions like staten museum for kunst
Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .
but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts
is forgetting an active state
is beeing guided a state of apathy .
( i heard once at a DR- news conference that people need to be guided because they are stupid )
should we debate those issues together before to jump
Is the role of the national museum to promotte compagnies that some would also consider as global threat ?
the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )
we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )
every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win
The Critical Run is in collaboration with BAZART and Critical Run
www.emergencyrooms.org/criticalrun.html
this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .
if you like to be one of the global critical run organisateur please contact : 1@colonel.dk
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and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )
library.nothingness.org/articles/SI/en/display/2
CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk
A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .
HOW IT WORKS .
A DIFFICULT QUESTION INDEED ....
the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions
.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)
THE DELEGATION :
Saied Masoudian
Neringa Abrutyte
Rene Victor Valqui Vidal
Marina Testa Pedersen
Diallo Ibrahima Sory
Pero Pivas
Branka Pivas Onofri
Faranak Sohi
Marcelo Lerer
Maher Khatib
Shohreh Shahrzad
Antonieta Medeiros Urioste
Maia Hauser
Åsmund Boye Kverneland
Thomas Fleurquin
Victor Monchamp
Ada Ortega Camara
Tijana Miskovic
Ginka Rinkova
Thierry Geoffroy
Elizabeth Löwe Hunter
Maja Spangsberg Jakobsen
Juan Fernando Lope
thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy
I curated this group show back in January, and finally got to uploading photos.
It was on display from January 16 - 30, 2009 at Kaleid Gallery in San Jose... so if ya snoozed, ya losed, pal!
New Work by:
Jesse Balmer
Francisco Cervantes
George Chen
Vice Cooler
Mark Damrel
Ryan de la Hoz
Mike DeForge
Liam Devowski
Gabriel Dieter
Danny Espinoza
Eddie Flores
Michael Foley
Yoko Furusho
Andy Gouveia
Ben Henderson
Wei Hwu
Evan Meister
Woody Miller
Pellet
Greg Pizzoli
Matt Pugnetti
Brittany Rediger
Centa Schumacher
Matthew Seigel
Kate Stewart
Andrew St. Lawrence
Sara Taylor
Roan Victor
Amberlin Wu
OPENING RECEPTION: Friday, January 16 2009 - 7PM 'til Late
Featuring live music by Panthelion!
Kaleid Gallery
88 South Fourth Street [map]
Downtown San Jose
408-947-1785 - www.kaleidgallery.com
Gallery Hours: Tuesday - Friday 12-7pm & Saturday 12-5pm
"Pine Feather Period," the 2011-2012 Coalition Gallery cohorts' inaugural exhibition curated by Jeff Ward AND "Aftermath", an exhibition of six BOLT Residents co-curated by the husband-and-wife team Jeriah Hildwine and Stephanie Burke.
Both exhibitions opened November 4th at Chicago Artists' Coalition (CAC), 217 North Carpenter Street and will run from November 4-December 2, 2011. To kick off these exhibitions, BOLT resident Amber Hawk-Swanson presented Online Comments (August 2007 - August 2011), a performance that responds to early press for her Amber Doll Project (2008), on Nov. 1 in the BOLT Project Space at CAC.
BOLT Residency Presents "Aftermath"
Aftermath refers to what is left behind after an event, especially a destructive event, or an extinction. The artists in this exhibition work with ideas of organic life, nature, place, the body, and ritual. Some of the work in this exhibition explores the relationship between people and nature, and between what it means to be human and what it means to be animal. Others may relate to ritual and the body, to our physicality and our animal nature, suggesting that we are perhaps not so far removed from our animal origins as we often suppose, as attested to by recurrent myths of lycanthropy (werewolves), and true stories of feral children. Participating artists include Melika Bass, Sarah Belknap + Joseph Belknap, Gwynne Johnson, Jenny Kendler, Homa Shojaie and Amber Hawk Swanson. Aftermath runs November 4-December 2, 2011.
About the Curators:
Aftermath (Nov) and Artifact (Dec) are co-curated by the husband-and-wife team of Jeriah Hildwine and Stephanie Burke. Jeriah (MFA 2007, MICA) is a painter, with an exhibition scheduled for February 2012 at Linda Warren Gallery; he also teaches at several colleges and art centers, and writes for Art Pulse, Art Talk Chicago, Bad at Sports and Chicago Art Magazine. Stephanie (MFA 2009, SAIC) makes work, teaches, writes for Bad at Sports, and is Editor-in-Chief of Art Talk Chicago. When not making, teaching, curating, looking at, or writing about art, they enjoy camping, target shooting, and spending time with their pet ball python, Snake.
Pine Feather Period marks the first of three exhibitions for the sixteen artists selected to participate in Coalition Gallery, a one-year, juried, co-operative exhibition program for emerging, contemporary Chicago artists. In the spirit of a debut, Pine Feather Period, a 1920's flapper slang phrase, describes the period of a debutante's coming out. This exhibition will introduce the work of CAC's 2011-2012 Coalition Gallery artists who throughout the year will expand their exhibition, marketing, networking and professional development skills.
The 2011-2012 Coalitions Gallery artists are: Steve Amos, Marissa Lee Benedict, Barbara Blacharczyk, Angela Davis Fegan, Daniel Giordan, Amanda Greive, Carole Hennessy, Debra Kayes, Alexandra Lee, Cydney M. Lewis, Sandra Perlow, Erik Peterson, Renee Prisble, Brittany Ransom, David Wittig, and Jim Zimpel.
Coalition Gallery artists will be featured in dynamic exhibitions curated by Chicagoland area independent curators, Tempestt Hazel (Co-Founder of Sixty Inches From Center: The Chicago Arts Archive and Collective Project), Anna Kunz (Artist, Co-Founder/Director of Kunz, Vis, Gonzalez Chicago), Jamilee Polson (Artist, Curator, Writer, Founder/Director of Twelve Galleries Project), and the curator of Pine Feather Period, Jeff Ward (Independent Curator, Co-Founder, Threewalls).
About the Curator: Jeff M. Ward has worked as a curator and critic in Chicago since 2002, participating in the organization of numerous shows, including exhibitions at the Hyde Park Art Center; threewalls, of which he was a co-founder; and the Pond, a no longer extant artist-run space of which he was also a co-founder. He was a critic-in-residence at the Core Program of the Glassell School of Art at the Museum of Fine Arts, Houston, and he has written for New Art Examiner and ArtLies magazines. He is currently Assistant to the Provost at the School of the Art Institute of Chicago.
I curated this group show back in January, and finally got to uploading photos.
It was on display from January 16 - 30, 2009 at Kaleid Gallery in San Jose... so if ya snoozed, ya losed, pal!
New Work by:
Jesse Balmer
Francisco Cervantes
George Chen
Vice Cooler
Mark Damrel
Ryan de la Hoz
Mike DeForge
Liam Devowski
Gabriel Dieter
Danny Espinoza
Eddie Flores
Michael Foley
Yoko Furusho
Andy Gouveia
Ben Henderson
Wei Hwu
Evan Meister
Woody Miller
Pellet
Greg Pizzoli
Matt Pugnetti
Brittany Rediger
Centa Schumacher
Matthew Seigel
Kate Stewart
Andrew St. Lawrence
Sara Taylor
Roan Victor
Amberlin Wu
OPENING RECEPTION: Friday, January 16 2009 - 7PM 'til Late
Featuring live music by Panthelion!
Kaleid Gallery
88 South Fourth Street [map]
Downtown San Jose
408-947-1785 - www.kaleidgallery.com
Gallery Hours: Tuesday - Friday 12-7pm & Saturday 12-5pm
Interior Design showcase Arttitud San Francisco.
Arttitud Fine Art Gallery San Francisco. Curated by: Tatiana Takaeva.
Painting. Artist Sergey Konstantinov.
I curated this group show back in January, and finally got to uploading photos.
It was on display from January 16 - 30, 2009 at Kaleid Gallery in San Jose... so if ya snoozed, ya losed, pal!
New Work by:
Jesse Balmer
Francisco Cervantes
George Chen
Vice Cooler
Mark Damrel
Ryan de la Hoz
Mike DeForge
Liam Devowski
Gabriel Dieter
Danny Espinoza
Eddie Flores
Michael Foley
Yoko Furusho
Andy Gouveia
Ben Henderson
Wei Hwu
Evan Meister
Woody Miller
Pellet
Greg Pizzoli
Matt Pugnetti
Brittany Rediger
Centa Schumacher
Matthew Seigel
Kate Stewart
Andrew St. Lawrence
Sara Taylor
Roan Victor
Amberlin Wu
OPENING RECEPTION: Friday, January 16 2009 - 7PM 'til Late
Featuring live music by Panthelion!
Kaleid Gallery
88 South Fourth Street [map]
Downtown San Jose
408-947-1785 - www.kaleidgallery.com
Gallery Hours: Tuesday - Friday 12-7pm & Saturday 12-5pm