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Ever wonder how Wikipedia maintains such a high degree of quality material on any given subject? They have an army of unpaid content curators. They also have you.
The all-volunteer team of curators is constantly checking new submissions to ensure they meet the rules that Wikipedia established that were designed to prevent self-promotion, that articles only reference reliable sources, and establish levels of 'notability' for things that get their own article. Those that don’t meet the guidelines, they remove.
Read the article here: www.seekomega.com/2010/05/why-technical-communicators-wil...
Creating Worlds: Curating Art & Literature, discussion between Sadhana Rao and Mita Kapur at Bangalore Literature Festival 2023.
Curated by noted historian Dr Murray Johnson and archival assistance from Ms Saadia Thomson-Dwyer and Ms Kate Wilson, Top 150: Documenting Queensland was presented by Queensland State Archives to celebrate the State's Sesquicentenary year of 2009.
These documents provide a rare and valuable insight into our fascinating past. From a fledgling convict settlement which was established at Redcliffe in 1824, European settlement of Queensland eventually extended to the far north and the harsh environment of the west. As the Top 150 documents reveal, expansion came at a considerable cost to the original occupants who inhabited the land for more than 40,000 years.
A number of significant themes, particularly regionalism and the contribution of immigrants to Queensland development become apparent in this exhibition. Despite strong efforts to create separate political entities in the central and northern districts, Queensland remains one of the largest States in the Australian Commonwealth.
Queensland is unique in having two distinct Indigenous peoples - Aboriginal and Torres Strait Islanders. Apart from the original Indigenous peoples, the British, Irish, Melanesians, Chinese and Germans are among other ethnic groups who have left their indelible mark on Queensland history.
In recent times Torres Strait Islanders and Aboriginal people have also been at the forefront of the modern land rights movement, exemplified by the 1992 Mabo Case and the 1996 Wik Decision. Here, as elsewhere, individuals often played pivotal roles and the exhibition highlights many of the people whose influence at times extended beyond the geographical borders of Queensland in such fields as literature, law, medicine, technology and conservation.
In the Gardens of Ninfa at the feet of the Monti Lepini and looking over the Pontine Marshes (malaria from which caused its abandonment in the 15thC).
I don't want to know the price on this vintage looking bear flag. mine was $13 for 2 with 1-day free prime shipping :)
James N. Kienitz Wilkins
‘This Action Lies’, 2018
Digital video, sound. 32 min.
Courtesy of the artist and the Centre d’Art Contemporain Genève – Biennale de l’Image en Mouvement 2018.
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Curated by Latitudes
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An exhibition presenting sculpture, photography, films, text and voice by Adrià Julià, Annette Kelm, James N. Kienitz Wilkins, Sarah Ortmeyer, Eulàlia Rovira, Francesc Serra i Dimas, Stuart Whipps, Haegue Yang, as well as meaningful things from the Friends of Fabra i Coats archive.
The exhibition "Things Things Say" springs from the past of Fabra i Coats—an industrial complex once dedicated to the manufacturing of cotton thread. Taking on the genre of the ‘it-narrative’ in 18th century English literature—as well as the approaches of object journalism and microhistory—the exhibition tacks back-and-forth between exceptionally normal things and the extraordinary global narratives of labour, obsolescence, and the industrialisation of nature, that they trigger.
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→ More info: www.lttds.org/projects/thingsthingssay/
→ Exhibition guide: www.lttds.org/assets/Full-sala-things-things-say-EN.pdf
→ Audioguide: www.lttds.org/projects/thingsthingssay/audio/?lang=eng
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Photo documentation: Eva Carasol
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#ThingsThingsSay #CosesQueLesCosesDiuen #CosasQueLasCosasDicen #adriajulia #adriàjulià #annettekelm #jamesnkienitzwilkins #sarahortmeyer #eulàliarovira #francescserradimas #stuartwhipps #haegueyang #meaningfulthings #amicsfabraicoats #FabraiCoats #CentredArtContemporanideBarcelona #Barcelona #CuratedbyLatitudes #LatitudesBarcelona
Performance by Joan Morey, ‘IL LINGUAGGIO DEL CORPO. Pròleg’
[THE LANGUAGE OF THE BODY: Prologue] 2015–2016. Reenactment executed by its most recent performers, members of the BAAL company, Catalina Carrasco and Gaspar Morey. Presented in the framework of the exhibition "COLLAPSE. Desiring machine, working machine", Centre d’Art Contemporani de Barcelona - Fabra i Coats, 29 November 2018. Photo: Noemi Jariod. Courtesy the artist.
Each of the six programmed performance reenactments is extracted from its original context as studies or scenes from earlier projects and given independent life. These live-action fragments encompass ritualistic exercises following the artist’s rules, tableaux vivants, and dramatic orations based on texts by the artist or by playwrights such as Samuel Beckett. Whenever possible the performances maintain their original interpreters, yet inevitably they are reinforced or degraded through their repetition, adding another layer to the artist’s exploration of control.
Preparatory study of the project ‘THE LANGUAGE OF THE BODY’ (2015), in which the human body is considered as an ambiguous channel of communication. It is a tableau vivant that bridges Greco-Roman sculpture and minimalist dance, following dancer and choreographer Yvonne Rainer’s ‘No Manifesto’ (1965), a set of rules that pare down dance to its essential elements. A nude male dancer adopts adynamic, sinuous pose from classical statuary, described by the term ‘contrapposto’ [counterpoise], while adhering to the apparently incompatible decrees from ‘No Manifesto’, which requires embodying a “No to spectacle... No to style. No to camp”. At the same time, a female choreographer dressed in black repeatedly reads a transcription of a radio broadcast entitled The utopian body given in 1966 by the French philosopher Michel Foucault. Foucault notes that the ancient Greeks had no real word for body except to designate a corpse, and he draws on a first-person account of sensory experience to suggest that the body has its special “placeless places” that are even more potent than all the myths about trapped souls.
© Text by Latitudes
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Since the late 1990s, Joan Morey (Mallorca, 1972) has produced an expansive body of live events, videos, installations, sound and graphic works, that has explored the intersection of theatre, cinema, philosophy, sexuality, and subjectivity. Morey’s work both critiques and embodies one of the most thorny and far-reaching aspects of human consciousness and behaviour – how we relate ourselves to others, as the oppressed or the oppressor. This central preoccupation with the exercise of power and authority seemingly accounts for the black and ominous tenor of his art.
COLLAPSE encompasses three parts. The first is presented over two floors of the Contemporary Art Centre of Barcelona - Fabra i Coats. ‘Desiring machine, Working machine’ is a survey of ten projects from the last fifteen years of the artist’s work. An exhibition display based around vitrines and video screens deployed as if sarcophagi or reliquaries, is presented alongside a continuous programme of audio works and a schedule of live performance extracts.
The second part of COLLAPSE takes place at the Centre d’Art Tecla Sala, L’Hospitalet de Llobregat (23 November 2018–13 January 2019) and is the definitive version of the touring exhibition ‘Social Body’.
Titled ‘Schizophrenic Machine’, the third and final part of the project comprises a major new performance event which will take place on January 10, 2019, at an especially resonant – yet deliberately undisclosed – location in Barcelona, where live action will be integrated within the longer narrative of the site’s physical and discursive past.
COLLAPSE is curated by Latitudes.
—> info: www.lttds.org/projects/morey/
—> info: ajuntament.barcelona.cat/centredart/es/projectes/anterior...
Fruit and vegetable display at Digbeth Markets.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
A martial arts education of intelligent curriculum curated by Sensei Dan Rominski at his martial art school located in Rutherford NJ. Visit our website www.thedojo.org Self-Defense for children at (201) 933-3050 or email SenseiDan@TheDOJO.org
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Get more information about our Martial Arts Education of Intelligent Curriculum involving Everything Self-Defense at TheDOJO located in Rutherford NJ.
Contact Chief Instructor: Owner Sensei Dan Rominski at (201) 933-3050 or email SenseiDan@TheDOJO.org
Visit our website www.TheDOJO.org
TheDOJO - 52 Park Avenue, Rutherford, NJ 07070 - Phone: (201) 933-3050 - Text us for info here: (201) 838-4177
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Read our Blog at senseidanromisnki.blogspot.com...
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We look so calm surrounded by fire o0! :p
Good to see you again Bryn♪
@ Rage Darkstone's " Amazon Burning "
at TheEye Art Gallery
Monday, September 30th at 2.00 PM SLT
Music curated by DJ Verdant
Curated by Art Poesia / 1AM Gallery, San Francisco
Opening Reception: March 14th, 2014
Awesome Pix by Nicolas Gzeley
Catalogue Available Here: www.store1amsf.com/category_s/138.htm
Full essay and infos here:
graffuturism.com/2014/03/01/previewandfullessayamajormino...
Exhibit: Data Blossom, Arboretum de l'Aubonne — A curated collection with Refik Anadol’s artwork by he AI Transparency Institute
© yohanes.budiyanto, 2014
HISTORY
Park Hyatt is a curated collection of some of the world's finest luxury hotels; and also the top tier brand inside the Hyatt Hotel's portfolio. Each hotel within the collection is unique, contemporary and extraordinary; which is why collectively it is my #1 all time favorite brand (The Four Seasons does not score too high on my list).
The very first Park Hyatt in Europe was The Hyatt Carlton Tower in London (circa 1982) and Hotel Villa Magna in Madrid (circa 1990). Both are not part of the group now, with the former being rebranded as Jumeirah in 2001, and the latter became an independent hotel following its renovation in 2007. Park Hyatt Hamburg later opened in 1997 at the historic Levantehaus; and the Ararat Park Hyatt in Moscow followed soon after in 2002. It was not until the opening of the Park Hyatt Paris-Vendome at Rue de la Paix in August 2002 that the brand finally has its official European flagship hotel. Designed by Ed Tuttle, -who is renowned for his work at the Amanresorts; the Park Hyatt Paris-Vendome is one of only 4 distinguished hotels in Paris to be inaugurated with a "Palace" distinction category in May 2011 (The Ritz and de Crillon are not even on the list, and Four Seasons George V was only inducted four months later after a massive $30 million renovation).
Park Hyatt went from strength to strength after Paris with the opening of the palatial, Ed Tuttle-designed Park Hyatt Milan in 2003 at an historic building circa 1870, formerly a Bank Headquarter.
LOCATION
Soaring majestically at Via Tommaso Grossi 1, Park Hyatt Milan is located at the city's most enviable location, with the Galleria Vittorio Emanuele II just a (Travertine) stone's throw away. Personally, this is the best location for all tourists and business travelers as within a radius of one kilometer, you get the quintessential Milan. Any visitors would appreciate its proximity next to the massive Duomo, -the fifth largest cathedral in the world, which took six centuries to complete; and the legendary Opera House La Scala and its piazza, adjacent to the Galleria.
Milan is a shopper's paradise, and Park Hyatt is conveniently located next to the shops at the iconic Galleria Vittorio Emanuele II. Prada has a very strong presence here as its heart lies within the historic store at a prominent corner of the Octagon, which is the first store that Mario Prada opened back in 1913. The brand reached another historic milestone by acquiring a second store right at the opposite, which was formerly the home of Ronald (McDonald's) for 20 years. Ditched by the City of Milan as the landlord of the Galleria, Ronald later sued for a ridiculous €24 million in damages when his old contract expired and was prevented from renewing. Louis Vuitton, Giorgio Armani, Gucci and Tods have presence within the Galleria, and soon will be joined by Versace (with a Museum) at a prominent space by the Octagon, formerly of the Bernasconi.
Milan's iconic department store, La Rinescente (owned by the giant Central Group of Thailand) is located next to the Duomo; and is blessed with a beautiful rooftop terrace and restaurants facing the majestic spires of the Cathedral. Rival Excelsior Milano nearby at Galleria del Corso spans an area of 4000 sqm over 7 floors, and was completely renovated by one of the world's most famous French starchitect, Jean Nouvel. It features a Laduree shop on the ground floor; and a defining food store on the Mezzanine and basement, aptly named Eat's, which hosts international guest chefs regularly. Further away within a kilometer of pleasant walking distance lies the epicenter of Milan's fashion scene at Via Monte Napoleone, where most of the world's luxury fashion brands have a flagship presence.
Food-wise, Park Hyatt is surrounded by some of the city's best restaurants. For a start, it boasts its very own Michelin Restaurant, called VUN (Milanese dialect for One) where Chef Andrea Aprea works his magic serving excellent fine dining Italian dishes. Another One Michelin nearby, Trussardi alla Scala, is one of the city's best and most famous restaurant, located on the first floor of the flagship Trussardi store right beside La Scala. Arguably one of the world's most critically acclaimed Italian Chef, Carlo Cracco has a flagship 2 Michelin restaurant two blocks away from the Park Hyatt near the Duomo, and was formerly a joint venture with the Stoppani family that owns the legendary Peck Delicatessen in Milan. In 2012, Cracco was inducted as a member of Singapore Airlines International Culinary Panel. I even ordered in-flight meals created by Cracco on my way to Italy on board Singapore Airlines First Class.
Back to the Galleria, Biffi Cafe is one of the oldest restaurants in Milan, having been founded in 1867 by Paolo Biffi, a pastry Chef to the Monarch. Savini (circa 1884) is another institution right beside the Louis Vuitton and has been attracting celebrities and artists, which includes Maria Callas, Luchino Visconti, Charlie Chaplin, Rainier III, Prince of Monaco & Grace Kelly, Frank Sinatra, Ava Gardner, and Henry Ford to name a few. Savini has The Gallery of Taste on its first floor, selling every imaginable fine foods from oil, sauces, truffle to candies and coffees. It even has an ice cream parlour on the ground floor, which I adore very much. Gelato is one of the luxuries I indulged daily in Italy. There are a few popular Gelato shops nearby Park Hyatt, including Grom, and Cioccolati Italiani just behind the Galleria whose store drew the most incredible crowd I've ever seen in a Gelato shop, so much that I left the queue on the many repeat visits during the whole week. I settled for nearby Savini instead.
One of the best kept secrets within the Galleria is a beautiful store housing the Rizzoli Bookstore. The discreet entrance hides a two storey worth of collections, including some English books and a large section of magazines. My favourite place within the Galleria? The Gucci Cafe under the glass atrium, which serves excellent coffee, amazing pies and mouthwatering cakes.
ROOMS:
Ed Tuttle created dramatic spaces at the Park Hyatt Paris-Vendome; and he casts similar magic at Park Hyatt Milan, although in a complete different atmosphere. Clad predominantly in Travertine limestone (in fact, throughout the whole building), there is a very strong sense of place that is quintessentially Italian; and the contemporary decor adds to its air of understated and timeless luxury.
At 38m2, entry level Park Room is spacious by European standard with large fluffy beds, comfortable custom-made two seater sofa and armchair, and a giant work desk made out of Travertine limestone. Most rooms have small windows, but Ed Tuttle managed to decorate in such a clever way through framing and layering that transform the window into an object d'art. Series of rectangular mirrors are hung when the spaces have a large proportion of blank walls, which creates an illusion of multiple windows, and it reflects the lights throughout the rooms.
Bathrooms take a centrestage at Park Hyatt Milan, and are all generously proportioned. Similar to Park Hyatt Paris-Vendome, the bathrooms are swathed in acres of soothing beige, but accentuated with the striking pattern of Travertine at Milan. The standalone bathtub becomes the focal point of the bathroom; and the adjoining shower compartment is so spacious that it features a bench for pure relaxation; which are all an Ed Tuttle trademark. Each bathroom has an adjoining walk-in wardrobe and external window, which collectively makes the overall space appears large. There is a separate WC compartment with a bidet. Interestingly, the mini-bar is placed just under the sink; and are electronically operated, meaning any slight movement to the bottles will resulted in an automatic charge to the bill on check-out. Blaise Mautin amenities has unique scents at each of the several Park Hyatt, including Paris and Dubai; but Milan stocks amenities by Laura Tonatto (paraben free).
My courtyard facing Suite is generous with spacious, open-plan living area, fully equipped with three seater sofa; Loewe LCD TV; Lavazza coffee machine; sizeable dual sinks and wardrobe areas on its bathroom; Italian wines and snacks and beautiful views toward the courtyard. High-speed internet access is complimentary throughout and worked well.
ROOM TO BOOK:
Corner entry level rooms and Junior Suites are smaller, but brighter. Request for a corner Park Room on the corner of Via Tommaso Grossi and Via Silvio Pellico for a glimpse of the Galleria. The lower level rooms could be quite dark and has non-descript views towards the adjacent buildings, so request for higher floor to see the sky. Third and fifth floor has considerable smaller windows, while Second and Fourth floor has larger and taller windows. Suites facing the inner courtyard are very quiet and some are larger.
For the ultimate in style and pampering, book yourself one of the 6 top floor suites that come with its own private terrace, including The Terrace, Diplomatic and the 270m2 Presidential Suite. The 95m2, courtyard-facing Spa Suite is a one-of-a-kind, featuring a personal Spa Room complete with whirlpool bath; steam and rain shower; and a fitness corner with treadmill and weights.
DINING:
Restaurant VUN is the only restaurant at the hotel, and is awarded with One Michelin Star. Talented young Chef Andrea Aprea creates simple and honest Italian dishes; but all are cooked to perfection and beautifully presented. I am a HUGE fan of Italian food, -so much that I am sure I was an Italian in the past life; and yet I found the fine dining Italian food in their native soil to be abit underwhelming to my liking and expectation. Pasta in Italy is cooked al dente, which means it is abit hard. I prefer it to be cooked a little longer for a softer texture. The same goes with the risotto. I had a hard time chewing a bowl of Michelin rated risotto at Trussardi alla Scala. While it is nice and delicious, but my jaws became a little sour after the bowl finished.
Fusion fine-dining Italian seems not to work well for me either. Personally, Italian food is best when it is at its simplest and original form, highlighting the freshness and original flavor of its ingredients. Those humble food I got typically from the streets are actually very, very good. In contrast, the most lavish meal I had at 8 1/2 Otto e Mezzo Bombana, Hong Kong, -the only 3 Michelin Italian restaurant outside Italy, by Chef Umberto Bombana was actually a bit flat for me. Generally, I had more orgasmic feast at a top level French fine dining, -say L'atelier de Joel Robuchon-, than a top Italian fine dining. But this is personal.
It is interesting to note that Park Hyatt Milan's Club Sandwich is probably as famous as the Duomo itself. It was billed as the best Club Sandwich in the world by Tyler Brûlé of Monocle Magazine in 2008. While the taste does not let you down, and the portion is as gigantic as the Duomo, I personally do not think it is the best.
LEISURE:
Leisure facilities at the Park Hyatt Milan is housed within the basement's Spa area. The focal point of the facility is the small but luxurious whirlpool made out of 250,000 gold mosaics, similar to the pool at The Bvlgari Hotel Milano. The whirlpool is unisex, but serviced by separate change rooms according to gender, each with steam room and aromatherapy showers. There is also a private Spa Room for couples, complete with two beds and Turkish bath for the ultimate pampering.
X-FACTOR:
Anish Kapoor's masterpiece "Untitled 2013", which replaced Lucio Fontana's Medusa at the iconic La Cupola Lobby Lounge; Ed Tuttle-designed, Travertine clad rooms and bathrooms; The Terrace Suites on the top floor with glimpse over Duomo spires; One Michelin Star Restaurant VUN; Whirlpool with gold mosaics at The Spa; La Cupola and its Club Sandwich; and the perfect location by the Galleria and Duomo.
SERVICE:
The French are notoriously snotty, -so rude that their government had to issue a Manual to tone down their act towards tourists-, but otherwise classy; yet I found the Italian hospitality could sometimes be rather hostile, even at many of its top hotels and restaurants. Some even made the French seems friendly. In fact, I actually had better service in Paris and enjoyed it more than Italy in general. With the current economic crisis facing Europe, I think it is imperative to understand how to properly treat the customers and tourists as the income generator.
Fortunately, service was attentive, personalized and world class at the Park Hyatt. Check-in was swift and staff personally escorted to the suite. Most staffs had great attitude with matching great look, and aimed to please. Similarly, staffs at Restaurant VUN was exemplary. The only hotel whose service was better than the Park Hyatt during the Italian trip was the Bvlgari Hotel Milano, which ranks among the best I've ever experienced. I have stayed at all three Bvlgari (Milan, London and Bali) and all its restaurants (including Tokyo), and they all blew me away. Service at both London and Milan were both phenomenal. Unfortunately, I could not say the same for Armani Milano, as it was quite disappointing.
VERDICT:
Park Hyatt Milan is a truly stunning property in the best location. It is the perfect hotel for first timer in Milan due to its proximity to some of the city's most famous landmarks and best shopping/dining. Rooms and suites are spacious; and although they probably could not compete with the sheer luxury at the Bvlgari or Armani, they are very charming and extremely comfortable. It lacked a proper pool, and the spa area is quite small, otherwise it would be perfect. I would definitely return again because the location is perfect and service was exceptional; but my #1 favorite hotel in Milan is the Bvlgari. I am actually eyeing passionately (and patiently) for the Excelsior Hotel Gallia for quite some time already as it is owned by Katara, which has The Peninsula Paris and Raffles Le Royal Monceau Paris under its belt. Let's see how it measures up once it is opened late this year.
PERSONAL RATING:
1. Room: 90
2. Bathroom: 95
3. Bed: 95
4. Service: 90
5. In-room Tech: 85
6. In-room Amenities: 90
7. Architecture & Design: 95
8. Food: 90
9. View: 80
10. Pool: N/A
11. Wellness: 80
12. Location: 100
13. Value: 95
Overall: 90.41
My #1 ALL TIME FAVORITE HOTEL
Landmark Mandarin Oriental Hong Kong: 95.38
PARK HYATT MILAN
at The Galleria Vittorio Emanuele II
Via Tommaso Grossi 1, Milan
General Manager: Gorka Bergareche
Executive Chef (VUN): Andrea Aprea
Interior Designer: Ed Tuttle
Hotel Opening Date: 15 October 2003
Total Rooms & Suites: 106 Rooms (including 74 Park and Park Deluxe Rooms)
Total Suites: 32 Suites (including 5 Prestige; 4 Terrace; 3 Park Executive & 16 Junior Suites
Signature Suites: 155m2 Diplomatic Suite; 95m2 Spa Suite)
Top Suites: Imperial Suite (255m2) and Presidential Suite (270m2)
Bathroom Amenities: Laura Tonatto
Restaurants: Restaurant VUN (1 Michelin Star): Italian Fine Dining
Bars and Lounges: La Cupola Lobby Lounge, The Park Bar & The Dehors
Meeting & Banquets: 96m2 Sala Duomo (100 guests), and 3 Boardrooms (up to 35 guests)
Health & Leisure: 24 hours fitness centre & The Spa with a Private Spa Room & Mosaic Whirlpool
milan.park.hyatt.com
Over the decade, I have stayed at many of the Park Hyatt hotels worldwide, including Beijing, Busan, Dubai, Hamburg, Melbourne, Milan, Paris, Saigon, Seoul, Shanghai, Sydney, Tokyo, and Zurich
Opening Reception: Saturday April 25, 2015, 6 PM – 10 PM
Exhibition Dates: April 25 – May 9, 2015
Modern Eden Gallery is excited to present the third curated exhibition by photojournalist Michael Cuffe, Editor in Chief of the international arts documagazine Warholian. This exhibition brings together over 65 artists from a range of styles and mediums to interpret beloved childhood narratives in their own unique styles. Iconic books such as Clifford the Big Red Dog, Goodnight Moon, The Cat in The Hat, and many more have been fantastically recreated with creative approaches and from adult perspectives.
FEATURED ARTISTS INCLUDE: Amandalynn, Jaclyn Alderete, Brianna Angelakis, Susanne Apgar, Paul Barnes, Jasmine Becket-Griffith, CIOU, Cory Benhatzel, Rick Berry, Pakayla Biehn, Zofia Bogusz, Brenton Bostwick, Robert Bowen, Jana Brike, Laurie Lee Brom, Valentina Brostean, Leilani Bustamante, C3, Adam Caldwell, Simona Candini, Steve Chmilar, Joshua Coffy, Michael Cuffe, Lara Dann, Lena Danya, Sheri DeBow, Jel Ena, Kohshin Finley, Ashton Gallagher, Jacqueline Gallagher, Lyrica Glory, Alec Huxley, Steve Javiel, Aunia Kahn, Tara Krebs, Marcos LaFarga, Marie Larkin, Kim Larson, Edith Lebeau, Chris Leib, Steven Lopez, Calvin Ma, Malojo, Megan Majewski, Kelly McKernan, Amy Minchew, David Molesky, Catherine Moore, Melissa Morgan, David Natale, Lori Nelson, Johannah O’Donnell, Richard James Oliver, Augie Pagan, PECA, Rich Pellegrino, Bradley Platz, Michael Ramstead, Joshua Roman, Isabel Samaras, Erika Sanada, Eve Skylar, Laura Startzman, Ania Tomicka, Daniel J. Valadez, Liz Vranesh, Helice Wen, Sandra Yagi, Hannah Yata, Trevor Young, and others.
The opening reception for “Storybook” will be held at Modern Eden Gallery on Saturday, April 25 from 6 –10 pm. Exhibition Curator, Michael Cuffe and select participating artists will be in attendance at the reception. The exhibition will be on display through May 9, 2015 and is free and open to the public.
For details and updates visit: www.moderneden.com/pages/storybook
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Expect this trend to grow during 2010.